Carvin Mts3200 User manual

MODEL MTS3200 HEAD SPECS:

RMS Power: 50 or 100 watts

Output Impedance: 4, 8 & 16Ω

Input Impedance: 100,000 ohms

Tone Controls: BASS: 80Hz

Both Channels: MID: 600-700Hz

TREBLE: 11k Hz

Ch 1 Sensitivity: 1mV for clipping

Ch 2 Sensitivity: 16mV for full output

Channels: 2—switching

Voiced Line Out: 1.5 VAC @ 100 watts RMS

Preamp Tubes: 5—12AX7’s (dual stage)

Power Amp Tubes: 4—5881’s (power pentode)

USA Model: 120VAC, 300VA

USA Fuse: 3A 250V slow blow, 5x 20mm

Export Model: 230VAC, 300VA

Export Fuse: 1.5A 250V slow blow, 5x 20mm

Cabinet Size: 24.25W x 10.5H x 9.5”D

Cabinet: 7-ply poplar wood

Net Weight: 35 lbs

Warranty: One Year

Options: CV3200 cover, FS22 footswitch

CARVIN ENGINEERING DATA OPERATING MANUAL

Congratulations on your purchase of the MTS3200 all tube amplifier. Carvin has

been building tube guitar amplifiers since 1949. They have been used by top profes-

sionals like; Frank Zappa, Steve Vai, Craig Chaquico, Allan Holdsworth, Larry Carlton,

Chet Atkins and other great musicians. You will discover that these amplifiers repre-

sent a significant sound improvement over conventional tube amplifiers. Spend time

with your new MTS3200 head or your MTS3212 combo and get to know it’s many

sounds.

TECHNICAL DESIGN OF THE MTS3200

The MTS3200 design criteria was to build an all-tube guitar amp that sounded better

than anything else on the market. This meant that the MTS3200 was going to be total-

ly new from the ground up and that it was going to be an all tube design with no IC’s

or transistors.

HIGH IMPEDANCE GUITAR INPUT

Carvin has long known about the effects of miss-loading a guitar pickup which can

cause high frequency loss. The MTS3200 guards against this loss with its ultra high

input impedance. Also, we considered the capacitance of the average shielded guitar

cable which can reduce the high frequency response of your guitar pickups. Unlike

other amplifiers, we purposely avoided adding capacitance anywhere in the preamp to

control high frequency oscillations. Instead, we controlled oscillations through careful

component layout and lead placement allowing its shimmering highs to be reproduced.

CLEAN AND OVERDRIVE CHANNELS

The equalization of the clean and overdrive channel is designed to offer clarity to

your instrument. Special mud-cutting circuits eliminate the unwanted sounds in the

500 to 700 Hz range which normally take away the tone definition of your instrument.

You will also take notice of the clean channels PRESENCE switch which adds

acoustic voicing to your instrument. This switch boosts only the guitars very high-

est harmonics which are in the 10k Hz range instead of the normal 3K Hz of a bright

switch. The PRESENCE control on the lead channel is designed to adjust the “edge”

on your sound. It’s dynamic range allows for super-smooth sounds or an edge for

MODEL MTS3212 COMBO SPECS:

Speakers: 2 Celestion G12T-75 speakers

RMS Power: 50 or 100 watts

Output Impedance: 4, 8 & 16Ω

Input Impedance: 100,000 ohms

Tone Controls: BASS: 80Hz

Both Channels: MID: 600-700Hz

TREBLE: 11k Hz

Ch 1 Sensitivity: 1mV for clipping

Ch 2 Sensitivity: 16mV for full output

Channels: 2—switching

Voiced Line Out: 1.5 VAC @ 100 watts RMS

Preamp Tubes: 5—12AX7’s (dual stage)

Power Amp Tubes: 4—5881’s (power pentode)

USA Model: 120VAC, 300VA

USA Fuse: 3A 250V slow blow, 5x 20mm

Export Model: 230VAC, 300VA

Export Fuse: 1.5A 250V slow blow, 5x 20mm

Cabinet Size: 26W x 10.25D x 17.5”H

Cabinet: 7-ply poplar wood

Net Weight: 55 lbs

Warranty: One Year

Options: CV3212 cover, FS22 footswitch

76-32000B 07/05

your lead channel to reach out.

DYNAMIC 5881 POWER TUBES

Your amp is equipped with 5881 power tubes because of their smooth distortion,

responsive sound and reliability. The compression characteristics of these “soft clip”

power tubes respond to the dynamic range of lead guitar playing. These tubes react

even to the most subtle touch—if you play soft, the tubes remain clean and if you

increase your attack they respond accordingly.

TONE CONTROLS

The T-Bridge passive BASS, MID and TREBLE tone controls offer a wide range of

tone settings. Take full advantage by setting them where they sound best. Your

sound may not be at center 5 on the dial. These controls will not affect or color your

sound when set at extreme settings, nor do they interact with each other. The greater

range of these controls comes from the high impedance 1 meg sealed pots (most

guitar amps use 250k pots). The frequency of the bass control is set at 80 Hz while

the mid control is set at 650 Hz. The treble control is set at a very high 11k Hz giv-

ing the MTS3200 it’s dynamic highs.

REVERB

The FS22 footswith for the long tailed REVERB system in the MTS3200 switches only

the reverb “send” leaving the tail of the reverb to decay naturally, the way it’s done in the

studio. A special pre filter eliminates the spring “boing” normally heard in other systems

giving it a “lush” sound. The all tube reverb system offers vibrant clarity with full depth

reminiscent of the sixties tube amps. Guitar Player magazine rated this system as one

of the best they have heard.

MTS3200

For your records, you may wish to record the following information.

Serial No._____________________ Invoice Date_______________

MTS3212

RECEIVING INSPECTION—read before getting started

INSPECT YOUR AMP FOR ANY DAMAGE which may have occurred during shipping. If any

damage is found, please notify the shipping company and CARVIN immediately.

SAVE THE CARTON & ALL PACKING MATERIALS. In the event you have to re-ship your unit,

always use the original carton and packing material. This will provide the best possible protec-

tion during shipment. CARVIN and the shipping company are not liable for any damage caused

by improper packing.

SAVE YOUR INVOICE. It will be required for warranty service if needed in the future.

SHIPMENT SHORTAGE. If you find items missing, they may have been shipped separate-

ly. Please allow several days for the rest of your order to arrive before inquiring.

RECORD THE SERIAL NUMBER on the enclosed warranty card or below on this manual

for your records. Keep your portion of the card and return the portion with your name and

comments to us.

MTS3200 GUITAR HEAD

MTS3212 COMBO GUITAR AMP

FEATURES

CELESTION

SPEAKERS

GETTING STARTED QUICKLY

If you are like most players, you probably want to plug in your new amp and get start-

ed playing it right away. You can read the rest of the manual later to learn the finer points

of operating your amp. In order to get started you will need your MTS3200 amp, a 120

or 230 AC grounded power outlet, your instrument and a standard guitar cord. With the

amp turned off, you may now plug it into the proper AC voltage.

Now turn all the volume and drive controls off and set tone controls at their mid center

position. If you have purchased the FS22 foot switch, plug it into the rear foot switch jack

for switching the channels and reverb. Note: The channel SELECT button must be in the

OUT position (CH 1) for the FS22 to function (a hum will be heard if it’s in the wrong posi-

tion).

Now, turn the power switch and standby switch ON. Allow 60 seconds for the tubes to

warm up. Gradually raise the volume controls and re-adjust the tone controls and your

ready to go. The brass knobs can feel hot after the amp has been on awhile. This is nor-

mal because brass conducts heat while plastic does not. This will not cause a problem

for the controls. Please call if you feel your amp is malfunctioning. Occasionally tubes

are damaged in shipping.

FRONT PANEL

1. GUITAR INPUT

A standard 1/4” input jack feeds both channels through using the SELECT switch. Use

a professional quality guitar cord no longer than 25 feet. Typical cable capacitance should

be under 50pf—the longer the cord, the greater the capacitance (you can measure this

with a capacitance meter). A long cable with high capacitance will reduce the overall tre-

ble response from your pickups.

2. CHANNEL SELECT

Set the channel SELECT switch to the desired channel. The LED’s next to the volume

controls will let you see what channel is functioning. Use channel 2 for clean playing.

Use channel 1 for overdrive/sustain. For the FS22 foot switch to function, set the chan-

nel SELECT to the “ OUT” channel 1 position.

LEAD CHANNEL 1

3. LEAD CHANNEL INDICATOR

The red LED will illuminate when the LEAD channel is selected.

4. LEAD VOLUME

The volume of the lead channel is to be used as a master level control. For partial clean

output, set the VOLUME control to 10 and turn the DRIVE nearly off—under 1. By reduc-

ing the guitar volume, you can use this channel as an alternate clean channel.

5. LEAD DRIVE

For mild tube saturation, set the DRIVE control between 1 & 2. For some of the best

saturation, set the control between 4 & 6. For full blown overdrive, set the control

between 6 and 10 (your guitar volume should be turned all the way up). Because the

MTS3200 has been “Hot Rodded” with so much gain in the DRIVE control, you will have

an abundance of guitar feedback. However, if feedback is a problem, reduce the amount

of DRIVE or move the guitar to the side or away from the speaker(s).

6. LEAD—BASS, MID & TREBLE

To start off with, set the BASS, MID & TREBLE controls at their center (5) position.

These controls are to be set according to the type of pickups used (dual or single coil).

It’s normal to decrease the BASS at higher playing levels. Try the PRESENCE control also

when adjusting the treble.

7. LEAD PRESENCE

Channel 1 features it’s own LEAD PRESENCE control for added clarity. It’s frequency

range is set at the mid range of the tonal spectrum. Careful adjustment with the TREBLE

control will make this feature very useful.

CLEAN CHANNEL 2

8. CLEAN CHANNEL INDICATOR

The red LED will illuminate when the CLEAN channel is selected.

9. CLEAN VOLUME

Channel switching from the Lead channel into Channel 2 gives you crisp, clean playing.

Thanks to special mud-cutting circuits that work between the frequencies of 500 and 700 Hz,

your guitar tones will be full and vibrant.

10. CLEAN PRESENCE

For added clarity, the CH 2 PRESENCE switch increases only the highest guitar harmonics

in the 8-10k Hz range which is ideal for acoustic guitars. A normal bright switch works only

in the 3k Hz range leaving your sound somewhat flat.

Single or dual coil pickups will deter-

mine the need for this switch.

11. CLEAN—BASS, MID & TREBLE CONTROLS

You can start at 5 on the dial for each of the tone controls. However, these settings do

not represent a normalize (flat) sound. You need to set them where they sound best!

Most musicians like to reduce the MID’S between 1 and 4 for deeper bass and crisper

highs. If your sound is too bright with single coil pickups, you may want to keep the

PRESENCE switch off.

MASTER SECTION

12. MASTER REVERB

Set the REVERB control for the desired amount (this works in both channels).

13. STANDBY SWITCH

Use the STANDBY SWITCH If you are taking a break. This turns the high voltage off,

increasing the life of your power tubes while keeping the power and preamp tube fila-

ments on for immediate use.

14. POWER SWITCH & INDICATOR

The power switch is to be utilized as the master ON/OFF switch. As the amp is turned

on, the RED portion of the power switch will illuminate as your ON indicator.

MTS3200 FRONT & REAR PANEL CONTROLS

97121314 2810

15 16 17 18 19 20 21

MTS3200 Head as shown

MTS3212 Combo front & rear panels reversed

REAR PANEL

15. SPEAKER JACKS

Two 1/4” SPEAKER JACKS are featured to operate several speaker systems at the same

time. Calculate the total speaker impedance based on parallel wiring as both speaker

jacks are wired in parallel. Select the IMPEDANCE SWITCH for the correct impedance.

16. SPEAKER IMPEDANCE SWITCH

The IMPEDANCE SWITCH offers the selection of 4, 8 or 16 ohms to match your speak-

er system. The correct setting for two 16Ωspeakers or cabinets would be 8 ohms. Select

the proper impedance. The impedance of the MTS3212 combo amp is 8 ohms. In the

case of adding another 8 ohm extension cabinet, keep the switch at 4 ohms.

17. 4 TUBE 100 WATT OR 2 TUBE 50 WATT OPERATION

For maximum output power, be sure the power tube selector switch is selected for 4

TUBE operation. For lower overall levels and early power amp clipping, move this switch

to the 2 TUBE operation. The volume reduction will only be 3 dB.

18. POWER TUBE BIAS SWITCH

If you desire to change from 5881 (6L6GC) to EL34 power tubes, you may do so by

selecting the external BIAS switch to the EL34 position on the rear panel. Be sure that

this switch is selected to the proper position or excessive heat will damage your tubes.

The internal P11 bias trim control can be set by a qualified technician. To set the bias,

measure the current across the terminals of the STAND BY switch (set this switch to the

off position when the amp is on). Set the idle current to 100 mA for all tube types.

19. VOICED LINE OUT

The LINE OUT 1/4” jack is “CABINET VOICED” to prevent excessive bass or highs going

to your mixer. This greatly aids in sound quality because you do not have to move your

mixer EQ setting to the extreme. The 1.5 VAC output (reference to 100 watts output at 8

ohms) is more than adequate to drive any professional mixer or power amp.

20. FS22 FOOTSWITCH

Most foot pedals with 2 switches, a stereo cord and plug will work. However, Carvin’s

FS22 is recommended because of the correct identification label on the foot switch. First,

the channel SELECT switch on the front panel must be selected to the “OUT” channel 1

position before the footswitch will work. Now that you are connected correctly, the chan-

nels and reverb can be switched remotely. If a hum is heard in the speakers, the select

switch is in the wrong position (this will not harm the amp).

21. EFFECTS LOOP

For the lowest possible noise from an effects processor, use the effects loop instead of plug-

ging the guitar into the effects and then into the amp. To use the EFFECTS LOOP, plug the

INPUT of your effects into the SEND jack and the OUTPUT of your effects into the RETURN

jack. Use shielded cables, not speaker cables. It’s normal to have a slight gain reduction of

several dB with some effects units. However, the amp has plenty of gain to overcome any

loss.

22. AC POWER & FUSE

The detachable AC POWER CORD supplied is designed to operate with one type of volt-

age (the European 230V export model uses a CEE-7 plug cord set). Check the rear power

cord label for the proper voltage and fuse value. Make sure the cord is securely inserted

into the back of the unit. Plug the cord into a grounded “3” prong” power source. No

attempt should ever be made to defeat or use the amp without the ground connected.

The FUSE (some models have circuit breakers) is located within the AC power cord

receptacle. To check or replace the fuse, remove the power cord, place a screwdriver

under the “FUSE” cap and pull the fuse holder out. The fuse type is a 250V Slow Blow

SB 5 x 20mm rated at 3A for 120V & 1.5A for 230V models. Do not use fast acting fuse,

only a SLOW BLOW (SB) type fuse will work.

HELP SECTION

a) FEEDBACK FROM THE LEAD CHANNEL

The MTS3200 will feedback when the LEAD volume, DRIVE, TREBLE and PRESENCE

are turned all the way up. Like other highly modified tube amps, this is normal. To help

reduce feedback and noise, keep the DRIVE control set around 5 to 7 on the dial. Some

of the best lead saturation will be at around 5—not 10. Sometimes replacing V1

(12AX7A) can help reduce feedback.

b) TUBE REPLACEMENT GUIDE

It is not uncommon for tubes to malfunction during shipping. If your amp is not work-

ing properly, please call or refer to the following replacement guide.

1) The 12AX7A preamp tubes are located in the following order on your chassis: V1, V2,

V3, V4, V5. To start with, V1 is located next to the outside of your chassis behind the

output transformer. It is recommended to turn your amp upside down to replace

tubes. Replacing V1 will help reduce feedback in channel 1. Replacing V2 and V3 can

also help but V1 is the main tube to replace. Replacing V4 will correct problems with

the reverb system unless there is a defective reverb tank or tank cables. If the power

amp is not functioning, check or replace the 5881 power tubes and check V5 by

inserting a signal into the Effects RETURN jack. All tubes are keyed in the same direc-

tion.

2) The 5881 power tubes are located in the following order on your chassis: V6, V7, V8,

V9. Normally you’ll want to replace these tubes as a set. Please call for our latest

prices. Sometimes you can spot defective power tubes when they are glowing red-

hot along with an audible hum in the speaker when the amp is idling. If this happens,

shut the amp down immediately. After they have cooled down, remove by pushing

the retainers on the base of the tubes down and rock the tubes in a circular motion

while pulling them out. It is recommended to turn your amp upside down to replace

tubes. All tubes are keyed in the same direction. Running defective power tubes

could damage the amp. It is recommended that you have a spare set of power tubes

along with several 12AX7A preamp tubes.

1456 3

Press firmly until cord clicks in.

Guitarist Magazine, England

MTS3212 Combo Review—By Simon Bradley

“Actually, the MTS3212 is a more versatile beast than I at first assumed, because, in the process of

turning the drive control all the way up, there are some excellent crunch tones along the way.

Maybe it’s the British Series (BR12) speakers, or the simple fact that the amp bristles with glow-

ing tubes of loveliness, but these mid-driven sounds are of that responsive type that you just

can’t beat. It’s warm, of course, but vibrant enough to cut through, and the tone’s dynamic qual-

ities would seem to offer musical assistance to all but the most colourless of blues players.

However, I would argue that it’s at high gains that this Carvin comes into its own. In this situa-

tion, it’s one of the most satisfying amps I have played in a long time. EVH was once quoted as

saying that you know when you have a good sound when the guitar seems to play itself, and if Sir

Edward of Van plugged into this combo, he would be more than happy with the brown-ness of the

tone.

High octane rock sounds? No problem. Is mid-scooped thrash of angst-core your bag? Just

step this way, Sir. The EQ is simple because it has no reason to be anything else, such is the

efficiency of both the amp section and speakers to kick out a tone full of ballsy clout and high

end shimmer. Putting it through a 2 x 12 extension cab merely enhances the tone further.

Just when you thought it was safe to think ‘so…it’s like a Peavey 5150’ (yes, the overdrives real-

ly are that good), a flick to Clean 2 will see you reaching for a Strat and switching to position 4.

An amp’s clean sound is, if anything, a more subjective affair than its dirty compadre, but I would

say that the MTS3212 has the best clean sound I’ve ever heard from a 100w combo. Others

might prefer a black-faced Fender Twin or even a Roland JC120, but the bass end available here

is nothing short of incredible. It has the potential to turn the sound of a single coil solid into

something akin to that of a monstrous f-hole jazz beast (should you so desire). Those in-betwee-

ny Strat tones are well served, as is the neck position of a Gibson ES335, and the fact that the

combo can handle such diverse sounds with equal aplomb is a major feat.

Conclusion

Whatever styles of music you play, I have a feeling that you may well be blown away by this

Carvin. The price tag represents excellent value, and it could give other amplifiers costing twice

as much a serious run for their money.”

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

SAFETY INSTRUCTIONS (EUROPEAN)

The conductors in the AC power cord are colored in accordance with the following code.

GREEN & YELLOW—Earth BLUE—Neutral BROWN—Live

U.K. MAIN PLUG WARNING: A molded main plug that has been cut off from the cord is

unsafe. NEVER UNDER ANY CIRCUMSTANCES SHOULD YOU INSERT A DAM-

AGED OR CUT MAIN PLUG INTO A POWER SOCKET.

IMPORTANT! FOR YOUR PROTECTION, PLEASE READ THE FOLLOWING:

WATER AND MOISTURE: Appliance should not be used near water (near a bathtub, washbowl,

kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc). Care should be taken

so that objects do not fall and liquids are not spilled into the enclosure through openings.

POWER SOURCES: The appliance should be connected to a power supply only of the type described

in the operating instructions or as marked on the appliance.

GROUNDING OR POLARIZATION: Precautions should be taken so that the grounding or polariza-

tion means of an appliance is not defeated.

POWER CORD PROTECTION: Power supply cords should be routed so that they are not likely to be

walked on or pinched by items placed upon or against them, paying particular attention to cords at

plugs, convenience receptacles, and the point where they exit from the appliance.

SERVICING: The user should not attempt to service the appliance beyond that described in the oper-

ating instructions. All other servicing should be referred to qualified service personnel.

FUSING: If your unit is equipped with a fuse receptacle, replace only with the same type fuse. Refer

to replacement text on the unit for correct fuse type.

REFER SERVICING TO QUALIFIED SER-

VICE PERSONNEL! THIS UNIT CON-

TAINS HIGH VOLTAGE INSIDE!

CAUTION

RISK OF ELECTRIC SHOCK

Ref. No. Carvin P/N

B1 Jumper, 0.35”, 0Ω50-00035

B2 Jumper, 0.50”, 0Ω51-00050

B3 Jumper, 0.35”, 0Ω50-00035

B4 Jumper, 0.35”, 0Ω50-00035

B5 Jumper, 0.35”, 0Ω50-00035

B6 Jumper, 0.50”, 0Ω51-00050

B7 Jumper, 0.50”, 0Ω51-00050

B8 Jumper, 0.50”, 0Ω51-00050

B9 Jumper, 0.8”, 0Ω44-18000

B10 Jumper, 0.35”, 0Ω50-00035

B11 Jumper, 0.8”, 0Ω44-18000

B12 Jumper, 0.35”, 0Ω50-00035

B13 Jumper, 0.35”, 0Ω50-00035

B14 Jumper, 0.35”, 0Ω50-00035

B15 Jumper, 0.50”, 0Ω51-00050

B16 Jumper, 0.8”, 0Ω44-18000

B17 Jumper, 0.50”, 0Ω51-00050

B18 Jumper, 0.35”, 0Ω50-00035

B19 Jumper, 0.8”, 0Ω44-18000

B20 Jumper, 0.35”, 0Ω50-00035

B21 Jumper, 0.8”, 0Ω44-18000

B22 Jumper, 0.50”, 0Ω51-00050

B23 Jumper, 0.8”, 0Ω44-18000

B24 Jumper, 0.50”, 0Ω51-00050

B25 Jumper, 0.50”, 0Ω51-00050

B26 Jumper, 0.8”, 0Ω44-18000

B27 Jumper, 0.35”, 0Ω50-00035

B28 Jumper, 0.35”, 0Ω50-00035

B29 Jumper, 0.35”, 0Ω50-00035

B30 Jumper, 0.35”, 0Ω50-00035

B31 Jumper, 0.35”, 0Ω50-00035

B32 Jumper, 0.35”, 0Ω50-00035

B33 Jumper, 0.35”, 0Ω50-00035

B50 Jumper, 0.50”, 0Ω51-00050

B51 Jumper, 0.35”, 0Ω50-00035

B52 Jumper, 0.50”, 0Ω51-00050

C1 Capacitor, Electrolytic, 10µF 50V, 20% 47-10051

C2 Capacitor, Mylar, 0.047µF 400V, 10% 41-47342

C3 Capacitor, Poly, 0.001µF 100V, 10% 46-10212

C4 Capacitor, Poly, 0.033µF 100V, 10% 46-33312

C5 Capacitor, Ceramic, 120PF 500V, 10% 45-12152

C6 Capacitor, Poly, 0.01µF 100V, 10% 46-10312

C7 Capacitor, Ceramic, 330PF 1000V, 10% 45-33113

C8 Capacitor, Ceramic, 560PF 500V, 10% 45-56152

C9 Capacitor, Electrolytic, 10µF 50V, 20% 47-10051

C10 Capacitor, Mylar, 0.047µF 400V, 10% 41-47342

C11 Capacitor, Poly, 0.001µF 100V, 10% 46-10212

C12 Capacitor, Ceramic, 560PF 500V, 10% 45-56152

C13 Capacitor, Electrolytic, 10µF 50V, 20% 47-10051

C14 Capacitor, Mylar, 0.0022µF 400V, 5% 46-22242

C15 Capacitor, Electrolytic, 10µF 50V, 20% 47-10051

C16 Capacitor, Mylar, 0.01µF 400V, 10% 41-10342

C17 Capacitor, Poly, 0.001µF 100V, 10% 46-10212

C18 Capacitor, Poly, 0.022µF 100V, 10% 46-22312

C19 Capacitor, Ceramic, 250PF 500V, 5% 45-25152

C20 Capacitor, Electrolytic, 1000µF 25V, 20% 47-10225

C21 Capacitor, Poly, 0.0022µF 100V, 10% 46-22212

C22 Capacitor, Poly, 0.0047µF 100V, 10% 46-47212

C23 Capacitor, Poly, 0.022µF 100V, 10% 46-22312

C25 Capacitor, Poly, 0.0047µF 400V, 10% 41-47242

C26 Capacitor, Ceramic, 250PF 500V, 5% 45-25152

C27 Capacitor, Electrolytic, 1000µF 25V, 20% 47-10225

C28 Capacitor, Poly, 0.0022µF 100V, 10% 46-22212

C29 Capacitor, Electrolytic, 2200µF 6.3V, 20% 47-22260

C30 Capacitor, Electrolytic, 2200µF 6.3V, 20% 47-22260

C31 Capacitor, Ceramic, 82PF 500V, 5% 45-82052

C32 Capacitor, Electrolytic, 10µF 50V, 20% 47-10051

C33 Capacitor, Mylar, 0.047µF 400V, 10% 41-47342

C34 Capacitor, Poly, 0.0022µF 100V, 10% 46-22212

C35 Capacitor, Electrolytic, 10µF 50V, 20% 47-10051

C36 Capacitor, Poly, 0.001µF 400V, 10% 46-10242

C37 Capacitor, Poly, 0.01µF 100V, 10% 46-10312

C38 Capacitor, Electrolytic, 10µF 50V, 20% 47-10051

C39 Capacitor, Poly, 0.001µF 400V, 10% 46-10242

C40 Capacitor, Poly, 0.047µF 100V, 10% 46-47312

C41 Capacitor, Ceramic, 27PF 500V, 5% 45-27052

C42 Capacitor, Mylar, 0.047µF 400V, 10% 41-47342

C43 Capacitor, Mylar, 0.047µF 400V, 10% 41-47342

C44 Capacitor, Electrolytic, 47µF 63V, 20% 47-47061

C45 Capacitor, Mylar, 0.047µF 630V, 10% 46-47362

C46 Capacitor, Ceramic, 10PF 500V, 5% 45-10052

C47 Capacitor, Electrolytic, 1000µF 25V, 20% 47-10225

C48 Capacitor, Electrolytic, 22µF 500V, 20% 42-22052

C49 Capacitor, Electrolytic, 22µF 500V, 20% 42-22052

C50 Capacitor, Electrolytic, 22µF 500V, 20% 42-22052

C51 Capacitor, Electrolytic, 22µF 500V, 20% 42-22052

C52 Capacitor, Electrolytic, 22µF 500V, 20% 42-22052

C53 Capacitor, Mylar, 0.047µF 630V, 10% 46-47362

C55 Capacitor, Electrolytic, 2200µF 6.3V, 20% 47-22260

C56 Capacitor, Electrolytic, 22µF 500V, 20% 42-22052

C72 Capacitor, Ceramic, 180PF 500V, 5% 45-18152

C73 Capacitor, Poly, 0.0047µF 100V, 10% 46-47212

D1 Diode, 1N4745A 16V, 1W 60-47450

D2 Diode, 1N4745A 16V, 1W 60-47450

D3 Diode, 1N4745A 16V, 1W 60-47450

D4 Diode, 1N4745A 16V, 1W 60-47450

D5 Diode, 1N4003, 1A 200V 60-40030

D6 Diode, 1N4007A 1000V, 1A 60-10000

D7 Diode, 1N4007A 1000V, 1A 60-10000

D8 Diode, 1N4007A 1000V, 1A 60-10000

D9 Diode, 1N4007A 1000V, 1A 60-10000

D10 Diode, 1N4007A 1000V, 1A 60-10000

D11 Diode, 1N4007A 1000V, 1A 60-10000

D12 Diode, 1N4007A 1000V, 1A 60-10000

D13 Diode, 1N4007A 1000V, 1A 60-10000

D14 Diode, 1N4007A 1000V, 1A 60-10000

D15 Diode, 1N4007A 1000V, 1A 60-10000

D16 Diode, 1N4007A 1000V, 1A 60-10000

D17 LED, Red small, 3mm T-1.0 60-75320

D18 LED, Red small, 3mm T-1.0 60-75320

F1 Fuse Clips, (1 pair) 23-03529

H1A Conn. Header, 4 Pin Vert, 2.5mm 23-11004

H1B Conn. Header, 4 Pin Vert, 2.5mm 23-11004

H2A Conn. Header, 2 Pin Vert, 2.5mm 23-10002

H2B Conn. Header, 2 Pin Vert, 2.5mm 23-10002

H3A Conn. Header, 4 Pin Vert, 2.5mm 23-11004

H3B Conn. Header, 4 Pin Vert, 2.5mm 23-11004

H5A Conn. Header, 2 Pin Vert, 2.5mm 23-10002

H5B Conn. Header, 2 Pin Vert, 2.5mm 23-10002

H7A Conn. Header, 2 Pin Vert, 2.5mm 23-10002

H7B Conn. Header, 2 Pin Vert, 2.5mm 23-10002

H8 Conn. Header, 4 Pin Vert, 2.5mm 23-11004

J1 Phone Jack, 1/4, 90° Rev Threaded Neck 21-01804

J2 Phone Jack, 1/4, 3 Pin Plastic, 24mm 21-06453

J3 Phone Jack, 1/4, 3 Pin Plastic, 24mm 21-06453

J4 Phone Jack, 1/4, 3 Pin Plastic, 24mm 21-06453

J5 Phone Jack, 1/4, 7 Pin Plastic Stereo, 24mm 21-06457

JMP1 Jumper .35 prep., 0.0Ω50-00035

L1 Relay, 30V/2A, 5V DIP DPDT, PCB MNT 70-05305

P1 Potentiometer, B100K, O Shaft, Pot 16, RX.250 90° 71-14052

P2 Potentiometer, B1Meg, O Shaft, Pot 16, RX.250 90° 71-14070

P3 Potentiometer, 25A25K, O Shaft, Pot 16, RX.250 90° 71-14050

P4 Potentiometer, B1Meg, O Shaft, Pot 16, RX.250 90° 71-14070

P5 Potentiometer, 5A500K, O Shaft, Pot 16, RX.250 90° 71-14060

P6 Potentiometer, B1Meg, O Shaft, Pot 16, RX.250 90° 71-14070

P7 Potentiometer, B1Meg, O Shaft, Pot 16, RX.250 90° 71-14070

P8 Potentiometer, 25A25K, O Shaft, Pot 16, RX.250 90° 71-14050

P9 Potentiometer, B1Meg, O Shaft, Pot 16, RX.250 90° 71-14070

P10 Potentiometer, B100K, O Shaft, Pot 16, RX.250 90° 71-14052

P11 Potentiometer, Trimmer, 20K, PCB MTG 71-22012

P15 Potentiometer, 5A500K, O Shaft, Pot 16, RX.250 90° 71-14060

PL1 Receptacle AC, Jack AC w/ 20mm Fuse 21-02804

Q1 Transistor, 2N5550 NPN, 250V, TO-92 60-55500

Q2 Regulator, 7805 +5V, 1A 60-78050

QC1 Spade Terminal, QC Vertical, 0.205 06-40045

QC2 Spade Terminal, QC Vertical, 0.205 06-40045

QC3 Spade Terminal, QC Vertical, 0.205 06-40045

QC4 Spade Terminal, QC Vertical, 0.205 06-40045

QC5 Spade Terminal, QC Vertical, 0.250 06-40050

QC6 Spade Terminal, QC Vertical, 0.250 06-40050

QC7 Spade Terminal, QC Vertical, 0.250 06-40050

QC8 Spade Terminal, QC Vertical, 0.250 06-40050

QC9 Spade Terminal, QC Vertical, 0.250 06-40050

QC10 Spade Terminal, QC Vertical, 0.250 06-40050

QC11 Spade Terminal, QC Vertical, 0.250 06-40050

QC12 Spade Terminal, QC Vertical, 0.250 06-40050

QC13 Spade Terminal, QC Vertical, 0.250 06-40050

QC14 Spade Terminal, QC Vertical, 0.250 06-40050

QC15 Spade Terminal, QC Vertical, 0.250 06-40050

QC16 Spade Terminal, QC Vertical, 0.250 06-40050

QC17 Spade Terminal, QC Vertical, 0.250 06-40050

QC18 Spade Terminal, QC Vertical, 0.250 06-40050

QC19 Spade Terminal, QC Vertical, 0.250 06-40050

QC26 Spade Terminal, QC 90° Horizontal, 0.250 06-40060

QC27 Spade Terminal, QC 90° Horizontal, 0.250 06-40060

QC28 Spade Terminal, QC 90° Horizontal, 0.250 06-40060

QC29 Spade Terminal, QC 90° Horizontal, 0.250 06-40060

QC31 Spade Terminal, QC Vertical, 0.250 06-40050

QC32 Spade Terminal, QC Vertical, 0.250 06-40050

QC33 Spade Terminal, QC Vertical, 0.250 06-40050

QC34 Spade Terminal, QC Vertical, 0.250 06-40050

QC35 Spade Terminal, QC Vertical, 0.250 06-40050

QC36 Spade Terminal, QC Vertical, 0.250 06-40050

QC40 Spade Terminal, QC Vertical, 0.250 06-40050

QC41 Spade Terminal, QC Vertical, 0.250 06-40050

QC42 Spade Terminal, QC Vertical, 0.250 06-40050

QC43 Spade Terminal, QC Vertical, 0.250 06-40050

QC50 Spade Terminal, QC 90° Horizontal, 0.250 06-40060

QC51 Spade Terminal, QC 90° Horizontal, 0.250 06-40060

QC52 Spade Terminal, QC 90° Horizontal, 0.250 06-40060

QC53 Spade Terminal, QC 90° Horizontal, 0.250 06-40060

QC54 Spade Terminal, QC 90° Horizontal, 0.250 06-40060

QC55 Spade Terminal, QC 90° Horizontal, 0.250 06-40060

QC56 Spade Terminal, QC 90° Horizontal, 0.250 06-40060

R1 Resistor, 100K, .35 prep., 5% Carbon 50-10055

R2 Resistor, 1.5K, .35 prep., 5% Carbon 50-15035

R3 Resistor, 220K .5W, 0.5 prep., 5% Carbon 52-22055

R4 Resistor, 150K, .35 prep., 5% Carbon 50-15055

R5 Resistor, 100K, .35 prep., 5% Carbon 50-10055

R6 Resistor, 1.5K, .35 prep., 5% Carbon 50-15035

R7 Resistor, 220K .5W, 0.5 prep., 5% Carbon 52-22055

R8 Resistor, 2.2M, .35 prep., 5% Carbon 50-22065

R9 Resistor, 1.5K, .35 prep., 5% Carbon 50-15035

R10 Resistor, 220K .5W, 0.5 prep., 5% Carbon 52-22055

R11 Resistor, 47K, .35 prep., 5% Carbon 50-47045

R12 Resistor, 1.5K, .35 prep., 5% Carbon 50-15035

R13 Resistor, 220K .5W, 0.5 prep., 5% Carbon 52-22055

R14 Resistor, 150K, .35 prep., 5% Carbon 50-15055

R15 Resistor, 100K, .35 prep., 5% Carbon 50-10055

R16 Resistor, 22K, .35 prep., 5% Carbon 50-22045

R17 Resistor, 22K, .35 prep., 5% Carbon 50-22045

R18 Resistor, 3.3K, .35 prep., 5% Carbon 50-33035

R19 Resistor, 100K, 0.5 prep., 5% Carbon 51-10055

R20 Resistor, 180K, .35 prep., 5% Carbon 50-18055

R21 Resistor, 22K, .35 prep., 5% Carbon 50-22045

R22 Resistor, 0.56Ω, .35 prep., 5% Carbon 50-05605

R23 Resistor, 150Ω, .35 prep., 5% Carbon 50-15025

R24 Resistor, 470Ω, .35 prep., 5% Carbon 50-47025

R25 Resistor, 2.2K, .35 prep., 5% Carbon 50-22035

R27 Resistor, 100Ω, .35 prep., 5% Carbon 50-10025

R28 Resistor, 100Ω, .35 prep., 5% Carbon 50-10025

R29 Resistor, 0.56Ω, .35 prep., 5% Carbon 50-05605

R30 Resistor, 0.56Ω, .35 prep., 5% Carbon 50-05605

R31 Jumper, 0.0Ω0.35 prep. 50-00035

R32 Resistor, 2.2M, .35 prep., 5% Carbon 50-22065

R33 Resistor, 220Ω, .35 prep., 5% Carbon 50-22025

R34 Resistor, 47K 1W, 0.8 prep., 5% Carbon 53-47045

R35 Resistor, 2.2M, .35 prep., 5% Carbon 50-22065

R36 Resistor, 220K, .35 prep., 5% Carbon 50-22055

R37 Resistor, 1.5K, .35 prep., 5% Carbon 50-15035

R38 Resistor, 220K .5W, 0.5 prep., 5% Carbon 52-22055

R39 Resistor, 100K, .35 prep., 5% Carbon 50-10055

R40 Resistor, 1.0M, .35 prep., 5% Carbon 50-10065

R41 Resistor, 1.5K, .35 prep., 5% Carbon 50-15035

R42 Resistor, 100K, .35 prep., 5% Carbon 50-10055

R43 Resistor, 22K, .35 prep., 5% Carbon 50-22045

R44 Resistor, 22K, .35 prep., 5% Carbon 50-22045

R45 Resistor, 100K, .35 prep., 5% Carbon 50-10055

R46 Resistor, 560Ω, .35 prep., 5% Carbon 50-56025

R47 Resistor, 100K, .35 prep., 5% Carbon 50-10055

R48 Resistor, 100K, .35 prep., 5% Carbon 50-10055

R49 Resistor, 100K, .35 prep., 5% Carbon 50-10055

R50 Resistor, 220K, .35 prep., 5% Carbon 50-22055

R51 Resistor, 220K, .35 prep., 5% Carbon 50-22055

R52 Resistor, 220K, .35 prep., 5% Carbon 50-22055

R53 Resistor, 22K, .35 prep., 5% Carbon 50-22045

R54 Resistor, 100K, .35 prep., 5% Carbon 50-10055

R55 Resistor, 4.7K 1W, 0.8 prep., 5% Carbon 53-47035

R56 Resistor, 2.2K 1W, 0.8 prep., 5% Carbon 53-22035

R57 Resistor, 350Ω10W SDOF, Sand Bar, 10% 56-35010

R58 Resistor, 0.56Ω, .35 prep., 5% Carbon 50-05605

R59 Resistor, 0.56Ω, .35 prep., 5% Carbon 50-05605

R60 Resistor, 0.56Ω, .35 prep., 5% Carbon 50-05605

R61 Resistor, 100K, .35 prep., 5% Carbon 50-10055

R70 Resistor, 4.7K, .35 prep., 5% Carbon 50-47035

R71 Resistor, 4.7K, .35 prep., 5% Carbon 50-47035

R72 Resistor, 350Ω5W SDOF, Sand Bar, 5% 56-35025

R73 Resistor, 350Ω5W SDOF, Sand Bar, 5% 56-35025

R74 Resistor, 4.7K, .35 prep., 5% Carbon 50-47035

R75 Resistor, 4.7K, .35 prep., 5% Carbon 50-47035

R76 Resistor, 350Ω5W SDOF, Sand Bar, 5% 56-35025

R77 Resistor, 350Ω5W SDOF, Sand Bar, 5% 56-35025

R78 Resistor, 100Ω, .35 prep., 5% Carbon 50-10025

R79 Resistor, 100Ω, .35 prep., 5% Carbon 50-10025

R91 Resistor, 10K, .35 prep., 5% Carbon 50-10045

R92 Resistor, 470K, .35 prep., 5% Carbon 50-47055

R93 Resistor, 22K, .35 prep., 5% Carbon 50-22045

S1 Switch, DP3T Lft Tall Bat, PCB MTG 25-76286

S2 Switch, DPDT Lft sm Bat, DPDT, PCB MTG 25-62656

S3 Switch, DPDT Lft Tall Bat, DPDT, PCB MTG 25-62657

S6 Switch, DPDT 90° Lg, Chassis, PCB MTG 25-32833

S7 Switch, DPDT 90° Lg, Chassis, PCB MTG 25-32833

Switch, Stand By, Switch LG DPDT, STAND BY 25-31350

Switch, ON / OFF, Power with Light 25-31353

SPK1 Phone Jack, 1/4, 7 Pin Plastic Stereo, 0.25, 24mm 21-06457

SPK2 Phone Jack, 1/4, 7 Pin Plastic Stereo, 0.25, 24mm 21-06457

T1 Transformer, 120V power 15-10711

T2 Transformer, Output 15-02116

V1 Socket For Tube, 12AX7A 12VAC, 9 Pin, SIN/RUS 23-91632