Pioneer GR-333 User manual

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@Q) PIONEER’ Operating Instructions
The future of sound and vision. M. Oo di e d’ emp loi
a
Bedienungsanleitung
Istruzioni
per
l’uso
GRAPHIC
EQUALIZER
Gebruiksaan
wijzing
EGALISEUR
GRAPHIQUE
os
GRAPHISCHER
ENTZERRER
Bruksanvisning
EQUALIZZATORE
GRAFICO
: :
GRAFISCHE
EQUALIZER
Manual
de
instrucciones
GRAFISK
EQUALIZER
ECUALIZADOR
GRAFICO
Manual
de
instrucées
IGUALADOR
GRAFICO
F
ef
Nederlands
Portugués
IMPORTANT
RISK OF ELECTRIC SHOCK
D0 NOT OPEN
The lightning flash with arrowhead, within an equi- CAUTION: The exclamation point within an equilateral triangle 1s
laterai triangle, is intended to alert the user of the TO PREVENT THE RISK OF ELECTRIC SHOCK, intended to alert the user of the presence of impy rtant
presence of uninsulated “dangerous voltage” within DO NOT REMOVE COVER (OR BACK). NO operating and maintenance (servicing) instructy ms in
the product's enclosure that may be of sufficient USER-SERVICEABLE PARTS INSIDE. REFER the literature accompanying the appliance
Magnitude to constitute a risk of electric shock to SERVICING TO QUALIFIED SERVICE
persons. PERSONNEL.

¢ For the explanation of Nos. (@) — ) in the figure, please see sec-
tion “CONNECTION 1,1”.
Zie het hoofdstuk ‘‘AANSLUITINGEN I II’ voor de verklaring
van de in de afbeelding gebruikte nummers (() —).
Se avsnittet ‘‘ANSLUTNINGAR I II’ fér en forklaring av siff-
rorna (1) —) pa bilden.
* Pour l’explication des N° (4) — ) contenus dans la figure, priére
de voir la section "CONNEXION I, II”.
* Fur die Erklarung der Nummern (@ —) in der Abbildung nehmen
Con
respecto
a
la
explicacién
sobre
los
nimeros
(2)
—)
de
la
sie
bitte
auf
den
Abschnitt
"ANSCHLUSSE
I,
IE”
Bezug.
figura,
consulte
la
seccion
‘‘CONEXIONES
|
II’’.
Com
relacdo
a
explicacao
dos
numeros
(7
—)
na
ilustracdo,
fa-
vor
referir-se
a
seccdo
sobre
‘‘CONEXOES
|
e
IL".
* Per le spiegazioni a riquardo dei No. (@) —) nella figura, vedi la
sezione “COLLEGAMENTI I, IL”
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* For the explanation of Nos. (@) — ) in and letters (@ — ) in the
figure, please see section “OPERATIONS”.
* Pour I’explication des N° () — ) et des lettres (@ — ) contenus
dans Ja figure, priére de voir la section “UTILISATION”
¢ Fir die Erkilarung der Nummern (@) —) sowie Buchstaben (@
—) in der Abbildung nehmen Sie bitte auf den Abschnitt "BE-
DIENUNG” Bezug.
* Per le spiegazioni a riquardo dei No. (1) —) e delle lettere
(@ —) nella figura, vedi la sezione “FUNZIONAMENTO”.
SOHz 150Hx SOOHz I1KHz 2.4KHxe GKHe 15KHe
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Zie het hoofdstuk ‘’BEDIENING”’ voor de verklaring van de in
de afbeelding gebruikte nummers ((4) —) en letters ( @ —).
Se avsnittet ‘‘ANVANDNING" fér en férklaring av siffrorna ((1)
—) och bokstaverna ( A) —) pa bilden.
Con
respecto
a
la
explicacién
sobre
los
numeros
()
—)
y
las
letras
{
@
—)
de
la
figura,
consulte
la
seccién
‘'OPERA-
CIONES"’.
Com relacdo a explicacdo dos nimeros ((1) —) e letras ( @ -)
na ilustracao, favor referir-se 4 secc4o sobre ’“OPERACOES”’.

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eon
Thank you for buying this Pioneer product.
Please read through these operating instructions so you will
know how to operate your model properly. After you have fi-
nished reading the instructions, put them away in a safe place for
future reference.
In some countries or regions, the shape of the power plug and
power outlet may sometimes differ from that shown in the ex-
planatory drawings. However, the method of connecting and
operating the unit is the same.
CONNECTION I
(When amplifier has ADAPTOR jacks.)
[Refer to figure on page 2]
When
connecting
components,
be
sure
that
ail
power
switches
are
OFF.
This
is
an
example
of
the
connections
made
when
using
the
GR-333
in
conjunction
with
PIONEER’s
components.
For
details,
consult
the
Operating
Instructions
of
the
respective
components.
@) EQUALIZER jacks
@) TAPE jacks
@ Accessory cord provided with the tape deck
@) Tape deck (Tape deck 2)
@® Accessory cord provided with GR-333
@) Stereo amplifier
@ AC wall socket
Power plug
FUNCTIONING OF SWITCHES
CONTENTS
COnMection [ crreserscee reece ene eee en cena 9
Connection [I ---:- ec: crer cree creer rte eee ete eee eee renee nied 9
Functioning of Switches -----7---s7sc rts 9
Rear Panel Facilities ---------- -10
Front Panel Facilities ------------- see 11
Using the Equalizer Controls --- 12
Operations Sopiead dim ores aftralora a ibaa orah a ala ate gad sahara adialage ele Big aes Shae * 13
When Playing Records SsbA ie § Revels MeveroshejopaielS 8. eye gia Diaigie yiaig, S GME DA Rea epi aala ee 13
When Recording Broadcasts susiiia F6 TE RON eR loielare aaie Seaiheeeass Bale ULE 14
When Playing Back Tapes tL ielengtatialeie Nisidiatateiein Nosese- ew oihan Vo boys Mea Mea aG 14
When Editing Tapes
Troubleshooting:::---:-----:
Specifications Leb AvasvS(Ee esha Rade AEE aE LEAH E EWES Bae CMR ENE Seed Cer eA EN SAO Le
CONNECTION II
(When amplifier has ADAPTOR/TAPE 2 jacks.)
[Refer to figure on page 3]
When connecting components, be sure that all power switches
are OFF.
For details, consult the Operating Instructions for the com-
ponents to be connected.
@ EQUALIZER jacks
@) TAPE jacks
@® Accessory cords provided with the tape deck
@ Tape deck (Tape deck 2)
(@) Accessory cord provided with GR-333
©) Stereo amplifier
@ AC wall socket
Power plug
EQUALIZER
REC INPUT
terminals
TAPE
PLAY
terminals
EQUALIZER
OUTPUT PLAY
OFF terminals
(SOURCE)
TAPE
(CO) REC
terminals
(TAPE)
Above diagram shows L channel only.
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REAR PANEL FACILITIES
Two pin-plug cords are included as accessories. These are used
to connect the graphic equalizer to your stereo amplifier. The
white plug is for the left channel, and the red plug is for the right
channel.
EQUALIZER jacks TAPE jacks
© ©
fee c | Ew
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AC power cord.
EQUALIZER jacks
Connect to stereo amplifier. If your stereo amplifier has only one
set of tape jacks, connect them to the graphic equalizer’s INPUT
and OUTPUT terminals.
TAPE jacks
lf your stereo amplifier has only one set of tape jacks, connect
them to your tape deck. If your amplifier has two sets of tape
jacks (Tape 1, Tape 2), a second tape deck may be connected to
the graphic equalizer’s tape jacks.
AC OUTLET (UNSWITCHED 100 W MAX)
Power flows continually to this outlet, regardless of whether the
equalizer is switched ON or STANDBY. Electrical power consump-
tion of the connected equipment should not exceed 100 W. The
equalizer should be disconnected by removing the mains plug
from the AC wall socket when not in regular use, e.g. when on
vacation.
NOTE:
Do not connect appliances with high power consumption such
as heaters, irons, or television sets to the AC OUTLET in order
to avoid overheating or fire risk.
This can cause the equalizer to malfunction.
10
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Pin-plug cords
AC outlet
STEREO AMPLIFIER TAPE JACKS
When the stereo amplifier has one set of tape jacks:
Connect the INPUT jacks to the stereo amplifier’s TAPE REC
jacks, and connect OUTPUT jacks to the stereo amplifier’s TAPE
PLAY jacks.
Equalizer
Tape jacks jacks
Tape jacks
CN
When the stereo amplifier has two sets of tape
jacks:
Connect the INPUT jacks to the stereo amplifier’s ADAP-
TOR/TAPE 2 or TAPE 2 [REC] jacks, and connect OUTPUT jacks
to the stereo amplifier’s ADAPTOR/TAPE 2 or TAPE 2 [PLAY]
Jacks.
ADAPTOR/TAPE 2 Equalizer
or TAPE 2 jacks jacks
f= _N
Amplifier
Tape 1 jacks
f= EN
Tape deck 1
Tape jacks
(one
| Tape deck 2 | e deck 2
|
Connect TAPE REC jacks to the tape deck 2’s | #NE (REC)
jacks.
Connect TAPE PLAY jacks to the tape deck 2’s LINE
(PLAY) jacks.

FRONT PANEL FACILITIES
val
Monon ©?
POWER 7
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STAN] BY/ON
4
CD) @® @
@ POWER Switch (POWER STANDBY/ON)
When this switch is set to the ON position, power is supplied
to the unit’s main circuits (POWER indicator light.) The unit’s
power switch is geared to selecting the transformer's secon-
dary and so even at the STANDBY position, the unit's cir-
cuitry will work as long as the power cord is connected to the
AC power outlet.
Disconnect the power cord from the AC power outlet when
you do not plan to use the unit for a long period of time.
® ©
@ EQUALIZER Switch
When this switch is pressed, the EQUALIZER indicator lights
and its functions become operative. When pressed once
again, these indicators go out and the unit's functions are
turned OFF. Use this switch in the following manner:
ON: When using the equalizer to add sound compensation
while performing mixing operations with program
sources (FM broadcasts, records, tape playback, etc.),
and playing back and/or recording the results.
OFF: When not using the equalizer, but playing back or recor-
NOTE:
ding
program
sources
without
compensation.
Even
when
performing
playback
without
using
the
functions
of
In
this
case,
the
equalizer
cannot
be
used,
but
tape
this
componets,
be
that
its
power
switch
is
ON.
If
the
power
monitor
selection
can
be
performed
(when
tape
monitor
switch
is
STANDBY,
no
sound
will
be
produced
from
the
indicator
is
ON,
tape
playback,
and
when
OFF,
source
speakers.
playback).
(2) POWER indicator @ TAPE MONITOR Switch
When
this
switch
is
pressed,
the
TAPE
MONITOR
indicator
lights. When pressed again, the indicator goes out. Use this
switch in the following manner:
ON:
When
using
the
tape
deck
connected
to
the
equalizer's
tape
terminals
to
play
back
with
or
without
adding
@) TAPE MONITOR indicator
(@) EQUALIZER CONTROLS knobs/indicator
These are equalizer controls for the bands 60 Hz, 150 Hz,
400 Hz, 1 kHz, 2.4 kHz, 6 kHz and 15 kHz.
When the equalizer switch has been set to ON, these controls
may be adjusted. When a control is raised upwards from the
“O” position, the frequency band corresponding to that con-
trol will be emphasized; when the control is lowered, the fre-
quency band will be attenuated. These controls can be used
independently for right and left channels.
sound compensation.
OFF:
When
using
the
components
(tuner,
turntable,
tape
deck)
connected
to
the
stereo
amplifier
to
play
back
music
with
or
without
adding
sound
compensations.
NOTE:
In order to protect your speakers from damage resulting from
excessively
large
inputs,
whenever
increasing
high-frequen-
cy
sounds
over
a
wide
range,
be
sure
not
to
raise
your
|
amplifier’s
sound
volume
too
high.
14
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USING THE EQUALIZER CONTROLS
The graphic equalizer divides the music source into a number of
frequency bands and boosts or attenuates the level at each of the
frequencies, enabling much finer sound quality adjustments than
ordinary tone controls and sound field compensation.
Some examples of operation are given below.
Amplitude of change in frequency
(dB)
response
using
ordinary
tone
con-
trols
+10
TREBLE {
——~ Level
1 ob of
om & Nh
10 100 1k 10k (Hz)
Level
——» Frequency
Amplitude of change in frequency
response using graphic equalizer
controls
[1]
COMPENSATING
FOR
THE
PLAYBACK
FRE-
QUENCY
RESPONSE
The frequency response of a phono-cartridge or speaker has
peaks and dips in the high range and low range. It can be made
flat by adjusting finely the controls on the graphic equalizer.
Peak
am. ~
-- tg
Compensated peak Overall frequency
response
= Level
Frequency ——*—
(2]
IMPROVING
THE
ACOUSTICS
OF
THE
LISTENING
ROOM
The
ideal
listening
room
is
one
where
the
transmission
frequency
response
is
flat.
In
actual
fact,
however,
the
acoustics
vary
depending
on
the
effects
of
the
structure
of
the
room
and
its
fur-
niture,
and
on
the
listening
position.
12
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Although there is minimal treble attenuation in a listening room
surrounded by hard walls and windows and having a bare floor,
the bass sounds are reflected to a great extent.
In rooms like these, turn up the 150 Hz control slightly.
In a room surrounded by drapes and with carpets on the floor,
there is minimal reflection of the sound and both the bass and the
treble are absorbed. .
In rooms like these, turn up the 60 Hz control slightly and turn up
the frequency controls above 2.4 kHz gradually.
The above examples are extremely general.
The acoustics undergoes a change in accordance with the fur-
niture in the listening room, the height of the ceiling and the listen-
ing position, among other factors.
Play the music and try operating each of the controls to produce
the best effect.
[3] COLORING THE REPRODUCED SOUND
All instruments and vocals have their own frequency band, as
shown in the figure.
By moving the controls up or down, the volume of the in-
struments preferred can be boosted or other instruments can be
attenuated.
For instance, it is possible to boost the 60 Hz frequency and give
the bass drum a greater “punch” or boost the 1 kHz frequency
and position the vocals at the front. When the 6 kHz frequency is
boosted, the cymbals and “high hat” sound much clearer.
Instruments and vocals have a great many harmonic components
along with the fundamental frequency band and so you can have
lots of fun operating the 7 controls to achieve the sound of your
choice.
NOTE:
In order to protect the speakers from damage resulting from
power overload, do not excessively increase the stereo
amplifier’s volume level when boosting the treble range on
this unit.
@) Cymbals (2) Soprano @) Alto
@ Tenor () Baritone (6) Bass
@® Violin Cello @) Contrabass
@) Guitar 4) Piano @® Trumpet
@3) Trombone (4 Piccolo 45 Flute
Alto clarinet
English horn
@) Pipe organ
(2) Tenor saxphone Oboe
Bassoon
@3) Electric organ
|
|
{
|
@i) Bass drum
J
20 40 60 100
200 400 600 ih
2k 4k 6k 10k 20m
Frequency (Hz)

USING THE EQUALIZER CONTROLS
od
RECORDING TECHNIQUES USING THE
GRAPHIC EQUALIZER
Coloring the sound of vocals or instruments
The sound of vocals and instruments can be colored at will by
Operating the controls. For instance, when the 400 Hz, 1 kHz and
2.4 kHz controls are raised and the other controls towered,
people’s voices sound as if heard on a telephone.
Preventing howl during mixed play
Any irritating howl during play can be prevented by lowering the
knob corresponding to the frequency band in which the how! oc-
curs.
Noise can be reduced during recording and playback
When the high-range controls are boosted in step fashion during
recording and then lowered in reverse fashion during playback,
tape hiss and other high-range noise can be reduced.
|
JPNHEP
Creating recorded tapes most compatible with the
playback equipment
A sound with a greater “punch” can be recorded for playback on
car stereo equipment if the ultra-low-range, which is hard to hear,
is cut out and the mid-range is boosted.
OPERATIONS
| WHEN PLAYING RECORDS |
Mi COMBINING THE EQUALIZER WITH
RECORD PLAYBACK
[Refer to figure on page 4 [i] ]
Perform the following operations in numerical order.
() Set amplifier’s Function switch to PHONO
(or INPUT SELECTOR switch to PHONO).
(2) Set amplifier’s ADAPTOR, TAPE 2 or ADAPTOR/TAPE
2 switch (or TAPE MONITOR switch) to ON.)
@) Set TAPE MONITOR switch to OFF.
(4) Set EQUALIZER switch to ON.
@) Play back record.
©) Adjust equalizer controls.
@) Turntable
(8) Stereo amplifier
© PHONO
@®) Left channel speaker
© Left (L)
® Right (R)
© Right channel speaker
@) ADAPTOR, TAPE 2 or ADAPTOR/TAPE 2
@) EQUALIZER INPUT
@ EQUALIZER OUTPUT
«) Adjust to desired levels.
® Press to ON.
(@) Set to OFF.
13
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OPERATIONS
| WHEN RECORDING BROADCASTS |
* When connecting this unit to the TAPE 2 terminals of the
amplifier, depending on the type of amplifier used, it may not
be possible to make a recording via this unit.
Mi USING THE EQUALIZER WHILE LISTENING
TO BROADCASTS AND RECORDING THE
RESULTS.
[Refer to figure on page 5 [N) ]
Perform the following operations in numerical order.
When tape deck 2 connected to the GR-333 is set to the recording
mode, the contents of the equalizer-compensated broadcast can be
recorded on cassette tape.
) Set amplifier’s Function switch to TUNER (or IN-
PUT SELECTOR switch to TUNER).
(@ Set amplifier’s ADAPTOR, TAPE 2 or ADAPTOR/TAPE
2 switch (or TAPE 2 MONITOR switch) to ON.)
@) Set TAPE MONITOR switch to OFF.
@ Set equalizer switch to ON.
©) Tune in desired station.
©) Adjust equalizer controls.
@ Record results on tape.
@® Tuner
Tape deck 1 (double or single tape deck)
© TAPE 1
@) REC
© PLAY
©) Stereo amplifier
@ Left channel speaker
® Left (L)
@ Right (R)
@ Right channel speaker
®
ADAPTOR,
TAPE
2
or
ADAPTOR/TAPE
2
© EQUALIZER INPUT
@® TAPE
(@) EQUALIZER OUTPUT
@) REC
() PLAY
@ INPUT (REC)
(8) OUTPUT (PLAY)
(S) Tape deck 2
@ LINE
© Adjust to desired levels.
(V) Press to ON.
W) Set to OFF.
14
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WHEN PLAYING BACK TAPES
Mi COMBINING THE EQUALIZER WITH TAPE
PLAYBACK
[Refer to figure on page 6 [V]
‘
—
Perform the following operations in numerical order.
) Set amplifier’s Function switch to TAPE 1.
(@) Set amplifier’s ADAPTOR, TAPE 2 or ADAPTOR/TAPE
2 switch (or TAPE 2 MONITOR switch) to ON.)
@), © Set TAPE MONITOR switch and EQUALIZER
switch.
[Tape deck 1]
@) Press to ON.
@ Set to OFF.
{Tape deck 2]
@) Press to ON.
Gy Press to ON.
() Play back tape.
©) Play back tape.
() Adjust equalizer controls.
@® Tape deck 1 (double or single tape deck)
TAPE 1
© REC
(©) PLAY
© Stereo amplifier
© Left channel speaker
© Left (L)
® Right (R)
@ Right channel speaker
@ ADAPTOR, TAPE 2 or ADAPTOR/TAPE 2
® EQUALIZER INPUT
@® EQUALIZER OUTPUT
(@) TAPE
(@®) REC
@ PLAY
@®) INPUT (REC)
@ LINE
@®) OUTPUT (PLAY)
S) Tape deck 2
@) Adjust to desired levels.
@ Tape deck 1 playback
) Tape deck 2 playback

OPERATIONS
| WHEN EDITING TAPES
Mi USING THE EQUALIZER WHEN PERFORM-
ING TAPE EDITING
[Refer to figure on page 7 [\ij ]
Tape copying from deck 1 to deck 2 while adding
compensation.
Perform the following operations in numerical order.
(1) Set amplifier’s Function switch to TAPE 1
(or INPUT SELECTOR switch to TAPE 1).
((2) Set amplifier's ADAPTOR, TAPE 2 or ADAPTOR/TAPE
2 switch (or TAPE 2 MONITOR switch) to ON.
@) Set EQUALIZER switch to ON.
() Set TAPE MONITOR switch to OFF.
@® Play back tape.
() Adjust equalizer controls.
@ Set to recording mode.
@® Tape deck 1
TAPE 1
© REC
@® PLAY
©) Stereo amplifier
©) Left channel speaker
© Left (L)
@ Right (R)
@) Right channel speaker
@) ADAPTOR, TAPE 2 or ADAPTOR/TAPE 2
(® EQUALIZER INPUT
© EQUALIZER OUTPUT
@) TAPE
@) REC
@) PLAY
@®) INPUT (REC)
@ LINE
® OUTPUT (PLAY)
©) Tape deck 2
@) Adjust to desired levels.
® Press to ON.
@) Set to OFF.
{Refer to figure on page 8 [ii] ]
To record from tape deck 2 to tape deck 1 while ad-
ding equalizer compensation
* Depending on the type of amplifier that is used, some of the ex-
planations given here may not apply.
Perform the following operations in numerical order.
@) Set amplifier’s ADAPTOR/TAPE 2 switch (or TA-
PE 2 MONITOR switch) to ON.
When using the amplifier with REC SELECTOR switch:
REC SELECTOR -> TAPE COPY 2 ® 1
(2) Set EQUALIZER switch to ON.
(@) Set TAPE MONITOR switch to ON.
@) Play back tape.
©) Adjust equalizer controls.
©) Set to recording mode.
® Tape deck 1
TAPE 1
@©REC
@) PLAY
© Stereo amplifier
©) Left channel speaker
© Left (L)
@) Right (R)
@ Right channel speaker
@ TAPE 2 or ADAPTOR/TAPE 2
® EQUALIZER INPUT
@© EQUALIZER OUTPUT
@) TAPE
() REC
©) PLAY
@®) INPUT (REC)
@ LINE
@) OUTPUT (PLAY)
(S) Tape deck 2
@) Adjust to desired levels.
@ Press to ON.
@) Press to ON.
W In this illustration, the graphic equalizer is connected to the
ADAPTOR/TAPE 2 jack of the amplifier, and the tape deck 2 is
connected to the TAPE jack of the equalizer. The tape deck 1
is connected to the TAPE 1 terminal of the amplifier. With this
setup, copy can be taped from tape deck 2 to tape deck 1, but
make sure the function of the amplifier is set to any position ex-
cept TAPE 1.
15
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TROUBLESHOOTING
If
you
think
the
unit
is
malfunctioning,
please
perform
the
following
checks.
Often,
incorrect
operating
procedures
are
to
blame.
The
cause
may
also
lie
outside
the
unit
itself.
Check
the
other
components
and
electric
appliances
being
used
at
the
same
time.
If
the
problem
is
not
remedied
after
following
the
check-list
below,
contact
your
dealer
or
the
nearest
Pioneer
Authorized
Service
Center.
bh
SYMPTOM
CAUSE
REMEDY
‘
No
sound.
*
Power
switch
is
OFF.
¢
Turn
power
switch
on.
*
Power
cord
is
not
connected.
¢
Plug
in
power
cord.
©
Tape
monitor
switch
is
ON.
©
Set
tape
monitor
switch
to
OFF.
¢
Incorrect
operation
of
stereo
amplifier.
©
Check
the
settings
of
the
amplifier
switches
(Consult
the
amplifiers
operating
instructions).
e
Connecting cords are disconnected.
* Connect the cords properly (consult page 9 for
proper connecting procedures).
No graphic equalizer effects. ¢ Equalizer switch is set to OFF. °¢ Set to ON.
¢ Stereo amplifier’s tape monitor switch or the ¢ Set to ON.
ADAPTOR/TAPE 2 switch is OFF.
input
terminals
(reference
input
level/input
impedance)
Miscellaneous
INPUT,
TAPE
PLAY:
beer
eet
reetins
tesa
dee
mrtsntee
150
mV/50
kQ
Power
requirements
deen
eee
tence
tee
eeeeees
a.c
220
volts
~
50/60
Hz
Gain
Spe
BENSON
PPM
een
arene
eT
ane
0
dB
Power
CONSUMPtION
<o:0\cee
cee
er
etter
tee
setters
6W
Output
terminals
Dimensions
....c.csesececcssecseseeesessees
420
(W)
x
60
(H)
x
221
(D)
mm
(reference
output
level/output
impedance)
Weight
<1cccccccecrcc
tees
et
este
te
reese
teieeseneesene
ceieeei
2.2kg
OUTPUT
vccrecctre
cert
ttre
tener
eee
150
mV/2.2
kQ
7
REC
OUT
crrcreceec
errr
eee
150
mV
.
Harmonic
distortion
(20
Hz
~
20
kHz,
output
1V)
Accessories
Wa
ehee
th
eae
tae
ye
tals
hl
mak
Sutin
se
ede
aduats
athe
MeaseiexieGeet
fda?
0.03%
Pin-plug
Pte)
d
0
(eee
2
Frequency response
INPUT,
TAPE
PLAY
sccccctts
5
Hz
~
50
kHz
*3
dB
Equalizer
bands
Center frequencies
pant
60
Hz,
150
Hz,
400
Hz,
1
kHz,
2.4
kHz,
6
kHz,
15
kHz
Variable
range
eter
were
Te
reer
rr
Tre
rere
toe
eee
rs!
+10
dB
SN
ratio
(IHF,
A
network,
short
circuit,
1
V)
INPUT,
TAPE
PLAY
Pre
TeCTEe
CEL
Eee
eT
OTE
Tee
Teer
eee
ee
106
dB
SN
ratio
(DIN)
INPUT,
TAPE
PLAY
nak
eee
ROSE
eR
Te
So
alee
Salles
eres
oe
eg
eae
93
dB
16
<ARE1089 >
Operating Instructions «----------"* '
Specifications and design subject to possible change without
notice due to improvements.