Olympus LS-10 - Linear PCM Recorder 2 GB Digital... User manual

How to Capture
Live Sound
Linear PCM Recorder
http://www.olympus.com

Features of the LS-10
Actual applications
Recording in various scenes
Accessories
Specifications
Scene 1: Recording music
Scene 2: Recording sounds of nature
Scene 3: Recording a conference
Application 1: Digitizing an analog source
Application 2: Excellent playback functions
Application 3: Playback, editing on your PC
Application 4: CD creation on your PC
2 3
Fully compliant with the linear PCM format, the LS-10 is capable of
non-compressed digital audio recording at 96 kHz/24-bit for better-than-CD
quality. This outstanding quality makes it possible to capture live sound just as
it is with near-absolute fidelity.
For stable, reliable performance, the LS-10 features built-in microphones
accommodated in machined aluminum housings. Superior audio quality is
further assured by using separate boards for the microphone amplifier
circuitry's system control and audio control operations, thereby minimizing
internally generated noise.
Despite its compact, lightweight, go-anywhere design, the LS-10 delivers
pro-standard high-quality recording and is capable of uninterrupted extended
recording for as long as 16 hours*.
From birdsong to musical performances, the LS-10 makes it easy to record
stunning, high-fidelity sound nearly identical to the original.
Setups of musical Instruments
Experience the world of unlimited
live sound recording with the LS-10
* 44.1 kHz/16-bit recording using two AA Ni-MH batteries.

High-sensitivity built-in microphones for high-quality recording
High-quality linear PCM recording capability
4 5
Long-term recording capability
Recording time can be as long as 16 hours with two AA Ni-MH rechargeable batteries or about 12 hours
with two AA alkaline batteries (both in the 44.1kHz/16-bit mode). A built-in 2 GB flash memory enables
up to 3 hours 10 minutes of CD quality (44.1kHz/16-bit) recording or up to 69 hours and 35 minutes of
WMA format recording. The LS-10 is also equipped with an SD/SDHC card slot to add additional
recording capability.
Recommended setups for different applications
Recording settings can be adjusted to suit the needs of different recording situations. Note that the examples
listed in the following table are typical setups that may require further adjustment depending on the target
sound source and ambient conditions. Experiment with the different setups and select the most optimum one.
Multi-format compatibility
Supported recording formats include the MP3 and WMA formats that are widely used in Internet file
distributions and are suitable for long-term recording, as well as the linear PCM (WAV) format. Select the
optimum recording mode according to the purpose and usage of each recording.
Features
of the LS-10
Newly developed to accurately capture any
type of sound, the LS-10's high-sensitivity
microphones are accommodated in vibration-
resistant housings made of machined
aluminum. The size and aperture shape of the
housings are designed to optimize basic
microphone performance parameters such a
frequency response and directivity, ensuring
maximum quality. To produce recordings with a
natural, expansive stereo feel, the left and right
microphones are installed in an outward facing
layout at angles of 90°.
Bottom Cap
Microphone Holder
Side Net
Shock Absorber
Microphone Unit
Mesh Grille
Filter
Mesh Screen
Microphone Case
Low-vibration microphone structure
•See table on page 15 for the reference recording time of each recording mode. •The maximum capacity per le is limited to about
4 GB with the MP3/WMA formats and about 2 GB with the linear PCM (WAV) format. •The maximum recording time per le is about
26 hours 40 minutes with the WMA format. •The recording time available with an SD/SDHC card varies depending on the card. •Check
the Olympus website (http://olympus.com) for compatible SD/SDHC cards.
High audio quality microphone amplifier circuitry
The microphone amplifier circuitry is divided into
independent left and right channels to eliminate
interference between channels. The analog
circuitry is powered by an independent power
supply provided separately from the digital power
supply. In addition, the system control (digital
processing) and audio processing use
independent circuit boards to ensure clear signal
transmission and high S/N.
Separate system control (digital)/audio processing boards
L/R Independent
Microphone Amp
Circuits
Analog Power Supply
(Independent from
Digital Board)
System Control Board Audio Board •The values shown are reference values.
Comparison of file capacity between recording formats (Reference values)
Rec Mode Capacity used per minute Main purpose
Linear PCM
(WAV)
MP3
WMA
Mastering, professional use
Music CD production
Network distribution,
long-term recording
Playback on Windows,
long-term recording
Approx. 51 MB
Approx. 26 MB
Approx. 20 MB
Approx. 13 MB
Approx. 17 MB
Approx. 11 MB
Approx. 2.4 MB
Approx. 1.9 MB
Approx. 0.9 MB
Approx. 1.2 MB
Approx. 1 MB
Approx. 0.5 MB
96 kHz/24-bit
96 kHz/16-bit
48 kHz/24-bit
48 kHz/16-bit
44.1 kHz/24-bit
44.1 kHz/16-bit
320 kbps
256 kbps
128 kbps
160 kbps
128 kbps
64 kbps
Typical recording settings (Reference values)
Recording Function
Indoor music
performance
Band performance
in a studio
Performance in a
big hall, etc.
Bird songs,
train sound, etc.
Small conference
or interview
Large conference
in a big hall
Recording Situation
MIC SENSE
The directivity of the built-in stereo microphones can be adjusted according to the recorded sound source.
This adjustment is recommended when there is a specific sound source to be captured, for example when recording a lecture.
LOW CUT
Rec Mode
Rec Level
Zoom Mic
For most applications, LOW is recommended to reduce noise. HIGH is better for capturing quiet sounds or voices.
The low-cut filter function can be activated to record the audio more clearly by cutting low frequencies.
Linear PCM (WAV) is recommended for audio quality; MP3 or WMA is recommended for longer recording time.
MANUAL is recommended for wider dynamic range (such as in live recording), and AUTO is recommended for voices in a conference.
LOW LOW or HIGH HIGH
OFF ON
Linear PCM (WAV) format MP3 format/WMA format
MANUAL (The limiter function can also be set.) AUTO

Recording music
|
Rec Mode setup
|
Rec Level adjustment
Scene 1
6 7
Select the recording mode that best corresponds to your requirements and what you intend to do with the
recording. For critical recordings that you want to preserve or distribute, the linear PCM (WAV) format is
recommended because it offers the truest fidelity to the original sound and is suitable for post-recording
processing. If you plan to make a CD later using the recorded data, it is a good idea to select the 44.1
kHz/16-bit setting, which is the same recording format used for music CDs. As the LS-10 is equipped with
an SD/SDHC card slot, the available recording time can be increased using a memory card. If you select a
compressed audio recording format such as MP3 or WMA, the amount of space required for data recording
can be reduced to less than 1/10th of the linear PCM (WAV) format, but it should be noted that the original
audio cannot be fully restored once the audio signal has been compressed.
The following settings are recommended for recording musical instruments in a room
or studio as well as music recital in a hall.
Using a tripod as a microphone stand
Installing the recorder on a tripod is recommended to prevent grip noise and obtain stable recordings. The LS-10 has a
tripod mount hole so that it can be mounted on a tripod designed for use with a camera and its position and angle
can be adjusted correctly according to the sound source.
Remote control option
The exclusive remote control set (optional RS30W*) is available for wireless control of the recording start/stop/pause
operations of the LS-10. The remote control makes it possible to install the recorder in an ideal position and prevent
capturing of grip noise.
Recording level can be selected from AUTO or MANUAL. The
MANUAL position is recommended when the priority is on the
dynamic range. In this case, the recording level should be
adjusted manually using the REC LEVEL dial on the side panel.
To prevent the sound from breaking up, adjust the REC LEVEL
so that the level meter indicates around -6 dB even at the peak
level of sound. If the level meter indicates 0 dB or higher, the
PEAK indicator lights and the recorded audio will be distorted.
If the limiter function is switched on, audio distortion due to
excessive input level can be prevented by maintaining an
optimum recording level even when sound with an
unexpectedly high level is input.
PEAK indicator
Level meter
REC LEVEL dial
|
Recording function setup
Built-in microphone sensitivity switching
MIC SENSE HIGH
(Image)
MIC SENSE LOW
The MIC SENSE switch on the side panel can be used to select
the sensitivity of the built-in microphones. The LOW position is
recommended for most applications because it can record
audio with higher S/N and wider dynamic range. The HIGH
position is recommended when you need to capture small or
ambient sounds.
|
LS-10 recording position
Place the LS-10 in front of the musical instruments or the
stage. The microphones have directivity so they should be
installed in front of the performer or stage, with the LCD panel
facing up. If the microphones are titled or placed upside down,
the sound source cannot be recorded with correct positioning
and the phase may be inverted. For details on the positioning,
see pages 10 and 11 of this guide.
Install the LS-10 in front of the musical instruments or stage.
Recording in
various scenes Recording music
Tips

8 9
When recording bird songs or the sound of a steam locomotive, the linear
PCM (WAV) mode is recommended, as it has the capability to capture
close-to-original sounds. However, since linear PCM (WAV) format files take up
a lot of recording space, it is recommended to use an SD/SDHC card or record
audio in the MP3 or WMA format when extended recording is required.
The following settings are recommended for outdoor recording of sounds of nature such
as bird songs, the murmuring of a stream, or even the sound of a steam locomotive.
Long-term recording of a conference or interview is possible using the MP3 or WMA format. Files recorded
in the WMA format can be played back easily on a PC using software such as the Windows Media® Player.
The Zoom Mic function makes it possible to capture
the sound by selecting the direction and area to be
emphasized in recording. To record the speaker's
voice clearly in an interview, set the MIC SENSE switch
to LOW and approach the microphones to the
speaker's mouth. The recommended Rec Level setting
is AUTO because this frees you from worrying about
recording level adjustment. Zoom Mic settings
Sound capturing area (Wide)Sound capturing area (Narrow)
Directivity
(Low)
Directivity
(High)
(Image)
The following settings are recommended for recording people speaking at a conference,
forum, lecture, etc.
Tips
Using external microphones
Even in a wide conference room, speakers in distant positions can be captured using an optional ME30W 2-channel
microphone kit as the external microphones.
Benefit of low-cut function in a conference room
The built-in microphones of the LS-10 have such high sensitivity that they tend to capture unnecessary sounds that are
usually ignored by the human ear. If this causes a problem, set the LOW CUT switch to ON. This position will effectively cut
the continuous low-frequency sounds from air conditioners, LCD projectors, etc.
Using windscreen for reducing wind noise
Wind noise in outdoor recording is grating, but the high-sensitivity microphones of the LS-10 also capture soft rustling breezes that
are usually not sensed by human ears. This kind of wind noise can be attenuated by attaching the provided windscreen to the LS-10.
Using external microphones to accurately capture the target source
If the built-in microphones cannot be placed close enough to the recording target, it is recommended to use external
microphones. External microphones with high directivity will be able to capture the target sound clearly even when it is as
low as a bird's song. The monopod allows the microphone to approach the target and is therefore useful outdoors.
Tips
Available recording time of
internal memory (2 GB) (Reference values)
WAV (44.1 kHz/16-bit)
Approx. 3 hr. 10 min.
Approx. 35 hr. 35 min.
Approx. 69 hr. 35 min.
MP3 (128 kbps)
WMA (64 kbps)
•When Rec Mode is PCM, the Zoom Mic function can be selected only
in the 44.1 kHz/16-bit recording. •The Zoom Mic function is based on
the DVM (DiMAGIC Virtual Microphone) technology of DiMAGIC, Inc.
•Only monaural recording is possible when ZOOM is selected.
Selecting [OFF] disables
the Zoom Mic function
and records sound with
the original directivity of
the microphones.
WIDE
OFF
STANDARD
NARROW
ZOOM
Recording sounds of nature
Scene 2
|
Rec Mode setup
Set the MIC SENSE switch to HIGH when recording a low-level sound such as birds' songs or murmuring of a stream or
to LOW when recording a louder sound such as a steam locomotive. The recommended Rec Level setting is MANUAL.
|
Recording function setup
The quality of the recorded sound can vary greatly depending on where the LS-10 and/or the microphones are
positioned. When recording the sound of a moving steam locomotive, position the built-in stereo microphones of the
LS-10 parallel to the rails. The recorded audio will move from the right to the left (or vice versa), providing a dynamic stereo
feeling. When the recorder is installed horizontally at ear level, sound close to what you actually hear can be recorded.
|
LS-10 recording position
Recording a conference
Scene 3
|
Rec Mode setup
|
Recording function setup
Recording in
various scenes
Sound of nature / Conference

10 11
Setups of musical
instruments
Tips for recording individual musical instruments or musical performances
Place the LS-10 some distance in front of the singer(s). If breath
noise is noticeable, set the LOW CUT switch to ON or attach the
provided windscreen to the LS-10. Adjust the angle of the unit
with care as the lowest and highest frequencies may be lost at
certain angles.
Point the LS-10 at a point just slightly off the guitar's sound hole.
Pointing the unit more toward the saddle will make the sound
softer and more reverberant, while pointing it more in the
direction of the neck will make the sound sharper and crispier. In
general, it is better to put the microphones closer to the guitar
when recording the rhythm guitar, and further away when
recording the lead guitar playing the main melody.
Place the LS-10 directly in front of the guitar's sound hole, but
point the microphones towards the singer's mouth. This will
record the vocal and guitar accompaniment with the optimum
balance. If the LS-10 is positioned with one side facing down, the
vocal and guitar accompaniment can be distributed to the left
and right channels and the balance can be adjusted later.
Point the LS-10 to the center of the bell. If breath noise is
noticeable, point the unit slightly away from the center of the
bell. When the recorder's position is off-center line, high
frequencies will be more noticeable in the recorded sound.
When the recorder is moved closer to the instrument, the
recorded sound will have a crisper tone.
When recording a string musical instrument such as a violin,
place the LS-10 above the instrument by pointing it at the f-hole
on the body. With a string instrument, decreasing the distance of
the LS-10 from the instrument results in a clearer, more contoured
sound, while increasing the distance results in a softer sound.
With a grand piano, point the LS-10 towards the center of the
soundboard located inside the opening of the piano. To
include the sounds in the environment where the piano is
located, place the microphones further away from the piano
so that they can capture the overall sound. As with other
instruments, the closer the microphones are to the piano, the
clearer the recorded sound, while the further away they are,
the softer the sound.
An electronic musical instrument such as a keyboard does not
itself emanate sound so its music signal should be input directly
from the LINE OUT jack. An electronic instrument usually uses
two 6.3 mm (1/4") dia. standard (phone) plugs for the output, so
an adapter cable (commercially available) that can convert the L
and R phone plugs into a 3.5 mm (1/8") dia. stereo mini-plug
should be used. When the electronic keyboard uses a monaural
output or when recording the monaural output of a guitar
amplifier, purchase an adapter cable (commercially available)
that can convert the 6.3 mm (1/4") dia. monaural phone plug
into a 3.5 mm (1/8") dia. stereo mini-plug. It is recommended to
use a non-resistance type cable.
To record the sound output from the speaker of a guitar
amplifier, place the LS-10 at a distance from the amplifier and
point it at the center of the speaker cone. If the guitar
amplifier has two speakers, aim the recorder at a central point
between the two speakers if you want to record in stereo, or
point it at a position slightly away from the center. It is
recommended to set the MIC SENSE switch to LOW when
recording the sound output from a guitar amplifier. If you
want to record the signal output from the LINE OUT directly,
connect it in the same way as an electronic keyboard.
When recording the performance of an orchestra, big band or
choir in a concert hall, mount the LS-10 on a stand and place
it on the extension of the stage center line, so that all of the
performers are included in the microphone directivity
coverage.
|
Vocals
|
Acoustic guitar
|
Sing-along with guitar
|
Wind instrument
|
String instrument
|
Piano
|
Electronic keyboard
|
Electric guitar
|
Recording in a concert hall, etc.
Positioning if breath noise is
noticeable
Deviate slightly
from the sound hole.
At a certain
distance in front
of the sound hole.
The balance can
be adjusted later.
The tone of the recorded
sound varies depending
on the positioning of the
recorder.
When breath noise is
noticeable
Twin phone plugs - 3.5 mm dia. stereo mini-plug
converter cable
LINE IN
Guitar amp Guitar amp
Orchestra, big band, choir, etc.
Sharp, crispy sound
Soft, reverberant sound
Point at the f-hole.
Point at the soundboard.
Keyboard
LINE OUT
Speaker Speakers

12 13
The LS-10 can be used to digitize analog sound sources such as LP records and music cassettes. Connect
the LINE OUT jacks of the analog component (amplifier, radio-cassette, etc.) to the LINE IN jacks of the
LS-10. A converter cable (commercially available) may be required when recording turntable sound
through a mini-component system. When using an RCA (pin) jack converter cable, it is recommended to
use a non-resistance type cable.
Natural mode
This mode enhances the richness
of sound together with a natural
acoustical field expansion.
Power mode
This mode enhances lower
sound registers at the same
time as natural expansive feel.
Wide mode
This mode offers an even more
expansive feel that is clear,
comfortable and energetic.
OFF
Images of EUPHONY MOBILE settings
BASS
The LS-10 has built-in stereo speakers so that it can reproduce stereo audio without using other devices.
The LS-10's ability to play MP3 and WMA format sound files downloaded from a computer and to apply
built-in effects also makes it an ideal portable music player. In playback, you can use the Reverb mode to
recreate the sound space of various different environments. Five options are available: NORMAL, STUDIO,
CLUB, HALL, DOME. The LS-10 also incorporates EUPHONY MOBILE, which offers surround sound with
natural expansion for long hours of fatigue-free listening. With a choice of 4 acoustical environment
settings including Natural, Wide and Power, as well as Off, this function can dramatically enhance the
presence of the sound being listened.
Provided connecting cord
(Stereo mini-plug - Stereo mini-plug)
To LINE IN jack
(Stereo mini-jack)
To LINE OUT jack
(Stereo mini-jack)
LS-10
Connecting a compact/portable component
Commercially available converter cord
(Stereo mini-plug - RCA pin plugs L/R)
To LINE IN jack
(Stereo mini-jack) To LINE OUT (or REC OUT) jacks
(RCA pin jacks L/R)
LS-10 Mini-component system (turntable)
Connecting a mini-component system (turntable)
•EUPHONY MOBILE is a trademark of comprehensive audio equality improvement technology including the virtual sound source technology of
DiMAGIC Corporation.
Digitizing an analog source
Application 1
CD creation on your PC
Application 4
Playback, editing on your PC
Application 3
Excellent playback functions
Application 2
You can create original CDs from the recordings you've made with the LS-10. Whether it's your own original
musical performances or found sounds such as bird songs, bubbling brooks, or roaring locomotives, burning your
recordings to CD is a great way to preserve and share them. If you select the same recording mode used for CDs
(44.1 kHz/16-bit) at the time of recording, you can create CDs directly without having to convert the data. Such
CDs can be played back on any CD player. To create a CD, upload the recorded audio file to your computer by
means of USB connection or an SD card, and burn a CD-R with "Windows Media Player" or "iTunes".
The LS-10 comes with CUBASE LE4 software, a multifunction DAW (Desktop
Audio Workstation) application that enables you to edit and play back audio
files recorded with the LS-10 on your computer. Editing functions include
resizing, division, connection, deletion, fade-in and fade-out. There's also a
normalization function that can be used to adjust the recording volume and
various effects, enabling you to enjoy high-quality desktop music.
Main functions
•Editing with max. 48 audio tracks
•Mixer function that can be set per channel.
•Various effects (Delay, Distortion, Dynamics, Filter, Modulation, Reverb, etc.
USB
SD card
CD
LS-10 Computer
Actual
applications
Radio-cassette/Portable component
CPU Power Mac G4 1 GHz or Core Solo 1.5 GHz
Memory 512 MB RAM
OS OS X Version 10.4
Display resolution 1024 x 768 pixels
Hardware CoreAudio compatible audio hardware
Drive DVD-ROM drive
Network Internet access required for license activation
CPU Pentium / Athlon 1.4 GHz
Memory 512 MB RAM
OS Windows XP (Home or Professional), Windows Vista
Display Resolution 1024 x 768 pixels
Audio Windows DirectX compatible audio
Hardware ASIO compatible audio hardware recommended for low latency
performance
Drive DVD-ROM drive
Network Internet access required for license activation
Operating environment
Windows
Macintosh
(Project Window)
(VST Dynamics)
•A CD-R/RW drive is necessary for CD burning.

14 15
RS30W Exclusive Remote
Control Set [Optional]
The dedicated remote control set
enables wireless control of the
LS-10's recording start/stop/pause
functions. The remote control is
connected to the REMOTE jack on
the LS-10, and the light sensor has
a rotary construction for operation
from wide angles.
Expand the joy of recording Main specifications
Windscreen [Provided]
The windscreen included with the
LS-10 attenuates wind noise in
outdoor recording.
USB cable [Provided]
The USB cable included with the
LS-10 enables you to connect the
LS-10 to a computer (the computer
should be equipped with an USB
port).
•For the operating environment of the USB
connection, see "Main Specifications" on
page 15.
"CUBASE LE4" [Provided]
This software is included with the
LS-10 for use in playback and
editing of audio files.
Personal computer
[Commercially available]
The LS-10 is USB2.0-compliant,
making it capable of high-speed
data transfer. It is also compatible
with USB Mass Storage and is
recognized by the computer as an
external data storage device, so you
can use your mouse and perform
standard drag & drop operations.
Headphones
[Commercially available]
To monitor the sound being
recorded, connect stereo
headphones to the EAR
(earphone) jack.
B-01 AA (R6) Ni-MH
Rechargeable Batteries
[Optional]
With optional Ni-MH rechargeable
batteries, extended recording
time of up to about 16 hours (44.1
kHz/16-bit) is available.
BU-90S Charger Set
[Optional]
A set of four Ni-MH rechargeable
batteries and an exclusive charger.
Tripod
[Commercially available]
The LS-10 has a tripod hole on
the rear panel that allows it to
be mounted on a camera tripod.
This allows you to position the
recorder more precisely and
assures that recording can be
performed in stable conditions.
SD/SDHC card
[Commercially available]
A large-capacity SD/SDHC card
can be used as an additional
storage medium to supplement
the internal 2 GB memory.
ME30W 2-Channel Microphone
Kit (non-directional) [Optional]
The MS30W is a microphone set
composed of two ME30 monaural
microphones, a compact tripod
and a connection adapter. The
non-directional microphones are
plug-in power compatible and
suitable for recording of musical
instruments.
Connecting cord [Provided]
This cable is included with the LS-10 for use in connecting
its LINE IN jack to the LINE OUT jacks of a portable
component such as a cassette recorder.
RCA converter cable [Commercially available]
This converter cable is required when the LINE OUT jacks
(L/R) of the component connected to the LS-10 for
purposes, such as digitization analog audio from a disk
turntable, have RCA pin jacks (L/R). It is recommended to
purchase a non-resistance type RCA converter cable.
A513 AC Adapter
[Optional]
The A513 allows the recorder
to record for extended periods
regardless of the remaining
battery capacity.
Analog sound source
(Vinyl disk, DAT, MD, etc.)
Accessories Specifications
•
Check the Olympus website for compatible
SD/SDHC cards.
•
Product availability depends on sales area.
•
Product availability depends on sales area.
•For details and operating environment of
the software, see page 13.
Linear PCM (Pulse Code Modulation) (WAV) / MP3 (MPEG-1/MPEG-2 Audio Layer 3) / WMA (Windows Media® Audio)
3 mW + 3 mW (at load of 16Ω)
Built-in NAND ash memory (2 GB), SD/SDHC Card (8 GB maximum) (optional)
Built-in 16 mm dia. round dynamic speaker x 2 (stereo)
3.5 mm dia. mini-jack, impedance 2 kΩ
3.5 mm dia. mini-jack, impedance approx. 78 kΩ
3.5 mm dia. mini-jack, impedance 8Ω or more
200 mW + 200 mW (8Ω load)
Batteries : Two AA batteries (LR6 or ZR6) or Two Ni-MH rechargeable batteries (optional)
External power supply : AC adapter 5 V (optional)
Microsoft® Windows® 2000/XP/Vista
Mac OS X 10.2.8
- 10.5
5.18 x 1.89 x 0.88 in. (131.5 x 48 x 22.4 mm) (without protrusions)
5.33 oz. (165 g) (including two alkaline batteries)
AA battery x 2, USB cable, Connecting cord,
Carrying case, Strap, Windscreen, DVD-ROM (Sound Editing Software "CUBASE LE4")
Recording format
Maximum headphone output
Recording media
Speaker
MIC jack
LINE IN jack
EAR jack
Maximum speaker output
Power requirements
Compatible OS
(for USB connection)
Dimensions (H x W x D)
Weight
Included items
•LINE IN Jack (Recording/Playback) :
•Built-in Microphones (Recording) :
70Hz to 20kHz
MP3 Format *
Linear PCM Format
WMA Format *
Rec mode
96 kHz
48 kHz
44.1 kHz
Frequency response
20 Hz to 44 kHz
20 Hz to 23 kHz
20 Hz to 21 kHz
Rec mode
320 kbps
256 kbps
128 kbps
Frequency response
50 Hz to 20 kHz
50 Hz to 20 kHz
50 Hz to 17 kHz
Rec mode
160 kbps
128 kbps
64 kbps
Frequency response
50 Hz to 19 kHz
50 Hz to 19 kHz
50 Hz to 15 kHz
Built-in Memory
(2 GB)
55 min.
1 hr. 25 min.
1 hr. 55 min.
2 hr. 55 min.
2 hr. 5 min.
3 hr. 10 min.
10 min.
20 min.
25 min.
40 min.
30 min.
45 min.
25 min.
40 min.
55 min.
1 hr. 25 min.
1 hr.
1 hr. 30 min.
Linear PCM Format
SD/SDHC Card
512 MB 1 GB
55 min.
1 hr. 20 min.
1 hr. 50 min.
2 hr. 50 min.
2 hr.
3 hr. 5 min.
1 hr. 50 min.
2 hr. 50 min.
3 hr. 50 min.
5 hr. 45 min.
4 hr. 10 min.
6 hr. 15 min.
3 hr. 30 min.
4 hr. 20 min.
8 hr. 50 min.
6 hr. 50 min.
8 hr. 30 min.
17 hr. 20 min.
13 hr. 50 min.
17 hr. 20 min.
34 hr. 50 min.
27 hr. 10 min.
34 hr.
68 hr. 10 min.
54 hr. 50 min.
68 hr. 40 min.
137 hr. 20 min.
109 hr.
136 hr. 20 min.
272 hr. 50 min.
7 hr.
8 hr. 50 min.
17 hr. 40 min.
13 hr. 50 min.
17 hr. 20 min.
34 hr. 50 min.
55 hr. 40 min.
69 hr. 40 min.
139 hr. 30 min.
28 hr.
35 hr.
70 hr. 10 min.
2 GB 4 GB
3 hr. 45 min.
5 hr. 45 min.
7 hr. 40 min.
11 hr. 30 min.
8 hr. 20 min.
12 hr. 35 min.
8 GB
512 MB 1 GB 2 GB 4 GB 8 GB
512 MB 1 GB 2 GB 4 GB 8 GB
Rec mode
320 kbps
256 kbps
128 kbps
Built-in Memory
(2 GB)
14 hr. 10 min.
17 hr. 45 min.
35 hr. 35 min.
MP3 Format
SD/SDHC Card
Rec mode
160 kbps
128 kbps
64 kbps
Built-in Memory
(2 GB)
27 hr. 50 min.
34 hr. 45 min.
69 hr. 35 min.
WMA Format
SD/SDHC Card
Rec mode
96 kHz 24-bit
96 kHz 16-bit
48 kHz 24-bit
48 kHz 16-bit
44.1 kHz 24-bit
44.1 kHz 16-bit
Frequency Response Reference Recording Time (Reference values)
*In recording in the MP3 or WMA format,
the maximum frequency response limits
are variable depending on the recording
mode (see table above).
• Microsoft, Windows, and Windows Media are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries.
•Mac OS and iTunes are trademarks of Apple Inc. • MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson. • EUPHONY MOBILETM is a
trademark of DiMAGIC Corporation. • All other company and product names are registered trademarks and/or trademarks of their respective owners. • Images
shown on the LCD panel are simulated. • Specications and appearances are subject to change without any notice or obligation on the part of the manufacturer.
•Recording times shown above are approximate values for reference.
•Maximum recording capacity per each file is limited to a maximum of approx. 4 GB for
MP3/WMA format, or a maximum of approx. 2 GB for Linear PCM (WAV) format.
•For WMA format, the maximum recording time is approx. 26 hours 40 minutes.
•Available recording time for SD/SDHC memory cards varies depending on the card used.