Behringer C-2 User manual

STUDIO CONDENSER MICROPHONES C-2
Users Manual
Version 1.0 April 2005

STUDIO CONDENSER MICROPHONES C-2
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1. SAFETY PRECAUTIONS
Detailed safety precautions:
Please read all safety precautions and operating instructions before
attempting to operate the unit. Keep all safety precautions and
operating instructions for future reference.
Water and moisture:
Condenser microphones are extremely moisture-sensitive. Never
use your microphone in close proximity to water (e.g. bath tubs,
wash basins, sin s, washing machines, pools, etc.). When doing
voice recordings, always use the enclosed windscreen to safely
protect the capsule from moisture.
Power supply:
Always use the power supply specified in the operating instructions.
Damage:
Ta e care not to drop your microphone as this can lead to severe
damage. BEHRINGER assumes no liability for any damage caused
by the user.
Service and care:
After each use, remove the microphone from its mount and wipe it
down with a soft cloth and place it bac into its protective casing
(included with the microphone). Then, lay the small bag containing
the moisture-absorbing crystals on top of the microphone head.
2. INTRODUCTION
Congratulations! By purchasing the BEHRINGER C-2, you have
obtained 2 condenser microphones that offer the highest quality
standards and the best audio characteristics.
Both microphones have been matched to one another (matched
pair), and are therefore particularly well-suited for stereo recordings.
Of course, you can also use the microphones individually.
Their outstanding characteristics ma e these microphones a
valuable tool in the studio and on the stage.
3. POWER SUPPLY
Phantom power (+48 V) is required to operate your microphone.
We assume no liability for damage caused to your C-2 through
deffective phantom power. Before activating phantom power, mute
your playbac system and connect the C-2 to the microphone input
of your mixing console. After activating phantom power, the C-2
requires several seconds to stabilize itself.
3. POWER SUPPLY

STUDIO CONDENSER MICROPHONES C-2
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4. PICKUP PATTERNS
Both microphones feature a capsule with a cardioid pic up pattern.
Microphones with this polar pattern are most sensitive to sound
coming from in front of the microphone, and also to a lesser extent
from the sides. Sound coming from behind the microphone will be
greatly attenuated. This ma es the cardioid polar pattern most
suitable for recording individual instruments or vocals within a group.
The so-called proximity effect is typical for microphones with the
cardioid pic up pattern. Depending on the distance between the
microphone and the sound source, a slight increase in the lower
frequency range occurs. The shorter the distance, the more
pronounced this effect. By cleverly selecting the position and the
angle of your microphone, you can effectively manipulate the
proximity effect and thus affect how your recording sounds.
Experiment with various positions in order to gain more experience.
5. POSSIBLE APPLICATIONS
Both microphones have been matched to one another (matched
pair). Therefore, they are particularly well-suited for stereo
recordings. Regardless of whether you are mi ing an entire
ensemble or a single sound source (e.g. drums, piano or bac ground
vocals), this pair of condenser microphones lets you achieve
outstanding spatial impressions in every recording session.
Of course, you can use your microphones individually as well. A
cardioid pattern capsule is often used in recording situations in
which several sound sources are present. Since this capsule
selectively tones down the pic up of sounds located to the side of
the microphone, this way you can achieve good separation of
sound sources, thus easily avoiding feedbac .
6. LOW CUT-FILTER AND LEVEL ATTENUATION (-10 dB
The C-2 studio microphones feature a switchable low-cut filter that
lets you eliminate low-frequency disturbances such as subsonic
noise. Set the switch to its middle position to activate the low-cut
filter.
A switchable level attenuation is provided on your C-2s for
applications in which the microphones are exposed to extremely
high sound pressures. When the switch is in its -10 dB position,
the level attenuation is activated.
When the switch is in its top-most position, the signal is not influenced
in any way.
6. LOW CUT-FILTER AND LEVEL ATTENUATION

STUDIO CONDENSER MICROPHONES C-2
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7. MICROPHONE INSTALLATION
To attach the microphones to the microphone stands, two clamps
are included with the delivery. First screw a clamp onto the stand
before attaching the microphone itself.
8. AUDIO CONNECTION
To connect the C-2 to your equipment, use a balanced XLR
microphone cable with the following pin assignment: Pin 1 = shielding,
pin 2 = +, pin 3 = -. Since all contact points of the C-2 are gold-plated,
your microphone cable too should feature gold-plated connectors, if
possible.
9. LEVEL SETTING / ADJUSTING THE BASIC SOUND
Adjust the gain control in the microphone channel of your mixing
console so that the pea LED lights up only occasionally or never
at all. The EQ controls in the microphone channel should be set to
mid-travel position to start with; low-cut filter and level attenuation
should be off. Try to achieve the desired sound by experimenting
with the microphone position. Often, it will be useful to set up
acoustic barriers (baffles) at various angles towards the signal
source. Only when the desired basic sound has been achieved,
should you start using equalizers and signal processors, if any at
all. Remember: less is often more!
10. ONLINE-REGISTRATION
Please do remember to register your new BEHRINGER equipment
right after your purchase by visiting www.behringer.com
(alternatively www.behringer.de) and indly read the terms and
conditions of our warranty carefully.
BEHRINGER warrants all items purchased against defects in
material or wor manship for one year* from date of purchase. Full
terms of the warranty may be found on our website at
www.behringer.com (alternatively www.behringer.de).
Should your BEHRINGER product malfunction, our goal is to have
it repaired as quic ly as possible. To arrange for warranty service,
please contact the retailer from whom the equipment was
purchased. Should your BEHRINGER dealer not be located in
your vicinity, you may directly contact one of our subsidiaries.
Corresponding contact information is included in the original
equipment pac aging (Global Contact Information/European
Contact Information). Should your country not be listed, please
contact the distributor nearest you. A list of distributors can be
found in the support area of our website (www.behringer.com/
support).
10. ONLINE-REGISTRATION

STUDIO CONDENSER MICROPHONES C-2
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Registering your purchase and equipment with us helps us process
your repair claims quic er and more efficiently.
Than you for your cooperation!
*Customers in the European Union may have a different term, as such, please contact
BEHRINGER Germany Support for further details
11. SPECIFICATIONS
Transducer type: true condenser, 16 mm
(0.63") single diaphragm
Operating principle: pressure gradient
Polar pattern: cardioid
Connection: gold-plated balanced XLR connector
Open circuit sensitivity
(at 1 Hz): -41 dBV (0 dBV = 1 V/Pa),
Frequency response: 20 Hz - 20 Hz
Level attenuation: -10 dB (switchable)
Low-cut filter: 6 dB/oct. at 120 Hz (switchable)
Max. SPL
(1 % THD @ 1 Hz): 140 dB (0 dB); 150 dB (-10 dB)
Equivalent SPL
(IEC 651): 19 dB-A
Signal-to-noise ratio: 75 dB
Nominal impedance: 75 Ω
Load impedance: >1 Ω
Supply voltage: +48 V
Supply current: 3 mA
Dimensions: shaft: approx. 13/16" (20 mm),
length: approx. 3 11/16" (94 mm)
Weight: approx. 0.21 lbs. (900 g)
11. SPECIFICATIONS

STUDIO CONDENSER MICROPHONES C-2
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Polar pattern
Frequency response
BEHRINGER is constantly striving to maintain the highest professional standards As a result
of these efforts, modifications may be made from time to time to existing products without prior
notice Specifications and appearance may differ from those listed or illustrated
Technical specifications and appearance subject to change without notice The information
contained herein is correct at the time of printing The names of companies, institutions or
publications pictured or mentioned and their respective logos are registered trademarks of their
respective owners Their use neither constitutes a claim of the trademarks by BEHRINGER® nor
affiliation of the trademark owners with BEHRINGER® BEHRINGER® accepts no liability for any
loss which may be suffered by any person who relies either wholly or in part upon any description,
photograph or statement contained herein Colours and specification may vary slightly from
product Products are sold through our authorised dealers only Distributors and dealers are not
agents of BEHRINGER® and have absolutely no authority to bind BEHRINGER® by any express
or implied undertaking or representation No part of this manual may be reproduced or transmitted
in any form or by any means, electronic or mechanical, including photocopying and recording of
any kind, for any purpose, without the express written permission of BEHRINGER Spezielle
Studiotechnik GmbH BEHRINGER® is a registered trademark
ALL RIGHTS RESERVED © 2005 BEHRINGER Spezielle Studiotechnik GmbH,
Hanns-Martin-Schleyer-Str 36-38, 47877 Willich-Münchheide II, Germany
Tel [phone], Fax [phone]
11. SPECIFICATIONS