Roland Ep-3 User manual

Roland

e

O

e

9

DIGITAL

PIANO

OWNER’S

MANUAL

Thank

you,

and

congratulations

on

your

choice

of

the

Roland

ep-3.

The

ep-3

Digital

Piano,

designed

to

make

it

easier

for

more

people

to

have

fun

with

music,

has

firm

roots

in

the

same

leading-edge

technology

and

manufacturing

know-how

that

has

made

Roland

a

leader

in

electronic

musical

instrument

development.

The

ep-3

provides

a

selection

of

5

realistic

sounds

(including

piano)

and

offers

a

keyboard

that

is

a

pleasure

to

play.

To

make

sure

you

are

comfortable

in

using

all

the

features

the

ep-3

offers,

and

to

ensure

satisfaction

for

years

to

come,

please

read

this

Owner's

Manual

in

its

entirety

before

starting

out.

©

1990

ROLAND

CORP.

Unauthorized

copy

or

transfer

of

this

document

by

any

means,

whether

in

whole

or

in

part,

is

strictly

prohibited.

Important

Notes

[Maintenance]

e

For

everyday

cleaning

wipe

the

unit

with

a

soft,

dry

cloth

(or

one

[Power

Supply]

*

Be

sure

to

use

only

the

AC

adaptor

supplied

with

the

unit.

Use

of

any

other

power

adaptor

could

result

in

damage,

malfunction,

or

electric

shock.

When

making

any

connections

with

other

devices,

always

turn

off

the

power

to

all

equipment

first:

this

will

help

prevent

damage

or

malfunction.

Do

not

use

this

unit

on

the

same

power

circuit

with

any

device

that

has

been

slightly

dampened

with

water).

To

remove

stubborn

dirt,

use

a

mild

neutral

detergent.

Afterwards,

be

sure

to

wipe

the

unit

thoroughly

with

a

soft,

dry

cloth.

Never

use

benzene,

thinners,

alcohol

or

solvents

of

any

kind

to

avoid

the

risk

of

discoloration

and/or

deformation.

[Additional

Precautions]

e

Protect

the

unit

from

strong

impact.

e

Do

not

allow

objects

or

liquids

of

any

kind

to

penetrate

the

unit.

In

that

will

generate

line

noise,

such

as

a

motor

or

variable

lighting

system.

*

The

power

supply

required

for

this

unit

is

shown

on

its

nameplate.

Ensure

that

the

line

voltage

of

your

installation

meets

this

require-

ment.

Avoid

damaging

the

power

cord;

do

not

step

on

it,

place

heavy

objects

on

it

etc.

When

disconnecting

the

AC

adaptor

from

the

outlet,

grasp

the

plug

itself,

never

pull

on

the

cord.

If

the

unit

is

to

remain

unused

for

a

long

period

of

time,

unplug

the

the

event

of

such

an

occurrence,

discontinue

use

immediately.

Contact

qualified

service

personnel

as

soon

as

possible.

Before

using

the

unit

in

a

foreign

country,

consult

with

qualified

service

personnel.

Should

a

malfunction

occur

(or

if

you

suspect

there

is

a

problem)

discontinue

use

immediately.

Contact

qualified

service

personnel

as

soon

as

possible.

power

cord.

[Placement]

*

Do

not

subject

the

unit

to

temperature

extremes

(eg.

direct

sun-

light

in

an

enclosed

vehicle).

Avoid

using

or

storing

the

unit

in

dusty

or

humid

areas

or

areas

that

are

subject

to

high

levels

of

vibration.

e

Using

the

unit

near

power

amplifiers

(or

other

equipment

con-

taining

large

transformers)

may

induce

hum.

e

This

unit

may

interfere

with

radio

and

television

reception.

Do

not

use

this

unit

in

the

vicinity

of

such

receivers.

e

Do

not

expose

this

unit

to

temperature

extremes

(eg.

direct

sun-

light

in

an

enclosed

vehicle

can

deform

or

discolor

the

unit)

or

install

it

near

devices

that

radiate

heat.

Specifications

KEYBOARD

o

61-keys

Output

Jacks

(OUTPUT

L(MONO)/R)

MAX.

POLYPHONY

|

24

notes

Headphone

a

(PHONES):

2

VOICES

Five

(Piano,

Electric

Piano,

Vibraphone,

SPEAKERS

12

cm:

1

(Left

side)

Organ,

Strings)

OUTPUT

3W:1

|

MASTER

TUNING

|

Range:

approx.

%/-50

cents

DIMENSIONS

929(W)

x

338(D)

x

100(H)

mm

BUTTONS

Power

Switch

(POWER):

1

Re

AA

Voice

Buttons

(PIANO,

E.

PIANO,

-

-

VIBRAPHONE,

ORGAN,

STRINGS)

WEIGHT

7kg

15.5

Ibs

KNOBS/SLIDERS

|

Tuning

Knob

(TUNE):

1

POWER

1000

mA

(DC

9

V)

CONSUMPTION

Volume

Control

Slider

(VOLUME):

1

AC

Adaptor

Jack

(DC

IN):

1

MID!

OUT

Connector:

1

MIDI

IN

Connector:

1

Damper

Pedal

Jack

(DAMPER):

1

SUPPLIED

ACCESSORIES

OPTIONS

Damper

Pedal,

AC

Adaptor,

Music

Stand,

Owner’s

Manual,

MID!

Guidebook.

Keyboard

Stand

KS-8

Headphones

RH-12/100

CONNECTORS/

JACKS

*

Specifications

and/or

external

appearance

of

this

product

are

subject

to

chang

e

without

notice.

Making

the

Connections/Powering

up

Before

making

any

connections,

make

sure

you

have

the

power

on

your

instrument

turned

off.

Cord

Hook

The

Cord

Hook

conveniently

allows

you

to

secure

the

AC

adaptor

cord,

thus

preven

ting

it

from

accidently

coming

loose

while

the

unit

is

being

played.

These

connectors

are

used

when

you

wish

to

connect

the

ep-3

to

another

MIDI-equipped

device.

For

details

please

refer

to

the

separate

“MIDI

Guide-

book".

If

desired,

you

can

have

your

keyboard

produce

a

more

im-

pressive

sound

by

connec

ting

it

to

an

amplifier

and

speakers.

Since

the

sound

produced

by

this

piano

is

monaural,

an

iden-

tical

signal

is

output

from

both

jacks.

.To

connect

the

units,

plug

an

audio

cable

into

one

of

the

keyboard's

Output

jacks

and

plug

the

other

end

into

an

Input

jack

on

your

sound

sys-

tem.

Once

all

connections

have

been

properly

made,

press

the

Power

Switch

to

turn

the

unit

on.

(The

red

indicator

will

light.)

«POWER

With

the

pedal

depressed,

notes

will

linger

on

after

being

played.

With

sounds

which

maintain

a

constant

volume

level,

such

as

Strings

and

Pipe

Organ,

notes

you

play

will

con-

tinue

sounding

as

long

as

the

pedal

is

depressed,

(Use

the

optional

DP-2

(or

similar)

pedal)

(The

supplied

AC

Adaptor;

ACI-100)

Listening

to

the

Demo

@Press

PIANO,

VIBRAPHONE

and

STRINGS

si-

@

Adjust

the

volume.

multaneously.

PIANO

£

PIANO

VIBRAPHONE

ORGAN

STRINGS

VOLUME

o

e

. . .

e

.

.

.

.

o

Decreases

increases

The

demonstration

song

will

start

playing.

GOTO

stop

playback

of

the

demo,

press

any

Voice

button.

.

PIANO

E

PIANO

VIBRAPHONE

ORGAN

STRINGS

EE

MEE

|

EM

Volume

Slider

_

Adjusts

the

volume

obtained

through

the

speakers

or

headphones.

The

fur-

ther

it

is

moved

to

the

right,

the

great-

er

the

volume

level

becomes.

Turns

power

on

and

off.

When

the

power

is

on,

the

indicator

will

be

lit.

(RH-12/100,

etc.;

sold

separately)

Headphone

Jacks

The

ep-3

can

accommodate

two

sets

of

headphones

at

the

same

time.

Once

head-

phones

are

connected

to

either

(or

both)

of

these

jacks,

sound

is

no

longer

output

from

the

speakers.

This

makes

it

ideal

for

times

when

you

wish

to

play

without

dis-

turbing

those

around

you

(late

at

night,

for

example).

Voice

Buttons

Provides

selection

of

the

sound

you

desire.

BUTTON

VOICE

DESCRIPTION

PIANO

A

realistic

grand

piano

sound.

E.

PIANO

The

dazzling

sound

of

an

electric

piano.

VIBRAPHONE

|

A

refreshing

vibraphone

sound.

|

ORGAN

.

"The

sublime,

impressive

sound

of a

pipe

organ

—

STRINGS

The

sound

of

a

string

ensemble.

*

ff

you

wish,

you

can

press

two

buttons

at

the

same

time

—

you

can

then

play

with

the

two

voices

layered

together.

)

[Music

Stand

A

music

stand

is

included

in

the

packing

carton.

Attach

it

to

the

instrument

as

shown

in

the

illustra-

tion

to

the

left.

b

mm

AAA

—

AEREA

TIN

AENA

o

zman mami

ektiren

ca

aI

a

Roland

ep2-3

=

mu

This

knob

allows

you

to

precisely

adjust

the

pitch

of

the

ep-3

so

it

matches

that

of

some

other

instrument;

useful

when

play-

ing

in

an

ensemble.

When

the

knob

is

rotated

clockwise,

the

pitch

rises;

when

rotated

counter-clockwise,

it

is

lowe

red.

*

With

the

knob

at

the

center

position,

the

frequency

of

the

A

key

in

the

middle

of

the

key-board

will

be

440.0

Hz.

*

By

rotating

the

knob

completely

in

either

direction,

you

obtain

a

pitch

change

of

about

50

cents

(1/2

of

a

half-step).

<Rear

Panel>

SAVE

THESE

INSTRUCTIONS

For

the

U.K.

IMPORTANT:

THE

WIRES

IN

THIS

MAINS

LEAD

ARE

COLOURED

IN

ACCORDANCE

WITH

THE

FOLLOWING

CODE.

BLUE

:

NEUTRAL

BROWN

:

LIVE

As

the

colours

of

the

wires

in

the

mains

lead

of

this

apparatus

may

not

correspond

with

the

coloured

markings

identifying

the

terminals

in

your

plug

proceed

as

follows:

The

wire

which

is

coloured

BLUE

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

L

or

coloured

RED.

The

product

which

is

equipped

with

a

THREE

WIRE

GROUNDING

TYPE

AC

PLUG

must

be

grounded.

For

West

Germany

Bescheinigung

des

Herstellers/Importeurs

Hiermit

wird

bescheinigt,

daB

der/die/das

in

Ubereinstimmung

mit

den

Bestimmungen

der

Roland

ep.

Amtsbl.

Vig

or...

eo...

.

.

(Gerät.

Typ.

Bezeichnung)

(Amtsblattverfügung)

funk-entstört

ist.

Der

Deutschen

Bundespost

wurde

das

Inverkehrbringen

dieses

Gerätes

angezeigt

und

die

Berechtigung

zur

Überprüfung

der

Serie

auf

Einhaltung

der

Bestimmungen

eingeräumt.

f

Roland

Corporation

Osaka/Japan

a

ae Zr

ru

ze

Er

rr

oo

Er

Sr

Er

er

Er

er

re

Ser

e

Name

des

Herstellers/Importeurs

For

the

USA

RADIO

AND

TELEVISION

INTERFERENCE

WARNING

—

This

equipment

has

been

verified

to

comply

with

the

limits

lor

a

Class

B

computing

device,

pursuant

to

Subpart

J,

of

Part

15,

of

FCC

rules.

Operation

with

non-cerlilied

or

non-verified

equipment

is

likely

to

result

in

interference

to

radio

and

TV

reception.

The

equipment

described

in

this

manual

generates

and

uses

radio

frequency

energy.

If

il

is

not

installed

and

used

properly,

that

is,

in

strict

accordance

with

our

instructions,

it

may

cause

interference

with

radio

and

television

reception.

This

equipment

has

been

tested

and

found

to

comply

with

the

limits

for

a

Class

B

computing

device

in

accordance

with

the

specifications

in

Subpart

J,

of

Part

15,

of

FCC

Rules.

These

rules

are

designed

to

provide

reasonable

protection

against

such

a

interference

in

a

rasidential

installation.

However,

there

is

no

guarantee

that

the

interference

will

not

occur

in

a

particular

installation.

II

this

equipment

does

cause

interference

to

radio

or

television

reception,

which

can

be

determined

by

tuming

the

equipment

on

and

off,

the

user

is

encouraged

to

try

to

correct

the

interference

by

the

folowing

measure:

*

Disconnect

other

devices

and

their

input/output

cables

one

at

a

time.

If

the

interference

stops,

it

is

caused

by

either

the

other

device

or

its

VO

cable.

These

devices

usually

require

Roland

designated

shielded

1/O

cables.

For

Roland

devices,

you

can

obtain

the

proper

shielded

cable

Irom your

dealer.

For

non

Roland

devices,

contact

the

manufacturer

or

dealer

for

assistance.

H

your

equipment

does

cause

interference

to

radio

or

television

reception,

you

can

try

to

correct

the

interference

by

using

one

or

more

o!

the

following

measures.

Turn

the

TV

or

radio

antenna

until

the

interference

stops.

Move

the

equipment

to

one

side

or

the

other

of

the

TV

or

radio.

Move

the

equipment

farther

away

from

the

TV

or

radio

Plug

the

equipment

into

an

outlet

thal

is

on

a

different

circuit

than

the

TV

or

radio.

(That

is,

make

certain

the

equipment

and

the

radio

or

television

sel

are

on

circuits

con-

trolled

by

different

circuit

breakers

or

fuses.)

Consider

installing

a

rooftop

television

antenna

with

coaxial

cable

lead-in

between

the

antenna

and

TV.

If

necessary,

you

should

consult

your

dealer

or

an

experienced

radio/lelevision

technician

for

additional

suggestions.

You

may

find

helpful

the

following

booklet

prepared

by

the

Federal

Communications

Commission:

"How

to

identity

and

Resolve

Radio

—

TV

interference

Problems”

This

booklet

is

available

from

the

U.S.

Government

Printing

Office,

Washington,

D.C.,

20402,

Stock

No.

004-000-00345-4.

For

Canada

CLASS

B

NOTICE

This

digital

apparatus

does

not

exceed

the

Class

B

limits

for

radio

noise

emissions

set

out

in

the

Radio

Interference

Regulations

of

the

Canadian

Department

of

Communications.

CLASSE

B

AVIS

Cet

appareil

numérique

ne

dépasse

pas

les

limites

de

la

classe

B

au

niveau

des

émissions

de

bruits

radioélectriques

fixés

dans

le

Reglement

des

signaux

parasites

par

le

ministére

canadien

des

Communications.

Information

OWhen

you

need

repair

service,

call

your

local

Roland

Service

Station

or

the

authorized

Roland

distributor

in

your

country

as

shown

below.

U.

S.

A.

Roland

Corp

US

7200

Dominion

Circle

Los

Angeles.

CA.

90040

-

3647

U.S.A.

2

(213)685

-

5141

CANADA

Roland

Canada

Music

Ltd.

(Head

Office)

13880

Mayfield

Place

Richmond

B.

C.,

V6V

2E4

CANADA

TS

(604)270

-

6626

Roland

Canada

Music

Ltd.

9425

Transcanadienne

Service

Rd.

N.,

St

Laurent,

Quebec

H4S

1V3

CANADA

T

(514)335

-

2009

Roland

Canada

Music

Ltd.

346

Watline

Avenue,

Mississauga,

Ontario

L4Z

1X2

CANADA

TS

(416)890

-

6488

AUSTRALIA

Roland

Corporation

(Australia)Pty.

Lid.

(Head

Office)

38

Campbell

Avenue

Dee

Why

West.

NSW

2099

AUSTRALIA

Z

(02)982

-

8266

Roland

Corporation

(Australia)Pty.

Ltd.

(Melbourne

Office)

50

Garden

Street

South

Yarra,

Victoria

3141

AUSTRALIA

2

(03)241

-

1254

NEW

ZEALAND

Roland

Corporation

(NZ)Ltd.

97

Mt.

Eden

Road,

Mı,

Eden,

Auckland

3

NEW

ZEALAND

2

(09)398

-

715

UNITED

KINGDOM

Roland(UK)Ltd.

Amalgamated

Drive

West

Cross

Centre,

Brentford,

Middlesex

TW8

9EZ,

UNITED

KINGDOM

TS

(81)568

-

4578

WEST

GERMANY

Roland

Elektronische

Musikinstrumente

Handelsgesellschaft

mbH.

Oststrasse

96,

2000

Norderstedt

WEST

GERMANY

2

040/52

60

09

25

BELGIUM

HOLLAND

LUXEMBOURG

Roland

Benelux

N.

V.

Houtstraat

1

B

-

2431

Oevel

-

Westerlo

BELGIUM

2014-5845

35

DENMARK

Roland

Scandinavia

A/S

Langebrogade

6

Box

1937

DK

-

1023

Copenhagen

K

DENMARK

D31-9531

11

SWEDEN

Roland

Scandinavia

A/S

DanvikCenter

28

A,

2

tr

S

-

131

30

Nacka,

SWEDEN

T

08

-

702

00

20

NORWAY

Roland

Scandinavia

Avd.

Norge

Lilleakerveien

2

Postboks

95

Lilleaker

N

-

0216

Oslo

2

NORWAY

202

-

73

00

74

FINLAND

Fazer

Musik

Inc.

Länsituulentie

POB

169

SF

-

02101

Espoo

FINLAND

20-4350

11

ITALY

Roland

Italy

S.

P.

A.

Viale

delle

Industrie

8

20020

ARESE

MILANO

ITALY

Z

02

-

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HUNGARY

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Ltd

de

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A.

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3,

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-

308

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1868905

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PORTUGAL

T

02

-

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44

56

As

of

JUN.

1.

1990

26025203

90-6-

E3-115(1)

Roland

e

O

°

9

DIGITAL

PIANO

cC

MIDI

GUIDEBOOK

Read

This

If

You

Intend

To

Use

MIDI

To

Join

Your

Keyboard

With

Other

Electronic

Instruments

or

Computers

The

term

MIDI

is

an

acronym

for

the

"Musical

Instrument

Digital

Interface."

MIDI

is

a

standard

that

was

created

to

allow

electronic

musical

instruments,

computers

and

other

devices

to

com-

municate

with

each

other.

The

great

majority

of

contemporary

electronic

instruments

provide

MIDI

compatibility.

A

device

equipped

with

MIDI

is

easily

identified

by

the

fact

that

it

has

one

or

more

MIDI

Connectors.

in

order

to

share

performance

information

with

other

units,

cables

need

to

be

connected

using

these

connectors.

The

ep-3

has

a

MIDI

IN

connector,

used

to

receive

MIDI

messages;

and

a

MIDI

OUT

connector,

from

which

it

sends

messages.

The

MIDI

feature

makes

possible

applications

such

as

below:

e

The

notes

you

play

on

the

ep-3

can

be

relayed

and

sounded

simultaneously

on

other

MIDI-

equipped

instruments

or

sound

module

(*1).

e

The

ep-3

can

be

sounded

under

the

control

of

another

MIDI-

equipped

keyboard,

or

a

sequencer

(*2).

e

Everything

you

play

on

the

ep-3

can

be

recorded

into

a

sequencer

(*2).

(*1)

A

sound

module

is

a

device

which

generates

sound

as

a

result

of

whatever

information

it

receives

at

its

MIDI

IN

connector.

In

appearance

it

is

often

box-like.

Among

Roland

products

the

MT-32

is

probably

the

most

well

known.

(*2)

A

sequencer

is

a

device

which

is

capable

of

recording

and

playing

back

MIDI

messages.

The

PR-100

Recorder

is

a

representative

example

of

a

Roland

sequencer.

There

is

also

the

MT-100,

which

combines

a

sequencer

and

sound

module

in

the

same

unit.

MIDI

Connections

TUNE

un

MİDE.

ele

Danese

———OUTPUL___.

BC

IN QV

;

p

GUT

IN

y

R

L

(MONO)

1a

(O)

de

0

This

connector

is

where

MIDI

messages

are

received.

If

you

wish

to

have

the

ep-3

be

played

as

a

result

of

messages

sent

by

a

MIDI

se-

quencer

or

other

external

unit,

connect

a

cable

so

it

runs

from

here

to

the

MIDI

OUT

connector

on

the

external

device.

From

this

connector

MIDI

messages

are

trans-

mitted.

If

you

wish

to

use

the

ep-3

to

play

the

sounds

of

another

MIDI

compatible

unit,

such

as

a

sound

module;

or

want

to

send

the

infor-

mation

describing

what

you

play

to

a

sequencer

for

recording,

connect

a

cable

so

it

runs

from

here

to

the

MIDI

IN

connector

on

the

external

device.

In

order

to

make

the

connections

between

the

connectors

on

two

units,

you

will

need

to

have

at

least

one

MIDI

Cable.

(MSC-15/25/50,

sold

sepa-

rately.)

Example

Setups

e

Connecting

a

sound

module,

such

as

the

MT-32

e

Connecting

a

sequencer

ep.

sequencer

THRU

OUT

IN

e

Connecting

the

MT-100

ep.3

Local

On/Off

In

a

setup

where

the

ep-3

is

combined

with

a

se-

quencer,

the

sequencer

would

usually

be

set

at

“Soft

Thru

ON.”

In

this

case,

as

explained

below,

the

ep-3

should

be

set

at

“Local

OFF.”

With

the

cable

connections

between

the

ep-3

and

the

sequencer

made

as

illustrated

below,

what

you

play

can

be

recorded

into

the

sequencer;

and

the

se-

quencer

can

be

played

back

to

hear

a

reproduction

of

what

you

played.

Sequencer

Take

for

example

that

“Soft

Thru”

on

the

sequencer

is

“ON”,

and

Local

is

left

at

“ON”

on

the

ep-3

—

each

note

played

will

then

sound

twice.

This

may

cause

the

music

to

sound

somewhat

strange,

and

can

result

in

some

notes

being

omitted.

Sequencer

Soft

Thru

One

Key

pressed

once,

yet

note

sounds

twice.

The

reason

the

above

occurs

is

because

the

key-

board's

performance

information

reaches

the

sound

source

by

means

of

two

paths:

©

The

ep-3's

internal

circuitry.

@

The

“Soft

Thru”

feature

on

the

sequencer,

which

when

ON,

wends

from

MIDI

OUT

a

copy

of

every-

thing

received.

Since

this

situation

is

undesirable,

path

@

can

be

disabled.

To

do

this

the

unit

is

set

to

“Local

OFF”.

The

ordinary

condition

—

where

path

(©

remains

operative

—

is

referred

to

as

“Local

ON”.

LOCAL

ON

Ordinary

condition —

the

keyboard

and

the

internal

sound

module

are

connect-

ed.

Sound

is

produced

Sound

Module

$

Local

On

LOCAL

OFF

Since

there

is

no

longer

a

connection

between

the

key-

board

and

the

internal

sound

module,

when

the

keyboard

is

played

mo

sound

is

pro-

duced.

No

sound

is

produced

Sound

Module

Local

Oft

PIANO

E

PIANO

VIBRAPHONE

ORGAN

STRINGS

EEE

While

holding

these

down,

press

the

key

for

either

“On”

or

"Off."

ON:

Local

On

OFF:

Local

Off

d

*

Each

time

power

is

turned

on

this

setting

will

always

be

at

"ON."

Omni

On/Off

When

set

to

“Omni

On”,

MIDI

messages

received

on

any

of

the

channels

will

result

in

sound

being

pro-

duced.

With

the

ep-3

set

to

Omni

On,

when

data

is

received

from

a

sequencer

or

other

device

you

will

be

able

to

hear

all

the

performance

data

for

all

the

channels

played

at

the

same

time.

This

makes

it

convenient

for

times

when

you

wish

to

check

how

a

complete

arrangement

sounds.

PIANO

E

PIANO

VIBRAPHONE

ORGAN

STRINGS

While

holding

these

down,

press

the

key

tor

either

“On”

or

“OH.”

ON:

Omni

On

OFF:

Omni

Off

dy

*

Each

time

power

is

turned

on,

the

instrument

will

be

at

“Off.”

*

This

setting

switches

to

Omni

Off

whenever

selection

of

a

particu-

lar

Receive channel

is

made.

Setting

the

MIDI

Channel

MIDI

communication

takes

place

on

separate

chan-

nels

(MIDI

Channels),

numbered

from

1

through

16.

The

channel

used

by

the

transmitting

unit

must

be

matched

with

that

used

by

the

receiving

unit.

Only

then

will

sound

be

produced

as

expected.

e

in

a

setup

where

you

wish

to

play

the

ep-3

and

also

have

another

MIDI-equipped

instrument

or

sound

module

play

the

same

notes,

you

first

should

set

the

channel

used

for

reception

on

your

external

device

to

the

same

channel

that

you

have

the

ep-3

set

to

use

for

transmission.

e

If

using

another

MIDI

keyboard

as

a

master

instru-

ment,

and

you

wish

to

have

the

ep-3

played

by

it,

you

would

need

to

set

the

channel

used

for

reception

on

the

ep-3

to

the

same

channel

that

the

master

keyboard

will

be

transmitting

on.

e

When

wishing

to

have

a

sequencer

play

the

ep-3,

you

need

to

set

the

channel

used

for

reception

on

the

ep-3

to

the

same

channel

that

the

recorded

MIDI

data

is

set

to

use.

Setting

the

Channel

Used

for

Transmission

PIANO

E

PIANO

VIBRAPHONE

ORGAN

STRINGS

SOI

While

holding

these

down,

press

the

key

correspond-

ing

to

the

desired

channel:

Tl

TS

$

7

8

ame

ee

Setting

the

Channel

Used

for

Reception

PIANO

E

PIANO

VIBRAPHONE

ORGAN

STRINGS

ADA

While

holding

these

down,

press

the

key

correspond-

ing

to

the

desired

channel

*

Each

time

power

is

turned

on,

the

unit

defaults

to

“1”

as

the

channe!

used

tor

both

transmission

and

reception.

Turning

Transmission/

Reception

of

Program

Changes

On

and

Off

Program

Change

messages

basically

state

something

to

this

effect

“A

change

has

been

made

to

the

number

such-and-such

voice.”

They

do

not

convey

any

further

specifics

about

the

voice,

such

as

"The

voice

to

which

a

change

has

been

made

is

named

Piano.”

An

instrument

sends

out

a

Program

Change

when-

ever

a

change

in

the

voice

being

used

is

made.

The

Program

Change

is

sent

as

a

number

which

has

been

assigned

to

a

certain

voice.

Such

numbers

and

what

they

mean

in

terms

of

specific

voices

can

vary

from

instrument

to

instrument.

When

another

device

receives

a

Program

Change

message,

it

will

respond

based

on

the

number

and

what

it

means

on

that

instrument

—

it

changes

to

the

voice

that

it

uses

for

that

particular

number.

For

this

reason,

it

is

entirely

possible

that

on

the

mas-

ter

keyboard

you

could

change

to

“Piano”

and

yet

another

instrument

would

begin

sounding

using

“Vibraphone.”

Correspondence

charts

can

be

referred

to

before-

hand

to

avoid

such

surprises.

The

setting

shown

here

allows

you

to

turn

off

Pro-

gram

Change

communication.

When

off,

the

ep-3

no

longer

will

transmit

Program

Change

messages

when

its

Voices

are

changed.

Also,

if

the

ep-3

should

receive

Program

Changes

sent

from

another

unit,

no

change

is

made

in

its

voices.

lt

should

be

so

to

“Off”

if,

for

example,

you

want

a

connected

unit

to

always

use

a

particular

voice

while

you

play

using

a

variety

of

voices

on

the

ep-3.

E

PIANO

VIBRAPHONE

ORGAN

STRINGS

While

holding

these

down,

press

the

key

for

either

“On”

or

"Off."

On:

Transmission

and

On

Off

reception

takes

place

Off:

No

transmission

or

reception

takes

place

*

Each

time

power

is

turned

on

the

instrument

will

always

be

at

“On”

*

The

ep-3

considers

a

combination

of

two

Voices

selected

to-

gether

as

a

separate

Voice

with

a

unique

Program

Change

number.

Moreover,

it

assigns

individual

numbers

to

every

possi-

ble

combination

of

a

Voice

plus

Chorus,

Reverb

or

both.

(Please

see

the

“Program

Change

Number

Chart.”)

Program

Change

Number

Chart

Program

Change

Number

Transmitted

Recognized

Piano

E.

Piano

Vibraphone

Organ

Strings

Piano+E.Piano

Piano+

Vibraphone

Piano--Organ

Piano+-Strings

E.

Piano+

Vibraphone

E.

Piano+Organ

E.

Piano

+Strings

Vibraphone+Organ

Vibraphone+Strings

Organ-+

Strings

Turning

Transmission/

Reception

of

Damper

Messages

On

and

Off

When

the

setting

shown

below

is

switched

to

“Off,”

Damper

messages

(Hold

1:

Control

Change

No.

64)

will

no

longer

be

transmitted

when

a

peda!

connected

to

the

ep-3

is

depressed.

Also,

should

any

external

device

send

Damper

messages,

they

will

have

no

effect:

sounds

playing

on

the

ep-3

will

not

be

sus-

tained.

PIANO

E

PIANO

VIBRAPHONE

ORGAN

STRINGS

While

holding

these

down,

press

the

key

for

either

“On”

or

“Ol.”

On:

Transmission

and

reception

takes

place

Off.

No

transmission

or

reception

takes

place

*Each

time

power

is

turned

on

this

setting

will

always

be

at

“On.”

Digital

Piano

Date

:

Mar.

15

1990

Model

ep.

3

MIDI

Implementation

Chart

ae

400

Function

«-+*

Basic

Default

1

1

Channel

Changed

1-16

1-16

Default

Mode

3

Mode

3

Mode

Messages

x

Omni

Off,

Poly

21-108

#3

21-108

*3

36

—

96

KEK

KKK

KKK

Note

Number

True

Voice

Velocit

Note

ON

O

v=96

O

v=1-

127

diá

Note

OFF

O

v=96

After

Key's

x

Touch

Ch's

x

x

x

64

|

*1

i

u

Prog

*1

(#2)

*1

(0-59)

Change

True

#

k

kkk

kkk

k

k

*2

Song

Pos

Song

Sel

Tune

Reset

All

Controllers

System

Common

System

Clock

Real

Time

Commands

Local

ON,

OFF

Aux

All

Notes

OFF

Messages

Active

Sense

Reset

*1

Can

be

set

to

O

or

X

manually.

*2

0,

4,8,

12,

16,

20,

24...56.

*

3

21-107

(Strings

is

selected).

Mode

1:

OMNI

ON,

POLY

Mode

2:

OMNI

ON,

MONO

O:

Yes

Mode

3:

OMNI

OFF,

POLY

Mode

4:

OMNI

OFF,

MONO

x

:

No

26025198

"90-6-ES-11501)

Roland’

10204

102

uni

Roland

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