Teac W-525R User manual

9101393200
TEAC,
Double
Auto
Reverse
Cassette
Deck
art
OOMoR
OWNER’S
MANUAL
Thanks
for
buying
a
TEAC.
Read
this
manual
carefully
to
get
the
best
performance
from
this
unit.
(OR
BACK).
NO
USER-SERVICEABLE
PARTS
INSIDE.
REFER
SERVICING
TO
AUALIFIED
SERVICE
PERSONNEL.
p
The
lightning
flash
with
arrowhead
symbol,
within
an
equilateral
triangle,
is
intended
to
alert
the
user
f
CAUTION:
TO
REDUCE
THE
RISK
OF
ELECTRIC
SHOCK,
DO
NOT
REMOVE
COVER
RISK
OF
ELECTRIC
SHOCK.
D0
NOT
OPE!
to
the
presence
of
uninsulated
“dangerous
voltage”
within
the
product's
enclosure
that
may
be
of
sufficient
magnitude
to
constitute
a
risk
of
electric
shock
to
persons.
The
exclamation
point
within
an
equilateral
triangle
is
intended
to
alert
the
user
to
the
presence
of
A
important
operating
and
maintenance
(servicing)
instructions
in
the
literature
accompanying
the
appliance.
This
appliance
has
a
serial
number
located
WARNING:
TO
PREVENT
FIRE
OR
SHOCK
on
the
rear
panel.
Please
record
the
model
number
and
serial
number
and
retain
them
for
HAZARD
DO
NOT
EXPOSE
THIS
LU
your
records.
oi
APPLIANCE
TO
RAIN
OR
MOISTURE.
Serial
number
0492U-M-0659A

SAFETY
INSTRUCTIONS
CAUTION:
1.
6A.
Read
all
of
these
instructions.
Save
these
instructions
for
later
use.
Follow
all
warnings
and
instructions
marked
on
the
audio
equipment.
Read
Instructions
-
All
the
safety
and
operating
instructions
should
be
read
before
the
appliance
is
operated.
Retain
Instructions
-
The
safety
and
operating
instructions
should
be
retained
for
future
reference.
Heed
Warnings
-
All
warnings
on
the
appliance
and
in
the
operating
instructions
should
be
adhered
to.
Follow
Instructions
-
All
operating
and
use
instructions
should
be
followed.
Water
and
Moisture
-
The
appliance
should
not
be
used
near
water
-
for
example,
near
a
bathtub,
washbowl,
kitchen
sink,
laundry
tub,
in
a
wet
basement,
or
near
a
swimming
pool,
etc.
Carts
and
Stands
-
The
appliance
should
be
used
only
with
a
cart
or
stand
that
is
recommended
by
the
manufacturer.
An
appliance
and
cart
combination
should
be
moved
with
care.
Quick
stops,
excessive
force,
and
uneven
surfaces
may
cause
the
appliance
and
cart
combination
to
overturn.
Wall
or
Ceiling
Mounting
-
The
applicance
should
be
mounted
on
a
wall
or
ceiling
only
as
recommended
by
the
manufacturer.
Ventilation
-
The
appliance
should
be
situated
so
that
its
location
or
position
does
not
interfere
with
its
proper
ventilation.
For
example,
the
appliance
should
not
be
situated
on
a
bed,
sofa,
rug,
or
similar
surface
that
may
block
the
ventilation
openings;
or,
placed
in
a
built-in
installation,
such
as
a
bookcase
or
cabinet
that
may
impede
the
flow
of
air
through
the
ventilation
openings.
10.
11.
12.
13.
14.
15.
Heat
-
The
appliance
should
be
situated
away
from
heat
sources
such
as
radiators,
heat
registers,
stoves,
or
other
appliances
(including
amplifiers)
that
produce
heat.
Power
Sources
-
The
appliance
should
be
connected
to
a
power
supply
only
of
the
type
described
in
the
operating
instructions
or
as
marked
on
the
appliance.
Grounding
or
Polarization
-
Precautions
should
be
taken
so
that
the
grounding
or
polarization
of
the
appliance
is
not
defeated.
Power-Cord
Protection
-
Power-supply
cords
should
be
routed
so
that
they
are
not
likely
to
be
walked
on
or
pinched
by
items
placed
upon
or
against
them,
paying
particular
attention
to
cords
at
plugs,
convenience
receptacles,
and
the
point
where
they
exit
from
the
appliance.
Cleaning
-
The
appliance
should
be
cleaned
only
as
recommended
by
the
manufacturer.
Power
Lines
-
An
outdoor
antenna
should
be
located
away
from
power
lines.
Outdoor
Antenna
Grounding
-
If
an
outside
antenna
is
connected
to
the
receiver,
be
sure
the
antenna
system
is
grounded
so as
to
provide
some
protection
against
voltage
surges
and
built
up
static
charges.
Section
810
of
the
National
Electrical
Code,
ANSI/NFPA
No.
70
-
1984,
provides
information
with
respect
to
proper
grounding
of
the
mast
and
supporting
structure,
grounding
of
the
lead-in
wire
to
an
antenna
discharge
unit,
size
of
grounding
conductors,
location
of
antenna-discharge
unit,
connection
to
grounding
electrodes,
and
requirements
for
the
grounding
electrode.
See
Figure
below.
EXAMPLE
OF
ANTENNA
GROUNDING
‘AS
PER
NATIONAL
ELECTRICAL
CODE,
__-
ANTENNA
-——
LEAD
IN
WIRE
S<GROUNDING
CoNOUCTORS
(NEC
SECTION
810-21)
GROUND
CLAMPS
POWER
SERVICE
GROUNDING
ELECTRODE.
SYSTEM
(NEC
ART
250,
PART
1)
NEC
-
NATIONAL
ELECTRICAL
CODE
(Continued
on
page
4)

SAFETY
INSTRUCTIONS
(continued
from
16.
Nonuse
Periods
-
The
power
cord
of
the
appliance
should
be
unplugged
from
the
outlet
when
left
unused
for
a
long
period
of
time.
17.
Object
and
Liquid
Entry
-
Care
should
be
taken
so
that
objects
do
not
fall
and
liquids
are
not
spilled
into
the
enclosure
through
openings.
18.
Damage
Requiring
Service
-
The
appliance
should
be
serviced
by
qualified
service
personnel
when:
A.
The
power-supply
cord
or
the
plug
has
been
damaged;
or
Objects
have
fallen,
or
liquid
has
been
spilled
into
the
appliance;
or
The
appliance
has
been
exposed
to
rain;
or
The
appliance
does
not
appear
to
operate
normally
or
exhibits
a
marked
change
in
performance;
or
.
The
appliance
has
been
dropped,
or
the
enclosure
damaged.
B.
Cc.
19.
Servicing
-
The
user
should
not
attempt
to
service
the
appliance
beyond
that
described
in
the
operating
instructions.
All
other
servicing
should
be
referred
to
qualified
service
personnel.
>
For
CANADA
Page
2)
AC
POWER
CORD
CONNECTION
CAUTION:
TO
PREVENT
ELECTRIC
SHOCK,
MATCH
WIDE
BLADE
OF
PLUG
TO
WIDE
SLOT,
FULLY
INSERT.
CONNEXION
CA
ATTENTION:
POUR
EVITER
LES
CHOCS
ELECTRIQUES,
INTRODUIRE
LA
LAME
LA
PLUS
LARGE
DE
LA
FICHE
DANS
LA
BRONE
CORRESPONDANTE
DE
LA
PRISE
ET
POUSSER
JUSQU'AU
FOND.
r—
For
CANADA
THIS
DIGITAL
APPARATUS
DOES
NOT
EXCEED
THE
CLASS
B
LIMITS
FOR
RADIO
NOISE
EMIS-
SIONS
FROM
DIGITAL
APPARATUS
AS
SET
OUT
IN
THE
RADIO
INTERFERENCE
REGULATIONS
OF
THE
CANADIAN
DEPARTMENT
OF
COM-
MUNICATIONS.
LE
PRESENT
APPAREIL
NUMERIQUE
N’EMET
PAS
DE
BRUITS
RADIOELECTRIQUES
DEPAS-
SANT
LES
LIMITES
APPLICABLES
AUX
AP-
PAREILS
NUMERIQUES
DE
CLASSE
B
PRES-
CRITES
DANS
LE
REGLEMENT
SUR
LE
BROUIL-
LAGE
RADIOELECTRIQUE
EDICTE
PAR
LE
MINISTERE
DES
COMMUNICATIONS
DU
CANADA.

FRONT
PANEL
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|_W525R
Double
Auto
Rew
4
moToRS
(2x2:
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|
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©
©
©
©
©0000
The
deck
consumes
a
small
amount
of
power
when
it
is
plugged
into
an
AC
outlet,
even
when
its
POWER
switch
is
in
the
OFF
position.
@
POWER
Switch
®
Tape
Operation
Buttons
(TAPE
I/
TAPE
I!)
@
Cassette
Holder
(TAPE
I/TAPE
II)
~#<
:
Rewind
Button
©
REMOTE
SENSOR
STOP
(Infrared
Signal
Reception
Window)
~«:
Reverse
Play
Button
@
SYNC
REV
(Reverse)
Button
&
:
Forward
Play
Button
@
CD
SYNC
Button
me
-
Fast
Forward
Button
@
PEAK
PROGRAM
LEVEL
METER
@
TIMER
Switch
@
RECORD
Button
(TAPE
II
only)
@®
REV
(Reverse)
MODE
Switch
©
REC
(Record)
MUTE
Button
(TAPE
II
only)
@
BIAS
FINE
Control
(TAPE
II
only)
@
TAPE
COUNTER
and
RESET
Button
(TAPE
II
@
REC
(Record)
LEVEL
Control
(TAPE
II
only)
only)
@®
BALANCE
Control
(TAPE
II
only)
@
DUB
(Dubbing)
START
Button
@
PHONES
Jack
@
PAUSE
Button
(TAPE
II
only)
@
DOLBY
NR
Select
Switch
@®
Eject
Button
(TAPE
I/TAPE
II)

PRECAUTIONS
Se
Environment
Avoid
using
the
deck
in
the
following
conditions:
©
At
high
temperatures
(near
a
heater,
exposed
to
direct
sunlight,
etc.).
©
At
extremely
low
temperatures.
©
Where
there
is
excessive
humidity.
@
In
a
dusty
atmosphere.
©
Where
power
line
voltage
fluctuations
are
severe
(in
which
case
the
use
of
a
voltage
regulator
may
be
advisable).
Cassette
Tape
Tape
Selection:
For
the
automatic
tape
select
function
to
work
properly,
metal
and
chrome
(cobalt)
tapes
must
have
identification
holes.
Normal
Tapes
Chrome
(Cobalt)
Tapes
Metal
Tapes
©
Tape
position
identification
holes.
Voltage
Conversion
(General
export
models
only)
Be
sure
to
remove
the
power
cord
from
the
AC
outlet
before
repositioning
the
voltage
converter
switch.
1.
Locate
the
voltage
selector
on
the
rear
panel.
2.
Using
a
flat-bladed
screwdriver,
set
to
the
appropriate
230
V
or
120
V
position
according
to
your
area.
Tape
Handling:
Do
not
store
tapes
in
the
following
places:
©
On
top
of
heaters,
exposed
to
direct
sunlight
or
in
any
other
places
with
high
temperatures.
Near
speakers,
on
TV
sets
or
amplifiers
or
where
they
would
be
exposed
to
strong
magnetic
fields.
Where
humidity
is
high
and
in
dirty,
dusty
places.
Avoid
dropping
or
subjecting
cassettes
to
excessive
shocks.
As
C-120
tapes
are
physically
weak
and
could
become
entangled
in
the
transport
mechanism,
do
not
use
them.
IMPORTANT
(for
U.K.
Customers)
The
wires
in
this
mains
lead
are
coloured
in
accordance
with
the
following
code:
BLUE:
BROWN:
NEUTRAL
LIVE
As
the
colours
of
the
wires
in
the
mains
lead
of
this
apparatus
may
not
correspond
with
the
coloured
markings
identifying
the
terminals
in
your
plug,
proceed
as
follows:
The
wire
which
is
coloured
BLUE
must
be
connected
to
the
terminal
which
is
marked
with
the
letter
N
or
coloured
BLACK.
The
wire
which
is
coloured
BROWN,
must
be
connected
to
the
terminal
which
is
marked
with
the
letter
L
or
coloured
RED.
In
the
U.K.,
this
unit
is
sold
without
an
AC
plug.
VOLTAGE
SELECTOR
120V
230V
2
mw
oo)
THE
APPLIANCE
CONFORMS
WITH
EEC
DIRECTIVE
87/308/EEC
REGARDING
INTER-
FERENCE
SUPPRESSION
Dolby
noise
reduction
and
HX
Pro
headroom
extension
manufactured
under
license
from
Dolby
Laboratories
Licensing
Corporation.
HX
Pro
originated
by
Bang
&
Olufsen.
"DOLBY",
the
double-D
symbol
DOO
and
"HX
PRO"
are
trademarks
of
Dolby
Laboratories
Licensing
Corporation.

CONNECTIONS
©
Turn
off
the
power
switches
of
all
equipment
before
making
connections.
©
Read
the
instructions
of
each
component
you
intend
to
use
with
the
deck.
@
For
the
connection
of
the
REMOTE
CONTROL
jack,
refer
to
the
owner's
manual
of
the
component
to
which
the
W-525R
is
to
be
connected.
Stereo
amplifier
Rear
panel
rH
UW
This
terminal
is
used
to
connect
to
TEAC
receivers
or
amplifiers
with
a
"UR"
mark.
To
AC
outlet
When
W-525R
is
connected
to
the
TEAC
receiver
with
a
"UR"
mark,
priority
will
be
given
to
the
remote
sensor
of
TEAC
receiver
and
operation
of
the
W-525R
remote
sensor
provided
will
be
defeated.
Remote
control:
1.
The
remote
control
unit
is
not
provided
with
the
W-525R
as
accessory.
2.
By
using
the
"UR"
remote
control
unit
provided
with
the
TEAC
receiver
or
amplifier,
the
W-525R
mechanism
(TAPE
I/TAPE
II)
can
be
operated.

OPERATIONS
Loading
a
Cassette
Tape
1
Use
your
finger
or
a
pencil
to
turn
0):
*
Notes:
the
cassette's
hub
and
take
up
SoA
IS
e@
The
cassette
holder
cannot
be
any
slack
tape.
TC
opened
during
recording
or
Note:
Avoid
touching
the
tape.
playback.
Fingerprints
attract
dust
©
If
the
power
has
been
switched
off
and
dirt.
during
play
or
recording,
ejecting
2
Press
the
eject
button
(4)*
to
the
cassette
may
be
impossible.
open
the
cassette
compartment
In
such
a
case,
switch
the
power
door.
on
and
press
the
eject
button
3
Load
the
cassette
tape
with
its
again.
open
edge
facing
down.
4
Gently
close’
the
compartment
door.
Tape
Travel
Depending
on
Setting
of
REV
MODE
Switch
Setting
Tape
Travel
Beginning
Side
B
End
Stop
Start
=
[===========—]
Start
Stop
End
Side
A
Beginning
|
When
the
tape
reaches
the
end,
playback
or
recording
is
released.
Beginning
Sidee
®
End
©
During
forward
play
or
recording,
when
the
end
of
tape
is
reached,
the
direction
of
tape
running
is
reversed
to
play
or
record
in
the
opposite
direction.
Reverse
play
=
or
recording
will
continue
to
the
end
of
the
other
side,
at
which
point
play
or
recording
is
released.
|
End
Beginning
@
During
reverse
play
or
recording,
when
the
tape
|
Side
A
reaches
the
end,
play
or
recording
is
released.
PLAY mode
(Tapes
loaded
in
TAPE
|
or
Il)
Side
B
F .
Beginning
a
End
During
either
forward
or
reverse
play,
when
the
end
of
tape
is
reached,
the
direction
of
tape
running
is
reversed
and
play
continues
in
the
opposite
direction.
In
this
way,
the
two
sides
of
the
tape
are
played
back
continuously;
the
tape
will
stop
after
5
cycles.
End
inni
Side
A
Beanie
C=)
|
PLAY
mode
(Tapes
loaded
in
TAPE
|
and
Il)
|
—
CONT
PLAY
(Continuous
Playback)
—
Refer
to
"Continuous
Playback
Operation"
chart
on
page
9.
RECORD
mode
(TAPE
II
only)
Pome
Side
B
Beginning
End
Ss
es
©
Operation
is
same
as
=>.
Start
End
Beginning
Side
A

P
1
“NI
layback
with
TAPE
|
or
TAPE
II
.
Check
that
the
TIMER
switch
is
OFF.
TIMER
REC
OFF
PLAY
.
Press
the
POWER
switch
to
ON.
POWER
.
Set
the
REV
MODE
switch
to
the
required
tape
travel
mode,
referring
to
the
chart
"Tape
Travel
Depending
on
Setting
of
REV
MODE
Switch"
on
page
7.
REV
MODE
CONT
PLAY
B
.
Load
a
pre-recorded
cassette
in
TAPE
|
or
Il.
i)
Select
the
appropriate
DOLBY
NR
system.
DOLBY
NR
Press
the
~d
or
®
button
for
TAPE
|
or
Il
to
start
playback.
oc
coe
OFF
.
Adjust
the
volume
with
the
amplifier's
volume
control.
To
stop
playback,
press
the
STOP
button.
STOP
Continuous
Playback
.
Load
pre-recorded
cassettes
in
TAPE
|
and
TAPE
.
Set
the
necessary
controls
and
switches
but
not
the
<4
or
&
buttons,
referring
to
"Playback
with
TAPE
|
or
TAPE
II"
on
the
left.
.
Set
the
REV
MODE
switch
to
the
CONT
PLAY
(C=)
position.
REV
MODE
CONT
PLAY
.
Press
the
<4
or
®
button
of
the
deck
to
be
played
back
first.
ES
Es
.
Tapes
will
be
played
back
continuously,
according
to
the
chart
on
page
9.
To
stop
continuous
play
before
5
cycles
have
been
completed,
press
the
STOP
button
of
either
deck.

Continuous
Playback
Operation
®
TAPE
|
®
TAPE
Il
Side
B
Side
B
Beginning
End
Beginning
End
——
Stop
Stop
Start
Start
a
®
Start
Start
End
Beginning
End
Beginning
Side
A
Side
A
@
@®
When
playback
starts
in
the
forward
direction,
at
the
end
of
tape,
the
tape
is
reversed
to
play
the
other
side.
At
the
end
of
this
side,
playback
is
released.
When
playback
starts
in
the
reverse
direction,
at
the
end
of
tape,
TAPE
|
is
released.
@®
Control
is
transferred
to
TAPE
Il.
@®
Playback
starts
in
the
forward
direction;
at
the
end
of
tape,
it
is
reversed
and
the
other
side
is
played
back.
@®
At
the
end
of
tape,
control
is
transferred
back
to
TAPE
|,
which
plays
both
sides.
This
sequence
@
-
@
is
repeated
for
5
cycles.
Recording
with
TAPE
II
Recording
from
a
stereo
system:
1.
Set
the
TIMER
switch
to
OFF.
TIMER
2.
Press
the
POWER
switch
to
ON.
REC
OFF
PLAY
POWER
3.
If
you
want
to
make
a
bi-directional
recording,
set
the
REV
MODE
switch
to
the
=>
position.
REV
MODE
CONT
PLAY
{2
=
4.
Load
a
recordable
cassette
in
TAPE
Il.
©
Check
that
the
safety
tabs
on
the
spine
of
the
cassette
are
in
place.
If
they
have
been
broken
off,
block
the
holes
with
adhesive
tape.
5.
Select
the
desired
DOLBY
NR
system.
DOLBY
NR
6.
Press
the
PAUSE
button
(its
indicator
lights),
then
the
RECORD
button
(its
indicator
lights).
(The
indicators
are
above
the
buttons.)
mc
os
OFF
a
=
ce
>
Ger

7.
Adjust
the
recording
level
with
the
REC
LEVEL
control
so
that
the
loudest
sound
to
be
recorded
just
makes
the
meters
briefly
reach
around
the
"0
dB"
point
(for
Normal
or
Chrome
tapes)
or
the
"+3
dB"
point
(for
Metal
tapes).
PEAK
PROGRAM
LEVEL
METER
—_e
ES,"
L________,
L L
“dB
00
20
10
6
3 °
3
6
+08
R
R
REC
LEVEL
8.
To
adjust
the
balance
of
the
input
signal,
use
the
BALANCE
control.
9.
Press
the
PAUSE
button
again
to
start
recording.
©
To
stop
recording
temporarily,
press
the
PAUSE
button.
To
restart
the
tape,
press
it
again.
©
To
stop
recording,
ptess
the
STOP
button.
Erasing
Anything
previously
recorded
on
the
tape
will
automatically
be
erased
when
you
make
a
new
recording
on
it.
It
can
also
be
erased
by
"recording"
on
it
with
the
REC
LEVEL
control
set
to
"0".
REC
LEVEL
456
10s
Using
the
BIAS
FINE
Control
BIAS
FINE
(I)
‘
With
this
control
in
its
center
position,
the
bias
current
will
be
the
standard
for
the
type
of
tape
loaded.
Turning
the
control
toward
"+"
increases
the
amount
of
bias
current
which
slightly
decreases
high-frequency
response.
Turning
it
toward
"—"
decreases
the
amount
of
bias
current
for
a
noticeable
increase
in
high-frequency
response.
1.
Make
a
recording
from
a
disc,
etc.
2:
After
making
a
short
recording,
rewind
the
tape
to
the
beginning
of
the
recorded
section,
then
play
it
back
to
monitor
the
reproduced
sound.
.
Compare
the
monitored
sound
with
the
original;
if
there
is
a
noticeable
difference,
adjust
the
BIAS
FINE
control
and
make
another
trial
recording.
.
Repeat
steps
1
through
3
until
the
optimum
setting
of
the
BIAS
FINE
control
is
obtained,
so
that
the
recording
sounds
as
close
as
possible
to
the
original.

Record
Muting
Operation
=
_
ioe
—_
e
Automatic
spacing
operation
for
4-second
blanks
(during
recording)
Press
the
REC
MUTE
button
during
recording.
The
tape
movement
continues
and
a
blank
space
of
about
4
seconds
is
recorded
(the
RECORD
indicator
blinks).
The
deck
then
enters
the
record-
pause
mode
automatically
(both
the
RECORD
and
PAUSE
indicators
light).
To
restart
recording,
press
the
PAUSE
button
(the
PAUSE
indicator
goes
off).
Automatic
spacing
operation
for
4-second
blanks
(during
record-pause)
In
the
record-pause
mode,
pressing
the
REC
MUTE
button
will
initiate
the
above
record-muting
operation
automatically.
The
deck
then
returns
to
the
record-pause
mode.
For
a
blank
of
more
than
4
seconds
During
recording,
hold
the
REC
MUTE
button
depressed
for
longer
than
4
seconds.
A
blank
space
will
be
left
as
long
as
the
button
is
pressed.
Release
the
button
to
enter
the
record-pause
mode.
To
restart
recording,
press
the
PAUSE
button.
For
a
blank
of
less
than
4
seconds
After
pressing
the
REC
MUTE
button
during
recording,
press
the
PAUSE
button
before
4
seconds
has
elapsed.
The
deck
will
stop
and
enter
the
record-pause
mode
at
the
point
at
which
the
PAUSE
button
is
pressed.
To
restart
recording,
press
the
PAUSE
button
again.
Note:
@
During
record
muting
operation
(while
the
RECORD
indicator
is
blinking),
pressing
the
REC
MUTE
button
again
will
release
the
record
muting
operation
and
recording
will
restart
without
stopping
the
tape.
Dubbing
(Copying
from
TAPE
|
to
TAPE
II)
[—
To
dub
the
entire
recorded
section
of
a
pre-recorded
cassette
|
.
Set
the
TIMER
switch
to
OFF.
TIMER
.
Press
the
POWER
switch
to
ON.
POWER
REC
OFF
PLAY
.
Load
the
pre-recorded
cassette
into
TAPE
|
anda
recordable
cassette
into
TAPE
Il.
-
Fully
rewind
both
cassettes
so
their
tapes
are
taken
up
on
their
left
reels.
5.
Set
the
REV
MODE
switch
to
the
desired
position.
==
:
Dubbing
will
be
performed
for
one
side
only.
=
:
Dubbing
will
be
stopped
after
both
sides
have
been
dubbed.
REV
MODE
CONT PLAY
B
.
Set
both
decks
to
the
B®
direction.
pad
(=)
>

SB
a
EES
7.
Press
the
DUB
START
HIGH
or
NORMAL
button
to
start
dubbing.
The
indicator
corresponding
to
the
button
pressed
will
light.
NORMAL:
Dubbing
is
performed
at
normal
speed.
HIGH:
Dubbing
is
performed
at
twice
normal
speed.
——
dus
START
—
—_
—
NORMAL
HIGH
—a-—
(s/s
8.
The
PEAK
PROGRAM
LEVEL
METER
indicates
the
TAPE
|
signal
levels;
the
recording
levels
of
TAPE
II
will
be
set
automatically
(at
the
same
levels
as
TAPE
1).
PEAK
PROGRAM
LEVEL
METER
——
——————————————————_—
-dB
00
20
10
6 3 °
3
6
+48
—2a———
ee
9.
After
dubbing
is
completed,
both
decks
stop
automatically,
according
to
the
setting
of
the
REV
MODE
button.
10.
To
stop
dubbing,
press
either
of
the
STOP
buttons.
STOP
Notes:
e
The
settings
of
the
REC
LEVEL
control
and
DOLBY
NR
switch
are
ignored
during
dubbing
as
they
have
no
effect.
e
The
<4,
<,
&
and
&®
buttons
do
not
function
during
NORMAL
speed
or
HIGH
speed
dubbing.
Also,
REC
MUTE
and
PAUSE
do
not
function
during
HIGH
speed
dubbing.
e@
The
sound
quality
of
the
dubbed
tape
may
be
slightly
worse
than
that
of
the
original
tape.
For
this
reason,
multigeneration
dubbing
is
not
recommended.
©
If
there
is
a
TV
set
near
the
W-525R
during
high
speed
dubbing,
it
is
possible
that
the
TV's
horizontal
scanning
frequency
(15.75
kHz)
may
be
recorded
on
the
tape.
If
this
occurs
or
to
prevent
it
in
advance,
dub
at
normal
speed,
switch
off
the
television
or
keep
the
deck
a
reasonable
distance
away
from
the
TV.
Sigs
Synchro
reverse
dubbing
The
SYNC
REV
button
allows
both
decks
to
be
reversed
at
exactly
the
same
time
during
dubbing.
This
function
is
convenient
when
using
tapes
with
different
lengths,
to
dub
a
tape
with
exactly
the
same
contents
as
the
original.
1.
Set
the
tape
running
direction
of
both
decks
to
the
&
(forward)
direction,
and
set
the
REV
MODE
switch
to
the
=>
position.
REV
MODE
CONT
PLAY
[[—)
<>
Ss
2.
Press
the
SYNC
REV
button
(the
indicator
above
the
button
will
light).
SYNC
REV
—
3.
Press
either
of
DUB
START
buttons
(HIGH
or
NORMAL).
r——
dus
stant
—
—
—
NORMAL
HIGH
—
cI
4.
The
tapes
in
TAPE
|
and
Il
travel
as
illustrated
in
the
chart
"Synchro
Reverse
Dubbing
Operation"
on
page
13.
Notes:
@
f
the
original
tape
is
shorter
than
the
dubbed
tape,
blank
sections
will
be
left
at
both
ends
of
the
dubbed
tape.
To
prevent
this,
use
tapes
with
the
same
length
as
far
as
possible.
©
During
high-speed
dubbing
with
the
SYNC
REV
button
engaged,
when
either
deck
stops
at
the
end
of
tape,
the
cther
deck
performs
normal-
speed
running
(playback
or
recording)
till
the
end
of
tape,
at
which
point
both
decks
are
reversed
and
high-speed
dubbing
is
restarted.

Synchro
Reverse
Dubbing
Operation
TAPE
|
tape
shorter
than
TAPE
II
TAPE
|
tape
longer
than
TAPE
II
TAPE!
Play
®
Reverse
sidep
Q
~~
Jside
a
®
Play
TAPE
Il
.
No
signal
recording
Recording
(3)
®
Reverse
Ke
——
ne
Oe
ans
No
signal
recording
@
When
TAPE
|
reaches
the
end
of
the
forward
side,
TAPE
|
stops
and
TAPE
II
enters
the
"no
signal
recording"
mode.
@
When
TAPE
II
reaches
the
end,
both
TAPE
|
and
||
are
reversed
simultaneously
then
TAPE
|
resumes
reverse
play
and
TAPE
II
resumes
recording.
@®
When
TAPE
|
reaches
the
end
of
the
reverse
side,
TAPE
|
stops
and
TAPE
Il
enters
the
"no
signal
recording"
mode.
@®
When TAPE
Il
reaches
the
end,
the
deck
stops.
TAPE!
Reverse
Play
®
Side
@
(=
ide
2
Si
@
Play
TAPE
Il
Recording
®
Side
B
Reverse
Sink
i
@
®
Recording
@
When
TAPE
II
reaches
the
end
of
forward
side,
TAPE
II
enters
the
record-pause
mode
for
the
reverse
side,
while
TAPE
|
continues
playback.
@
When TAPE
|
reaches
the
end,
TAPE
|
and
II
start
reverse
play
and
recording
simultane-
ously.
@
When
TAPE
II
reaches
the
end
of
the
reverse
side,
both
TAPE
|
and
II
stop
simultaneously.
Manual
editing
with
REC
MUTE
and
PAUSE
During
normal-speed
dubbing,
you
can
edit
the
dubbed
tape
as
required
using
the
REC
MUTE
and
PAUSE
buttons.
For
example,
you
can
record
only
he
required
tunes
from
TAPE
|
to
TAPE
II
skipping
unwanted
tunes.
——
Dus
stTART
—
—
—
NORMAL
HIGH
=
mecwure
J)
[[_rause
_]
e
During
normal-speed
dubbing,
when
the
PAUSE
button
is
pressed,
TAPE
II
enters
the
record-
pause
mode
while
TAPE
|
continues
playback.
While
listening
to
the
sound
from
TAPE
I,
when
it
reaches
a
section
you
want
to
dub,
press
the
PAUSE
button
again
to
restart
recording
on
TAPE
I.
©
During
normal-speed
dubbing,
when
the
REC
MUTE
button
is
pressed,
TAPE
II
enters
the
record
muting
operation
as
in
normal
recording.
To
restart
recording
on
TAPE
Il,
press
the
PAUSE
button.
CAUTION:
Recording
pre-recorded
tapes,
records,
or
other
published
or
broadcast
material
may
infringe
copyright
laws.
Check
before
recording.
213:—

CD
Synchro
Dubbing
By
connecting
the
deck
to
a
TEAC
CD
synchro
compatible
CD
player
(such
as
the
CD-Z5000
or
CD-
P4500)
which
has
a
CD/DECK
SYNC
terminal
on
its
rear
panel,
dubbing
(recording)
synchronized
with
the
CD
player
is
possible.
1.
Connect
the
deck's
CD/DECK
SYNC
terminal
to
the
CD
player's
CD/DECK
SYNC
terminal
using
an
optional
cable
(WR-7000)
as
illustrated
below.
Stereo
amplifier
CD
player
(such
as
TEAC
CD-Z5000)
Synchro
cable
;
(WR-7000)
(optional)
2.
Perform
programming
of
the
"time
edit",
etc.
functions
of
the
CD
player
beforehand
(refer
to
the
instructions
of
the
CD
player).
3.
Set
the
source
to
CD
using
the
amplifier's
source
select
buttons.
4.
Set
the
recording
level
as
explained
in
step
7,
of
"Recording
with
TAPE
II"
on
page
10.
5.
Set
the
deck
and
the
CD
player
to
the
stop
mode.
6.
Press
the
CD
SYNC
button
of
the
deck.
cD
SYNC
—
°
CD/DECK
SYNCHRONOUS
DUBBING
The
CD
player
will
start
automatically
approx.
1
sec
after
the
deck
starts
recording
and
dubbing
will
be
performed.
(The
CD
SYNC
indicator
lights.)
—14-
Start
of
CD
synchro
dubbing
The
shaded
portions
(2)
indicate
the
CD
synchro
dubbing
mode
in
the
following.
Deck's
CD
SYNC
button
ON:
Deck
operation
Stop
CD
player
operation
Stop
To
stop
temporarily
during
dubbing:
To
temporarily
stop
CD
synchro
dubbing
(A)
Press
the
STOP
button
of
the
deck.
The
CD
player
will
return
to
the
beginning
of
the
current
tune
and
pause
there.
To
restart,
press
the
deck's
CD
SYNC
button.
(A:
Operation
of
the
deck)
‘STOP
button
ON
71
CD
SYNC
button
ON
Deck
operation
[|
Recording
|
Stop
Recording
CD
player
Return
to
the
beginning
L>
operation
layback
|
«+
the
tune,
then
pause.
layback
‘a
(8)
Press
the
stop
button
of
the
CD
player.
The
deck
enters
the
rec/pause
mode.
To
restart,
press
the
CD
player's
play
button.
(B:
Operation
at
the
CD
player)
|
Recording
|
Recipause
CD
player
Playback
Stop
Deck
operation
STOP
button
ON:
PLAY
hina
ON
When
the
CD
player
has
entered
the
pause
mode,
it
stands
by
after
returning
to
the
beginning
of
the
tune
that
has
just
been
played.
When
recording
is
done
up
to
the
end
of
the
tape,
the
CD
player
stands
by
after
returning
to
the
beginning
of
the
tune
that
has
just
been
played.
Note
If
the
CD
player
is
connected
to
the
stereo
amplifier
using
an
optical
cable,
synchro
dubbing
is
not
possible.
If
synchro
dubbing
is
required,
you
must
connect
the
deck's
analog
output
using
pin
plug
cords.

Timer-Controlled
Operation
By
using
the
W-525R
with
an
audio
timer,
tapes
can
be
recorded
or
played
back
at
any
preset
time.
If
apes
are
loaded
in
both
decks,
you
can
also
start
continuous
playback
in
this
way.
Amplifier
\
|
Tuner
CS
eee
T_T]
__
cos
_
eee
=
—
Audio
Timer
—s
0000
®
|
=
AC
power
Timer
recording
Recording
a
broadcasting
program:
a
Connect
the
deck
and
stereo
system
to
a
commercially
available
audio
timer
as
shown
in
the
diagram.
Set
the
power
switches
of
all
components
to
ON.
.
Load
a
recordable
cassette
in
TAPE
Il.
.
Set
the
REV
MODE
switch
to
the
required
position.
(Refer
to
"Tape
Travel
Depending
on
Setting
of
REV
MODE
Switch"
on
page
7.)
REV
MODE
CONT
PLAY
I)
<>
S
.
Set
the
TIMER
switch
to
the
REC
position.
TIMER
REC
OFF
PLAY
10.
11.
Tune
to
the
broadcasting
station
to
be
recorded.
Press
PAUSE
then
RECORD
to
set
the
deck
to
the
record-pause
mode.
Ce
>
Gerd
.
Adjust
the
recording
level
with
the
REC
LEVEL
control
as
explained
in
step
7
of
“Recording
with
TAPE
II"
on
page
10.
.
Set
the
DOLBY
NR
switch
as
required.
DOLBY
NR
oc
we
OFF
Set
the
tape
running
direction
to
start
recording
using
the
<4
or
B®
button
of
TAPE
Il.
Set
the
audio
timer
to
the
required
start
(power
on)
and
stop
(power
off)
times.
When
this
setting
is
completed,
the
power
to
all
components
will
be
switched
off.
When
the
preset
start
time
is
reached,
power
will
be
supplied
and
recording
will
start
automatically.
—15—

Timer
playback
1.
Connect
the
deck
and
stereo
system
to
a
commercially
available
audio
timer
as
shown
in
the
diagram.
2.
Set
the
power
switches
of
all
components
to
ON.
3.
Load
pre-recorded
cassette(s)
in
TAPE
|
or
Il
(or
both).
4.
Set
the
REV
MODE
switch
to
the
required
position.
(Refer
to
"Tape
Travel
Depending
on
Setting
of
REV
MODE
Switch"
on
page
7.)
REV
MODE
CONT
PLAY
2
Ss
5.
Set
the
TIMER
switch
to
the
PLAY
position.
TIMER
REC
OFF
PLAY
6.
Set
the
DOLBY
NR
switch
as
desired.
DOLBY
NR
moc
oe
OFF
7.
Set
the
tape
running
direction
in
which
playback
is
to
start
using
the
<4
or
®&
button.
[
-
]-
8.
Set
the
audio
timer
to
the
required
start
(power
on)
and
stop
(power
off)
times,
When
this
setting
is
completed,
the
power
to
all
components
will
be
switched
off.
When
the
preset
start
time
is
reached,
power
will
be
supplied
and
playback
will
start
automatically.
Notes:
@
The
tape
running
direction
just
before
the
power
is
turned
off
will
be
maintained
when
the
power
is
turned
on
again.
Remember
this
when
setting
for
timer-controlled
operation.
©
When
cassettes
are
loaded
in
both
decks,
TAPE
|
will
start
playback
first
because
it
has
priority.
©
Be
sure
to
set
the
TIMER
switch
to
the
OFF
position
after
timer
operation
is
completed.
—16—
MAINTENANCE
The
heads
and
tape
path
should
be
cleaned
and
demagnetized
periodically.
Cleaning
Tape
Path
@
Apply
head
cleaning
fluid*
to
a
cotton
bud
or
soft
cloth,
and
lightly
rub
the
heads,
capstan
and
all
metal
parts
in
the
tape
path.
@
Also
clean
the
pinch
roller
using
rubber
cleaning
fluid*.
*
Both
are
available
in
TEAC
Tape
Recorder
Cleaning
Kits
HC-1
and
RC-1
in
the
U.S.A.
or
TZ-
261
in
other
areas.
Erase
Head
Record/Play
Head
Demagnetizing
Heads
Be
sure
that
the
power
is
off,
then
demagnetize
the
heads
using
a
TEAC
E-3
demagnetizer.
For
details
of
its
use,
read
its
instructions.
TROUBLESHOOTING
Basic
troubleshooting
of
a
cassette
tape
deck
is
similar
to
troubleshooting
any
other
electrical
or
electronic
equipment.
Always
check
the
most
obvious
possible
causes
first.
To
give
you
a
few
ideas
of
what
to
look
for,
check
the
following:
©
No
power:
Is
the
power
cord
connected?
©
Tape
begins
running
when
power
is
turned
on:
Is
the
TIMER
function
on?
©
No
audio
output:
Have
all
connections
been
made
correctly?
@
Low
sound
quality:
Are
the
heads
dirty
or
magnetized?
Are
you
using
good
quality
tape?
Has
the
correct
NR
System
been
selected?
e
Impossible
to
enter
the
record
mode:
Are
the
record
protection
tabs
of
the
cassette
in
place?

DOLBY
HX
PRO
Dolby
HX
Pro
is
an
"active
bias"
technique
that
can
improve
the
quality
of
audio
tape
recordings.
High-
level
high
frequencies
can
be
recorded
more
accurately,
without
sacrificing
the
signal-to-noise
ratio,
while
such
side
effects
of
tape
saturation
as
distortion
are
reduced.
What
Is
Bias?
Bias
is
a
very
high-frequency
signal
generated
within
a
tape
deck
and
recorded
on
the
tape
simultaneously
with
the
program
material.
This
inaudible
signal
allows
low
noise,
low
distortion
recording
and
a
flat
frequency
response.
Different
magnetic
tape
formulations
require
differeent
amounts
of
bias
for
optimum
performance.
If
the
bias
level
is
too
high,
the
high-frequency
Maximum
Output
Level
(MOL)
decreases.
The
Problem
of
Self-Bias
Unfortunately,
the
bias
level
is
often
influenced
by
the
signal
being
recorded.
The
high
frequency
components
of
some
music
act
as
bias.
This
unpredictable
source
of
bias
is
added
to
the
existing
bias,
resulting
in
a
loss
of
high-frequency
response.
As
the
high-frequency
contents
of
the
signal
increase,
the
ability
of
the
recorder
to
record
high
frequencies
(MOL)
decreases.
This
phenomenon
is
called
self-iasing.
The
Dolby
HX
Pro
Solution
Dolby
HX
Pro
monitors
the
high-frequency
contents
of
the
program
and
adjusts
the
recorder's
bias
oscillator
to
maintain
a
constant
total
bias
level.
The
result
is
improved
high-frequency
response
and
lower
distortion.
Depending
on
the
type
of
tape,
the
improvement
in
headroom
(dynamic
range)
can
be
6
dB
or
more.
The
Benefits
With
Dolby
HX
Pro,
it
is
easier
to
make
more
accurate
recordings
of
music
which
contains
high-
level
high
frequency
components.
The
improvement
is
similar
to
that
of
high-performance
tape
over
conventional
tape,
and
regardless
of
the
type
of
tape
used,
the
results
will
sound
better.
Most
important
of
all,
Dolby
HX
Pro
requires
no
decoding
process.
Once
a
tape
is
recorded
with
it,
the
improvement
will
be
realized
when
playing
the
tape
back
on
any
machine.
T
oe
250nWb/m
HxPRO
on
40
20Hz
50
100
200
500
1k
2 5
10
20k
Example
of
improved
frequency
response
using
Dolby
HX
Pro
function
SPECIFICATIONS
Track
System
:
4-Track,
2-Channel
Stereo
Heads
:
1
Playback
(Rotary,
DECK
|)
1
Erase
and
1
Record/Playback
(Rotary,
DECK
I!)
Type
of
Tape
:
Cassette
tape
C-60
and
C-90
(Philips
type)
Tape
Speed
:
4.76
cm/sec
(1-7/8
ips),
9.5
cm/sec
(3-3/4
ips)
(High
speed
dubbing
only)
Motors
:
4;
2
DC
servo
motors
and
2
DC
motors
(2
ea.
deck)
Wow
and
Flutter
(WRMS)
:
0.06
%
Frequency
Response
(Overall,
-20
dB)
:
25
-
19,000
Hz,
Metal
25
-
18,000
Hz,
CrOz
25
-
17,000
Hz,
Normal
Signal-to-Noise
Ratio
(Overall)
:
59
dB
(NR
off,
3%
THD
level,
Weighted)
69
dB
(Dolby
B
NR
on,
over
5
kHz)
79
dB
(Dolby
C
NR
on,
over
1
kHz)
Fast
Winding
Time
:
Approximately
110
seconds
for
C-60
Line
Input
:
87
mV,
50
k
ohms
Output
:
Line;
0.46
V
for
load
impedance
of
50
k
ohms
or
more
Headphones;
8
ohms
Power
Requirements
:
120/230
V
AC,
50/60
Hz,
25
W
(General
Export
Model)
120
V
AC,
60
Hz,
21
W
(U.S.A./Canada
Model)
230
V
AC,
50
Hz,
25
W
(Europe
Model)
240
V
AC,
50
Hz,
25
W
(UK/Australia
Model)
Dimensions
(W
x
H
x
D)
:
435
x
147
x
277
mm
(17-1/8"
x
5-13/16"
x
10-7/8")
Weight
(net)
:
4.9
kg
(10-13/16
Ibs.)
Standard
Accessories:
Input-output
connection
cords
©
Specifications
were
determined
using
metal
tape
except
as
noted.
@
Improvements
may
result
in
specification
or
feature
changing
without
notice.
AZ
=
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