Roland Hp 1300e User manual

Roland’

ee

Digital

Pianos

HP

1300¢

|

HP

16Nhe

.

GQwmner’s

Manual

Page

5

Manuale

d@istruzioni

Pagina

iG

Manual

de

Instrucciones

Pagina

30

Leigh

vel

boars

tune

Sette

44

a

lak

Page

58

ine)

The

lightning

flash

with

arrowhead

symbol,

within

an

equilaterai

triangle,

is

intended

to

alert

the

user

to

the

presence

of

uninsulated

“dangerous

voltage”

within

the

product's

enclosure

that

may

be

of

sufficient

magnitude

to

constitute

a

risk

of

electric

shock

to

persons.

CAUTION

rN

A.

CONOT

OPEN

ATTENTION:

misaue

be

Hoc

ELECTRIGUE

NE

PAS

OUVRIR

A

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

SHOCK,

DO

NOT

REMOVE

COVER

(OR

BACK).

:

NO

USER-SERVICEABLE

PARTS

INSIDE.

REFER

SERVICING

TO

QUALIFIED

SERVICE

PERSONNEL.

The

exciamation

point

within

an

equilateral

triangle

is

intended

to

alert

the

user

to

the

presence

of

important

operating

and

maintenance

(servicing)

instructions

in

the

fiterature

accompanying

the

product.

INSTRUCTIONS

PERTAINING

TO

A

RISK

OF

FIRE,

ELECTRIC

SHOCK,

OR

INJURY

TO

PERSONS.

IMPORTANT

SAFETY

INSTRUCTIONS

SAVE

THESE

INSTRUCTIONS

WARNING

-

When

using

electric

products,

basic

precautions

should

always

be

followed,

inciuding

the

following:

1.

Read

all

the

instructions

before

using

the

product.

2.

Do

not

use

this

product

near

water

—

for

example,

near

a

bathtub,

washbowl,

kitchen

sink,

in

a

wet

basement,

or

near

a

swimming

poo!,

or

the

like.

3.

This

product

should

be

used

only

with

a

cart

or

stand

that

is

recommended

by

the

manufacturer.

8.

The

power-supply

cord

of

the

product

should

be

unplugged

from

the

outlet

when

left

unused

for

a

long

period

of

time.

9.

Care

should

be

taken

so

that

objects

do

not

fall

and

liquids

are

not

spilied

into

the

enclosure

through

openings.

10.The

product

should

be

serviced

by

qualified

service

personne!

when:

4.

This

product,

either

atone

or

in

combination

with

an

amplifier A.

The

power-supply

cord

or

the

plug

has

been

damaged;

or

and

headphones

or

speakers,

may

be

capable

of

producing

B.

Objects

have

fallen,

or

liquid

has

been

spilied

onto

the

sound

levels

that

could

cause

permanent

hearing

loss.

Do

product;

or

not

operate

for

a

long

period

of

time

at

a

high

volume

level

C.

The

product

has

been

exposed

to

rain;

or

at

@

level

that

is

uncomfortable.

If

you

experience

any

D.

The

product

does

not

appear

to

operate

normally

or

hearing

toss

or

ringing

in

the

ears,

you

should

consult

an

exhibits

a

marked

change

in

performance;

or

audiologist.

£.

Tne

product

has

been

dropped,

or

the

enclosure

5,

The

product

should

be

located

so

that

its

location

or

position

damaged.

does

not

interfere

with

its

proper

ventilation.

41.Do

not

attempt

to

service

the

product

beyond

that

described

6.

The

product

should

be

located

away

from

heat

sources

such

in

the

user-maintenance

instructions.

All

other

servicing

as

radiators,

heat

registers,

or

other

products

that

produce

should

be

referred

to

qualified

service

personnel.

heat.

7.

The

product

should

be

connected

to

2

power

supply

only

of

the

type

described

in

the

operating

instructions

or

as

marked

on

the

preduct.

A

mmm

OF

TE

USA

oy

This

product

may

be

equipped

with

a

polarized

line

plug

(one

blade

wider

than

the

other)

.

This

is

a

safety

feature.

If

you

are

unabie

to

insert

the

plug

into

the

outlet,

contact

an

electrician

to

replace

your

obsolete

outlet.

Do

not

defeat

the

safety

purpose

of

the

plug.

For

Canada,

|

For

Polarized

Line

Plug

CAUTION:

To

PREVENT

ELECTRIC

SHOCK,

MATCH

WIDE

BLADE

OF

PLUG

TO

WIDE

SLOT,

FULLY

INSERT.

ATTENTION:

rour

eviter

LES

CHOCS

ELECTRIQUES,

INTRODUIRE

LA

LAME

LA

PLUS

LARGE

DE

LA

FICHE

DANS

LA

BORNE

CORRESPONDANTE

DE

LA

PRISE

ET

POUSSER

JUSQU’

AU

FOND.

For

the

U.K.

=

IMPORTANT:

THE

WIRES

IN

THIS

MAINS

LEAD

ARE

COLOURED

IN

ACCORDANCE

WITH

THE

FOLLOWING

CODE.

BLUE:

NEUTRAL

BROWN:

LIVE

As

the

colours

of

the

wires

in

the

mains

lead

of

this

apparatus

may

not

correspond

with

the

coloured

markings

identifying

the

terminais

in

your

plug,

proceed

as

follows:

The

wire

which

is

coloured

BLUE

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

L

or

coloured

RED.

Roland

e/

HP

1600¢

OWNER'S

MANUAL

Thank

you,

and

congratulations

on

your

choice

of

the

Roland

HP-1300e/HP-1600e

Digital

Piano.

Thanks

to

its

use

of

Advanced

SA

Process

digital

sound

sources,

the

HP-1300e/HP-1600e

faithfully

recreates

the

powerful

lows

and

sparkling

highs

of

a

concert

grand

piano.

Moreover,

it

comes

equipped

with

a

key-

board

that

is

a

delight

to

play

—

one

which

responds

to

every

playing

dynamic.

And

because

the

instru-

ment's

sound

sources

are

digital,

the

piano

will

never

need

tuning

to

retain

its

sound

quality.

For

these

and

many

other

reasons,

you

will

now

be

able

to

enjcy

everything

you

would

expect

from

a

traditional

piano

—

all

within

a

user-friendly,

compact

package

that

more

readily

fits

into

a

modern

lifestyle.

In

order

to

take

full

advantage

of

the

HP-1300e/HP-1600e’s

numerous

features,

and

to

enjoy

years

of

trou-

ble-free

service,

please

take

the

time

to

read

through

this

manual.

FA

CUP

CS

mmecsmmmmennnecesotrtssnnnSennn

assists

*

Six

Different

Sounds

<Page

6>

The

selection

of

sounds,

beginning

with

a

luxurious

grand

piano,

allows

you

to

play

music

in

virtually

any

style.

¢

A

Dual

Function

<Page

6>

Any

two

Voices

can

be

combined

(layered)

and

played

together.

¢

Digital

Effects

<Page

7>

Your

new

piano

comes

equipped

with

two

digital

effects:

Chorus

and

Reverb.

*

A

“Recorder”

<Page

8>

An

easy-to-operate

Recorder

allows

you

to

record

and

play

back

the

music

you

create.

*

A

Key

Touch

Function

<Page

10>

Three

‘Touch’

levels

are

available,

allowing

the

player

to

adjust

the

keyboard

feel

to

suit

personal

preferences.

e

A

Damper

Pedal

<Page

9>

When

the

Damper

pedal

is

depressed,

the

HP-1300e/

HP-1600e

provides

a

realistic

simulation

of

“sympa-

thetic

resonance.”

This

effect

occurs

when

strings

(on

an

acoustic

piano)

adjacent

to

the

notes

played

also

resonate,

creating

much

richer,

expansive

sonorities.

¢

Tuning

Functions

Even

though

there

is

no

need

to

tune

an

electric

piano

at

regular

intervals,

or

after

it

has

been

moved,

the

instrument

allows

for

the

creative

use

of

alternate

tunings.

Master

Tuning

<Page

6>

The

overail

pitch

of

the

piano

can

be

changed

to

match

the

pitch

of

other

musical

instruments.

e

MIDI

Capability

<from

Page

10>

The

instrument

also

provides

for

use

of

MIDI,

the

interface

standard

designed

to

provide

for

the

transfer

of

performance

information

among

electronic

musical

instruments

and

computers.

About

the

Advanced

SA

Sound

Sources

The

sounds

produced

by

this

instrument

are

created

using

the

“Advanced

SA

Process,”

which

represents

a

pooling

of

the

best

leading-edge

digital

technology

by

Roland.

The

ASA

process,

developed

as

a

natural

extension

of

the

original

SA

process,

involved

a

series

of

efforts:

first,

an

analysis

of

the

essential

properties

of

sound

as

generated

by

musical

instruments,

then

an

extraction,

and

finally

a

re-synthesis

designed

to

facilitate

the

expressive

needs

of

musicians.

The

result

is

a

sound

generation

method

which

provides

very

finely

textured

and

realistic

sounds.

Copyright

©

1994

by

Roland

Corporation

All

rights

reserved.

No

part

of

this

pubtication

may

be

reproduced

in

any

form

without

the

written

permission

of

Roland

Corporation.

Assembling

the

KS-1300e

Stand

for

the

HP-1300e/HP-1600e

eee

Thank

you

for

purchasing

the

Roland

KS-1300e/1600e

piano

stand.

To

ensure

long

and

trouble-free

use,

please

read

this

instruction

sheet

carefully

before

assembly.

@

Check

the

varts

Before

you

begin

sssembly,

ci

Side

board

jlatt)

»

Side

board

(right)

Pedal

doard-

Center

board

tong

screws

(M6

x

54

mm)

-

Shon

screws

(M4

x

2?

mm)

«

Knob

boits---

Plus

scrawdriver:

Cable

clamps->

@E@OO

GOO

@Assembly

procedure

that

you

have

sli

the

parts,

L

aes

a

S

|7

J

Attach

the

side

boards

(left

and

right)

to

the

pedal

board.

wy

Extand

the

pedal

cable

out

from

the

pedal

board.

(Now)

Be

sure

thas

the

side

boards

are

oriented

correctly:

the

mecal

firings

are

on

the

inside,

The

motal

fittings

on

the

inside,

Pedal

cabie.

@

Use

the

ong

serows

{M8

x

$4

mm)

to

fastan

the

ake

bards

to

the

pedal

board.

use

two

scrows

for

ony

aida.

@

Use

the

short

scraws

(M4

x27

mm}

te

attach

the

center

board

to

the

side

boards,

(

use two

screws

for

each

side.

}

(Avoid

holding

the

rads

of

the

plano.)

@

Align

the

screws

(one

on

each

sida)

located

‘on

the

bottom

of

the

plano

with

the

slots

in

the

metal

fitings

on

the

side

boards.

Slide

the

piano

so

BE

the

screws

stide

into

the

<

fos.

iS

A

:

SS

So“

ZR

@

Lit

up

the

piano

and

use

the

two

(Note}

When

placing

the

plano

on

the

stand,

be

careful

not

to

pinch

your

fingers.

knob

botts

to

fasten

the

piano

to

the

stand.

Fasten

the

pedal

cabie

with

the

cable

clamps,

and

plug

in

the

power

cable

and

pedal

cable.

®

Atfix

the

cable

clamps

on

the

back

lett

side

of

the

stand,

Fasten

the

pedal

cable

with

the

cable

clamps,

@

Insert

he

padal

cable

inte

the

pedal

jack

on

the

back

panel

‘of

the

plano.

@®

Connect

the

power

cable

into

the

AC

inlet

on

tho

back

panei

of

the

piano.

‘The

power

cable

is

included

with

the

piano.

+x

When

you

finish

assembling

the

stand,

rotate

the

adjusting

bolt

unti

it

touches

the

floor.

(Note)

If

the

piano

is

placed

on

carpeting,

rotate

the

adjustment

bolt

liste

more.

(Note)

When

placing

the

piano

in

its

location,

be

careful

nat

to

pinch

the

power

cable

underneath

the

plano.

unti

it

touches

the

floor.

33

LL

7

Setting

Up

the

Music

Rest

1.

Move

the

Music

Stand

into

the

upright

position.

i

Move

the

legs

at

right

and

left

(A)

out

into

the

proper

position.

ie

3.

Lean

the

stand

backward

slightly

until

it

is

positioned

firmly

in

place

against

the

instrument.

a

*

To

fold

down

the

Music

Stand,

first

move

(A)

back

into

their

original

positions,

then

lower

the

stand.

Be

careful

not

to

get

your

fingers

caught.

Important

Notes

Contents

important

Safety

Instructions

Features

Assembling

the

KS-1300e/1600e

stand

for

the

HP-1300e/HP-1600e..

Setting

Up

the

Music

Rest

important

Notes

...

Panel

Description

Front

Panel

Rear

Panel...

Turning

the

Power

On...

Using

Headnhones

Listening

to

‘hs

Demonstration

Songs

Try

Recording

What

You

Play

..

Playing

with

the

Key

Transposed..

Playing

a

piece

in

some

other

key

with

the

fingering

of

C

..

Pedal

Functions...

Using

the

Left

Pedal

as

a

Sostenuto

Pedal

.

Changing

the

Depth

of

the

Chorus

Effect

Applying

Reverb

to

the

Sound

.......ses

Key

Touch

Function

.......

woseseroseneseees

For

Those

Who

Wish

To

Use

MIDI

waniee:

10

About

MIDI...

10

Setting

the

MIDI

Transmit/Receive

Channels

.

11

Omni

On/Off

Local

On/Off

The

Multi-Timbral

Mode

..

es

Selecting

the

Transmission/Reception

Mode

..

12

Transmission/Reception

of

Prgram

Change

Messages

Troubleshooting

Specifications...

MIDI

[mpfementation

Chart

.

In

addition

to

the

items

listed

under

Safety

Precautions

on

page

16,

please

read

and

adhere

to

the

following:

Power

Supply

¢

When

making

any

connections

with

other

devices,

always

turn

off

the

power

to

all

equipment

first;

this

will

help

prevent

damage

or

malfunction.

*

Do

not

use

this

unit

on

the

same

power

circuit

with

any

device

that

will

generate

line

noise,

such

as

a

motor

or

variable

lighting

system.

Placement

*

Do

not

subject

the

unit

to

temperature

extremes

(eg.

direct

sunlight

in

an

enclosed

vehicle).

Avoid

using

or

storing

the

unit

in

dusty

or

humid

areas

or

areas

that

are

subject

to

high

vibration

levels.

°

This

unit

may

interfere

with

radio

and

television

reception.

Do

not

use

this

unit

in

the

vicinity

of

such

receivers.

«

Make

sure

you

always

have

the

instrument

placed

so

it

is

level

and

sure

to

remain

stable.

Otherwise,

if

played

while

tilted,

you

risk

causing

damage

to

the

keyboard

as

a

result

of

the

unnatural

degree

of

force

that

might

be

applied

to

certain

parts

of

it.

Maintenance

*

For

everyday

cleaning

wipe

the

unit

with

a

soft,

dry

cloth

(or

one

that

has

been

slightly

dampened

with

water).

To

remove

stubborn

dirt,

use

a

mild

neutral

detergent.

Afterwards,

be

sure

to

wipe

the

unit

thor-

oughly

with

a

soft,

dry

cloth.

*

Never

use

benzene,

thinners,

alcohol

or

solvents

of

any

kind,

to

avoid

the

risk

of

discoloration

and/or

deforma-

tion.

Additional

Precautions

©

Protect

the

unit

from

strong

impact.

*

Do

not

allow

objects

or

liquids

of

any

kind

to

penetrate

the

unit.

In

the

event

of

such

an

occurrence,

discon-

tinue

use

immediately.

Contact

qualified

service

personnel

as

soon

as

possible.

Panel

Description

Front

Panel

a

|

VOLUME

BRILLIANCE

ul

PIANG

HARPSI-

VIBRA-

E.PIANG

PIPE

STRINGS

CHORD

PHONE

ORGAN

Ce).

JEEVES)

ES

eS

FUNCTION

"MELLOW

‘BRIGHT

Lb

rt

VOLUME

Knob

Voice

Buttons

At

“MAX”

the

volume

will

be

greatest.

Use

these

buttons

to

select

the

sounc

you

want.

£22]

BRILLIANCE

Knob

4.2

:

PIANG

A

sich

concert

grand

piano

sound.

The

sound

becomes

brighter

as

the

knob

's

turned

toward

,

-

BRIGHT.

HARPSICHORD

A

distinctively

sensitive

and

refined

harpsichord

sound.

FUNCTION

Button

VIBRAPHONE

_

The

sound

of

a

large

vibraphone.

The

FUNCTION

button,

when

used

in

combination

with

=

PIANO

Provides

the

timbre

ofa

luminous:

other

buttons,

is

used

to

periorm

the

following

procedures:

fo

transparent

electric

piano.

Playing

the

demo

songs

{p.

8)

PIPE

ORGAN

A

Cathedral

pipe

organ

Transposing

to

other

keys

(p.

9)

STRINGS

The

sound

of

a

delightful

string

ensem-

Assigning

pedal

functions

(p.

9)

ble.

Setting

the

MIDI

Transmit/Receive

Channeis

(p.

11)

Setting

Omni

ON

or

OFF

(9.

11)

Press

any

two

Voice

buttons

simultaneously

to

have

those

Setting

Local

ON

or

OFF

(p.

11)

two

sounds

combined

and

played

together.

(This

is

known

Setting

the

Multi-Timbral

mode

(p.

12)

as

the

DUAL

function.)

Setting

the

MIDI

mode

{p.

12)

Transmission/Reception

of

Program

Change

Messages

(p.

13)

*

The

Chorus

setting

that

will

apply

to

the

sounds

in

a

layered

pair

will

be

the

setting

made

for

the

——

button

on

the

left.

Rear

Panel

{a]

MiDI____

PEDAL

TUNE

__—INPUT__.

OUTPUT...

our

IN

R

L

R L

LJ

Qo

oo]

Wo

90

©9

00

L

MONO

sTeREo™

Lecce!

MIDI

Connectors

[2]

tnpuT

Jacks

Accept

the

MIDI

cables

used

to

connect

external

elec-

Accept

input

of

audio

signals

from

some

other

unit

(CD

tronic

instruments.

player,

cassette

deck

etc.)

that

you

wish

to

hear

through

the

HP-1300e/HP-1600e’s

speakers.

PEDAL

Jack

This

is

where

you'll

connect

the

supplied

pedals.

fg]

OUTPUT

Jacks

Provide

output

of

sound

produced

by

the

TUNE

Knob

HP-1300e/HP-1600e.

Allows

the

overall

pitch

to

be

adjusted.

With

the

knob

at

its

center

position,

the

center

A

key

(/a)

on

the

keyboard

will

have

a

frequency

of

440

Hz.

Move

the

knob

in

the

direction

of

“#”

to

raise

the

pitch,

and

toward

“

b”

to

lower

it.

By

rotating

the

knob

to

either

extreme,

you

obtain

a

change

of

50

cents

(1/2

semitone).

5

16

B

KEY

TOUCH

REC

UGHT

HEAVY

CHORUS

REVERB

PLAY

fo

Se).

Ee

ee)

ae

es

tton

Pres:

‘!5

button

(its

indicator

will

fight)

to

add

minute

pulsations

to

the

sounds

you

play,

and

make

them

Depth

leveis.

(p.

10)

*

Chorus

On/Off

setting

can

be

set

individually

for

each

Voice.

Hold

down

a

Voice

button

while

you

press

the

CHO-

RUS

button

to

store

the

setting

(ON

/OFF)

along

with

that

Voice.

REVERB

Button

Press

the

REVERB

button

(its

indicator

will

tight}

to

add

reverberation

(spacious

ambiance)

to

the

sound.

You

can

select

from

six

Reverb

Depth

levels.

(p.

10)

*

Reverb

On/Off

cannot

be

set

individually

for

each

Voice.

.

Turning

the

Power

On

1.

Insert

the

plug

on

the

power

cord

into

an

outlet.

f

Ly

i

2.

Press

the

POWER

button

on

the

left

side

of

the

panel.

(Press

the

button

again

to

turn

it

OFF.)

Pressing

the

button

once

Pressing

the

button

again

oe

ON

OFF

*

A

muting

feature

comes

into

effect

for

a

brief

interval

{about

2

seconds)

after

power

up.

During

this

interval,

nothing

will

be

heard

if

you

play

the

keyboard.

*

Be

sure

to

use

only

the

power

cord

supplied

with

this

unit.

*

Whenever

you

de

not

intend

to

use

the

piano

for

an

extended

period

of

time,

disconnect

the

power

cord

from

the

outlet.

DEMO

KEYTOUCH

Button

Allows

you

to

adi

oard’s

Bg

REC

Button

Allows

you

to

record

your

performances.

(p.

8)

PLAY

Button

Pressed

to

play

back

what

you

have

recorded.

(p.

8)

Using

Headphones

To

use

headphones,

insert

the

plug

into

the

jack

located

on

the

left

side

of

the

instrument.

*

The

piano’s

speakers

will

no

longer

produce

sound

once

you

have

headphones

connected.

This

is

conven-

ient

for

private

practice

or

late-night

playing.

*

The

VOLUME

knob

on

the

instrument

can

be

used

to

adjust

the

volume

as

necessary.

*

We

recommend

the

use

of

stereo

headphones.

Listening

to

the

Demonstration

Songs

The

HP-1300e/HP-1600e

contains

three

demonstration

songs

in

memory

which

highlight

the

instrument's

.

capability.

To

hear

them,

follow

the

steps

below.

1.

While

holding

down

the

FUNCTION

button,

press

PLAY

button

(both

buttons

wiil

start

to

flash)

and

in

a

few

seconds

the

Demo

songs

will

start

to

play.

PLAY

FURCTION

‘EMO

CO

2.

When

one

song

finishes,

the

will

start

playing

automatically.

If

you

wish

to

listen

to

only

one

song, press

PLAY

button

while

holding

the

FUNCTION

button.

Then

within

2-3

seconds,

press

one

of

the

PIANO,

HARPSI-

CHORD

and

VIBRAPHONE

buttons.

PIANO

gives

you

the

first

song,

HARPSICHORD

the

second

one

and

VIBRAPHONE

the

third

one.

(The

button

indicator

will

be

flashing

for

the

song

currently

playing.)

PIANO

HARPS!

CHORD

MIBRA

PHONE

3.

To-stop

playback

of

one

song

and

have

the

another

play,

simply

press

the

another

Voice

button

(where

the

indicator

is

not

flashing).

To

stop

playback

of

the

demonstration

songs

(and

return

to

the

standard

made},

press

the

FUNCTION

or

PLAY

button.

Voice

Buttons

Composer

_

Song

Title

PIANO

Chopin

from

Valse

No.6

*

Petit

chien"

op.64-1

from

Nocturne

No.1

op.9-1

VIBRAPHONE

J.$.Bach

from

Cantata

BWV.

147

arranged

by

Naoki

Nishi

HARPSICHORD

—

Chopin

Profile

of

the

demo

song

arranger

Naoki

Nishi

Born

in

1958

in

Hiroshima.

Began

working

professionally

at

the

age

of

21.

Has

so

far

released

8

albums

on

which

he

is

featured.

He

has

also

taken

part

in

numerous

other

albums.

His

broad

range

of

activities

have

included

appearances

at

a

number

of

jazz

festivals

in

Japan

and

other

parts

of

the

world.

In

addition

to

his

duties

as

an

instructor

at

the

Tokyo

Conservatoire

Shoubi,

he

has

provided

his

services

as

a

demonstrator

for

Roland

since

1990.

He

is

considered

to

be

one

of

japan’s

finest

jazz

pianist.

‘Try

Recording

What

You

Play

How

to

Create

Recordings

Use

whatever

Voice

you

like

to

play

whatever

song

you

wish

to

cecord.

When

compietea,

you

will

be

able

to

listen

to

the

results,

and

check

how

well

you

played

the

song.

1.

Select

the

Voice

you

wish

to

use

for

the

recording,

then

make

any

other

selections

you

wish,

such

as

for

Chorus

and

Reverb.

When

ready,

press

the

REC

button

{its

indicator

will

light).

This

means

that

the

instrument

is

in

stand-by,

waiting

for

recording

to

begin.

,

AEC

Start

playing.

(Recording

will

start

the

moment

the

first

note

is

played.)

te

3.

When

finished,

press

the

REC

button

again

to

stop

recording.

The

indicator

should

go

out.

REC

ce)

*

During

recording,

you

can

change

to

any

other

Voice

you

wish

to

use.

*

When

the

unit

starts

running

low

on

memary

space,

the

indicator

on

the

REC

button

will

start

flashing.

tf

you

continue

recording,

the

REC

indicator

will

begin

flashing

faster.

Once

you

reach

the

stage

where

the

unit

cannot

record

any

more,

the

indicator

on

the

REC

button

will

go

out,

and

recording

stops

automatically.

*

Once

Shoes

begin

a

new

recording,

all

of

the

perform-

ance

data

previously

recorded

will

be

erased.

Once

erased,

performance

data

cannot

be

recovered.

Now

try

listening

to

what

you

just

recorded

Press

the

PLAY

button

(its

indicator

will

light).

PLAY

5

The

unit

stops

automatically

after

the

song

has

played

through.

The

indicator

will

then

go

out.

(Press

the

PLAY

button

to

stop

playback

at

any

point.}

*

The

performance

data

that

you

record

will

disappear

about

8

hours

after

power

has

been

turned

off.

If

you

need

a

more

permanent

form

of

storage

for

your

songs,

you

will

need

to

connect

an

external

sequencer

(p.

10)

and

record

onto

that

unit.

*

To

manually

erase

all

recorded

performance

data,

simultaneously

press

the

REC

and

PLAY

buttons.

Playing

with

the

Key

Transposed

W

you

wish,

you

can

piay

the

instrument

with

the

key

‘transposed.’

This

conveniently

allows

you

to

play

in

a

key

that

matches

a

vocal

accompaniment,

without

changing

your

fingering

on

the

keyboard.

Transposition

is

also

useful

when

you

are

going

to

play

a

piece

in

a

key

other

than

C,

and

wish

to

play

it

as

if

it

were

in

the

key

of

C.

This

makes

it

is

easier

to

play.

While

holding

down

the

FUNCTION

button,

press

either

PIANO

(b)

or

HARPSICHORD

()

enough

times

to

obtain

the

amount

of

transposition

you

wish.

PIANO

HARPS!

CRORD

[ess

{SC

ff

i

FUNCTION

While

holding

#

With

each

press,

the

sound

is

raised

by

1

semi-

tone.

(Max.

of

5

semitones.)

b

With

each

press,

the

sound

is

lowered

by

7

semitone.

(Max.

of

6

semitones.)

Playing

a

piece

in

some

other

key

with

the

fingering

of

C

You

need

to

specify

which

note

you

wish

to

sound

when

the

C

key

(do

in

the

key

of

C}

is

pressed.

Hold

down

the

FUNCTION

button

while

you

press

the

keynote

for

the

key

you

wish

to

transpose

to

(using

the

C-B

keys

in

the

upper-most

of

the

keyboard).

For

example,

to

play

an

E

major

piece

in

the

key

of

C

major,

you

would

hold

down

the

FUNCTION

button

while

you

press

E

(mi).

c

B

ene

net

Press

the

keynote

of

the

key

to

which

you

wish

to

transpose

*

To

return

to

the

key

of

C,

press

PIANO

(b)

and

HARPSICHORD

(#)

simultaneously

while

holding

down

the

FUNCTION

button.

*

The

indicator

on

the

FUNCTION

button

will

remain

lit

while

transposition

is

in

effect.

«

To

cancel

transposition,

press

the

FUNCTION

button

again,

and

confirm

that

its

indicator

has

gone

out.

*

Once

you

have

set

the

transposition,

all

you

need

to

do

to

obtain

the

same

transposition

the

is

to

press

the

FUNCTION

button.

<

if

you

have

used

‘he

Xey

Transpose

feature

to

raise

the

pitch

(by

1

to

5

semitones),

the

keyboard’s

5

highest

keys

(at

the

far

right)

will

sound

one

octave

lower

than

normal

when

playing

organ

or

string

sounds.

Pedal

Functions

The

specialized

stand

comes

equipped

with

2

pedals.

The

tight

one

is

the

Damper

pedai,

and

the

leit

one

acts

as

the

Soft

pedal.

(The

left

pedal

can

also

be

switched

to

become

a

Sostenuto

pedai.)

Right

(Damper

Pedal)

While

the

Damper

Pedal

is

depressed,

notes

that

have

been

played

wiil

continue

to

sound.

even

after

your

fingers

have

been

removed

from

those

keys.

Left

(Soft

Pedal)

When

depressed,

you

obtain

a

softer

sound.

(Sostenuto

Pedal)

This

pedal

is

used

to

sustain

only

the

sound

of

those

keys

that

are

pressed

at

the

very

moment

the

pedal

is

depressed.

Notes

played

afterwards

are

not

effected.

Using

the

Left

Pedai

as

a

Sostenuto

Pedal

(only

for

HP-1300e)

If

you

wish

to

use

the

left

pedal

as

a

Sostenuto

pedal,

hoid

down

the

FUNCTION

button

while

you

depress

the

right

pedal.

[il

ee

meme

While

holding

Se,

*

To

have

the

pedal

serve

as

the

Soft

pedal

again,

hold

down

the

FUNCTION

button

while

you

depress

the

left

pedal.

*

The

Soft

pedal

and

Sastenuto

pedal

functions

cannot

be

obtained

at

the

same

time.

*

Whenever

power

is

turned

on,

the

instrument

is

set

to

provide

the

Soft

pedal

function.

1d

RRA

AES

DR

SP

SRE

OEE

AMES

Changing

the

Depth

of

the

Chorus

Effect

You

can

select

from

6

different

Chorus

levels.

1.

Hold

down

the

CHORUS

button

for

a

few

seconds

until

you

have

confirmed

that

its

indicator

has

started

to

flash.

bo

With

the

CHORUS

button

still

depressed,

press

the

appropriate

Voice

button

to

select

the

desired

depth

setting.

PIANO

HARPS

«=VIBRA-

E.PIANO

PIPE

‘STRINGS

‘CHORUS

CHORO

|

PHONE

‘ORGAN

SS

oS

cece

Eee

aa

Provides

Deepens

FS

“While

holding

w)

Applying

Reverb

to

the

Sound

You

can

select

from

6

different

Reverb

levels.

1.

Hold

down

the

REVERB

button

for

a

few

seconds

and

its

indicator

will

start

to

flash.

2.

With

the

REVERB

button

still

depressed,

press

the

appropriate

Voice

button

to

select

the

desired

depth

setting.

HARPS

VIBRA-

E.PIANO

=

PIPE

=

STRINGS

REVERS

CHORD

=

PHONE

ORGAN

I

SS

a

ee

oe)

Provides

Deepens

~~

—

While

holding

ws)

Key

Touch

Function

This

instrument

allows

you

to

select

one

of

three

touch

settings.

These

settings

determine

how

the

keyboard

will

respond

to

certain

playing

dynamics.

Choose

the

setting

which

is

most

comfortable.

KEY

TOUCH

—

want

NAVY

oa

This

is

the

standard

setting.

The

response

provided

by

this

setting

is

generally

perceived

as

being

the

most

natural.

Medium

a

With

this

setting,

the

keys

will

seem

lighter

to

the

touch,

and

fortissimo

levels

can

be

achieved

with

much

less

effort.

vont

Heavy

Sass

With

this

setting,

the

keys

will

seem

heavier

to

the

touch,

and

you

will

need

to

apply

even

more

force

than

normal

to

obtain

fortissimo

fevels.

*

When

powered

up,

the

instrument

will

be

at

the

default

setting

(Medium).

For

Those

Who

Wish

To

Use

MIDI

Those

satisfied

with

playing

the

piano

by

itself

need

not

read

the

following.

About

MIDI...

The

MIDI

(Musical

Instrument

Digital

Interface)

standard

was

created

to

provide

for

the

exchange

of

performance

information

among

electronic

musical

instruments

and

computers.

The

MIDI

Connectors

Take

a

look

at

the

rear

panel

of

your

piano.

You

should

be

able

to

quickly

find

the

two

MIDI

sockets,

These

connec-

tors

enable

the

piano

to

‘converse’

with

other

MIDI-

aauinped

units.

The

two

connectors

function

as

follows:

MIOL

OuT

«

MIDI

IN

Connector

This

connector

is

where

messages

from

other

MIDI-

equipped

units

are

received,

and

can

be

likened

to

the

“ears”

which

listen

to

what

the

other

instrument

has

to

convey.

*

MIDI

OUT

Connector

From

this

connector,

messages

are

sent

out

to

other

MIDI-equipped

units.

It

can

be

likened

to

the

“mouth”

in

the

ongoing

dialogue

between

the

units.

In

order

to

enable

communication

between

two

devices,

you

need

to

run

a

cable,

such

as

shown

below,

between

their

respective

MIDI

connectors.

Connecting

a

recorder

or

sequencer

such

as

the

PR-1

or

MT-200

MIDI

Sequenser

or

Recorder

Petia

ORE

ee

tee:

eaeeee

©

66

$6

HP-1300e/HP-1600e

semana

caemmmenmesemmmnmmemmmemmemeeere

encanta

ea

Setting

the

MIDI

Transmit/Recaive

Caanneis

MIDI

provides

for

the

use

of

16

channels,

numbered

1—

16,

When

the

channel

used

by

the

transmitting

unit

matches

that

of

a

remote

receiving

unit,

you

can

play

sounds

contained

in

the

remote

unit,

or

change

the

sounds

it

uses.

Hold

down

the

FUNCTION

button

while

you

press

the

VIBRAPHONE

button

to

set

the

MID!

Transmit/Receive

Channel.

1.

While

the

VIBRAPHONE

button's

indicator

is

dark,

the

transmission

and

reception

channels

wil!

be

set

to

the

same

channel.

The

Transmit

channel

alone

can

be

set

while

the

VIBRAPHONE

button's

indicator

is

blinking;

whereas

the

Receive

channei

alone

can

be

set

while

the

VIBRAPHONE

button's

indicator

is

lit.

VIBRAL

PHONE

{21

Tx

and

Rx

channels

to

the

same

channel

[Sa

[CBET)

Setting

the

Tx

channel

FUNcToN

C27]

Setting

the

Rx

channel

While

holding

fy

2.

With

the

FUNCTION

button

still

depressed,

press

the

key

which

corresponds

to

the

desired

MIDI

channel.

(See

illustration

below.)

c=

Funcmion

While

holding

Press

the

key

that

corresponds

to

the

MIO!

channel

you

want

Omni

On/Off

When

set

to

“Omni

ON,”

the

HP-1300e/HP-1600e

will

produce

sound

no

matter

which

channel

any

performance

data

is

received

on.

This

is

convenient

for

hearing

the

performance

data

on

all

channels

at

the

same

time.

Ta

set

the

unit

to

Omni

ON,

hold

down

the

FUNCTION

button

and

press

the

key

at

the

right

end

of

the

keyboard

(the

highest

key}.

At

the

same

time,

both

the

transmission

and

reception

channels

are

automatically

set

to

channel

1.

3

iit

While

holding

*

Thereafter,

the

unit

will

be

placed

back

into

the

Omni

OFF

mode

when

a

specific

setting

for

the

Receive

channel

is

made.

Local

On/Off

tf

you

intend

to

record

into

a

sequencer,

set

it

so

its

“Soft

Thru”

function

is

ON,

At

the

same

time,

set

the

piano’s

Local

setting

to

OFF:

1.

Press

FUNCTION

(the

STRINGS

button

indicator

should

be

dark).

(When

this

:

or

is

dark,

it

means

that

the

unit

is

set

to

Local

CN.)

STRINGS

ESSe

°

TESy

2.

With

the

FUNCTION

button

still

depressed,

press

the

STRINGS

button,

and

confirm

that

its

indicator

has

lit.

(When

this

indicator

is

lit,

the

unit

is

set

to

Local

OFF.)

While

holding,

*

If

the

HP-1300e/HP-1600e

is

set

to

“Local

ON”

while

connected

to

a

sequencer

set

with

its

“Soft

Thru”

function

“ON,”

the

same

notes

will

be

produced

twice.

This

is

because

the

locally

produced

keyboard

notes

first

sound

internally,

and

then

are

sounded

a

second

time

when

the

note

messages

(after

having

been

sent

out

the

HP-1300e/HP-1600e’s

MIDI

OUT,

and

been

routed

through

the

sequencer)

have

arrived

back

again

at

the

HP-1300e/HP-1600e’s

MIDI

IN.

The

resulting

sound

might

seem

quite

unnatural.

*

Some

sequencers,

such

as

the

MT-206,

automatically

send

out

a

“Local

Off”

message

at

power

up.

There

are

also

sequencers

(such

as

the

PR-1)

which

are

ordinarily

used

while

set

to

Soft

Thru

Off,

so

the

instrument

being

used

can

be

feft

set

at

Local

On.

*

This

piano

will

always

be

set

at

“Local

ON”

whenever

its

power

is

turned

on.

*

Whenever

there

are

no

cables

connected

to

this

instrument’s

MID!

connectors,

it

will

always

be

at

“Local

ON.”

in)

EL

RS

AS

I

A

RE

ST EE

ETT

RET

TE

The

Multi-Timbral

Mede

When

the

Multi-Timbral

mode

is

ON,

MIDI

data

arriving

on

several

channels

can

be

received.

This

allows

you

to

simultaneously

play

several

of

the

piano’s

internal

sounds.

*

When

the

Muiti-Timbral

Mode

is

OFF

Data

that

arrives

on

the

specified

Receive

channel

(see

page

11)

is

received

and

used

to

play

the

currently

selected

Voice.

*

When

the

Muiti-Timbral

Mode

is

ON

Of

any

MIDI

data

that

arrives,

that

which

arrives

on

channels

1,

11,

12,

13,

14

and

15

is

received.

Data

on

all

other

channels

is

ignored.

The

Voice

that

is

used

to

piay

the

notes

will

be

deter-

mined

by

the

Program

Change

message

that

is

received

on

the

relevant

channel.

The

corresponcenc

Program

Change

Numbers

and

Voices

13.

While

holding

down

the

FUNCTION

button,

press

the

PIPEORGAN

button

to

turn

the

Multi-Timbral

Mode

ON

or

OFF,

With

the

indicator

Jit,

it

is

ON.

PIPE

ORGAN

How

Various

Types

of

Messages

Function

While

the

Multi-Timbral

Mode

is

ON

«

Pedal

Messages

Damper,

sostenuto

and

soft

pedal

messages

function

independently

for

any

of

these

channels:

1,

11,

12,

13,

14

0r

15.

*

Volume

Messages

Volume

messages

control

the

volume,

and

function

independently

for

any

of

these

channels:

1,

11,

12, 13,

14

or

15.

Such

messages,

however,

have

no

effect

on

what

is

played

on

this

instrument’s

keyboard.

The

actual

volume

obtained

is

determined

by

both

the

value

of

the

Volume

message,

and

the

position

of

the

Volume

knob

on

this

instrument.

When

a

Volume

message

calls

for

the

maximum

value,

the

actual

volume

produced

will

directly

reflect

the

position

of

the

Volume

knob.

Chorus

On/Off

Messages

Chorus

On/Off

messages

affect

independently

for

each

channel

1,

11,

12,

13,

14

or

15.

Reverb

On/Off

Messages

Reverb

On/Off

messages

affect

all

Voices

equally,

regardless

of

whether

they

are

received

on

channel

1,

41,

12,13,

14

0r

15.

*

When

the

Multi-Timbral

Mode

is

“On,”

the

unit

will

always

be

at

“Omni

OFF.”

Selecting

the

Transmission/Reception

Mode

Three

Transmission/Reception

Modes

have

been

provided

to

allow

you

to

select

the

mode

which

best

matches

your

needs.

*

Note

and

Pedal

messages

are

received/transmitted

in

every

mode.

Hold

down

the

FUNCTION

butten

while

you

press

the

E.PIANO

button

to

set

the

Transmit/Receive

mode.

When

the

E.PIANO

button's

indicator

is

dark,

you

are

in

Mode

1.

When

the

E.PIANO

button's

indicator

is

blinking,

you

are

in

Mode

2.

When

the

E.PIANO©

button’s

indicator

is

lit,

vou

are

in

Mode

3.

EPIANO

C=2]

Mode

1

[aeet}

Made

2

Funcnion

j

C=

Mode

3

While

holding

ty)

*

When

power

is

turned

on,

the

unit

will

always

be

at

the

Mode

1

setting.

Mode

b

too

i

MIDI

Messages

TX

RX TX

RX

TX

RX

Note

Messages

Yes Yes Yes

Yes Yes

Yes

Program

Change

Messages

Yes

No

Yes*

Yes

Control

Change

Messages

Volume

{7}

No

Yes

No

Yes

No

Yes

Damper

(64)

Yes

Yes Yes Yes

Sostenuto

(66)

Yes

Yes Yes

Yes Yes Yes

Soft

(67)

Yes

Chorus

On/Off

(93)

Reverb

On/Off

(91)

(RPN)

Roland

System

Exciusive

Messages

Multi-Timbral

Mode

No

Yes

No No

No

Yes

No No

No

Yes

Yes.

Master

Tune

No

Yes

No

Yes

Chorus

Depth

No

Yes

No

Yes

Reverb

Depth

No

Yes

No

Yes Yes Yes

Brilliance

No

Yes

No

Yes

*

In

Mode

3,

the

appropriate

Program

Change

message

will

be

transmitted

whenever

you

press

a

Voice

button.

(See

the

following

page.)

Transmission/Reception

of

Program

Change

Messages

Transmitting

While

hoiding

down

the

FUNCTION

button,

press

the

xevs

corresponding

to

the

Croup,

Bank,

and

Number

which

make

up

the

Program

Change

message

you

wish

to

transmit.

nmcnod

‘oe

While

holding

“In

the

Mode

3

Transmission/Reception

mode,

the

appropriate

Program

Change

message

will

be

transmitted

when-

ever

you

press

a

Voice

button.

BANK

1-8

airtel

4

“

NUMBER

1-8

&h

GROUP

A.B

Prass

the

key

that

corresponds

the

program

change

number

id

want

1234123!

1.25]726|127/

128

T

PIANO

13

PIANO

+

VIBRAPHONE

32

HARPSICHORD

+

STRINGS

3

HARPSICHORD.

14

PIANO

+

E.PIANO

46

VIBRAPHONE

+

E.PIANO:

5

VIBRAPHONE

15

PIANO

+

PIPEORGAN

47

VIBRAPHONE

+

PIPEORGAN

6

E.PIANO

16

PIANO

+

STRINGS

48

VIBRAPHONE

+

STRINGS

7

PIPEORGAN

29

HARPSICHORD

+

VIBRAPHONE

55

E.PIANO

+

PIPEORGAN

8

STRINGS

30

HARPSICHORD

+

E.PIANO.

56

E.PIANO

+

STRINGS

11

PIANO

+

HARPSICHORD

31

HARPSICHORD

+

PIPEORGAN

64

PIPEORGAN

+

STRINGS

Receiving

When

a

Program

Change

message

is

received,

a

change

is

made

to

the

correspondingly

numbered

Voice,

as

shown

below.

3.

PIANO

13

PIANO

+

VIBRAPHONE

32

HARPSICHORD

+

STRINGS

3

HARPSICHORD

14

PIANO

+

E,PIANO

46

VIBRAPHONE

+

E-PIANO.

5

VIBRAPHONE

15

PIANO

+

PIPEORGAN

47

VIBRAPHONE

+

PIPEORGAN

6

E.PIANO

16

PIANO

+

STRINGS

48

VIBRAPHONE

+

STRINGS

7

PIPEORGAN

29

HARPSICHORD

+

VIBRAPHONE

55

E.PIANO

+

PIPEORGAN

8

STRINGS

30

HARPSICHORD

+

E.PIANO

56

E.PIANO

+

STRINGS

11

PIANO

+

HARPSICHORD

31

HARPSICHORD

+

PIPEORGAN

64

PIPEORGAN

+

STRINGS

*

Program

Changes

except

those

mentioned

above

will

be

ignored.

13

TroubleShOOtityg

xeesnceeenee

eee

RG

Whenever

you

suspect

that

the

instrument

is

not

performing

as

it

should,

please

consult

the

following

information.

Q.

No

sound

heard

from

speakers.

A.

*Have

you

checked

to

make

sure

you

don’t

have

the

volume

set

at

“MIN”?

*Do

you

possibly

have

headphones

connected?

*if

using

other

connected

MIDI

devices,

have

you

made

sure

the

power

¢:

elf

in

the

Multi-Timbral

mode,

do

you

have

the

Transmit

channel

set

to

ON

for

all

such

devices?

Q.

The

damper

effect

is

constantly

applied

to

notes

played

(they

continue

sounding

longer

than

normal).

Or,

the

damper

effect

cannot

be

obtained

at

ail.

A.

Have

you

checked

to

make

sure

the

cable

from

the

stand

is

connected

properly

to

the

piano?

Refer

to

“Assembling

the

KS-1300e/1

600e

Stand

for

the

HP-1300e/HP-1

600e,”

page

4.

Q.

Nates

played

on

the

keyboard

are

too

high

(or

low)

in

pitch,

A.

*Have

you

checked

to

make

sure

that

key

transposition

is

not

in

effect?

(If

Key

Transpose

has

been

set,

the

indicat

on

the

FUNCTION

button

will

be

fit.)

To

exit

the

transposed

state,

press

the

FUNCTION

button.

ilts

indicator

should

be

out.)

°Do

you

have

the

Master

Tuning

set

appropriately?

OF

Q.

Data

that

was

in,

the

recorder

has

disappeared.

A.

*The

performance

data

that

you

record

into

the

recorder

will

be

erased

approx.

8

hours

after

power

is

turned

off.

Regrettably,

there

is

no

way

to

restore

such

data

once

it

has

been

erased.

If

you

need

a

more

permanent

form

of

storage

for

your

songs,

you

will

need

to

use

a

sequencer

(eg.,

Roland

MC-SOMKII

or

MT-200)

and

store

songs

on

floppy

disks.

¢Have

you

possibly

pressed

the

PLAY

and

REC

buttons

at

the

same

time?

Q.The

pitch

differs

from

what

it

should

be

with

“ISM”

or

another

manufacturer's

sound

generating

unit.

A.

Check

to

make

sure

that

the

Tuning

knob

on

the

rear

of

the

unit

hasn’t

been

inadvertently

moved.

Adjust

the

tuning

knob

until

the

piano’s

pitch

matches

that

of

the

external

units

you

are

using.

Q.

Operations

you

perform

using

the

panel

buttons

(Chorus/Reverb/Voice

selections)

cannot

be

stored

into

a

sequencer.

A.

Have

you

made

sure

you

have

the

Transmission/Reception

Mode

set

to

Mode

3?

Note

that

each

time

power

is

turned

on,

the

unit

will

by

default

be

in

Mode

1.

In

order

to

record

operations

you

perform

using

the

panel

buttons,

the

piano

must

be

set

to

Mode

3.

Keyboard

88

weighted

keys

(with

mechanical

Speakers

16cm

X

2

hammers

on

HP-1600e)

Output

15WX2

Sound

Source

Advanced

SA

Process

Finish

Simulated

Rosewood

Voices

Piano

Power

Consumption

50

W

(120V),

40

W

(230,

240V)

Harpsichord

Dimensions

:Piano

=

1436

(W)

X

456

(D)

X

176

(H)

mm

Vibraphone

Stand

1436

(W)

X

456

(D)

X

638

(H}

mm

Electric

Piano

:Total

1436

(W)

X

456

(D)

X

814

(H)

mm

Pipe

Organ

Weight

‘Piano

§=32.0

Kg

Strings

Stand

15.3

Kg

Effects

Chorus

(6

levels)

Total

47.3

Kg

Reverb

(6

fevels)

Supplied

Accessories

Owner's

Manual,

Power

Cable,

Touch

Control

Light

Keyboard

Stand

(KS-1300e/1600e)}

Medium

Heavy

Controls

Volume,

Brilliance,

Master

Tune,

*

In

the

interest

of

product

improvement,

the

specifications

Key

Transpose

of

this

unit

are

subject

to

change

without

prior

notice.

Connectors

Output

Jacks

(Stereo)

Input

Jacks

(Stereo/Mono}

Pedal

Jacks

MIDI

IN

Connector

MIDi

OUT

Connector

Headphones

Jack

Pedals

Damper,

Soft

/

Sostenuto

DIGITAL

PIANO

<

Date:

October

1994

Model

HP-1300e/HP-1600e

MIDI

Implementation

Chart

Version:1.00

Functions

Transmitted

Recognized

Remarks

|

Basic

Default

L

|

Channel

Changed

1

4-16

»

1-16,

*4(2,11,12,13,14,15)

Default

Mode

3

Mode

3

Mode

Messages

OMNI

OFF,

POLY

*5

*2

Altered

wee

oe

Neie

15-113

0-127

Number

True

Voice

sekamoneet

15-113

(=

ses

Sais

——

Velocity

Note

ON

lo

Note

OFF

0

8n

v=1-127

co)

t

rear

After

Key's

x

Touch

Ch's

x

|

x

Pitch

Bend

x

—

6,

38

|

°

|

3

Data

entry

7x

°

Volume

64;

0

;o

Hoid

1

66

|

©

ro)

Sostenuto

67

|

©

°

Soft

91

|

*1

*]

Reverb

Control

g3

|

*1

*]

Chorus

Change

100,101

|

°

0.

RPN

LSB,

MSB

121;

x

re)

Reset

all

controllers

Eee

Prog

*1

(0-127)

*1

(0-127)

Change

True

#

ethereti

nook

ener

0...63

|

system

Exclusive

2

9

System

Song

Pos

e

is

7

Common

Song

Sel

.

i

True

*

e

System

Clock

x

Real

Time

Commands

x

e

Local

ON/OFF;

*

8

AUX

All

Notes

OFF}

*

0

(123-127)

Messages

Active

Sense

|

°

a

Reset

=

L

:

N

*]

Able

to

choose

between

“o"

and

"x™,

otes

*2

When

power

on

OMNI

OFF

and

POLY

are

sent

through

the

basic

channel.

*3

When

the

Muiti-Timbral

Mode

is

OFF,

recognized

as

Mode

3

even

if

receiving

in

MONO,

(M=1).

Recognized

as

Mode

|

even

if

receiving

in

MONO

(Mel).

*4

When

the

Multi-Timbral

Mode

is

ON.

*5

Set

to

"x"

when

the

Multi-Timbral

Mode

is

ON

and

set

to

“o”

when

the

Multi-Timbral

Mode

is

OFF.

Mode

1

:

OMNI

ON,

POLY

Mode

3

:

OMNI

OFF,

POLY

Mode

2:

OMNI

ON,

MONO.

Mode

4

:

OMNI

OFF,

MONO

0:

Yes

x:No

;

RISK

OF

ELECTRIC

SHOCK

q

r

H

‘ONOT

OPEN

F

ATTENTION

:aisave

of

choc

ELeCtRique

NE

PAS

OUVRIR

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

SHOCK,

BO

NOT

REMOVE

COVER

(OR

BACK).

NO

USER-SEAVICEABLE

PARTS

INSIDE.

Il

simbolo

dei

fuimine

in

un

triangolo

equilatero

avvisa

|’

utente

della

presenza

di

un

punto

in

cui

vi

2

un

alto

voltaggio

non

isolato

ail’

interno

deil’apparecchiatura.

Vi

@

quindi

il

rischio

di

scosse

elettriche

per

le

persone.

I

punto

esclamativo

ail’interno

di

un

triangolo

equilatero

avvisa

Putente

della

presenza

di

un

punto

importante

relativo

alla

manutenzio-

ne

nelle

istruzioni

che

accompagnano

lo

strumento.

ISTRUZIONI

ATTINENTI

AL

RISCHIO

D'INCENDIO,

DI

SCOSSE

O

DANNI

ALLE

PERSONE.

IMPORTANTI

ISTRUZIONI

PER

LA

SICUREZZA

Attenzione

-

Quando

utilizzate

prodotti

elettrici

devono

sempre

essere

prese

alcune

precauzioni,

inciuse

le

seguenti:

Leggere

tutte

le

istruzioni

prima

di

usare

il

prodotto.

Non

utilizzare

questo

prodotto

vicino

all’

acqua

-

per

esempio

vicino

ad

una

vasca

da

bagno,

ad

un

lavello,

su

un

appoggio

umido

o

vicino

ad

una

piscina,

o

simili.

Questo

prodotto

dovrebbe

essere

usato

solo

con

il

supporto

consigliato

dalla

casa

costmuttrice.

Questo

prodotto,

usato

solo

o

in

combinazione

con

un

amplificatore,

una

cuffia

o

degli

altoparlanti,

potrebbe

produrre

un

livello

sonoro

in

grado

di

causare

perdita

permanente

di

udito.

Non

utilizzare

a

lungo

eccessivi

volumi

0

livelli

audio

inadeguati.

Se

notate

perdita

di

udito

o

ronzio

nelle

orecchie,

consultate

un

otorino.

Il

prodotto

dovrebbe

essere

posizionato

in

modo

da

permettere

una

ventilazione

adeguata.

Il

prodotto

dovrebbe

essere

posizionato

lontano

da

fonti

di

calore

come

caloriferi,

stufe

o

altri

prodotti

che

producono

calore.

Evitare

l’uso

del

prodotto

dove

&

esposto

a

polvere.

Il

prodotto

dovrebbe

essere

collegato

ad

una

linea

elettrica

del

tipo

descritto

nel

manuale

d’istruzioni

o

come

marcato

sul

prodotto

stesso.

9.

Il

cavo

di

alimentazione

dovrebbe

essere

scollegato

dalla

presa

elettrica

quando

il

prodotto

non

viene

utilizzato

per

lungo

tempo.

10,

Non

camminare

sul

cavo

di

alimentazione.

11.

Per

scollegare

dalla

presa

elettrica,

afferrare

la

spina

e

non

il

cavo.

12.

Quando

abbinate

altri

prodotti,

la

procedura

deve

essere

seguita

come

da

manuale

d’istruzioni.

13,

Fare

attenzione

che

nessun

oggetto

cada

e

nessun

liquido

penetri

nell’

apparecchiatura

attraverso

le

aperture.

14,

L’assistenza

deve

essere

effettuata

solo

da

personale

qualificato

quando:

A.

Il

cavo

d’alimentazione

o

le

spine

sono

danneggiate.

B.

Sono

caduti

oggetti

o

sono

penetrati

liquidi

dentro

lo

strumento.

C.

Il

prodotto

é

stato

esposto

a

pioggia.

D.

{1

prodotto

non

sembra

funzionare

correttamente.

E.

Il

prodotto

&

caduto

o

il

contenitore

é

danneggiato.

15.

Non

effettuare

interventi

oltre

a

quelli

descritti

nel

manuale

d’uso

dello

strumento.

Tutti

gli

altri

interven-

ti

devono

essere

effettuati

da

personale

qualificato.

Roland

Digital

Pianos

HP

1300e

/

HP

1600e

MANUALE

D'ISTRUZIONI

Grazie

e

congratulazioni

per

la

scelta

di

un

Pianoforte

Digitale

Roland

HP-1300e/HP-1600e.

Grazie

alla

Generazione

Sonora

digitale

Advanced

SA,

!'HP-1300e/HP-1600e

riproduce

con

assoluta

fedeita

i

bassi

potenti

e

gli

acuti

pit:

squillanti

di

un

Piano

da

concerto.

E'

inoltre

dotato

di

una

tastiera

dal

tocco

delizioso

che

risponde

a

tutte

le

sfumature

dinamiche.

Essendo

la

sorgente

sonora

di

tipo

digitale,

i]

Piano

non

necessitera

di

accordature

mantenendo

sempre

la

stessa

timbrica.

Per

queste

ed

altre

ragioni,

scoprirete

con

|'HP-1300e

i!

gusto

di

suonare

un

Pianoforte

Digitale

con

caratteristiche

del

tutto

simili

ad

un

Piano

tradizionale,

i]

tutto

racchiuso

in

un

mobile

dal

Design

moderno

e

raffinato.

Per

poter

sfruttare

tutte

le

possibilita

offerte

dall'HP-1300e/HP-1600e

e

per

assicurarvi

anni

d'uso

senza

inconvenienti,

vi

preghiamo

di

leggere

interamente

questo

manuale.

Caratteristiche

*

Sei

suoni

differenti

<Pag.

20>

La

selezione

dei

suoni

inizia

con

un

lussuoso

Pianoforte

acustico

che

vi

permette

di

suonare

teoricamente

ogni

stile

musicale.

«

Una

Funzione

Dual

<Pag.

20>

Possono

essere

suonate

contemporaneamente

due

voci

a

scelta

tra

quelle

disponibili.

Effetti

Digitali

<Pag.

21>

{}

vostro

Piano

é

dotato

di

due

effetti

digitali:

il

Chorus

e

il

Riverbero.

©

Un

registratore

"Recorder®

<Pag.

22>

Un

semplice

"Recorder"

vi

permette

di

registrare

e

risuonare

la

vostra

esecuzione.

°

La

funzione

di

Tocco

di

tastiera

"Key

Touch"

<Pag.

24>

Sono

disponibili

tre

differenti

liveili

di

tocco

di

tastiera

che

vi

permettono

di

regolare

la

risposta

dinamica

in

funzione

delle

vostre

preferenze.

©

Pedale

Damper

<Pag.

23>

Quando

viene

premuto

il

pedale

damper,

I"'HP-1300e

simula

l'effetto

di

"simpathetic

resonance".

Questo

effetto

aviene

al]'interno

di

un

Piano

acustico

quando

risuonana

le

corde

adiacenti

alle

note

suonate

creando

sonorita

pitt

ricche.

¢

Funzioni

di

accordatura

Nonostante

non

ci

sia

fa

necessita

di

accordare

un

Piano

elettrico

anche

dopo

averlo

trasportato,

lo

strumento

vi

offre

la

possibilita

di

effettuare

accordature

differenti

per

scopi

creativi.

e

Accordatura

Principale

<Pag.

20>

L'accordatura

del

Piano

pud

essere

modificata

per

permettere

|'intonazione

con

altri

strumenti.

*

MIDI

<da

Pag.

24>

Lo

strumento

@

anche

dotato

di

prese

MIDI,

interfaccia

standard

per

il

collegamento

e

lo

scambio

di

dati

musicali

con

altri

strumenti

musicali

elettronici

o

computer.

Alcune

notizie

suli'

Advanced

SA

|

suoni

prodotti

da

questo

strumento

sono

generati

da

un

processo

di

Sintesi

Advanced

SA

che

rappresenta

il

top

della

tecnologia

Roland

per

la

generazione

di

suoni

di

Piano

acustico.

!|

processo

di

ASA,

sviluppo

naturale

dell'originale

SA,

ha

portato

ad

una

serie

di

vantaggi

con

il

seguente

processo:

i!

suono

viene

analizzato

nelle

sue

Caratteristiche

cosi

come

prodotto

da

uno

strumento

musicale,

viene

quindi

estratto

e

quindi

ri-sintetizzato

per

soddisfare

al

massimo

le

necessita

espressive

dei

musici-

sti.

if

risultato

@

un

metodo

di

generazione

sonora

che

offre

un

suono

molto

realistico

di

fine

tessitura

acustica.

Copyright

by

Roland

Corporation

Nessuna

parte

di

questo

manuale

pud

essere

riprodotta

in

alcuna

forma

senza

il

permesso

della

Roland

Corporation

V7

13

Montaggio

del

KS-1300e/1600e

Supporto

per

HP-1300e/HP-1600e

ll

montaggio

necessita

di

due

persone:

non

tentate

da

soli!!

%*

Quando

muovete

la

parte

superiore

dello

strumento,

assicuratevi

di

mantenerlo

in

piano:

questo

per

evitare

danni

alle

dita.

©

Controllo

delle

parti

Prima

di

iniziare

il

montaggio,

controllate

che

siano

presenti

le

seguenti

parti:

A,

Parete

laterale

Sinistta

1...

sccsscceestsestecneeeees

B.

Parete

laterale

destra

C.

Asse

pedaliera

D.

Parete

DOSTGTIO‘S

«0...

ce

eeceeeesceeeerceteneeneeneeniee

a.

Viti

lunghe

M6

x

54

mm

b.

Viti

corte

M4

x

15

mm...

c.

Pomelli

di

connessione

d.

Cacciavite

mod.

Philips

e.

Bloceacorda

.

@

®O8O

ACN

©

Procedura

di

montaggio

4.

Fissate

il

cavo

pedale

ed

il

cavo

alimentazione

con

gli

appositi

bloccacorda

1.

Collegate

le

pareti

laterali

(destra

e

sinistra)

all’asse

pedaliera

Nota

Fate

uscire

i!

cave

dei

pedali

fuori

dall’asse

pedaliera,

6.

Inserite

i!

cavo

pedale

nell‘apposita

connessione

sul

ratro

del

pianoforte.

7.

Fissate

i

bloceacorda

nelle

appropriate

posizioni

sul

retro

det

pianoforte

Nota

Assicuratevi

che

le

pareti

laterali

(destra

e

(vedi

figura),

quindi

bioccate

i

cavi

(

il

cavo

alimentazione

&

fomito

assieme

sinistra)

siano

orientate

correttamente.

The

Metre

fittings

al

pianoforte).

on

the

inside.

1.

Usate

te

viti

lunghe

(a)

(M6

x

54

Pedal

cable

™mm)

per

fissare

te

pareti

laterali

a

all'asse

pedaliera

(due

vitl

per

ogni

lato).

®,

:

SF

5.

Regolate

la

rotella

per

l’altezza

dei

pedali

2.

Usate

fe

viti

corte

(b)

Nota

Se

if

pianoforte

viene

posizionato

sul

tappeto,

alzate

leggermente

fa

(M4

x

15

mm)

per

fissare

regolazione.

la

parete

posteriore

alle

Nata

Quando

posizionate

il

pianoforte,

fate

attenzione

a

non

lasciare

sotto

if

pareti

lateral

(dua

vitiper

cavo

di

alimentazione.

agni

fata).

8.

Una

volta

montaio

e

posizionate

il

pianoforte,

regolate

ta

roteila

per

Yaltezza

dei

pedali

finché

essa

non

tocchi

il

pavimenta.

3.

Collegate

il

pianoforte

allo

stand

Nota

Quando

posizionate

if

piano

suilo

stand,

fate

molta

atten-

zione

alle

vostre

dita,

4,

Allineate

fe

viti

che

trovate

sotto

il

pianoforte

con

i

fori

in

metallo

dello

stand,

ed

inseri-

tele

facendo

siittare

il

piano-

forte

nel

senso

dei

fori.

5.

inserite

i

pomalii

di

connes-

sione

(d)

negli

appositi

fori

ricavati

sotta

il

planoforte

(une

per

lato).

Sistemazione

del

leggi0

aemmmmcnmmm

1.

Portare

if

leggio

in

posizione

verticale.

|

2.

Portare

i

supporti

destro

e

sinistro

(A)

nella

posizione

adeguata.

ees,

3.

Inctinare

il

leggio

finché

si

appoggia

al

piano

superio-

re

dello

strumento.

a

*

Per

estrarre

il

leggio,

portare

(A)

nella

posizione

originale

e

quindi

sollevare.

Note

Importanti

ALIMENTAZIONE

«

Quando

effettuate

dei

collegamenti

con

altre

apparec-

chiature

spegnete

prima

tutti

gli

apparecchi.

Questo

vi

ajutera

a

prevenire

danni

o

malfunzionamenti.

*

Non

usare

questa

unita

sulla

stessa

linea

elettrica

di

apparecchi

che

generano

disturbi

di

linea

come

motori

o

varilight.

:

POSIZIONAMENTO

*

Non

esporre

l'unita

ad

elevate

temperature

(es.

luce

solare

diretta

in

veicoli

chiusi).

Evitare

di

depositare

Hunita

in

ambienti

polverosi

o

umidi

o

su

aree

soggette

a

forti

vibrazioni.

*

Questa

unita

pud

interferire

con

le

ricezioni

radio

televisive.

Non

usare

l'unita

nelle

vicinanze

di

questi

apparecchi.

Assicurarsi

di

posizionare

lo

strumento

su

un

livello

stabile

ed

in

piano

in

modo

che

la

tastiera

lavori

in

modo

corretto

e

non

si

verifichi

un'innaturale

pressione

dei

tasti.

Tae

|

Cl

Importanti

istruzioni

per

Ja

sicurezza

........-.00

Caratteristiche

........:cccssscecsesseesesesceetsasenaeneasensen

17

Montaggio

del

KS-1300e/1600e

Supporto

per

HP-1300e/HP-1600e

..

Sistemazione

del

leggio

.

Note

Importanti

Descrizione

dei

pannelli

Pannello

Frontale

..

Pannello

Posteriore

Accensione

...

Uso

della

cuffia

Ascolto

dei

brani

Demo

Provate

a

registrare

quello

che

state

suonando

..

22

23

Uso

della

trasposizione

.......sscccssersenssnensseenseanen

Suonare

un

brano

in

untaitra

tonalita

con

la

ditteggiatura

in

DO

..

Funzioni

dei

pedali

....

Uso

del

pedale

di

sinistra

come

sostenuto

Modifica

della

profondita

del

Chorus...

Applicare

il

Riverbero

ai

suoni.

Funzione

Key

Touch

...

Per

quali

scopi

potrete

utilizzare

il

MIDt

A

proposito

del

MID!

Settaggio

dei

canali

di

Ricezione/Trasmissione25

Omni:

On/Off

wicocesscSivetatuasi

ccccossscstsStsivarsareedieen

25

Local

On/Off

be

Il

Modo

Multitimbrico

.

26

Selezione

del

modo

di

Trasmissione/Ricez.

...

26

Ricezione/Trasmissione

dei

messaggi

di

Program

Change.

Risoluzione

dei

problemi

Specifiche

........sessscreesees

.

Carta

di

implementazione

MIDI

.........sseeeeeere

29

MANUTENZIONE

¢

Per

la

pulizia

quotidiana,

passate

sull’apparecchio

un

panno

morbido

e

asciutto

(o

leggermente

inumidito

con

acqua).

Per

ia

rimozione

dello

sporco

pit

difficile,

usate

un

detergente

neutro

e

delicato.

Asciugate

bene

con

un

panno

asciutto.

*

Non

usate

benzina,

dijuenti,

alcool

o

solventi

di

nessun

genere.

Eviterete

scolorimenti

e/o

deformazioni.

ALTRE

PRECAUZIONI

«

Proteggete

|’unita

da

colpi

violenti.

¢

Non

lasciate

che

oggetti

o

liquidi

di

qualsiasi

genere

penetrino

nell’unita.

In

una

simile

eventualita,

interrompete

immediatamente

I‘utilizzo

e

rivolgetevi

al

pit:

presto

al

personale

specializzato.

12

Descrizione

Pannello

Posteriore

4

VOLUME

BRILLIANCE

ul

PIANO

HARPSI-

VIERA-

E.PIANO

PIPE

STRINGS

CHORD

PHONE

ORGAN

CSS).

ses)

Pe)

ey

EE

FUNCTION

WAX

=

MELLOW

‘BRIGHT

Potenziometro

VOLUME

In

posizione

"MAX"

il

volume

sara

al

massimo.

Potenziometro

BRILLIANCE

(Brillantezza)

Il

suono

aumentera

la

brillantezza

portando

il

potenziometro

verso

BRIGHT.

Tasto

FUNCTION

(Funzione)

Il

tasto

FUNCTION

viene

utilizzato

in

combinazione

con

altri

per

svolgere

le

seguenti

procedure

:

Suonare

i

brani

DEMO

(p.

22)

Trasporre

la

tonalita

(p.

23)

Assegnare

le

funzioni

al

pedale

(p.

23)

Settare

i

canali

MIDI

di

Trasmissione/Ricezione

{p.

25)

Settare

‘Omni

in

ON

o

in

OFF

(p.

25)

Settare

il

Local

in

ON

o

in

OFF

(p.

25)

Settare

il

Modo

Multitimbrico

(p.

26)

Settare

il

Modo

MIDI

(p.

26)

Trasmissione/Ricezione

dei

messaggi

di

Program

Chg.

(p.

27)

Pannello

Posteriore

b

#

——

|

Tasto

VOICE

(Voce)

Utilizzate

quesii

tasti

per

selezionare

il

suono

desiderato.

PIANO

Suono

di

Piano

da

concerto.

HARPSICHORD

Suono

di

Clavicembalo

con

tastiera

sensibile

alla

dinamica.

VIBRAPHONE

—

Suono

di

Vibrafono

con

gamma

astesa.

E.

PIANO

Timbro

di

Piano

Elettrico

trasparente

e

luminoso,

PIPE

ORGAN

Organo

Liturgico.

STRINGS

Suono

di

un

Ensemble

di

archi.

Premendo

contemporaneamente

i

tastini

di

due

Voci,

tali

voci

suoneranno

contemporaneamente

(Questa

funzione

viene

detta

DUAL).

*

il

settaggio

del

Chorus

quando

vengono

utilizzate

due

voci

contemporaneamente

viene

settato

dal

relativo

tastino

posto

sulla

destra.

Ey

MIDI

PEDAL

TUNE

INPUT

——

OUTPUT

OUT

IN

R

L

R

L

Lt

(J

°

Qo5)

QoS)

Connettori

MIDI

Vengono

inseriti

i

connettori

MIDI

usati

per

if

collegamen-

to

con

altri

strumenti

elettronici.

[2]

sack

PEDAL

Vengono

collegati

i

pedali

forniti

con

lo

strumento.

Potenziometro

TUNE

(Accordatura)

Permette

l'accordatura

generale

dello

strumento.

Con

il

potenziometro

in

posizione

centrale,

il

LA

centrale

della

tastiera

avra

una

frequenza

di

440

Hz.

Portare

i]

potenziometro

in

direzione

"#"

per

aumentare

l'accordatura,

e

verso

“

b”

per

diminuirla.

Ruotando

i

potenziometro

in

entrambe

le

direzioni

si

otterra

una

modifica

di

accordatura

di

50/100

(1/2

semitono}.

a

MONO

STEREO

L

Les

fa]

Jacks

IN

(Ingresso)}

Si

utilizzano

per

poter

amplificare

tramite

gli

altoparianti

dell'HP-7300e/HP-1600e

altre

sorgenti

Audio

di

altri

apparecchi

(CD,

Registratori

a

cassette,

ecc.).

Jacks

OUTPUT

(Uscita)

Da

questi

Jack

pud

essere

prelevato

il

segnale

Audio

dell'HP-1300e/HP-1600e

per

essere

eventualmente

amplificato.

Roland HP 1300e User manual

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