Roland Hp 1300e User manual

LoS

PSE

_

CAUTION

rN

BO

NOT

OPEN

ATTENTION:

nisoue

be

coc

ELECTRIQUE

NE

PAS

QUVRIR

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

SHOCK,

DO

NOT

REMOVE

COVER

(OR

BACK).

NO

USER-SEAVICEABLE

PARTS

INSIDE.

REFER

SEAVICING

TO

QUALIFIED

SERVICE

PERSONNEL.

>

&

The

lighining

flash

with

arrowhead

symboi,

within

an

equilateral

triangle,

is

intended

to

alert

the

user

to

the

presence

of

uninsulated

“dangerous

voltage”

within

the

product’s

enciosure

that

may

be

of

sufficient

magnitude

to

constitute

a

risk

of

electric

shock

fo

persons.

The

exclamation

point

within

an

equilateral

tdangle

is

intended

to

ajert

the

user

to

the

presence

of

important

operating

and

maintenance

(servicing)

instructions

in

the

literature

accompanying

the

product.

INSTRUCTIONS

PERTAINING

TO

A

RISK

OF

FIRE,

ELECTRIC

SHOCK,

OR

INJURY

TO

PERSONS.

IMPORTANT

SAFETY

INSTRUCTIONS

SAVE

THESE

INSTRUCTIONS

WARNING

-

When

using

electric

products,

basic

precautions

should

always

be

followed,

including

the

following:

4,

Read

all

the

instructions

before

using

the

product.

2.

Do

not

use

this

product

near

water

—

for

example,

near

a

bathtub,

washbowl,

kitchen

sink,

in

a

wet

basement,

or

near

a

swimming

pool,

or

the

like.

3.

This

product

should

be

used

only

with

a

cart

or

stand

that

is

recommended

by

the

manufacturer.

4,

This

product,

either

aione

or

in

combination

with

an

amplifier

and

headphones

or

speakers,

may

be

capable

of

producing

sound

levels

that

could

cause

permanent

hearing

loss.

Do

not

operate

for

a

long

period

of

time

at

a

high

volume

level

or

at

a

level

that

is

uncomfortable.

If

you

experience

any

hearing

Joss

or

ringing

in

the

ears,

you

should

consult

an

audiologist.

.

The

product

should

be

located

so

that

Its

location

or

position

does

not

interiere

with

its

proper

ventilation.

.

The

product

should

be

located

away

from heat

sources

such

as

radiators,

heat

registers,

or

other

products

that

produce

heat.

.

The

product

should

be

connected

to

a

power

supply

only

of

the

type

described

in

the

operating

instructions

or

as

marked

on

the

product.

a

fo)

a

8.

The

power-supply

cord

of

the

product

should

be

unplugged

from

the

outlet

when

left

unused

for

a

long

period

of

time.

8.

Care

should

be

taken

so

that

objects

do

not

fall

and

liquids

are

not

spilled

into

the

enclosure

through

openings.

10.The

product

should

be

serviced

by

qualified

service

personne!

when:

A.

The

power-supply

cord

or

the

plug

has

been

damaged;

or

B.

Objects

have

fallen,

or

liquid

has

been

spilled

onto

the

product;

or

C.

The

product

has

been

exposed

to

rain;

or

D.

The

product

does

not

appear

to

operate

normally

or

exhibits

a

marked

change

in

performance;

or

—.

The

product

has

been

dropped,

or

the

enclosure

damaged.

11.Do

not

attempt

to

service

the

product

beyond

that

described

in

the

user-maintenance

instructions.

All

other

servicing

should

be

referred

to

qualified

service

personnel.

FE

A

TN

A

NC

A

IAAT

TE

SOO,

purpose

of

the

plug.

Net

This

product

may

be

equipped

with

a

polarized

line

piug

(one

blade

wider

than

the

other)

.

This

is

a

safety

feature.

If

you

are

unable

fo

insert

the

plug

into

the

outlet,

contact

an

electrician

to

replace

your

obsolete

outlet.

Do

not

defeat

the

safety

ccc

For

Polarized

Line

Plug

CAUTION:

Sree

BLUE:

NEUTRAL

BROWN:

LIVE

the

terminals

in

your

plug,

proceed

as

follows:

fT

EN

A

I

A

TL

RE

OE

A,

Canada

=

TO

PREVENT

ELECTRIC

SHOCK,

MATCH

WIDE

BLADE

OF

PLUG

TO

WIDE

SLOT,

FULLY

INSERT.

ATENTION:

pour

Evirer

Les

CHoCS

ELECTRIQUES,

INTRODUIRE

LA

LAME

LA

PLUS

LARGE

DE

LA

FICHE

DANS

LA

BORNE

CORRESPONDANTE

DE

LA

PRISE

ET

POUSSER

JUSQU’

AU

FOND.

yen

For

the

U.K.

~

IMPORTANT:

THE

WIRES

IN

THIS

MAINS

LEAD

ARE

COLOURED

IN

ACCORDANCE

WITH

THE

FOLLOWING

CODE.

As

the

colours

of

the

wires

in

the

mains

iead

of

this

apparatus

may

not

correspond

with

the

coloured

markings

identifying

The

wire

which

is

coloured

BLUE

must

be

connected

fo

the

terminal

which

is

marked

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

L

or

coloured

RED.

Ned

eee

teen

tae

gtd

Ce

tet

ae

ON

Ee

ee

Ny

es

tae at)

—,

Roland

Digital

Pianos

HP

1300e

/

HP

135

OWNER'S

MANUAL

Thank

you,

and

congratulations

on

your

choice

of

the

Roland

HP-1300e/HP-135

Digital

Piano.

Thanks

to

its

use

of

Advanced

SA

Process

digital

sound

sources,

the

HP-1300e/HP-135

faithfully

recreates

the

powerful

lows

and

sparkling

highs

of

a

concert

grand

piano.

Moreover,

it

comes

equipped

with

a

key-

board

that

is

a

delight

to

play

—

one

which

responds

to

every

playing

dynamic.

And

because

the

instru-

ment’s

sound

sources

are

digital,

the

piano

will

never

need

tuning

to

retain

its

sound

quality.

For

these

and

many

other

reasons,

you

will

now

be

able

to

enjoy

everything

you

would

expect

from

a

traditional

piano

—

all

within

a

user-friendly,

compact

package

that

more

readily

fits

into

a

modern

lifestyle.

in

order

to

take

full

advantage

of

the

HP-1300e/HP-135’s

numerous

features,

and

to

enjoy

years

of

trouble-

free

service,

please

take

the

time

to

read

through

this

manual.

FE

ACU

ES

mnennennnsnsnetnsiSSSSSiisnsiSSSseasnsesvunssasnsunsssnssnsnssnsunsnssmismasiii

*

Six

Different

Sounds

<Page

6>

"Mid-High"

frequencies,

reflecting

the

sound

through

The

selection

of

sounds,

beginning

with

a

luxurious

the

wall

surface.

This

system

guarantees

an

extremely

grand

piano,

allows

you

to

play

music

in

virtually

any

wide

and

natural

sound

effect.

style.

©

Tuning

Functions

¢

A

Dual

Function

<Page

6>

Even

though

there

is

no

need

to

tune

an

electric

piano

Any

two

Voices

can

be

combined

(layered)

and

played

at

regular

intervals,

or

after

it

has

been

moved,

the

together.

instrument

allows

for

the

creative

use

of

alternate

tunings.

«

Digital

Effects

<Page

7>

Your

new

piano

comes

equipped

with

two

digital

Master

Tuning

<Page

6>

effects:

Chorus

and

Reverb.

The

overall

pitch

of

the

piano

can

be

changed

to

match

the

pitch

of

other

musical

instruments.

A

“Recorder”

<Page

8>

An

easy-to-operate

Recorder

allows

you

to

record

and

*

MIDI

Capability

<from

Page

10>

play

back

the

music

you

create.

The

instrument

also

provides

for

use

of

MIDI,

the

interface

standard

designed

to

provide

for

the

transfer

of

«

A

Key

Touch

Function

<Page

10>

performance

information

among

electronic

musical

Three

‘Touch’

levels

are

available,

allowing

the

player

instruments

and

computers.

to

adjust

the

keyboard

fee!

to

suit

persona!

preferences.

About

the

Advanced

SA

Sound

Sources

«

A

Damper

Pedal

<Page

9>

The

sounds

produced

by

this

instrument

are

created

using

When

the

Damper

pedal

is

depressed,

the

HP-1300e/

the

“Advanced

SA

Process,”

which

represents

a

pooling

HP-135

provides

a

realistic

simulation

of

“sympathetic

of

the

best

leading-edge

digital

technology

by

Roland.

resonance.”

This

effect

occurs

when

strings

(on

an

The

ASA

process,

developed

as

a

natural

extension

acoustic

piano)

adjacent

to

the

notes

played

also

of

the

original

SA

process,

involved

a

series

of

efforts:

resonate,

creating

much

richer,

expansive

sonorities.

first,

an

analysis

of

the

essential

properties

of

sound

as

generated

by

musical

instruments,

then

an

extraction,

*

Exclusive

“Passive

reflection

speaker

system"

and

finally

a

re-synthesis

designed

to

facilitate

(only

for

HP-135}

the

expressive

needs

of

musicians.

The

result

is

a

Positioning

the

HP-135

close

to

the

wall,

the

rear

sound

generation

method

which

provides

very

"Passive

Holes"

provide

a

sound

reinforcement

of

the

finely

textured

and

realistic

sounds.

Copyright

©

1996

by

Roland

Corporation

All

rights

reserved.

No

part

of

this

publication

may

be

reproduced

in

any

form

without

the

written

permission

of

Roland

Corporation.

Assembling

the

KS-1300e/135

Stand

for

the

HP-1300e/HP-135

mmcemme

Thank

you

for

purchasing

the

Roland

KS-1300e

piano

stand.

To

ensure

long

and

trouble-free

use,

please

read

this

instruction

sheet

carefully

before

assembly.

E@

Check

the

parts

@©Before

you

begin

assembly,

check

that

you

have

all

the

parts.

Side

board

(left)

«

Side

board

(right)

Pedal

board-

Center

board

--

Long

screws

{M6

x

54

mm}

Short

screws

(M4

x

27

mm)

Knob

bolis----

Plus

screwdriver

+

Cable

clamps

©6680

O088

Vana

a

Hi

Assembly

procedure

En

Attach

the

side

boards

(left

and

right)

to

the

pedal

board.

|

Fasten

the

pedal

cable

with

the

cable

clamps,

and

plug

in

the

power

cabie

and

pedai

cable,

vy

Extend

the

pedal

cable

out

from

the

pedal

board.

(Note)

Be

sure

that

the

side

boards

are

oriented

correctly:

the

metal

fittings

are

on

the

inside.

The

metal

titings

onthe

inside

|

:|

_

Pedat

cable.

Reo

®

Use

the

tong

screws

FRy

{

i

“

we

he

(M8

x54

mm)

to

tasten

the

|

9

Ls

i

Zz

side

boards

to

the

pedal

i

board.

|

a

(

oe

two

screws

for

sen)

Loci

side.

BPA

wf

Ey

Attach

the

center

board.

|

@

Use

the

shor

screws

(M4

x

27

mm)

to

attach

the

center

beard

to

the

side

boards

(

use

two

screws

for

each

side.

)

(Note)

When

placing

the

piano

on

the

stand,

be

careful

not

to

pinch

your

fingers.

(Avoid

holding

the

ends

of

the

piano.)

@

Align

the

screws

(one

on

each

sida)

located

‘onthe

bottom

of

ine

piano

with

the

slots

in

the

metal

fittings

on

the

side

boards.

Slide

the

piano

so

the

screws

siide

into

the

sits.

ae

fo

es

a

*S

|

&-

Zee

;

i

es

@

Litt

up

the

pians

and

use

the

two

Se

|

OZ

‘knob

bolts

to

fasien

the

piano

tc

i

2

the

stand.

aS

{One

screw

each

sids

on

the

left

|

and

right.

‘These

kus

are

10

be

tightened

oniy

when

the

inetrumant

is

in

the

right

and

final

pesition.

Be

carefull

Wners

moving

the

instrument,

do

nat

draw

if

on

the

Hier,

©

Affix

the

cable

clamps

on

the

back

lett

side

of

the

stand,

Fasten

the

peda!

cable

with

the

cable

clamps.

@

insert

the

pedal

cabie

into

the

pedal

jack

on

the

back

pane!

of

the

piano.

@

Connect

the

power

cable

into

the

AC

inlet

on

the

back

panel

of

the

piano.

The

power

cable

is

included

with

the

piano.

3

ff

Adjust

the

adjusting

bolt

i

When

you

finish

assembling

the

stand,

rotate

the

adjusting

bolt

uruif

It

touches

the

floor.

(Note)

If

the

piano

is

placed

on

carpeting,

rotate

the

adjustment

bolt

little

more,

{Note)

When

placing

the

piano

in

its

location,

be

careful

not

to

pinch

the

power

cable

underneath

the

piano.

|

@

Aotats

the

adjusting

pot

until

it

touches

the

floor.

Setting

Up

the

Music

Rest

J.

Move

the

Music

Stand

into

the

upright

position.

/

he

Move

the

legs

at

right

and

left

(A)

out

into

the

proper

position.

3.

Lean

the

stand

backward

slightly

until

it

is

positioned

firmly

in

place

against

the

instrument.

Pa

*

To

fold

down

the

Music

Stand,

first

move

(A)

back

into

their

original

positions,

then

lower

the

stand.

Be

careful

not

to

get

your

fingers

caught.

important

Notes

Contents

Important

Safety

Instructions

......ssesscsseereseeene

2

FQ

atu

les

soa.3ssedsccsss

ccd

dcasndéasndttcccenasaieusesrsatentadssvuadiens

3

Assembling

the

KS-

1300e/KS-1

33

stand

for

the

HP-1300e/HP-135

.

Setting

Up

the

Music

Rest

............

Important

Notes

..

Panel

Description

Front

Panel

Rear

Panel.

Turning

the

Power

On

Using

Headphones...

Listening

to

the

Demonstration

Songs...

Try

Recording

What

You

Play

Playing

with

the

Key

Transposed..

Playing

a

piece

in

some

other

key

with

the

TBOHINE-

OF

Ci

ioccesudsieaan

maguaulenied

iannanas

9

Pedal

Functions

Using

the

Left

Pedal

as

a

Sostenuto

Pedal

Changing

the

Depth

of

the

Chorus

Effect

.

Applying

Reverb

to

the

Sound

Key

Touch

Function

..

For

Those

Who

Wish

To

Use

MIDI

.

About

MIDI

Setting

the

MIDI

Transmit/Receive

Channels

.

11

OMINPON/OTE

Aa

ainceesdecncctetatesatbedeicastosazevets

1

Local

On/Off

The

Multi-Timbral

Mode

Pe

Selecting

the

Transmission/Reception

Mode

12

Transmission/Reception

of

Prgram

Change

Messages...

Troubleshooting

.

Spechfications

...0.ccscscccesssrssavonyssisovsachcotsnvensstessereie

14

MIDI

Implementation

Chart

....

In

addition

to

the

items

listed

under

Safety

Precautions

on

page

16,

please

read

and

adhere

to

the

following:

Power

Supply

¢

When

making

any

connections

with

other

devices,

always

turn

off

the

power

to

all

equipment

first;

this

will

help

prevent

damage

or

malfunction.

®

Do

not

use

this

unit

on

the

same

power

circuit

with

any

device

that

will

generate

line

noise,

such

as

a

motor

or

variable

lighting

system.

Placement

*

Do

not

subject

the

unit

to

temperature

extremes

(eg.

direct

sunlight

in

an

enclosed

vehicle}.

Avoid

using

or

storing

the

unit

in

dusty

or

humid

areas

or

areas

that

are

subject

to

high

vibration

levels.

*

This

unit

may

interfere

with

radio

and

television

reception.

Do

not

use

this

unit

in

the

vicinity

of

such

receivers.

Make

sure

you

always

have

the

instrument

placed

so

it

is

level

and

sure

to

remain

stable.

Otherwise,

if

played

while

tilted,

you

risk

causing

damage

to

the

keyboard

as

a

result

of

the

unnatural

degree

of

force

that

might

be

applied

to

certain

parts

of

it.

Maintenance

*

For

everyday

cleaning

wipe

the

unit

with

a

soft,

dry

cloth

(or

one

that

has

been

slightly

dampened

with

water).

To

remove

stubborn

dirt,

use

a

mild

neutral

detergent.

Afterwards,

be

sure

to

wipe

the

unit

thor-

oughly

with

a

soft,

dry

cloth.

*

Never

use

benzene,

thinners,

alcohol

or

solvents

of

any

kind,

to

avoid

the

risk

of

discoloration

and/or

deforma-

tion.

Additional

Precautions

¢

Protect

the

unit

from

strong

impact.

«

Do

not

allow

objects

or

liquids

of

any

kind

to

penetrate

the

unit.

In

the

event

of

such

an

occurrence,

discon-

tinue

use

immediately.

Contact

qualified

service

personnel

as

soon

as

possible.

Panel

Description

Front

Panel

BRILLIANCE

VOLUME

FUNCTION

‘wax

MELLOW

BRIGHT

VOLUME

Knob

At

“MAX”

the

volume

will

be

greatest.

BRILLIANCE

Knob

The

sound

becomes

brighter

as

the

knob

is

turned

toward

BRIGHT.

FUNCTION

Button

The

FUNCTION

button,

when

used

in

combination

with

other

buttons,

is

used

to

perform

the

following

procedures:

Playing

the

demo

songs

(p.

8)

Transposing

to

other

keys

(p.

9)

Assigning

pedal

functions

(p.

9)

Setting

the

MIDI

Transmit/Receive

Channels

(p.

11)

Setting

Omni

ON

or

OFF

(p.

11)

Setting

Local

ON

or

OFF

(p.

11}

Setting

the

Multi-Timbral

mode

(p.

72)

Setting

the

MIDI

mode

(p.

12)

Transmission/Reception

of

Program

Change

Messages

(p.

13)

PIANO

Go

ee

HARPS]

VIBRA-

—

E.PIANO

PIPE

STRINGS

CHORD

=

PHONE

ORGAN

Pa

b

#

Lb;

Voice

Buttons

Use

these

buttons

to

select

the

sound

you

want.

PIANO

A

rich

concert

grand

piano

sound.

HARPSICHORD

A

distinctively

sensitive

and

refined

harpsichord

sound.

VIBRAPHONE

The

sound

of

a

large

vibraphone.

E.

PIANO

Provides

the

timbre

of

a

luminous,

transparent

electric

piano.

PIPE

ORGAN

A

Cathedral

pipe

organ

STRINGS

The

sound

of

a

delightful

string

ensem-

ble.

Press

any

two

Voice

buttons

simultaneously

to

have

those

two

sounds

combined

and

played

together.

(This

is

known

as

the

DUAL

function.)

*

The

Chorus

setting

that

will

apply

to

the

sounds

ina

layered

pair

will

be

the

setting

made

for

the

Voice

button

on

the

left.

Rear

Panel

MIDI

PEDAL

TUNE

_—__INPUT_____

__OUTPUT.__.

OUT

IN

R

L

R

L

©.

iO

Qa

9

MIDI

Connectors

Accept

the

MID!

cables

used

to

connect

external

elec-

tronic

instruments.

PEDAL

Jack

This

is

where

you'll

connect

the

supplied

pedals.

TUNE

Knob

Allows

the

overall

pitch

to

be

adjusted.

With

the

knob

at

its

center

position,

the

center

A

key

(/a}

on

the

keyboard

will

have

a

frequency

of

440

Hz.

Move

the

knob

in

the

direction

of

“#”

to

raise

the

pitch,

and

toward

“b”

to

lower

it.

By

rotating

the

knob

to

either

extreme,

you

obtain

a

change

of

50

cents

(1/2

semitone).

©

OO

L

MONO

L

|

STEREO

INPUT

Jacks

Accept

input

of

audio

signals

from

some

other

unit

(CD

player,

cassette

deck

etc.)

that

you

wish

to

hear

through

the

HP-1300e/HP-135’s

speakers.

OUTPUT

Jacks

Provide

output

of

sound

produced

by

the

HP-1300e/HP-135.

G

B

KEY

TOUCH

REC

LIGHT

HEAVY

CHORUS

REVERB

PLAY

PS

eS)

ee

ees

ee

CHORUS

Button

Press

the

CHORUS

button

(its

indicator

will

light)

to

add

minute

pulsations

to

the

sounds

you

play,

and

make

them

seem

fatter

and

more

expansive.

You

can

select

from

six

Chorus

Depth

levels.

(p.

10)

*

Chorus

On/Off

setting

can

be

set

individually

for

each

Voice.

Hold

down

a

Voice

button

while

you

press

the

CHO-

RUS

button

to

store

the

setting

(ON

/OFF)

along

with

that

Voice.

REVERB

Button

Press

the

REVERB

button

(its

indicator

will

light}

to

add

reverberation

(spacious

ambiance)

to

the

sound.

You

can

select

from

six

Reverb

Depth

levels.

(p.

10)

*

Reverb

On/Off

cannot

be

set

individually

for

each

Voice.

Turning

the

Power

On

1.

Insert

the

plug

on

the

power

cord

into

an

outlet.

eh

Sy

hee

EB

2.

Press

the

POWER

button

on

the

left

side

of

the

panel.

(Press

the

button

again

to

turn

it

OFF.)

Pressing

the

button

once

Pressing

the

button

again.

ON

OFF

*

A

muting

feature

comes

into

effect

for

a

brief

interval

(about

2

seconds)

after

power

up.

During

this

interval,

nothing

will

be

heard

if

you

play

the

keyboard.

*

Be

sure

to

use

only

the

power

cord

supplied

with

this

unit.

*

Whenever

you

do

not

intend

to

use

the

piano

for

an

extended

period

of

time,

disconnect

the

power

cord

from

the

outlet.

DEMO

KEYTOUCH

Button

Allows

you

to

adjust

the

keyboard's

sensitivity.

(p.

10)

EE

REC

Button

Allows

you

to

record

your

performances.

(p.

8}

EB

pLay

Button

Pressed

to

play

back

what

you

have

recorded.

ip.

8)

Using

Headphones

To

use

headphones,

insert

the

plug

into

the

jack

located

on

the

left

side

of

the

instrument.

*

The

piano’s

speakers

will

no

longer

produce

sound

once

you

have

headphones

connected.

This

is

conven-

ient

for

private

practice

or

late-night

playing.

*

The

VOLUME

knob

on

the

instrument

can

be

used

to

adjust

the

volume

as

necessary.

We

recommend

the

use

of

stereo

headphones.

*

Using

two

headphones

Should

you

want

to

use

two

headphones,

you

can

buy

an

adaptor

(stereo

plug

to

double

stereo

jacks,

as

the

one

shown

in

the

picture)

at

your

nearest

Hi-Fi

Dealer.

mmm

Listening

to

the

Demonstration

Songs

The

HP-1300e/HP-135

contains

three

demonstration

songs

in

memory

which

highlight

the

instrument's

capability.

To

hear

them,

follow

the

steps

below.

1.

While

holding

down

the

FUNCTION

button,

press

PLAY

button

(both

buttons

will

start

to

flash)

and

in

a

few

seconds

the

Demo

songs

will

start

to

play.

PLAY

FUNOTION

emo

GO

©

2,

When

one

song

finishes,

the

will

start

playing

automatically.

Hf

you

wish

to

listen

to

only

one

song,

press

PLAY

button

while

holding

the

FUNCTION

button.

Then

within

2-3

seconds,

press

one

of

the

PIANO,

HARPSI-

CHORD

and

VIBRAPHONE

buttons.

PIANO

gives

you

the

first

song,

HARPSICHORD

the

second

one

and

VIBRAPHONE

the

third

one.

(The

button

indicator

will

be

flashing

for

the

song

currently

playing.)

Com

HARPSI-

CHORD

VIBRA

PHONE

3.

To

stop

playback

of

one

song

and

have

the

another

play,

simply

press

the

another

Voice

button

(where

the

indicator

is

not

flashing).

To

stap

playback

of

the

demonstration

songs

(and

return

to

the

standard

mode),

press

the

FUNCTION

or

PLAY

button.

Voice

Buttons

Composer

__

Song

Title

PIANO

Chopin

trom

Valse

No.6

"

Petit

chien"

op.64-1

HARPSICHORD

=

Chopin

from

Nocturne

No.7

op.9-1

VIBRAPHONE

j.$.Bach

from

Cantata

BWV.

147

arranged

by

Naoki

Nishi

Profile

of

the

demo

song

arranger

Naoki

Nishi

Born

in

1958

in

Hiroshima.

Began

working

professionally

at

the

age

of

21.

Has

so

far

released

8

albums

on

which

he

is

featured.

He

has

also

taken

part

in

numerous

other

albums.

His

broad

range

of

activities

have

included

appearances

ata

number

of

jazz

festivals

in

japan

and

other

parts

of

the

world.

In

addition

to

his

duties

as

an

instructor

at

the

Tokyo

Conservatoire

Shoubi,

he

has

provided

his

services

as

a

demonstrator

for

Roland

since

1990.

He

is

considered

to

be

one

of

Japan's

finest

jazz

pianist.

Try

Recording

What

You

Play

How

to

Create

Recordings

Use

whatever

Voice

you

like

to

play

whatever

song

you

wish

to

record.

When

completed,

you

will

be

able

to

listen

to

the

results,

and

check

how

well!

you

played

the

song.

1.

Select

the

Voice

you

wish

to

use

for

the

recording,

then

make

any

other

selections

you

wish,

such

as

for

Chorus

and

Reverb.

When

ready,

press

the

REC

button

(its

indicator

will

light).

This

means

that

the

instrument

is

in

stand-by,

waiting

for

recording

to

begin.

REC

6

Start

playing.

(Recording

will

start

the

moment

the

first

note

is

played.)

nw

3.

When

finished,

press

the

REC

button

again

to

stop

recording.

The

indicator

should

go

out.

REC

6)

*

During

recording,

you

can

change

to

any

other

Voice

you

wish

to

use.

*

When

the

unit

starts

running

low

on

memory

space,

the

indicator

on

the

REC

button

will

start

flashing.

ff

you

continue

recording,

the

REC

indicator

will

begin

flashing

faster.

Once

you

reach

the

stage

where

the

unit

cannot

record

any

more,

the

indicator

on

the

REC

button

will

go

out,

and

recording

stops

automatically.

*

Once

you

begin

a

new

recording,

all

of

the

perform-

ance

data

previously

recorded

will

be

erased.

Once

erased,

performance

data

cannot

be

recovered.

Now

try

listening

to

what

you

just

recorded

Press

the

PLAY

button

(its

indicator

will

light).

PLAY

i)

The

unit

stops

automatically

after

the

song

has

played

through.

The

indicator

will

then

go

out.

{Press

the

PLAY

button

to

stop

playback

at

any

point.)

*

The

performance

data

that

you

record

will

disappear

about

8

hours

after

power

has

been

turned

off.

if

you

need

a

more

permanent

form

of

storage

for

your

songs,

you

will

need

to

connect

an

external

sequencer

(p.

10)

and

record

onto

that

unit.

“

To

manually

erase

all

recorded

performance

data,

simultaneously

press

the

REC

and

PLAY

buttons.

Eee

SSS

STS

TERRA

Playing

with

the

Key

Transposed

If

you

wish,

you

can

play

the

instrument

with

the

key

‘transposed.’

This

conveniently

allows

you

to

piay

in

a

key

that

matches

a

vocal

accompaniment,

without

changing

your

fingering

on

the

keyboard.

Transposition

is

also

useful

when

you

are

going

to

play

a

piece

in

a

key

other

than

C,

and

wish

to

play

it

as

if

it

were

in

the

key

of

C.

This

makes

it

is

easier

to

play.

While

holding

down

the

FUNCTION

button,

press

either

PIANO

(b)

or

HARPSICHORD

(#)

enough

times

to

obtain

the

amount

of

transposition

you

wish.

PIANO:

HARPS!-

CHORD

c=

[eeeaote

fy

Se

FuNcTION

5

f

:

Lemme

ies

While

holding

S

#

With each

press,

the

sound

is

raised

by

1

semi-

tone.

(Max.

of

5

semitones.)

b

With

each

press,

the

sound

is

lowered

by

1

semitone.

(Max.

of

6

semitones.)

Playing

a

piece

in

some

other

key

with

the

fingering

of

C

You

need

to

specify

which

note

you

wish

to

sound

when

the

C

key

(do

in

the

key

of

C)

is

pressed.

Hold

down

the

FUNCTION

button

while

you

press

the

keynote

for

the

key

you

wish

to

transpose

to

(using

the

C-B

keys

in

the

upper-most

of

the

keyboard).

For

example,

to

play

an

E

major

piece

in

the

key

of

C

major,

you

would

hold

down

the

FUNCTION

button

while

you

press

E

(mi).

si

Press

the

keynote

of

the

key

to

which

you

wish

to

transpose

*

To

return

to

the

key

of

C,

press

PIANO

(b)

and

HARPSICHORD

(#)

simultaneously

while

holding

down

the

FUNCTION

button.

*

The

indicator

on

the

FUNCTION

button

will

remain

lit

while

transposition

is

in

effect.

*

To

cancel

transposition,

press

the

FUNCTION

button

again,

and

confirm

that

its

indicator

has

gone

out.

*

Once

you

have

set

the

transposition,

all

you

need

to

do

to

obtain

the

same

transposition

the

is

to

press

the

FUNCTION

button.

*

if

you

have

used

the

Key

Transpose

feature

to

raise

the

pitch

(by

1

to

5

semitones),

the

keyboard’s

5

highest

keys

(at

the

far

right)

will

sound

one

octave

lower

than

normal

when

playing

organ

or

string

sounds.

Pedal

Functions

The

specialized

stand

comes

equipped

with

2

pedals.

The

right

one

is

the

Damper

pedal,

and

the

left

one

acts

as

the

Soft

pedal.

(The

left

pedal

can

also

be

switched

to

become

a

Sostenuto

pedal.)

Right

(Damper

Pedal)

While

the

Damper

Pedal

is

depressed,

notes

that

have

been

played

will

continue

to

sound

even

after

your

fingers

have

been

removed

from

those

keys.

Left

(Soft

Pedal)

When

depressed,

you

obtain

a

softer

sound.

(Sostenuto

Pedal)

This

pedal

is

used

to

sustain

only

the

sound

of

those

keys

that

are

pressed

at

the

very

moment

the

pedal

is

depressed.

Notes

played

afterwards

are

not

effected.

Using

the

Left

Pedal

as

a

Sostenuto

Pedal

If

you

wish

to

use

the

left

pedal

as

a

Sostenuto

pedal,

hold

down

the

FUNCTION

button

while

you

depress

the

right

pedal.

C=

Se

FUNCTION

_

=

While

holding

Soe)

*

To

have

the

pedal

serve

as

the

Soft

pedal

again,

hold

down

the

FUNCTION

button

while

you

depress

the

left

pedal.

*

The

Soft

pedal

and

Sostenuto

pedal

functions

cannot

be

obtained

at

the

same

time.

*

Whenever

power

is

turned

on,

the

instrument

is

set

to

provide

the

Soft

pedal

function.

10

Changing

the

Depth

of

the

Chorus

Effect

You

can

select

from

6

different

Chorus

levels.

1.

Hold

down

the

CHORUS

button

for

a

few

seconds

until

you

have

confirmed

that

its

indicator

has

started

to

flash.

i)

With

the

CHORUS

button

still

depressed,

press

the

appropriate

Voice

button

to

select

the

desired

depth

setting.

PIANO

HARPS

VIBRA-

E.PIANO

PIPE

STAINGS

‘CHORUS

NORD

PHONE

onoan

CS

Ce ce

oe

j=

ce

’

‘

}

bn

betes

Provides

<->.

Deenens

UO

While

holding

o)

Applying

Reverb

to

the

Sound

You

can

select

from

6

different

Reverb

levels.

1.

Hold

down

the

REVERB

button

for

a

few

seconds

and

its

indicator

will

start

to

flash.

we

With

the

REVERB

button

still

depressed,

press

the

appropriate

Voice

button

to

select

the

desired

depth

setting.

STRINGS

REVERS

=

Deepens

4

ee

While

holding

Key

Touch

Function

PIANO

HARPS

VIBRA-

E,PIANO

PIPE

CHORD

PHONE

ORGAN

a

SS

a

Sea

at

Provides

©

.

This

instrument

allows

you

to

select

one

of

three

touch

settings.

These

settings

determine

how

the

keyboard

will

respond

to

certain

playing

dynamics.

Choose

the

setting

which

is

most

comfortable.

Medium

This

is

the

standard

setting.

The

response

provided

by

this

setting

is

generally

perceived

as

being

the

most

natural.

F

wor

eae

Light

Sco

With

this

setting,

the

keys

will

seem

lighter

to

the

touch,

and

fortissimo

levels

can

be

achieved

with

much

jess

effort.

wor

Heavy

Heavy [een

fom

With

this

setting,

the

keys

will

seem

heavier

to

the

touch,

and

you

will

need

to

apply

even

more

force

than

normal

to

obtain

fortissimo

levels.

*

When

powered

up,

the

instrument

will

be

at

the

default

setting

(Medium).

For

Those

Who

Wish

To

Use

MIDI

Those

satisfied

with

playing

the

piano

by

itself

need

not

read

the

following.

About

MIDI...

The

MIDI

(Musical

instrument

Digital

Interface)

standard

was

created

to

provide

for

the

exchange

of

performance

information

amang

electronic

musical

instruments

and

computers.

The

MIDI

Connectors

Take

a

look

at

the

rear

panel

of

your

piano.

You

should

be

able

to

quickly

find

the

two

MIDI

sockets.

These

connec-

tors

enable

the

piano

to

‘converse’

with

other

MIDI-

equipped

units.

The

two

connectors

function

as

follows:

¢

MIDI

IN

Connector

This

connector

is

where

messages

from

other

MIDI-

equipped

units

are

received,

and

can

be

likened

to

the

“ears”

which

listen

to

what

the

other

instrument

has

to

convey.

*

MIDI

OUT

Connector

From

this

connector,

messages

are

sent

out

to

other

MIDI-equipped

units.

It

can

be

likened

to

the

“mouth”

in

the

ongoing

dialogue

between

the

units.

in

order

to

enable

communication

between

two

devices,

you

need

to

run

a

cable,

such

as

shown

below,

between

their

respective

MIDI

connectors.

Connecting

a

recorder

or

sequencer

MIDI

Sequenser

or

Recorder

x

Bron

a

po

pes

L

HP-130Ge/HP-135

‘RSP

ET

SEAS

A

TERS

Setting

the

MIDI

Transmit/Receive

Channels

MIDI

provides

for

the

use

of

16

channels,

numbered

1—

16.

When

the

channel

used

by

the

transmitting

unit

matches

that

of

a

remote

receiving

unit,

you

can

play

sounds

contained

in

the

remote

unit,

or

change

the

sounds

it

uses.

Hold

down

the

FUNCTION

button

while

you

press

the

VIBRAPHONE

button

to

set

the

MIDI

Transmit/Receive

Channel.

1.

While

the

VIBRAPHONE

button's

indicator

is

dark,

the

transmission

and

reception

channels

will

be

set

to

the

same

channel.

The

Transmit

channel

alone

can

be

set

while

the

VIBRAPHONE

button's

indicator

is

blinking;

whereas

the

Receive

channel

alone

can

be

set

while

the

VIBRAPHONE

button'‘s

indicator

is

lit.

VIBRA-

PHONE

[C=]

Ix

and

Rx

channels

to

the

same

channel

ce

laid

]

Setting

the

Tx

channel

FUNCTION

CO

While

bolding

[COT

Setting

the

Rx

channel

2.

With

the

FUNCTION

button

still

depressed,

press

the

key

which

corresponds

to

the

desired

MID!

channel.

(See

illustration

below.)

HE

|

FuncrtoN

3

tfalafefele

frinsistre

While

holding

Press

the

key

that

corresponds

to

the

MIDI

channel

you

want

Omni

On/Off

When

set

to

“Omni

ON,”

the

HP-1300e/HP-135

will

produce

sound

no

matter

which

channel

any

performance

data

is

received

on.

This

is

convenient

for

hearing

the

performance

data

on

all

channels

at

the

same

time.

To

set

the

unit

to

Omni

ON,

hold

down

the

FUNCTION

button

and

press

the

key

at

the

right

end

of

the

keyboard

(the

highest

key}.

At

the

same

time,

both

the

transmission

and

reception

channels

are

automatically

set

to

channel

1.

£ i

T

euuoTion

i

J

HE

|

i

While

holding

Ce

*

Thereafter,

the

unit

will

be

placed

back

into

the

Omni

OFF

mode

when

a

specific

setting

for

the

Receive

channel

is

made.

Local

On/Off

If

you

intend

to

record

into

a

sequencer,

set

it

so

its

“Soft

Thru”

function

is

ON.

At

the

same

time,

set

the

piano’s

Local

setting

to

OFF:

1.

Press

FUNCTION

(the

STRINGS

button

indicator

should

be

dark).

(When

this

indicator

is

dark,

it

means

that

the

unit

is

set

to

Local

ON.)

STRINGS

[ee

elie

FUNCTION

ww)

2.

With

the

FUNCTION

button

still

depressed,

press

the

STRINGS

button,

and

confirm

that

its

indicator

has

lit.

(When

this

indicator

is

lit,

the

unit

is

set

to

Local

OFF.)

STRINGS

iS)

*

If

the

HP-1300e/HP-135

is

set

to

“Local

ON”

while

connected

to

a

sequencer

set

with

its

“Soft

Thru”

function

“ON,”

the

same

notes

will

be

produced

twice.

This

is

because

the

locally

produced

keyboard

notes

first

sound

internally,

and

then

are

sounded

a

second

time

when

the

note

messages

(after

having

been

sent

out

the

HP-1300e/HP-135’s

MIDI

OUT,

and

been

routed

through

the

sequencer)

have

arrived

back

again

at

the

HP-1300e/HP-135’s

MIDI

IN.

The

resulting

sound

might

seem

quite

unnatural,

=

FUNCTION

While

holding

Some

sequencers,

automatically

send

out

a

“Local

Off”

message

at

power

up.

There

are

also

sequencers

which

are

ordinarily

used

while

set

to

Soft

Thru

Off,

so

the

instrument

being

used

can

be

left

set

at

Local

On.

*

This

piano

will

always

be

set

at

“Local

ON”

whenever

its

power

is

turned

on.

*

Whenever

there

are

no

cables

connected

to

this

instrument’s

MIDI

connectors,

it

will

always

be

at

“Local

ON.”

11

ear

AS

ES

LS

TTT

The

Multi-Timbral

Mode

When

the

Multi-Timbral

mode

is

ON,

MIDI

data

arriving

on

several

channels

can

be

received.

This

allows

you

to

simultaneously

play

several

of

the

piano’s

internal

sounds.

©

When

the

Multi-Timbral

Mode

is

OFF

Data

that

arrives

on

the

specified

Receive

channel

(see

page

11)

is

received

and

used

to

play

the

currently

selected

Voice.

©

When

the

Multi-Timbral

Mode

is

ON

Of

any

MIDI

data

that

arrives,

that

which

arrives

on

channels

1,

11, 12, 13,

14

and

15

is

received.

Data

on

ail

other

channels

is

ignored.

The

Voice

that

is

used

to

play

the

notes

will

be

deter-

mined

by

the

Program

Change

message

that

is

received

on

the

relevant

channel.

The

correspondence

between

Program

Change

Numbers

and

Voices

is

shown

on

page

13.

While

holding

down

the

FUNCTION

button,

press

the

PIPEORGAN

button

to

turn

the

Multi-Timbral

Mode

ON

or

OFF.

With

the

indicator

lit,

itis

ON.

PIPE

cael

ORGAN

How

Various

Types

of

Messages

Function

While

the

Multi-Timbral

Mode

is

ON

*

Pedal

Messages

Damper,

sastenuto

and

soft

pedal

messages

function

independently

for

any

of

these

channels:

1,

11,

12,

13,

14or15.

*

Volume

Messages

Volume

messages

control

the

volume,

and

function

independently

for

any

of

these

channels:

1,

11,

12,

13,

14

or

15.

Such

messages,

however,

have

no

effect

on

what

is

played

on

this

instrument’s

keyboard.

The

actual!

volume

abtained

is

determined

by

both

the

value

of

the

Volume

message,

and

the

position

of

the

Volume

knob

on

this

instrument.

When

a

Volume

message

calls

for

the

maximum

value,

the

actual

volume

produced

will

directly

reflect

the

position

of

the

Volume

knob.

Chorus

On/Off

Messages

Chorus

On/Off

messages

affect

independently

for

each

channel

1,

11,

12,

13,

74

of

15.

Reverb

On/Off

Messages

Reverb

On/Off

messages

affect

all

Voices

equally,

regardless

of

whether

they

are

received

on

channel

1,

11,12,

13,

14

or

15.

*

When

the

Multi-Timbral

Mode

is

“On,”

the

unit

will

always

be

at

“Omni

OFF.”

Selecting

the

Transmission/Reception

Mode

Three

Transmission/Reception

Modes

have been

provided

to

allow

you

to

select

the

mode

which

best

matches

your

needs.

*

Note

and

Pedal

messages

are

received/transmitted

in

every

mode.

Hoid

down

the

FUNCTION

buiton

while

you

press

the

E.PIANO

button

to

set

the

Transmit/Receive

mode.

When

the

E.PIANO

button‘s

indicator

is

dark,

you

are

in

Mode

1.

When

the

£.PIANO

button's

indicator

is

blinking,

you

are

in

Mode

2.

When

the

E.PIANO

button's

indicator

is

lit,

you

are

in

Mode

3.

E.PIANO

=]

Mode

1

=)

(CET)

Mode

2

FUNCTION

j

(22

Mode

3

While

holding

(m

*

When

power

is

turned

on,

the

unit

will

always

be

at

the

Mode

1

setting.

Mode

1

n

1M

TX

RX

TX

RX TX

RX

Yes

Yes Yes

MIDI

Messages

Note

Messages

Program

Change

Messages

Yes

No

Yes"

Yes

Control

Change

Messages

Volume

(7)

No

Yes

No

Yes

No

Yes

Damper

(64)

Yes

Yes Yes

Sostenuto

(66)

Yes Yes

Yes

Soft

(67)

Chorus

On/Off

(93)

Reverb

On/Off

(91)

JRPN)

Yes

Yes Yes

Yes

Yes Yes

No

Yes Yes

No

Yes

Master

Tune

No

No No

Yes Yes

Roland

System

Exclusive

Messages

Multi-Timbral

Mode

No

Yes

No

Yes

Yes Yes

Chorus

Depth

Reverb

Depth

No

Yes

No

Yes

No

Yes

No

Yes Yes

Yes

Brilliance

No

Yes

No

Yes

*

In

Mode

3,

the

appropriate

Program

Change

message

will

be

transmitted

whenever

you

press

a

Voice

button.

(See

the

following

page.)

.

Transmission/Reception

of

Program

Change

Messages

Transmitting

While

holding

down

the

FUNCTION

button,

press

the

keys

corresponding

to

the

Group,

Bank,

and

Number

which

make

up

the

Program

Change

message

you

wish

to

transmit.

=

FUNCRON

oA

\_J

While

holding

Group

A

Group

B

Number

1203

4

5

6 7

6

1234567

8

BANK

1-6

‘Tifela

als

[7

8

1}

63)

66

[67163]

69

7a]

71

721

af

i

|

i

Zhao

liolat

wisi

vals

16}

213]

24

|

73176

[77/78]

79]

60

—!

BE!

3]

t

(i

ear

T

i

17]

18]

19]

20}

21]

22)

23]

24)

3

[as

[22]

jaa

|

63

e6

|

87]

68

{

i

4

i

j

1

H

l

|

He

|

i

1]

=

*[25]26[27}

20]

29]

30]

a1]

32

~~

4}

as

[90

|

91

}92

193 [94

|

95

|

96

|

hi

3

}

z

t

5

|

Ley

:

!

:

2

5/33

/s4{/3s/

36/37/36]

39]

20}

=

5

[57

fea

fae

froalrorlroa|rasjroal

ue

Z

7

Slacbualuclctaelaciae

‘

NUMBER

1-8

by

GROUP

AB

41}

42]

43)

44] 45)

46)

47]

40

195106

|107{108{r09{110]1

14/332

|

;

7

|

4a

[50|51|

52|

53]

54]

551

56

7

nia

hiraltasiraeiri7|1i8|179|320

e

5

H

eee

the

hey

thes

corresponds:

8]

571

se]

59|

eo]

61]

62]

63]

6s

8

frarh22i123f1aa|i25hi26f127/128

you

want

*

In

the

Mode

3

Transmission/Reception

mode,

the

appropriate

Program

Change

message

will

be

transmitted

when-

ever

you

press

a

Voice

button.

TPIANO.

13

PIANO

+

VIBRAPHONE

32

HARPSICHORD

+

STRINGS

3

HARPSICHORD

14

PIANO

+

E.PIANO

46

VIBRAPHONE

+

E.PIANO

5

VIBRAPHONE

15

PIANO

+

PIPEORGAN

47

VIBRAPHONE

+

PIPEORGAN

6

E.PIANO.

16

PIANO

+

STRINGS

48

VIBRAPHONE

+

STRINGS

7

PIPEORGAN

29

HARPSICHORD

+

VIBRAPHONE

55

E.PIANO

+

PIPEORGAN

8

STRINGS

30

HARPSICHORD

+

E.PIANO

56

E.PIANO

+

STRINGS

11

PIANO

+

HARPSICHORD

37_

HARPSICHORD

+

PIPEORGAN

64

PIPEORGAN

+

STRINGS

Receiving

When

a

Program

Change

message

is

received,

a

change

is

made

to

the

correspondingly

numbered

Voice,

as

shown

below.

T

PIANO

13

PIANO

+

VIBRAPHONE

32

HARPSICHORD

+

STRINGS

3

HARPSICHORD

14

PIANO

+

E.PIANO

46

VIBRAPHONE

+

E.PIANO

“5

VIBRAPHONE

15

PIANO

+

PIPEORGAN

47

VIBRAPHONE

+

PIPEORGAN

6

E.PIANO

16

PIANO

+

STRINGS

48

VIBRAPHONE

+

STRINGS

7

PIPEORGAN

29

HARPSICHORD

+

VIBRAPHONE

S5-E.PIANO

+

PIPEORGAN

8

STRINGS

30

HARPSICHORD

+

E.PIANO.

56

E.PIANO

+

STRINGS

11

PIANO

+

HARPSICHORD

31

HARPSICHORD

+

PIPEORGAN

64

PIPEORGAN

+

STRINGS

*

Program

Changes

except

those

mentioned

above

will

be

ignored.

13

TroubleshOO

ting

eceeeecreene

nnn

ee

eee

ECE

Whenever

you

suspect

that

the

instrument

is

not

performing

as

it

should,

please

consult

the

following

information.

Q.

No

sound

heard

from

speakers.

A.

@Have

you

checked

to

make

sure

you

don’t

have

the

volume

set

at

“MIN”?

*Do

you

possibly

have

headphones

connected?

*lf

using

other

connected

MIDI

devices,

have

you

made

sure

the

power

is

ON

for

ail

such

devices?

«{f

in

the

Multi-Timbral

mode,

do

you

have

the

Transmit

channel

set

to

something

other

than

1,

11,

12,

13,

14,

or

15

?

Q.

The

damper

effect

is

constantly

applied

to

notes

played

(they

continue

sounding

longer

than

normal).

Or,

the

damper

effect

cannot

be

obtained

at

all.

A,

Have

you

checked

to

make

sure

the

cable

from

the

stand

is

connected

properly

to

the

piano?

Refer

to

“Assembling

the

KS-1300e/135

Stand

for

the

HP-1300e/HP-135,”

page

4.

.

Notes

played

on

the

keyboard

are

too

high

(or

low)

in

pitch.

*Have

you

checked

to

make

sure

that

key

transposition

is

not

in

effect?

(If

Key

Transpose

has

been

set,

the

indicator

on

the

FUNCTION

button

will

be

Jit.)

To

exit

the

transposed

state,

press

the

FUNCTION

button.

(Its

indicator

should

be

out.)

*Do

you

have

the

Master

Tuning

set

appropriately?

pare)

.

Data

that

was

in

the

recorder

has

disappeared.

.

«The

performance

data

that

you

record

into

the

recorder

will

be

erased

approx.

8

hours

after

power

is

turned

off.

Regrettably,

there

is

no

way

to

restore

such

data

once

it

has

been

erased.

!f

you

need

a

more

permanent

form

of

storage

for

your

songs,

you

will

need

to

use

a

sequencer

and

store

songs

on

floppy

disks.

*Have

you

possibly

pressed

the

PLAY

and

REC

buttons

at

the

same

time?

>O

Q.

The

pitch

differs

from

what

it

should

be

with

“ISM”

or

another

manufacturer's

sound

generating

unit.

A.

Check

to

make

sure

that

the

Tuning

knob

on

the

rear

of

the

unit

hasn’t

been

inadvertently

moved.

Adjust

the

tuning

knob

until

the

piano’s

pitch

matches

that

of

the

external

units

you

are

using.

.

Operations

you

perform

using

the

panel

buttons

(Chorus/Reverb/Voice

selections)

cannot

be

stored

into

a

sequencer.

.

Have

you

made

sure

you

have

the

Transmission/Reception

Mode

set

to

Mode

3?

Note

that

each

time

power

is

turned

on,

the

unit

will

by

default

be

in

Mode

1.

In

order

to

record

operations

you

perform

using

the

panel

buttons,

the

piano

must

be

set

to

Mode

3.

PA

Specifications

HP-1300e/HP135

Keyboard

88

weighted

keys

(with

mechanical

Speakers

16cmX2

hammers

on

HP-135)

Output

1SWX2

Sound

Source

Advanced

SA

Process

Finish

Simulated

Rosewood

Voices

Piano

Power

Consumption

50

W

(120V),

40

W

(230,

240V}

Harpsichord

Dimensions

:Piano

1436

(W)

X

456

(D)

X

176

(H)

mm

Vibraphone

Stand

=

1436

(W}

X

456

(D)

X

638

(H)

mm

Electric

Piano

Total

1436

(Wj

X

456

(D)

X

814

(H}

mm

Pipe

Organ

Weight

:Piano

32.0

Kg

Strings

Stand

=

15.3

Kg

Effects

Chorus

(6

levels}

Total

47.3

Kg

Reverb

(6

levels)

Supplied

Accessories

Owner's

Manual,

Power

Cable,

Touch

Control

Light

Keyboard

Stand

(KS-130Ge/KS-135)

Medium

Heavy

Controls

Volume,

Brilliance,

Master

Tune,

*

In

the

interest

of

product

improvement,

the

specifications

Key

Transpose

of

this

unit

are

subject

to

change

without

prior

notice.

Connectors

Output

Jacks

(Stereo)

input

Jacks

(Stereo/Mono}

Pedal

jacks

MIDI

IN

Connector

MIDI

OUT

Connector

Headphones

Jack

Pedals

Damper,

Soft

/

Sostenuto

MIDI

implementation

Chart

DIGITAL

PIANO

Date:

May

1996

Model

HP-1300e/HP-135

Version:1.00

7

Functi

Transmitted

Recognized

!

Remarks

|

unctionese

i

:

Basic

Default

1

Channel!

Changed

|

1-16

4-16,

*4(4,11,12,13,14.15)

Default

Mode

3

Mode

3

Mode

Messages

OMNI

OFF,

POLY

|*5

=?

Altered

deseo

ses

deateck

133

|

Note

15-113

0-127

Number

True

Voice

seseseaie

sissies

sk

skate

4

15-113

|

;

|

Velocity

Note

ON

fo)

°

|

Note

OFF

o

8n

v=1-127

jo

i

'

I

-

:

|

After

Key's

x

|

Touch

Ch's

x

|

x

Pitch

Bend

x

K

|

6,

38

|

©

Data

entry

j

|

71%

Volume

64

|

©

Hold

1

66

|

©

Sostenuto

67

|

°

Soft

ot

|

*]

Reverb

Control

93

|

*1

|

Chorus

Change

|

400,101

|

©

|

o

RPN

LSB,

MSB

121)

*

|

°

Reset

all

controllers

|

Prog

*]

(0-127)

|

#1

(0-127)

|

Change

True

#

1

0...63

|

System

Exclusive

sf

|

°

u

}

i

1

|

_

System

Song

Pos

*

|

*

|

Common

—

Song

Sel

-

be

|

True

=

EX

'

t

i

|

system

Clock

*

a

|

Real

Time

Commands

x

|

*

Local

ON/OFF|

*

one

|

AUX

All

Notes

OFF

|

*

poe

|

|Messages

Active

Sense

7

:

|

Reset

|

i

7

*]

Able

to

choosé

between

“o"

and

“x”,

:

Notes

|

*2

When

power

on

OMNI

OFF

and

POLY

are

sent

through

the

basic

channel.

|

3

When

the

Multi-Timbral

Mode

is

OFF,

recognized

as

Mode

3

even

if

receiving

in

MONO;

|

(M=1).

Recognized

as

Mode

J

even

if

receiving

in

MONO

(M#1).

|

*4

When

the

Multi-Timbral

Mode

is

ON.

|

*5

Set

to

"x"

when

the

Mult-Timbral

Mode

is

GN

and

set

to

“o"

when

the

Multi-Timbral

Mode

is

OFF.

Mode

1

:

OMNi

ON,

POLY

Mode

2

:

OMNI

ON,

MONO

o:

Yes

Mode

3

:

OMNI

OFF,

POLY

Mode

4

:

OMNi

OFF,

MONO

x:

No

15

‘CAUTION

RISK

OF

ELECTRIC

SHOCK

00

NOT

OPER

i

simbolo

de}

fulmine

in

un

triangolo

equilatero

avvisa

I"

utente

della

presenza

di

un

punto

in

cui

vi

é

un

alto

voltaggio

non

isolato

all’interno

dell

apparecchiatura.

Vi

&

quindi

il

rischio

di

scosse

elettriche

per

le

persone.

yin

A

yi

A

|

ISTRUZIONI

ATTINENTI

AL

RISCHIO

D'INCENDIO,

DI

SCOSSE

O

DANNI

ALLE

PERSONE.

i

IMPORTANTI

ISTRUZIONI

PER

LA

SICUREZZA

ATTENTION:

risque

oe

cuoc

ELecTRIQUE

NE

PAS

OUVRIR

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

SHOCK,

DO

NOT

REMOVE

COVER

(OR

BACK}

NO

USER-SERVICEASLE

PARTS

INSIDE.

REFER

SERVICING

TO

QUALIFIED

SERVICE

PERSONNEL.

Ti

punto

esclamativo

all’internc

di

un

triangolo

equilatero

avvisa

Putente

della

presenza

di

un

punto

importante

relativo

alla

manutenzio-

ne

nelle

istruzioni

che

accompagnane

lo

strumento.

Attenzione

-

Quando

utilizzate

prodotti

eleturic}

devono

sempre

essere

prese

alcune

precauzioni,

incluse

le

seguenti:

9.

I

cavo

di

alimentazione

dovrebbe

essere

scollegato

dalla

presa

elettrica

quando

il

prodotto

non

viene

utilizzato

per

lungo

tempo.

1,

Leggere

tutte

le

istruzioni

prima

di

usare

i]

prodotto.

i)

Non

utilizzare

questo

prodotto

vicino

all’

acqua

-

per

esempio

vicino

ad

una

vasca

da

bagno,

ad

un

lavello,

su

un

appoggio

umido

o

vicino

ad

una

piscina,

o

simili.

10.

Non

camminare

sul

cavo

di

alimentazione.

1

.

Per

scollegare

dalla

presa

elettrica,

afferrare

}a

spina

e

3.

Questo

prodotto

dovrebbe

essere

usato

solo

con

il

non

il

cavo.

supporto

consigliato

dalla

casa

costruttrice.

12.

Quando

abbinate

altri

prodotti,

la

procedura

deve

4.

Questo

prodotto,

usato

solo

o

in

combinazione

con

un

essere

seguita

come

da

manuale

d’istruzioni.

amplificatore,

una

cuffia

o

degli

altoparlanti,

potrebbe

16

produrre

un

livello

sonoro

in

grado

di

causare

perdita

permanente

di

udito.

Non

utilizzare

a

lungo

eccessivi

volumi

o

livelli

audio

inadeguati.

Se

notate

perdita

di

udito

o

ronzio

nelle

orecchie,

consultate

un

otorino.

13.

Fare

attenzione

che

nessun

oggetto

cada

e

nessun

liquido

penetri

nell’

apparecchiatura

atiraverso

le

aperture.

14.

L’assistenza

deve

essere

effettuata

solo

da

personale

5.

I

prodotto

dovrebbe

essere

posizionato

in

modo

da

qualificato

quando:

permettere

una

ventilazione

adeguata.

A.

Il

cavo

d’alimentazione

o

le

spine

sono

danneggiate.

6,

Il

prodotto

dovrebbe

essere

posizionato

lontano

da

B.

Sono

caduti

oggetti

o

sono

penetrati

liquidi

dentro

fomti

di

calore

come

caloriferi,

stufe

0

altri

prodotti

lo

strumento.

che

producono

calore.

C.

Il

prodotto

é

stato

esposto

a

pioggia.

D.

11

prodotto

non

sembra

funzionare

correttamente.

7.

Evitare

l’uso

del

prodotto

dove

@

esposto

a

polvere.

E.

Il

prodotto

é

caduto

o

i]

contenitore

@

danneggiato.

8.

Il

prodotte

dovrebbe

essere

collegato

ad

una

linea

15.

Non

effettuare interventi

oltre

a

quelli

descritti

nel

elettrica

del

tipo

descritto

ne]

manuale

distruzioni

o

manuale

d’uso

dello

strumento.

Tutti

gli

altri

interven-

come

marcato

sul

prodotto

stesso.

ti

devono

essere

effetiuati

da

personale

qualificato.

Roland

Digital

Pianos

HP

1300e

/

HP

135

MANUALE

D'ISTRUZIONI

Grazie

e

congratulazioni

per

la

scelta

di

un

Pianoforte

Digitale

Roland

HP-1300e/HP-135.

Grazie

alla

Generazione

Sonora

digitale

Advanced

SA,

I'HP-1300e/HP-135

riproduce

con

assoluta

fedelta

i

bassi

potenti

e

gli

acuti

pit!

squillanti

di

un

Piano

da

concerto.

E'

inoltre

dotato

di

una

tastiera

dal

tocco

delizioso

che

risponde

a

tutte

le

sfumature

dinamiche.

Essendo

la

sorgente

sonora

di

tipo

digitale,

il

Piano

non

necessitera

di

accordature

mantenendo

sempre

la

stessa

timbrica.

Per

queste

ed

altre

ragioni,

scoprirete

con

'HP-1300e/HP-135

il

gusto

di

suonare

un

Pianoforte

Digitale

con

caratteristiche

del

tutto

simili

ad

un

Piano

tradizionale,

i]

tutto

racchiuso

in

un

mobile

dal

Design

moderno

e

raffinato.

Per

poter

sfruttare

tutte

le

possibilita

offerte

dall‘HP-1300e/HP-135

e

per

assicurarvi

anni

d'uso

senza

inconvenienti,

vi

preghiamo

di

leggere

interamente

questo

manuale.

Caratteristi

CHC

emennnssnnsssssssnsnssnineeiitStiittiiititttiiittiTitsitttstttsiGsiscnnseinit

e

Sei

suoni

differenti

<Pag.

20>

La

selezione

dei

suoni

inizia

con

un

lussuoso

Pianoforte

acustico

che

vi

permette

di

suonare

teoricamente

ogni

stile

musicale.

¢

Una

Funzione

Dua!

<Pag.

20>

Possono

essere

suonate

contemporaneamente

due

voci

a

scelta

tra

quelle

disponibili.

Effetti

Digitali

<Pag.

21>

Il

vostro

Piano

@

dotato

di

due

effetti

digitali:

i!

Chorus

e

il

Riverbero.

°

Un

registratore

"Recorder"

<Pag.

22>

Un

semplice

"Recorder"

vi

permette

di

registrare

e

risuonare

la

vostra

esecuzione.

©

La

funzione

di

Tocco

di

tastiera

“Key

Touch"

<Pag.

24>

Sono

disponibili

tre

differenti

livelli

di

tocco

di

tastiera

che

vi

permettono

di

regolare

la

risposta

dinamica

in

funzione

delle

vostre

preferenze.

¢

Pedale

Damper

<Pag.

23>

Quando

viene

premuto

i!

pedale

damper,

I'HP-1300e/

HP-135

simula

l'effetto

di

“simpathetic

resonance”.

Questo

effetto

avviene

all'interno

di

un

Plano

acustico

quando

risuonano

le

corde

adiacenti

alle

note

suonate

creando

sonorita

pit

ricche.

¢

Sistema

esclusivo

di

amplificazione

a

riflessione

passiva

(solo

su

HP-135}

Collocando

i]

vostro

HP-135

vicino

ad

una

parete,

le

frequenze

"Medio-Alte"

del

suono

saranno

rafforzate

grazie

alle

aperture

sul

retro

dello

strumento.

Questo

sistema

garantisce

una

grande

spazialita

€

naturalezza.

Funzioni

di

accordatura

Nonostante

non

ci

sia

la

necessita

di

accordare

un

Piano

elettrico

anche

dopo

averlo

trasportato,

lo

strumento

vi

offre

la

possibilita

di

effettuare

accordature

differenti

per

scopi

creativi.

*

Accordatura

Principale

<Pag.

20>

L'accordatura

del

Piano

pud

essere

moditicata

per

permettere

l‘intonazione

con

altri

strurnenti.

¢

MIDI

<da

Pag.

24>

Lo

strumento

@

anche

dotato

di

prese

MIDI,

interfaccia

standard

per

i}

collegamento

e

lo

scambio

di

dati

musicali

con

altri

strumenti

musicali

elettronici

o

computer.

Alcune

notizie

sull'

Advanced

SA

[

suoni

prodotti

da

questo

strumento

sono

generati

da

un

processo

di

Sintesi

Advanced

SA

che

rappresenta

if

top

della

tecnologia

Roland

per

la

generazione

di

suoni

di

Piano

acustico.

II

processo

di

ASA,

sviluppo

naturale

delPoriginale

SA,

ha

portato

ad

una

serie

di

vantaggi

con

i!

seguente

processo:

il

suono

viene

analizzato

nelle

sue

caratteristiche

cost

come

prodotto

da

uno

strumento

musicale,

viene

quindi

estratto

e

quindi

ri-sintetizzato

per

soddisfare

al

massimo

le

necessita

espressive

dei

musicisti.

il

risultato

é

un

metodo

di

generazione

sonora

che

offre

un

suono

moito

realistico

di

fine

tessitura

acustica.

Copyright

by

Roland

Corporation

Nessuna

parte

di

questo

manuale

pud

essere

riprodotta

in

aicuna

forma

senza

i!

permesso

della

Roland

Corporation

Montaggio

del

KS-1300e/135

Supporto

per

l’/HP-1300e/HP-135

i

montaggio

necessita

di

due

persone:

non

tentate

da

soli!!

*

Quando

muovete

Ia

parte

superiore

dello

strumento,

assicuratevi

di

mantenerlo

in

piano:

questo

per

evitare

danni

alle

dita.

&

Controlio

delle

parti

Prima

di

iniziare

il

montaggie,

controliate

che

siano

presenti

le

seguentt

parti:

Parete

laterale

sinistra

.

Parete

laterale

destra

...

Asse

pedaliera

oO

>

Parete

posteriore

.

Viti

lunghe

(M6

x

54

mm)

.

Viti

a

punta

(M4

x

7

mm}

Pomelli

di

connessione

..

Cacciavite

mod.

Philips..

®9e80

Bloccacorda

...

E

Procedura

di

montaggio

Coliegate

le

pareti

iaterali

(destra

e

sinistra)

jal’asse

pedatiera

{con

gli

appositi

bloccacorda.

}

{Fissate

il

cavo

pedale

ed

il

cavo

alimentazione

Nota

Fate

uscire

i!

cavo

dei

pedali

fuori

dall’asse

5

Fissate

il

cave

pedale

ed

ii

cave

alimentazione

con

gii

appositi

bloccacorda.

pedaliera

Nota

Assicuratevi

che

fe

pareti

laverali

(destra

©

sinistra)

siano

orientate

correttamente.

6

Inserite

il

cavo

pedaie

nell’apposita

connessione

sui

retro

del

pianoforte,

ait

i

bloccacorda

nelle

appropriate

posiziani

sul

retro

del

pianaiare

(vedi

figura),

quindi

bloccate

i

cavi

fit

cavo

alimentazione

é

fornito

assieme

al

pianoione)

1,

Usate

le

viti

lunghe

@

(Mf

x

54

mm}

ber

fissave

le

pareti

laterali

all'asse

pedialiera

idue

viti

per

ogni

lato}

2

Usate

fe

viti

corte

@

(M4

x

27

mm}

per

tissare

la

parete

posteriore

alle

pareti

laterati

(due

viti

per

ogni

isto}

Regolate

ia

rotella

per

l'aitezza

dei

pedaii.

|

Nota:

Se

ji

pianoforte

viene

posizionato

sul

tappeto,

alzate

leggermente

la

regotazione.

Nota:

Quando

posizionate

il

pianoforte,

iate

attenzione

a

non

lasciare

sotto

il

cavo

di

alimentazione.

8

Lina

volta

montato

€

posizionato

if

pianoione,

regolate

Ja

rotella

per

l'altezza

dei

pedaii finché

essa

non

tocchi

il

pavimente

Collegate

il

pianoforte

alio

stand.

Nota:

Quantia

posizionate

if

piana

sullo

stand,

fate

malta

anenzione

alle

vostre

dita.

3

Atlineate

le

viti

che

trovate

sono

if

pianoforte

con

i

fori

in

metallo

dello

stand,

ed

inseritele

facenco

slittare

it

pianolone

nel

senso

dei

fori

4

Inserite

i

pomelli

di

connessione

@

negli

anpositi

fori

ricavati

sorta

il

pianoforte

tune

per

lato)

Sistemazione

del

leg

gid

meee

1.

Portare

il

leggio

in

posizione

verticale.

i

2.

Portare

i

supporti

destro

e

sinistro

(A)

nella

posizione

adeguata.

3.

Inclinare

il

leggio

finché

si

appoggia

al

piano

superio-

re

dello

strumento.,

*

Per

estrarre

il

leggio,

portare

(A)

nella

posizione

originale

e

quindi

sollevare.

Note

Em

pOrta

rit

xmnennnesmenseesenssnstnnntecansastseesssn=sinststissinnunsunnsenenuens

ALIMENTAZIONE

*

Quando

effettuate

dei

collegamenti

con

alire

apparec-

chiature

spegnete

prima

tutti

gli

apparecchi.

Questo

vi

aiutera

a

prevenire

danni

o

malfunzionamenti.

*

Non

usare

questa

unita

sulla

stessa

linea

elettrica

di

apparecchi

che

generano

disturbi

di

linea

come

motori

o

varilight.

POSIZIONAMENTO

*

Non

esporre

J'unita

ad

elevate

temperature

(es.

Juce

solare

diretta

in

veicoli

chiusi).

Evitare

di

depositare

lunita

in

ambienti

polverosi

o

umidi

o

su

aree

soggette

a

forti

vibrazioni.

¢

Questa

unita

pud

interferire

con

le

ricezioni

radio

televisive.

Non

usare

l'unita

nelle

vicinanze

di

questi

apparecchi.

*

Assicurarsi

di

posizionare

Jo

strumento

su

un

livello

stabile

ed

in

piano

in

modo

che

Ja

tastiera

lavori

in

modo

corretto

e

non

si

verifichi

un‘innaturale

pressione

dei

tasti.

Tes

|e

importanti

istruzioni

per

la

sicurezza

..

Caratteristiche

............

suateezcs

eats

sesGeneeen

Montaggio

del

KS-1300e/135

Supporto

per

HP-1300e/HP-135

Sistemazione

del

leggio.

Note

Important

.........

Descrizione

dei

pannelli

.

Pannello

Frontale

Pannello

Posteriore

Accensione

...........

re

Uso

della

cuffia

Ascolto

dei

brani

Demo

Provate

a

registrare

quello

che

state

suonando

..

2

Uso

della

trasposizione

.........cceeses

sanecceavondsbu

Suonare

un

brano

in

untaltra tonalita

con

la

ditteggiatura

in

DO

Funzioni

dei

pedali

...............

seaseaseses

Uso

del

pediale

di

sinistra

come

sostenuto

Modifica

della

profondita

del

Choru:

Applicare

il

Riverbero

ai

suoni.

Funzione

Key

Touch

...........000

Per

quali

scopi

potrete

utilizzare

il

MIDI.

A

proposito

del

MIDI

12

Settaggio

dei

canali

di

Ricezione/Trasmissione25

AIP

Et

ONO

xin

cde

als

aang

doves

cosmernvuevoreceaaeion

25

Local

On/Off

I]

Modo

Multitimbrico

.

:

Selezione

del

modo

di

Trasmissione/Ricez.

...

26

Ricezione/Trasmissione

dei

messaggi

di

Program

Change

Risoluzione

dei

problemi

....

SPeCIIChE

.....csccccrssescsscrrecsesosacsensess

Carta

di

implementazione

MID}

....

BWW

Ww

MANUTENZIONE

Per

la

pulizia

quotidiana,

passate

sull’apparecchio

un

panno

morbido

e

asciutto

(o

leggermente

inumidito

con

acqua).

Per

la

rimozione

dello

sporco

pit

difficile,

usate

un

detergente

neutro

e

delicato.

Asciugate

bene

con

un

Panno

asciutto,

Non

usate

benzina,

diluenti,

alcool

o

solventi

di

nessun

genere.

Eviterete

scolorimenti

e/o

deformazioni.

ALTRE

PRECAUZIONI

*

Proteggete

l’unita

da

colpi

violenti.

*

Non

lasciate

che

oggetti

o

liquidi

di

qualsiasi

genere

penetrino

nell’unita.

in

una

simile

eventualita,

interrompete

immediatamente

|'utilizzo

e

rivolgetevi

al

pid

presto

al

personale

specializzato.

9

Descrizione

Pannello

Posteriore

VOLUME

BRILLIANCE

PIANO

HARPSI-

VIBRA-

E.PIANO

PIPE

STRINGS

~

CHORD

PHONE

ORGAN

Eee)

LE)

Eee)

oF

Se

ee

A

FUNCTION

min?

‘wax

MeLLow

‘BRIGHT

one

feet

Potenziometro

VOLUME

In

posizione

"MAX"

il

volume

sara

al

massimo.

Potenziometro

BRILLIANCE

(Brillantezza)

Il

suono

aumentera

la

brillantezza

portando

il

potenziometro

verso

BRIGHT.

Tasto

FUNCTION

(Funzione)

Il

tasto

FUNCTION

viene

utilizzato

in

combinazione

con

altri

per

svolgere

le

seguenti

procedure

:

Suonare

i

brani

DEMO

(p.

22)

Trasporre

la

tonalita

{(p.

23)

Assegnare

fe

funzioni

al

pedale

(p.

23)

Settare

i

canali

MIDI

di.Trasmissione/Ricezione

(p.

25)

Settare

|'Omni

in

ON

0

in

OFF

ip.

25

Settare

t!

Local

in

ON

0

in

OFF

(p.

25)

Settare

if

Modo

Multitimbrico

(p.

26)

Settare

it

Modo

MIDI

(p.

26)

Trasmissione/Ricezione

dei

messaggi

di

Program

Chg.

{p.

27)

Pannello

Posteriore

EE

Tasto

VOICE

(Voce)

Utilizzate

questi

tasti

per

selezionare

il

suono

desiderato.

PIANO

Suono

di

Piano

da

concerto.

Suono

di

Ciavicembalo

con

tastiera

sensibile

alla

dinamica.

HARPSICHORD

VIBRAPHONE

—

Suono

di

Vibrafono

con

gamma

estesa.

E.

PIANO

Timbro

di

Piano

Elettrico

trasparente

e

juminoso.

PIPE

ORGAN

Organo

Liturgico.

STRINGS

Suono

di

un

Ensemble

di

archi.

Premendo

contemporaneamente

i

tastini

di

due

Voci,

tali

voci

suoneranno

contemporaneamente

(Questa

iunzione

viene

detta

DUAL).

*

Il

settaggio

del

Chorus

quando

vengono

utilizzate

due

voci

contemporaneamente

viene

settato

dal

relativo

tastino

posto

sulla

destra.

B

MIDI

PEDAL

TUNE

——_INPUT___

——OUTPUT__.

OUT

iN

R

L

R

L

LI

o

9

9 0

O99

O96

Connettori

MIDI

Vengono

inseriti

i

connettori

MIDI

usati

per

i!

collegamen-

to

con

altri

strumenti

elettronici.

BEB

jack

PEDAL

Vengono

collegati

i

pedali

forniti

con

fo

strumento.

EE

Potenziometro

TUNE

(Accordatura}

Permette

l'accordatura

generale

dello

strumento.

Con

if

potenziometro

in

posizione

centrale,

i!

LA

centrale

della

tastiera

avra

una

frequenza

di

440

Hz.

Portare

i]

potenziometro

in

direzione

"#"

per

aumentare

l'accordatura,

e

verso

“b”

per

diminuirla.

Ruotando

if

potenziometro

in

entrambe

le

direzioni

si

otterra

una

modifica

di

accordatura

di

50/100

(1/2

semitono).

©

L

sreneih®

L

STEREO’

2

STEREO’

Jacks

IN

(Ingresso)

Si

utilizzano

per

poter

amplificare

tramite

gli

altoparlanti

dell'HP-1300e/HP-135

altre

sorgenti

Audio

di

altri

apparecchi

(CD,

Registratori

a

cassette,

ecc.).

Jacks

OUTPUT

(Uscita)

Da

questi

jack

pué

essere

prelevato

i]

segnale

Audio

dell'

HP-1300e/HP-135

per

essere

eventualmente

amplifi-

cato.

Roland HP 1300e User manual

Popular Musical Instrument manuals by other brands