Yamaha Electone FX-20 User manual

FX20
ix^
12
MAKING THE MOST OF YOUR ELECTONI
BEDIENUNGSANLEITUNG, FUR DIE NEUE YAMAHA-ELECTONE-GENERATION
POUR TIRER LES MEILLEURES PERFORMANCES DE VOTRE ELECTONE
COMO APROVECHAR AL MAXIMO SU ELECTONE
YAMAHA ELECTONE.

FX-10
Expression Pedal /
Panel Light |
|
Glide PLi
Aulo Rhythm
Upper Orchestra 7
Lower Combination +
Upper Combination
Lower Orchestra / Auto Arpeggio ^55
Upper Special Presets ris | Sustain fact
Lower Special Prosots / Rhythmic Chord mics
Upper/Lower Custom Voices Auto Bass/Chord
PGRI PAGE
| Ensemble ^:
Pedal Combination
Pedal Custom Voices
Symphonic +
Tremolo rii
Reverb / E
Tremolo Spoed Mli-
Manual! Balance Vibrato
Rhythm Sequence Programmer rir
Combination MG
Pedal Dynamic Range Control 4
Registration
Memory
fic!
Power
PAGET?)
Registration Pack Pacé
Master Volume ! 4667
Play Assist ^"

F X-20
Expression Pedal / Lower Orchestra / Auto Arpeggio Mii il
Panel Light à j Upper Special Presets j Sustain
Glide 14 Lower Special Presets (ic) Rhythmic Chord mi
Auto Rhythm : Upper /Lower Custom Voices
Upper Orchestra à Ensemble PAGI Auto Bass/Chord
Lower Combination #16; Pedal Combination Master Volume
|
Upper Combination Pedal Custom Voices
Registration Memory
Symphonic Solo racs Reset |
Tremolo Mice Rhythm Sequence Programmar Pedal Dynamic Range Control
Reverb PAGEN Combination ici Power /
Tremolo
Speed
^o^
Vibrato
pa
j
Registration
Pack
:'
Manual Balance |
Play Assist i

Welcome to Yamaha’s spectacular new world of music!
The Electone introduced in this manual is the avant-garde of elec-
tronic organs. It has been perfected through Yamaha’s concerted
efforts to meet the most stringent demands of the professional
musician. With increased high-performance capability it produces
dynamic sound, has completely new expression functions, and a
design which facilitates the musician’s concentration on the actual
performance. By these and other outstanding features, some of
which are explained below, this Yamaha Electone greatly sur-
passes the performance possibilities of previous electronic organs.
e FM (Frequency Modulation) System is used as the sound
source circuit. Realistic and rich sounds, from acoustic sound
to dynamic tones, can be obtained with this new system.
e [iis provided with a Registration Memory by which the setting
for all of the function buttons and sliders can be stored in the
Electone's memory. It also has a variety of memory functions.
@ With touch tone controls, the musician can now change the
sound volume and tone to a subtle degree by varying the pres-
Die in dieser Bedienungsanleitung vorgestellte neue ELECTONE
ist die modernste elektronische Orgel, die es heute gibt. Sie ist das
Ergebnis langer. Entwicklungsarbeit seitens YAMAHA mit dem
Ziel, auch die höchsten Ansprüche des professionellen Musikers zu
erfüllen. Die Leistungsfühigkeit der neuen YAMAHA-Electone-Ge-
neration wurde dabei entscheidend verbessert. Insbesondere. der
dynamische Sound eröffnet völlig neue Ausdrucksformen. Das
neue Design ermöglicht es dem Spieler, sich ganz auf die musika-
lische Darbiening zu konzentrieren. Die besonderen Merkmale der
neuen YAMAHA Modelle möchten wir Ihnen in dieser Bedie-
nungsanleitung vorstellen und erläutern. Sie sollen dazu beitragen,
die breite Palette der Möglichkeiten noch besser zu nutzen, denn
diese neue YAMAHA-Electone-Generation iibertriffi die Leistungs-
Jühigkeit aller bisherigen elektronischen Orgeln bei weitem.
e Als Klangerzeugung dient das neue FM-System (Frequenz-Mo-
dulation), mit dem sich ein breites Spektrum von noch realisti-
scheren Klangbildern, die vom typischen Akustikton bis zum
L'Electone introduit dans ce mode d'emploi représente l'avant-
garde des orgues électroniques. Perfectionné grâce au savoir-faire
immense de Yamaha, cet appareil répond aux exigences les plus
diverses de tout musicien professionnel. Ses possibilités élargies de
hautes performances procurent un son dynamique, ouvrent des ho-
rizons d'expression nouveaux tout en offrant au musicien un de-
sign facilitant sa concentration sur des performances inédites. De
plus, gráce à des caractéristiques sans pareilles sur lesquelles nous
Jeront la lumière ci-dessous, l’Electone de Yamaha surpasse de
loin toutes les orgues électroniques conçues jusqu'à ce jour.
è Le système de modulation de fréquence (FM) fonctionnant
comme circuit de source sonore permet d'obtenir une gamme
sonore riche et réaliste, des sonorités acoustiques aux tonalités
dynamiques.
@ La mémoire des registres permet de stocker dans la mémoire de
l'Electone les réglages de l'ensemble des touches et des curseurs.
Cet appareil est en outre équipé d'une grande variété de fonc-
{Bienvenido al mundo espectacular de la musica de Yamaha!
El Electone que vamos a presentarle en este manual es lo ultimo
en órganos electrónicos. Ha sido perfeccionado por Yamaha para
satisfacer la demanda exigente de los músicos profesionales. Gra-
cias a su nuevo funcionamiento de gran calidad, produce un
sonido dinámico, posee funciones de expresión totalmente nuevas y
un diseño que facilita la concentración del músico en su actuación.
Con estas y otras peculiaridades, explicadas a continuación, este
Electone de Yamaha supera con mucho las posibilidades de los
órganos electrónicos anteriores.
€ (Como circuito generador de sonidos se utiliza un sistema MF
(modulación de frecuencia) gracias al cual se consiguen soni-
dos ricos y auténticos, desde los acústicos a. los tonos diná-
micos.
e Va equipado con una Memoria de Registro que permite alma-
cenar los ajustes de los botones v palanquitas de función. Asi-
mismo posee varias funciones de memoria.
€ Con los controles de toque manual del tono, el músico puede
sure on the keyboard and can create new musical expressions.
@ A greater variety and wider range of sound is now possible, as
well as a larger number of instrumental combinations.
€ Clear rhythm sound and a wide variety of rhythm patterns can
be realized with the waveform memory system.
€ Besides Auto Arpeggio, Rhythmic Chord, and Auto Bass/
Chord, a new function called Play Assist has been added to
make the auto functions even more complete.
@ A 3 channel multi-sound system has been incorporated to
achieve a forceful three-dimensional reverberation.
With these features, the New YAMAHA ELECTONE has an in-
creased musical capability, power of expression and epoch-making
tone quality. Yamaha is certain that this Electone will meet your
expectations as a musical instrument which creates a spectacular
world of music.
Before playing vour Electone, master the instructions given in this
dynemisch modernen Sound reichen, erzielen lapt.
è Zur Austattung gehòren neben cinem Registrierspeicher, mit
dem sich die Einstellung aller Funktionstasten und Schieberegler
speichern lassen, auch viele andere Speicherfunktionen.
€ Die auf leichte Berührung ansprechenden Klangregler versetzen
den Spieler jetzt in die Lage, Lautstérke und Klangfarbe in
sehr kleinen Abstufungen zu variieren, indem er den Druck
seiner Finger auf das Manual verändert. Dadurch wird die
musikalische Ausdrucksfühigkeit noch vielfültiger.
e Die neuen Modelle verfügen. über eine noch umfangreichere
Auswahl von Klangmüglichkeiten. Auch die Zahl der Instru-
mentenkombinationen wurde vergrößert.
è Mit Hilfe des Wellenform-Speichersystems lassen sich sowohl
ein klarer Klang der Rhythmusbegleitung als auch eine Viel-
zahl von rhythmischen Begleitfiguren realisieren.
€ Neben automatischem Arpeggio, rhythmischer Akkordbegleitung
und automatischer BaBakkordbegleitung gibt es jetzt auch die
tions de mémoire.
e Les touches de tonalité permettent au musicien de modifier le
volume sonore et la tonalité avec une grande sensibilité par des
variations de pression sur le clavier et d'élargir ainsi le champ
de ses possibilités d'expression musicale.
e Cet appareil offre enfin une grande variété de sons, une gamme
sonore large ainsi qu'un. nombre plus important de combinai-
sons instrumentales.
€ Lo sysi&éme de mémoire à forme ondulaire permet d'obtenir un
rythme sonore détaillé et une grande variété de modèles ryth-
miques.
@ Outre les fonctions d'arpoge automatique, d'accord rythmique et
de basse/ accord automatique, cet appareil bénéficie d'une nou-
velle fonction dite d'assistance à la lecture qui. vient compléter
l'ensemble des fonctions automatiques.
e L'incorporation d'un systeme multi-sonore à J canaux permet
d'obtenir un effet de répercussion sonore à trois dimensions de
cambiar el volumen y el tono en un grado sutil, variando la
presión de los dedos sobre el teclado, y poder crear nuevas ex-
presiones musicales.
e Hemos aumentado las variedades y gama de sonidos, ademas
del numero de combinaciones instrumentales.
€ Con el sistema de memoria de formas de onda pueden reali-
zarse sonidos rítmicos claros y una gran variedad de modelos
ritmicos.
@ A las funciones de Arpegio, Acorde Ritmico v Bajo/ Acorde, se
afiade una nueva denominada “Play Assist” para hacer aun
más completas las funciones automáticas.
€ Se ha incorporado un sistema multisonoro de tres canales para
conseguir un potente eco tridimensional.
Con estas funciones se ha aumentado la capacidad. musical y el
poder de expresión del nuevo ELECTONE. YAMAIIA con una
calidad de tono que hace época. Yamaha está en la certeza de

manual concerning its correct use. Then, you can enjoy playing the
instrument to its fullest potential. The section “Looking After Your
Electone” (Page 29) is important, so be sure to read it carefully.
neue Funktion. "Play-Assist", die die Automatikfunktion weiter
vervollständigt.
@ Neu ist auch das Dreikanal-Multisound-System. Damit wird ein
voller dreidimensionaler Halleffekt erzeugt.
Alle diese Besonderheiten steigern die musikalische Vielfältigkeit,
Ausdruckskraft und Klangqualität der neuen YAMAHA-Electone.
YAMAHA ist davon überzeugt, daß sich mit dieser Electone-Orgel
eine einzigartige Klangwelt schaffen läßt, die alle Ihre Wünsche
und Vorstellungen erfüllen wird. Bevor Sie jedoch mit dem Spielen
Ihrer. Electone. beginnen, sollten Sie sich. mit den in dieser Anlei-
tung enthaltenen. Informationen für die richtige Bedienung gründ-
lich vertraut machen. Wenn Sie anschliessend mit dem Spielen be-
«innen, werden Sie die vielen Vorzüge dieses Instruments voll aus-
nutzen kònnen und es um so mehr genießen. Bitte lesen Sie auch
den
wichtigen.
Abschnitt.
"Wartung.
und.
Pflege
Ihrer
Electone-
Orgel" (Seite 29) sorgfültig.
grande puissance.
L'ensemble de ces caractéristiques a permi à l'ELECTONE
YAMAHA de développer ses possibilités musicales, de renforcer sa
puissance d'expression et de prétendre à une qualité sonore digne
des temps modernes. Chez Yamaha, nous sommes certains que cet
Electone répondra à toutes les exigences que l'on est en droit d'at-
tendre d'un. tel instrument et nous vous souhaitons la bienvenue
dans notre monde spectaculaire de la musique.
Pour tirer le meilleur parti de cet instrument, prière de lire atten-
tivement la. section de ce mode d'emploi intitulée "Entretien de
l'Electone" en. page 29 et en respecter scrupuleusement les re-
commandations.
satisfacer sus anhelos con un instrumento musical capaz de crear
un mundo espectacular de müsica.
Antes de comenzar a tocar su Electone, domine las instrucciones
del manual referentes a su correcto manejo para que pueda dis-
Jrutar del mismo en su plena capacidad.
La sección “Cuidados de su Electone” (p. 29) es de gran impor-
tancia; recomendamos la lea con detenimiento.
CONTENTS
|. Producing Sound from the Various Keyboards and Pedals ------ 1
ll. Understanding the Various Functions
e Ensemble: section +e iena ira 3
@Tone Groups for the Upper Keyboard: «sss 6 4
Combination - Orchestra * Special Presets - Custom Voices
®@Tone Groups for the Lower Keyboards ++ +++ essere eee eee eee 9
@Tone Groups for the Pedals + re erect eens 10
eTones and Effects for the Solo Keyboard ee eee eee 11
eEffects and Controls: + + settee I nnn
@Auto Rhythm Section - -
*Auto Functions -+ + +++ +++ ++
Auto Arpeggio * Rhythmic Chord * Auto Bass/Chord * Play Assist
@Registration Memory vtec tr tt ne 25
Il. Useful Information About Using the Electone
* Accessory Jacks, Tone Cabinet Connectors: «ss n n n 28
* Locking after Your Electone « «««« «sn n n tn n n n 29
e Troubleshooting and Misleading Phenomena «« «sse n n nn 30
@Specifications **-««««ese me ir 31
INHALTSVERZEICHNIS
|. Klangerzeugung mit den verschiedenen Manualen und dem Pedal 1
Il. Erklärung der verschiedenen Funktionen
eEnsemble:Teil-: 3 24:22. eis onm erre tim 1 ED en LR GL RC 3
*Registergruppen für das obere Manual «ss nnn 4
Combination (Kombinationen) - Orchestra {Orchesterstimmen) +
Special Presets (Vorwahlstimmen) * Custom Varces (Solostimmen)
*Registergruppen für das untere Manual
*Registergruppen für das Pedal «+++ +++ eee eres e
* Register und Effekte für das Solo-Manual ***** «s n n n 11
Effekte und Bedienungselemente n nn 13
@Rhythmus-Automatik-Tei ss cece eee eee nn 16
* Automatikfunktionen KEIER EAR EEN KÉN AR EK ENN ee era 19
Auto Arpeggio {Automatisches Arpeggio} + Rhythmic Chord
(Rhythmische Akkordbegleitung) * Auto Bass/Chord (Automatische
Datt. und Akkordbegleitung } * Play Assist (Spielhilfe)
*Registrierungs-Speicher (Registration Memory) ee 425
Ill. Praktische informationen über den Gebrauch Ihrer Electone-Orgel
*Zubehóranschiufibuchsen, Tonkabinett-Anschlüsse - - 028
* Wartung und Pflege Ihrer Electone-Orgel + + » è > - - - ve +29
eStórungsbeseitigung und vermeintliche Stérungen «++ +++ eee 30
Technische Daten- <- -+++ en te n n n nnn ree Al
TABLE DES MATIERES
| Production sonore au moyen des différents claviers et pédales ...!
IL Exposé des différentes fonctions
9Section d'ensemble «« «RÀ e ran 3
* Groupes de tonalités pour clavier supérieur * «s nne 4
Combination (Combinaison) * Orchestra (Orchestre) + Special Presets
IPréréglages spéciaux) * Custom Voices (Jeux spéciaux)
* Groupes de tonalités pour clavier inférieurs «s nne 9
* Groupes de tonalités pour pédalier +--+ +e eee eee ee eee eee 10
®Effets et tonalités pour clavier solo «+++ eee ee eee eee eee eee 11
@Effets et commandes: - E 13
eSection de rythme automatgue tee eee ees 16
*Fonctions automatiques » +++ cee ee eee ee eee eee eee eee 19
Auto Arpeggio (Arpége automatique) » Rhythmic Chord (Accord rythmique) -
Auto Bass/Chord (Basse/accord automatique) * Play Assist (Assistance à la lecture)
eMémoire
des
registres
««««««
III
25
lll.
Conseils
pratiques
à
l'usage
de
l'Electone
Prises accessoires/Connecteurs de caisse de tonalité
@Entretien de l'Electone «s e
*Dépistage des pannes et des erreurs de manipulation - -
*Caractéristiques techniques sisse 6n
ÍNDICE
L Sonidos de teclados y pedales: «6s Ke 1
ll. Comprensión de tas distintas funciones
*Ensemble (Sección de conjunto) « «+-+
® Grupos de tonos del teclado superior s**t ttt ttt ttt ttt tee
Combination (Combinación) * Orchestra (Orquesta) * Special Presets
(Preajustes especiales) - Custom Voices (Voces especiales)
* Grupos de tonos del teclado inferior
* Grupos de tonos de los pedales :*-
* Tonos y efectos del teclado solista -
9 Efectos y controles ^ * - - `
*Sección de ritmo automático
*Funciones automáticas +*+ ++ "s vi Sg CAST
Auto Arpeggio (Arpegio Automático) + Rhythmic Chord {Acorde ritmico} +
Auto Bass/Chord { Bajo/acorde automático) > Play Assist {Ejecución asistida)
eMemorià:de:registrO ^ *'« eese Tee sos miro esa eel eNO Re we 25
lll. Información útil para el manejo del electone
@Tomas para accesorios, Conectores de la caja de tonalidad >>» * © ‘28
®Cuidados de su Electone >
* Localización de averías y fenómenos engañosos S
@Especificaciones ee mH mm

Į I. Producing sound from the various keyboards
1. Connect the plug to ON outlet.
Before inserting the plug, make sure the power outlet has the correct voltage.
A Yamaha serviceman should be consulted regarding any changes in the
voltage system.
2. Turn on the POWER SWITCH.
The power indicator lamp will light up
.3, Turn the MASTER VOLUME knob clockwise.
As you turn the knob the volume will increase. The volume for the entire in-
strument is controlled with this knob.
6, Set the buttons and sliders on the front control panel just like they are
set in the diagram.
Now, experiment with the sounds from each of the keyboards and the
a
ORCHESTRA
and pedals
POWER
4 s
MASTER VOLU
SPECIAL PRES
ME
ETS— — — — —
MIN
STINGS
pedals.
sTRNGS “PE STANGS [BRASS SE |
|
=
PIANO
=
PHONE
PHONE
a
HARPSI-
CHORD
=
sia i
| MIN
MARIMBA MANDO-
| “E i
TIL
= = =
DEED T al VOCAL | F Jes | [* | “| JAZZ | tr ZE ] sl
1 2 VIBRATO. TONE GUITAR 1
MAX — — MAX cl |
VOLUME VOLUME
UPPER KEYBOARD
i
Touch B
Gl
vd
VOLUM
COMBINATION
=
=
ORCHESTRA
SPECIAL PRESETS
=
MI
MEMORY
MEMORY
1
E
mon ="
TE
sangs hb
1
a
REED
BRANO. pads
HORD
HE
TE
E
ACOUSTIC)
GUITAR
=>
JAZZ
GUITAR
= =
= =
so;
=
=
5
=
===
PRESET
||
[PRESET]{(
PRESET
|
[PRESET
vocat
]l(
vocat
]j{
spice
]{{
spice
|
|
cosvic
]
[
eneser
]|( rouce
Brass
|
|
anas
If
cosmic]
Hf
cosmic
coswie
[lf
Toca
m
D
i
2
J^
ül
i
Í
1
|
2 P
1
| 2
|
|
E3
si
È
["
alia
i
TONE
le
i
MAX
IC
—
|!
=
——ÀJÀ.
MAX
—
ÀJ
MAX
S dl
VOLUME
VOLUME
VOLUM
LOWER
KEYBOARD
You have now produced the following tones from these three sections:
Upper keyboard Organ sound + Strings + Piano + Flute
Lower keyboard Organ sound + Strings + Piano
Pedals i Organ sound + Contra Bass
* A Solo Keyboard is also provided in Model FX-20. (Refer to Page 11 for
further details.)

4 Depress the Expression Pedal.
During a performance, subtle changes in the volume can be controlled by
using this pedal.
5. Push the RESET button.
When
you
push
the
reset
button,
all
the
sections
on
the
control
panel
will
TE
turn
off
or
will
return
to
normal
position.
CUSTOM VOICES
Fo = {e E = =_= MIN
m CH Rm SAXO. TRUMPET |||] TROM- VIOLIN JAZZ HAWAIIAN
| PHONE BONE GUITAR GUITAR
| = a | = = c = =
| BASS VOCAL COSME COSMIC COSMIC COSMIC PRESET TOUCH TOUCH
m vu 2 3 4 VIBRATO |} | VIBRATO TONE
= |
X. = —
ME
TIS
UPPER/LOWER —————————————
— COMBINATION— EEE MIRO
d
IT
va
oo
=
Sk
|
c
vu
MIN
Y
—
|
Meow
“MIN
|
UPPER
UPPER
UPPER UPPER
Jj
COMBI.
{|
[MEMORY
r
CONTRA
fæ
TUBA
COMBI
j|
ORCHES
|||
SPECIAL
|||
CUSTOM
LEVER
L
Ji
BASS
1
ez
4
l
Ì
i JL | | = J t Hi i
=
=
ca
=
=
|
S
|
|
i
LOWER LOWER LOWER LOWER PRESET. | Kai | ELECTRIC COSMIC |
= COMBI. || ORCHES || | SPECIAL ||| CUSTOM | d BASS 1 =
X.
Ji
LH
MAX
JT
BRILLIANT
JL_MAX
_
ME
Ce
BRILLIANCE
VOLUME
—— ENSEMBLE ——— PEDALS
*
Here
is
a
chart
for
the
combination
of
keyboards
and
number
of
keys
which
can
be
simultaneously
played.
Upper
keyboard
Lower
keyboard
Pedals
;
Solo
keyboard
|
1
key,
respectively
Ja maximum of 12 keys on both keyboards

II. Understanding the various functions
> Tao
| ia d UPPER | UPPE
EE ORCHES ||| SPECIAL | | CusTO
p =
EI :
LOWER ea || tower
| COMBI | ORCHES Î| | SPECIAL
|
d
i
X
i
J
T
(E
f È i
m |
cust ~]
—— ENSEMBLE ——
The function of this section is to centrally control the
tone groups for the upper and lower keyboards. Since
this function enables you to create a new one or cancel
an tone group you do not want just by depressing the
buttons, it is easy to quickly change or mix tones even
during a performance.
- COMBINATION >
mij dus
“SPECIAL PRESETS
CUSTOM VOICES © - -—---
Jas mes
m
|
SEET Fl =|
== P
sil
(=) E Smet y [ner E [E
JL
UPPER KEYBOARD
[m
| I
ceLeStA) (vigna. ]I{u:
Gr
-
CS
KR r *J =|
COMBINATION:
f fp TT ch ci: eg
cosmic ||| Preset
VIBRATO
M
EIE
vr" SA du
LOWER KEYBOARD
As the diagram above illustrates, the upper row of but-
tons in the Ensemble section corresponds to the tone
group of the upper keyboard, while the lower row of
buttons corresponds to the tone group of the lower key-
board. A maximum of four tone groups can be created
for each of the upper and lower keyboards. Also, you
can select which keyboard to use with the Upper/Lower
Custom Voices.
COSMIC
met
spe
=
|
3
VOLUME
* An explanation for each of the tone groups which can
be used with the Ensemble section will begin on the
next page. Be sure to press the RESET button before
beginning any of these operations.

Tone
Groups
for
the
Upper
Keyboard
E COMBINATION-- ~
es
|
M Y MEMORY ||| MEMORY |
o2 M 30 |
i
m ECL JA 2]
^Y
Sec
"Up E EE Ee cx
Jon a: Hlenea Wir ar ll ma")
(Uu: 3 4 qi |
ieee emer. tae Jl) max
VOLUME
Ie Combination
In this tone group various organ sounds can be
obtained by using a single button. First, try the organ
sound which is preset in the Electone. There are eight
tone select buttons. Select one of them and set it on.
1) Push the UPPER COMBINATION button in the
ENSEMBLE section to the ON position.
=
DD [m]
UPPER UPPER UPPER
ORCHES. ||| SPECIAL |||| CUSTOM
a I =
LOWER LOWER LOWER
ORCHES.|| | SPECIAL || | CUSTOM
— — ENSEMBLE —T
Now, the Upper Combination will be called.
2) Select one of the 4 PRESET buttons by depress-
ing it.
Select one ol these
3) Move the VOLUME slider down.
MIN
MAX
VOLUME
When it is set at the top, the volume is zero. As you
move the slider down the volume will increase.
4
Having set the Electone like this, when you play the up-
per keyboard, the tone group you selected in Step 2 will
be produced. Now change the PRESET tone and com-
pare the sound difference.
[Tones obtained from the various buttons]
In the Combination section there are buttons for pro-
ducing predetermined tones and buttons for producing
the tone which you have set. These are respectively
located on the lower and upper rows. The tones which
can be obtained with these 8 buttons are as follows:
COMBI. LEVER: During a performance, by using this
Combination Lever button you can obtain the tone
which is set with the levers on the preset board. (Refer
to the next page)
MEMORY 1.2.3: With these buttons you can store the
tone you set using the levers on the preset board into
memory. (Refer to the next page)
PRESET 1.2.3.4: Frequently used organ sounds are
preset with these buttons.

ATA AT2*. AT2' 16°
soo TE Ga =a,
MEMORY MEMORY |j
|| 2 3 |
Jl À—JÀÉÁ
PROGRAM
SET
O
[Setting Tones with the Levers]
When you select the COMBI.LEVER button, you can
obtain the tone which is set by the UPPER FLUTE and
UPPER ATTACK levers on the preset board. Click stops
are provided for each of these levers. The further you
pull them forward, the louder you can set the vol-
ume. This enables you to finely set the volume for each
of the levers. With these levers it is possible to produce
subtle shades of volume just the way you want.
FLUTE levers: You can create various organ sounds by
combining the optional levers. The numbers above the
levers indicate the respective sound intervals, and ten
possibilities are available for the Upper Flute.
(Sound intervals for the levers when middle © is pressed)
Middle C
i
16 8
ATTACK and ATTACK LENGTH levers: Attack tones
are short notes with a rapid rising of sound. When they
are set together with the Flute tones, a crisp sound can
be produced.
The time length of the Attack tones can be controlled
with the LENGTH lever.
RESPONSE TIMBRE
FAST
LI
VARI
L]
(Preset Board)
[Storing the Setting for the Levers in
Memory]
Using the 3 MEMORY buttons, you can store the tone
which was set with the FLUTE and ATTACK levers into
memory before a performance. Then without having to
Set the levers while performing, you can create the tone
you want with a single touch.
1) Using the levers, set the tone you want stored in
memory.
2) While you are pressing the PROGRAM SET button
on the preset board, set 1 of the 3 MEMORY
buttons located on the control panel.
When the indicator light for the on MEMORY button
flashes, it indicates that the tone has been stored in
memory.
* Once a tone has been stored in memory, it will not
be erased until a new tone is set using the same but-
ton, even if the power is turned off.
@RESPONSE FAST
When this button is on, the rising and falling sound of
the Combination tone become sharp, and a hard sound
is produced.
@ TIMBRE VARIATION
When this button is on, the Combination tone changes
and a sparkling full sound can be produced. The timbre
of Upper and Lower flute 16’. 8’. 4’. is changed.
*
Both
RESPONSE
FAST
and
TIMBRE
VARIATION
can
be
stored
in
memory
using
PROGRAM
SET
and
3
MEMORY
buttons.