Yamaha Electone FX-20 User manual

FX20
ix^
12
MAKING THE MOST OF YOUR ELECTONI
BEDIENUNGSANLEITUNG, FUR DIE NEUE YAMAHA-ELECTONE-GENERATION
POUR TIRER LES MEILLEURES PERFORMANCES DE VOTRE ELECTONE
COMO APROVECHAR AL MAXIMO SU ELECTONE
YAMAHA ELECTONE.

FX-10
Expression Pedal /
Panel Light |
|
Glide PLi
Aulo Rhythm
Upper Orchestra 7
Lower Combination +
Upper Combination
Lower Orchestra / Auto Arpeggio ^55
Upper Special Presets ris | Sustain fact
Lower Special Prosots / Rhythmic Chord mics
Upper/Lower Custom Voices Auto Bass/Chord
PGRI PAGE
| Ensemble ^:
Pedal Combination
Pedal Custom Voices
Symphonic +
Tremolo rii
Reverb / E
Tremolo Spoed Mli-
Manual! Balance Vibrato
Rhythm Sequence Programmer rir
Combination MG
Pedal Dynamic Range Control 4
Registration
Memory
fic!
Power
PAGET?)
Registration Pack Pacé
Master Volume ! 4667
Play Assist ^"

F X-20
Expression Pedal / Lower Orchestra / Auto Arpeggio Mii il
Panel Light à j Upper Special Presets j Sustain
Glide 14 Lower Special Presets (ic) Rhythmic Chord mi
Auto Rhythm : Upper /Lower Custom Voices
Upper Orchestra à Ensemble PAGI Auto Bass/Chord
Lower Combination #16; Pedal Combination Master Volume
|
Upper Combination Pedal Custom Voices
Registration Memory
Symphonic Solo racs Reset |
Tremolo Mice Rhythm Sequence Programmar Pedal Dynamic Range Control
Reverb PAGEN Combination ici Power /
Tremolo
Speed
^o^
Vibrato
pa
j
Registration
Pack
:'
Manual Balance |
Play Assist i

Welcome to Yamaha’s spectacular new world of music!
The Electone introduced in this manual is the avant-garde of elec-
tronic organs. It has been perfected through Yamaha’s concerted
efforts to meet the most stringent demands of the professional
musician. With increased high-performance capability it produces
dynamic sound, has completely new expression functions, and a
design which facilitates the musician’s concentration on the actual
performance. By these and other outstanding features, some of
which are explained below, this Yamaha Electone greatly sur-
passes the performance possibilities of previous electronic organs.
e FM (Frequency Modulation) System is used as the sound
source circuit. Realistic and rich sounds, from acoustic sound
to dynamic tones, can be obtained with this new system.
e [iis provided with a Registration Memory by which the setting
for all of the function buttons and sliders can be stored in the
Electone's memory. It also has a variety of memory functions.
@ With touch tone controls, the musician can now change the
sound volume and tone to a subtle degree by varying the pres-
Die in dieser Bedienungsanleitung vorgestellte neue ELECTONE
ist die modernste elektronische Orgel, die es heute gibt. Sie ist das
Ergebnis langer. Entwicklungsarbeit seitens YAMAHA mit dem
Ziel, auch die höchsten Ansprüche des professionellen Musikers zu
erfüllen. Die Leistungsfühigkeit der neuen YAMAHA-Electone-Ge-
neration wurde dabei entscheidend verbessert. Insbesondere. der
dynamische Sound eröffnet völlig neue Ausdrucksformen. Das
neue Design ermöglicht es dem Spieler, sich ganz auf die musika-
lische Darbiening zu konzentrieren. Die besonderen Merkmale der
neuen YAMAHA Modelle möchten wir Ihnen in dieser Bedie-
nungsanleitung vorstellen und erläutern. Sie sollen dazu beitragen,
die breite Palette der Möglichkeiten noch besser zu nutzen, denn
diese neue YAMAHA-Electone-Generation iibertriffi die Leistungs-
Jühigkeit aller bisherigen elektronischen Orgeln bei weitem.
e Als Klangerzeugung dient das neue FM-System (Frequenz-Mo-
dulation), mit dem sich ein breites Spektrum von noch realisti-
scheren Klangbildern, die vom typischen Akustikton bis zum
L'Electone introduit dans ce mode d'emploi représente l'avant-
garde des orgues électroniques. Perfectionné grâce au savoir-faire
immense de Yamaha, cet appareil répond aux exigences les plus
diverses de tout musicien professionnel. Ses possibilités élargies de
hautes performances procurent un son dynamique, ouvrent des ho-
rizons d'expression nouveaux tout en offrant au musicien un de-
sign facilitant sa concentration sur des performances inédites. De
plus, gráce à des caractéristiques sans pareilles sur lesquelles nous
Jeront la lumière ci-dessous, l’Electone de Yamaha surpasse de
loin toutes les orgues électroniques conçues jusqu'à ce jour.
è Le système de modulation de fréquence (FM) fonctionnant
comme circuit de source sonore permet d'obtenir une gamme
sonore riche et réaliste, des sonorités acoustiques aux tonalités
dynamiques.
@ La mémoire des registres permet de stocker dans la mémoire de
l'Electone les réglages de l'ensemble des touches et des curseurs.
Cet appareil est en outre équipé d'une grande variété de fonc-
{Bienvenido al mundo espectacular de la musica de Yamaha!
El Electone que vamos a presentarle en este manual es lo ultimo
en órganos electrónicos. Ha sido perfeccionado por Yamaha para
satisfacer la demanda exigente de los músicos profesionales. Gra-
cias a su nuevo funcionamiento de gran calidad, produce un
sonido dinámico, posee funciones de expresión totalmente nuevas y
un diseño que facilita la concentración del músico en su actuación.
Con estas y otras peculiaridades, explicadas a continuación, este
Electone de Yamaha supera con mucho las posibilidades de los
órganos electrónicos anteriores.
€ (Como circuito generador de sonidos se utiliza un sistema MF
(modulación de frecuencia) gracias al cual se consiguen soni-
dos ricos y auténticos, desde los acústicos a. los tonos diná-
micos.
e Va equipado con una Memoria de Registro que permite alma-
cenar los ajustes de los botones v palanquitas de función. Asi-
mismo posee varias funciones de memoria.
€ Con los controles de toque manual del tono, el músico puede
sure on the keyboard and can create new musical expressions.
@ A greater variety and wider range of sound is now possible, as
well as a larger number of instrumental combinations.
€ Clear rhythm sound and a wide variety of rhythm patterns can
be realized with the waveform memory system.
€ Besides Auto Arpeggio, Rhythmic Chord, and Auto Bass/
Chord, a new function called Play Assist has been added to
make the auto functions even more complete.
@ A 3 channel multi-sound system has been incorporated to
achieve a forceful three-dimensional reverberation.
With these features, the New YAMAHA ELECTONE has an in-
creased musical capability, power of expression and epoch-making
tone quality. Yamaha is certain that this Electone will meet your
expectations as a musical instrument which creates a spectacular
world of music.
Before playing vour Electone, master the instructions given in this
dynemisch modernen Sound reichen, erzielen lapt.
è Zur Austattung gehòren neben cinem Registrierspeicher, mit
dem sich die Einstellung aller Funktionstasten und Schieberegler
speichern lassen, auch viele andere Speicherfunktionen.
€ Die auf leichte Berührung ansprechenden Klangregler versetzen
den Spieler jetzt in die Lage, Lautstérke und Klangfarbe in
sehr kleinen Abstufungen zu variieren, indem er den Druck
seiner Finger auf das Manual verändert. Dadurch wird die
musikalische Ausdrucksfühigkeit noch vielfültiger.
e Die neuen Modelle verfügen. über eine noch umfangreichere
Auswahl von Klangmüglichkeiten. Auch die Zahl der Instru-
mentenkombinationen wurde vergrößert.
è Mit Hilfe des Wellenform-Speichersystems lassen sich sowohl
ein klarer Klang der Rhythmusbegleitung als auch eine Viel-
zahl von rhythmischen Begleitfiguren realisieren.
€ Neben automatischem Arpeggio, rhythmischer Akkordbegleitung
und automatischer BaBakkordbegleitung gibt es jetzt auch die
tions de mémoire.
e Les touches de tonalité permettent au musicien de modifier le
volume sonore et la tonalité avec une grande sensibilité par des
variations de pression sur le clavier et d'élargir ainsi le champ
de ses possibilités d'expression musicale.
e Cet appareil offre enfin une grande variété de sons, une gamme
sonore large ainsi qu'un. nombre plus important de combinai-
sons instrumentales.
€ Lo sysi&éme de mémoire à forme ondulaire permet d'obtenir un
rythme sonore détaillé et une grande variété de modèles ryth-
miques.
@ Outre les fonctions d'arpoge automatique, d'accord rythmique et
de basse/ accord automatique, cet appareil bénéficie d'une nou-
velle fonction dite d'assistance à la lecture qui. vient compléter
l'ensemble des fonctions automatiques.
e L'incorporation d'un systeme multi-sonore à J canaux permet
d'obtenir un effet de répercussion sonore à trois dimensions de
cambiar el volumen y el tono en un grado sutil, variando la
presión de los dedos sobre el teclado, y poder crear nuevas ex-
presiones musicales.
e Hemos aumentado las variedades y gama de sonidos, ademas
del numero de combinaciones instrumentales.
€ Con el sistema de memoria de formas de onda pueden reali-
zarse sonidos rítmicos claros y una gran variedad de modelos
ritmicos.
@ A las funciones de Arpegio, Acorde Ritmico v Bajo/ Acorde, se
afiade una nueva denominada “Play Assist” para hacer aun
más completas las funciones automáticas.
€ Se ha incorporado un sistema multisonoro de tres canales para
conseguir un potente eco tridimensional.
Con estas funciones se ha aumentado la capacidad. musical y el
poder de expresión del nuevo ELECTONE. YAMAIIA con una
calidad de tono que hace época. Yamaha está en la certeza de

manual concerning its correct use. Then, you can enjoy playing the
instrument to its fullest potential. The section “Looking After Your
Electone” (Page 29) is important, so be sure to read it carefully.
neue Funktion. "Play-Assist", die die Automatikfunktion weiter
vervollständigt.
@ Neu ist auch das Dreikanal-Multisound-System. Damit wird ein
voller dreidimensionaler Halleffekt erzeugt.
Alle diese Besonderheiten steigern die musikalische Vielfältigkeit,
Ausdruckskraft und Klangqualität der neuen YAMAHA-Electone.
YAMAHA ist davon überzeugt, daß sich mit dieser Electone-Orgel
eine einzigartige Klangwelt schaffen läßt, die alle Ihre Wünsche
und Vorstellungen erfüllen wird. Bevor Sie jedoch mit dem Spielen
Ihrer. Electone. beginnen, sollten Sie sich. mit den in dieser Anlei-
tung enthaltenen. Informationen für die richtige Bedienung gründ-
lich vertraut machen. Wenn Sie anschliessend mit dem Spielen be-
«innen, werden Sie die vielen Vorzüge dieses Instruments voll aus-
nutzen kònnen und es um so mehr genießen. Bitte lesen Sie auch
den
wichtigen.
Abschnitt.
"Wartung.
und.
Pflege
Ihrer
Electone-
Orgel" (Seite 29) sorgfültig.
grande puissance.
L'ensemble de ces caractéristiques a permi à l'ELECTONE
YAMAHA de développer ses possibilités musicales, de renforcer sa
puissance d'expression et de prétendre à une qualité sonore digne
des temps modernes. Chez Yamaha, nous sommes certains que cet
Electone répondra à toutes les exigences que l'on est en droit d'at-
tendre d'un. tel instrument et nous vous souhaitons la bienvenue
dans notre monde spectaculaire de la musique.
Pour tirer le meilleur parti de cet instrument, prière de lire atten-
tivement la. section de ce mode d'emploi intitulée "Entretien de
l'Electone" en. page 29 et en respecter scrupuleusement les re-
commandations.
satisfacer sus anhelos con un instrumento musical capaz de crear
un mundo espectacular de müsica.
Antes de comenzar a tocar su Electone, domine las instrucciones
del manual referentes a su correcto manejo para que pueda dis-
Jrutar del mismo en su plena capacidad.
La sección “Cuidados de su Electone” (p. 29) es de gran impor-
tancia; recomendamos la lea con detenimiento.
CONTENTS
|. Producing Sound from the Various Keyboards and Pedals ------ 1
ll. Understanding the Various Functions
e Ensemble: section +e iena ira 3
@Tone Groups for the Upper Keyboard: «sss 6 4
Combination - Orchestra * Special Presets - Custom Voices
®@Tone Groups for the Lower Keyboards ++ +++ essere eee eee eee 9
@Tone Groups for the Pedals + re erect eens 10
eTones and Effects for the Solo Keyboard ee eee eee 11
eEffects and Controls: + + settee I nnn
@Auto Rhythm Section - -
*Auto Functions -+ + +++ +++ ++
Auto Arpeggio * Rhythmic Chord * Auto Bass/Chord * Play Assist
@Registration Memory vtec tr tt ne 25
Il. Useful Information About Using the Electone
* Accessory Jacks, Tone Cabinet Connectors: «ss n n n 28
* Locking after Your Electone « «««« «sn n n tn n n n 29
e Troubleshooting and Misleading Phenomena «« «sse n n nn 30
@Specifications **-««««ese me ir 31
INHALTSVERZEICHNIS
|. Klangerzeugung mit den verschiedenen Manualen und dem Pedal 1
Il. Erklärung der verschiedenen Funktionen
eEnsemble:Teil-: 3 24:22. eis onm erre tim 1 ED en LR GL RC 3
*Registergruppen für das obere Manual «ss nnn 4
Combination (Kombinationen) - Orchestra {Orchesterstimmen) +
Special Presets (Vorwahlstimmen) * Custom Varces (Solostimmen)
*Registergruppen für das untere Manual
*Registergruppen für das Pedal «+++ +++ eee eres e
* Register und Effekte für das Solo-Manual ***** «s n n n 11
Effekte und Bedienungselemente n nn 13
@Rhythmus-Automatik-Tei ss cece eee eee nn 16
* Automatikfunktionen KEIER EAR EEN KÉN AR EK ENN ee era 19
Auto Arpeggio {Automatisches Arpeggio} + Rhythmic Chord
(Rhythmische Akkordbegleitung) * Auto Bass/Chord (Automatische
Datt. und Akkordbegleitung } * Play Assist (Spielhilfe)
*Registrierungs-Speicher (Registration Memory) ee 425
Ill. Praktische informationen über den Gebrauch Ihrer Electone-Orgel
*Zubehóranschiufibuchsen, Tonkabinett-Anschlüsse - - 028
* Wartung und Pflege Ihrer Electone-Orgel + + » è > - - - ve +29
eStórungsbeseitigung und vermeintliche Stérungen «++ +++ eee 30
Technische Daten- <- -+++ en te n n n nnn ree Al
TABLE DES MATIERES
| Production sonore au moyen des différents claviers et pédales ...!
IL Exposé des différentes fonctions
9Section d'ensemble «« «RÀ e ran 3
* Groupes de tonalités pour clavier supérieur * «s nne 4
Combination (Combinaison) * Orchestra (Orchestre) + Special Presets
IPréréglages spéciaux) * Custom Voices (Jeux spéciaux)
* Groupes de tonalités pour clavier inférieurs «s nne 9
* Groupes de tonalités pour pédalier +--+ +e eee eee ee eee eee 10
®Effets et tonalités pour clavier solo «+++ eee ee eee eee eee eee 11
@Effets et commandes: - E 13
eSection de rythme automatgue tee eee ees 16
*Fonctions automatiques » +++ cee ee eee ee eee eee eee eee 19
Auto Arpeggio (Arpége automatique) » Rhythmic Chord (Accord rythmique) -
Auto Bass/Chord (Basse/accord automatique) * Play Assist (Assistance à la lecture)
eMémoire
des
registres
««««««
III
25
lll.
Conseils
pratiques
à
l'usage
de
l'Electone
Prises accessoires/Connecteurs de caisse de tonalité
@Entretien de l'Electone «s e
*Dépistage des pannes et des erreurs de manipulation - -
*Caractéristiques techniques sisse 6n
ÍNDICE
L Sonidos de teclados y pedales: «6s Ke 1
ll. Comprensión de tas distintas funciones
*Ensemble (Sección de conjunto) « «+-+
® Grupos de tonos del teclado superior s**t ttt ttt ttt ttt tee
Combination (Combinación) * Orchestra (Orquesta) * Special Presets
(Preajustes especiales) - Custom Voices (Voces especiales)
* Grupos de tonos del teclado inferior
* Grupos de tonos de los pedales :*-
* Tonos y efectos del teclado solista -
9 Efectos y controles ^ * - - `
*Sección de ritmo automático
*Funciones automáticas +*+ ++ "s vi Sg CAST
Auto Arpeggio (Arpegio Automático) + Rhythmic Chord {Acorde ritmico} +
Auto Bass/Chord { Bajo/acorde automático) > Play Assist {Ejecución asistida)
eMemorià:de:registrO ^ *'« eese Tee sos miro esa eel eNO Re we 25
lll. Información útil para el manejo del electone
@Tomas para accesorios, Conectores de la caja de tonalidad >>» * © ‘28
®Cuidados de su Electone >
* Localización de averías y fenómenos engañosos S
@Especificaciones ee mH mm

Į I. Producing sound from the various keyboards
1. Connect the plug to ON outlet.
Before inserting the plug, make sure the power outlet has the correct voltage.
A Yamaha serviceman should be consulted regarding any changes in the
voltage system.
2. Turn on the POWER SWITCH.
The power indicator lamp will light up
.3, Turn the MASTER VOLUME knob clockwise.
As you turn the knob the volume will increase. The volume for the entire in-
strument is controlled with this knob.
6, Set the buttons and sliders on the front control panel just like they are
set in the diagram.
Now, experiment with the sounds from each of the keyboards and the
a
ORCHESTRA
and pedals
POWER
4 s
MASTER VOLU
SPECIAL PRES
ME
ETS— — — — —
MIN
STINGS
pedals.
sTRNGS “PE STANGS [BRASS SE |
|
=
PIANO
=
PHONE
PHONE
a
HARPSI-
CHORD
=
sia i
| MIN
MARIMBA MANDO-
| “E i
TIL
= = =
DEED T al VOCAL | F Jes | [* | “| JAZZ | tr ZE ] sl
1 2 VIBRATO. TONE GUITAR 1
MAX — — MAX cl |
VOLUME VOLUME
UPPER KEYBOARD
i
Touch B
Gl
vd
VOLUM
COMBINATION
=
=
ORCHESTRA
SPECIAL PRESETS
=
MI
MEMORY
MEMORY
1
E
mon ="
TE
sangs hb
1
a
REED
BRANO. pads
HORD
HE
TE
E
ACOUSTIC)
GUITAR
=>
JAZZ
GUITAR
= =
= =
so;
=
=
5
=
===
PRESET
||
[PRESET]{(
PRESET
|
[PRESET
vocat
]l(
vocat
]j{
spice
]{{
spice
|
|
cosvic
]
[
eneser
]|( rouce
Brass
|
|
anas
If
cosmic]
Hf
cosmic
coswie
[lf
Toca
m
D
i
2
J^
ül
i
Í
1
|
2 P
1
| 2
|
|
E3
si
È
["
alia
i
TONE
le
i
MAX
IC
—
|!
=
——ÀJÀ.
MAX
—
ÀJ
MAX
S dl
VOLUME
VOLUME
VOLUM
LOWER
KEYBOARD
You have now produced the following tones from these three sections:
Upper keyboard Organ sound + Strings + Piano + Flute
Lower keyboard Organ sound + Strings + Piano
Pedals i Organ sound + Contra Bass
* A Solo Keyboard is also provided in Model FX-20. (Refer to Page 11 for
further details.)

4 Depress the Expression Pedal.
During a performance, subtle changes in the volume can be controlled by
using this pedal.
5. Push the RESET button.
When
you
push
the
reset
button,
all
the
sections
on
the
control
panel
will
TE
turn
off
or
will
return
to
normal
position.
CUSTOM VOICES
Fo = {e E = =_= MIN
m CH Rm SAXO. TRUMPET |||] TROM- VIOLIN JAZZ HAWAIIAN
| PHONE BONE GUITAR GUITAR
| = a | = = c = =
| BASS VOCAL COSME COSMIC COSMIC COSMIC PRESET TOUCH TOUCH
m vu 2 3 4 VIBRATO |} | VIBRATO TONE
= |
X. = —
ME
TIS
UPPER/LOWER —————————————
— COMBINATION— EEE MIRO
d
IT
va
oo
=
Sk
|
c
vu
MIN
Y
—
|
Meow
“MIN
|
UPPER
UPPER
UPPER UPPER
Jj
COMBI.
{|
[MEMORY
r
CONTRA
fæ
TUBA
COMBI
j|
ORCHES
|||
SPECIAL
|||
CUSTOM
LEVER
L
Ji
BASS
1
ez
4
l
Ì
i JL | | = J t Hi i
=
=
ca
=
=
|
S
|
|
i
LOWER LOWER LOWER LOWER PRESET. | Kai | ELECTRIC COSMIC |
= COMBI. || ORCHES || | SPECIAL ||| CUSTOM | d BASS 1 =
X.
Ji
LH
MAX
JT
BRILLIANT
JL_MAX
_
ME
Ce
BRILLIANCE
VOLUME
—— ENSEMBLE ——— PEDALS
*
Here
is
a
chart
for
the
combination
of
keyboards
and
number
of
keys
which
can
be
simultaneously
played.
Upper
keyboard
Lower
keyboard
Pedals
;
Solo
keyboard
|
1
key,
respectively
Ja maximum of 12 keys on both keyboards

II. Understanding the various functions
> Tao
| ia d UPPER | UPPE
EE ORCHES ||| SPECIAL | | CusTO
p =
EI :
LOWER ea || tower
| COMBI | ORCHES Î| | SPECIAL
|
d
i
X
i
J
T
(E
f È i
m |
cust ~]
—— ENSEMBLE ——
The function of this section is to centrally control the
tone groups for the upper and lower keyboards. Since
this function enables you to create a new one or cancel
an tone group you do not want just by depressing the
buttons, it is easy to quickly change or mix tones even
during a performance.
- COMBINATION >
mij dus
“SPECIAL PRESETS
CUSTOM VOICES © - -—---
Jas mes
m
|
SEET Fl =|
== P
sil
(=) E Smet y [ner E [E
JL
UPPER KEYBOARD
[m
| I
ceLeStA) (vigna. ]I{u:
Gr
-
CS
KR r *J =|
COMBINATION:
f fp TT ch ci: eg
cosmic ||| Preset
VIBRATO
M
EIE
vr" SA du
LOWER KEYBOARD
As the diagram above illustrates, the upper row of but-
tons in the Ensemble section corresponds to the tone
group of the upper keyboard, while the lower row of
buttons corresponds to the tone group of the lower key-
board. A maximum of four tone groups can be created
for each of the upper and lower keyboards. Also, you
can select which keyboard to use with the Upper/Lower
Custom Voices.
COSMIC
met
spe
=
|
3
VOLUME
* An explanation for each of the tone groups which can
be used with the Ensemble section will begin on the
next page. Be sure to press the RESET button before
beginning any of these operations.

Tone
Groups
for
the
Upper
Keyboard
E COMBINATION-- ~
es
|
M Y MEMORY ||| MEMORY |
o2 M 30 |
i
m ECL JA 2]
^Y
Sec
"Up E EE Ee cx
Jon a: Hlenea Wir ar ll ma")
(Uu: 3 4 qi |
ieee emer. tae Jl) max
VOLUME
Ie Combination
In this tone group various organ sounds can be
obtained by using a single button. First, try the organ
sound which is preset in the Electone. There are eight
tone select buttons. Select one of them and set it on.
1) Push the UPPER COMBINATION button in the
ENSEMBLE section to the ON position.
=
DD [m]
UPPER UPPER UPPER
ORCHES. ||| SPECIAL |||| CUSTOM
a I =
LOWER LOWER LOWER
ORCHES.|| | SPECIAL || | CUSTOM
— — ENSEMBLE —T
Now, the Upper Combination will be called.
2) Select one of the 4 PRESET buttons by depress-
ing it.
Select one ol these
3) Move the VOLUME slider down.
MIN
MAX
VOLUME
When it is set at the top, the volume is zero. As you
move the slider down the volume will increase.
4
Having set the Electone like this, when you play the up-
per keyboard, the tone group you selected in Step 2 will
be produced. Now change the PRESET tone and com-
pare the sound difference.
[Tones obtained from the various buttons]
In the Combination section there are buttons for pro-
ducing predetermined tones and buttons for producing
the tone which you have set. These are respectively
located on the lower and upper rows. The tones which
can be obtained with these 8 buttons are as follows:
COMBI. LEVER: During a performance, by using this
Combination Lever button you can obtain the tone
which is set with the levers on the preset board. (Refer
to the next page)
MEMORY 1.2.3: With these buttons you can store the
tone you set using the levers on the preset board into
memory. (Refer to the next page)
PRESET 1.2.3.4: Frequently used organ sounds are
preset with these buttons.

ATA AT2*. AT2' 16°
soo TE Ga =a,
MEMORY MEMORY |j
|| 2 3 |
Jl À—JÀÉÁ
PROGRAM
SET
O
[Setting Tones with the Levers]
When you select the COMBI.LEVER button, you can
obtain the tone which is set by the UPPER FLUTE and
UPPER ATTACK levers on the preset board. Click stops
are provided for each of these levers. The further you
pull them forward, the louder you can set the vol-
ume. This enables you to finely set the volume for each
of the levers. With these levers it is possible to produce
subtle shades of volume just the way you want.
FLUTE levers: You can create various organ sounds by
combining the optional levers. The numbers above the
levers indicate the respective sound intervals, and ten
possibilities are available for the Upper Flute.
(Sound intervals for the levers when middle © is pressed)
Middle C
i
16 8
ATTACK and ATTACK LENGTH levers: Attack tones
are short notes with a rapid rising of sound. When they
are set together with the Flute tones, a crisp sound can
be produced.
The time length of the Attack tones can be controlled
with the LENGTH lever.
RESPONSE TIMBRE
FAST
LI
VARI
L]
(Preset Board)
[Storing the Setting for the Levers in
Memory]
Using the 3 MEMORY buttons, you can store the tone
which was set with the FLUTE and ATTACK levers into
memory before a performance. Then without having to
Set the levers while performing, you can create the tone
you want with a single touch.
1) Using the levers, set the tone you want stored in
memory.
2) While you are pressing the PROGRAM SET button
on the preset board, set 1 of the 3 MEMORY
buttons located on the control panel.
When the indicator light for the on MEMORY button
flashes, it indicates that the tone has been stored in
memory.
* Once a tone has been stored in memory, it will not
be erased until a new tone is set using the same but-
ton, even if the power is turned off.
@RESPONSE FAST
When this button is on, the rising and falling sound of
the Combination tone become sharp, and a hard sound
is produced.
@ TIMBRE VARIATION
When this button is on, the Combination tone changes
and a sparkling full sound can be produced. The timbre
of Upper and Lower flute 16’. 8’. 4’. is changed.
*
Both
RESPONSE
FAST
and
TIMBRE
VARIATION
can
be
stored
in
memory
using
PROGRAM
SET
and
3
MEMORY
buttons.

s ORCHESTRA
foes
|
=
mE
=
=
MIN
C
|
I
STRINGS
er
BRASS
Tr]
a
-
1
2
3
4
]
;
[s
(|
=
=a
Y
=
|
REED
|
REED
"VOCAL
seice
If
srice
PRESET
}! ( TOUCH
`
|
|
2
VIBRATO
|:|
TON
i
il
|
i
MAX
J
VOLUME
[Orchestra
/
With this tone group a rich orchestral ensemble can be
obtained. The buttons which are set represent strings,
brass, and the sounds of other major instruments of an
orchestra. An appropriate effect for each of these color-
tones can be combined before a performance. Now, ex-
periment with these sounds.
1) Set on the UPPER ORCHESTRA button in the
ENSEMBLE section.
7 [= = c
UPPER UPPER UPPER
ORCHES. ||| SPECIAL ||| CUSTOM
E p E
= a
LOWER ||| LOWER LOWER LOWER
COMBI. || | ORCHES.Ì|| SPECIAL ||| CUSTOM
—— ENSEMBLE ——
2) Select 1 of the 12 buttons whose tone you prefer
and set it on.
SG STRINGS STRINGS STRINGS ||| 8RASS ||| BRASS || BRASS {| '
4 1 2 3 :
d = SAL...
` = REED
; 1
5 CRe="
vocal ||| spice ||{ spice ||| RESET ||| roucH
; | 1 2^ |||VIRATO||| TONE
REED
2
Select one of these
3) Move the volume slider down.
Having set the Electone like this, when you play the up-
per keyboard, the tone you selected in Step 2 will be
produced. Now depress the other buttons and compare
the sounds.
* When you set the Orchestra button on, the SYM-
PHONIC effect will automatically be produced for the
STRINGS 2 and VOCAL tones.
m PRESET VIBRATO
i
PRESET
VIBRATO
When this button is on, a Vibrato effect, causing minute
alterations in pitch for the selected tone, will be pro-
duced. The Vibrato depth, speed and delay timing, ap-
propriate for the individual tones, are all preset.
* You can also preset the Vibrato yourself. (Refer to
Page 14)
= TOUCH TONE
a
TOUCH
TONE
When this button is on, the volume and tone can be
subtly controlled by the pressure of your touch. Two
types of touch control are possible according to how
you strike the keyboard. Initial Touch Control causes the
volume and tone to change when you first strike the
keyboard. After Touch Control causes similar changes
when after striking the keys you exert further pressure
on them. These controls can be used to create even
more expressive performances. The degree of change
differs for each of the tones.

a SPECIAL PRESETS
| = ii e (MN `
= | = = = | Tea"
PIANO ||| HARPSI- |] CELESTA ||| VIBRA- |} MARIMBA |i|| MANDO- _
|| CHORD | PHONE | LIN
E: í
E
[
f
VOLUME
! ] |
M aa |
BRASS COSMIC i TOUCH Jiji i
2 | TONE. |||! i
| | ILLI |
tia | MAX
l
Al
poem e | ES |
‘(Jazz )( BRASS]
| GUITAR 1 | |
EEN
I Special Presets
This is a tone group in which the piano, vibraphone and
other instrumental sounds are preset. With this group
you can recreate the clear sound which is the dis-
tinguishing quality of a particular musical instrument,
such as the rapid diminuendo of the piano and
harpsichord or the repeating effect of a marimba and
mandolin. Now, experiment with one of these sounds.
1) Push the UPPER SPECIAL button in the ENSEM-
BLE section to the ON position.
— —- ENSEMBLE
2) Select 1 of the 11 buttons whose tone you prefer
and by depressing it.
`
` PIANO HARPSI- || CELESTA MARIMBA wu :
` CHORD LIN :
i l :
! c ey ea = = ve - L.A
` Taauuoll Jazz BRAS BRASS ||| coswic ||| Touch
' GUITAR 1 2 STONE
PSI at E MIR RS ‘
Select one of these
3) Move the volume slider down.
Having set the Electone like this, when you play the Up-
per Keyboard, the tone you selected in Step 2 will be
produced. Now depress the other buttons and compare
the sounds.
E TOUCH TONE
cs
TOUCH
TONE
When this button is on, the volume and tone can be
subtly controlled by the pressure of your touch, making
an even more expressive performance possible. In the
Special Presets Touch Tone, only the ‘initial touch con-
trol, which causes the volume and tone to change when
you first strike the keyboard, is provided. The degree of
change difters for each of the tones.
= Twin mallet effect
A twin mallet effect can be obtained for the reverberat-
ing sound of the MARIMBA. With this effect, by simul-
taneously pressing 2 or more keys, a sound will be pro-
duced where the highest and lowest tones are finely
interrelated.
ret Ty
ZG D CO E EH e m.
D
pl
ol

—
——-
——-—-
CUSTOM
VOICES—
SS
m
A l
es Ste
ks
GUITAR
fe IAN
t
c
Fi pm = al as
Sak
E
|
PHONE
J|
pe | E er
| T zi "E
JUL
Es] p A {II} COSMIC Cosmic
| GUITAR b "m |
UPPER/LOWER
PRESET
VIBRATO
TOUCH
VIBRATO
|
Gi)
MA
J
VOLUME
I Custom Voices
With
this
tone
group
various
instrumental
sounds
are
obtained
one tone
at
a
time.
Since
the
tones
and
vol-
ume
can
be
subtly
altered,
extremely
realistic
sounds
can
be
produced.
Besides
a
variety
of
wind
instrumental
sounds,
the
fantastic
COSMIC
sound
can
be
produced.
Now,
create
one
of
these
sounds.
1)
Push
the
UPPER
CUSTOM
button
in
the
ENSEM-
BLE section to the ON position.
mo | — a
UPPER ||| UPPER ||| UPPER
ORCHES | | SPECIAL ||| CUSTOM
LOWER
CUSTOM
oo Do
LOWER |||} LOWER
ORCHES |||] SPECIAL
You have your choice of using either the upper or
ENSEMBLE
lower
keyboard
for
producing
the
Upper/Lower
Custom
Voices.
Both
keyboards
cannot
be
simultane-
ously used to produce them.
2)
Select
1
of
the
15
buttons
whose
tone
you
prefer
and set it on.
:
i
=]
d
c
"Tea
TS
:
i
J|
FLUTE
OBOE
CLARINET
TRUMPET
|||
TROM
VIOLIN
JAZZ
HAWAII;
F
È
|
BONE
GUITAR
GUITAR
f
:
BASS
VOCAL
COSMIC
|||
COSMIC
|||
COSMIC
Hi!
PRESET
TOUCH
TOUCH
`
|
GUITAR
2
3
4
VIBRATO
||
|
VIBRATO
TONE
COSMIC
1
Select ond of these
3) Move the volume slider down.
Having set the Electone like this, when you play the up-
per keyboard, the tone you selected in Step 2 will be
produced. Now set the other buttons and compare each
of the different tones.
* With the Custom Voices only one note at a time can
be produced. When it is combined with other tone
groups and two keys or more are played simul-
taneously, only the highest pitch will be heard. When
it is not combined with other tone groups, the note
which was pressed last will be heard.
* The slide effect is already incorporated in the tones.
@ PRESET VIBRATO and TOUCH VIBRATO
PRESET TOUCH
VIBRATO} | | VIBRATO
When
the
PRESET
VIBRATO
button
is
on,
Vibrato
will
be
produced
for
the
tone
which
is
selected,
The
Vibrato
depth,
speed
and
delay
timing,
appropriate
for
the
in-
dividual
tones,
are
all
preset.
When
the
TOUCH
VIBRATO
button
is
on,
the
PRESET
VIBRATO
button
goes
off.
By
increasing
or
decreasing
touch
pressure
while
playing
the
keyboards,
the
Vibrato
Depth
can
be
controlled.
The
Vibrato
speed
is
preset.
*
You
can
also
preset
the
Vibrato
yourself.
(Refer
to
Page 14)
m TOUCH TONE
When
this
button
is
on,
the
volume
and
tone
can
be
subtly
controlled
by
the
pressure
of
your
touch.
With
the
Upper/Lower
Custom
Voices,
two
types
of
touch
control
are
possible
according
to
how
you
strike
the
keyboard.
Initial
Touch
Control
causes
the
volume
and
tone
to
change
when
you
first
strike
the
keyboard.
After
Touch
Control
causes
similar
changes
when
after
strik-
ing
the
keys
you
exert
further
pressure
on
them.
The
degree
of
change
differs
for
each
tone.

Tone Groups for the Lower Keyboard
LEN
ATA' AT.2?, 16 8 Sty 4 273 2^ T
— ai =
l| MM
MEMORY "| "
MIN |
load MEMORY a
e LEVER i
"m
EEG EE
LOWER-
PRESET
3
eel [* T
PROGRAM
PRESET =|
4 Wi i
ARI SET
L MAX j
RESPONSE TIMBRE
FAST VAR
VOLUME. LI
LJ DJ] (Preset Board)
| Combination
With this tone group an organ sound can be obtained
using the lower keyboard. The operation of the 8 but-
tons on the panel and the PRESET tones ts the same as
the procedure used for the Upper Combination section
The tone can be created by using the LOWER COMBI-
ue
mera
VEE
v ia [ i
= eo Poss =
]
NATION button in the ENSEMBLE section. The opera-
tion for storing a tone in memory, and using the RE-
SPONSE FAST and TIMBRE VARIATION functions is the
same as the procedure for the Upper Combination sec-
tion. (Refer to Pages 4, 5.)
`F MIN
|
I
SE E rr i
STRINGS | { sranas | | smmmas ]; [ BRAsS BRASS
Ca gu o2 || 3 | 1
LA 1
=] E |
l
II
VOCAL E SPICE
2 |
ial
il
ii
PRESET TOUCH
VIBRATO TONE
t
| MAX j
VOLUME
l Orchestra |
The method of operation and other aspects are similar
to those for the Upper Orchestra section. You can
create the tone by using the LOWER ORCHESTRA but-
ton in the ENSEMBLE section. It has the same number
ae SPECIAL PRESETS
c c esl Sea Lea LUS | MIN
if piano |}fevectaicl{ Hanes. |i{ Harp ||lacousric||{ Jazz. |
| PIANO CHORD | GUITAR GUITAR |
- i
c = = ani i a
BRASS BRASS COSMIC ||| COSMIC COSMIC " TOUCH
1 2 1 2 3 TONE
stai L SI MAX
I Special Presets /
The method of operation and other aspects are similar
to those in the Upper Special Presets section. You can
create the tone by using the LOWER SPECIAL button in
the ENSEMBLE section. The tone colors are slightly dif-
ferent from those in the Upper Special Presets section,
however, the TOUCH TONE functions in a similar way.
(Refer to Page 7.)
o
of tones as the Upper Orchestra section, although the
tone colors are slightly different. The PRESET VIBRATO
and TOUCH TONE function are just like those in the Up-
per Orchestra section. (Refer to Page 6.)
I Custom Voices ]
When the LOWER CUSTOM button in the ENSEMBLE
section is on, Custom Voices can be played on the
lower keyboard. When the lower keyboard is being
used, Custom Voices cannot be played on the upper
keyboard. (Refer to Page 8.)

i
i
i
i
Dag
Tone Groups for the Pedals
Jee?
| MIN J
COMBI
LEVER
Hg
|
fc
ji
—]
= — PEDALS—-
| [reser]: Sie SEI | i .
H
S
;
|
PROGRAM
Es IL B ] SET
tL | MAX ]
CI
VOLUME
(Preset Board)
F Combination
The
bass
sounds
of
an
organ
can
be
obtained
with
this
tone
group.
It
is
different
from
the
Combination
section
of
the
upper
and
lower
keyboards.
Here
you
do
not
have
to
set
the
button
in
the
ENSEMBLE
section.
Sound
can
be
produced
merely
by
operating
the
VOLUME
slider
and
the
tone
select
buttons.
The
4
buttons
on
the
panel
function
just
like
those
in
the
Upper
Combination
È Ra VOICES —- ———
=
|
Te
Kn
f
e
{contra
CONTRA
|
l[coNTRA
|
conrRA
||.
TUBA
=
T BASS
1
E BASS
2
|
BASS
4
||
|
i
1
|
Jt
|
=
=
|.
CS
EEUU
ear
AN
[facce]
LECTRIC
[ELECTRIC
| vocaL
||(cosmic
Bassi
|||
Basso
|||
Gases
|
ji | j i MAX |
BRILLIANCE VOLUME
]
section, and the operation for storing a tone in memory
is also the same. (Refer to Pages 4, 5.)
You can also combine the tone group of this section
with the Pedal Custom Voices. However, if you want to
use the Combination tone by itself, be sure to move the
VOLUME slider for the Pedal Custom Voices to the off
position.
[
Custom
Voices
|
The tones of bass instruments, such as the contra and
electric bass, can be obtained using this tone group.
Sound can be produced by selecting the required tone
button among the 10 buttons and moving the VOLUME
Slider down. You can also combine this group with the
Pedal Combination. However, when you want to use the
Custom Voices independently, make sure the Pedal
Combination VOLUME slider is off.
E BRILLIANCE
This slider controls the tone-color.
When the slider is in the central position the tone is
normal. As the slider is moved upwards, the tone
becomes soft, and as it is moved downwards the tone
becomes more brilliant.
10

Tones
and
Effects
for
the
Solo
Keyboard
(FX-20)
e»
| | |
i | | | BON!
L
MAX
|,
{oa
-
j|
eu
DETUNE COUPLER
A
higher
timbre
and
more
vibrant
tones
can
be
obtained
using
the
Solo
Keyboard.
Through
creative
use
of
the
various
effects
and
controls,
you
can
produce
ex-
pressive
music
replete
with
variations.
Moreover,
by
moving
to
the
upper
keyboard,
it
is
possible
to
create
combinations
with
other
tone
groups.
| Solo Tones ]
The
Solo
Keyboard
is
provided
with
16
different
tones.
By
selecting
one
of
these
and
moving
the
VOLUME
slider
down,
you
can
produce
sound
from
the
Solo
Key-
board.
Now
listen
to
each
of
the
tones
and
compare
them.
X With the Solo Tones only one note at a time can be
produced. When you simultaneously press a number
of keys on the keyboard, the key which was pressed
last will be heard.
When you use the COUPLER and move to the upper
keyboard, if you create a combination with another
tone group, the highest pitch will be heard.
ti
f
1
i
|
SE
Y
i
a
i
2.
PE
ze
[=
Ie
mm
I
|
UPPER
=}
|
E
/
Il
Sella = if
E n "zum man d [ Horn
bai s
de ;
my Il t i
HARMO ^ VOCAL
N'CA
I |
MEA
m COUPLER
COUPLER
When this button is on, the Solo Tones can be pro-
duced on the upper keyboard, and they can be freely
combined with the Upper Keyboard tone group.
Even when the COUPLER button is on, Solo Tones can
be produced by playing the Solo Keyboard. However,
when the Solo Keyboard is being played, Solo Tones
cannot be produced from the upper keyboard.
@ DETUNE
MIN
MAX
DETUNE
The music intervals for the Solo Tones can be subtly
controlled
with
the
slider.
The
DETUNE
can
be
used
to
create
your
favorite
effects.
For
example,
a
three-dimen-
sional
effect
can
be
created
by
setting
the
music
inter-
vals
for
the
Solo
Tones
slightly
higher
than
those
for
the
other
keyboard
tones.
When
the
slider
is
moved
to
the
uppermost
position,
the
music
interval
is
normal.
As
it
is
moved
downwards,
the
music
interval
increases.
The
ef-
fect
is
similar
to
an
instrument
slightly
out
of
tune.
Ka
cosmic
3
c
ic
|
PRESE
E : VIBRAT
SOLO
KEYBOARD
————
—
Du "EE EA ENEE EK EE e

ee 8
Um
DOWN
=
E
Vi
| j- |
ta
dI
| c
Shee
»
[PRESET
||
TOUCH
||
TOUCH
j
j
ARATO
TE
is
‘|
:
HN
Il-
Ban
|
MAX
|
BRILLIANCE VOLUME
E TRANSPOSITION
—TRANSPOSITION—
= EU
By
using
these
buttons,
you
can
change
the
musical
intervals
for
the
Solo
Tones
in
octave
units.
When
the
DOWN
button
is
on,
the
musical
interval
is
1
octave
lower
than
NORMAL.
When
the
UP
button
is
on,
the
musical
interval
is
1
octave
higher
than
NORMAL.
Use
these
properly
for
individual
tones
and
interpretations.
WPRESET
VIBRATO
and
TOUCH
VIBRATO
=
E
E
When
the
PRESET
VIBRATO
button
is
on,
Vibrato
will
be
produced
for
the
tone
which
is
selected.
The
Vibrato
depth,
speed
and
delay
timing,
appropriate
for
the
in-
dividual
tones,
are
all
preset.
When
the
TOUCH
VIBRATO
button
is
on,
the
Preset
Vibrato
goes
off.
By
increasing
or
decreasing
touch
pressure
while
playing
the
keyboards,
the
Vibrato
depth
can
be
controlled.
The
Vibrato
speed
is
preset.
*
You
can
also
preset
both
Vibratos
yourself.
(Refer
to
Page 14)
Kei
Kei
SLIDE CONTROL
W TOUCH TONE
zi
TOUCH
TONE
When
this
button
is
on,
the
volume
and
tone
can
be
subtly
controlied
by
the
pressure
of
your
touch
on
the
keyboard.
Both
Initial
Touch
Control
and
After
Touch
Control
can
be
used
with
the
Solo
Keyboard.
(Refer
to
Pages
6,
8)
The
degree
of
change
differs
for
each
tone.
E BRILLIANCE
BRILLIANT
BRILLIANCE
This
slider
controls
the
tone-color.
When
the
slider
is
in
the
central
position,
the
tone
is
normal.
As
the
slider
is
moved
upwards,
the
tone
becomes
soft.
As
it
is
moved
downwards,
the
tone
becomes
more
brilliant.
E SLIDE CONTROL
[=
—|
MAX
SLIDE CONTROL
When
moving
from
one
sound
to
another,
you
can
con-
nect
the
musical
interval
between
them
and
create
a
sliding
effect
by
using
this
function.
When
the
SLIDE
CONTROL
is
in
the
uppermost
position,
it
is
off.
As
you
move
it
downwards,
the
slide
effect
becomes
more
ex-
aggerated.
When
using
this
effect,
play
legato.
This
slid-
ing
effect
is
sometimes
suitable
for
a
Trombone.
|
|
|

i Lc Un |
| UPPER ET |
e ASSIST
E IKNEEI
-
10s NER
SJSTAIN
{KNEE}
es
|
i PEDAL |
| dE |
IL Ji LONG
—
i
|
“LONG Jo LONG |
UPPER LOWER PEDAL
— SUSTAIN —
[Sustain |
With this effect there is a natural diminuendo after your
finger leaves the keyboard. You can use this effect for
each of the keyboards by operating the 3 buttons and 3
sliders.
Suskar buten dor the Combination tones
t KE
Controlled with the s
Key ON Key OFF
slide!
1) Determine which keyboard sound with which you
will use this effect by using the 3 buttons: UP-
PER SUSTAIN, LOWER SUSTAIN or PEDAL SUS-
TAIN.
These 3 buttons can also be used simultaneously.
* The sustain effect cannot be used for the tones
obtained with the Upper/Lower Custom Voices.
2) Control the diminuendo for each of the keyboards
and the pedals by using the 3 sliders: UPPER,
LOWER, or PEDAL.
When the slider is in the uppermost position, it is
off. As you move it downwards, the length of the
diminuendo increases.
* For tones which already have a long diminuendo,
such as the HARP tone in the Lower Special Presets
section, the diminuendo length can be decreased by
moving the slider upwards.
WKnee Lever Control
By using the Knee Lever you can switch the Upper Sus-
tain and Lower Sustain on or off. First, push either or
both of the Upper Sustain and the Lower Sustain but-
tons to the ON position, control the diminuendo by
using the sliders, and then pull the Knee Lever down
vertically. When you arrive at a point in a musical per-
formance where you want to create the sustain effect,
press the Knee Lever to the right. The sustain effect will
only be produced during the time you are pressing the
lever.
13
ie Ear s ferte esa eres
emt ee
i| CELESTE |!|| SYMPHO |:}] UPPER {|| UPPER
NIC COMBI |] ORCHES
| Ie e]
| I| [ LoweR ||[ LowtR
| l| COMBI. | ORCHES
i i
Hi cect — Lg
f EX ie Ee em
CHORUS ||| TREMOLO ||'| UPPER ||| UPPER
I
| !| COMBI ||| ORCHES
| i
S| eS
LOWER ||| LOWER
i| COMBI. ||| ORCHES
ee ME i]
pe —TIREMOLO
——— EFFECT ———
I Symphonic |
With this effect you can create an expansive sound as if
a number of instruments were playing as an ensemble.
1) Push either the SYMPHONIC or CELESTE button
to the ON position.
An effect more sedate than the one achieved using
the SYMPHONIC button, can be obtained with the
CELESTE button, as well as a majestic sound.
2) Select which tone group with which you will use
this effect by using the 4 buttons.
You can use both or of either the Combination and Or-
chestra tone groups for the upper or lower keyboards.
l Tremolo |
With this effect there is a rapid repetition of a single
tone creating a rich breadth of sound.
1) Push either the TREMOLO or CHORUS button to
the ON position.
A gentler repetition can be obtained by using the
CHORUS button.
2) Select which tone group with which you will use
this effect by using the 4 buttons.
Q
TREMOLO SPEED.
m TREMOLO SPEED
When the TREMOLO buttons are on, the speed of the
repetition can be controlled with this knob.
* It is not possible to create both a Symphonic and
Tremolo effect for the same tone group. Try using
the Symphonic effect for the Orchestra tone group
and the Tremolo for the Combination tone group.
2)
3)
4) |

ORCHES. CUSTOM ORCHES.
SOLO UPPER U./L. LOWER PEDALS
TOUCH
DEPTH DELAY | DEPTH SPEED
^c i
| 21] i
a )
|
TA
TOUCH
i
VIBRATO
|
|
SET LEVER
PLAYER
PRESET
OO
O
— — — — VIBRATO
LJ (Preset Board)
—
(Illustration:
FX-20)
[Vibrato
A
preset
Vibrato
appropriate
for
each
tone
is
pro-
duced
when
either
the
PRESET
VIBRATO
or
TOUCH
VIBRATO
buttons
on
the
panel
and
the
PRESET
button
on
the
preset
board
are
on.
(Refer
to
Pages
6,
7,
8,
12)
If
you
set
the
PLAYER
button
on
instead
of
using
the
PRESET
button,
the
Vibrato
which
was
stored
in
memo-
ry
using
the
levers
on
the
preset
board
can
be
obtained.
[Storing Vibrato in memory]
1)
Push
either
the
TOUCH
VIBRATO
button
or
the
PRESET
VIBRATO
button
for
the
tone
group
whose
Vibrato
you
want
stored
in
memory
to
the
ON position.
2)
Push
the
LEVER
button
to
the
ON
position.
SET LEVER PLAYER PRESET
ODO O
Subsequently,
the
lamp
will
flash
which
indicates
that
the
vibrato
has
been
stored
in
the
memory.
3)
Press
the
button
for
the
tone
whose
vibrato
you
want
stored
in
memory.
Subsequently,
the
indicator
for
the
tone
group
you
selected
will
light
up.
*The
tone
groups
whose
vibrato
can
be
stored
in
memory
are
the
Solo
Tones
(only
model
FX-20),
Up-
per
and
Lower
Orchestras,
Upper/Lower
Custom
Voices,
and
the
Pedal
Custom
Voices.
Step
1,
listed
above,
is
not
required
for
storing
the
vibrato
of
the
Pedal
Custom
Voices
in
memory.
4)
Determine
the
kind
of
Vibrato
to
be
produced
by
using the levers.
Set
the
levers
while
actually
playing.
First,
be
certain
to
pull
the
DEPTH
lever
forward
to
determine
the
depth
of
the
Vibrato.
Likewise,
the
speed
of
the
Vibrato
can
be
controlled
with
the
SPEED
lever.
The
length
of
time
between
striking
the
keyboard
and
producing
Vibrato
for
the
tone
can
be
controlled
with
the DELAY tever.
Controlled with
the DELAY lever
Controlled with
the DEPTH lever
t
Controlled with
the SPEED lever
%&
When
TOUCH
VIBRATO
is
selected
in
Step
1,
the
vibrato
depth
can
be
controiled
with
the
TOUCH
DEPTH
lever.
5)
Push
the
LEVER
button
while
pressing
the
SET
button.
SET
LEVER
PLAYER
PRESET
Oo
a
Subsequently,
the
PLAYER
button
light
will
flash.
This
indicates
that
the
memory
procedure
is
complete.
After
finishing
this
procedure,
if
you
set
the
PLAYER
button
on,
the
Vibrato
determined
in
Step
4
for
the
tone
selected
in
Step
3
will
be
produced.
%
Once
the
Vibrato
has
been
stored
in
memory,
it
will
not
be
erased
even
when
the
power
is
turned
off,
until
a
different
Vibrato
for
the
same
tone
is
stored
in
memory.
[Storing
Preset
Vibrato
into
memory]
Vibratos
which
you
have
preset
can
be
stored
in
memo-
ry
by
pressing
the
SET
button
while
the
PRESET
button
is
simultaneously
set.
If
you
do
this
operation
before
storing
Vibrato
into
memory,
it
will
not
be
necessary
to
reset
each
of
the
PLAYER
and
PRESET
buttons
for
the
tones.
In
other
words,
even
when
you
want
to
change
from
a
tone
whose
vibrato
is
stored
in
memory
to
a
tone
whose
vibrato
is
preset,
you
can
obtain
either
of
them
just
by
leaving
the
PLAYER
button
on.
14

REVERB
| Reverb /
By using this sound reverberation effect, an echo can be
created as if performing in a concert hall. This effect
can be produced for all the keyboard tones. The length
of the reverberation can be increased by moving the
slider forward. A digital system is used for the Reverb in
these models.
FOOT SWITCH
[Glide
With this effect, the upper and lower keyboard tones as
a whole can be lowered by approximately half a step.
This effect is produced by setting the GLIDE button on
and pressing to the left the Foot Switch located on left
side of the Expression Pedal. While the Foot Switch is
being pressed, whole steps will be lowered approx-
imately by a half step. When the Foot Switch is no
longer pressed, the musical interval will slowly return to
normal. This can be used to play a glissando effect.
O
PEDAL D.R.C.
[Pedal Dynamic Range Control |
Alterations in the volume of the entire Electone can be
created with the Expression Pedal. However, when the
button for the Pedal Dynamic Range Control is set on,
only the breadth of the alterations for the pedal volume
is reduced. Use this effect for performances where you
do not want the pedal volume to change very much
compared with the upper and lower keyboard volumes.
W PITCH CONTROL
The pitch for the entire Electone can be subtly con-
trolled with the PITCH CONTROL knob. The pitch will
become higher as the knob
is turned to the right.
€ *
PITCH
CONTROL
È UPPER |
f
| LOWER
MANUAL BALANCE
I Manual Balance |
The MANUAL BALANCE slider controls the balance of
the volume between the upper and lower keyboards.
The volume for the upper keyboard increases when it is
set in the UPPER position, while the volume for the
lower keyboard increases when it is set in the LOWER
position.
Csa EL : = j QD }
See ear ca
i
ON
=
/ MIN? 3 4 5 6 7 8 9MAX
—————— EXPRESSION PEDAL ——————
| Expression Pedal |
This pedal is used to change the volume level during a
performance. The volume increases as you step down-
wards on the pedal. If you depress the EXPRESSION
PEDAL ON button located on the left side of the panel,
the display indicator will show how far down you are
stepping on the pedal. Visual verification of the volume
level is a very convenient feature, particularly at the
beginning of a performance.
Pressing the BRIGHT button makes the indicator lamp
brighter.
OFF —
CD 3s S i |
a
l
(Lu
L M | =
= {= i MU ER
I ON
PANEL LIGHT LIGHTS
I Panel Light |
The Panel Light wil! come on when the ON button is
pressed. lt will become even brighter if the BRIGHT but-
ton is set. When you want to use the Panel Light, make
sure the main switch located under the shelf board has
been turned on.
os 2 e H