RODE Microphones M2 User manual

(EMC, LVD)
M2
Instruction Manual
www.rodemic.com

- 2 -
Introduction
Thank you for chosing the M2 live condenser
microphone.
The M2 benefits from ’s extensive experience
in crafting premium condenser microphones for
studio, live and location use and is a direct result of the
foundation set by the award winning S1.
Combining sound quality equal to that of the finest
studio microphones with features such as integrated
shock mounting to reduce handling noise and a
tailored response to reduce feedback, the M2 is a
sturdy versatile add to your live microphone kit.
Please take the time to visit www.rodemic.com and
register your microphone for a full ten year warranty.
While there you can view studio tips and techniques, as
well as browse a comprehensive range of accessories
for the M2 and other microphones.
Peter Freedman
Microphones
Sydney, Australia

- 3 -
Specifications
Acoustic
Principle:
Pressure gradient
Polar Pattern: Super-Cardioid
(see graph)
Frequency
Range:
35Hz ~ 20,000Hz
(see graph)
Output
Impedence:
50Ω
Sensitivity: -44dB ± 2 dB re 1V/Pa
(6.3mV @ 94 dB SPL) @ 1 kHz
Equivalent Noise: 23 dB SPL
(A-weighted per IEC651)
Maximum
Output:
5.2dBu
(@1kHz, 1% THD into 1KΩ
load)
Dynamic Range: 118 dB SPL
(A-weighted per IEC651)
Maximum SPL: 141dB
(@1kHz, 1% THD into 1KΩload)
Signal/Noise: 71 dB SPL
(A-weighted per IEC651)
Power
Requirement:
Phantom P48, P24
Output
Connection:
3-pin XLR
Net Weight: 308g
Dimensions: Length: 187mm
Width: 47mm

- 4 -
Specifications
Frequency Response
Polar Response
Accessories
RM1
stand mount
ZP1
zip pouch
0.0
-2.0
-4.0
-6.0
-8.0
-10.0
-12.0
-14.0
-16.0
-18.0
-20.0
-22.0
-24.0 -25.0
dB rel. 1V/Pa
+5.0
F
re
q
uenc
y
Frequency
500 Hz –
1000 Hz –
4000 Hz –
dB re 1 V/Pa
20
10
0
-10
-20
-30
20Hz 100 1000 10 000 20 000

- 5 -
Features
• Feedback rejecting super-cardioid pick up pattern
• Locking on/off switch
• Heavy-duty metal body
• High level of RF rejection
• Designed & manufactured in Australia
• Full 10 year guarantee*
Using the M2
• The M2 requires a power supply which for
optimum results should be a ‘P48’ standard,
48 Volt DC Supply.
Most professional mixing consoles have an internal
48 V supply; alternatively you can purchase a
separate supply. Ensure that the power supply you
use is a professional unit that is operating correctly.
Damage due to connection of the M2 to a faulty
power supply is not covered by the warranty.
• The M2 comes complete with a microphone
stand-mount (RM1). This should be used to attach
the microphone to a good quality stand.
The stand-mount includes a thread adaptor
allowing connection to either 3/8” or 5/8”
stand thread.
• Always use a high quality microphone cable and
ensure that it is wired Pin 1 screen, Pin 2 (+), Pin 3 (-).
*Online product registration required.

- 6 -
• We recommend that any connections made to the
mixer or recorder are made with the attenuation
(gain) set to OFF as well as the microphone switch
set to OFF.
• When first switching the mixer on and when
phantom power has been applied to the M2, or
when the microphone is switched on, you should
allow several seconds for the microphone to
stabilize.
• To ensure the lowest noise/distortion your mixer
input gain control should be set so that the Peak
Program Indicator (PPI) LED flashes ON during
peaks of the source (voice/instrument).
If there is no PPI, adjust the input gain while
listening for distortion of the sound. If distortion is
heard, gradually reduce the gain until it is no longer
present.
• Microphone technique, or how to get the sound
you want, requires experimentation.
We suggest that you start with the channel EQ set
to ‘OFF’ or ‘FLAT’ (no boost or cut).
you
want
,
requires
experimentation
.
We su
gg
est that
y
ou start with the channel EQ set
to ‘OFF’ or ‘FLAT’ (no
b
oost or cut).

- 7 -
• The M2’s primary function
is a live vocal microphone.
When setting it up on
stage, make sure the
foldback monitors are
positioned as pictured in
Figure 1. This will direct
the sound to the vocalist
and towards the least
responsive section of the
M2’s pick up pattern.
• To avoid feedback and make full use of the M2’s
pick up pattern, it is best not to cup your hands
over the head of the microphone, as
shown in Figure 2.
• After use the M2 should be removed from its stand
mount, wiped with a dry, soft cloth and placed in its
protective zip pouch.
• An absorbent crystal pack is supplied with the M2.
This should stay in the zip pouch at the head of the
microphone when not in use, as condensers are
highly susceptible to moisture. When the crystals
turn pink, they can be dryed out in an oven at
100 - 150 degrees celsius for approximately ten
minutes. Once they turn blue they can be reused.
Storage
Figure 1.
Figure 2.

- 8 -
Warranty
All microphones are warranted for one year
from date of purchase. You can extend that to a full
ten years if you register online at www.rodemic.com.
The warranty covers parts and labour that may be
required to repair the microphone during the warranty
period. The warranty excludes defects caused by
normal wear and tear, modification, shipping damage,
or failure to use the microphone as per the instruction
guide.
If you experience any problem, or have any questions
regarding your microphone, first contact the
dealer who sold it to you. If the microphone requires a
factory authorised service, return will be organised by
that dealer.
We have an extensive distributor/dealer network, but
if you have difficulty getting the advice or assistance
you require, do not hesitate to contact us directly.
Microphones
International
PO Box 6685
Silverwater NSW 2128 Australia
Ph: [phone]
Fax: [phone]
USA
P.O. Box 4189
Santa Barbara, CA 93140-4189
Ph: 805 566 7777
Fax: [phone]
Technical Support
For information and technical support questions contact:
[e-mail]
In the Unites States and Puerto Rico, contact
[e-mail] or call 805 566 7777
In Australia, contact [e-mail] or call [phone]
Anywhere except Australia, the United States and Puerto Rico,
contact [e-mail] or call [phone]