Panasonic AJ-PD500 User manual

AJ-PD500
Memory Card Recorder

1
This P2HD recorder supports today's network-based workflow while interfacing with conventional broadcast
systems. It's the first recorder to provide microP2 card slots to dramatically reduce media costs, together with
ordinary P2 card slots. Recording codecs from the AVC-ULTRA*1family include AVC-Intra100/50 and AVC-LongG,
which appears for the first time in this model, ensure high-quality images and low-bit-rate (50/25/12*2/6*2Mbps)
operation. Lower-rate AVC-Proxy*3recording enables previewing, metadata input, and playlist editing*2over a
network. In addition to handling DVCPRO HD/DVCPRO50/DVCPRO/DV codec recording, optional functions support
AVC-Intra200 codec recording,*2with images and sounds that approach uncompressed master quality, and AVCHD
playback.*4The 3U half-rack size unit houses a wide range of interfaces, including Gbit Ethernet LAN, USB 3.0
(HOST), parallel remote, and RS-422A, while easy use is assured by JOG/SHTL/MENU dial operation. AC/DC power
operation enables versatility — from outdoor use to mounting in an OB van or studio installation — for a wide range
of broadcast applications.
*1: AVC-ULTRA is the name of Panasonic's professional video codec family. The AJ-PD500 does not support all of the formats included in the AVC-ULTRA family.
*2: Available in the near future.
*3: The use of DCF Technologies is under license from Multi-Format, Inc.
*4: Requires the optional AJ-YCX500G AVCHD Codec Board.
AVC-ULTRA*1Support for Everything from
Mastering-Level Image Quality to Low-Bit-Rate Transmission,
Together with Network Solutions and New Compact microP2 Cards.
A Half-Rack Size Recorder for a High-Quality, Cost-Effective Workow.

2
First Standard-Equipped AVC-ULTRA Codec
From mastering to streaming, the
image quality and bit rate can be
selected to match the application.
Panasonic's professional A/V codec
family, AVC-ULTRA, is provided as
standard equipment for the first
time ever, to meet the particular
needs of broadcasting and image
production.
An intra-frame compression method that is highly
suited to image production. In addition to the conventional
AVC-Intra100/50, an optional AVC-Intra200 codec will be available.*1
With superb images that approach uncompressed quality and
24 bit audio, it offers a level of quality that meets the needs of mastering
and archiving.
An inter-frame compression method that achieves
high-quality HD recording at a low bit rate. Ideal for providing on-air
content direct from the shooting location and for workflows using content
transferred over the internet. Four bit rates are available:
AVC-LongG50/25/12*1/6*1Mbps. AVC-LongG25 provides 10 bit/4:2:2
quality at a bit rate of approximately 25 Mbps.
Low-bit-rate, high-resolution, high-
sound-quality proxy video (Quick Time/H.264) is also recorded
with the actual data.*2Also includes metadata for efficient
offline editing. See the table (AVC-Proxy Recording Modes and
Recording Signals) on Page 5.
*1: Available in the near future.
*2: Proxy recording is not possible with Loop Rec. Proxy data refers to file-based data of low-bit-rate
motion images and audio together with management data, such as a time code and metadata.
The use of DCF Technologies is under license from Multi-Format, Inc.
Standard-Equipped microP2 Card Slots
The AJ-PD500 is the first recorder
to come with two slots for the
microP2 card, the new
broadcast-use memory card
downsized to match the size of a
conventional SD memory card.
• microP2 card: While inheriting
the high reliability of the P2 card
and maintaining the large
capacity of 64 GB,*1the microP2
card was greatly downsized to
match the size of an SD memory
card, thus resulting in a
considerable reduction in cost.
• Content Protection System
(CPS): A new security function
featured on the microP2 card.
The content recorded on the card
is locked with a password to
protect against unauthorized access. This prevents data from being stolen
and enables secure media control.
• P2 Card Slots: Two conventional P2 card slots can be used.*2
• Highly Mobile and Reliable: The microP2 and P2 cards are highly
resistant to temperature changes, dust, impacts, and vibration, and there
are no worries about condensation, head clogging, or dropout as there are
with VTR systems. Data is recorded onto empty card spaces, so there is no
need to search for the beginning and ending of recorded portions. There is
also no danger of mistakenly recording over existing data.
*1: Total card capacity includes space for data management, such as system data; therefore, the actual
usable area is less than the capacity indicated on the card. See the "Recording Times" table on Page 5 for
recording times.
*2: The microP2 card and P2 card cannot be used simultaneously.
Network Solutions (Available in the near future)
The low-rate AVC-Proxy and AVC-LongG6 codecs are well suited to high-
speed workflows using a LAN or the internet. Their image and sound
quality is high enough for use as a direct broadcast source for breaking
news over the internet. They also allow images to be clearly confirmed for
offline editing, to greatly streamline the workflow. The AJ-PD500 features
a Gbit Ethernet LAN terminal, FTP client function, and FTP/Samba server
function for file transfers over a LAN or the internet. An HTTP server
function can also be accessed from a web browser to provide the following
solutions.
• Proxy Preview: AJ-PD500 clips can be displayed as thumbnail images on
a PC or Mac for previewing and streaming proxy images.
• Metadata Editing: The metadata on AJ-PD500 clips can be searched and
edited (or input) on a PC or Mac. The actual data and proxy data both
share the metadata, so the edited results can also be reflected in the
actual data.
• Playlist Editing: Playlists can be edited and saved. They can also be
played, SDI output, and copied using a web application. After editing the
playlist on location or over the internet, proxy-image news flashes can be
transmitted from the playlist*. Then, the actual data can be FTP transferred
or carried to the studio, and the previously sent playlist can be used for SDI
output of program footage. Maximizing network functions helps to
streamline and speed-up the workflow. * This workflow will be available in the future.
OB Van
Internet
Proxy Playlist Editing
Proxy Editing Breaking News
Re-Link & High-Res. Editing Evening News
Low-Bit-Rate Video File
AVC-LongG6* (MOV)
AVC-Proxy (MOV)
Proxy (MP4)
High-Bit-Rate Video File (MXF)
AVC-Intra100 etc.
LAN
AJ-PD500
Ingest
Server
HD SDI
AJ-PD500
AJ-PX5000G
LAN
AJ-PD500
Field
Playlist Playout
Base Station
microP2
Card HD SDI
Baseband
Project File
NLE
*Available in the near future
AVC-ULTRA Codec LSI

3
Broadcast Functions and Versatile Interfaces in a 3U Half-Rack Size
AVCHD Playback* and DVCPRO Series REC/Playback
AVCHD playback* and recording with DVCPRO Series codecs (DVCPRO HD/
DVCPRO50/DVCPRO/DV) are supported. A wide range of needs can be met for
different users by selecting and adding to the system.
• AVCHD Playback*: Mounting the optional AJ-YCX500G AVCHD Codec
Board allows use of a variety of AVCHD and other broadcast content.
• DVCPRO Series Codec Recording: Record/Playback with DVCPRO HD,
DVCPRO50, DVCPRO, and DV codecs. For SD images, both NTSC (480i) and
PAL (576i) systems are supported.
* Optionally available. Playback of all files recorded by AVCHD equipment cannot be guaranteed.
High-Quality 24 bit Audio Recording
High-quality 24 bit digital audio* recorded by AVC-Intra and AVC-LongG
codecs is supported. Recording and playback of
48 kHz/24 bit/16 channel audio is possible with the AVC-Intra200 codec
(an optional function scheduled for release in the near future).
*To play video clips recorded with 24 bit audio, use a 24 bit compatible P2 device or P2 viewer. A P2 device
that is not 24 bit compatible will display the clip number in red, and playback will not be possible. A P2
viewer that is not 24 bit compatible will not produce normal sound. Use the latest P2 viewer version. For
current information on 24 bit compatible P2 devices and P2 viewers, see the Service and Support section
of the Panasonic website (http://panasonic.biz/sav/).
Multi-Functional Recording with Two Pairs of Card Slots*1
In addition to being able to selectively or continually record onto two card
slots each for microP2 and P2 cards, a host of exclusive memory card
recording functions are available.
• Hot-Swap Rec: Thanks to the two card slots, you can hot-swap P2 cards
for continuous non-stop recording. With multiple cards you can record for
hours without interruption.
• Simul Rec (AVC-LongG Only)*2: The same data can be recorded
simultaneously onto microP2 and P2 cards to provide a very safe
recording mode.
• Auto Rec*2:This mode automatically starts recording in response to SDI
video input.
• Loop Rec: This is an endless recording mode in which older data is
overwritten by newer data. When used with cameras for time-sensitive
information gathering, like weather and news reporting, the Loop Rec
mode holds the latest video data for a predetermined time period.
*1: Continuous recording cannot extend over both microP2 and P2 cards.
*2: Available in the near future.
Text Memo, Shot Marker and Metadata
• Text Memo: When recording or previewing a clip, you can attach a
memo (similar to a bookmark) at a desired location (up to 100 locations on
a frame basis). The simplified editing function lets you copy a segment
between memos and create a new clip. Text information can be added to
a memo.
• Shot Marker: During or after recording, you can mark each clip with OK,
NG or another designation.
• Clip Metadata: This function lets you browse and edit metadata, such as
the name of the camera operator and reporter, shooting location and text
memos. Metadata files can be uploaded from an SD/SDHC/SDXC card.
USB Keyboard Connection
The USB 2.0 keyboard terminal lets you connect an ordinary USB keyboard
for easy metadata text input. A software keyboard is also provided.
Gamma Conversion for Cinema Production
This function converts images recorded by a VariCam or images recorded in
the Film Rec mode of the AJ-HPX3100 to achieve the same kind of
film-like look as the Telecine 5 or Telecine 6 mode of the AJ-GBX27G
HD Gamma Corrector. It can also convert to the Cineon curve for film
recording.
Thumbnail, Ordinary Image and
Waveform Display on an 8.76 cm (3-1/2 inches) LCD
• Thumbnail Display: Thumbnail images can be freely arranged for display,
allowing instant playback, deletion or copying of selected clips.
• Image Full-Screen Display: Allows use as a recording or preview
monitor.
• WFM: The AJ-PD500 has
waveform and vectorscope display
functions for the playback or input
video signal on the LCD monitor. It
can also display on Video Out and
SDI Out.
Versatile Playback Functions
• Auto Playback*: This automatically detects the codec for each video clip
to play back and output.
• PB Position Selection: This lets you select the playback position when
playing from a thumbnail image. You can select from three different
options: Previous playback position, thumbnail time code position, or the
beginning of the clip.
• One-Clip Playback: This convenient function lets you play only one clip
with one-touch operation.
• Repeat Playback: This plays the selected clip (single or multiple)
repeatedly.
*Available in the near future.
Multi-Control Dial
In addition to VTR-like Jog and
Shuttle playback, this dial lets you
scroll when setting Menu items, and
easily set the audio level.
User Buttons/User Files
Functions can be freely allocated to the six user buttons. These settings are
saved internally and protected when the power is turned off. They can also
be easily checked on a diagnostic display*. A user file containing the
settings can be saved onto an SD/SDHC/SDXC card.
*Available in the near future.
Up/Down/Cross Convert Playout
The AJ-PD500 can convert down from HD to SD during playback. It also
features an aspect conversion function.

4
USB 3.0 Interface Allows High-Speed Transfers
• USB 3.0 (Host): AVC-LongG25
codec files can be copied to
external storage*1at approximately
12 times faster than real time.
• USB 2.0 (Device): Device mode
allows use as a P2 card drive for a
PC (nonlinear editor).
• Playback from External Storage:
P2 MXF files in external storage
can be displayed as thumbnails and
played back.*2P2 audio playback is uninterrupted by slow hard disk
performance, or when vibration temporarily delays data reading.
*1: 2 TB or more cannot be used.
*2: Playback is based on disk drive performance, including spindle speed. Panasonic cannot guarantee
smooth playback without dropped frames.
3G-SDI Input and Three 3G-SDI Outputs
3G-SDI input and three 3G-SDI outputs are standard features.
This enables high-quality line recording from a video camera, switcher, etc.
When connected to a camera recorder, Rec Start/Stop can be linked to the
camera trigger. Super and thumbnail displays can be output.
Gigabit Ethernet LAN Port
The AJ-PD500 is provided with an Ethernet port (1000Base-T/100Base-TX/
10Base-T) and features the following network functions. This enables the
AJ-PD500 to connect to a network without using a PC for easy file
transfers over the internet.
• FTP Client Function: This function lets you connect the AJ-PD500 to an
FTP server to send or receive clips to or from the FTP server.
• FTP/Samba Server Function*: You can access the AJ-PD500 from a PC
via a LAN to upload or download files.
• HTTP Server Function*: You can view thumbnails and metadata
from a PC.
* Available in the near future
.
AES/EBU Digital Audio Input/Output
AES/EBU digital audio (4 channel, BNC terminals) input/output is a
standard feature for interfacing with digital audio devices and digital VTRs.
Parallel Remote (15 Pin) Terminal
A 15 pin parallel remote terminal with function assign-ability lends
flexibility to user system designs.
HDMI Digital HD Output
The AJ-PD500 features an HDMI output terminal*, the next-generation
interface for HD images and sound. This provides digital output for a wide
variety of both professional and consumer devices.
* An optional adaptor cable may be necessary for connecting a professional monitor.
RS-422A Remote
The AJ-PD500 also features the same RS-422A remote terminal (9 pin)
that is found on many broadcast VTRs, allowing it to be controlled as a
player by an external editing controller.
Analog Input/Output Terminals
The AJ-PD500 has Ref input, analog video monitor (composite) output,*
XLR analog audio inputs/outputs (Ch 1/Ch 2), time code input/output, and
a headphone output jack.
* This is not output when the system frequency is 24 Hz.
Compact, Lightweight Design,
AC/DC Power Supply, and Built-in Speaker
• Compact, 3U half-rack size and light weight of approximately 3.65 kg
(8.1 lbs) are ideal for OB van use.
• AC/DC power supply. Compatible with 100-240 VAC power and 12 VDC
battery drive for both studio and field use.
• A built-in front speaker enables audio monitoring.
USB3.0/External Storage

5
* Available in the near future.
Recording and Playback Codecs
Compression Format
[REC FORMAT]
Video Format [LINE & FREQ]
1080/23.98p*
1080/24p*
1080/25p*
1080/29.97p*
1080/50i
1080/59.94i
720/23.98p*
720/24p*720/25p*
720/29.97p*
720/50p*
720/59.94p*
1080/50p
1080/59.94p
480/59.94i
576/50i
AVC-Intra200 (Option)* Recording/Playback Recording/Playback Recording/Playback — Recording/Playback — —
AVC-Intra100 Recording/Playback Recording/Playback Recording/Playback Playback Only Recording/Playback Recording/Playback＜3G-SDI＞—
AVC-Intra50 — Playback Only Recording/Playback Playback Only Recording/Playback — —
AVC-LongG50 Recording/Playback Recording/Playback Recording/Playback — Recording/Playback — —
AVC-LongG25 Recording/Playback Recording/Playback Recording/Playback — Recording/Playback Recording/Playback<3G-SDI＞* —
AVC-LongG12* — — Recording/Playback — Recording/Playback — —
DVCPRO HD — — Recording/Playback Playback Only Recording/Playback — —
DVCPRO 50 — — — — — — Recording/Playback
DVCPRO — — — — — — Recording/Playback
DV — — — — — — Recording/Playback
Recording Mode
Video Audio
Resolution Codec Bit Rate Codec CH Bit Rate/1CH
STD 2CH MP4 320 x 240 (QVGA) MPEG-4
Simple Profile 1500 kbps AAC-LC 2CH 64 kbps
LOW 2CH MOV
1080i mode: 480 x 270
480-59.94i mode: 352 x 240
576-50i mode: 352 x 288
1080 60/50p mode: 320 x 180
1080 30/25/24p mode: 480 x 270
720 60/50p mode: 320 x 180
720 30/25/24p mode: 480 x 270
H.264 Baseline
Profile 800 800 kbps AAC-LC 2CH 64 kbps
HQ 2CH MOV 640 x 360 H.264 High Profile 1500 kbps AAC-LC 2CH 64 kbps
HQ 4CH MOV 640 x 360 H.264 High Profile 1500 kbps AAC-LC 4CH 64 kbps
SHQ 2CH MOV 960 x 540 H.264 High Profile 3500 kbps Linear PCM 2CH 768 kbps
AVC-Proxy Recording Modes and Recording Signals
Recording format
(Compression Format)
59.94Hz/50Hz
Card x 1
16 GB 32 GB 64 GB
AVC-Intra200
(Option)*2
Approx.
8 min.
Approx.
16 min.
Approx.
32 min.
AVC-Intra100/
DVCPRO HD
Approx.
16 min.
Approx.
32 min.
Approx.
64 min.
AVC-LongG50/
AVC-Intra50/
DVCPRO 50
Approx.
32 min.
Approx.
64 min.
Approx.
128 min.
AVC-LongG25/
DVCPRO/DV
Approx.
64 min.
Approx.
128 min.
Approx.
256 min.
AVC-LongG12*2Approx.
120 min.
Approx.
240 min.
Approx.
480 min.
Recording Times*1
*1: For 1080/59p and 1080/50p, the recording times become 1/2 of those shown above. All of the times apply when single clips are recorded continuously one after the other onto a P2 card. Depending on the number of
clips to be recorded, the recordable time may be shorter than the times given. *2: Available in the near future.
Proxy Data
AJ-PX5000G
P2 cam
USB 3.0
SDI SDISDI
OA.
SDI
HDD HDD
PC
NLE
LAN LAN
Project File
AJ-PD500
AJ-PD500
AJ-PD500
AJ-PD500
P2 Card/
microP2 Card
Studio Acquisition
Metadata Inputting Proxy Editing News Flash Offline Editing
Editing
Line Acquisition/On-Air
Preview
microP2 Card/P2 Card microP2 Card/P2 Card
Acquisition
P2 Card
AJ-PD500
Box Camera/
Camera Recorder
REF Through Out
SDI (HD/SD)
REF In
PC/Mac
USB Keyboard
Storage
TC In
RS-422A
Controller
Headphone
Analog Audio In
USB 2.0 (DEVICE)
USB 2.0
AES/EBU Audio In
USB 3.0 (HOST)
HDMI Out
LAN
Gbit Ethernet
VIDEO Monitor
AUDIO Monitor
TC Out
Analog Audio Out
AES/EBU Audio Out
SDI (1/2/MON) Out
Parallel Remote (15 pin)
AJ-PD500 Input/Output I/F
*This cannot be used as an editing recorder.
Example of AJ-PD500 Workflow

6
General
Power Source: AC 100–240 V, 50 Hz/60 Hz, 45 W
DC 12 V, 3.6 A (included option)
Operating Temperature: 0 °C to 40 °C (32 °F to 104 °F)
Operating Humidity: 10 % to 80 % (no condensation)
Storage Temperature: –20 °C to 50 °C (–4 °F to 122 °F)
Weight: 3.65 kg(8.05 lbs) (main unit only)
Dimensions: 210 mm (W) x 125.5 mm (H) x 253 mm (D)
(8-9/32 inches × 4-15/16 inches × 9-31/32 inches)
(not including the Handle, set foot, knob and terminal)
Recording Media: P2 card, microP2 card
Recording Formats: AVC-Intra200 (option)*1/AVC-Intra100/AVC-Intra50/
AVC-LongG50/AVC-LongG25/AVC-LongG12*1/
AVC-LongG6*1/DVCPRO HD/DVCPRO50/DVCPRO/DV
(selectable)
Proxy: File Format: MP4 (ISO/IEC14496 standard),
MOV (QuickTime format)
Video Compression Formats:
MPEG4 Simple Prole,
H.264/AVC Baseline Prole,
H.264/AVC High Prole
Audio: AAC-LC, Linear PCM
Video Recording Signals: 1080/59.94p, 1080/50p, 1080/59.94i, 1080/50i,
1080/29.97p*1, 1080/25p*1, 1080/24p*1, 1080/23.98p*1,
720/59.94p*1, 720/50p*1, 480/59.94i, 576/50i
Audio Recording Signals: AVC-Intra200 (option)*1
：
48 kHz 24 bit 16 CH
AVC-Intra100/AVC-Intra50： 48 kHz 24 bit 8 CH
48 kHz 16 bit 8 CH
AVC-LongG50/AVC-LongG25： 48 kHz 24 bit 8 CH
AVC-LongG12*1
：
48 kHz 24 bit 4 CH
AVC-LongG6*1：
48 kHz 16 bit 2 CH
DVCPRO HD： 48 kHz 16 bit 8 CH
DVCPRO 50/DVCPRO: 48 kHz 16 bit 4 CH
Recording Times: See page 5 in this catalog for Recording Times.
Video Specication (Digital Video)
Sampling Frequency: AVC-Intra200 (option)*1/AVC-Intra100/AVC-LongG50/
AVC-LongG25/DVCPRO HD：
(59.94 Hz) Y: 74.1758 MHz, PB/PR: 37.0879 MHz
(50 Hz) Y: 74.2500 MHz, PB/PR: 37.1250 MHz
AVC-Intra100/AVC-LongG25
(1080/59p) Y: 148.3516 MHz, PB/PR: 74.1758 MHz
(1080/50p) Y: 148.5000 MHz, PB/PR: 74.2500 MHz
DVCPRO50： Y: 13.5 MHz, PB/PR: 6.75 MHz
DVCPRO： Y: 13.5 MHz, PB/PR: 3.375 MHz
Quantizing: AVC-Intra200 (option)*1/AVC-Intra100/AVC-Intra50/
AVC-LongG50/AVC-LongG25: 10 bit
AVC-LongG12*1/AVC-LongG6*1/DVCPRO HD/DVCPRO50/
DVCPRO/DV: 8 bit
Video Compression Methods:
AVC-Intra200 (option)*1/AVC-Intra100/AVC-Intra50:
MPEG-4 AVC/H.264 Intra Prole
AVC-LongG50/AVC-LongG25/AVC-LongG12*1/
AVC-LongG6*1: MPEG-4 AVC/H.264 High Prole
DVCPRO HD: DV-Based Compression (SMPTE ST 370)
DVCPRO50/DVCPRO: DV-Based Compression (SMPTE ST 314)
DV: DV Compression (IEC 61834-2)
Color Sampling: AVC-Intra200 (option)*1/AVC-Intra100/AVC-LongG50/
AVC-LongG25: Y: PB: PR= 4: 2: 2
Resolution: AVC-Intra200 (option)*1/AVC-Intra100/AVC-LongG50/
AVC-LongG25/AVC-LongG12*1/AVC-LongG6*1:
1920 x 1080 (1080/59.94i, 1080/50i),
1280 x 720 (720/59.94p, 720/50p)*1
AVC-Intra100/AVC-LongG25:
1920 x 1080 (1080/59.94p, 1080/50p)
AVC-Intra50: 1440 x 1080 (1080/59.94i, 1080/50i)
960 x 720 (720/59.94p, 720/50p)*1
Audio (Digital Audio)
Sampling Frequncy: 48kHz (synchronized with video)
Quantizing: AVC-Intra200 (option)*1/AVC-LongG50/AVC-LongG25/
AVC-LongG12*1: 24 bit
AVC-Intra100/AVC-Intra50: 24 bit/16 bit (selectable)
AVC-LongG6*1/DVCPRO HD/DVCPRO50/DVCPRO/DV: 16 bit
Headroom: 12 dB/18 dB/20 dB (selectable)
De-emphasis: T1=50 μs, T2=15 μs (auto on/off)
Video Input
Reference Input: BNC x 1, Auto switching of black burst/HD 3-value sync
SDI Input: BNC x 1
Video Output
Monitor Output: BNC x 1, SD analog composite
Reference through Output : BNC x 1
SDI Output: BNC x 2 (HD/SD switchable)
SDI Monitor Output: BNC x 1 (HD/SD switchable)
HDMI Output*2: HDMI x 1 (HDMI TypeA terminal), VIERA Link not supported
Audio Input
Analog Input: XLR x 2 (CH1, CH2)
Digital Input: BNC x 2 (CH1/2, CH3/4), AES/EBU Format
SDI Input: BNC x 1
Audio Output
SDI Output: BNC x 3
Analog Output: XLR x 2（CH1, CH2), Monitor Output (L/R) switchable
Digital Output: BNC x 2（CH1/2, CH3/4), AES/EBU Format
Headphone Output: φ3.5 mm Stereo Mini Jack x 1, 8 Ω, variable level
HDMI Output: 2 channels (linear PCM)
Internal Speaker: Round × 1 (monaural)
Other Input and Output
Time Code Input: BNC x 1, 0.5 V [p-p] to 8.0 V [p-p], 10 kΩ
Time Code Output: BNC x 1, low impedance, 2.0 V ±0.5 V [p-p]
REMOTE: D-SUB 9 pin x 1, RS-422A Interface
PARALLEL REMOTE: D-SUB 15 pin x 1
LAN: RJ-45 x 1, 1000BASE-T/100BASE-TX/10BASE-T
USB Host: USB3.0 HOST (TYPE A) x 1
USB Device: USB2.0 DEVICE (TYPE B) x 1
Keyboard*3: USB2.0 (TYPE A) x 1 (maximum 100 mA)
Standard Accessories
AC cable, CD-ROM (Manuals)
Weight and dimensions shown are approximate. Specifications are subject to change without notice.
*1: Available in the near future. *2: HDMI output does not support 480/59.94i and 576/50i. Convert to
480/59.94p and 576/50p for output. *3: This port is intended for keyboard connection. If the keyboard
draws more than 100 mA, a protective circuit may shut down the unit.
SPECIFICATIONS (Preliminary) As of September, 2013
OPTIONAL ACCESSORIES As of September, 2013
AJ-YCX500G
AVCHD Codec Board
AJ-AKR200G
Upgrade Software Key
(Coming Soon)
AJ-P2E064FG
AJ-P2E032FG
AJ-P2E016FG
Memory Card
“P2 card F series”
SD/SDHC/SDXC
Memory Card
NEW
NEW
AJ-P2M064AG
AJ-P2M032AG
Memory Card
“microP2 card”
Avid NLE Plug-In Software
(Avid Media Composer v6.5 or later)
AJ-PS001G
Software Key
for AVC-Proxy re-link.
NEW
AJ-PS002G
Software Key
for AVC-Intra50/100 P2 file export.
NEW
AJ-PS003G
Software Key
for AVC-LongG P2 file export.
(Scheduled for release in autumn, 2013.
Purchase necessary.)
NEW
AJ-PS004G
Software Key
for AVC-LongG file import to edit.
(Scheduled for release in autumn, 2013.
Purchase necessary.)
NEW

Notes Regarding the Handling of P2 Files Using a PC
Mounting and Transferring Files
The PC must be installed with the included P2 driver in order to recognize, copy and transfer P2 files. This driver is also necessary when using the PC card slot and when handling P2 files
stored on a hard-disk device, such as P2 store. For other operating requirements, refer to the P2 installation manual. The P2 driver and the P2 installation manual can be downloaded free from a
Panasonic website. Visit http://pro-av.panasonic.net/ and click “P2 Support and Download.”
Preview and Nonlinear Editing
To preview (play) P2 files on a PC, it is necessary to install P2 Viewer Plus software (downloadable for free, for Windows and Mac), both from Panasonic, or P2-compatible editing software available
from other companies (for details, visit http://pro-av.panasonic.net/en/sales_o/p2/partners.html). Note that each software places specific requirements on the operating environment, and the
operating environment must meet additional requirements to play and edit HD content on Windows PCs and Macs. For P2 Viewer Plus download and operating requirement information,
visit http://pro-av.panasonic.net/. For operating requirements and details of other P2 editing software, visit the website of the relevant software manufacturer.
Precautions When Using SD Memory Cards
On the Memory Card Recorder, use SD memory cards that conform to the SD standard, SDHC standard, or the SDXC standard. When performing proxy recording (extra-cost option), use
SDHC memory cards, SDXC memory cards, or Panasonic SD memory cards with the class description of class2 or higher. The MMC (Multi Media Card) cannot be used. Be sure to format
cards on the Memory Card Recorder before use. In this Memory Card Recorder, memory card of the capacity of SD (8 MB to 2 GB), SDHC (4 GB to 32 GB), and SDXC (32 GB to 128 GB)
can be used.
*“P2HD”, “AVC-Intra”, “AVC-LongG”, “AVC-Proxy”, “DVCPRO HD”, “DVCPRO 50” and “DVCPRO” logos are registered trademarks of Panasonic Corporation. SDHC logo and SDXC logo are
trademarks of SD-3C, LLC. Quick Time is a trademark of Apple, Inc., registered in the U.S. and other countries.
.
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Please refer to the latest Non-linear Compatibilty Information,
P2 Support, Download and Service Information, etc., at the following Panasonic web site.