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  9. Roland HP 1700L User manual

Roland HP 1700L User manual

Roland
HP
1/00L/1/00/900L/900
OWNER'S
MANUAL
CAUTION
The
lightning
flash
with
arrowhead
symbol,
within
an
equilateral
RISK
OF
ELECTRIC
SHOCK
`
triangle,
is
intended
to
alert
the
user
to
the
presence
of
un-
DO
NOT
OPEN
insulated
"dangerous
voltage"
within
the
product's
enclosure
that
may
be
of
sufficient
magnitude
to
constitute
a
risk
of
ATTENTION:
RISQUE
DE
CHOC
ELECTRIQUE
NE
PAS
OUVRIR
i
electric
shock
to
persons.
CAUTION:
TO
REDUCE
THE
RISK
OF
ELECTRIC
SHOCK,
The
exclamation
point
within
an
equilateral
triangle
is
intended
DO
NOT
REMOVE
COVER:(OR
BACK);
to
alert
the
user
to
the
presence
of
important
operating
and
NO
USER-SERVICEABLE
PARTS
INSIDE.
maintenance
(servicing)
instructions
in
the
literature
accom-
panying
the
product.
REFER
SERVICING
TO
QUALIFIED
SERVICE
PERSONNEL.
IMPORTANT
SAFETY
INSTRUCTIONS
WARNING
—
When
using
electric
products,
basic
precautions
should
always
be
followed,
including
the
following:
1.
Read
all
the
instructions
before
using
the
product.
9.
The
power-supply
cord
of
the
product
should
be
unplugged
2.
Do
not
use
this
product
near
water
—
for
example,
near
a
from
the
outlet
when
left
unused
for
a
long
period
of
time.
bathtub,
washbowl,
kitchen
sink,
in
a
wet
basement,
or
near
10.
Do
not
tread
on
the
power-supply
cord.
'a
swimming
pool,
or
the
like.
11.
Do
not
pull
the
cord
but
hold
the
plug
when
unplugging.
3.
This
product
should
be
used
only
with
a
cart
or
stand
that
is
12.
When
setting
up
with
any
other
instruments,
the
procedure
recommended
by
the
manufacturer.
should
be
followed
in
accordance
with
instruction
manual.
4.
This
product,
either
alone
or
in
combination
with
an
amplifier
13.
Care
should
be
taken
so
that
objects
do
not
fall
and
liquids
and
headphones
or
speakers,
may
be
capable
of
producing
are
not
spilled
into
the
enclosure
through
openings.
sound
levels
that
could
cause
permanent
hearing
loss.
Do
14
not
operate
for
a
long
period
of
time
at
a
high
volume
level
.
The
product
should
be
serviced
by
qualified
service
per-
or
at
a
level
that
is
uncomfortable.
If
you
experience
any
sonnel
when:
hearing
loss
or
ringing
in
the
ears,
you
should
consult
an
A.
Mas
power-supply
cord
or
the
plug
has
been
damaged;
audiologist.
;
o
a
5.
The
product
should
be
located
so
that
its
location
or
position
z
Edid
iu
fallen,
or
liquid
has
been
spilled
into
the
does
not
interfere
with
its
proper
ventilation.
C.
The
product
has
been
exposed
to
rain;
or
6.
The
product
should
be
located
away
from
heat
sources
such
as
D.
The
product
does
not
appear
to
operate
normally
or
radiators,
heat
registers,
or
other
products
that
produce
heat.
exhibits
a
marked
change
in
performance;
or
7.
Avoid
using
the
product
where
it
may
be
affected
by
E.
The
product
has
been
dropped,
or
the
enclosure
dam-
dust.
aged.
8.
The
product
should
be
connected
to
a
power
supply
only
of
15.
Do
not
attempt
to
service
the
product
beyond
that
described
the
type
described
in
the
operating
instructions
or
as
marked
in
the
user-maintenance
instructions.
All
other
servicing
on
the
product.
should
be
referred
to
qualified
service
personnel.
SAVE
THESE
INSTRUCTIONS
WARNING:
THIS
APPARATUS
MUST
BE
EARTHED
IMPORTANT:
THE
WIRES
IN
THIS
MAINS
LEAD
ARE
COLOURED
IN
ACCORDANCE
WITH
THE
FOLLOWING
CODE.
GREEN-AND-YELLOW:
EARTH,
BLUE:
NEUTRAL,
BROWN:
LIVE
As
the
colours
of
the
wires
in
the
mains
lead
of
this
apparatus
may
not
correspond
with
the
coloured
markings
identifying
For
the
U.K.
the
terminals
in
your
plug
proceed
as
follows:
The
wire
which
is
coloured
GREEN-AND-YELLOW
must
be
connected
to
the
terminal
in
the
plug
which
is
marked
by
the
letter
E
or
by
the
safety
earth
symbol
QD
or
coloured
GREEN
or
GREEN-AND-YELLOW.
The
wire
which
is
coloured
BLUE
must
be
connected
to
the
terminal
which
is
marked
with
the
letter
N
or
coloured
BLACK.
The
wire
which
is
coloured
BROWN
must
be
connected
to
the
terminal
which
is
marked
with
the
letter
L
or
coloured
RED.
The
product
which
is
equipped
with
a
THREE
WIRE
GROUNDING
TYPE
AC
PLUG
must
be
grounded.
Copyright
©
1991
ROLAND
CORPORATION
All
rights
reserved.
No
part
of
this
publication
may
be
reproduced
in
any
form
without
the
written
permission
of
ROLAND
CORPORATION.
Thank
you
for
purchasing
the
HP-1700L/1700/900L/900
Roland
Digital
Piano.
As
a
further
refine-
ment
of
the
SA
sound
technology
found
on
previous
Roland
instruments,
the
HP-1700L/1700/
900L/900
are
based
on
an
Advanced
SA
sound
process
which
faithfully
and
realistically
repro-
duces
the
deep
lows
and
clear
highs
of
a
concert
grand
piano.
The
highly
expressive
keyboard
gives
you
complete
control
over
dynamics
from
ppp
to
fff.
The
HP-1700L/1700/900L/900
are
economical
and
trouble-free
digital
instruments,
built
into
a
compact
package
that
allows
you
to
enjoy
superb
piano
sound
anywhere.
In
order
to
lake
full
advantage
of
the
wealth
of
features
that
have
been
made
available,
please
take
the
time
to
read
this
manual
in
its
entirety.
Advanced
SA
sound
process
Faithful
reproduction
of
acoustic
piano
sounds
is
not
an
easy
task,
but
Roland
Digital
Pianos
reproduce
the
wide
dynamic
range,
expressive
nuances,
and
subtleties
of
hammer-strike
and
resonance
of
a
concert
grand
piano
with
un-
canny
realism.
The
secret
is
"Advanced
SA
(
Structured
Adaptive
)
Synthesis".
In
SA
synthesis
—
a
Roland
world's
first
—,
the
elements
of
a
grand
piano
sound
are
extracted,
analyzed,
and
re-synthesized
to
re-create
the
original
sound.
Advanced
SA
technology
is
a
further
refinement
of
this
process,
using
Roland's
proprietary
digital
signal
processing
and
sound
generation
technology
to
achieve
amazingly
realistic
and
lifelike
piano
sounds.
“TAADADTANIT
NATEG
In
addition
to
the
items
listed
under
Safety
Precautions
inside
the
cover,
IMPORTANT
NOTES
please
read
and
observe'the
following
points.
0
[POWER
SUPPLY]
[CARE]
@
Before
connecting
this
unit
to
other
devices,
turn
off
@
For
everyday
cleaning,
wipe
gently
with
a
soft,
dry
the
power
to
all
units
to
avoid
malfunctions
or
dam-
cloth,
or
one
that
has
been
slightly
dampened
with
age
to
the
speakers.
water.
To
remove
stubborn
dirt,
wipe
with
a
mild
neutral
detergent.
Afterwards,
be
sure
to
wipe
with
a
@
Avoid
using
the
same
AC
outlet
as
devices
that
gen-
soft,
dry
cloth.
erate
noise
(such
as
motors
or
variable
lighting
equipment)
or
devices
that
consume
large
amounts
Never
use
solvents
such
as
benzene,
paint
thinner,
of
power.
or
alcohol,
to
avoid
the
risk
of
discoloration
and/or
deformation.
[LOCATION]
@
This
unit
may
interfere
with
television
and
radio
re-
[OTHER
PRECAUTIONS]
ception.
Do
not
use
this
unit
in
the
vicinity
of
such
@
Protect
this
unit
from
strong
impact.
receivers.
:
:
.
í
@
Do
not
allow
foreign
objects
(paper
clips
or
wires,
@
Do
not
expose
this
unit
to
temperature
extremes
(eg.
etc.)
or
liquids
(water,
juice,
alcohol,
etc.)
to
enter
direct
sunlight
in
an
enclosed
vehicle
can
deform
or
this
unit.
discolor
the
unit)
or
install
it
near
devices
that
radiate
heat
@
Before
using
this
unit
in
a
foreign
country,
consult
with
qualified
service
personnel.
@
After
reading
this
manual,
keep
it
in
a
safe
place
for
future
reference.
FEATURES
__
@
The
quality
finish
brings
out
the
natural
grain
of
the
wood.
The
HP-1700L
and
HP-900L
feature
a
smooth-sliding
keyboard
cover.
The
compact
design
is
especially
convenient
when
it
comes
time
to
transport
the
instru-
ment.
Piano
tuning
is
never
required,
mean-
ing
that
the
cost
of
upkeep
is
zero.
Five
high-quality
sounds
are
built
in,
includ-
ing
a
rich
grand
piano,
a
classic
harpsichord,
a
vibraphone
that
is
perfect
for
jazz,
and
an
electric
piano
for
pop
or
fusion.
The
Rotary
Oil
Damped
mechanism
provides
quick
and
sensitive
response
to
repeated
notes,
and
comes
extremely
close
to
dup-
licating
the
feel
of
a
concert
grand
piano.
Playing
strength
allows
complete
control
over
tonal
nuances
for
expressive
perfor-
mances.
To
match
personal
preferences,
you
can
set
the
keyboard
touch
response
to
one
of
three
settings:
heavy/standard/light.
The
Sympathetic
Resonance
feature
simu-
lates
the
natural
resonance
that
occurs
bet-
ween
strings
when
the
damper
pedal
of
an
acoustic
piano
is
depressed.
Q
The
stereo
position
of
each
note
is
located
where
it
would
naturally
occur,
with
lower
notes
toward
the
left,
and
higher
notes
to-
ward
the
right,
simulating
the
natural
sound
field.
Two
stereo
digital
effect
units
are
built
in;
chorus
for
enriching
the
sound,
and
reverb
for
adding
the
acoustic
ambience
of
a
concert
hall.
The
Key
Transpose
function
allows
you
to
transpose
the
pitch
to
any
interval;
for
exam-
ple,
letting
you
play
that
tricky
D-flat
piece
using
the
fingering
of
the
C
major
scale.
The
Recorder
function
lets
you
record
and
playback
your
performances
just
as
easily
as
with
a
tape
recorder.
Line
input
jacks
and
MIDI
connectors
are
provided,
allowing
you
to
connect
other
audio
equipment
or
MIDI
devices
(such
as
ISM
products).
Since
the
sound
source
of
the
HP-1700L/1700/900L/900
is
multi-timbral,
you
can
even
connect
a
sequencer
to
enjoy
multi-timbral
playback.
ISM
(Intelligent
System
of
Music)
[izm]
This
is
a
series
of
Roland
electronic
musical
instrument
products
(MT-200,
PR-1
etc.:
sold
sepa-
rately)
designed
to
expand
your
system.
These
MIDI
devices
and
ISM
Music
Data
programs
enhance
the
functionality
of
your
Roland
digital
piano,
providing
even
more
creative
musical
possibilities.
For
details
on
ISM
products,
please
refer
to
the
page
[Pria]
.
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IN
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13
NVd
TABLE
OF
CONTENTS
How
to
assemble
the
piano
stand,
Attaching
the
music
stand,
The
lid
(HP-1700L/900L
),
Moving
theunit,
Connect
the
power
cable
6
Turn
the
power
on,
Adjust
the
volume,
Adjust
the
brightness,
Select
a
sound,
Playback
the
Demo
Song,
Using
the
pedals
8
A
ei?
à
Record,
Playback
N
ecord,
Playbac
,
XXe
;
e
çut
6
G
ot
Chorus,
Reverb,
Tuning,
Key
transpose,
f
C
Keytouch
control
e
ge
:
I
4
;
oen
Listening
to
other
sources
through
the
internal
speakers,
$
xe?
Recording
the
piano
sound
on
a
cassette
recorder,
eat?
aet
Playing
at
higher
volume
17
.
MS
.
N
Nan"
an
gue
Connecting
MIDI
devices,
^
.
i
I
Y
MIDI
Guide,
coo?
w
Connecting
a
sequencer
1
8
pe
&
Co?
Troubleshooting,
MIDI
Implementation
chart,
WO
Sound
range
diagram,
Specifications
2
5
:
NS
An
index
of
terms
is
included
at
the
end
-
©
of
the
manual,
allowing
you
to
quickly
find
.
the
explanation
for
any
desired
function.
ae
ue
How
to
read
this
manual
This
manual
is
intended
especially
for
those
who
are
using
a
di-
gital
piano
for
the
first
time.
The
result
is
a
guide
which
pro-
vides
step-by-step
instructions.
We
recommend
you
read
from
the
beginning
(read
the
first
chapter,
then
the
second
---)
while
referring
to
the
table
of
contents
or
Index
when
neccessary.
If
you
are
already
familiar
with
synthesizers
or
digital
pianos,
it
may
not
be
necessary
for
you
to
read
this
entire
book.
Read
through
the
"Panel
Description"
once
and
then
refer
to
specific
pages
in
this
manual
if
you
need
a
more
detailed
explanation.
When
you
are
using
this
piano
by
itself,
you
do
not
need
to
read
chapters
5
and
6.
Conventions
used
in
this
manual
Characters
surrounded
by
[
]
indicate
panel
buttons.
For
example,
[CHORUS]
indicates
the
CHORUS
button.
How
to
assemble
the
piano
stand
BE
Check
the
parts
(Before
you
begin
assembly,
check
that
you
have
all
the
parts.
Side
board
(left):
Side
board
(right)
Pedal
board"
Center
board
©
Short
screws
(M4
x
27
mm)
^"
Long
screws
(M8
x
60
mm)
Knob
bolts
Philips
screwdriver
OONO
0000
Nn
E
E
procedure
Yr
Extend
the
peda!
cable
out
from
the
ED
ELLE
board.
(Note)
Be
sure
that
the
side
boards
are
oriented
correctly:
the
metal
fittings
are
on
the
inside.
@
Use
the
long
screws
The
metal
fittings
on
the
inside.
(M6
x
60
mm)
to
fasten
the
side
boards
to
the
pedal
cable
pedal
board.
(
use
two
screws
tor)
each
side.
(8)
Fasten
the
pedal
cable
with
the
cable
clamps
(three
locations)
on
the
teft
side
of
the
stand.
©
Insert
the
two
plugs
from
the
pedal
cable
into
the
jacks
on
the
rear
of
the
piano.
(
Insert
the
brownplug
into
the
DAMPER
jack
(red).
Insert
the)
blackplug
into
the
SOFT
jack
(black).
@
Connect
the
power
cable
into
the
AC
inlet
on
the
back
panel
of
the
piano.
The
power
cable
is
included
with
the
piano.
@
Use
the
short
screws
(M4
x
27
mm)
to
attach
the
center
board
to
the
side
boards.
[rs
two
screws
for
each
yx
When
you
finish
assembling
the
stand,
rotate
the
adjusting
bolt
until
it
touches
the
floor.
(Note)
If
the
piano
is
placed
on
carpeting,
rotate
the
adjustment
bolt
little
more.
side.
(Note)
When
placing
the
piano
in
its
location,
be
careful
nol
to
pinch
the
power
cable
underneath
the
piano.
(Note)
When
placing
the
piano
on
the
stand,
be
careful
not
to
pinch
your
fingers.
(Avoid
holding
the
ends
of
the
piano.)
(à
Align
the
screws
(one
on
each
side)
located
on
the
bottom
of
the
piano
with
the
slots
_
Pa
in
the
metal
fittings
on
the
side
boards.
Slide
the
piano
so
the
screws
slide
into
the
slots.
(8)
Rotate
the
adjusting
bolt
(à)
Lift
up
the
piano
and
until
it
touches
use
the
two
connect-
the
floor.
ing
screws
to
fasten
the
piano
to
the
stand.
E:
screw
each
d
Rotate
it
to
the
right
to
touch
the
floor,
and
to!
the
left
to
retract.
side
on
the
left
an
right.
The
music
stand
is
packed
in
the
shipping
carton.
(D
Hold
the
music
stand
horizontally
and
insert
it
to
the
holder.
Caution!!
Be
careful
not
to
get
your
fingers
caught
when
clos-
ing
the
lid.
To
close
the
lid,
slowly
pull
it
completely
forward,
then
lower
it
gently.
Children
may
require
help
in
opening
and
closing
the
lid.
When
wishing
to
swing
the
music
stand
to
the
rear,
always
hold
it
firmly
on
both
sides,
then
move
it
F
Moving
the
unit
gently.
To
avoid
accidents,
always
retract
the
adjusting
bolt,
close
the
lid,
disassemble
the
music
stand
and
unplug
the
power
cord
before
moving
the
unit.
Moving
the
unit
should
be
done
by
two
people.
The
unit
(HP
+
Stand)
is
top-heavy,
and
should
be
handled
carefully
to
avoid
dropping
it.
Be
careful
not
to
drop
or
scratch
any
of
the
parts,
or
pinch
your
fingers.
Connect
the
power
cable
(D
Check
that
the
power
switch
(POWER)
located
on
the
left
side
of
the
piano
is
in
the
off
position
(not
depressed).
———
m.
ON
OFF
To
turn
the
power
on,
press
the
switch.
To
turn
the
power
off,
press
the
switch
again.
(3)
Connect
the
included
power
cable
to
the
AC
inlet.
Use
only
the
included
power
cable.
Be
sure
that
the
AC
outlet
provides
the
correct
vol-
tage
for
your
unit.
If
you
will
not
be
using
the
unit
for
an
extended
period
of
time,
unplug
the
power
cable
from
the
AC
outlet.
2
Getting
Started
This
section
will
explain
basic
operation.
If
you
are
using
a
digital
piano
for
the
first
time,
be
sure
to
read
this
section
first.
Turn
the
power
on
Press
the
power
switch
(POWER).
In
a
few
seconds,
the
unit
will
be
ready
to
produce
sound.
A
muting
circuit
will
operate
for
approximately
2
seconds
after
the
power
is
turned
on,
so
there
will
be
no
sound
during
this
time.
Play
the
keyboard
and you
will
hear
the
grand
piano
sound
(PIANO1).
Notice
that
your
playing
dynamics
cause
natural
changes
in
timbre
and
volume.
Adjust
the
volume
Use
the
volume
control
(VOLUME)
to
adjust
the
volume
to
a
desired
level.
At
“MAX”
the
volume
will
be
at
maximum,
and
at
“MIN”
the
volume
will
be
at
minimum.
VOLUME
MIN
MAX
Adjust
the
brightness
Use
the
brilliance
control
(BRILLIANCE)
to
adjust
the
desired
tone
quality.
At
“BRIGHT”
the
tone
will
be
brighter,
and
at
“MELLOW?”
the
tone
will
be
more
mellow.
BRILLIANCE
MELLOW
,
BRIGHT
2
Getting
Started
Stereo
panning
©
Listen
carefully
to
the
sound
you
play,
and
notice
which
direction
it
comes
from.
(To
hear
the
effect
most
clearly,
play
a
single
note
rather
than
a
chord.)
Notice
that
the
sound
of
lower
notes
is
heard
more
from
the
left
side
(see
Fig.
1),
and
the
sound
of
higher
notes
is
heard
more
from
the
right
side
(see
Fig.
2).
This
is
because
each
note
has
been
panned
to
the
same
stereo
location
(between
the
left
and
right
speakers)
as
they
would
occur
on
an
acoustic
piano.
This
stereo
panning
effect
adds
to
the
realism
of
the
soundfield.
Headphones
You
can
use
stereo
headphones
to
listen
while
you
play.
Insert
the
headphone
plug
into
the
headphone
jack
located
on
the
left
side
of
your
instrument.
This
will
turn
off
the
built-in
speakers,
allowing
you
to
practice
privately.
The
headphone
volume
is
adjusted
by
the
VOLUME
control.
2
Getting
Started
Select
a
sound
.
When
you
select
a
sound
If
vou
select
a
new
sound
while
a
note
is
still
depressed,
the
currently-sounding
note
will
retain
its
sound,
and
the
newly-selected
sound
will
apply
from
the
next
note.
Press
a
button
to
select
one
of
the
five
instruments;
Piano
1,
Piano
2,
Harpsichord,
Vib-
raphone,
or
Electric
Piano.
PIANO
1
PIANO2
HARPS-
VIBRA-
—
E.PIANO
CHORD
PHONE
Tnn
E
Ce
ee
Piano
1
(PIANO
1)
A
rich-sounding,
full
concert
grand
piano.
Piano
2
(PIANO
2)
A
mellow-sounding,
upright
acoustic
piano.
Harpsichord
(HARPSICHORD)
This
delicate-sounding
instrument
is
indispensable
for
Baroque
music.
Vibraphone
(VIBRAPHONE)
A
cool
vibraphone
sound.
Electric
piano
(E.PIANO)
A
Rhodes-type
electric
piano.
Playback
the
Demo
Song
Playing
back
the
built-in
Demo
Song
is
a
good
way
to
hear
the
expressive
possibilities
of
your
new
piano.
You
can
playback
the
Demo
Song
whenever
you
like.
To
playback
the
Demo
Song
just
once
Title
of
the
Song
“Variations”
trom
Chopin's
Polonaise
No.
3
«Militaire»
Music
by
F.
Chopin
Arranged
by
John
Maul
Copyright
©
1990
by
John
Maul
Piano
1
=
Chopin's
Polonaise
Harpsi.
—-
Baroque
arrangement
E.
Piano
—
Popular
style
arrangement
Piano
2
&
Vibes.
—
Ragtime
arrangement
[7]
To
playback
the
Demo
Song
continuously
10
@
While
holding
[FUNCTION],
PLAY
press
[DEMO]
once.
[p
we
FUNCTION
DEMO
e
@
The
LED
will
light,
and
when
you
release
[FUNCTION
the
song
will
begin.
When
the
song
ends,
the
LED
will
go
out
automatically.
To
stop
playback,
press
either
[PLAY]
or
[REC].
PLAY
(D
While
holding
[FUNCTION],
press
twice.
[-]
FL
FUNCTION
DEMO
Uu,
@
The
LED
will
light,
and
when
you
release
[FUNCTION]
the
song
will
begin.
During
playback,
the
[PLAY]
LED
will
blink.
The
song
will
continue
playing
back
until
you
press
or
[REC].
2
Getting
Started
Biography
of
Demo
Song's
Arranger
John
Maul
is
a
musician,
composer
and
arranger
having
graduated
from
the
Royal
Academy
of
Music
in
London.
John's
work
en-
compasses
studio
recordings
and
live
performances,
including
work
with
top
cabaret
artists
in
the
U.K.
His
writing
credits
include
commercial
music
for
radio
and
television,
as
well
as
scoring
jazz
and
classical
works.
As
a
product
specialist
for
Roland
U.K.,
john's
talents
are
well
utilized
in
the
preparation
of
support
material
for
educational
and
instructional
use.
Using
the
pedals
Two
pedals
are
installed
in
the
special
stand;
the
Damper
pedal
on
the
right,
and
the
Soft
pedal
on
the
left.
The
left
pedal
can
also
be
used
as
a
Sostenuto
pedal
(nor-
mally
it
functions
as
a
Soft
pedal).
It
is
not
possible
for
the
left
pedal
to
function
simul-
taneously
as
both
Soft
and
Sostenuto-pedals.
O
Damper
pedal
(right)
Use
this
pedal
to
extend
the
decay
of
the
notes.
As
long
as
you
have
the
pedal
depre-
Left
Pedal
Right
Pedal
ssed,
notes
will
continue
to
decay
gradually
even
after
you
release
the
keys.
In
addi-
tion,
while
this
pedal
is
depressed,
notes
you
play
will
cause
other
notes
to
resonate
just
as
they
would
on
an
acoustic
piano.
This
effect
creates
a
richer
and
more
natural
sound
(the
Sympathetic
Resonance
effect).
The
Sympathetic
Resonance
effect
will
only
be
heard
when
one
of
the
piano
sounds
(PIANO
1/2)
is
selected.
However,
this
effect
may
be
unclear
when
the
reverb
is
on.
©
Soft
pedal
(left)
When
you
press
this
pedal,
the
sound
will
become
softer.
Since
pressing
this
pedal
on
a
grand
piano
will
make
the
keyboard
slide
a
bit
sideways,
this
pedal
is
sometimes
known
as
the
“Shift
pedal”.
Soft
pedal
effect
will
not
apply
to
the
harpsichord
sound.
O
Sostenuto
pedal
(left)
Notes
that
were
already pressed
when
you
press
this
pedal
will
be
sustained.
Notes
played
after
you
press
this
pedal
will
not
be
affected.
[7]
To
use
the
left
pedal
as
a
Sostenuto
pedal
(D
While
holding
[FUNCTION
|,
press
[PEDAL]
.
hEC
EE
we
x
FUNCTION
PEDAL
©
While
you
press
[FUNCTION]
the
[PEDAL]
LED
will
light,
indicating
that
the
pedal
is
functioning
as
the
Sostenuto
pedal.
G)
Once
again,
while
holding
[FUNCTION],
press
[PEDAL].
The
LED
will
go
out,
and
the
pedal
will
function
as
the
Soft
pedal
once
again.
11
I5
Using
the
Recorder
Function
The
built-in
recorder
function
lets
you
record
and
playback
a
performance.
During
playback,
you
can
play
along
if
desired.
This
is
convenient
for
playing
duets
by
yourself,
or
for
practicing.
Unlike
a
tape
recorder,
the
built-in
recorder
records
not
the
actual
sound,
but
rather
the
notes
you
play.
It
is
therefore
possible
to
select
a
different
tone
during
playback
of
your
recorded
performance.
To
guard
against
accidents,
the
recorded
notes
will
be
stored
for
approximately
8
hours
after
the
power
is
turned
off.
Although
the
recorded
notes
will
be
stored
for
a
time
after
the
power
is
turned
off,
they
will
eventually
disappear.
If
you
wish
to
preserve
your
performance,
you
will
need
to
con-
nect
an
external
sequencer
and
store
your
music
on
a
sequencer
disk.
Using
a
sequencer
O
will
allow
you
to
record
pieces
longer
than
would
fit
into
the
built-in
recorder
memory,
and
offers
other
advantages
as
well.
For
details
refer
to
,
Record
[7]
To
record
your
own
playing
(D
Press
(the
red
LED
will
light).
®©
Start
playing
(recording
will
begin
when
you
start
playing).
(8)
When
you
finish
playing,
press
once
again
(the
LED
will
go
out).
Program
change
messages
and
chorus,
reverb
on/off
messages
cannot
be
recorded
in
the
recorder
function.
12
3
Using
the
Recorder
Function
You
can
record
up
to
approximately
2,000
notes.
However,
each
press
of
a
pedal
will
also
be
recorded,
so
the
actual
number
of
notes
may
be
less.
*
When
you
approach
the
recording
limit...
REC
The
[REC]
LED
will
start
blinking.
PEDAL
*
If
you
continue
recording...
The
LED
will
blink
faster.
*
When
no
more
recording
is
possible...
REC
[7]
The
LED
will
go
out,
and
recording
will
automatically
stop.
PEDAL
When
you
record
again,
the
contents
of
the
previous
recording
will
be
erased,
and
replaced
by
the
new
recording.
It
is
not
possible
to
recover
a
recording
that
has
been
erased.
Playback
To
playback
your
Music
(D
Press
[PLAY
|.
PLAY
The
LED
will
light,
and
playback
will
begin.
If
you
select
a
new
sound
during
play
back,
you
can
enjoy
your
recorded
Music
with
different
sounds.
@
When
your
recorded
Music
ends,
it
will
automatically
stop
and
the
LED
will
go
out.
To
stop
playback,
press
|
PLAY
|.
When
you
press
[PLAY
]
again,
the
song
will
playback
from
the
beginning
once
again.
To
erase
the
recorded
data,
press
|
PLAY
|
and
[REC
|
simultaneously.
13
Various
Features
This
section
will
explain
more
sophisticated
features
of
the
HP-1700L/1700/900L/900.
Chorus
The
Chorus
effect
adds
depth
and
breath
to
the
sound.
You
can
set
Chorus
on
or
off
independently
for
each
sound.
[7]
To
add
chorus
to
the
sound
When
shipped
from
the
fac-
tory,
chorus
is
turned
on/off
for
each
sound
as
follows.
You
are
free
to
change
these
settings,
but
when
the
power
is
turned
off,
the
factory
set-
tings
will
be
restored.
Tone
Set
up
[Vibraphone
—
|
on
|
[
Hectricpiano
—
|
on
|
Reverb
(D
Select
the
sound
you
intend
to
use.
PIANO
2
HARPSI-
VIBRA-
—
E.PIANO
CHORD
PHONE
LEE
EYES
v
®©
Set
the
Chorus
effect.
Each
time
you
press
[CHORUS],
the
chorus
effect
will
be
turned
on
or
off.
PIANO
1
CHORUS
CZJ
When
the
LED
is
lit,
chorus
is
on,
©
Reverb
is
the
abbreviation
of
“reverberation”,
and
refers
to
the
reflected
sound
that
echoes
back
to
us
from
the
walls
and
ceiling
of
a
concert
hall.
By
turning
reverb
on,
you
can
enjoy
the
same
acoustic
ambience
of
a
spacious
hall.
[7]
To
add
reverb
to
the
sound
14
Each
time
you
press
[REVERB],
reverb
is
turned
on/off.
REVERB
SS
©
Reverb
is
turned
on/off
for
all
sounds.
It
is
not
possible
to
set
reverb
independently
for
each
sound.
Each
time
the
power
is
turned
on,
reverb
will
be
off.
When
the
LED
is
lit,
reverb
is
on.
&
Various
features
Tuning
The
tuning
knob
located
on
the
rear
panel
allows
you
to
tune
the
piano
to
other
instru-
ments.
When
the
knob
is
in
the
center
position,
middle
A
will
be
440
Hz.
When
the
knob
is
at
the
"^e"
mark
toward
the
“#”
side,
A
=
442
Hz.
Tuning
can
be
adjusted
over
a
range
of
+50
cents.
The
tuning
knob
is
set
to
the
"e"
position
(A
=
442Hz)
by
the
manufacturer.
A-440Hz
ue
Az:
442Hz
(-50cenüb
#
(+50
cent)
Key
transpose
The
key
transpose
function
lets
you
transpose
the
pitch
without
changing
your
keyboard
fingering.
This
is
especially
convenient
when
you
are
accompanying
a
singer,
etc.
For
example
if
you
have
transposed
down
5
semi-notes...
When
you
play
these
keys...
these
pitches
will
sound.
To
specify
a
key
transposition
While
holding
[FUNCTION],
press
either
of
[£]
or
[b]
buttons.
Each
time
you
press
#
([PIANO2)),
the
pitch
will
rise
by
one
semi-tone
(to
a
maximum
of
5
semi-tones).
Each
time
you
press
b
([PIANOT1]),
the
pitch
will
become
lower
by
one
semi-tone
(to
a
maximum
of
6
semi-tones).
Ep
ev
prs
FUNCTION
b
*
LLL
go
D
By
pressing
both
[£)
and
[b]
simultaneously
you
can
turn
the
transpose
function
off.
When
you
set
a
key
transposition,
the
LED
will
light.
If
you
press
at
this
time,
either
the
[b]
LED
will
light
if
the
sound
is
lower
than
the
key
you
press,
or
the
[#]
LED
will
light
if
the
sound
is
higher
than
the
key
you
press.
Press
once
again,
and
the
LED
will
go
out
and
the
key
transpose
function
will
be
turned
off.
Once
you
have
made
a
key
transpose
setting,
you
can
press
[FUNCTION
|
to
recall
the
previous
setting.
(The
LED
will
light.)
However,
key
transpose
is
always
cancelled
when
you
turn
the
power
off.
15
4
Various
features
Keytouch
control
(adjusting
the
keyboard
action)
You
can
select
one
of
three
keyboard
actions
to
determine
how
sound
is
produced
in
re-
sponse
to
your
playing.
I
(Light:
Since
lighter
than
normal
touch
will
produce
fortissimo
sounds,
the
keyboard
will
feel
lighter.
This
lets
children
(whose
fingers
are
not
that
strong)
play
with
a
consistent
sound.
II
(Standard):
This
is
the
normal
and
most
natural
setting,
and
is
closest
to
an
acoustic
piano.
TI
(Heavy):
Since
only
stronger
than
normal
playing
will
produce
fortissimo
sounds,
the
keyboard
will
leel
heavier.
This
will
allow
heavy-handed
players
a
full
range
of
expression.
Volume
I
Strength
of
Touch
To
change
the
keytouch
LIGHT:
While
holding
[FUNCTION],
press
[I].
STANDARD:
While
holding
[FUNCTION],
press
[II].
HEAVY:
While
holding
[FUNCTION],
press
HARPS!
VIBRA-
—
E.PIANO
CHORD
PHONE
CS
a.
“Ea
Ea
ees
——— nen
dt
Press
one
of
these
buttons.
You
can
check
your
settings
by
pressing
[FUNCTION].
While
you
hold
the
button,
one
of
these
LEDs
will
light
to
indicate
the
current
setting.
Each
time
the
power
is
turned
on,
the
keytouch
will
always
be
set
to
II
(Standard).
16
5
Connecting
with
audio
device
If
you
are
using
the
HP-1700L/1700/900L/900
by
itself,
there
is
no
need
for
you
to
read
this
section.
Listening
to
other
sources
through
the
internal
speakers
If
you
have
another
instrument
that
does
not
have
its
own
speaker,
you
can
listen
to
it
through
the
HP-1700L/1700/900L/900's
internal
speakers.
You
will
need
a
connector
cable
(PJ-1M,
etc.).
If
your
instrument
has
a
stereo
output,
you
will
need
two
cables.
INPUT
R/L
OUTPUT
R/L
O
»
ocoOoo
oo
Regulate
the
volume
of
the
other
instrument
using
its
volume
knob.
o
am.
The
PJ-1M
(sold
separately)
consists
of
a
stan-
dard
cord
with
an
adaptor
plug
for
use
with
either
RCA
or
1/4"
phone
jacks.
Recording
the
piano
sound
on
a
cassette
tape
recorder
If
you
have
a
cassette
tape
recorder
that
has
LINE
IN
jacks,
you
can
record
the
sound
of
the
HP-1700L/1700/900L/900.
You
will
need
a
PJ-1M
with
the
adaptor
plug
removed.
OUTPUT
R/L
LINE
IN
R/L
©
Ou
eo
Cee
oo
The
cassette
tape
recorder
If
the
cassette
tape
recorder
has
stereo
input
jacks,
you
will
need
two
PJ-1M
cables.
Playing
at
higher
volume
By
connecting
the
HP-1700L/1700/900L/900
to
a
stereo
or
PA
system,
you
can
play
at
higher
volumes.
You
will
need
a
PJ-1M
with
the
adaptor
plug
removed.
OUTPUT
R/L
AUX
R/L
qu
qu
Raa
E
ave
©
Orc
ooCoooo
Stereo
17
©
Using
MIDI
|
Connecting
MIDI
devices
ad
"Roland
Piano
ISM"
products
(such
as
MT-200
and
PR-1)
and
an
"Intelligent
Arranger"
RA-90
allow
you
to
expand
your
digital
piano
system
for
one-person
sessions
or
ensem-
bles,
or
even
live
performances
with
full
orchestral
accompaniment.
(D)
If
you
will
be
connecting
a
PR-1
or
an
MT-200,
first
read
the
"MIDI
Guide".
Then
con-
sult
“MIDI
Channel
Settings"
and
“Program
change"
from
the
section
"Connecting
a
sequencer"
as
you
read
this
section.
When
a
PR-1
is
connected
Roland
PR-1
You
can
freely
record
and
playback
your
performances.
It's
as
easy
as
using
a
cassette
tape
recorder!
HP-
1
700L
/1700,900L
“900
S»
When
an
MT-200
is
connected
Roland
MT-
200
You
can
record
multi-track
songs,
for
composition
or
arrang-
;
ing,
or
simply
for
musically
creative
fun.
By
using
the
ISM
Music
Data
(sold
separately),
you
can
play
RE
OO
TED
Sn
208
FEE
-
a
piano
part
(even
a
piano
concerto!)
to
the
accompaniment
oleooo
of
a
full
orchestra.
856.
@
When
an
RA-90
is
connected
Roland
RA-30
Your
Roland
Digital
Piano
will
turn
into
an
automatic
accom-
paniment
keyboard.
Chords
you
play
with
the
left
hand
will
instantly
be
arranged
into
a
beautiful
orchestral
accompaniment.
By
using
Music
Style
Cards
(TN-SC
series,
sold
separately)
you
can
enjoy
even
wider
arrangement
possibilities.
HP-
17001.
1700/9001.
90C
When
using
your
Roland
Digital
Piano
together
with
an
RA-90,
set
the
tuning
of
the
digital
piano
to
A
—
440
Hz
(PT).
18

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