Rupert Neve Designs 5060 CENTERPIECE User manual

Operations Manual
5060 CENTERPIECE
24 X 2 DESKTOP MIXER
the

2
5060: 24x2 Desktop Mixer User Guide
Thank you for your purchase of a 5060 Desktop Mixer.
Everyone at Rupert Neve Designs hope you enjoy using this tool as much as we have enjoyed
designing and building it. Please take note of the following list of safety concerns and power
requirements before using the 5060 module.
Safety
It’s usual to provide a list of “do’s and dont’s” under this heading but mostly these amount to
common sense issues. However, here are important safety requirements that must be adhered to:
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with a dry cloth.
7) Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
8) Do not install near any heat source such as radiators, heat registers, stoves, or other apparatus (includ-
ing ampliers) that produce heat.
9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two
blades with one wider than the other. A grounding type plug has two blades and a third grounding
prong. The wide blade or the third prong are provided for your safety. If the provided plug does not t
into your outlet, consult an electrician.
10) Protect the power cord from being walked on or pinched, particularly at plugs convenience recep-
tacles and at the point where the cord exits from the apparatus.
11) Only use attachments/accessories specied by the manufacturer.
12) Unplug this apparatus during lightning storms or when unused for long periods of time.
13) Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been
damaged in any way, such as when power-supply cord or plug is damaged, liquid has been spilled or
objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not op-
erate normally, or has been dropped.
14) Do not expose this apparatus to rain or moisture.
15) The apparatus shall be connected to a mains socket outlet with a protective earthing connection.
Heat generated by the module is radiated through the case work, and by a silent fan at the back of the
module. Ventilation holes should not be covered or blocked for any reason. To avoid overheating, 5060
units should not be stacked immediately above or adjacent to other equipment that get hot. Also bear
in mind that other equipment may radiate strong hum elds which could spoil the performance of your
5060.
Protect the power cord from being walked on or pinched, particularly at plugs convenience receptacles
and the point where they exit from the apparatus. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type
plug has two blades and a third grounding prong. The wide blade or the third prong are provided for
your safety. Unplug the module during lightning storms or when unused for long periods of time.

3
Don’t operate your 5060 module in or around water! Electronic equipment and liquids are not
good friends. If any liquid is spilled, such as soda, coffee, alcoholic or other drink, the sugars and
acids will have a very detrimental effect. Sugar crystals act like little rectiers and can produce
noise (crackles, etc.). SWITCH OFF IMMEDIATELY because once current starts to ow the
mixture hardens, can get very hot (burnt toffee!) and cause permanent and costly damage. If it gets
wet and you suspect that good clean water may have gotten in, immediately unplug the unit, and
remove it from the source of water. Please contact service as soon as possible at
[email protected] for resolution. Clean only with a dry cloth.
5060 Block Diagram
StereoL StereoR
GND
Soft Mute
StInL1+
StInL1-
StInR1+
StInR1-
InsInL1+
InsInL1-
InsInR1+
InsInR1-
Insert Return
ExtIn1L+
ExtIn1L-
ExtIn1R+
ExtIn1R-
EARTH
+V
GND
GND
Dim
Ext. I/P
Talkback
Mix Out
Monitor Section
GND
CW
CW
Stepped Attenuator
Mono Summing
Left VU
StInL1+
StInL1-
StInR1+
StInR1-
Talk1
Talk2
Talk1
Talk2
GND
Soft Mute
Insert Return
GND
Soft Mute
StInL1+
StInL1-
StInR1+
StInR1-
InsInL1+
InsInL1-
InsInR1+
InsInR1-
Insert Return
GND
Soft Mute
Insert Return
GND
LineIn9+
LineIn9-
GND
LineIn10+
LineIn10-
1-2
3-4
5-6
7-8
L INS RTNL INS SND
R INS RTN
R INS SND
Stereo Insert
Right VU
Variable Dim
EARTH
123
Mono/Left
Mono/Left
StInL1+
StInL1-
StInR1+
StInR1-
InsInL1+
InsInL1-
InsInR1+
InsInR1-
Talk1
Talk2
Talk1
Talk2
Mono/Left
StInL1+
StInL1-
StInR1+
StInR1-
StInL1+
StInL1-
StInR1+
StInR1-
InsInL1+
InsInL1-
InsInR1+
InsInR1-
Mono/Left
Insert Send
Insert Send
Insert Send
Insert Send
StInL1+
StInL1-
StInR1+
StInR1-
StInL1+
StInL1-
StInR1+
StInR1-
Inputs
TB to Send
TB to Send
Inputs
Inputs
Inputs
Texture
Texture
TB LVL
L
R
Ext. IP 1-3
Select
Typical, Stereo Input Channels 9-24
Talkback Remote
Control
TB OUT
TB assign
Send 1, 2
TB assign
Send 3, 4
(Activate by Grounding Tip)
Front Panel
Talk Button
(DIM Function Activates
when TALK is Active)
TB MIC
To DIM
TALK 1, 2
TALK 3, 4
J28

4
Power Requirements
Each 5060 unit has high quality, low noise switching power supplies that are further ltered and
regulated for an exceptionally quiet and reliable power source for the audio circuits. The power supply
is considered “universal” in the sense that it will accept 100V through 240V AC and with 50 or 60Hz.
Be absolutely sure to disconnect mains power (remove the power cable from the IEC power connector
at the back panel) before servicing. The fuse is on the power supply and is not user accessible. The fuse
should only be replaced by a qualied service technician.
The fuse is a protection device intended to prevent additional damage or hazard if the 5060 unit
develops a problem. The symptom of a blown fuse is simply that the unit does not power up. If this
happens, you should contact your dealer or email [email protected].
The Rupert Neve Designs 5060 Overview
From the father of the recording console comes the 5060 Centerpiece: the Class-A analog heart of your
21st-century studio. Sized for your desktop, the 5060 delivers the tonality and center section features
of Rupert’s agship 5088 console at your ngertips, cementing outboard together with serious custom
transformers, exible monitoring, DAW transport controls, and the raw power of a Rupert Neve-
designed 24×2 mix-buss.
With a modular, hybrid analogue/digital mix system built around the 5060, you can outt your studio
with exactly what you need – and nothing that you don’t. Utilizing modern DAW control technologies,
the 5060 seamlessly integrates stem outputs from the DAW with the rest of your control room, sums the
nal mix, and provides 2-track outputs, source selection, and speaker feed outputs from the monitor
section.
In the 5060, amplication is handled with fully class-A operational amplier topologies featuring
Rupert’s custom transformer designs. While these circuits share a lineage with the circuits used in
Rupert’s consoles from the 70’s, and in many ways sound similar, there are renements in noise, slew
rate, dynamic range and particularly avoidance of unpleasant high frequency distortion artifacts.
With proper implementation, the 5060 can redene the sonic possibilities and streamline workow in
the hybrid DAW and analogue based studio.
Quick Start: Configuration Suggestions for the 5060
The 5060 is designed to function both as a mixer, and as a way to tie together your studios analogue
and digital components. By conguring mix systems based around the 5060 and 5059 Satellite
Summing Mixers, any number of studio workows can be accommodated. While there is no “right”
way to connect the 5060, here are a few suggestions to get started:
The 5060 is designed to integrate your analogue components like outboard processing, speakers, and
headphone ampliers with the outputs from your DAW. Although one could conceivably use parts of
the 5060 in the pre DAW path, all of our suggestions use the 5060 entirely in the post DAW or “mix”
path. In the “Lone 5060” conguration, up to 12 separate stereo pairs (stems) can be outputted from
the DAW through the DAC and into the 5060 for analogue mixing. Stereo inputs 1-8 may also be used
as mono center channels to allow for latency free integration of analogue processing on key tracks like
lead vocals during mixing. Stereo sends may also be sent out of the DAW and into reverbs, delays, or
any processors for use as effects inputs to the mix buss with channels 9-24.

5
ADC
DAC
36
30
24
18
12
60dB 66
60
54
48
42
20Hz 250Hz
100
MIN MAX
TEXTURE
0dB
-6 +6
TRIM
GAIN
POWER
SILK
48V
HPF
HPF
MICPRE
+SILK
22
20
18
14
10
4
-2
-10
LEVEL
“The Lone 5060”
PEAK PEAK
∞0
MIN MAX
-30 -6
∞0
9-10 11-12 13-14 15-16 17-18 19-20 21-22 23-24
1-2 3-4 5-6 7-8
-50
-60
∞
-20
-10
-40
-25
-15
0
-5
+10
+5
0
-5
-10
-30
-40
-50
∞
-15
+10
+5
0
-5
-10
-30
-40
-50
∞
-15
+10
+5
0
-5
-10
-30
-40
-50
∞
-15
+10
+5
0
-5
-10
-30
-40
-50
∞
-15
MIX
STEREO INPUT CHANNELS 9 - 24
TB ASSIGN
MONITOR SELECT
HEADPHONE
MONITOR SOURCE
STEREO INPUT CHANNELS 1 - 8
RUPERT NEVE DESIGNS
MASTER MONITOR
TB LEVEL TEXTURE DIM LEVEL HEADPHONE
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
RED-SCRUB
GRN-SHUTTLE
MIC
5060 CENTERPIECE
TALK
DIM
MON 2 MON 3
EXT 3EXT 2
EXT 1
MIX
1/2 3/4 SILK
MON 1
MONO
INS MUTE INS MUTE INS MUTE INS INS MUTE
MODE
24 x 2 Desktop Mixer
ADC
DAC
36
30
24
18
12
60dB 66
60
54
48
42
20Hz 250Hz
100
MIN MAX
TEXTURE
0dB
-6 +6
TRIM
GAIN
POWER
SILK
48V
HPF
HPF
Rupert Neve
Designs 511
MICPRE
+SILK
22
20
18
14
10
4
-2
-10
LEVEL
Headphone Mixer / Amp
Headphone Mixer / Amp
Headphone Mixer / Amp
Mono / Stereo Subwoofers
Cutting Room Playback
Third Pair of Speakers
Optional:
Supplemental Digital Control
Tablet Computers
Control Surfaces
Digital Faders / Rotary Encoders
Future Control Technology
Transport control
over Midi or USB
Mon 3 (Latchable)
Stereo Mix Output to 2-Track In
2-Track Output to Ext Monitor In
Stereo or Mono Channel
Insert Send and Returns
for Outboard Processing
Stereo Mix Insert
Send and Returns
for Outboard Processing
-15 +15
0
-15 +15
0
-15 +15
0
-6dB +20
100mS 2.5 S
250 1S
-30dB +20dB
-10 +10
GAIN
1.1:1 40:1
RATIO
1.5:1 3:1
FF
FB
LOPEAK
8K
16K
THRESH
S/CHPF
RELEASE
LINK
5mS 75mS
ATTACK
25 50
COMPIN
EQIN
EQPRE
POST
220
100
60
35
MIDFREQ
MIDHI Q
LOWFREQ
0
22
20
18
14
10
4
-2
-10
1
2
4
6
10
14
18
22
LevelGR
3K
1.5K
700
350
200
6K
HF
MID
LF
HIPEAK
HPF
Red120Hz
Blue60Hz
I NDUCTOREQ
5051 EQ/Compressor
C OMPRESSOR
LINE1
LINE2
-15 +15
0
-15 +15
0
-15 +15
0
-6dB +20
100mS 2.5 S
250 1S
-30dB +20dB
-10 +10
GAIN
1.1:1 40:1
RATIO
1.5:1 3:1
FF
FB
LOPEAK
8K
16K
THRESH
S/CHPF
RELEASE
LINK
5mS 75mS
ATTACK
25 50
COMPIN
EQIN
EQPRE
POST
220
100
60
35
MIDFREQ
MIDHI Q
LOWFREQ
0
22
20
18
14
10
4
-2
-10
1
2
4
6
10
14
18
22
LevelGR
3K
1.5K
700
350
200
6K
HF
MID
LF
HIPEAK
HPF
Red120Hz
Blue60Hz
I NDUCTOREQ
5051 EQ/Compressor
C OMPRESSOR
LINE1
LINE2
-15 +15
0
-15 +15
0
-15 +15
0
-6dB +20
100mS 2.5 S
250 1S
-30dB +20dB
-10 +10
GAIN
1.1:1 40:1
RATIO
1.5:1 3:1
FF
FB
LOPEAK
8K
16K
THRESH
S/CHPF
RELEASE
LINK
5mS 75mS
ATTACK
25 50
COMPIN
EQIN
EQPRE
POST
220
100
60
35
MIDFREQ
MIDHI Q
LOWFREQ
0
22
20
18
14
10
4
-2
-10
1
2
4
6
10
14
18
22
LevelGR
3K
1.5K
700
350
200
6K
HF
MID
LF
HIPEAK
HPF
Red120Hz
Blue60Hz
I NDUCTOREQ
5051 EQ/Compressor
C OMPRESSOR
LINE1
LINE2
-15 +15
0
-15 +15
0
-15 +15
0
-6dB +20
100mS 2.5 S
250 1S
-30dB +20dB
-10 +10
GAIN
1.1:1 40:1
RATIO
1.5:1 3:1
FF
FB
LOPEAK
8K
16K
THRESH
S/CHPF
RELEASE
LINK
5mS 75mS
ATTACK
25 50
COMPIN
EQIN
EQPRE
POST
220
100
60
35
MIDFREQ
MIDHI Q
LOWFREQ
0
22
20
18
14
10
4
-2
-10
1
2
4
6
10
14
18
22
LevelGR
3K
1.5K
700
350
200
6K
HF
MID
LF
HIPEAK
HPF
Red120Hz
Blue60Hz
I NDUCTOREQ
5051 EQ/Compressor
C OMPRESSOR
LINE1
LINE2
-15 +15
0
-15 +15
0
-15 +15
0
-6dB +20
100mS 2.5 S
250 1S
-30dB +20dB
-10 +10
GAIN
1.1:1 40:1
RATIO
1.5:1 3:1
FF
FB
LOPEAK
8K
16K
THRESH
S/CHPF
RELEASE
LINK
5mS 75mS
ATTACK
25 50
COMPIN
EQIN
EQPRE
POST
220
100
60
35
MIDFREQ
MIDHI Q
LOWFREQ
0
22
20
18
14
10
4
-2
-10
1
2
4
6
10
14
18
22
LevelGR
3K
1.5K
700
350
200
6K
HF
MID
LF
HIPEAK
HPF
Red120Hz
Blue60Hz
I NDUCTOREQ
5051 EQ/Compressor
C OMPRESSOR
LINE1
LINE2
-15 +15
0
-15 +15
0
-15 +15
0
-6dB +20
100mS 2.5 S
250 1S
-30dB +20dB
-10 +10
GAIN
1.1:1 40:1
RATIO
1.5:1 3:1
FF
FB
LOPEAK
8K
16K
THRESH
S/CHPF
RELEASE
LINK
5mS 75mS
ATTACK
25 50
COMPIN
EQIN
EQPRE
POST
220
100
60
35
MIDFREQ
MIDHI Q
LOWFREQ
0
22
20
18
14
10
4
-2
-10
1
2
4
6
10
14
18
22
LevelGR
3K
1.5K
700
350
200
6K
HF
MID
LF
HIPEAK
HPF
Red120Hz
Blue60Hz
I NDUCTOREQ
5051 EQ/Compressor
C OMPRESSOR
LINE1
LINE2
-15 +15
0
-15 +15
0
-15 +15
0
-6dB +20
100mS 2.5 S
250 1S
-30dB +20dB
-10 +10
GAIN
1.1:1 40:1
RATIO
1.5:1 3:1
FF
FB
LOPEAK
8K
16K
THRESH
S/CHPF
RELEASE
LINK
5mS 75mS
ATTACK
25 50
COMPIN
EQIN
EQPRE
POST
220
100
60
35
MIDFREQ
MIDHI Q
LOWFREQ
0
22
20
18
14
10
4
-2
-10
1
2
4
6
10
14
18
22
LevelGR
3K
1.5K
700
350
200
6K
HF
MID
LF
HIPEAK
HPF
Red120Hz
Blue60Hz
I NDUCTOREQ
5051 EQ/Compressor
C OMPRESSOR
LINE1
LINE2
-15 +15
0
-15 +15
0
-15 +15
0
-6dB +20
100mS 2.5 S
250 1S
-30dB +20dB
-10 +10
GAIN
1.1:1 40:1
RATIO
1.5:1 3:1
FF
FB
LOPEAK
8K
16K
THRESH
S/CHPF
RELEASE
LINK
5mS 75mS
ATTACK
25 50
COMPIN
EQIN
EQPRE
POST
220
100
60
35
MIDFREQ
MIDHI Q
LOWFREQ
0
22
20
18
14
10
4
-2
-10
1
2
4
6
10
14
18
22
LevelGR
3K
1.5K
700
350
200
6K
HF
MID
LF
HIPEAK
HPF
Red120Hz
Blue60Hz
I NDUCTOREQ
5051 EQ/Compressor
C OMPRESSOR
LINE1
LINE2
24
22
20
18
16
12
6
0
REDUCTION
OUTPUT
24
22
20
18
16
12
6
0
REDUCTION
OUTPUT
50
40
30
20 mS 80 mS
70
60
0.5
0.4
0.2
0.1 S 3.0 S
2.0
1.0
50
40
30
20mS 80mS
70
60
0.5
0.4
0.2
0.1 S 3.0 S
2.0
1.0
0
-8
-20
-30dB +20dB
+14
+8 2:1
1.5
1:1 40:1
5:1
3:1 2:1
1.5
1:1 40:1
5:1
3:1
0
Min Max
0
Mono Wide
Min
Max
18
15
12
10 Off
+24
21
+10
0 +20
50
0 100 Min Max
+10
0 +20
50
0 100 0
-8
-20
-30dB +20dB
+14
+8
18
15
12
10 Off
+24
21
2
4
6
8
10
12
18
24
2
4
6
8
10
12
18
24
PORTICO II
Master Buss
Processor
SFE
Depth
CHA
Width
CHB
SFE toCOMP
CHANNEL A RUPERT NEVE DESIGNS
FF
FB
SC
250 Hz
RMS
Peak
Comp
In
SC
Insert
SC
Insert
SC
250 Hz
LINK
FB
FF
RMS
Peak
Comp
In
Silk+ : Red
Silk : Blue
CHANNEL B
In In
Width EQDepth EQ
EQ EQ
WidthDepthRatio
Texture Limit dBu
Threshold
Blend %Limit dBu
Ratio
Silk+ : Red
Silk : Blue
Blend %
Threshold
Gain dB Texture Gain db
ReleaseAttackReleaseAttack
CH A Master
Depth Depth Width Width
CH BCH A
HF
HM
LM
LF
HF
HM
LM
LF
POWER
Equalizer
Comp Reverb 1
Reverb 2
Reverb 3
Delay
24
22
20
18
16
12
6
0
REDUCTION
OUTPUT
24
22
20
18
16
12
6
0
REDUCTION
OUTPUT
50
40
30
20 mS 80mS
70
60
0.5
0.4
0.2
0.1 S 3.0S
2.0
1.0
50
40
30
20mS 80mS
70
60
0.5
0.4
0.2
0.1 S 3.0S
2.0
1.0
0
-8
-20
-30dB +20dB
+14
+8 2:1
1.5
1:1 40:1
5:1
3:1 2:1
1.5
1:1 40:1
5:1
3:1
0
Min Max
0
Mono Wide
Min
Max
18
15
12
10 Off
+24
21
+10
0 +20
50
0 100 Min Max
+10
0 +20
50
0 100 0
-8
-20
-30dB +20dB
+14
+8
18
15
12
10 Off
+24
21
2
4
6
8
10
12
18
24
2
4
6
8
10
12
18
24
PORTICO II
Master Buss
Processor
SFE
Depth
CHA
Width
CHB
SFEto COMP
CHANNEL A RUPERT NEVE DESIGNS
FF
FB
SC
250Hz
RMS
Peak
Comp
In
SC
Insert
SC
Insert
SC
250Hz
LINK
FB
FF
RMS
Peak
Comp
In
Silk+: Red
Silk: Blue
CHANNEL B
In In
Width EQDepth EQ
EQ EQ
WidthDepthRatio
Texture Limit dBu
Threshold
Blend %Limit dBu
Ratio
Silk+: Red
Silk: Blue
Blend %
Threshold
Gain dB Texture Gain db
ReleaseAttackReleaseAttack
CHA Master
Depth Depth Width Width
CH BCH A
HF
HM
LM
LF
HF
HM
LM
LF
POWER
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
-10
-15
-3
-30
-20
∞0
-10
-15
-3
-30
-20
∞0
MIN MAX
TEXTURE
MIN MAX
TEXTURE
STEREO1
STEREO2
SIGNAL
SIGNAL
Silk+: Red
Silk: Blue
Silk+: Red
Silk: Blue
1 2 3 4 5 6 7 8
9 16151413121110
RUPERT NEVE DESIGNS
16 x 2+2
Summing
Mixer
5059
POWER
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
SATELLITE
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
-10
-15
-3
-30
-20
∞0
-10
-15
-3
-30
-20
∞0
MIN MAX
TEXTURE
MIN MAX
TEXTURE
STEREO1
STEREO2
SIGNAL
SIGNAL
Silk+: Red
Silk: Blue
Silk+: Red
Silk: Blue
1 2 3 4 5 6 7 8
9 16151413121110
RUPERT NEVE DESIGNS
16 x 2+2
Summing
Mixer
5059
POWER
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
L R
L R
LEVEL
LEVEL
PAN
PAN
INSERT
INSERT
STEREO2
STEREO2
SATELLITE
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
-4
-10
-20
∞+10
0
+6
-30
PEAK PEAK
∞0
MIN MAX
-30 -6
∞0
9-10 11-12 13-14 15-16 17-18 19-20 21-22 23-24
1-2 3-4 5-6 7-8
-50
-60
∞
-20
-10
-40
-25
-15
0
-5
+10
+5
0
-5
-10
-30
-40
-50
∞
-15
+10
+5
0
-5
-10
-30
-40
-50
∞
-15
+10
+5
0
-5
-10
-30
-40
-50
∞
-15
+10
+5
0
-5
-10
-30
-40
-50
∞
-15
MIX
STEREO INPUT CHANNELS 9 - 24
TB ASSIGN
MONITOR SELECT
HEADPHONE
MONITOR SOURCE
STEREO INPUT CHANNELS 1 - 8
RUPERT NEVE DESIGNS
MASTER MONITOR
TB LEVEL TEXTURE DIMLE VEL HEADPHONE
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
-10
-15
-5
-30
-20
∞0
RED-SCRUB
GRN-SHUTTLE
MIC
5060 CENTERPIECE
TALK
DIM
MON 2 MON 3
EXT 3EXT 2
EXT 1
MIX
1/2 3/4 SILK
MON 1
MONO
INS MUTE INS MUTE INS MUTE INS INS
MUTE
MODE
24 x 2 Desktop Mixer
ADC
DAC
36
30
24
18
12
60dB 66
60
54
48
42
20Hz 250Hz
100
MIN MAX
TEXTURE
0dB
-6 +6
TRIM
GAIN
POWER
SILK
48V
HPF
HPF
Rupert Neve
Designs 511
MICPRE
+SILK
22
20
18
14
10
4
-2
-10
LEVEL
Headphone Mixer / Amp
Headphone Mixer / Amp
Headphone Mixer / Amp
Optional:
Supplemental Digital Control
Tablet Computers
Control Surfaces
Digital Faders / Rotary Encoders
Future Control Technology
Transport control
over Midi or USB
.
Stereo or Mono Channel
Insert Send and Returns
for Outboard Processing
Stereo Mix Insert
Send and Returns
for Outboard Processing
Stereo or Mono Channel
Insert Send and Returns
for Outboard Processing
“5059’s Mixing into a 5060”
Mono / Stereo Subwoofers
Cutting Room Playback
Mon 3 (Latchable)
or
Dual Stereo Outputs with Different Silk & Texture Settings Dual Stereo Outputs with Different Silk & Texture Settings
Stereo Mix Output to 2-Track In
2-Track Output to Ext Monitor In
Rupert Neve
Designs 543
0
-8
-30 +20
+8
2:1
1.1:1 40:1
8:1
4:1
50
20mS 75mS
400
100mS 2.5 S
+4
0
-6 +20
+8
22
18
14
10
6
4
2
0
PEAK
RMS
HPF
S/C
F/F
F/B
GR
LEVEL
THRESHOLD
RATIO
ATTACK 1
2
4
6
10
14
18
22
IN
RELEASE
MAKE-UPGAIN
LINK
Rupert Neve
Designs 542
0dB
-12 +12
50%
0 100%
MIN MAX
22
20
18
14
10
4
-2
-10
8
7
6
5
4
3
2
1
SILKBLUE
SILKRED
30
15
IN
TAPE
EFFECT
POWER
LEVEL
DRIVE
IPS
SATURATION
TRIM
TEXTURE
BLEND
MIN MAX
TAPE
EMULATOR
36
30
24
18
12
60dB 66
60
54
48
42
0
-6 +6
220
100
60
35
25
12
6.8
4.7
40
20mS 80mS
60
200
100
80 1.6K
700
400
0.3
0.1 S 3.0 S
1.5
2.0
1.0
0.8 16
7.0
4.0
0
-15 +15
0
-15 +15
0
-15 +15
0
-15 +15
100
20Hz 250Hz
2.5
2:1
1.5
1:1 40:1
5:1
3:1
Min Max
2
0.7 5 Off Max 0 100
0
-6 +20
+8
2
0.7 5
Trim LF LMF HMF HF
Attack
Release
RMS
Peak
Comp
In
FF
FB
Blend % Gain dB
Threshold Ratio
Power
Silk : Red
Silk : Blue
Texture
PORTICO II RUPERT NEVE DESIGNS
REDUCTION
OUTPUT
Hz Hz kHz kHz
Shelf
PeakHF InLMF/HMF
Shelf
Peak
In
Q De-essQ
LF In
dB dB dBdB
All EQ
In Post Comp
HPF
In S/C HPF
Mic/DI
Line Phase Mute
Signal
dB
Thru
DI
+48V
Mic Gain HPF
PORTICO II
C H A N N E L
GND
LIFT
0
-8
-12
-30dB +20dB
+12
+8
2
4
6
8
10
12
18
24
24
22
20
18
16
12
6
0
Rupert Neve
Designs 543
0
-8
-30 +20
+8
2:1
1.1:1 40:1
8:1
4:1
50
20mS 75mS
400
100mS 2.5 S
+4
0
-6 +20
+8
22
18
14
10
6
4
2
0
PEAK
RMS
HPF
S/C
F/F
F/B
GR
LEVEL
THRESHOLD
RATIO
ATTACK 1
2
4
6
10
14
18
22
IN
RELEASE
MAKE-UPGAIN
LINK
36
30
24
18
12
60dB 66
60
54
48
42
0
-6 +6
220
100
60
35
25
12
6.8
4.7
40
20mS 80mS
60
200
100
80 1.6K
700
400
0.3
0.1 S 3.0 S
1.5
2.0
1.0
0.8 16
7.0
4.0
0
-15 +15
0
-15 +15
0
-15 +15
0
-15 +15
100
20Hz 250Hz
2.5
2:1
1.5
1:1 40:1
5:1
3:1
Min Max
2
0.7 5 Off Max 0 100
0
-6 +20
+8
2
0.7 5
Trim LF LMF HMF HF
Attack
Release
RMS
Peak
Comp
In
FF
FB
Blend % Gain dB
Threshold Ratio
Power
Silk : Red
Silk : Blue
Texture
PORTICO II RUPERT NEVE DESIGNS
REDUCTION
OUTPUT
Hz Hz kHz kHz
Shelf
PeakHF InLMF/HMF
Shelf
Peak
In
Q De-essQ
LF In
dB dB dBdB
All EQ
In Post Comp
HPF
In S/C HPF
Mic/DI
Line Phase Mute
Signal
dB
Thru
DI
+48V
Mic Gain HPF
PORTICO II
C H A N N E L
GND
LIFT
0
-8
-12
-30dB +20dB
+12
+8
2
4
6
8
10
12
18
24
24
22
20
18
16
12
6
0