BOSSCO GX-700 User manual

UBOSS
Х-700
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Owner's
Manual
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INSTRUCTIONS
FOR
THE
PREVENTION
OF
FIRE,
ELECTRIC
SHOCK,
OR
INJURY
TO
PERSONS
About
A\
WARNING
and
/IN
CAUTION
Notices
Used
for
instructions
intended
to
alert
the
user
to
the
risk
of
death
or
severe
injury
should
the
unit
be
used
improperly.
A\WARNING
Used
for
instructions
intended
to
alert
the
user
to
the
risk
of
injury
or
material
damage
should
the
unit
be
used
improperly.
*
Material
damage
refers
to
damage
or
other
adverse
effects
caused
with
respect
to
the
home
and
all
its
furnishings,
as
well
to
domestic
animals
or
pets.
М
CAUTION
&
СУ
•
Do
not
open
(ог
modify
in
any
way)
the
unit
or
its
AC
adaptor.
•
Do
not
attempt
to
repair
the
unit,
or
replace
parts
within
it
(except
when
this
manual
provides
specific
instructions
directing
you
to
do
so).
Refer
all
servicing
to
your
dealer,
or
qualified
Roland
service
personnel.
•
Never
use
or
store
the
unit
in
places
that
are:
•
Subject
to
temperature
extremes
(e.g.,
direct
sunlight
in
an
enclosed
vehicle,
near
a
heating
duct,
on
top
of
heat-generating
equipment);
or
are
•
Damp
(e.g.,
baths,
washrooms,
on
wet
floors);
or
are
•
Humid;
or
are
•
Dusty;
or
are
•
Subject
to
high
levels
of
vibration.
•
This
unit
should
be
used
only
with
a
rack
or
stand
that
is
recommended
by
Roland.
When
using
the
unit
with
a
rack
or
stand
recommended
by
Roland,
the
rack
or
stand
must
be
carefully
placed
so
it
is
level
and
sure
to
remain
stable.
If
not
using
a
rack
or
stand,
you
still
need
to
make
sure
that
any
location
you
choose
for
placing
the
unit
provides
a
level
surface
that
will
properly
support
the
unit,
and
keep
it
from
wobbling.
Avoid
damaging
the
power
cord.
Do
not
bend
it
excessively,
step
on
it,
place
heavy
objects
on
it,
etc.
A
damaged
cord
can
easily
become
a
shock
or
fire
hazard.
Never
use
a
power
cord
after
it
has
been
damaged.
СУ
*
Do
not
allow
any
objects
(e.g.,
flammable
material,
coins,
pins);
or
liquids
of
any
kind
(water,
soft
drinks,
etc.)
to
penetrate
the
unit.
©
About
ће
Symbols
The
A
symbol
alerts
the
user
to
important
instructions
or
warnings.The
specific
meaning
of
the
symbol
is
determined
by
the
design
contained
within
the
triangle.
In
the
case
of
the
symbol
at
left,
it
is
used
for
general
cautions,
warnings,
or
alerts
to
danger.
The
Q
symbol
alerts
the
user
to
items
that
must
never
be
carried
out
(are
forbidden).
The
specific
thing
that
must
not
be
done
is
indicated
by
the
design
contained
within
the
circle.
In
the
case
of
the
symbol
at
left,
it
means
that
the
unit
must
never
be
disassembled.
The
@
symbol
alerts
the
user
to
things
that
must
be
carried
out.
The
specific
thing
that
must
be
done
is
indicated
by
the
design
contained
within
the
circle.
In
the
case
of
the
symbol
at
left,
it
means
that
the
power
cord
plug
must
be
unplugged
from
the
outlet.
/(NWARNING
*
Immediately
turn
the
power
off,
remove
the
AC
adaptor
from
the
outlet,
and
request
servicing
by
your
dealer
or
qualified
Roland
service
personnel
when:
*
The
AC
adaptor,
the
power-supply
cord,
or
the
plug
has
been
damaged;
or
*
Objects
have
fallen
into,
or
liquid
has
been
spilled
onto
the
unit;
or
*
The
unit
has
been
exposed
to
rain
(or
otherwise
has
become
wet);
or
*
The
unit
does
not
appear
to
operate
normally
or
exhibits
a
marked
change
in
performance.
In
households
with
small
children,
an
adult
should
rovide
supervision
until
the
child
is
capable
of
ollowing
all
the
rules
essential
for
the
safe
operation
of
the
unit.
*
Protect
the
unit
from
strong
impact.
(Do
not
drop
it!)
Do
not
force
the
unit's
power-supply
cord
to
share
an
outlet
with
an
unreasonable
number
of
other
devices.
Be
especially
careful
when
usin
extension
cords—the
total
power
used
by
all
devices
you
have
connected
to
the
extension
cord's
outlet
must
never
exceed
the
power
rating
(watts/amperes)
for
the
extension
cord.
Excessive
loads
can
cause
the
insulation
on
the
cord
to
heat
up
and
eventually
melt
through.
Before
using
the
unit
in
a
foreign
country,
consult
with
your
dealer,
or
qualified
Roland
service
personnel.
AN

A
CAUTION
•
The
unit
and
the
AC
adaptor
should
be
located
so
their
location
or
position
does
not
interfere
with
their
proper
ventilation.
•
Always
grasp
only
the
plug
on
the
AC
adaptor
cord
when
plugging
into,
or
unplugging
from,
an
outlet
or
this
unit.
•
Whenever
the
unit
is
to
remain
unused
for
an
extended
period
of
time,
disconnect
the
AC
adaptor.
•
Try
to
prevent
cords
and
cables
from
becoming
entangled.
Also,
all
cords
and
cables
should
be
placed
so
they
are
out
of
the
reach
of
children.
¢
Never
climb
on
top
of,
nor
place
heavy
objects
on
the
unit.
•
Never
handle
the
AC
adaptor
ог
its
plugs
with
wet
hands
when
plugging
into,
or
unplugging
from,
an
outlet
or
this
unit.
•
Before
moving
the
unit,
disconnect
the
AC
adaptor
and
all
cords
coming
from
external
devices.
•
Before
cleaning
the
unit,
turn
off
the
power
and
unplug
the
AC
adaptor
from
the
outlet
(p.
10).
•
Whenever
you
suspect
the
possibility
of
lightning
in
your
area,
disconnect
the
AC
adaptor
from
the
outlet.

Introduction
Thank
you
for
purchasing
the
BOSS
GX-700
Guitar
Effects
Processor.
In
order
to
take
full
advantage
of
the
GX-700's
functionality,
and
enjoy
long
years
of
trouble-free
use,
please
read
this
manual
carefully.
Before
using
this
unit,
carefully
read
the
sections
entitled:
“USING
THE
UNIT
SAFELY"
and
"Important
Notes"
(p.2—3;
p.6).
These
sections
provide
important
information
concerning
the
proper
operation
of
the
unit.
Additionally,
in
order
to
feel
assured
that
you
have
gained
a
good
grasp
of
every
feature
provided
by
your
new
unit,
this
manual
should
be
read
in
its
entirety.
The
manual
should
be
saved
and
kept
on
hand
as
a
convenient
reference.
Main
Features
Analog
distortion
circuit
The
distortion
effects
in
the
СХ-700
use
analog
circuitry,
providing
the
most
powerful
distortion
available
from
BOSS.
Preamp
Built-In
The
built-in
digital
preamp
simulates
the
response
of
a
guitar
amplifier.
Simulations
are
provided
for
a
variety
of
classic
guitar
amps,
allowing
you
to
create
the
perfect
sound
for
your
system.
Speaker
Simulator
Built-In
The
built-in
speaker
simulator
is
especially
effective
for
line-
level
recording.
You
can
specify
the
type
of
the
speaker
box
and
the
location
of
the
microphone,
and
use
the
result
for
line
recording.
Шиглїлсїеч
Buttons
Buttons
corresponding
to
each
of
the
internal
effects
are
offered
right
on
the
front
panel,
allowing
you
to
see
the
on/
off
status
of
each
effects
processor
at
a
glance.
Designed
for
Compact
Efficiency
All
effects
can
be
connected
in
any
order
desired,
including
external
effects.
Thanks
to
this,
you
can
set
up
the
unit
to
suit
your
particular
style,
and
play
just
like
you
would
with
individual
compact
effects
units.
Operation
is
also
efficient
and
uncomplicated.
Directly
specify
the
effects
processor
you
wish
to
use,
then
tweak
its
param-
eters
to
create
just
the
sound
you
want.
Copyright
©
1996
BOSS
Corporation
A
“Harmonist”
Generates
Four-Note
Harmony
The
harmonist
function
adds
to
the
sound
of
the
guitar
a
harmony
of
up
to
three
additional
notes
geared
to
the
key
(scale)
in
which
you
are
playing.
Chromatic
Tuner
Built-In
The
built-in
chromatic
tuner
displays
the
string
names,
and
can
even
handle
tunings
lowered
by
a
half
step.
During
tuning,
the
illuminated
buttons
also
indicate
tuning
devia-
tion,
allowing
you
to
tune
even
when
at
a
distance
from
the
GX-700.
100
User
Area
Settings
Memory
provides
a
total
of
200
effect
sounds
(100
user,
100
preset).
Effect
sounds
can
be
recalled
instantly
from
the
front
panel
or
by
using
MIDI
program
changes.
A
Roland
FC-200
MIDI
Foot
Controller
(optional)
is
ideally
suited
for
use
with
the
GX-700,
and
allows
you
to
select
effect
sounds
and
control
parameters
in
real
time.
All
right
reserved.
No
part
of
this
publication
may
be
reproduced
in
any
form
without
the
written
permission
of
BOSS
CORPORATION.
4

Contents
Using
the
Unit
Safely
.........................
esse
2
Introduction
..................
recess
eren
———
РЕЈА
4
Main
Features
Important
Notes
.......cccccssccsvsstsssescescessnesnenssossacsersscsarssees
бу
How
the
GX-700
Is
Organized.......
E
—
Á—
7
How
to
Use
This
Manual
.......
Panel
Descriptions
.....................
ecce
eee
ee
rennen
ense
entntnan
8
Section
1
Try
out
the
GX-700
....................9
Connections
.........................
Power-on
and
Standby
....................
eese
10
—————
—
9
Power-on
m
10
Adjusting
the
Input
еме...
11
Adjusting
the
Output
Level
.............ниииииөнхөөөөөн
11
Settings
for
connected
equipment
.......................
sss
11
Selecting
an
Effect
Sound
.....................
eere
12
About
the
Screen
Display
..................
eerte
12
About
the
Effect
Select
button
display
...........................
12
Selecting
Effect
Sounds
from
the
Front
Panel
.................
12
Selecting
Effect
Sounds
with
a
Foot
Switch
...................
12
Selecting
Effect
Sounds
with
an
FC-200
MIDI
Foot
Controller
.....
13
Selecting
Effect
Sounds
by
MIDI
Messages
....................
13
Switching
Bypass
Оп/ОЙ............................
s
13
Switching
Bypass
On/Off
from
the
Panel
......................
13
Switching
Bypass
On/Off
from
a
Footswitch
.................
13
Switching
Bypass
On/Off
from
an
FC-200
MIDI
Foot
Controller..
13
Switching
Bypass
On/Off
by
MIDI
Messages
.................
13
Using
the
Tuner
................
eere
eere
encre
enenrneneneneene
14
Switching
to
the
Tuner
Function
..................
eee
14
About
the
Display
During
Tuning
........................
nee
14
Tuning
Procedure
..............
esee
nentes
15
Tuner
Settings
..............
esee
eese
eene
ненен
ны
15
Section
2
Modifying
various
settings
.....
17
Before
You
Begin
Creating
Sounds..........................
en
17
User
Area
and
Preset
Area
............................................
17
What
a
Patch
Contains
...........
eese
ee
tenente
17
About
the
Contents
of
the
Display
................................
18
Sound
Editing
Procedure
....................
sees
18
Copying
and
Exchanging
Effect
Sounds
..................
senese
19
Effect
Sound
Settings....................
———
19
Effect
On/Off
Settings
..............
esses
entente
19
Setting
the
Effect
Unit
Connection
Order
......................
20
Settings
for
Each
Effects
Ргосе$5ог.................................
21
Level
Меге.
ылына
нана
анынын
нк
22
Effect
Сору
E:
22
Modifying
the
Patch
Name
.............
essen
23
Control
Assign
Settings...
23
Setting
the
Output
Level
..............Цииннөөөнөөөөөөөөс
26
Canceling
Changes
and
Restoring
Edited
Data
..............
26
Storing
the
Modified
Settings
(The
Write
Operation)
.....27
Utility
Function
Settings...................
eren
....28
Section
3
Effect
Guide
............................32
COMPRESSOR
..........................
анинин
нинен
32
bAa
m
EE
EEE
EE
EEE
33
OVERDRIVE
/
DISTORTION
...........
eese
35
PREAMP
————
36
КООР
€
37
3BAND
EQUALIZER
............
esee
reete
eret
нн
нн
өөн
37
SPEAKER
SIMULATOR
........
eese
ннн
38
NOISE
SUPPRESSOR
............
esee
eene
nnne
eterne
39
MODULATION
...................
аен
39
FLANGER
T
—MÁ—Ó
40
nh
lr
Ó€Ó—
40
PITCH
SHIFTER
...........
eere
знн
41
HARMONIST
.....cscsssssecsscserecseneanscsensssesnsssssssenssaseeses
41
VIBRATO?
адан
T
43
RING
MODULATOR
.........ххөнхөөөөөөөхөөөхөөээөөэүэээээээ.
43
HUMANIZER
узын
озен
eene
enne
nennen
nnne
43
DELAY
e
—Ó——
HT
44
CHORUS
.
"———————À
47
TREMOLO
/
РАМ...
өзөн
ныи
рны
аы
48
Linie
49
Section
4
Using
MIDI
...............................50
How
MIDI
Can
Be
Used
................
erret
eee
DO
Operations
from
External
MIDI
Devices
........................
50
MIDI
Utility
Function
Settings
.................
eere
rere
51
MIDI
Related
Parameters
451
Program
Change
Map
Settings
......................................52
Transmitting
/
Receiving
Data
Via
MIDI
.......................52
Transmitting
Data
(Bulk
Оитр).........................
2452
Receiving
Data
(Bulk
Load)
........................
eee
53
Section
5
Appendix
................................55
GX-700
Operation
Using
the
РС-200............................55
GX-700
and
FC-200
Connections
........
«455
Selecting
Patches
from
the
FC-200
.................
56
Control
Assign
Operations
Using
the
FC-200.....
257
Manual
mode
(switching
effects
on/off)
.........................
58
No-Hands
Editing
(Using
the
FC-200
to
Create
Sounds)
....58
L———
59
1.
How
MIDI
messages
are
transmitted
and
received
....59
2.
Main
types
of
MIDI
message
used
by
the
GX-700
.....59
About
the
MIDI
Implementation
Chart
..........................
60
initializing
the
FC-200
from
the
GX-700...........
—À
0
Restoring
the
Factory
Settings
(Initialization)
...............61
Troubleshooting
.....................
eere
rere
rere
eret
o
otn
eetnnt
62
MIDI
implementation
Chart
.........................
eese
63
Specifications
...........
данийнаййна
—
64
Index
..........
:—À
———
——
MM
TsÓ

Important
Notes
In
addition
to
the
items
listed
under
"USING
THE
UNIT
SAFELY"
on
page
2
-
3,
please
read
and
observe
the
following:
Power
Supply
Do
not
use
this
unit
on
the
same
power
circuit
with
any
device
that
will
generate
line
noise
(such
as
an
electric
motor
or
variable
lighting
system).
The
AC
adaptor
will
begin
to
generate
heat
after
long
hours
of
consecutive
use.
This
is
normal,
and
is
not
a
cause
for
concern.
Before
connecting
this
unit
to
other
devices,
turn
off
the
power
to
all
units.
This
will
help
prevent
malfunctions
and/or
damage
to
speakers
or
other
devices.
Placement
Using
the
unit
near
power
amplifiers
(or
other
equipment
containing
large
power
transformers)
may
induce
hum.
To
alleviate
the
problem,
change
the
orientation
of
this
unit;
or
move
it
farther
away
from
the
source
of
interfer-
ence.
This
device
may
interfere
with
radio
and
television
recep-
tion.
Do
not
use
this
device
in
the
vicinity
of
such
receivers.
Do
not
expose
the
unit
to
direct
sunlight,
place
it
near
devices
that
radiate
heat,
leave
it
inside
an
enclosed
vehicle,
or
otherwise
subject
it
to
temperature
extremes.
Excessive
heat
can
deform
or
discolor
the
unit.
Maintenance
For
everyday
cleaning
wipe
the
unit
with
a
soft,
dry
cloth
or
one
that
has
been
slightly
dampened
with
water.
To
remove
stubborn
dirt,
use
a
mild,
non-abrasive
detergent.
Afterwards,
be
sure
to
wipe
the
unit
thoroughly
with
a
soft,
dry
cloth.
Never
use
benzene,
thinners,
alcohol
or
solvents
of
any
kind,
to
avoid
the
possibility
of
discoloration
and/or
deformation.
Repairs
and
Data
Please
be
aware
that
all
data
contained
in
the
unit's
memory
may
be
lost
when
the
unit
is
sent
for
repairs.
Important
data
should
always
be
backed
up
in
another
MIDI
device
(e.g.,
a
sequencer),
or
written
down
on
paper
(when
possible).
During
repairs,
due
care
istaken
to
avoid
the
loss
of
data.
However,
in
certain
cases
(such
as
when
circuitry
related
to
memory
itself
is
out
of
order),
we
regret
that
it
may
not
be
possible
to
restore
the
data,
and
Roland
assumes
no
liability
concerning
such
loss
of
data.
Memory
Backup
This
unit
contains
a
battery
which
powers
the
unit's
memory
circuits
while
the
main
power
is
off.
When
this
battery
becomes
weak,
the
message
shown
below
will
appear
in
the
display.
Once
you
see
this
message,
have
the
battery
replaced
with
a
fresh
one
as
soon
as
possible
to
avoid
the
loss
of
all
data
in
memory.
To
have
the
battery
replaced,
consult
with
your
dealer,
or
qualified
Roland
service
personnel.
Additional
Precautions
Please
be
aware
that
the
contents
of
memory
can
be
irretrievably
lost
as
a
result
of
a
malfunction,
or
the
improper
operation
ofthe
unit.
To
protect
yourself
against
the
risk
of
loosing
important
data,
we
recommend
that
you
periodically
save
a
backup
copy
of
important
data
you
have
stored
in
the
unit's
memory
in
another
MIDI
device
(e.g.,
a
sequencer).
Unfortunately,
it
may
be
impossible
to
restore
the
con-
tents
of
data
that
was
stored
in
the
unit's
memory
once
it
has
been
lost.
Roland
Corporation
assumes
no
liability
concerning
such
loss
of
data.
Use
a
reasonable
amount
of
care
when
using
the
unit's
buttons,
sliders,
or
other
controls;
and
when
using
its
jacks
and
connectors.
Rough
handling
can
lead
to
mal-
functions.
When
connecting
/
disconnecting.
all
cables,
grasp
the
connector
itself—never
pull
on
the
cable.
This
way
you
will
avoid
causing
shorts,
or
damage
to
the
cable's
internal
elements.
To
avoid
disturbing
your
neighbors,
try
to
keep
the
unit's
volume
at
reasonable
levels.
You
may
prefer
to
use
headphones,
so
you
do
not
need
to
be
concerned
about
those
around
you
(especially
when
it
is
late
at
night).
When
you
need
to
transport
the
unit,
package
it
in
the
box
(including
padding)
that
it
came
in,
if
possible.
Other-
wise,
you
will
need
to
use
equivalent
packaging
materi-
als.

Howthe
GX-700
Is
Organized
The
easiest
way
to
understand
the
GX-700
is
to
think
of
it
as
a
large
set
of
compact
effect
devices
packaged
into
a
rack-
mountable
box.
During
normal
use,
you
can
select
from
200
different
sets
of
effects
devices,
which
are
already
arranged
in
a
certain
order
and
have
appropriate
settings
made.
To
create
a
new
effect
sound,
you
select
the
effects
that
you
wish
to
use,
specify
the
order
in
which
they
are
connected,
and
then
set
the
knobs
for
each
effects
device.
How
to
Use
This
Manual
This
manual
explains
the
procedures
and
functions
used
for
normal
playing,
and
how
to
make
various
settings.
It
is
divided
into
five
major
sections.
Read
each
section
as
neces-
sary.
At
the
end
of
the
manual
an
alphabetical
index
is
provided.
If
you
have
questions
about
operation,
refer
to
the
index.
Section
1
Try
out
the
GX-700
This
section
explains
the
basic
operation
of
the
GX-700,
such
as
connecting
the
GX-700
with
external
devices,
and
select-
ing
from
the
effect
sounds
stored
in
the
GX-700's
memory.
Section
2
Modifying
Various
Settings
This
section
explains
how
to
modify
effect
sound
settings.
Read
this
section
when
you
wish
to
change
the
settings
of
various
functions.
Section
3
Effect
Guide
This
section
explains
the
function
of
the
effect
parameters.
Section
4
Using
MIDI
This
section
explains
how
external
MIDI
devices
can
be
used
to
control
the
GX-700,
and
how
data
can
be
transmitted
and
received
via
MIDI.
Read
this
section
when
you
wish
to
use
the
MIDI
functions
of
the
GX-700.
Section5
Appendix
This
section
explains
operations
using
the
FC-200
MIDI
Foot
Controller
(optional).
It
also
contains
material
that
will
help
you
get
the
most
out
of
your
GX-700,
lists
of
the
factory
settings,
and
a
helpful
troubleshooting
section.

Panel
Descriptions
<
Front
Panel
>
Headphones
Jack
|
INPUT
Jack
PLAY
Button
NUMBER
/
VALUE
Knob
i
INPUT
LEVEL
Knob
|
EFFECT
SELECT
Buttons
:
BYPASS
Button
|
POWER
Switch
918086
©
3-000
auf
tag
PROCESSOR
GX-700
CTAR
EFFECTS
PROCESSOR
Display
WRITE
Button
PARAMETER
Buttons
|
TUNER
/
UTILITY
Button
*
In
this
manual,
the
number/value
knob
is
referred
to
as
either
the
NUMBER
knob
or
as
the
VALUE
knob.
<
Rear
Panel
>
LOOP
Jacks
(SEND,RETURN)
MIDI
Connectors
i
OUTPUT
Jacks
(IN,OUT,
THRU)
И
(ЦМО
Зер
АС
Adaptor
Jack
|
EXPRESSION
|
INPUT
Jack
“=i
CE
929.
22
а
ли
АІ
99:0:
РЕВА
OUTPUT
LEVEL
Knob
CONTROL
1/2
Jack

Section
Try
out
the
GX-700
Connections
First,
connect
up
the
guitar
and
guitar
amplifier
with
the
СХ-
700
as
shown
below,
then
connect
the
supplied
AC
adaptor.
*
To
prevent
malfunction
and/or
damage
to
speakers
or
other
devices,
always
turn
down
the
volume,
and
turn
off
the
power
on
all
devices
before
making
any
connections.
*
The
volume
on
your
amplifier
should
be
turned
up
only
after
switching
on
all
the
other
units,
*
To
output
in
monaural,
connect
a
cable
to
only
the
OUTPUT
L
(MONO)
jack.
*
For
an
expression
pedal
(optional),
be
sure
to
use
either
a
Boss
FV-
300L
+
PCS-33
(Roland)
or
an
EV-5
(Roland).
*
Set
the
minimum
volume
on
the
expression
pedal
connected
to
the
EXP
PEDAL
jack
to
the
“MIN”
position.
*
INPUT
jacks
for
your
guitar
are
provided
on
the
front
panel
and
also
on
the
rear
panel.
If
both
are
connected,
only
the
INPUT
jack
on
the
front
panel
will
function.
OUTPUT
TYPE
:
(P11)
GUITAR
AMP(COMBO)
GUITAR
AMP(STACK)
TGUITAR
IN
Amplifier
452221
Amplifier
essendi:
1
Guitar
Amplifier
Н
Guitar
Amplifier
О
ОО
ОО
ОО
Speaker
System
Speaker
System
Section
1
Try
out
the
GX-700
9

OUTPUT
TYPE
:
(P.11)
POWER
AMP(COMBO)
POWER
AMP(STACK)
L(MONO)
MAIN
IN
or
EAEE
ары
RETURN
Power
Amplifier
3
Guitar
Amplifier
Guitar
Amplifier
2
OO}
OO
Speaker
System
|
Ози“
сзсзсосзсосз
сзсз
с
о
сзосзсосососососоз
oOo
е
су
EV-5
(Roland)
FV-300L
etc.
*
To
prevent
the
inadvertent
disruption
of
power
to
your
unit
(should
the
plug
be
pulled
out
accidentally),
and
to
avoid
applying
undue
stress
to
the
AC
adaptor
jack,
anchor
the
power
cord
using
the
cord
hook,
as
shown
in
the
illustration.
*
If
connecting
a
footswitch
(FS-5U;
optional)
to
the
CONTROL
1/
2
jack,
set
the
polarity
switch
as
shown
below.
Polarity
Switch
Power-on
and
Standby
In
order
to
take
full
advantage
of
the
GX-700's
performance,
be
sure
to
make
the
following
settings.
Power-on
Once
the
connections
have
been
completed
(p.
9
–
10),
turn
on
power
to
your
various
devices
in
the
order
specified.
By
turning
on
devices
in
the
wrong
order,
you
risk
causing
malfunction
and/or
damage
to
speakers
and
other
devices.
GX-700
Y
External
Effects
Device
Y
Guitar
Amplifier
(Power
Amplifier)
The
following
display
will
appear,
and
after
several
seconds,
the
GX-700
will
be
ready
for
normal
playing.
This
display
is
referred
to
as
the
"Play
page."
5
„з
1
Qu
Y Й Й
[|
ЕМЕН]
Sound
ah,
T
•
Turn
up
the
amp
volume
only
after
all
devices
have
been
powered
on.
*
When
the
power
is
turned
on,
the
last-selected
Patch
number
will
be
selected,
*
This
unit
is
equipped
with
a
protection
circuit.
A
brief
interval
(a
few
seconds)
after
power
up
is
required
before
the
unit
will
operate
normally.
*
Depending
on
the
location
where
the
GX-700
is
placed,
the
display
may
be
difficult
to
read.
In
this
case,
adjust
the
display
contrast
(p.
30).

Adjusting
the
Input
Level
The
level
of
the
output
signal
differs
between
guitars.
Use
the
Input
Level
knob
to
adjust
the
input
level
to
suit
your
guitar.
5Х-700
MATAR
SPPECTE
PROCESSOR
1
Play
your
guitar
at
the
maximum
loudness
that
you
will
produce
in
normal
playing.
2
Adjust
the
Input
Level
knob
until
the
PEAK
Indicator
lights
briefly.
ms
l7
|
[LEU
CH]
Input
Level
Meter
*
The
peak
indicator
will
light
6
dB
before
clipping
level
(the
level
where
distortion
begins).
*
If
the
input
level
is
too
high,
the
GX-700
will
not
produce
the
desired
effects.
Adjusting
the
Output
Level
Adjust
the
output
level
as
appropriate
for
the
devices
to
which
the
СХ-700
is
connected.
*
Ordinarily,
the
Level
Knob
should
be
set
at
“-10
dBm.”
REC
ынг
a
О
О•0
Ө
ОО
Settings
for
connected
equipment
Specify
the
type
of
the
equipment
that
is
connected
to
the
output
jack.
(Procedure)
PAR
хоншилилт
cic
[mm]
Sm
==]
„уге.
;
1
Press
[TUNER/UTILITY].
The
button
indicator
will
light,
and
the
tuner
screen
will
appear
in
the
display.
2
Use
PARAMETER[<@][
>)
to
access
the
following
param-
eter
in
the
display
(OUTPUT
TYPE).
DUTPUT
TYPE
БТЕ
АМР
СОМЕО
эж
З
Use
the
VALUE
knob
to
select
the
type
of
device
which
is
connected
to
the
output
jack.
GUITAR
AMP
(COMBO):
Use
this
setting
when
connecting
to
the
guitar
input
of
a
combo-type
guitar
amp
(i.e.,
amp
and
speaker
contained
in
a
single
unit).
GUITAR
AMP
(STACK):
Use
this
setting
when
connecting
to
the
guitar
input
of
a
stack-type
guitar
amp
(i.e.,
amp
and
speaker
in
separate
units).
POWER
AMP
(COMBO):
Use
this
setting
when
connecting
to
the
RETURN
or
MAIN
IN
of
a
combo-type
guitar
amp.
POWER
AMP
(STACK):
Use
this
setting
when
connecting
to
a
power
amp
and
speaker
box,
or
to
the
RETURN
or
MAIN
IN
of
astack-
type
guitar
amp.
LINE:
Use
this
setting
when
connecting
to
a
mixer
or
MTR.
This
setting
is
also
used
when
using
headphones.
4
Press
[PLAY]
or
[TUNER/UTILITY]
to
end
the
procedure.
Section
1
Try
out
the
GX-700
17/

Selecting
an
Effect
Sound
Effect
sounds
are
organized
as
Patch
numbers
1
—
200.
To
select
an
effect
sound,
use
the
front
panel
or
a
MIDI
device
to
change
the
Patch
number.
Patch
numbers
can
be
selected
only
when
the
Play
page
(the
screen
display
that
shows
the
Patch
number)
is
shown.
If
something
other
than
the
Play
page
is
shown
in
the
display,
press
[PLAY]
to
return
to
the
Play
page.
*
The
Patch
immediately
before
Patch
number
1
will
be
indicated
as
UNDO.
This
Patch
contains
the
modifications
that
were
last
made.
For
details
refer
to
"Canceling
Changes
and
Restoring
Edited
Data"
(p.26).
About
the
Screen
Display
The
following
types
of
information
are
shown
in
the
Play
page.
Patch
Number
Name
Б-ТИН
Sound
1
ЕЦУСН1нп
ан
zc
Input
Level
Meter
Parameters
available
for
direct
editing
(p.21)
About
the
Effect
Select
button
display
The
effect
select
buttons
corresponding
to
each
effect
will
be
lit
or
dark
to
indicate
the
effect
on/off
settings
of
each
Patch
number.
Selecting
Effect
Sounds
from
the
Front
Panel
EFFECT
SELECT
)
С
со
males
or
"E"
Rotate
the
NUMBER
knob.
As
you
rotate
it
to
the
right,
successively
higher
Patch
numbers
will
be
selected.
Rotating
it
to
the
left
will
select
lower
Patch
numbers.
When
a
Patch
number
is
selected,
the
effect
sound
will
change,
and
the
name
ofthe
selected
Patch
number
will
be
displayed.
*
Ifyou
press
the
NUMBER
knobas
you
rotate
it,
the
Patch
numbers
will
change
more
rapidly.
Selecting
Effect
Sounds
with
a
Foot
Switch
If
an
FS-5U
foot
switch
(optional)
is
connected
to
the
Control
1/2
jack,
you
can
change
Patch
numbers
by
operating
the
foot
switch.
*
If
you
wish
to
use
this
function,
make
the
following
settings.
For
details
refer
to
“CONTROL
1/2
JACK”
(p.29).
<UTILITY>
CONTROL
1
JACK:
NUMBER
UP
CONTROL
2
JACK:
NUMBER
DOWN
*
When
using
a
foot
switch,
be
aware
that
holding
down
the
foot
switch
will
not
cause
the
Patch
numbers
to
continue
changing
in
succession.
*
When
using
a
foot
switch
to
change
Patches,
you
may
specify
the
range
of
Patches
that
can
be
selected.
For
details
refer
to
“NUMBER
UP/DOWN”
(p.30).
Ifyou
use two
foot
switches,
you
can
select
Patches
by
foot
in
the
same
way
as
by
rotating
the
NUMBER
knob.
Cord:
Roland
PCS-31
(Optional)
«—
CONTROL
1
Number
Up
CONTROL
2
Number
Down
12

If
you
use
only
one
foot
switch,
you
can
use
it
to
move
either
up
or
down
(пој
both)
through
the
Patch
numbers.
===
ӨӨ
Q^
000
Mar
Polarity
Switch
M
\
7
m
Сое]
m
22222221
2-3)
<
CONTROL
1
Selecting
Effect
Sounds
with
an
FC-200
MIDI
Foot
Controller
If
an
FC-200
MIDI
Foot
Controller
(optional)
is
connected,
you
can
switch
Patch
numbers
by
pedal
operations
on
the
controller.
For
details
refer
to
“GX-700
Operation
Using
the
FC-200”
(p.55).
Selecting
Effect
Sounds
by
MIDI
Messages
GX-700
Patches
can
be
selected
by
Program
Change
mes-
sages
from
an
external
MIDI
device.
The
correspondence
between
program
numbers
and
GX-700
Patch
numbers
can
be
changed
by
modifying
the
settings
of
the
Program
Change
Map
(p.52).
Switching
Bypass
On/Off
You
can
switch
the
effect
sound
on/off.
When
an
Bypass
ison,
the
input
sound
will
be
output
without
modification.
*
Bypass
On/Off
can
be
changed
to
a
Mute
function.
For
details
refer
to
“BYPASS
MODE”
(p.30).
Switching
Bypass
On/Off
from
the
Panel
T——
——
——————
W
A
EFFECT
SELECT
y
m=O
4
WETE
e
$i
Bypass
is
turned
ON
and
OFF
by
pressing
the
panel's
[BYPASS].
Bypass
is
ON
when
the
button’s
indicator
is
lit.
Switching
Bypass
On/Off
from
a
Footswitch
if
a
separately
available
BOSS
FS-5U
foot
switch
is
con-
nected,
you
can
switch
bypass
on/off
in
the
following
two
ways.
The
same
as
when
you
press
[BYPASS],
the
button's
indicator
is
lit
when
switched
on.
*
If
you
wish
to
use
this
function,
make
the
following
settings.
For
details
refer
to
"CONTROL
1/2
JACK"
(p.29).
«UTILITY»
CONTROL
1
jACK:
BYPASS
or
CONTROL
2
JACK:
BYPASS
Switching
Bypass
On/Off
from
an
FC-200
MIDI
Foot
Controller
If
an
FC-200
MIDI
foot
controller
(optional)
is
connected,
you
can
use
pedal
operations
to
switch
bypass
on/off.
For
details
refer
to
"GX-700
Operation
Using
the
FC-200"
(p.55).
Switching
Bypass
On/Off
by
MIDI
Messages
MIDI
Control
Change
messages
can
be
used
to
switch
bypass
on/off.
For
details
refer
to
"Control
Assign
Settings"
(p.23).
Section
1
Try
out
the
GX-700
73

Using
the
Tuner
The
GX-700
has
a
built-in
chromatic
tuner.
You
can
tune
your
instrument
quickly
without
having
to
change
connec-
tions.
In
addition
to
displaying
the
note
name,
the
built-in
tuner
shows
the
string
name,
and
allows
you
to
make
settings
for
(double-)
flat
tunings
and
to
adjust
the
output
level.
Switching
to
the
Tuner
Function
Here’s
how
to
use
the
built-in
tuner
to
tune
your
guitar.
While
the
tuner
function
is
being
used,
the
GX-700
will
be
muted,
and
the
guitar
sound
will
not
be
output.
*
It
is
also
possible
to
output
the
direct
sound
even
while
the
tuner
is
being
used.
For
details
refer
to
“Volume
settings
during
tuning”
(p.
16).
<
Switching
from
the
Front
Panel
>
Each
time
you
press
[TUNER/UTILITY]
the
Tuner
function
will
alternate
on/off.
When
the
tuner
is
on,
the
button
indicator
will
light,
and
the
tuner
display
will
appear.
<
Switching
with
a
Foot
Switch
>
If
an
FS-5U
is
connected
to
the
CONTROL
1/2
jack,
you
can
switch
the
TUNER
on/off
with
the
foot
switch.
The
same
as
when
you
press
[TUNER/UTILITY],
the
button
indicator
will
light
when
the
tuner
is
on.
*
If
you
wish
to
use
this
function,
make
the
following
settings.
For
details
refer
to
"CONTROL
1/2
JACK"
(p.
29).
«UTILITY»
CONTROL
1
JACK:
TUNER
or
CONTROL
2
JACK:
TUNER
«
Switching
with
an
FC-200
MIDI
Foot
Controller
»
If
an
FC-200
MIDI
Foot
Controller
(optional)
is
connected,
you
can
switch
the
tuner
on/off
by
pedal
operations
on
the
controller.
For
details
refer
to
"GX-700
Operation
Using
the
FC-200"
(p.
55).
<
Switching
with
MIDI
Messages
>
MIDI
Control
Change
messages
can
be
used
to
switch
the
Tuner
on/off.
For
details
refer
to
"Control
Assign
Settings"
(p.
23).
About
the
Display
During
Tuning
<
Tuning
Display
>
The
GX-700's
built-in
tuner
shows
the
note
name
in
the
upper
line
of
the
display,
and
the
lower
line
shows
a
graphical
tuning
guide
to
indicate
the
sharpness
or
flatness
of
the
note.
Note
Names
Tuning
Guide
<
Tuning
Guide
Display
>
If
the
pitch
deviation
is
within
+/-50
cents,
the
tuning
guide
will
indicate
the
amount
of
deviation.
While
watching
the
tuning
guide,
adjust
the
tuning
until
only
the
middle
indicator
(Tuned)
is
lit.
Too
High
On
the
GX-700,
the
tuning
guide
is
displayed
using
the
effect
select
button
indicators
in
addition
to
being
shown
in
the
display
screen.
Too
Low
COMP
WAH
OD/DIST
PREAMP
LOOP
SP
SIM
тиш
-
тин
-
шш
–
г
m
ш
NS
Center
Guide
14

Tuning
Procedure
1
Playa
single
иптенед
note
on
the
string
you
wish
to
tune.
The
note
name
closest
to
the
string
you
played
will
appear
in
the
display.
*
Cleanly
play
a
single
note
only
on
the
string
that
you
wish
to
tune.
2
Adjust
the
tuning
until
the
note
name
of
the
string
you
played
appears
in
the
display.
Standard
Tuning
3
while
watching
the
tuning
guide,
adjust
the
tuning
until
only
the
middle
indicator
(Tuned)
is
lit.
4
Repeat
steps
1
—
3
to
tune
all
the
strings.
*
When
tuning
a
guitar
that
has
a
tremolo
arm,
tuning
one
string
may
cause
the
other
strings
to
go
out
of
tune.
In
such
cases,
first
tune
the
stríngs
to
the
approximate
pitch
(so
that
the
note
name
is
displayed),
and
then
keep
tuning
each
string
until
they
are
all
in
tune.
Tuner
Settings
Here
you
can
make
tuner
settings.
Make
settings
as
appropri-
ate
for
the
way
that
you
wish
to
use
this
function.
The
following
items
can
be
set.
-
Standard
pitch
setting
-
String
name
display
setting
-
Volume
setting
during
tuning
(Procedure)
Each
of
the
tuner
settings
can
be
made
using
the
following
procedure.
1
Press
[TUNER/UTILITY]
so
that
the
Tuner
page
appears
in
the
display.
2
Press
PARAMETER
[-4][%»]
so
that
the
item
that
you
wish
to
set
appears
in
the
display.
3
Usethe
VALUE
knob
to
modify
the
setting.
4
Repeatsteps
2
—
3
to
modify
the
setting
of
the
desired
items.
5
Either
use
PARAMETER
[<4]
[D>]
to
return
to
the
tuner
page,
or
press
[PLAY]
or
[TUNER/UTILITY]
to
end
the
procedure.
(You
will
return
to
the
Play
page.)
(Standard
pitch
settings)
(435
–
445)
TUHER
FITCH
Н
=
44üHzt
“Standard
pitch"
is
the
frequency
of
the
A4
note
(middle
А
on
a
piano)
that
is
used
as
a
standard
to
which
all
other
notes
are
tuned.
The
GX-700
allows
you
to
set
the
standard
pitch
over
the
range
of
435
–
455
Hz.
*
At
the
factory
settings,
this
is
set
to
440
Hz.
Section
1
Try
out
the
GX-700
15

(String
name
display
setting)
(OFF,
ON,
ОМ
(ђ
),
ON
(Ь))
TUHER
STRING
DISPLAY
OFF
=
Selects
whether
or
not
the
string
names
will
be
shown
in
the
display.
Also,
if
the
string
names
are
shown,
you
can
select
between
regular
tuning
and
flat
(or
double-flat)
tuning.
<
About
the
String
Name
Display
>
This
function
indicates
the
un-fretted
string
that
should
correspond
to
the
un-fretted
note
you
played.
When
this
function
is
used,
you
can
match
the
string
name
(string
number)
being
tuned
with
the
string
name
shown
in
the
display,
and
then
tune
so
that
only
the
center
tuning
guide
is
lit.
This
is
convenient
when
changing
strings,
etc.
«
About
Flat
(Double-Flat)
Tuning
>
Flat
tuning
refers
to
a
tuning
that
is
overall
a
semitone
lower
than
regular
tuning.
By
selecting
flat
tuning
on
the
GX-700,
you
can
tune
your
guitar
a
semitone
lower
than
regular
tuning
and
still
use
the
tuner
function
as
usual.
The
contents
ofthe
display
will
be
as
normal,
but
the
pitch
will
be
a
semitone
lower,
allowing
you
to
tune
as
usual
without
having
to
be
conscious
of
the
difference.
If
you
select
double
flat
tuning,
the
pitch
will
be
a
whole
step
lower
than
normal.
OFF:
The
string
name
will
not
be
shown.
ON:
The
string
name
for
regular
tuning
will
be
shown.
ON
(Ь
):
The
string
name
for
flat
tuning
will
be
shown.
ON
(bb):
The
string
name
for
double-flat
tuning
will
be
shown.
When
the
string
name
is
shown,
the
display
will
be
as
follows.
String
Name
Note
Name
Tuning
Guide
Non-Display
:
Regular
Tuning
Р
Ба
Tuning
гэ
Double
Flat
Tuning
*
Ifthe
pitch
is
more
than
50
cents
away
from
the
correct
pitch,
the
triangular
symbol
in
the
lower
left
of
the
display
will
appear
solid
().
When
the
pitch
is
within
+/-50
cents
of
the
correct
pitch,
the
deviation
will
be
indicated
in
the
tuning guide,
and
the
triangular
symbol
will
change
to
only
in
outline
form
([>).
xcd
*
Normally,
the
triangular
symbol
located
in
the
lower
left
will
be
pointing
to
the
right.
However
when
the
first
string
is
being
tuned
and
the
pitch
is
more
than
50
cents
higher
than
the
correct
pitch,
it
will
point
to
the
left.
aaa
d
Ed
4-Б
БЕРП]
+
*
Be
sure
to
tune
by
playing
open
strings.
If
you
play
a
harmonic,
the
correct
string
name
may
not
be
displayed.
*
At
the
factory
settings,
“OFF”
is
selected.
(Volume
settings
during
tuning)
(MUTE
–
100)
TUNER
LEVEL
МИТЕ
Set
the
volume
that
will
be
used
during
tuning.
*
With
the
factory
settings,
“MUTE”
is
selected.
16

Section
Modifying
various
settings
On
the
GX-700,
the
settings
that
determine
the
con-
nection
order
of
the
internal
effects
processors
and
the
settings
for
each
processor
are
collectively
known
as
a
“Patch
number.”
The
GX-700
contains
200
Patch
numbers,
This
section
explains
how
to
edit
the
con-
tents
of
a
Patch
number
to
create
a
new
effect
sound,
and
then
store
your
new
settings.
Before
You
Begin
Creating
Sounds
Before
you
begin
creating
sounds
there
are
several
things
that
you
need
to
understand.
User
Area
and
Preset
Area
The
200
Patches
in
the
GX-700
are
divided
into
the
User
area
and
the
Preset
area.
User
area
(Patch
numbers
1
–
100)
Patch
numbers
in
the
User
area
can
be
used
to
store
effect
sounds
that
you
create.
Preset
area
(Patch
numbers
101
–
200)
Patch
numbers
in
the
Preset
area
cannot
store
effect
sounds
that
you
create.
However,
you
can
start
with
a
Preset
area
Patch,
and
modify
and
store
it
in
the
User
area.
*
independently
from
the
Preset
area,
the
User
area
contains
a
Patch
labeled
“UNDO”
which
is
located
immediately
before
Patch
number
“1.”
This
Patch
contains
the
last-edited
settings.
For
details
refer
to
“Canceling
Changes
and
Restoring
Edited
Data”
(p.26).
What
a
Patch
Contains
Each
Patch
number
in
the
User
area
contains
the
following
settings.
-
Connection
order
of
the
effects
processors
-
On/off
of
each
effects
processor
-
Settings
for
each
effects
processor
-
Output
level
setting
-
Control
assign
(4
types)
-
Name
Se
A
AAA!
cnn
Section
2
Modifying
various
settings
—
77

About
the
Contents
of
the
Display
The
following
information
appears
in
the
display
during
editing.
<
When
Parameter
Settings
Are
Being
Modified
>
Effects
Effect
On
:
Uppercase
Effect
ОН
:
Lowercase
Туре/Моде
Г
ргрї5Т1
ШЕЕ
ЕРРЕСТ
Рагатејег
Value
<
When
(PLAY)
Is
Pressed
to
Access
the
Play
Page
>
Editing
Name
жка
[Ep]
G-r
Sound
ЕСН
јин
4
Input
Level
Meter
Parameter
available
for
direct
editing
(P.21)
k:
Indicates
that
pressing
PARAMETER
[P]
will
switch
parameters.
4:
indicates
that
pressing
PARAMETER
[-4]
will
switch
parameters.
ak
Indicates
that
pressing
PARAMETER
[<4]
or
[>]
will
switch
parameters.
18
Sound
Editing
Procedure
1
Select
a
Patch
that
is
close
to
the
effect
sound
you
want
to
create.
Copy
the
contents
of
the
selected
Patch
number
to
an
unneeded
Patch
number
(in
the
User
area).
(p.19)
*
If
you
wish
to
modify
the
contents
of
the
Patch
number
selected
in
step
1,
there
is
no
need
to
copy
the
data.
Modify
the
contents
of
the
copied
(selected)
patch
number.
3-1
Modify
the
connection
order
of
the
effect
devices
(p.20).
3-2
Modifytheon/offsetting
of
each
effect
device
(p.19).
3-3
Modify
the
settings
of
each
effect
device
(p.21).
Assign
a
name
to
the
new
effect
sound
(P.23).
Storing
the
new
effect
sound
(p.27).
The
modified
settings
of
the
new
effect
sound
are
tempo-
rary,
and
will
be
lost
if
you
select
another
Patch.
If
you
want
to
save
your
new
effect
sound,
use
"the
Write
operation"
(p.27)
to
store
it.

Copying
and
Exchanging
Effect
Sounds
By
using
the
copy
feature,
you
can
create
a
copy
of
any
Patch
ata
new
location,
and
tweak
the
effects
settings
of
the
original
to
quickly
produce
a
new
Patch.
By
using
exchange,
you
can
swap
the
effects
settings
of
two
Patch
numbers.
*
It
is
not
possible
to
use
“copy”
or
“exchange”
while
you
are
editing.
(Procedure)
Effect
Sound
Settings
*
For
the
abbreviations
used
to
indicate
the
names
of
effect
devices,
and
for
explanations
of
the
parameters,
refer
to
“Section
3
Effect
Guide”
(p.32).
Effect
On/Off
Settings
You
can
turn
on
whichever
effects
you
wish
to
use,
while
effects
you
do
not
wish
to
use
can
be
turned
off.
For
effects
which
are
turned
on,
the
indicator
of
the
effect
select
button
corresponding
to
each
effect
will
light.
(Procedure)
1
inthe
Play
page,
use
the
NUMBER
knob
to
select
the
copy
source
(or
exchange
source)
Patch
number.
2
Press
[WRITE].
The
copy
or
exchange
page
will
appear.
3
If
necessary,
you
can
press
either
PARAMETER
[44]
or
[8]
to
switch
between
copy
and
exchange.
"ТП
b
Sound
4
Use
the
NUMBER
knob
to
select
the
copy
destination
(exchange
destination)
Patch
number.
The
effect
sound
will
switch
to
that
of
the
copy
destination
(exchange
destination).
5
Press
[WRITE]
to
execute
the
copy
(exchange)
operation.
The
copy
destination
(exchange
destination)
Patch
number
will
be
selected,
and you
will
return
to
the
Play
page.
*
To
cancel
the
operation,
press
[PLAY]
and
yau
will
return
to
the
Play
page.
1
Press
the
effect
select
button
that
corresponds
to
the
effect
you
wish
to
turn
on
or
off.
The
Play
button
indicator
will
go
dark,
and
the
screen
will
show
the
settings
of
the
selected
effect.
COMP
WAH
OD/DIST
PREAMP
LOOP
EQ
ЕТ
а
«
=
тшш
—
——
——
„МОР
DELAY
CHORUS
TREM/PAN
иж
=
==
–
|
пр“
О
157]
ЕРРЕСТ
ОН»
METAL
Section
2
Modifying
various
settings
19

2
Once
again,
press
the
effect
select
button
that
corresponds
to
the
effect
you
wish
to
switch.
The
effect
will
be
turned
on
or
off.
You
can
also
switch
the
effect
on/off
by
rotating/pressing
the
VALUE
knob.
While
you
are
making
effect
sound
settings,
the
effect
name
will
be
displayed
in
uppercase
characters
for
an
effect
which
is
turned
on,
and
in
lowercase
characters
for
an
effect
which
is
turned
off.
3
Repeat
steps
1
–
2
to
turn
each
effect
on/off.
4
When
you
finish
making
settings:
-
If
you
wish
to
continue
setting
other
items,
make
the
desired
settings.
~
Ifyou
wish
to
save
the
settings,
use
the
Write
operation
(p.27).
20
Setting
the
Effect
Unit
Connection
Order
You
can
freely
set
the
order
in
which
the
effects
are
con-
nected.
(Procedure)
6
4
3
$
TS
EE
T
У
EFFECT
SELECT
то
=
==
>
1
Press
[LEVEL/CHAIN].
2
Use
PARAMETER
[4][]
to
access
the
following
param-
eter
in
the
display
(CHAIN).
CLENCH]
_
CHAIN
tCS+wah-DS+prets
*
Effects
which
are
switched
off
will
be
shown
in
lowercase
letters.
3
Use
the
VALUE
knob
to
move
the
cursor
(X)
to
the
position
where
you
wish
to
insert
an
effects
processor.
4
Using
the
effect
select
buttons,
select
the
effect
you
want.
The
selected
effects
processor
will
be
inserted
at
the
cursor’s
position.
5
Repeat
steps
3
–
4
to
place
the
effects
in
the
desired
order.
6
Press
[PLAY]
to
complete
the
settings
for
the
connection
order
you
have
produced.
You
are
returned
to
the
Play
page.
The
display
will
indicate
that
editing
is
in
progress,
as
shown
below.
Editing
=
Eug
Пл-г
Йй
Sound
CLEV<CH]
meme
+
[NOTE]
While
making
settings
for
the
connection
order
you
can
also
switch
effects
on/off
if
you
want.
The
two
effects
processors
that
appear
immediately
to
left
and
right
of
the
cursor
(#)
can
be
switched
off
or
on
by
pressing
their
respective
effect
select
button.
7
When
you
finish
making
settings:
—
If
you
wish
to
continue
setting
other
items,
make
the
desired
settings.
~
Ifyou
wish
to
save
the
settings,
use
the
Write
operation
(р.27).
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