Yamaha MU80 User manual

1
Effect Program List
REVERB
No. Effect Type Features
1 NO EFFECT Effect off.
2 HALL1 Concert hall reverb.
3 HALL2 Concert hall reverb.
4 ROOM1 Small room reverb.
5 ROOM2 Small room reverb.
6 ROOM3 Small room reverb.
7 STAGE1 Reverb for solo instruments.
8 STAGE2 Reverb for solo instruments.
9 PLATE Simulated steel plate reverb.
10 WHITE ROOM Distinctive short reverb with initial delay.
11 TUNNEL Simulation of long tunnel-like space.
12 CANYON Long, cavernous reverb.
13 BASEMENT Small, highly reflective room reverb.
CHORUS
No. Effect Type Features
1 NO EFFECT Effect off.
2 CHORUS1 Conventional chorus program with rich, warm chorusing.
3 CHORUS2 Conventional chorus program with rich, warm chorusing.
4 CHORUS3 Conventional chorus program with rich, warm chorusing.
5 CELESTE1 Three-phase LFO for richer, more pronounced chorusing.
6 CELESTE2 Three-phase LFO for richer, more pronounced chorusing.
7 CELESTE3 Three-phase LFO for richer, more pronounced chorusing.
8 FLANGER 1 Pronounced three-phase modulation with slight metallic sound.
9 FLANGER 2 Pronounced three-phase modulation with slight metallic sound.
10 SYMPHONIC Exceptionally rich & deep chorusing.
11 PHASER Pronounced, metallic modulation with periodic phase change.
VARIATION
No. Effect Type Features
1 NO EFFECT Effect off.
2 HALL1 Concert hall reverb.
3 HALL2 Concert hall reverb.
4 ROOM1 Small room reverb.
5 ROOM2 Small room reverb.
6 ROOM3 Small room reverb.
7 STAGE1 Reverb for solo instruments.
8 STAGE2 Reverb for solo instruments.
9 PLATE Simulated steel plate reverb.
10 DELAY L,C,R Three independent delays, for the left, right and center stereo positions.
11 DELAY L,R Initial delay for each stereo channel, and two separate feedback delays.
12 ECHO Stereo delay, with independent Feedback Level controls for each channel.
13 CROSS DELAY Complex effect that sends the delayed repeats “bouncing” between the left and right channels.
14 ER1 Early reflections only.
15 ER2 Early reflections only.
16 GATE REVERB Gated reverb effect, in which the reverberation is quickly cut off for special effects.
17 REVERSE GATE Similar to Gate Reverb, but with a reverse increase in reverb.
18 KARAOKE1 Deep echo effects, suited especially for Karaoke-type vocals.
19 KARAOKE2 Deep echo effects, suited especially for Karaoke-type vocals.
20 KARAOKE3 Deep echo effects, suited especially for Karaoke-type vocals.
21 CHORUS1 Conventional chorus program with rich, warm chorusing.
22 CHORUS2 Conventional chorus program with rich, warm chorusing.
23 CHORUS3 Conventional chorus program with rich, warm chorusing.
24 CELESTE1 Three-phase LFO for richer, more pronounced chorusing.
25 CELESTE2 Three-phase LFO for richer, more pronounced chorusing.
26 CELESTE3 Three-phase LFO for richer, more pronounced chorusing.
27 FLANGER 1 Pronounced three-phase modulation with slight metallic sound.
28 FLANGER 2 Pronounced three-phase modulation with slight metallic sound.
29 SYMPHONIC Exceptionally rich & deep chorusing.
30 ROTARY SPEAKER Rotary speaker simulation. Rotation speed can be controlled using AC1 (Assignable Controller 1).
31 TREMOLO Rich Tremolo effect with both volume and pitch modulation.
32 AUTO PAN Several panning effects that automatically shift the sound position (left, right, front, back).
33 PHASER Pronounced, metallic modulation with periodic phase change.
34 DISTORTION Hard-edge distortion.
35 OVERDRIVE Mild, warm distortion.
36 AMP SIMULATOR Simulated guitar amplifier sound.
37 3BAND EQ(MONO) Mono EQ, with Low, Mid and High band controls.
38
*2BANDEQ(STEREO) Stereo EQ program with low and high frequency controls; ideal for tweaking drum parts. (Cannot be used with A/D input.)
39 AUTO WAH(LFO) Repeating filter sweep “wah” effect; also serves as pedal wah (with AC1).
40 PITCH CHANGE Independent left, right channel pitch change.
41 AURAL EXCITER Enhances the sound by giving it greater definition, presence and clarity.
42 TOUCH WAH Wah effect that varies filter sweep according to input level (or touch); also serves as pedal wah (with AC1).
43 TOUCH WAH+DIST Same as Touch Wah, but with added Distortion.
44 COMPRESSOR Affects the dynamics of the sound by smoothing out the high-volume peaks and soft-volume dips.
45 NOISE GATE Eliminates any noise or hum in the signal.
46 THRU Effect bypass; no effect applied.
*2BAND EQ(STEREO) voice cannot be used with A/D input.
DISTORTION
No. Effect Type Features
1 THRU Effect off.
2 DISTORTION Hard-edge distortion.
3 OVERDRIVE Mild, warm distortion.
4 3BAND EQ(MONO) Mono EQ, with Low, Mid and High band controls.

2
AC1
Parameter Range Value
Table No. Control
MU80 Effect Parameter List
HALL1,HALL2
ROOM1,ROOM2,ROOM3
STAGE1,STAGE2
PLATE
1 Reverb Time 0.3~30.0s 0-69 Table#4 This determines the time or length of the Reverb effect.
2 Diffusion 0~10 0-10 This determines the density and complexity of the reflections that make up the
Reverb effect. Lower values result in a clearer, simpler Reverb sound, while
higher values result in a thicker, richer sound.
3 Initial Delay 0~63 0-63 Table#5 This determines the time delay between the direct sound and the first of the many
reflections that make up the Reverb sound.
4 HPF Cutoff Thru~8.0kHz 0-52 Table#3 The High Pass Filter allows you to filter out low frequency sounds from the
Reverb sound, “passing” only the high frequencies above the cutoff point.
This parameter determines the frequency cutoff point for the filter.
Higher values effectively take the bass sounds out of the Reverb effect.
5 LPF Cutoff 1.0k~Thru 34-60 Table#3 The Low Pass Filter allows you to filter out high frequency sounds from the
Reverb sound, “passing” only the low frequencies below the cutoff point.
This parameter determines the frequency cutoff point for the filter.
Lower values effectively take the treble sounds out of the Reverb effect.
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 Rev Delay 0~63 0-63 Table#5
12 Density 0~4 0-4
13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127
14 High Damp 0.1~1.0 1-10
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16
HINT : LPF Cutoff Judicious use of the Low Pass Filter helps to create a more natural Reverb sound, since many actual performance environments have a relatively “dead”
sound in which the high frequency reflections are absorbed. On the other hand, you may wish to create a more “live” reverb sound by setting the
High Pass Filter Cutoff above to emphasize the high frequencies.
WHITE ROOM
TUNNEL
CANYON
BASEMENT
1 Reverb Time 0.3~30.0s 0-69 Table#4 See above.
2 Diffusion 0~10 0-10 See above.
3 Initial Delay 0~63 0-63 Table#5 See above.
4 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above.
5 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.
6 Width 0.5~10.2m 0-37 Table#11
7 Height 0.5~20.2m 0-73 Table#11
8 Depth 0.5~30.2m 0-104 Table#11
9 Wall Vary 0~30 0-30
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 Rev Delay 0~63 0-63 Table#5
12 Density 0~4 0-4
13 Er/Rev Balance E63>R ~ E=R ~ E<R63 1-127
14 High Damp 0.1~1.0 1-10
15 Feedback Level -63~+63 1-127
16
DELAY L,C,R
1 Lch Delay 0.1~715.0ms 1-7150 Left channel initial delay time.
2 Rch Delay 0.1~715.0ms 1-7150 Right channel initial delay time.
3 Cch Delay 0.1~715.0ms 1-7150 Center channel initial delay time.
4 Feedback Delay 0.1~715.0ms 1-7150 Time delay of all delayed repeats following the initial delayed repeat.
5 Feedback Level -63~+63 1-127 Level of feedback delays.
A setting of 0 results in no delayed repeats after the initial delay.
6 Cch Level 0~127 0-127
7 High Damp 0.1~1.0 1-10
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above.
12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.
13
14
15
16
CAUTION! : FB Level Be careful when setting this parameter, since extreme values may result in uncontrollable feedback.
NOTE : FB Level This parameter is not available for the Symphonic effect.
DELAY L,R
1 Lch Delay 0.1~715.0ms 1-7150 Right channel initial delay time.
2 Rch Delay 0.1~715.0ms 1-7150 Center channel initial delay time.
3 Feedback Delay 1 0.1~715.0ms 1-7150 Time delay of all delayed repeats (for Delay 1) following the initial delayed repeat.
4 Feedback Delay 2 0.1~715.0ms 1-7150 Time delay of all delayed repeats (for Delay 2) following the initial delayed repeat.
5 Feedback Level -63~+63 1-127 Level of both feedback delays.
6 High Damp 0.1~1.0 1-10
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above.
12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.
13
14
15
16
ECHO
1 Lch Delay1 0.1~355.0ms 1-3550 Left channel initial delay time.
2 Lch Feedback Level -63~+63 1-127 Level of left channel feedback delays (following initial delay).
3 Rch Delay1 0.1~355.0ms 1-3550 Right channel delay time.
4 Rch Feedback Level -63~+63 1-127 Level of right channel feedback delays (following initial delay).
5 High Damp 0.1~1.0 1-10 Damping or filtering out of high frequencies in delay sound.
6 Lch Delay2 0.1~355.0ms 1-3550
7 Rch Delay2 0.1~355.0ms 1-3550
8 Delay2 Level 0~127 0-127
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above.
12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.
13

3
MU80 Effect Parameter List
AC1
Parameter Range Value
Table No. Control
14
15
16
CROSS DELAY
1 L->R Delay 0.1~355.0ms 1-3550 Time of delay fed from left channel to right.
2 R->L Delay 0.1~355.0ms 1-3550 Time of delay fed from right channel to left.
3 Feedback Level -63~+63 1-127 Level of feedback delays.
4 Input Select L,R,L&R 0-2 Determines input for initial delay: Left, Right, or Left & Right.
5 High Damp 0.1~1.0 1-10 Damping or filtering out of high frequencies in delay sound.
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 HPF Cutoff Thru~8.0kHz 0-52 Table#3 See above.
12 LPF Cutoff 1.0k~Thru 34-60 Table#3 See above.
13
14
15
16
EARLY REF1,EARLY REF2
1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0-5 Selects the pattern of early reflections: S-H (Small Hall), L-H (Large Hall), Rdm
(Random), Rvs (Reverse), Plt (Plate), Spr (Spring).
2 Room Size 0.1~7.0 0-44 Table#6 Apparent room size. Affects length of reflections.
3 Diffusion 0~10 0-10 See above.
4 Initial Delay 0~63 0-63 Table#5 See above.
5 Feedback Level -63~+63 1-127 See above.
6 HPF Cutoff Thru~8.0kHz 0-52 See above.
7 LPF Cutoff 1.0k~Thru 34-60 See above.
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 Liveness 0~10 0-10
12 Density 0~3 0-3
13 High Damp 0.1~1.0 1-10
14
15
16
GATE REVERB
REVERSE GATE
1 Type TypeA,TypeB 0-1 Selects the type of gate reverb.
2 Room Size 0.1~7.0 0-44 Table#6 Apparent room size. Affects length of reverb.
3 Diffusion 0~10 0-10 See above.
4 Initial Delay 0~63 0-63 Table#5 See above.
5 Feedback Level -63~+63 1-127 See above.
6 HPF Cutoff Thru~8.0kHz 0-52 See above.
7 LPF Cutoff 1.0k~Thru 34-60 See above.
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 Liveness 0~10 0-10
12 Density 0~3 0-3
13 High Damp 0.1~1.0 1-10
14
15
16
KARAOKE1,2,3
1 Delay Time 0~63 0-127 Table#7 Time between delayed repeats.
2 Feedback Level -63~+63 1-127 See above.
3 HPF Cutoff Thru~8.0kHz 0-52 See above.
4 LPF Cutoff 1.0k~Thru 34-60 See above.
5
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11
12
13
14
15
16
CHORUS1,2,3
CELESTE1,2,3
1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 This determines the amount of phase shift, or to what degree the modulated signal
is out of phase with the dry signal. Lower values result in the signal being more
out of phase, and hence create a stronger Phaser effect.
2 LFO PM Depth 0~63 0-63 See above.
3 Feedback Level -63~+63 1-127 See above.
4 Delay Offset 0~127 0-127 Table#2 See above.
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14 LFO AM Depth 0~127 0-127
15
16
NOTE : Delay Ofst This parameter is not available for the Phaser effect.
FLANGER1,FLANGER2
1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 See above.
2 LFO Depth 0~127 0-127
3 Feedback Level -63~+63 1-127
4 Delay Offset 0~63 0-63 Table#2
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3

4
AC1
Parameter Range Value
Table No. Control
MU80 Effect Parameter List
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14 LFO Phase Difference -180~+180deg 4-124
15
16
NOTE : Delay Ofst This parameter is not available for the Phaser effect.
SYMPHONIC
1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 See above.
2 LFO Depth 0~127 0-127
3 Delay Offset 0~127 0-127 Table#2
4
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14
15
16
NOTE : Delay Ofst This parameter is not available for the Phaser effect.
ROTARY SPEAKER
1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 •Apparent speed of rotary speaker.
2 LFO Depth 0~127 0-127 Depth of rotary speaker effect.
3
4
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14
15
16
TREMOLO
1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 •Speed of tremolo effect.
2 AM Depth 0~127 0-127 Depth of tremolo effect on volume. (AM = Amplitude Modulation)
3 PM Depth 0~127 0-127 Depth of tremolo effect on pitch. (PM = Pitch Modulation)
4
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14 LFO Phase Difference -180~+180deg 4-124
15
16
AUTO PAN
1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 •Speed of auto pan effect.
2 L/R Depth 0~127 0-127 Depth of left/right stereo separation.
3 F/R Depth 0~127 0-127 Depth of apparent front/rear image separation. (This parameter is only effective
when Pan Direction below is set to Lturn or Rturn.)
4 PAN Direction L<->R,L->R,L<-R,Lturn,Rturn,L/R 0-5 Direction of auto pan effect: L<—>R (shifts back and forth between left and right),
L->R (shifts continually from left to right), L<-R (shifts continually from right to
left), Lturn (simulated 3D panning effect in which sound circles counterclock-
wise), Rturn (simulated 3D panning effect in which sound circles clockwise), L/
R (alternates between left and right).
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14
15
16
NOTE If Variation Connection is set to SYS, the Variation Pan parameter should be set to C (Center) for optimum use of Auto Pan.
PHASER
1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 See above.
2 LFO Depth 0~127 0-127 See above.
3 Phase Shift Offset 0~127 0-127 See above.
4 Feedback Level -63~+63 1-127 See above.
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •

5
MU80 Effect Parameter List
AC1
Parameter Range Value
Table No. Control
11 Stage 4,6,8, 4-8
12 Diffusion Mono/Stereo 0-1
13
14
15
16
DISTORTION
OVERDRIVE
1 Drive 0~127 0-127 •This determines the intensity of the Distortion effect.
The higher the value, the greater the distortion.
2 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
3 EQ Low Gain -12~+12dB 52-76
4 LPF Cutoff 1.0k~Thru 34-60
5 Output Level 0~127 0-127 This determines the level of the Distortion effect.
Use this parameter together with the Dry/Wet Balance parameter below to obtain
the desired overall sound.
6
7 EQ Mid Frequency 100Hz~10.0kHz 14-54
8 EQ Mid Gain -12~+12dB 52-76
9 EQ Mid Width 1.0~12.0 10-120
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11
12
13
14
15
16
GUITAR AMP SIMULATOR
1 Drive 0~127 0-127 •See above.
2 AMP Type Off,Stack,Combo,Tube 0-3 Type of amplifier simulated: Stack (huge amp/speaker setup), Combo (compact
amp cabinet), Tube (warm tube amplifier sound).
3 LPF Cutoff 1.0k~Thru 34-60
4 Output Level 0~127 0-127 See above.
5
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11
12
13
14
15
16
MONO EQ(3BAND)
1 EQ Low Gain -12~+12dB 52-76 Amount of boost or cut of low frequencies.
2 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3 Central frequency for mid-range adjustment.
3 EQ Mid Gain -12~+12dB 52-76 Amount of boost or cut of mid-range frequencies.
4 EQ Mid Width 1.0~12.0 10-120 Band width of mid-range frequencies.
Higher values result in a narrower range of frequencies.
5 EQ High Gain -12~+12dB 52-76 Amount of boost or cut of high frequencies.
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
8
9
10
11
12
13
14
15
16
STEREO EQ(2BAND)
1 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3 Central frequency for low adjustment.
2 EQ Low Gain -12~+12dB 52-76 Amount of boost or cut of low frequencies.
3 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3 Central frequency for high adjustment.
4 EQ High Gain -12~+12dB 52-76 Amount of boost or cut of high frequencies.
5
6
7
8
9
10
11 EQ Mid Frequency 100Hz~10.0kHz 14-54 Table#3
12 EQ Mid Gain -12~+12dB 52-76
13 EQ Mid Width 1.0~12.0 10-120
14
15
16
AUTO WAH
1 LFO Frequency 0.08~39.7Hz 0-127 Table#1 Speed of auto wah effect.
2 LFO Depth 0~127 0-127 Depth of auto wah effect.
3 Cutoff Frequency Offset 0~127 0-127 •Central frequency for the auto wah effect.
4 Resonance 1.0~12.0 10-120 Amount of emphasis of the cutoff frequency.
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11Drive 0~127 0-127
12
13
14
15
16
PITCH CHANGE
1 Pitch -24~+24 40-88 Coarse pitch change setting. (Affects both left and right channels.)
2 Initial Delay 0~127 0-127 Table#7 Length of time before onset of pitch change.
3 Fine 1 -50~+50 14-114 Fine pitch adjustment for the left channel sound.
4 Fine 2 -50~+50 14-114 Fine pitch adjustment for the right channel sound.

6
AC1
Parameter Range Value
Table No. Control
MU80 Effect Parameter List
5 Feedback Gain -99~+99% 1-127 Level of pitch change sound that is returned (or fed back) to the Pitch Change
effect.
Extreme values send the pitch +spiraling+ down or up (depending on the Pitch and
Fine 1/2 parameters).
6
7
8
9
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 •
11 Pan 1 L63~R63 1-127
12 Output Level 1 0~127 0-127
13 Pan 2 L63~R63 1-127
14 Output Level 2 0~127 0-127
15
16
AURAL EXCITER*
1 HPF cutoff 500Hz~16.0kHz 28-58 High pass filter cutoff frequency for the Aural Exciter¿ effect.
2 Drive 0~127 0-127 Degree or depth of the Aural Excitereffect.
3 Mix Level 0~127 0-127 Level of the Aural Excitersound, relative to the dry sound.
4
5
6
7
8
9
10
11
12
13
14
15
16
*Aural Exciteris a registered trademark of Aphex Systems Ltd.
TOUCH WAH,WAH+DIST
1 Sensitive 0~127 0-127 Sensitivity of wah effect to playing velocity and Voice level.
2 Cutoff Frequency Offset 0~127 0-127 •Central frequency for the wah effect.
3 Resonance 1.0~12.0 10-120 Amount of emphasis of the cutoff frequency.
4
5
6 EQ Low Frequency 32Hz~2.0kHz 4-40 Table#3
7 EQ Low Gain -12~+12dB 52-76
8 EQ High Frequency 500Hz~16.0kHz 28-58 Table#3
9 EQ High Gain -12~+12dB 52-76
10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127
11 Drive 0~127 0-127
12
13
14
15
16
COMPRESSOR
1 Attack 1~40ms 0-19 Table#8 Amount of time before compression of the signal begins.
2 Release 10~680ms 0-15 Table#9 Amount of time for which compression of the signal continues.
Higher values result in a gradual decay of the compression.
3 Threshold -48~-6dB 79-121 Determines minimum level of signal necessary to trigger compression.
4 Ratio 1.0~20.0 0-7 Table#10 Determines the degree of compression.
Higher levels result in greater compression of the signal.
5 Output Level 0~127 0-127 Output level of the compressor sound.
6
7
8
9
10
11
12
13
14
15
16
NOISE GATE
1 Attack 1~40ms 0-19 Table#8 Amount of time before the noise gate is triggered.
2 Release 10~680ms 0-15 Table#9 Amount of time the noise gate remains.
Higher values result in a gradual decay of the noise gate.
3 Threshold -72~-30dB 55-97 Determines minimum level of signal necessary to trigger the noise gate.
4 Output Level 0~127 0-127 Output level of the overall sound.
5
6
7
8
9
10
11 Ratio 1.0~5.0 0-7
12
13
14
15
16

7
Data Value Assignment Tables
Table#1 LFO Frequency Table#2
Modulation Delay Offset
Data Value
0 0.00 1 0.08 2 0.08 3 0.16 4 0.16 5 0.25 6 0.25 7 0.33 8 0.33 9 0.42
10 0.42 11 0.50 12 0.50 13 0.58 14 0.58 15 0.67 16 0.67 17 0.75 18 0.75 19 0.84 20 0.84 21 0.92 22 0.92 23 1.00 24 1.00 25 1.09 26 1.09 27 1.17 28 1.17 29 1.26 30 1.26 31 1.34 32 1.34 33 1.43 34 1.43 35 1.51 36 1.51 37 1.59 38 1.59 39 1.68 40 1.68 41 1.76 42 1.76 43 1.85 44 1.85 45 1.93 46 1.93 47 2.01 48 2.01 49 2.10 50 2.10 51 2.18 52 2.18 53 2.27 54 2.27 55 2.35 56 2.35 57 2.43
Data Value Data Value
58 2.43 59 2.52 60 2.52 61 2.60 62 2.60 63 2.69 64 2.69 65 2.77 66 2.86 67 2.94 68 3.02 69 3.11 70 3.19 71 3.28 72 3.36 73 3.44 74 3.53 75 3.61 76 3.70 77 3.86 78 4.03 79 4.20 80 4.37 81 4.54 82 4.71 83 4.87 84 5.04 85 5.21 86 5.38 87 5.55 88 5.72 89 6.05 90 6.39 91 6.72 92 7.06 93 7.40 94 7.73 95 8.07 96 8.41 97 8.74 98 9.08 99 9.42
100 9.75 101 10.00 102 10.70 103 11.40 104 12.10 105 12.70 106 13.40 107 14.10 108 14.80 109 15.40 110 16.10 111 16.80 112 17.40 113 18.10 114 19.50 115 20.80
Data Value Data Value Data Value
00.0 10.1 20.2 30.3 40.4 50.5 60.6 70.7 80.8 90.9
10 1.0 11 1.1 12 1.2 13 1.3 14 1.4 15 1.5 16 1.6 17 1.7 18 1.8 19 1.9 20 2.0 21 2.1 22 2.2 23 2.3 24 2.4 25 2.5 26 2.6 27 2.7 28 2.8 29 2.9 30 3.0 31 3.1 32 3.2 33 3.3 34 3.4 35 3.5 36 3.6 37 3.7 38 3.8 39 3.9 40 4.0 41 4.1 42 4.2 43 4.3 44 4.4 45 4.5 46 4.6 47 4.7 48 4.8 49 4.9 50 5.0 51 5.1 52 5.2 53 5.3 54 5.4 55 5.5 56 5.6 57 5.7
58 5.8 59 5.9 60 6.0 61 6.1 62 6.2 63 6.3 64 6.4 65 6.5 66 6.6 67 6.7 68 6.8 69 6.9 70 7.0 71 7.1 72 7.2 73 7.3 74 7.4 75 7.5 76 7.6 77 7.7 78 7.8 79 7.9 80 8.0 81 8.1 82 8.2 83 8.3 84 8.4 85 8.5 86 8.6 87 8.7 88 8.8 89 8.9 90 9.0 91 9.1 92 9.2 93 9.3 94 9.4 95 9.5 96 9.6 97 9.7 98 9.8 99 9.9
100 10.0 101 11.1 102 12.2 103 13.3 104 14.4 105 15.5 106 17.1 107 18.6 108 20.2 109 21.8 110 23.3 111 24.9 112 26.5 113 28.0 114 29.6 115 31.2
116 32.8 117 34.3 118 35.9 119 37.5 120 39.0 121 40.6 122 42.2 123 43.7 124 45.3 125 46.9 126 48.4 127 50.0
Data Value Data Value
Table#3 EQ Frequency
0
THRU(20)
122 225 328 432 536 640 745 850 956
10 63 11 70 12 80 13 90 14 100 15 110 16 125 17 140 18 160 19 180 20 200 21 225 22 250 23 280 24 315 25 355 26 400 27 450 28 500 29 560 30 630 31 700 32 800 33 900 34 1.0k 35 1.1k 36 1.2k 37 1.4k 38 1.6k 39 1.8k 40 2.0k 41 2.2k 42 2.5k 43 2.8k 44 3.2k 45 3.6k 46 4.0k 47 4.5k 48 5.0k 49 5.6k 50 6.3k 51 7.0k 52 8.0k 53 9.0k 54 10.0k 55 11.0k 56 12.0k 57 14.0k
58 16.0k 59 18.0k 60
THRU(20.0k)
Data Value Data Value
Table#4
Reverb Time
0 0.3 1 0.4 2 0.5 3 0.6 4 0.7 5 0.8 6 0.9 7 1.0 8 1.1 9 1.2
10 1.3 11 1.4 12 1.5 13 1.6 14 1.7 15 1.8 16 1.9 17 2.0 18 2.1 19 2.2 20 2.3 21 2.4 22 2.5 23 2.6 24 2.7 25 2.8 26 2.9 27 3.0 28 3.1 29 3.2 30 3.3 31 3.4 32 3.5 33 3.6 34 3.7 35 3.8 36 3.9 37 4.0 38 4.1 39 4.2 40 4.3 41 4.4 42 4.5 43 4.6 44 4.7 45 4.8 46 4.9 47 5.0 48 5.5 49 6.0 50 6.5 51 7.0 52 7.5 53 8.0 54 8.5 55 9.0 56 9.5 57 10.0
58 11.0 59 12.0 60 13.0 61 14.0 62 15.0 63 16.0 64 17.0 65 18.0 66 19.0 67 20.0 68 25.0 69 30.0
Data Value Data Value Data Value
Table#5 Delay Time(200.0ms)
0 0.1 1 1.7 2 3.2 3 4.8 4 6.4 5 8.0 6 9.5 7 11.1 8 12.7 9 14.3
10 15.8 11 17.4 12 19.0 13 20.6 14 22.1 15 23.7 16 25.3 17 26.9 18 28.4 19 30.0 20 31.6 21 33.2 22 34.7 23 36.3 24 37.9 25 39.5 26 41.0 27 42.6 28 44.2 29 45.7 30 47.3 31 48.9 32 50.5 33 52.0 34 53.6 35 55.2 36 56.8 37 58.3 38 59.9 39 61.5 40 63.1 41 64.6 42 66.2 43 67.8 44 69.4 45 70.9 46 72.5 47 74.1 48 75.7 49 77.2 50 78.8 51 80.4 52 81.9 53 83.5 54 85.1 55 86.7 56 88.2 57 89.8
58 91.4 59 93.0 60 94.5 61 96.1 62 97.7 63 99.3 64 100.8 65 102.4 66 104.0 67 105.6 68 107.1 69 108.7 70 110.3 71 111.9 72 113.4 73 115.0 74 116.6 75 118.2 76 119.7 77 121.3 78 122.9 79 124.4 80 126.0 81 127.6 82 129.2 83 130.7 84 132.3 85 133.9 86 135.5 87 137.0 88 138.6 89 140.2 90 141.8 91 143.3 92 144.9 93 146.5 94 148.1 95 149.6 96 151.2 97 152.8 98 154.4 99 155.9
100 157.5 101 159.1 102 160.6 103 162.2 104 163.8 105 165.4 106 166.9 107 168.5 108 170.1 109 171.7 110 173.2 111 174.8 112 176.4 113 178.0 114 179.5 115 181.1
116 182.7 117 184.3 118 185.8 119 187.4 120 189.0 121 190.6 122 192.1 123 193.7 124 195.3 125 196.9 126 198.4 127 200.0
Data Value
Table#6 Room Size
0 0.1 1 0.3 2 0.4 3 0.6 4 0.7 5 0.9 6 1.0 7 1.2 8 1.4 9 1.5
10 1.7 11 1.8 12 2.0 13 2.1 14 2.3 15 2.5 16 2.6 17 2.8 18 2.9 19 3.1 20 3.2 21 3.4 22 3.5 23 3.7 24 3.9 25 4.0 26 4.2 27 4.3 28 4.5 29 4.6 30 4.8 31 5.0 32 5.1 33 5.3 34 5.4 35 5.6 36 5.7 37 5.9 38 6.1 39 6.2 40 6.4 41 6.5 42 6.7 43 6.8 44 7.0
116 22.20 117 23.50 118 24.80 119 26.20 120 27.50 121 28.90 122 30.20 123 31.60 124 32.90 125 34.30 126 37.00 127 39.70

8
Data Value Data Value Data Value
Table#7
Delay Time(400.0ms)
0 0.1 1 3.2 2 6.4 3 9.5 4 12.7 5 15.8 6 19.0 7 22.1 8 25.3 9 28.4
10 31.6 11 34.7 12 37.9 13 41.0 14 44.2 15 47.3 16 50.5 17 53.6 18 56.8 19 59.9 20 63.1 21 66.2 22 69.4 23 72.5 24 75.7 25 78.8 26 82.0 27 85.1 28 88.3 29 91.4 30 94.6 31 97.7 32 100.9 33 104.0 34 107.2 35 110.3 36 113.5 37 116.6 38 119.8 39 122.9 40 126.1 41 129.2 42 132.4 43 135.5 44 138.6 45 141.8 46 144.9 47 148.1 48 151.2 49 154.4 50 157.5 51 160.7 52 163.8 53 167.0 54 170.1 55 173.3 56 176.4 57 179.6
58 182.7 59 185.9 60 189.0 61 192.2 62 195.3 63 198.5 64 201.6 65 204.8 66 207.9 67 211.1 68 214.2 69 217.4 70 220.5 71 223.7 72 226.8 73 230.0 74 233.1 75 236.3 76 239.4 77 242.6 78 245.7 79 248.9 80 252.0 81 255.2 82 258.3 83 261.5 84 264.6 85 267.7 86 270.9 87 274.0 88 277.2 89 280.3 90 283.5 91 286.6 92 289.8 93 292.9 94 296.1 95 299.2 96 302.4 97 305.5 98 308.7 99 311.8
100 315.0 101 318.1 102 321.3 103 324.4 104 327.6 105 330.7 106 333.9 107 337.0 108 340.2 109 343.3 110 346.5 111 349.6 112 352.8 113 355.9 114 359.1 115 362.2
116 365.4 117 368.5 118 371.7 119 374.8 120 378.0 121 381.1 122 384.3 123 387.4 124 390.6 125 393.7 126 396.9 127 400.0
01 12 23 34 45 56 67 78 89 910
10 12 11 14 12 16 13 18 14 20 15 23 16 26 17 30 18 35 19 40
Table#8 Compressor Attack Time
Data Value
Table#9 Compressor Release Time
Data Value Data Value
010 115 225 335 445 555 665 775 885 9 100
10 115 11 140 12 170 13 230 14 340 15 680
Table#10 Compressor Ratio
01.0 11.5 22.0 33.0 45.0 57.0 6 10.0 7 20.0
Data Value Data Value
Table#11 Reverb Width;Depth;Height
0 0.5 1 0.8 2 1.0 3 1.3 4 1.5 5 1.8 6 2.0 7 2.3 8 2.6 9 2.8
10 3.1 11 3.3 12 3.6 13 3.9 14 4.1 15 4.4 16 4.6 17 4.9 18 5.2 19 5.4 20 5.7 21 5.9 22 6.2 23 6.5 24 6.7 25 7.0 26 7.2 27 7.5 28 7.8 29 8.0 30 8.3 31 8.6 32 8.8 33 9.1 34 9.4 35 9.6 36 9.9 37 10.2 38 10.4 39 10.7 40 11.0 41 11.2 42 11.5 43 11.8 44 12.1 45 12.3 46 12.6 47 12.9 48 13.1 49 13.4 50 13.7 51 14.0 52 14.2 53 14.5 54 14.8 55 15.1 56 15.4 57 15.6
58 15.9 59 16.2 60 16.5 61 16.8 62 17.1 63 17.3 64 17.6 65 17.9 66 18.2 67 18.5 68 18.8 69 19.1 70 19.4 71 19.7 72 20.0 73 20.2 74 20.5 75 20.8 76 21.1 77 21.4 78 21.7 79 22.0 80 22.4 81 22.7 82 23.0 83 23.3 84 23.6 85 23.9 86 24.2 87 24.5 88 24.9 89 25.2 90 25.5 91 25.8 92 26.1 93 26.5 94 26.8 95 27.1 96 27.5 97 27.8 98 28.1 99 28.5
100 28.8 101 29.2 102 29.5 103 29.9 104 30.2
Data Value Assignment Tables

9
MU80 MIDI Data Format
1. Channel Messages
1.1 Key On and Key Off
Receivable note range: C2 to G8
Velocity range: 1 to 127 (Value accepted only at Note On)
If multipart parameter “Rcv NOTE MESSAGE” is OFF, the part ignores these messages.
Rhythm part will ignore Key Off if “Rcv NOTE OFF = OFF”.
Rhythm part will ignore Key On if “Rcv NOTE ON = OFF”.
1.2 Control Change
If multipart parameter “Rcv CONTROL CHANGE” is OFF, the part ignores these
messages.
1.2.1 Bank Select
Cntrl# Parameter Data Range
0 Bank Select MSB 0:Normal, 64:SFX, 126-127:Drum
32 Bank Select LSB 0...127
A new bank selection does not become effective until receipt of the next Program Change
message.
If “Sound Module Mode = C/M”, all Bank Selects are ignored.
1.2.2 Modulation
Cntrl# Parameter Data Range
1 Modulation 0...127
If multipart parameter “Rcv MODULATION” is OFF, the part ignores this message.
1.2.3 Portamento Time
Cntrl# Parameter Data Range
5 Portamento Time 0...127
Setsthepitch-changespeedusedwhenPortamentoisON.Avalueof0producestheshortest
portamento time; value 127 selects the longest time.
1.2.4 Data Entry
Cntrl# Parameter Data Range
6 Data Entry MSB 0...127
38 Data Entry LSB 0...127
Sets the value for the parameter specified by RPN/NRPN.
1.2.5 Main Volume
Cntrl# Parameter Data Range
7 Data Entry MSB 0...127
If multipart parameter “Rcv VOLUME” is OFF, the part ignores this message.
1.2.6 Pan
Cntrl# Parameter Data Range
10 Data Entry MSB 0...127
0 = left; 127 = right
If multipart parameter “Rcv PAN” is OFF, the part ignores this message.
1.2.7 Expression
Cntrl# Parameter Data Range
11 Data Entry MSB 0...127
If multipart parameter “Rcv EXPRESSION” is OFF, the part ignores this message.
1.2.8 Hold1
Cntrl# Parameter Data Range
64 Data Entry MSB 0...127 (0-63:off, 64-127:on)
If multipart parameter “Rcv HOLD1” is OFF, the part ignores this message.
1.2.9 Portamento
Cntrl# Parameter Data Range
65 Portamento 0...127 (0-63:off, 64-127:on)
If multipart parameter “Rcv PORTAMENTO” is OFF, the part ignores this message.
1.2.10 Sostenuto
Cntrl# Parameter Data Range
66 Sostenuto0...127 (0-63:off, 64-127:on)
If multipart parameter “Rcv SOSTENUTO” is OFF, the part ignores this message.
1.2.11 Soft Pedal
Cntrl# Parameter Data Range
67 Soft Pedal 0...127 (0-63:off, 64-127:on)
If multipart parameter “Rcv SOFT PEDAL” is OFF, the part ignores this message.
1.2.12 Harmonic Content
Cntrl# Parameter Data Range
71 Harmonic Content 0...127 (0:-64, 64:+0, 127:+63)
Appliesadjustmenttotheresonancevaluesetbythevoice.Thisparameterspecifiesrelative
change, with value 64 producing zero adjustment. As values get higher the sound becomes
increasingly eccentric. Note that for some voices the effective parameter range is narrower
than the legal parameter range.
1.2.13 Release Time
Cntrl# Parameter Data Range
72 Release Time 0...127 (0:-64, 64:+0, 127:+63)
Applies adjustment to the envelope release time set by the voice.
This parameter specifies relative change, with value 64 producing zero adjustment.
1.2.14 Attack Time
Cntrl# Parameter Data Range
73 Attack Time 0...127 (0:-64, 64:+0, 127:+63)
Applies adjustment to the envelope attack time set by the voice.
This parameter specifies relative change, with value 64 producing zero adjustment.
1.2.15 Brightness
Cntrl# Parameter Data Range
74 Brightness 0...127 (0:-64, 64:+0, 127:+63)
Applies adjustment to the cutoff frequency set by the voice. This parameter specifies
relative change, with value 64 producing zero adjustment. Lower voices produce a softer
sound. For some voices the effective parameter range is narrower than the legal parameter
range.
1.2.16 Portamento Control
Cntrl# Parameter Data Range
84 Portamento Control 0...127
Messageshould be sent with Note On already sounding. Thedatavaluesetstheportamento
source key number.
The channel with change from the currently sounding pitch to the next received Note-
On key using Portamento Time of 0.
This message is effective even when “Rcv Portamento = OFF.”
1.2.17 Effect1 Depth ( Reverb Send Level )
Cntrl# Parameter Data Range
91 Effect1 Depth 0...127
Adjusts the reverb send level.
1.2.18 Effect3 Depth ( Chorus Send Level )
Cntrl# Parameter Data Range
93 Effect3 Depth 0...127
Adjusts the chorus send level.

10
MU80 MIDI Data Format
1.2.19 Effect4 Depth ( Variation Effect Send Level )
Cntrl# Parameter Data Range
94 Effect4 Depth 0...127
(0...127) when Variation Connection = 1 (System)
Adjusts the variation effect send level. Not effective if “Variation Connection” is set to 0
(Insertion).
1.2.20 Data Increment / Decrement (for RPN)
Cntrl# Parameter Data Range
96 RPN Increment 0...127
97 RPN Decrement 0...127
The data byte has no meaning.
This message adds or subtracts 1 to/from the Pitchbend Sensitivity, Fine Tune, and Coarse
TuneMSBs.NotethattheIncrement(Decrement)messagewillnotchangeasettingthathas
already reached its maximum (minimum) value. Incrementation or decrementation of the
Fine Tune value never carries over to the Coarse Tune value.
1.2.21 NRPN (Nonregistered parameter number)
Cntrl# Parameter Data Range
98 RPN LSB 0...127
99 RPN MSB 0...127
If multipart parameter “Rcv NRPN” is OFF, the part ignores this message.
First send the NPRN MSB and LSB to select the control parameter, then set the value by
Data Entry.
The following NRPN values are supported.
NRPN Data entry
MSB LSB MSB Parameter Data Range
$01 $08 $mm Vibrato Rate
mm : $00 - $40 - $7F (-64 - 0 - +63)
$01 $09 $mm Vibrato Depth
mm : $00 - $40 - $7F (-64 - 0 - +63)
$01 $0A $mm Vibrato Delay
mm : $00 - $40 - $7F (-64 - 0 - +63)
$01 $20 $mm Filter Cutoff Freq.
mm : $00 - $40 - $7F (-64 - 0 - +63)
$01 $21 $mm Filter Resonance
mm : $00 - $40 - $7F (-64 - 0 - +63)
$01 $63 $mm EG Attack Time
mm : $00 - $40 - $7F (-64 - 0 - +63)
$01 $64 $mm EG Decay Time
mm : $00 - $40 - $7F (-64 - 0 - +63)
$01 $66 $mm EG Release Time
mm : $00 - $40 - $7F (-64 - 0 - +63)
$14 $rr $mm Drum Filter Cutoff Freq.
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
$15 $rr $mm Drum Filter Resonance
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
$16 $rr $mm Drum EG Attack Rate
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
$17 $rr $mm Drum EG Decay Rate
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
(Effects both Decay 1 and Decay 2)
$18 $rr $mm Drum Instrument Pitch Coarse
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
$19 $rr $mm Drum Instrument Pitch Fine
mm : $00 - $40 - $7F (-64 - 0 - +63)
rr : drum instrument note number
$1A $rr $mm Drum Instrument Level
mm : $00 - $7F (0 to Max)
rr : drum instrument note number
$1C $rr $mm Drum Instrument Panpot
mm : $00 - $40 - $7F (Random, L→C→R)
rr : drum instrument note number
$1D $rr $mm Drum Instrument Reverb Send Level
mm : $00 - $7F (0 to Max)
rr : drum instrument note number
$1E $rr $mm Drum Instrument Chorus Send Level
mm : $00 - $7F (0 to Max)
rr : drum instrument note number
$1F $rr $mm Drum Instrument Variation Send Level
mm : $00 - $7F (0 to Max)
rr : drum instrument note number
NotethatLSB values 14H through 1FH (drumparameters) areeffective onlyif the channel
is in drum mode and drum setup 1, 2, 3, or 4 is currently selected.
1.2.22 RPN (Registered parameter number)
Cntrl# Parameter Data Range
100 RPN LSB 0...127
101 RPN MSB 0...127 Default:7F 7FH
If multipart parameter “Rcv RPN” is OFF, the part ignores this message.
The following parameters are supported.
NRPN Data entry
MSB LSB MSB LSB Parameter Data Range
00H 00H mmH -- Pitchbend Sensitivity
mm: 00-18H (0-2 semitones)
Can be set up 2 octaves, in semitone units.
Default: 02H
LSB is ignored.
00H 01H mmH 11H Fine Tuning
mm:00H-40H-7FH(-64-0-+63)
00H 02H mmH -- Course Tuning
mm:28H - 40H - 18H(-24-+24 semitones)
LSB is ignored.
7FH 7FH -- -- RPN Null
Clears current RPN and NRPN number settings.
Does not change internal parameter settings.
1.2.23 Channel Mode Messages
The following Channel Mode messages are supported.
2nd byte 3rd byte
120 0 All Sound Off
121 0 Reset All Controllers
123 0 All Notes Off
124 0 Omni Off
125 0 Omni On
126 0 ~ 16 Mono
127 0 Poly
1.2.23.1 All Sound Off
Switches off all sound from the channel. Does not reset Note On and Hold On conditions
established by Channel Messages.
1.2.23.2 Reset All Controllers
Resets controllers as follows.
Controller Value
Pitchbend change +-0 (center)
Channel Pressure 0 (off)
Polyphonic Key Pressure 0 (off)
Modulation 0 (off)
Expression 127 (max)
Hold 0 (off)
Portamento 0 (off)
Sostenuto 0 (off)
Soft Pedal 0 (off)
Portamento Control Resets portamento source note number
RPN Sets number to null. (Internal data re-
mains unchanged.)
NRPN Sets number to null. (Internal data re-
mains unchanged.)

11
MU80 MIDI Data Format
1.2.23.3 All Notes Off
Switches off all of the channel’s’ “on” notes. Any notes being held by HOLD1 or
SOSTENUTO continue to sound until HOLD1/SOSTENUTO goes off.
1.2.23.4 Omni Off
Same processing as for All Notes Off.
1.2.23.5 Omni On
Same processing as for All Notes Off.
1.2.23.6 Mono
Generates “All Sound Off” operation. If the value of the third byte (mono number) is 0 to
16, the channel changes to Mode 4 (m=1).
1.2.23.7 Poly
Generates “All Sound Off” operation, and sets the channel to Mode 3.
1.3 Program Change
Ifmultipartparameter“RcvPROGRAM CHANGE” is OFF, the part ignores this message.
If “Sound Module Mode = C/M”, drum voice parts ignore all Program Change messages.
1.4 Pitchbend
If multipart parameter “Rcv PITCH BEND” is OFF, the part ignores this message.
1.5 Channel Aftertouch
Not effective under initial settings.
If multipart parameter “Rcv CHANNEL AFTERTOUCH” is Off, the part ignores this
message.
1.6 Polyphonic Channel Aftertouch
Not effective under initial settings.
If multipart parameter “Rcv POLYPHONIC CHANNEL AFTERTOUCH” is Off, the part
ignores this message.
This message is effective only for note numbers 36 through 97 only.
2. System Exclusive Messages
2.1 Parameter Change
The MU80 supports the following Parameter Change messages.
[UNIVERSAL REALTIME MESSAGE ]
1) Master Volume
[UNIVERSAL NON-REALTIME MESSAGE ]
3) General MIDI Mode On
[XG NATIVE ]
1) XG System on
2) XG System Data parameter change
3) System Information
4) Multi Effect1 Data parameter change
5) Multi EQ Data parameter change
6) Multi Effect2 Data parameter change
7) Display Data parameter change
8) Multi Part Data parameter change
9) AD Part Data parameter change
10)Drum Setup Data parameter change
[MU80 NATIVE ]
1) MU80 System Data parameter change
2) Current Performance parameter change
3) Remote switch
[Others]
1) Master tuning
2) TG300 System Data parameter change
3) TG300 Multi Effect Data parameter change
4) TG300 Mutli Part Data parameter change
2.1.2 Universal Realtime Message
2.1.2.1 Master Volume
11110000 F0 = Exclusive status
01111111 7F = Universal Realtime
01111111 7F = ID of target device
00000100 04 = Sub-ID #1=Device Control Message
00000001 01 = Sub-ID #2=Master Volume
0sssssss *SS = Volume LSB
0ttttttt TT = Volume MSB
11110111 F7 = End of Exclusive
or
11110000 F0 = Exclusive status
01111111 7F = Universal Realtime
0xxxnnnn XN = Device Number, xxx = don't care
00000100 04 = Sub-ID #1=Device Control Message
00000001 01 = Sub-ID #2=Master Volume
0sssssss SS = Volume LSB
0ttttttt TT = Volume MSB
11110111 F7 = End of Exclusive
Received Volume MSB is written to System Parameter MASTER VOLUME.
*Hexadecimal representation of 0sssss ss. (Same below)
2.1.3 Universal Non-Realtime Message
2.1.3.1 General MIDI Mode On
11110000 F0 = Exclusive status
01111110 7E = Universal Non-Realtime
01111111 7F = ID of target device
00001001 09 = Sub-ID #1=General MIDI Message
00000001 01 = Sub-ID #2=General MIDI On
11110111 F7 = End of Exclusive
or
11110000 F0 = Exclusive status
01111110 7E = Universal Non-Realtime
0xxxnnnn XN = Device Number, xxx = don't care
00001001 09 = Sub-ID #1=General MIDI Message
00000001 01 = Sub-ID #2=General MIDI On
11110111 F7 = End of Exclusive
This message switches SOUND MODULE MODE to XG.
This message is ignores if operation is in C/M mode.
If “Rcv GM EXCLUSIVE = OFF”, the message is ignored.
Thismessage requiresapproximately50ms toexecute,sosufficient timeshouldbe allowed
before the next message is sent.
2.1.4 XG Native Parameter Change
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n Device Number
01001100 4C Model ID
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
0ddddddd ddddddd Data
||
11110111 F7 End of Exclusive
Data size must match parameter size (2 or 4 bytes).
2.1.4.1 XG System On
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1N Device Number
01001100 4C Model ID
0aaaaaaa 00 Address High
0aaaaaaa 00 Address Mid
0aaaaaaa 7E Address Low
00000000 00 Data
11110111 F7 End of Exclusive
This message switches SOUND MODULE MODE to XG. The message requires
approximately 50ms to execute, so sufficient time should be allowed before the
next message is sent.
2.1.4.2 XG System Data parameter change
See Tables 1-1, 1-2.
2.1.4.3 System Information
System information is sent in response to dump request. Any received parameter changes
are ignored.
See Tables 1-1, 1-3.

12
MU80 MIDI Data Format
2.1.4.4 Multi Effect1 Data parameter change
See Tables 1-1, 1-4.
2.1.4.5 Multi EQ Data parameter change
See Tables 1-1, 1-5.
2.1.4.6 Multi Effect2 Data parameter change
See Tables 1-1, 1-6.
2.1.4.7 Display Data parameter change
See Tables 1-1, 1-7.
2.1.4.8 Multi Part Data parameter change
See Tables 1-1, 1-8.
2.1.4.9 AD Part Data parameter change
See Tables 1-1, 1-9.
2.1.4.10 Drum Setup Data parameter change
See Tables 1-1, 1-10.
If operation is in XG mode, this message reinitializes all drum setup parameters.
Notethatregardlessof mode,drumsetupparametersalways reinitializewheneverthe drum
set changes.
2.1.5 MU80 Native Parameter Change
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n Device Number
01001001 49 Model ID
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
0ddddddd ddddddd Data
||
11110111 F7 End of Exclusive
Data size must match parameter size (2 or 4 bytes).
2.1.5.1 MU80 System Data parameter change
See Tables 2-1, 2-2.
2.1.5.2 Current Performance parameter change
See Tables 2-1, 2-3.
2.1.5.3 Remote Switch
See Tables 2-1, 2-4.
2.1.6 Other Parameter Changes
2.1.6.1 Master Tuning
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1n Device Number
00100111 27 Model ID
00000001 30 Sub ID2
00000000 00
00000000 00
0mmmmmmm mm Master Tune MSB
0lllllll ll Master Tune LSB
0ccccccc cc
11110111 F7 End of Exclusive
Changes tuning of all channels.
2.2 Bulk Dump
The MU80 supports the following parameters.
[XG NATIVE ]
1) XG System Data
2) Multi Effect1 Data
3) Multi EQ Data
4) Multi Effect2 Data
5) Multi Part Data
6) AD Part Data
7) Drums Setup Data
[MU80 NATIVE ]
1) MU80 System data
2) Internal Performance
2.2.1 XG Native Bulk Data
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0000nnnn 0n Device Number
01001100 4C Model ID
0bbbbbbb bbbbbbb ByteCount
0bbbbbbb bbbbbbb ByteCount
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
00000000 00 Data
||
||
0ccccccc ccccccc Check sum
11110111 F7 End of Exclusive
For information about “Address” and “Byte Count” fields, refer to attached tables.
The checksum value is set such that the sum of Address, Byte Count, and
Checksum has value zero in its seven least significant bits.
No more than 512 bytes should be sent in a single transmission. If the Dump
Request asks for more than 512 bytes, data should be sent in packets of 512 bytes
or less, with at least 120ms between transmission of consecutive packets.
2.2.1.1 XG System Data bulk dump
See Tables 1-1, 1-2.
2.2.1.2 Multi Effect1 Data bulk dump
See Tables 1-1, 1-4.
2.2.1.3 Multi EQ Data bulk dump
See Tables 1-1, 1-5.
2.2.1.4 Multi Effect2 Data bulk dump
See Tables 1-1, 1-6.
2.2.1.5 Multi Part Data bulk dump
See Tables 1-1, 1-8.
2.2.1.6 AD Part Data bulk dump
See Tables 1-1, 1-9.
2.2.1.7 Drums Setup Data bulk dump
See Tables 1-1, 1-10.
2.2.2 MU80 Native Bulk Dump
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0000nnnn 0n Device Number
01001001 49 Model ID
0bbbbbbb bbbbbbb ByteCount
0bbbbbbb bbbbbbb ByteCount
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
00000000 00 Data
||
||
0ccccccc ccccccc Check sum
11110111 F7 End of Exclusive
For information about “Address” and “Byte Count” fields, refer to attached tables.
The checksum value is set such that the sum of Address, Byte Count, and
Checksum has value zero in its seven least significant bits.
No more than 512 bytes should be sent in a single transmission.
If the Dump Request asks for more than 512 bytes, data should be sent in packets
of 512 bytes or less, with at least 120ms between transmission of consecutive
packets.
2.2.2.1 MU80 System Data bulk dump
See Tables 2-1, 2-2.

13
MU80 MIDI Data Format
2.2.2.2 Internal Performance bulk dump
See Tables 2-1, 2-5.
2.3 Parameter Request
The MU80 supports the following request for parameters covered by Parameter
Change specifications.
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0011nnnn 3n Device Number
01001100 4C Model ID
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
11110111 F7 End of Exclusive
2.4 Dump Request
The MU80 supports the following request for data covered by bulk dump.
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0010nnnn 2n Device Number
01001100 4C Model ID
0aaaaaaa aaaaaaa Address High
0aaaaaaa aaaaaaa Address Mid
0aaaaaaa aaaaaaa Address Low
11110111 F7 End of Exclusive
3. Realtime Messages
3.1 Active Sensing
a) Transmission
Transmission is not supported.
b) Reception
IfnoMIDI datais receivedwithin300msfollowingreceiptofFE,theunitexecutes
processingequivalenttoALLSOUNDOFF,ALLNOTESOFF,andRESETALL
CONTROLLERS, then clears any remaining FEs.

14
MU80 MIDI Data Format
<Table 1-1>
Parameter Base Address
Model ID = 4C
Parameter Change
Address
(H) (M) (L) Description
XG SYSTEM 00 00 00 System
00 00 7D Drum Setup Reset
00 00 7E XG System On
00 00 7F Reset All Parameters
INFORMATION 01 00 00 System Information
EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation )
02 40 00 Multi EQ
EFFECT 2 03 00 00 Insertion Effect 1
DISPLAY 06 00 00 Display Letter
07 00 00 Display Bitmap
MULTI PART 08 00 00 Multi Part 1
:
08 0F 00 Multi Part 16
08 10 00 Multi Part 17
:
08 1F 00 Multi Part 32
A/D PART 10 00 00 A/D Part 1
10 01 00 A/D Part 2
DRUM 30 0B 00 Drum Setup 1
31 0B 00 Drum Setup 2
32 0B 00 Drum Setup 3
33 0B 00 Drum Setup 4
Address Parameter
3n 0B 00 note number 13
3n 0C 00 note number 14
::
3n 5B 00 note number 91
<Table 1-2>
MIDI Parameter Change table ( SYSTEM )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
00 00 00 4 0000 - 07FF MASTER TUNE -102.4 - +102.3[cent] 00 04 00 00
01 1st bit3-0→bit15-12 -400
02 2nd bit3-0→bit11-8
03 3rd bit3-0→bit7-4
4th bit3-0→bit3-0
04 1 00 - 7F MASTER VOLUME 0 - 127 7F
05 1 00 - 7F MASTER ATTENUATOR 0 - 127 00
06 1 28 - 58 TRANSPOSE -24 - +24[semitones] 40
7D n DRUM SETUP RESET n=Drum setup number
7E 00 XG SYSTEM ON 00=XG sytem ON (receive only)
7F 00 RESET ALL PARAMETERS 00=ON (receive only)
TOTAL SIZE 06
<Table 1-3>
MIDI Parameter Change table ( System information )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
01 00 00 F 20 - 7F Model Name 32-127(ASCII)
:
0D 20 - 7F
0E 1 00 00
0F 1 00 00
TOTAL SIZE 10
Transmitted in response to dump request. Parameter changes are not accepted.
<Table 1-4>
MIDI Parameter Change table ( EFFECT 1)
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
02 01 00 2 00-7F REVERB TYPE MSB Refer to Effect Program List 01(=HALL1)
00-7F REVERB TYPE LSB 00 : basic type 00
02 1 00-7F REVERB PARAMETER 1 Refer to Effect Program List Depends on reverb type
03 1 00-7F REVERB PARAMETER 2 Refer to Effect Program List Depends on reverb type
04 1 00-7F REVERB PARAMETER 3 Refer to Effect Program List Depends on reverb type
05 1 00-7F REVERB PARAMETER 4 Refer to Effect Program List Depends on reverb type
06 1 00-7F REVERB PARAMETER 5 Refer to Effect Program List Depends on reverb type
07 1 00-7F REVERB PARAMETER 6 Refer to Effect Program List Depends on reverb type
08 1 00-7F REVERB PARAMETER 7 Refer to Effect Program List Depends on reverb type
09 1 00-7F REVERB PARAMETER 8 Refer to Effect Program List Depends on reverb type
0A 1 00-7F REVERB PARAMETER 9 Refer to Effect Program List Depends on reverb type
0B 1 00-7F REVERB PARAMETER 10 Refer to Effect Program List Depends on reverb type
0C 1 00-7F REVERB RETURN -∞dB...0dB...+6dB(0...64...127) 40
0D 1 01-7F REVERB PAN L63...C...R63(1...64...127) 40
TOTAL SIZE 0E
02 01 10 1 00-7F REVERB PARAMETER 11 Refer to Effect Program List Depends on reverb type
11 1 00-7F REVERB PARAMETER 12 Refer to Effect Program List Depends on reverb type

15
MU80 MIDI Data Format
12 1 00-7F REVERB PARAMETER 13 Refer to Effect Program List Depends on reverb type
13 1 00-7F REVERB PARAMETER 14 Refer to Effect Program List Depends on reverb type
14 1 00-7F REVERB PARAMETER 15 Refer to Effect Program List Depends on reverb type
15 1 00-7F REVERB PARAMETER 16 Refer to Effect Program List Depends on reverb type
TOTAL SIZE 6
02 01 20 2 00-7F CHORUS TYPE MSB Refer to Effect Program List 41(=CHORUS1)
00-7F CHORUS TYPE LSB 00 : basic type 00
22 1 00-7F CHORUS PARAMETER 1 Refer to Effect Program List Depends on chorus type
23 1 00-7F CHORUS PARAMETER 2 Refer to Effect Program List Depends on chorus type
24 1 00-7F CHORUS PARAMETER 3 Refer to Effect Program List Depends on chorus type
25 1 00-7F CHORUS PARAMETER 4 Refer to Effect Program List Depends on chorus type
26 1 00-7F CHORUS PARAMETER 5 Refer to Effect Program List Depends on chorus type
27 1 00-7F CHORUS PARAMETER 6 Refer to Effect Program List Depends on chorus type
28 1 00-7F CHORUS PARAMETER 7 Refer to Effect Program List Depends on chorus type
29 1 00-7F CHORUS PARAMETER 8 Refer to Effect Program List Depends on chorus type
2A 1 00-7F CHORUS PARAMETER 9 Refer to Effect Program List Depends on chorus type
2B 1 00-7F CHORUS PARAMETER 10 Refer to Effect Program List Depends on chorus type
2C 1 00-7F CHORUS RETURN -∞dB...0dB...+6dB(0...64...127) 40
2D 1 01-7F CHORUS PAN L63...C...R63(1...64...127) 40
2E 1 00-7F SEND CHORUS TO REVERB -∞dB...0dB...+6dB(0...64...127) 00
TOTAL SIZE 0F
02 01 30 1 00-7F CHORUS PARAMETER 11 Refer to Effect Program List Depends on chorus type
31 1 00-7F CHORUS PARAMETER 12 Refer to Effect Program List Depends on chorus type
32 1 00-7F CHORUS PARAMETER 13 Refer to Effect Program List Depends on chorus type
33 1 00-7F CHORUS PARAMETER 14 Refer to Effect Program List Depends on chorus type
34 1 00-7F CHORUS PARAMETER 15 Refer to Effect Program List Depends on chorus type
35 1 00-7F CHORUS PARAMETER 16 Refer to Effect Program List Depends on chorus type
TOTAL SIZE 6
02 01 40 2 00-7F VARIATION TYPE MSB Refer to Effect Program List 05(=DELAY L,C,R)
00-7F VARIATION TYPE LSB 00 : basic type 00
42 2 00-7F VARIATION PARAMETER 1 MSB Refer to Effect Parameter List Depends on variation type
00-7F VARIATION PARAMETER 1 LSB Refer to Effect Parameter List Depends on Variation type
44 2 00-7F VARIATION PARAMETER 2 MSB Refer to Effect Parameter List Depends on Variation type
00-7F VARIATION PARAMETER 2 LSB Refer to Effect Parameter List Depends on Variation type
46 2 00-7F VARIATION PARAMETER 3 MSB Refer to Effect Parameter List Depends on Variation type
00-7F VARIATION PARAMETER 3 LSB Refer to Effect Parameter List Depends on Variation type
48 2 00-7F VARIATION PARAMETER 4 MSB Refer to Effect Parameter List Depends on Variation type
00-7F VARIATION PARAMETER 4 LSB Refer to Effect Parameter List Depends on Variation type
4A 2 00-7F VARIATION PARAMETER 5 MSB Refer to Effect Parameter List Depends on Variation type
00-7F VARIATION PARAMETER 5 LSB Refer to Effect Parameter List Depends on Variation type
4C 2 00-7F VARIATION PARAMETER 5 MSB Refer to Effect Parameter List Depends on Variation type
00-7F VARIATION PARAMETER 6 LSB Refer to Effect Parameter List Depends on Variation type
4E 2 00-7F VARIATION PARAMETER 7 MSB Refer to Effect Parameter List Depends on Variation type
00-7F VARIATION PARAMETER 7 LSB Refer to Effect Parameter List Depends on Variation type
50 2 00-7F VARIATION PARAMETER 8 MSB Refer to Effect Parameter List Depends on Variation type
00-7F VARIATION PARAMETER 8 LSB Refer to Effect Parameter List Depends on Variation type
52 2 00-7F VARIATION PARAMETER 9 MSB Refer to Effect Parameter List Depends on Variation type
00-7F VARIATION PARAMETER 9 LSB Refer to Effect Parameter List Depends on Variation type
54 2 00-7F VARIATION PARAMETER 10 MSB Refer to Effect Parameter List Depends on Variation type
00-7F VARIATION PARAMETER 10 LSB Refer to Effect Parameter List Depends on Variation type
56 1 00-7F VARIATION RETURN -∞dB...0dB...+6dB(0...64...127) 40
57 1 01-7F VARIATION PAN L63...C...R63(1...64...127) 40
58 1 00-7F SEND VARIATION TO REVERB -∞dB...0dB...+6dB(0...64...127) 00
59 1 00-7F SEND VARIATION TO CHORUS -∞dB...0dB...+6dB(0...64...127) 00
5A 1 00-01 VARIATION CONNECTION 0:INSERTION,1:SYSTEM 00
5B 1 00-01 VARIATION PART Part1...64(0...63) 7F
AD1...AD63(64...126)
OFF(127)
5C 1 00-7F MW VARIATION CONTROL DEPTH -64...+63 40
5D 1 00-7F BEND VARIATION CONTROL DEPTH -64...+63 40
5E 1 00-7F CAT VARIATION CONTROL DEPTH -64...+63 40
5F 1 00-7F AC1 VARIATION CONTROL DEPTH -64...+63 40
60 1 00-7F AC2 VARIATION CONTROL DEPTH -64...+63 40
TOTAL SIZE 21
02 01 70 1 00-7F VARIATION PARAMETER 11 option parameter Depends on variation type
71 1 00-7F VARIATION PARAMETER 12 option parameter Depends on variation type
72 1 00-7F VARIATION PARAMETER 13 option parameter Depends on variation type
73 1 00-7F VARIATION PARAMETER 14 option parameter Depends on variation type
74 1 00-7F VARIATION PARAMETER 15 option parameter Depends on variation type
75 1 00-7F VARIATION PARAMETER 16 option parameter Depends on variation type
TOTAL SIZE 6
<Table 1-5>
MIDI Parameter Change table ( MULTI EQ )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
02 40 00 1 00 - 04 EQ type 0:FLAT 00
1:JAZZ
2:POPS
3:ROCK
4:CLASSIC
01 1 34 -4C EQ gain1 -12 - +12[dB] 40
02 1 04-28 EQ frequency1 32-2000[Hz] 0C
03 1 01-78 EQ Q1 0.1-12.0 07
04 1 00-01 EQ shape1 00:shelving, 01:peaking 00
05 1 34 -4C EQ gain2 -12 - +12[dB] 40

16
MU80 MIDI Data Format
06 1 0E-36 EQ frequency2 100-10.0[kHz] 1C
07 1 01-78 EQ Q2 0.1-12.0 07
08 1 not used
09 1 34 -4C EQ gain3 -12 - +12[dB] 40
0A 1 0E-36 EQ frequency3 100-10.0[kHz] 22
0B 1 01-78 EQ Q3 0.1-12.0 07
0C 1 not used
0D 1 34 -4C EQ gain4 -12 - +12[dB] 40
0E 1 0E-36 EQ frequency4 100-10.0[kHz] 2E
0F 1 01-78 EQ Q4 0.1-12.0 07
10 1 not used
11 1 34 -4C EQ gain5 -12 - +12[dB] 40
12 1 1C-3A EQ frequency5 0.5-16.0[kHz] 3C
13 1 01-78 EQ Q5 0.1-12.0 07
14 1 00-01 EQ shape5 00:shelving, 01:peaking 00
TOTAL SIZE 0B
<Table 1-6>
MIDI Parameter Change table ( EFFECT 2)
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
03 00 00 2 00-7F INSERTION EFFECT 1 TYPE MSB Refer to Effect Program List 48(=DISTORTION)
00-7F INSERTION EFFECT 1 TYPE LSB 00 : basic type 00
02 1 00-7F INSERTION EFFECT 1 PARAMETER1 Refer to Effect Parameter List Depends on insertion 1 type
03 1 00-7F INSERTION EFFECT 1 PARAMETER2 Refer to Effect Parameter List Depends on insertion 1 type
04 1 00-7F INSERTION EFFECT 1 PARAMETER3 Refer to Effect Parameter List Depends on insertion 1 type
05 1 00-7F INSERTION EFFECT 1 PARAMETER4 Refer to Effect Parameter List Depends on insertion 1 type
06 1 00-7F INSERTION EFFECT 1 PARAMETER5 Refer to Effect Parameter List Depends on insertion 1 type
07 1 00-7F INSERTION EFFECT 1 PARAMETER6 Refer to Effect Parameter List Depends on insertion 1 type
08 1 00-7F INSERTION EFFECT 1 PARAMETER7 Refer to Effect Parameter List Depends on insertion 1 type
09 1 00-7F INSERTION EFFECT 1 PARAMETER8 Refer to Effect Parameter List Depends on insertion 1 type
0A 1 00-7F INSERTION EFFECT 1 PARAMETER9 Refer to Effect Parameter List Depends on insertion 1 type
0B 1 00-7F INSERTION EFFECT 1 PARAMETER10 Refer to Effect Parameter List Depends on insertion 1 type
0C 1 00-7F INSERTION EFFECT 1 PART Part1...64(0...63) 7F
AD1...AD63(64...126)
OFF(127)
0D 1 00-7F MW INSERTION CONTROL DEPTH -64...+63 40
0E 1 00-7F BEND INSERTION CONTROL DEPTH -64...+63 40
0F 1 00-7F CAT INSERTION CONTROL DEPTH -64...+63 40
10 1 00-7F AC1 INSERTION CONTROL DEPTH -64...+63 40
11 1 00-7F AC2 INSERTION CONTROL DEPTH -64...+63 40
TOTAL SIZE 12
20 1 00-7F INSERTION EFFECT 1 PARAMETER11 Refer to Effect Parameter List Depends on insertion 1 type
21 1 00-7F INSERTION EFFECT 1 PARAMETER12 Refer to Effect Parameter List Depends on insertion 1 type
23 1 00-7F INSERTION EFFECT 1 PARAMETER13 Refer to Effect Parameter List Depends on insertion 1 type
24 1 00-7F INSERTION EFFECT 1 PARAMETER14 Refer to Effect Parameter List Depends on insertion 1 type
25 1 00-7F INSERTION EFFECT 1 PARAMETER15 Refer to Effect Parameter List Depends on insertion 1 type
26 1 00-7F INSERTION EFFECT 1 PARAMETER16 Refer to Effect Parameter List Depends on insertion 1 type
TOTAL SIZE 6
*Data Range varies according to Effect type value.
<Table 1-7>
MIDI Parameter Change table ( DISPLAY DATA )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
06 00 00 20 20 - 7F DISPLAY LETTER 32-127(ASCII)
:
1F
TOTAL SIZE 20
07 00 00 30 00 - 7F DISPLAY BITMAP Data0 0 - 127
::
2F Data47
TOTAL SIZE 30
Relation of data and display:
Each data byte defines seven contiguous pixels in the horizontal direction.
A bitvalue of “1” sets the pixel ON, “0” sets it off.
Alignment of data on the screen is as follows.
b6 b5 b4 b3 b2 b1 b0 b6 b5 b4 b3 b2 b1 b0 b6 b5 b4 b3 b2 b1 b0
Data0 *******Data16 *******Data32 * * -----
Data1 Data17 Data33
Data2 Data18 Data34
Data3 Data19 Data35
Data4 Data20 Data36
Data5 Data21 Data37
Data6 Data22 Data38
Data7 Data23 Data39
Data8 Data24 Data40
Daa9 Data25 Data41
Data10 Data26 Data42
Data11 Data27 Data43
Data12 Data28 Data44
Data13 Data29 Data45
Data14 Data30 Data46
Data15 Data31 Data47
For Data32~Data 47, only b6 and b5 are effective.

17
MU80 MIDI Data Format
It is possible to limit reception of bitmap data to selected pixels only, while leaving unselected pixels in their existing display state. It is also possible to start transmission of
Display Data parameter-change data from any arbitrary point.
<Table 1-8>
MIDI Parameter Change table ( MULTI PART )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
08 nn 00 1 00 - 20 ELEMENT RESERVE 0 - 32 part10=0, other =2
nn 01 1 00 - 7F BANK SELECT MSB 0 - 127 part10=7F, other=0
nn 02 1 00 - 7F BANK SELECT LSB 0 - 127 00
nn 03 1 00 - 7F PROGRAM NUMBER 1 - 128 00
nn 04 1 00 - 1F, 7F Rcv CHANNEL A1 - A16,B1 - B16,OFF Part No.
nn 05 1 00 - 01 MONO/POLY MODE 0:MONO 01
1:POLY
nn 06 1 00 - 02 SAME NOTE NUMBER 0:SINGLE 00
KEY ON ASSIGN 1:MULTI
2:INST (for DRUM)
nn 07 1 00 - 01 PART MODE 0:NORMAL 00 (Part other than 10)
1:DRUM 01 (Part10)
2 - 5:DRUMS1 - 4
nn 08 1 28 - 58 NOTE SHIFT -24 - +24[semitones] 40
nn 09 2 00 - FF DETUNE -12.8 - +12.7[Hz] 08 00
nn 0A 1st bit3-0→bit7-4 (80)
2nd bit3-0→bit3-0
nn 0B 1 00 - 7F VOLUME 0 - 127 64
nn 0C 1 00 - 7F VELOCITY SENSE DEPTH 0 - 127 40
nn 0D 1 00 - 7F VELOCITY SENSE OFFSET 0 - 127 40
nn 0E 1 00 - 7F PAN 0:random 40
L63...C...R63(1...64...127)
nn 0F 1 00 - 7F NOTE LIMIT LOW C-2 - G8 00
nn 10 1 00 - 7F NOTE LIMIT HIGH C-2 - G8 7F
nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F
nn 12 1 00 - 7F CHORUS SEND 0 - 127 00
nn 13 1 00 - 7F REVERB SEND 0 - 127 28
nn 14 1 00 - 7F VARIATION SEND 0 - 127 00
nn 15 1 00 - 7F VIBRATO RATE -64 - +63 40
nn 16 1 00 - 7F VIBRATO DEPTH -64 - +63 40
nn 17 1 00 - 7F VIBRATO DELAY -64 - +63 40
nn 18 1 00 - 7F FILTER CUTOFF FREQUENCY -64 - +63 40
nn 19 1 00 - 7F FILTER RESONANCE -64 - +63 40
nn 1A 1 00 - 7F EG ATTACK TIME -64 - +63 40
nn 1B 1 00 - 7F EG DECAY TIME -64 - +63 40
nn 1C 1 00 - 7F EG RELEASE TIME -64 - +63 40
nn 1D 1 28 - 58 MW PITCH CONTROL -24 - +24[semitones] 40
nn 1E 1 00 - 7F MW FILTER CONTROL -9600 - +9450[cent] 40
nn 1F 1 00 - 7F MW AMPLITUDE CONTROL -100 - +100[%] 40
nn 20 1 00 - 7F MW LFO PMOD DEPTH 0 - 127 0A
nn 21 1 00 - 7F MW LFO FMOD DEPTH 0 - 127 00
nn 22 1 00 - 7F MW LFO AMOD DEPTH 0 - 127 00
nn 23 1 28 - 58 BEND PITCH CONTROL -24 - +24[semitones] 42
nn 24 1 00 - 7F BEND FILTER CONTROL -9600 - +9450[cent] 40
nn 25 1 00 - 7F BEND AMPLITUDE CONTROL -100 - +100[%] 40
nn 26 1 00 - 7F BEND LFO PMOD DEPTH 0 - 127 00
nn 27 1 00 - 7F BEND LFO FMOD DEPTH 0 - 127 00
nn 28 1 00 - 7F BEND LFO AMOD DEPTH 0 - 127 00
TOTAL SIZE 29
nn 30 1 00 - 01 Rcv PITCH BEND OFF/ON 01
nn 31 1 00 - 01 Rcv CH AFTERTOUCH (CAT) OFF/ON 01
nn 32 1 00 - 01 Rcv PROGRAM CHANGE OFF/ON 01
nn 33 1 00 - 01 Rcv CONTROL CHANGE OFF/ON 01
nn 34 1 00 - 01 Rcv POLY AFTERTOUCH (PAT) OFF/ON 01
nn 35 1 00 - 01 Rcv NOTE MESSAGE OFF/ON 01
nn 36 1 00 - 01 Rcv RPN OFF/ON 01
nn 37 1 00 - 01 Rcv NRPN OFF/ON XG=01, GM=00
nn 38 1 00 - 01 Rcv MODULATION OFF/ON 01
nn 39 1 00 - 01 Rcv VOLUME OFF/ON 01
nn 3A 1 00 - 01 Rcv PAN OFF/ON 01
nn 3B 1 00 - 01 Rcv EXPRESSION OFF/ON 01
nn 3C 1 00 - 01 Rcv HOLD1 OFF/ON 01
nn 3D 1 00 - 01 Rcv PORTAMENTO OFF/ON 01
nn 3E 1 00 - 01 Rcv SOSTENUTO OFF/ON 01
nn 3F 1 00 - 01 Rcv SOFT PEDAL OFF/ON 01
nn 40 1 00 - 01 Rcv BANK SELECT OFF/ON XG=01, GM=00
nn 41 1 00 - 7F SCALE TUNING C -64 - +63[cent] 40
nn 42 1 00 - 7F SCALE TUNING C# -64 - +63[cent] 40
nn 43 1 00 - 7F SCALE TUNING D -64 - +63[cent] 40
nn 44 1 00 - 7F SCALE TUNING D# -64 - +63[cent] 40
nn 45 1 00 - 7F SCALE TUNING E -64 - +63[cent] 40
nn 46 1 00 - 7F SCALE TUNING F -64 - +63[cent] 40
nn 47 1 00 - 7F SCALE TUNING F# -64 - +63[cent] 40
nn 48 1 00 - 7F SCALE TUNING G -64 - +63[cent] 40
nn 49 1 00 - 7F SCALE TUNING G# -64 - +63[cent] 40
nn 4A 1 00 - 7F SCALE TUNING A -64 - +63[cent] 40
nn 4B 1 00 - 7F SCALE TUNING A# -64 - +63[cent] 40
nn 4C 1 00 - 7F SCALE TUNING B -64 - +63[cent] 40

18
MU80 MIDI Data Format
nn 4D 1 28 - 58 CAT PITCH CONTROL -24 - +24[semitones] 40
nn 4E 1 00 - 7F CAT FILTER CONTROL -9600 - +9450[cent] 40
nn 4F 1 00 - 7F CAT AMPLITUDE CONTROL -100 - +100[%] 40
nn 50 1 00 - 7F CAT LFO PMOD DEPTH 0 - 127 00
nn 51 1 00 - 7F CAT LFO FMOD DEPTH 0 - 127 00
nn 52 1 00 - 7F CAT LFO AMOD DEPTH 0 - 127 00
nn 53 1 28 - 58 PAT PITCH CONTROL -24 - +24[semitones] 40
nn 54 1 00 - 7F PAT FILTER CONTROL -9600 - +9450[cent] 40
nn 55 1 00 - 7F PAT AMPLITUDE CONTROL -100 - +100[%] 40
nn 56 1 00 - 7F PAT LFO PMOD DEPTH 0 - 127 00
nn 57 1 00 - 7F PAT LFO FMOD DEPTH 0 - 127 00
nn 58 1 00 - 7F PAT LFO AMOD DEPTH 0 - 127 00
nn 59 1 00 - 5F AC1 CONTROLLER NUMBER 0 - 95 10
nn 5A 1 28 - 58 AC1 PITCH CONTROL -24 - +24[semitones] 40
nn 5B 1 00 - 7F AC1 FILTER CONTROL -9600 - +9450[cent] 40
nn 5C 1 00 - 7F AC1 AMPLITUDE CONTROL -100 - +100[%] 40
nn 5D 1 00 - 7F AC1 LFO PMOD DEPTH 0 - 127 00
nn 5E 1 00 - 7F AC1 LFO FMOD DEPTH 0 - 127 00
nn 5F 1 00 - 7F AC1 LFO AMOD DEPTH 0 - 127 00
nn 60 1 00 - 5F AC2 CONTROLLER NUMBER 0 - 95 11
nn 61 1 28 - 58 AC2 PITCH CONTROL -24 - +24[semitones] 40
nn 62 1 00 - 7F AC2 FILTER CONTROL -9600 - +9450[cent] 40
nn 63 1 00 - 7F AC2 AMPLITUDE CONTROL -100 - +100[%] 40
nn 64 1 00 - 7F AC2 LFO PMOD DEPTH 0 - 127 00
nn 65 1 00 - 7F AC2 LFO FMOD DEPTH 0 - 127 00
nn 66 1 00 - 7F AC2 LFO AMOD DEPTH 0 - 127 00
nn 67 1 00 - 01 PORTAMENTO SWITCH OFF/ON 00
nn 68 1 00 - 7F PORTAMENTO TIME 0 - 127 00
nn 69 1 00 - 7F PITCH EG INITIAL LEVEL -64 - +63 40
nn 6A 1 00 - 7F PITCH EG ATTACK TIME -64 - +63 40
nn 6B 1 00 - 7F PITCH EG RELEASE LEVEL -64 - +63 40
nn 6C 1 00 - 7F PITCH EG RELEASE TIME -64 - +63 40
nn 6D 1 00 - 7F VELOCITY LIMIT LOW 0 - 127 00
nn 6E 1 00 - 7F VELOCITY LIMIT HIGH 0 - 127 7F
TOTAL SIZE 3F
nn = PartNumber
For DRUM PART, the following parameters are ineffective.
• BANK SELECT LSB
• PORTAMENTO
• SOFT PEDAL
• MONO/POLY
• SCALE TUNING
• POLY AFTERTOUCH
<Table 1-9>
MIDI Parameter Change table ( A/D PART )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
10 0n 00 1 00 - 01 INPUT GAIN 0:MIC,1:LINE
01 1 00 - 7F BANK SELECT MSB 0 - 127 00
02 1 00 - 7F BANK SELECT LSB 0 - 127 00
03 1 00 - 7F PROGRAM NUMBER 1 - 128 00
04 1 00 - 1F, 7F Rcv CHANNEL A1 - A16,B1 - B16,OFF 7F
05 1 NOT USED
06 1 NOT USED
07 1 NOT USED
08 1 NOT USED
09 1 NOT USED
0A 1 NOT USED
0B 1 00 - 7F VOLUME 0 - 127 64
0C 1 NOT USED
0D 1 NOT USED
0E 1 01 - 7F PAN L63...C...R63(1...64...127) 40
0F 1 NOT USED
10 1 NOT USED
11 1 00 - 7F DRY LEVEL 0 - 127 7F
12 1 00 - 7F CHORUS SEND 0 - 127 00
13 1 00 - 7F REVERB SEND 0 - 127 40
14 1 00 - 7F VARIATION SEND 0 - 127 00
TOTAL SIZE 15
10 0n 30 1 00 - 01 NOT USED
31 1 00 - 01 NOT USED
32 1 00 - 01 Rcv PROGRAM CHANGE OFF/ON 01
33 1 00 - 01 Rcv CONTROL CHANGE OFF/ON 01
34 1 00 - 01 NOT USED
35 1 00 - 01 NOT USED
36 1 00 - 01 NOT USED
37 1 00 - 01 NOT USED
38 1 00 - 01 NOT USED
39 1 00 - 01 Rcv VOLUME OFF/ON 01
3A 1 00 - 01 Rcv PAN OFF/ON 01
3B 1 00 - 01 Rcv EXPRESSION OFF/ON 01
3C 1 00 - 01 NOT USED
3D 1 00 - 01 NOT USED
3E 1 00 - 01 NOT USED

19
MU80 MIDI Data Format
3F 1 00 - 01 NOT USED
40 1 00 - 01 Rcv BANK SELECT OFF/ON 01
41 1 00 - 7F NOT USED
42 1 00 - 7F NOT USED
43 1 00 - 7F NOT USED
44 1 00 - 7F NOT USED
45 1 00 - 7F NOT USED
46 1 00 - 7F NOT USED
47 1 00 - 7F NOT USED
48 1 00 - 7F NOT USED
49 1 00 - 7F NOT USED
4A 1 00 - 7F NOT USED
4B 1 00 - 7F NOT USED
4C 1 00 - 7F NOT USED
4D 1 28 - 58 NOT USED
4E 1 00 - 7F NOT USED
4F 1 00 - 7F NOT USED
50 1 00 - 7F NOT USED
51 1 00 - 7F NOT USED
52 1 00 - 7F NOT USED
53 1 28 - 58 NOT USED
54 1 00 - 7F NOT USED
55 1 00 - 7F NOT USED
56 1 00 - 7F NOT USED
57 1 00 - 7F NOT USED
58 1 00 - 7F NOT USED
59 1 00 - 5F AC1 CONTROLLER NUMBER 0 - 95 10
5A 1 28 - 58 NOT USED
5B 1 00 - 7F NOT USED
5C 1 00 - 7F NOT USED
5D 1 00 - 7F NOT USED
5E 1 00 - 7F NOT USED
5F 1 00 - 7F NOT USED
60 1 00 - 5F AC2 CONTROLLER NUMBER 0 - 95 11
TOTAL SIZE 31
n:A/D Part number( 0 - 1 )
<Table 1-10>
MIDI Parameter Change table ( DRUM SETUP )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
3n rr 00 1 00 - 7F PITCH COARSE -64 - +63 40
3n rr 01 1 00 - 7F PITCH FINE -64 - +63[cent] 40
3n rr 02 1 00 - 7F LEVEL 0 - 127 Depends on note
3n rr 03 1 00 - 7F ALTERNATE GROUP 0:OFF Depends on note
1 - 127
3n rr 04 1 00 - 7F PAN 0:random Depends on note
1:L63
:
64:C(center)
:
127:R63
3n rr 05 1 00 - 7F REVERB SEND 0 - 127 Depends on note
3n rr 06 1 00 - 7F CHORUS SEND 0 - 127 Depends on note
3n rr 07 1 00 - 7F VARIATION SEND 0 - 127 7F
3n rr 08 1 00 - 01 KEY ASSIGN 0:SINGLE 00
1:MULTI
3n rr 09 1 00 - 01 Rcv NOTE OFF OFF/ON Depends on note
3n rr 0A 1 00 - 01 Rcv NOTE ON OFF/ON 01
3n rr 0B 1 00 - 7F FILTER CUTOFF FREQUENCY -64 - 63 40
3n rr 0C 1 00 - 7F FILTER RESONANCE -64 - 63 40
3n rr 0D 1 00 - 7F EG ATTACK -64 - 63 40
3n rr 0E 1 00 - 7F EG DECAY1 -64 - 63 40
3n rr 0F 1 00 - 7F EG DECAY2 -64 - 63 40
TOTAL SIZE 10
[Note]
n: Drum number (0 to 3)
rr: Note number (0D to 5B)
Receipt of “XG System On” or “GM System On” message generates reinitialization of all DRUM SETUP parameters.
“Drum Setup Reset” message can be used to reinitialize drum setup parameters.