Amina Life-Fidelity LFi2T Manual

Amina Technologies Ltd
INSTRUCTION GUIDE
T E C H N O L O G I E S L t d
®
Amina Technologies Ltd
Cirrus House
Glebe Road
Huntingdon
Cambridgeshire
PE29 7DX
T+44(0)1480 354390
F+44(0)1480 356564
E [email protected]o.uk
W www.amina.co.uk
Amina Life-Fidelity™ Series
in-ceiling loudspeaker
100V/70V plaster-in-wall and
Models: LFi2T & LFi4T

We recommend that you spend a few minutes reading this guide, which has
been written to help you get the most from your purchase.
Safety Warning: Never connect this product directly to the mains electrical supply!
®
Fragile Electronic Equipment: This Amina product is a sensitive piece of electronic equipment,
please take great care of it. Damage will occur with harsh treatment.
®
Unpacking: Unpack your Amina Life-Fidelity™ Plaster-in-wall loudspeaker (abbreviated 'In-wall
Loudspeaker' in this document) with care. Visually check the product and, in the event of transit
damage, immediately inform your supplier. We suggest retaining your packaging to transport the
product safely at a later date.
®
Contents: This carton contains four white plastic mounting lugs to every one Amina In-wall
Loudspeaker.
02
Thank you for purchasing an
®
Amina Technologies product
03
Introduction:
®
The Amina Life-Fidelity™ technology utilises a revolutionary 'diffuse source' vibrating soundboard
technique (like that of a traditional acoustic musical instrument) to reproduce high quality, high clarity,
highly intelligible sound, even in acoustically reflective areas where conventional cone 'point source'
loudspeaker systems generally under perform.
Don't worry, these surface vibrations are absolutely tiny and cannot be seen with the naked eye, but
they will be detected by our more sensitive touch sense.
The majority of the sound energy generated by this 'diffuse source' vibrating soundboard technique is
incoherent (or non-phase related), whereas the conventional 'point source' loudspeaker generates a
coherent (or phase related) sound wave. Whilst this diffuse energy is unseen and its effects are not
immediately obvious, this is important in acoustically 'live' spaces and in the way our brains interpret
sound (the complex science of psychoacoustics).
Please note that this In-wall loudspeaker product by itself is not a direct replacement for a
conventional full range loudspeaker system. In 'hi-fi' and home theatre listening applications a low
frequency driver or sub bass may be required to 'lift' the bottom end of the frequency spectrum. This is
easily done as the direction of such low frequencies are not detected by the human ear, allowing such
a device to be placed in the most convenient and unobtrusive of locations. For general background
music listening and voice reproduction, this product is generally sufficient to be used alone.
Once Plastered into position: Please avoid pushing the wall or ceiling surface immediately in front of
this In-wall loudspeaker. Excessive excursion, whilst unlikely to damage the loudspeaker, may lead to
cracking of the plaster around the perimeter of the product.
Effect of using an AF2
High Pass Filter:
Bass content of signals
eliminated from panel
30
20
10
10010
0
1000 10k 100k
75
AF2 Highpass filter
24dB Octave
Sound Pressure Levels (SPL)
Frequency
Harrogate House:
Amina In-wall Loudspeaker Panels
were installed in the living space
to be used with the television
and surround sound system
Please Note: In order to protect this device from excessive low frequency audio energy, this
product must be used in conjunction with a high pass filter set at 80Hz or higher and with an
attenuation rate of at least 24dB/octave. Amina's own AF2/80 or AF2/150 active filters are ideal.

We recommend that you spend a few minutes reading this guide, which has
been written to help you get the most from your purchase.
Safety Warning: Never connect this product directly to the mains electrical supply!
®
Fragile Electronic Equipment: This Amina product is a sensitive piece of electronic equipment,
please take great care of it. Damage will occur with harsh treatment.
®
Unpacking: Unpack your Amina Life-Fidelity™ Plaster-in-wall loudspeaker (abbreviated 'In-wall
Loudspeaker' in this document) with care. Visually check the product and, in the event of transit
damage, immediately inform your supplier. We suggest retaining your packaging to transport the
product safely at a later date.
®
Contents: This carton contains four white plastic mounting lugs to every one Amina In-wall
Loudspeaker.
Please Note: In order to protect this device from excessive low frequency audio energy, it is
recommended that this product must be used in conjunction with a high pass filter set at 100Hz or
higher.
02
Thank you for purchasing an
®
Amina Technologies product
03
Introduction:
®
The Amina Life-Fidelity™ technology utilises a revolutionary 'diffuse source' vibrating soundboard
technique (like that of a traditional acoustic musical instrument) to reproduce high quality, high clarity,
highly intelligible sound, even in acoustically reflective areas where conventional cone 'point source'
loudspeaker systems generally under perform.
Don't worry, these surface vibrations are absolutely tiny and cannot be seen with the naked eye, but
they will be detected by our more sensitive touch sense.
The majority of the sound energy generated by this 'diffuse source' vibrating soundboard technique is
incoherent (or non-phase related), whereas the conventional 'point source' loudspeaker generates a
coherent (or phase related) sound wave. Whilst this diffuse energy is unseen and its effects are not
immediately obvious, this is important in acoustically 'live' spaces and in the way our brains interpret
sound (the complex science of psychoacoustics).
Please note that this In-wall loudspeaker product by itself is not a direct replacement for a
conventional full range loudspeaker system. In 'hi-fi' and home theatre listening applications a low
frequency driver or sub bass may be required to 'lift' the bottom end of the frequency spectrum. This is
easily done as the direction of such low frequencies are not detected by the human ear, allowing such
a device to be placed in the most convenient and unobtrusive of locations. For general background
music listening and voice reproduction, this product is generally sufficient to be used alone.
Once Plastered into position: Please avoid pushing the wall or ceiling surface immediately in front of
this In-wall loudspeaker. Excessive excursion, whilst unlikely to damage the loudspeaker, may lead to
cracking of the plaster around the perimeter of the product.
Effect of using an AF2
High Pass Filter:
Bass content of signals
eliminated from panel
30
20
10
10010
0
1000 10k 100k
75
AF2 Highpass filter
24dB Octave
Sound Pressure Levels (SPL)
Frequency
Harrogate House:
Amina In-wall Loudspeaker Panels
were installed in the living space
to be used with the television
and surround sound system

Radiated sound energy is random, diffused and highly dispersed:
Conventional cone 'point source' loudspeakers radiate sound energy that is phase related. This is
analogous to the ripples formed when dropping a pebble into still water. Reflections from boundaries
are highly correlated with the energy from the original source. Additions and cancellations occur
helping to create a variety of problems including room response, reverberation, poor intelligibility and
feedback when used with open microphone channels.
®
The radiated sound from an Amina life-Fidelity™ 'diffuse source' panel loudspeaker is essentially
random in nature, non-correlated and significantly less phase related. Reflected energy is principally
constructive, creating a very even sound pressure across the entire space. Reverberation, room
response and microphone feedback are generally reduced and intelligibility is generally improved over
a much wider area due to the very different intermodulation effects that take place with a diffuse
energy source.
Visual appearance can be matched to the surrounding decoration:
Aesthetically the concept of a thin flat panel allows greater creativity in visually disguising the product
®
to merge into any room aesthetic. This is particularly true of the Amina Plaster In-wall loudspeaker
range, which offers zero visibility and therefore zero interference with interior design.
Amina versus ordinary speakers:
05
04
®
Amina Life-Fidelity™ Characteristics:
®
Before installation you should be aware of the basic characteristics of the Amina Life-Fidelity™
'diffuse source' technology. This will help you to get the best results from the product and enable long
term, reliable operation in your chosen application.
Sound radiates in all directions:
®
Sound dispersion from an Amina Life-Fidelity™ 'diffuse source' product is generally spherical in
shape across most of the frequencies it reproduces. The positioning of the product is therefore much
less critical than with conventional 'point source', inherently directional, cone loudspeakers. There is
no need to angle this product to a specific direction, its height is far less relevant and can be placed in
any orientation or plane.
The Sound pressure level fall off is more gradual off axis and in a bounded space:
Sound pressure level (S.P.L.) from a conventional 'point source' cone loudspeaker falls off dramatically
as the listener moves away from the speaker. This is more true than ever when listening 'off-axis' (i.e.
®
not directly in front of the cone speaker). However the S.P.L fall off from an Amina Life-Fidelity™
'diffuse source' product is much less severe with distance, especially when listening off axis. In fact, the
larger the vibrating soundboard area, the greater the distance it is possible to move away from the
panel (or 'source') without showing an appreciable loss in S.P.L. This is very much the case when the
whole of the stud wall, or ceiling, in effect becomes the vibrating surface. The situation improves
®
further when an Amina Life-Fidelity™ 'diffuse source' panel is used in an acoustically reflective
bounded environment (e.g. conservatory, pool area, or room containing very little soft furnishings).
Here, the reflected phase incoherent energy is generally constructive, contributing to the overall
S.P.L, generating a very even 'sound-fill' across a given bounded space.
Conventional Loud Speaker:
Fall off - volume level with distance
Sound Pressure Level (SPL)
Distance
o
n
ax
is
o
f
fa
xis
Sound Pressure Level (SPL)
Distance
Amina Flat Panel - NXT Technology:
on
ax
is
o
ff
axis
Polar plot of an Amina LFi2T Diffuse Source Loudspeaker

Radiated sound energy is random, diffused and highly dispersed:
Conventional cone 'point source' loudspeakers radiate sound energy that is phase related. This is
analogous to the ripples formed when dropping a pebble into still water. Reflections from boundaries
are highly correlated with the energy from the original source. Additions and cancellations occur
helping to create a variety of problems including room response, reverberation, poor intelligibility and
feedback when used with open microphone channels.
®
The radiated sound from an Amina life-Fidelity™ 'diffuse source' panel loudspeaker is essentially
random in nature, non-correlated and significantly less phase related. Reflected energy is principally
constructive, creating a very even sound pressure across the entire space. Reverberation, room
response and microphone feedback are generally reduced and intelligibility is generally improved over
a much wider area due to the very different intermodulation effects that take place with a diffuse
energy source.
Visual appearance can be matched to the surrounding decoration:
Aesthetically the concept of a thin flat panel allows greater creativity in visually disguising the product
®
to merge into any room aesthetic. This is particularly true of the Amina Plaster In-wall loudspeaker
range, which offers zero visibility and therefore zero interference with interior design.
Amina versus ordinary speakers:
05
04
®
Amina Life-Fidelity™ Characteristics:
®
Before installation you should be aware of the basic characteristics of the Amina Life-Fidelity™
'diffuse source' technology. This will help you to get the best results from the product and enable long
term, reliable operation in your chosen application.
Sound radiates in all directions:
®
Sound dispersion from an Amina Life-Fidelity™ 'diffuse source' product is generally spherical in
shape across most of the frequencies it reproduces. The positioning of the product is therefore much
less critical than with conventional 'point source', inherently directional, cone loudspeakers. There is
no need to angle this product to a specific direction, its height is far less relevant and can be placed in
any orientation or plane.
The Sound pressure level fall off is more gradual off axis and in a bounded space:
Sound pressure level (S.P.L.) from a conventional 'point source' cone loudspeaker falls off dramatically
as the listener moves away from the speaker. This is more true than ever when listening 'off-axis' (i.e.
®
not directly in front of the cone speaker). However the S.P.L fall off from an Amina Life-Fidelity™
'diffuse source' product is much less severe with distance, especially when listening off axis. In fact, the
larger the vibrating soundboard area, the greater the distance it is possible to move away from the
panel (or 'source') without showing an appreciable loss in S.P.L. This is very much the case when the
whole of the stud wall, or ceiling, in effect becomes the vibrating surface. The situation improves
®
further when an Amina Life-Fidelity™ 'diffuse source' panel is used in an acoustically reflective
bounded environment (e.g. conservatory, pool area, or room containing very little soft furnishings).
Here, the reflected phase incoherent energy is generally constructive, contributing to the overall
S.P.L, generating a very even 'sound-fill' across a given bounded space.
Fall off - volume level with distance
Sound Pressure Level (SPL)
Distance
o
n
ax
is
o
f
fa
xis
Sound Pressure Level (SPL)
Distance
on
ax
is
o
ff
axis
Polar plot of an Amina Li-Fi Diffuse Source Loudspeaker
Conventional Loud Speaker: Amina Flat Panel - NXT Technology:

07
06
®
Amina bespoke service:
®
For situations where Plaster In-wall or In-Ceiling panel loudspeakers are not appropriate, Amina
provide a bespoke manufacturing and customisation service. Panel loudspeakers can be painted,
veneered, flocked or have a laminated print (containing the image of the clients choice) mounted to
®
its surface. Please ask your supplier for details. Amina can also provide a full custom service,
designing and making any size and shape panel loudspeakers according to client specifications.
Applications:
®
Amina In-wall or In-Ceiling loudspeakers are ideally suited for multi-room entertainment and home
cinema/theatre reproduction in the home, and for background to foreground entertainment systems
and voice reinforcement (eg. paging, retail, corporate, conferencing, hotel, restaurant, worship and
other leisure venues). It is particularly useful (in both home and commercial premises) in wet areas, e.g.
swimming pool, garden areas and bathroom ceilings, where the plaster and any surface coatings
®
serve to isolate the Amina In-wall loudspeaker from the humid zone, combining high quality sound
reproduction and zero architectural visibility in humid environments whilst avoiding any long term
corrosion issues.
®
within stud walls or plasterboard ceilings. It can also be set into solid wall structures, although this can
involve considerable building work to create a suitable aperture to mount the product within. The
minimum depth of opening required in a stud wall, ceiling or solid wall, is 50mm from the wall or
ceiling front surface. There is no maximum depth requirement.
®
generally determined by the audio format being reproduced. In a stereo listening situation, two
panels will be required; in a 5.1 surround sound application, 5 panels will be required; in a 7.1 surround
sound application, 7 panels. The product positioning follows the general requirements of each of
those system types. One left of and one right of, and in front of the general listening position for
stereo. One left of, one central to and one right of, and in front of the general listening position,
together with one right of, and one left of and to the rear of the general listening position for 5.1
surround sound.
Of course real room layouts seldom provide ideal locations, especially considering the numerous
listening or seat positions generally requiring coverage. The advantage of this type of 'diffuse source'
loudspeaker is that the speaker position and listening position are far less critical, making them ideal
for 'real' rooms.
The following schematics give a few ideas on typical positions to be adopted in stereo and 5.1
surround applications in a series of real life rooms.
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
Bedroom system
set-up
Ceiling
Mount
5.1
Ceiling
Mount
Stereo
Wall Mount 5.1
Optional front &
rear positions
Example: 5.1 Surround Sound in the Bedroom:
A good example to pick out here is the bedroom, with a requirement for a 5.1 surround system.
Installation of any loudspeaker within a ceiling is generally very easy within a bedroom (assuming a
traditional house layout), due to the ease of access through a loft void. However, the use of
conventional 'point source' directional loudspeakers is likely to yield poor results as the front set of
three speakers situated beyond the foot of the bed are not directionally aimed at the listener.
®
Alternatively, applying the Amina 'diffuse source' Plaster In-wall or In-Ceiling loudspeakers at the
same positions will yield excellent results, as their non-directional qualities will place sound at the
listening position even at this acute angle.
X
X
Swimming Pool
room layout
Panels positioned in ceiling
above pool area
X
X
X X
X
X
X
X
X
X
X
X
X
X
X X
Ceiling
Mount
5.1
Ceiling
Mount
Stereo
for music
Wall Mount 5.1
Optional front
& rear positions
on wall
Lounge system set-up
Wall Mount 5.1 & sub
The awkward room
LiFi units ‘plastered in wall’
TV screen in corner of room
X
XXX
XX
Key
Amina Plaster In-wall
speaker
Sub bass
X
X
Residential Installation
Product Positioning and Quantity Requirements:
In the home, the position and number of Amina Plaster In-wall or In-Ceiling loudspeakers is
In residentialenvironments Amina Plaster In-wall or In-Ceiling loudspeakers areideal for application

07
06
®
Amina bespoke service:
®
For situations where Plaster In-wall or In-Ceiling panel loudspeakers are not appropriate, Amina
provide a bespoke manufacturing and customisation service. Panel loudspeakers can be painted,
veneered, flocked or have a laminated print (containing the image of the clients choice) mounted to
®
its surface. Please ask your supplier for details. Amina can also provide a full custom service,
designing and making any size and shape panel loudspeakers according to client specifications.
Applications:
®
Amina In-wall or In-Ceiling loudspeakers are ideally suited for multi-room entertainment and home
cinema/theatre reproduction in the home, and for background to foreground entertainment systems
and voice reinforcement (eg. paging, retail, corporate, conferencing, hotel, restaurant, worship and
other leisure venues). It is particularly useful (in both home and commercial premises) in wet areas, e.g.
swimming pool, garden areas and bathroom ceilings, where the plaster and any surface coatings
®
serve to isolate the Amina In-wall loudspeaker from the humid zone, combining high quality sound
reproduction and zero architectural visibility in humid environments whilst avoiding any long term
corrosion issues.
Product Positioning and Quantity Requirements: Home
Installation
®
In the home environment the Amina Plaster In-wall or In-Ceiling loudspeaker is ideal for application
within stud walls or plasterboard ceilings. It can also be set into solid wall structures, although this can
involve considerable building work to create a suitable aperture to mount the product within. The
minimum depth of opening required in a stud wall, ceiling or solid wall, is 50mm from the wall or
ceiling front surface.There is no maximum depth requirement.
®
In the home, the position and number of Amina Plaster In-wall or In-Ceiling loudspeakers is
generally determined by the audio format being reproduced. In a stereo listening situation, two
panels will be required; in a 5.1 surround sound application, 5 panels will be required; in a 7.1 surround
sound application, 7 panels. The product positioning follows the general requirements of each of
those system types. One left of and one right of, and in front of the general listening position for
stereo. One left of, one central to and one right of, and in front of the general listening position,
together with one right of, and one left of and to the rear of the general listening position for 5.1
surround sound.
Of course real room layouts seldom provide ideal locations, especially considering the numerous
listening or seat positions generally requiring coverage. The advantage of this type of 'diffuse source'
loudspeaker is that the speaker position and listening position are far less critical, making them ideal
for 'real' rooms.
The following schematics give a few ideas on typical positions to be adopted in stereo and 5.1
surround applications in a series of real life rooms.
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
Bedroom system
set-up
Ceiling
Mount
5.1
Ceiling
Mount
Stereo
Wall Mount 5.1
Optional front &
rear positions
Example: 5.1 Surround Sound in the Bedroom:
A good example to pick out here is the bedroom, with a requirement for a 5.1 surround system.
Installation of any loudspeaker within a ceiling is generally very easy within a bedroom (assuming a
traditional house layout), due to the ease of access through a loft void. However, the use of
conventional 'point source' directional loudspeakers is likely to yield poor results as the front set of
three speakers situated beyond the foot of the bed are not directionally aimed at the listener.
®
Alternatively, applying the Amina 'diffuse source' Plaster In-wall or In-Ceiling loudspeakers at the
same positions will yield excellent results, as their non-directional qualities will place sound at the
listening position even at this acute angle.
X
X
Swimming Pool
room layout
Panels positioned in ceiling
above pool area
X
X
X X
X
X
X
X
X
X
X
X
X
X
X X
Ceiling
Mount
5.1
Ceiling
Mount
Stereo
for music
Wall Mount 5.1
Optional front
& rear positions
on wall
Lounge system set-up
Wall Mount 5.1 & sub
The awkward room
LiFi units ‘plastered in wall’
TV screen in corner of room
X
XXX
XX
Key
Amina Plaster In-wall
speaker
Sub bass
X
X

09
08
Product Positioning and Quantity Requirements:
Commercial Installation
The overriding factor in terms of best product positioning for multiple source installations is,
where possible, to evenly space the number of panels across the given space. This will create a
very even S.P.L. across the whole environment. The direction, orientation and height are much
less relevant.
®
As a general rule of thumb, in ceiling applications, one Amina Plaster In-Wall loudspeaker will
be required every 7 to 10 metres (i.e. covering an area of 49 to 100 square metres). S.P.L. levels
measured at the mid point between two panels and 0.6m down (i.e. standing height in a room
with a 2.4m high ceiling) will be 6dB lower than when measured directly under the panel. When
measured at a distance of 1.1m down (i.e. sitting height) this figure changes to just 3.5dB.
Therefore the higher your ceiling the more even S.P.L. coverage will be obtained below it.
As a rule of thumb, in wall mount applications, panels positioned every 8m will provide less than
3.5dB SPL reduction measured at the mid-point between panels and at least 1.1m away from the
wall, compared with a measurement taken directly in front of the panel and 1.1m away. The
measured S.P.L. in the centre of the space compared to the perimeter will depend on the width
of the room and the amount of reflective surfaces in the space.
®
If you have special requirements please contact your supplier or Amina for assistance.
Sound transmission in buildings and isolation techniques:
®
The actual sound energy generated from the rear of the Amina Plaster In-wall or In-Ceiling
loudspeaker is equal to that generated from its front surface. Superficially this might be thought
of as being trapped within the wall or ceiling and, to some extent, this is true. In practice though,
some of this energy is transmitted through the rear of the wall and emerges at its opposite face
or, in the case of the ceiling, emerges at the floor above. Some will also travel along any internal
cavity to emerge in connecting rooms. The wall or ceiling construction will determine how much
of this energy is transmitted, and users/installers need to consider carefully the impact this may
have on neighbours and other building users before installation commences.
If the wall or ceiling consists of a plasterboard and studwork facing a solid concrete floor or block
wall structure, sound transmission to the other side of the wall is minimal due to the heavy mass
of the concrete / block structure in the centre.
If the construction, in the case of a wall, is simply plasterboard on both sides of wooden or metal
stud work or, in the case of a ceiling, plasterboard faced joists with wood based floor boarding on
the upper surface, then sound transmission is going to be quite considerable, due to the low mass
and lack of absorptive material in between.
In these circumstances it is worth implementing additional sound isolation techniques within the
®
wall or ceiling prior to installation of the Amina Plaster In-Wall or In-Ceiling panel loudspeaker.
At its most basic, this may be as simple as adding sound adsorbing mineral wool or wadding into
the cavity directly behind the panel speaker. Different grades of such materials exist - ask your
builders merchant for advice. The quality and increased depth of this material will provide
improved isolation.
A more sophisticated approach is to create extra mass by forming a box work containment
section in plasterboard or other such material behind the speaker, and again fill the space
between it and panel with mineral wool. The mineral wool can touch the rear of the panel but
should only be resting against it. It should not be packed in tightly enough that it exerts force on
Wooden frame work/
Plaster board front onto
Solid block wall with
sound insulation
Block wall
Wooden frame
work attached
to solid wall
LiFi unit
Plaster board
Insullation
Typical ‘stud’ wall
with Sound Insullation
Sound
Insullation
Plaster board
12mm
LiFi unit
Wood frame
work
Multipurpose Exhibition,
Conference, Worship Hall
x 8 units in total
Restaurant
X: Speaker positions
Shaded areas: Sound will be
quieter but have excellent
quality
X
X
10m
6m
60m
20m
X
X
X
X
X
X
X
X
Cut-away view of ceiling
Incorporating Sound Insulation
• LiFi plastered into ceiling
• Box erected around speaker unit
- free wire through top
• Insulation around and inside box
• Secure to main beams
X: Speaker positions. LFi-T units

09
08
Product Positioning and Quantity Requirements:
Commercial Installation
The overriding factor in terms of best product positioning for multiple source installations is,
where possible, to evenly space the number of panels across the given space. This will create a
very even S.P.L. across the whole environment. The direction, orientation and height are much
less relevant.
®
As a general rule of thumb, in ceiling applications, one Amina Plaster In-Wall loudspeaker will
be required every 7 to 10 metres (i.e. covering an area of 49 to 100 square metres). S.P.L. levels
measured at the mid point between two panels and 0.6m down (i.e. standing height in a room
with a 2.4m high ceiling) will be 6dB lower than when measured directly under the panel. When
measured at a distance of 1.1m down (i.e. sitting height) this figure changes to just 3.5dB.
Therefore the higher your ceiling the more even S.P.L. coverage will be obtained below it.
As a rule of thumb, in wall mount applications, panels positioned every 8m will provide less than
3.5dB SPL reduction measured at the mid-point between panels and at least 1.1m away from the
wall, compared with a measurement taken directly in front of the panel and 1.1m away. The
measured S.P.L. in the centre of the space compared to the perimeter will depend on the width
of the room and the amount of reflective surfaces in the space.
®
If you have special requirements please contact your supplier or Amina for assistance.
Sound transmission in buildings and isolation techniques:
®
The actual sound energy generated from the rear of the Amina Plaster In-wall or In-Ceiling
loudspeaker is equal to that generated from its front surface. Superficially this might be thought
of as being trapped within the wall or ceiling and, to some extent, this is true. In practice though,
some of this energy is transmitted through the rear of the wall and emerges at its opposite face
or, in the case of the ceiling, emerges at the floor above. Some will also travel along any internal
cavity to emerge in connecting rooms. The wall or ceiling construction will determine how much
of this energy is transmitted, and users/installers need to consider carefully the impact this may
have on neighbours and other building users before installation commences.
If the wall or ceiling consists of a plasterboard and studwork facing a solid concrete floor or block
wall structure, sound transmission to the other side of the wall is minimal due to the heavy mass
of the concrete / block structure in the centre.
If the construction, in the case of a wall, is simply plasterboard on both sides of wooden or metal
stud work or, in the case of a ceiling, plasterboard faced joists with wood based floor boarding on
the upper surface, then sound transmission is going to be quite considerable, due to the low mass
and lack of absorptive material in between.
In these circumstances it is worth implementing additional sound isolation techniques within the
®
wall or ceiling prior to installation of the Amina Plaster In-Wall or In-Ceiling panel loudspeaker.
At its most basic, this may be as simple as adding sound adsorbing mineral wool or wadding into
the cavity directly behind the panel speaker. Different grades of such materials exist - ask your
builders merchant for advice. The quality and increased depth of this material will provide
improved isolation.
A more sophisticated approach is to create extra mass by forming a box work containment
section in plasterboard or other such material behind the speaker, and again fill the space
between it and panel with mineral wool. The mineral wool can touch the rear of the panel but
should only be resting against it. It should not be packed in tightly enough that it exerts force on
Wooden frame work/
Plaster board front onto
Solid block wall with
sound insulation
Block wall
Wooden frame
work attached
to solid wall
Plaster board
Insullation
Typical ‘stud’ wall
with Sound Insullation
Sound
Insullation
Plaster board
12mm
Wood frame
work
Multipurpose Exhibition,
Conference, Worship Hall
X: Speaker positions. AIW units
x 8 units in total
Restaurant
X: Speaker positions
Shaded areas: Sound will be
quieter but have excellent
quality
X
X
10m
6m
60m
20m
X
X
X
X
X
X
X
X
Cut-away view of ceiling
Incorporating Sound Insulation
• Box erected around speaker unit
- free wire through top
• Insulation around and inside box
• Secure to main beams
LFi-T unit
• LFi-T plastered into ceiling
LFi-T unit

®
Installing your Amina life-Fidelity™
In-wall/In-Ceiling Panel Loudspeaker:
10
Apply joint tape: Apply professional plasterboard jointing
tape over the joint between panel perimeter and the
plasterboard surround.
Plaster: Skim over the panel and the plasterboard (filling
all edges with plaster) to create a smooth surface finish. Allow
plaster to dry fully before using the In-wall loudspeaker. Best
acoustic results will be achieved by keeping the plaster skim as
thin as possible (1mm to 2mm is ideal.)
9
Dry wall or ceiling application: Use British Gypsum 'Easi-
fill' filling/repair plaster when applying the product within dry
wall or pre-skimmed, pre-finished walls. Set the panel
loudspeaker 1mm to 2mm behind the wall or ceiling front
surface and skim the panel surface with Easi-fill. Please note
that this product is designed to have a thin layer of plaster over
its entire surface. Its performance would be degraded if the
product's surface is feathered into the surrounding dry wall at
its edge, and not covered completely. British Gypsum Easi-fill is
a lightweight repairing plaster which, once dry, can be sanded
down with minimal effort, without scratching the surrounding
harder plaster surface.
Decorate: When your plasterwork is completely dry,
decorate the surface of the plaster with paint, wallpaper, fabric
or other coatings as required.
7
8
10
11
panel loudspeaker Apply joint tape 10 Dry wall application
11 Decorate

®
Installing your Amina life-Fidelity™
In-wall/In-Ceiling Panel Loudspeaker:
10
Create aperture: Using a sharp knife, cut an aperture of
dimensions 400mm x 300mm, in your plasterboard wall or
ceiling. This is best done using a series of shallow cuts, rather
than one deep cut. Ensure the aperture is positioned in
between supporting joists or stud work. We strongly advise
that joists are not cut to make space for the in-wall loudspeaker.
Any activity of this sort may well influence the structural
integrity of your property. Special size panels are available to
order should the inner joist space be smaller than this standard
product. The product can be oriented in either landscape or
portrait style. It can also be mounted within sloping ceiling lines.
Pull cables: Ensure all loudspeaker cables are brought to
this point and check their continuity back to your source
amplifier. We recommend use of a loudspeaker cable with
conduction area of at least 0.25mm², or greater for long cable
runs.
Insulate Cavity: As per the advice given on isolation
techniques (previous page), you may find it is appropriate to add
sound absorbing mineral wool or create a boxed containment
section to further reduce sound transmission behind the In-wall
loudspeaker. Place a mineral wool layer above a ceiling
mounted panel to stop debris falling on the panel's rear surface.
1
plasterboard. The thinner section of the plastic lug, with the
black foam 'tensioning' tape applied, needs to be located in the
corner of your aperture. The standard installation lug is designed
to be used with 12.5mm thick plasterboard. If your plasterboard
is a different thickness, please contact your supplier to obtain
lugs to match.
Locate In-Wall/In-Ceiling Loudspeaker: Locate the
In-wall/In-Ceiling panel loudspeaker in the plasterboard
aperture, resting it against the four corner lugs. Connect the
loudspeaker to your speaker cable. Secure the loudspeaker to
the lugs using a drywall screw through the single hole in each
corner of the loudspeaker's aluminium frame. Ensure the front
of the In-wall loudspeaker is level with the front of your
plasterboard surface by adjusting the tension on each of these
four screws. Ensure the whole assembly is rigid and not loose in
any way.
Test panel loudspeaker: Ensure the In-wall/In-Ceiling
loudspeaker is electrically connected and acoustically tested fully
before commencing plastering. See the Installation fault finding
guide later in these instructions for advice on testing.
2
3
4
5
6
1Fix installation lugs 2
Insulate cavity
two dry wall screws secured through the front face of the

reliable operation. This may require a separate piece of
hardware (e.g. The Amina AF2 active high pass filter), or this
3) It is recommended that you allow for some equalisation
(preferably on each individual channel) in your system
specification (this may be a separate piece of hardware, or this
function may be built into your AV surround processor) to allow
adjustment of the final frequency response. Differing plaster
depths and wall structures (particularly wall cavities) may alter
the frequency response of each panel. Equalisation in each
channel makes it possible to compensate for these small
differences and achieve optimised audio reproduction from
every panel loudspeaker in your system.
If the panel is placed in a stud wall or ceiling that has sizeable
cavity space behind it, the resulting sound may be very heavily
bass weighted. This bass is generated because the cavity forms
its own resonant chamber that is excited by the panel. You may
need to adjust your system equalisation to reduce the In-wall
loudspeaker lower frequency content to compensate for this.
®
Electrical connection types available on the Amina
In-wall/In-Ceiling Panel Loudspeaker:
The Amina Plaster In-Wall/In-Ceiling Loudspeaker is fitted with
a short length of cable terminated with BUTT splice crimp
connectors for ultra reliable long term security of operation.
Stip back 10mm of insulation on your loudspeaker cable.
Position the exposed conductor into the BUTT splice free end.
Use a proffessional crimp tool to secure this in place.
Always keep your cable polarity (positive to positive) consistent
throughout the same installation.
System
Requirements:
It is imperative that, once the product is located into the wall or ceiling,
and prior to plastering over, it is fully electrically and acoustically tested
to avoid time consuming repairs or modifications at a later stage.
The following guide is designed to help in determining possible
problem areas, during these tests.
No Sound Output:
Check that your audio system has power, is turned on and is working.
Check that all cables and connections are in tact, and made in the
proper manner.
Check for continuity over cable lengths.
Take your system back to the bare minimum (e.g. amplifier, source and
speakers) to eliminate faults in other components such as filters,
crossovers and equalisers.
Using an impedance meter, check the nominal impedance of the
product both at the product terminals and at the amplifier end of the
cable. Do these measurements match each other (allowing for the
small impedance increase of perhaps less than 1 ohm, along the wire
length), and do they match the stated nominal impedance on the
product's specification label? If the nominal impedance does not
match the products stated impedance, an exciter may have gone open
or short circuit. The product will need to be returned to your supplier
for repair.
If the problem persists, consult your supplier for after sales service.
Distortion, buzzing or rattling sounds at modest volume levels:
Try to identify the location of the buzz or rattle. It may be caused by a
loose screw or other mechanical fixing. Check the assembly and ensure
screws and fixings are tight.
If the rattle persists, remove the panel from the wall and without any
audio playing through the panel, shake the loudspeaker gently. If the
rattle is evident whilst doing this, check for foreign objects (screws etc.)
which may have fallen into the rear of the product and might be resting
against the panel or frame. Similarly check your wiring to the product.
Ensure that wires, when the product is in the final location, are not
resting against the back of the vibrating panel.
Again with no audio signal applied lightly push the panel in and out at
its centre. Listen carefully for rubbing voice coils on the exciter. This may
indicate that the unit has been overdriven and subsequently damaged,
and needs to be returned to your supplier for repair. If the problem
persists, consult your supplier for after sales service.
Sound output is very low:
Check the specification label on the back of the product. Ensure that
you are not using a low impedance signal to drive a 100V line
transformer based product.
With no audio signal applied lightly push the panel in and out at its
centre. Listen carefully for rubbing voice coils on the exciter. This may
indicate that the unit has been overdriven and subsequently damaged,
and needs to be returned to your supplier for repair.
Take your system back to the bare minimum (e.g. amplifier, source and
speakers) to eliminate faults in other components such as filters,
crossovers and equalisers.
Using an impedance meter check the nominal impedance of the
product both at the product terminals and at the amplifier end of the
cable. Do these measurements match each other (allowing for the
small impedance increase along the wire length), and do they match
the stated nominal impedance on the product's specification label? If
the nominal impedance does not match the stated impedance, an
exciter may have gone open or short circuit. The product will need to
be returned to your supplier for repair.
If the problem persists, consult your supplier for after sales service.
Distortion at high volume levels:
Diffuse source panel loudspeakers of this type have an extremely fast
response, articulating the signal from your electronic drive system very
accurately.
Take your system back to the bare minimum (e.g. Amplifier, source and
speakers) to eliminate distortions introduced by other components
such as filters, crossovers and equalisers.
When using your amplifier at maximum power levels, or if the input of
your power amplifier is being overloaded, the signal level may be
entering the clipping phase. With some conventional speakers this may
not be evident, but with a diffuse source panel loudspeaker this is much
more likely to be reproduced in the form of distortion. Consider
adjusting or upgrading your drive system.
Feedback occurs easily with open live microphone channels:
The disperse sound wave generated by a 'diffuse source' panel
loudspeaker helps generate a very even sound field in a given space.
This can help reduce problems with microphone feedback. However, if
you are experiencing feedback with lower gain structures please check
the signal equalisation. The acoustics of your space and the reflectivity
structures of the walls, windows, floors or ceilings may be creating
acoustic standing waves within the room. Adjusting your system
equalisation may help reduce feedback dramatically.
Installation Fault
Finding Guide:
Professional BUTT Splice
12
1) A high quality 100 or 70V line amplifier..
2) This product must befed with a signal that is high pass filtered
at 80 Hz (minimum 24dB per octave) to ensure long term
function may be performed by the amplifier itself.

1) A high quality amplifier rated at least 40W per channel.
2) This product is best fed with a signal that is high pass filtered
at 100Hz (minimum 24dB per octave) to ensure long term
reliable operation. This may require a separate piece of
hardware (e.g. The Amina AF2 active high pass filter), or this
function may be performed by your AV surround processor.
3) It is recommended that you allow for some equalisation
(preferably on each individual channel) in your system
specification (this may be a separate piece of hardware, or this
function may be built into your AV surround processor) to allow
adjustment of the final frequency response. Differing plaster
depths and wall structures (particularly wall cavities) may alter
the frequency response of each panel. Equalisation in each
channel makes it possible to compensate for these small
differences and achieve optimised audio reproduction from
every panel loudspeaker in your system.
If the panel is placed in a stud wall or ceiling that has sizeable
cavity space behind it, the resulting sound may be very heavily
bass weighted. This bass is generated because the cavity forms
its own resonant chamber that is excited by the panel. You may
need to adjust your system equalisation to reduce the In-wall
loudspeaker lower frequency content to compensate for this.
Low impedance options available:
Always check the specification label (situated on the rear of the
loudspeaker by the terminal connector) to obtain the nominal
®
impedance of the Amina In-Wall/In-Ceiling loudspeaker. In
general this is likely to be 8 ohms.
100V line options availble:
®
When ordering the Amina In-wall or In-Ceiling loudspeaker,
clients can also specify 100V line versions, with required power
rating. (This is generally only used in commercial premises.) In
these instances, a high quality single tap torroidal transformer is
built inside the panel loudspeaker. The specification label on the
rear of the product will clearly mark what power rating the
transformer is specified at. The circular transformer will also be
physically obvious when examining the rear of the product.
®
Electrical connection types available on the Amina
In-wall/In-Ceiling Panel Loudspeaker:
The Amina Plaster In-Wall/In-Ceiling Loudspeaker is fitted with
a short length of cable terminated with BUTT splice crimp
connectors for ultra reliable long term security of operation.
Stip back 10mm of insulation on your loudspeaker cable.
Position the exposed conductor into the BUTT splice free end.
Use a proffessional crimp tool to secure this in place.
Always keep your cable polarity (positive to positive) consistent
throughout the same installation.
14
System
Requirements:
It is imperative that, once the product is located into the wall or ceiling,
and prior to plastering over, it is fully electrically and acoustically tested
to avoid time consuming repairs or modifications at a later stage.
The following guide is designed to help in determining possible
problem areas, during these tests.
No Sound Output:
Check that your audio system has power, is turned on and is working.
Check that all cables and connections are in tact, and made in the
proper manner.
Check for continuity over cable lengths.
Take your system back to the bare minimum (e.g. amplifier, source and
speakers) to eliminate faults in other components such as filters,
crossovers and equalisers.
If the problem persists, consult your supplier for after sales service.
Distortion, buzzing or rattling sounds at modest volume levels:
Try to identify the location of the buzz or rattle. It may be caused by a
loose screw or other mechanical fixing. Check the assembly and ensure
screws and fixings are tight.
If the rattle persists, remove the panel from the wall and without any
audio playing through the panel, shake the loudspeaker gently. If the
rattle is evident whilst doing this, check for foreign objects (screws etc.)
which may have fallen into the rear of the product and might be resting
against the panel or frame. Similarly check your wiring to the product.
Ensure that wires, when the product is in the final location, are not
resting against the back of the vibrating panel.
Again with no audio signal applied lightly push the panel in and out at
its centre. Listen carefully for rubbing voice coils on the exciter. This may
indicate that the unit has been overdriven and subsequently damaged,
and needs to be returned to your supplier for repair. If the problem
persists, consult your supplier for after sales service.
Sound output is very low:
Check the specification label on the back of the product. Ensure that
transformer based product.
With no audio signal applied lightly push the panel in and out at its
centre. Listen carefully for rubbing voice coils on the exciter. This may
indicate that the unit has been overdriven and subsequently damaged,
and needs to be returned to your supplier for repair.
Take your system back to the bare minimum (e.g. amplifier, source and
speakers) to eliminate faults in other components such as filters,
crossovers and equalisers.
Distortion at high volume levels:
Diffuse source panel loudspeakers of this type have an extremely fast
response, articulating the signal from your electronic drive system very
accurately.
Take your system back to the bare minimum (e.g. Amplifier, source and
speakers) to eliminate distortions introduced by other components
such as filters, crossovers and equalisers.
When using your amplifier at maximum power levels, or if the input of
your power amplifier is being overloaded, the signal level may be
entering the clipping phase. With some conventional speakers this may
not be evident, but with a diffuse source panel loudspeaker this is much
more likely to be reproduced in the form of distortion. Consider
adjusting or upgrading your drive system.
Feedback occurs easily with open live microphone channels:
The disperse sound wave generated by a 'diffuse source' panel
loudspeaker helps generate a very even sound field in a given space.
This can help reduce problems with microphone feedback. However, if
you are experiencing feedback with lower gain structures please check
the signal equalisation. The acoustics of your space and the reflectivity
structures of the walls, windows, floors or ceilings may be creating
acoustic standing waves within the room. Adjusting your system
equalisation may help reduce feedback dramatically.
Installation Fault
Finding Guide:
Professional BUTT Splice
you are not using a low impedance signal to drive a line

Maintenance, Cleaning and Decoration:
®
Once the Amina Plaster In-wall loudspeaker is plastered into a
wall or ceiling it requires no physical maintenance. Your wall or
ceiling can be dusted or cleaned with products appropriate to
the finish (paint or wallpaper) you have finally applied to the
plaster surface.
The wall or ceiling can be repainted or redecorated any number
of times. Extreme care should be taken when removing
wallpaper type coverings to ensure the plaster surface is not
damaged or pushed in during removal and renewal of the
wallpaper. If damage to the plaster work occurs, use British
Gypsum Easi-fill (or similar) to repair the plaster surface prior to
re-decorating. Avoid pushing the wall or ceiling surface
immediately in front of the panel loudspeaker. Excessive
excursion, whilst unlikely to damage the loudspeaker, will
undoubtedly crack the plaster around the perimeter of the
product.
Warranty:
This product carries a seven year manufacturers limited
®
warranty. If it fails, please return it to your supplier. Amina will
work with your supplier to ensure any defects are repaired and
your product returned to you. This statement does not affect
your statutory rights.
Reliability:
Correctly installed and used within its specification, this product
is designed to give many, many years of trouble free service.
As a technology, the Life-Fidelity™ 'diffuse source' vibrational
soundboard technique has very few moving parts. Compared to
a conventional moving coil loudspeaker, these movements are
almost negligible. Whilst our sensitive touch sense can feel the
tiny movements, they are not sufficient to be seen by the naked
eye. As a consequence, the long term reliability of this
electromechanical structure is enhanced.
Removal:
If, however, a problem develops with this product, or you simply
want to remove the item to change its location or move it to a
new property, then it is relatively straight forward to remove it
from the wall or ceiling.
By tapping the wall or ceiling, locate the In-wall loudspeaker.
Take a decorator’s scraper or sharp chisel. Hold the tool at an
acute angle to the wall or ceiling directly over the buried panel
loudspeaker. Carefully chip in to the plaster to expose a small
area of the panel surface. Now hold the scraper or chisel
virtually parallel to the panel and, working out to the product's
edge, gently ease the rest of the plaster coat away from the
panel surface. Don't worry if the panel surface receives marks or
cuts during this process (it should not, however, have holes all
the way through the special honeycomb panel). Once the
product is plastered back in to its original or new location, the
new plaster will cover all these imperfections and the product’s
performance will not be unduly affected.
Clear the surface plaster material from the surrounding
plasterboard to expose all the joint tape covering the join
between the panel and the plasterboard. Remove the joint tape
and, if necessary, use a sharp knife to cut directly along the panel
perimeter to free any material that may be filling the gap
between the panels edge and the surrounding plasterboard.
Use a narrow chisel or flat blade screw driver to remove the
plaster or other filler material to expose the screws at each
corner of the product. Using a suitable screwdriver, remove the
four screws holding the product in position. Ease the product
from the wall or ceiling and disconnect the loudspeaker cable,
leaving the fixing lugs in their corner positions.
If the product needs repairing, please return it to your supplier,
®
or Amina directly, for a rapid turn around repair. Once
repaired the product can be re-affixed into position following
the installation steps detailed above. Ensure new joint tape is
used over the join between the panel and surrounding
plasterboard and use Easi-fill to plaster over the panel and
immediate surrounding area. Once dry, sand down and use a
wet sponge to create a flat surface, level with the original
surrounding plasterwork.
Alternatively if the product is to be moved to a new location or
property, you need to make good the opening in your
plasterboard wall or ceiling. Carefully remove the fixing lugs and
replace them with simple flat rectangle wooden battens of
similar size, in the similar location to the previous lugs. In the
space left by the panel, fit a sheet of plasterboard (cut to size
400mm x 300mm), attaching it with dry wall screws to the
wooden corner battens. Apply joint tape to the perimeter join
and use Easi-fill to plaster over the new plasterboard section
and immediate surrounding area. Once dry, sand down and use
a wet sponge to create a flat surface, level with the original
surrounding plasterwork.
Further details:
17
T E C H N O L O G I E S L t d
®
T E C H N O L O G I E S L t d
®
Amina Technologies Ltd
Cirrus House
Glebe Road
Huntingdon
Cambridgeshire
PE29 7DX
T+44(0)1480 354390
F+44(0)1480 356564
E inspir[email protected]o.uk
W www.amina.co.uk
Re-use the old fixing lugs to fit the product into the new
location using the procedure detailed in the Installation section
®
above. If you need new fixing lugs please contact Amina for
spares stating the thickness of plasterboard the unit is to be
fitted to, and your product serial number (noted on the back of
the product).
Product Specifications:
Product Dimension: 400mm x 300mm x 44mm
Product Weight: 1170g
Panel Material 400mm x 300mm x 5mm
Dimensions:
Panel Material: Resin reinforced paper skins,
aluminium honeycomb core
Fixings: Four PVC plastic lugs for 12.5mm thick plasterboard
(other thickness available).
Electrical Connection: Professional BUTT Splice Crimp connection
Nominal Impedance: 8W
Power Rating: 60w Continuous (when brick wall filtered at 100Hz)
Recommended Filter 100Hz high pass at 24dB per Octave or greater
Required:
Sensitivity: 88dB at 1m/1w (assuming 1mm/2mm plaster depth)
Max SPL: 103dB at 1m/60w (assuming 1mm/2mm plaster depth)
Customer Services
This document is Copyright of Amina Technologies Ltd, 2007
Easi-fill is a trademark of British Gypsum Ltd
Amina is a registered trademark of Amina Technologies Ltd
Life-Fidelity is a trademark of Amina Technologies Ltd
We wish you many happy hours of delightful listening to this
unique audio product. If you have any questions or comments,
or need any help or advice, we would be delighted to hear from
you by phone, letter or email using the contact details opposite.
At the end of its useful life, and in compliance
with the European directive on waste electrical
and electronic equipment (WEEE), this product
is to be returned to your supplier, or directly to
Amina for recycling. If you have any questions
please call Amina for assistance.
14
the product).
fitted to, and your product serial number (noted on the back of
spares stating the thickness of plasterboard the unit is to be
above. If you need new fixing lugs please contact Amina for
®
location using the procedure detailed in the Installation section
Re-use the old fixing lugs to fit the product into the new

Maintenance, Cleaning and Decoration:
®
Once the Amina Plaster In-wall loudspeaker is plastered into a
wall or ceiling it requires no physical maintenance. Your wall or
ceiling can be dusted or cleaned with products appropriate to
the finish (paint or wallpaper) you have finally applied to the
plaster surface.
The wall or ceiling can be repainted or redecorated any number
of times. Extreme care should be taken when removing
wallpaper type coverings to ensure the plaster surface is not
damaged or pushed in during removal and renewal of the
wallpaper. If damage to the plaster work occurs, use British
Gypsum Easi-fill (or similar) to repair the plaster surface prior to
re-decorating. Avoid pushing the wall or ceiling surface
immediately in front of the panel loudspeaker. Excessive
excursion, whilst unlikely to damage the loudspeaker, will
undoubtedly crack the plaster around the perimeter of the
product.
Warranty:
This product carries a seven year manufacturers limited
®
warranty. If it fails, please return it to your supplier. Amina will
work with your supplier to ensure any defects are repaired and
your product returned to you. This statement does not affect
your statutory rights.
Reliability:
Correctly installed and used within its specification, this product
is designed to give many, many years of trouble free service.
As a technology, the Life-Fidelity™ 'diffuse source' vibrational
soundboard technique has very few moving parts. Compared to
a conventional moving coil loudspeaker, these movements are
almost negligible. Whilst our sensitive touch sense can feel the
tiny movements, they are not sufficient to be seen by the naked
eye. As a consequence, the long term reliability of this
electromechanical structure is enhanced.
Removal:
If, however, a problem develops with this product, or you simply
want to remove the item to change its location or move it to a
new property, then it is relatively straight forward to remove it
from the wall or ceiling.
By tapping the wall or ceiling, locate the In-wall loudspeaker.
Take a decorator’s scraper or sharp chisel. Hold the tool at an
acute angle to the wall or ceiling directly over the buried panel
loudspeaker. Carefully chip in to the plaster to expose a small
area of the panel surface. Now hold the scraper or chisel
virtually parallel to the panel and, working out to the product's
edge, gently ease the rest of the plaster coat away from the
panel surface. Don't worry if the panel surface receives marks or
cuts during this process (it should not, however, have holes all
the way through the special honeycomb panel). Once the
product is plastered back in to its original or new location, the
new plaster will cover all these imperfections and the product’s
performance will not be unduly affected.
Clear the surface plaster material from the surrounding
plasterboard to expose all the joint tape covering the join
between the panel and the plasterboard. Remove the joint tape
and, if necessary, use a sharp knife to cut directly along the panel
perimeter to free any material that may be filling the gap
between the panels edge and the surrounding plasterboard.
Use a narrow chisel or flat blade screw driver to remove the
plaster or other filler material to expose the screws at each
corner of the product. Using a suitable screwdriver, remove the
four screws holding the product in position. Ease the product
from the wall or ceiling and disconnect the loudspeaker cable,
leaving the fixing lugs in their corner positions.
If the product needs repairing, please return it to your supplier,
®
or Amina directly, for a rapid turn around repair. Once
repaired the product can be re-affixed into position following
the installation steps detailed above. Ensure new joint tape is
used over the join between the panel and surrounding
plasterboard and use Easi-fill to plaster over the panel and
immediate surrounding area. Once dry, sand down and use a
wet sponge to create a flat surface, level with the original
surrounding plasterwork.
Alternatively if the product is to be moved to a new location or
property, you need to make good the opening in your
plasterboard wall or ceiling. Carefully remove the fixing lugs and
replace them with simple flat rectangle wooden battens of
similar size, in the similar location to the previous lugs. In the
space left by the panel, fit a sheet of plasterboard (cut to size
400mm x 300mm), attaching it with dry wall screws to the
wooden corner battens. Apply joint tape to the perimeter join
and use Easi-fill to plaster over the new plasterboard section
and immediate surrounding area. Once dry, sand down and use
a wet sponge to create a flat surface, level with the original
surrounding plasterwork.
16
Further details:
T E C H N O L O G I E S L t d
®
T E C H N O L O G I E S L t d
®
Amina Technologies Ltd
Cirrus House
Glebe Road
Huntingdon
Cambridgeshire
PE29 7DX
T+44(0)1480 354390
F+44(0)1480 356564
E [email protected]o.uk
W www.amina.co.uk
Product Specifications:
Customer Services
This document is Copyright of Amina Technologies Ltd, 2007
Easi-fill is a trademark of British Gypsum Ltd
Amina is a registered trademark of Amina Technologies Ltd
Life-Fidelity is a trademark of Amina Technologies Ltd
We wish you many happy hours of delightful listening to this
unique audio product. If you have any questions or comments,
or need any help or advice, we would be delighted to hear from
you by phone, letter or email using the contact details opposite.
At the end of its useful life, and in compliance
with the European directive on waste electrical
and electronic equipment (WEEE), this product
is to be returned to your supplier, or directly to
Amina for recycling. If you have any questions
please call Amina for assistance.
15
`
LFi2T
LFi4T

INSTRUCTION GUIDE
T E C H N O L O G I E S L t d
®
T E C H N O L O G I E S L t d
®
Amina Technologies Ltd
Cirrus House
Glebe Road
Huntingdon
Cambridgeshire
PE29 7DX
T+44(0)1480 354390
F+44(0)1480 356564
E [email protected]o.uk
W www.amina.co.uk
“Sound has never looked so good”