Casio MT-640 User manual

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OPERATION
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CASIO. M 1-640
ELECTRONIC MUSICAL INSTRUMENT
Introduction
|
Your
new
MT-640
keyboard
is
a state-of-the-art
musical
in-
strument
which
incorporates
the
latest
electronics
tech-
nology
to
make
its
operation
as
easy
as
possible.
Exceptional
sound
quality
backed
up
by
a
host
of
sophisti-
cated
features
and
functions
makes
this
keyboard
a
joy
to
play
for
everyone.
In order to enjoy the features and functions of this unit
to their fullest, be sure to carefully read this manual and
follow the instructions contained herein.
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General
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General
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Dynamic.
Bass:System
Resear
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:
5.
Preset.
Tones
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|
6...
Tone
!Bank
Sound
Combinations.
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Percussion
Solo
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10.
Performance
Memory
Function...
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27

General Guide
1. General Guide
[Rear panel]
:
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|
|
|
CASIO§mtT-s40 | py AMIC
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Ceks
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ee
weet enese
2.8.9.0 .0 6.0 08 w 8 oe eos oe
i
Saad
Ca
MRR
Eee
Bang
@
MIDI
terminals
(IN/OUT)
|
TTT
7
@
Headphone
jack
@ AC
adaptor
jack
~
© ® | [Bottom panel] @
GO00O0G8® © G&G OO ® @
@ ; f
ilt-i lume slider
Built-in speakers @ Rhythm vo
: Dynamic bass level indicators @ Chord/MIDI selector : @® Tuning control
hro/fill-in
button
Adjusts
the
pitch
of
the
entire
keyboadh
within
+30
cents
and
allows
easy
© Tone selectors @ Synchro
@
Rhythm
selectors
@®
Rhythm
start/stop
button
tuning
with
other
instruments.
ing button
Tone select button | @® Intro/ending .
° Rhythm select button @ Tempo control buttons Demonstration Tune
0
eee
gia
a
©
ea
aie
button
This
unit
features
a
preset
demonstration
tune
which
has
been
eee
.
©
cies
sie
carefully
programmed
to
showcase
all
the
features
and
benefits
Ac
ag
—
lid
>
eee
button
of
this
unit.
Simply
press
the
Demo
button
@,
and
listen
to
the
@
Dynamic
bass
volume
slider
DEMO
|
i
MT-640
plays
itself!
@
Accomp
volume
slider
*
The
demonstration
tune
is
played
in
an
endless
loo
stop
the
tune.
*
The
keyboard
is
inoperable
while
playing
the
demonstration
tune.
p.
Press
the
Demo
button
again
to

2 Power Supply
e Dry batteries |
This unit can be powered by six D size (SUM-1/R20P) manganese dry cell bat-
teries. Weakened batteries will result in lower volume or poor tonal quality.
The power indicator lamp will gradually lose its brightness when battery
power weakens. At this time, change batteries or shift to one of the alter-
nate power sources mentioned below. |
Battery replacement: | | ,
4
(@) Open the battery compartment cover on the bottom of the unit and take
out used batteries. | | ee
(2) Load new batteries taking care that polarity is correct. .
* It is advisable to replace all six batteries at the same time for longer battery life. ;
* Standard battery life is approximately 6 hours. |
¢ Car battery
With the car battery adaptor (CA-5, optional), DC power is supplied from
a car battery through the cigarette lighter socket.
An AC adaptor (AD-5, optional) is required when using household current. Use
only a genuine CASIO adaptor with the same voltage rating (100, 117, 220, or 240)
as the power supply in your area to prevent component damage. Plug the AC
adaptor into the AC outlet and the cord into the unit. This will automatically
cut off the battery power supplly. ° : Be ag 3 |
Sag
AC adaptor AD-5
eg “AC outlet -''
AC adaptor jack
Cigarette lighter socket
Car battery adaptor CA-5
ae oe
{
i
NORE ARERR CR EO te 4. ee eA
2. Power Supply
* Auto power off function
Power
is
automatically
cut
off
approximately
6
minutes
after
the
last
opera-
tion
of
the
unit.
Power
supply
can
be
restored
by
switching
power
OFF
and
then
ON
again.
co
oe
4
|
7
CAUTION
*
Use
only
genuine
CASIO
adaptors
to
avoid
risk
of
damage.
*
Remove
batteries
from
the
battery
compartment
when
the
unit
is
not
used
for
extended
periods.
(Battery
leakage
can
damage
electrical
parts.)
*
The
adaptor
may
become
warm
when
left
connected
to
an
outlet.
This
is
normal,
but
the
adaptor
should
be
disconnected
when
not
in
use.
“
THE
FOLLOWING
CONDITION
CAN
CAUSE,
BATTERIES
TO
BURST:
1.
Use
of
adaptors
other
than
genuine
CASIO
adaptors.
:
2.
Loading
batteries
with
polarities
reversed.'
=
General
Operation
*
Refer
to
the
general
guide
found
on
page
4-5
for
exact
locations
of
this
keyboard
controls
and
connections.
@)
Turn
the
power
switch
ON.
(2)
Adjust
the
volume
level.
get
sas
r
|
(3)
Select
one
of
20
preset
tones
(see
“Preset
Tones”,
page
9)
or
one
of
210
Tone
Bank
sounds
(see
“Tone
Bank
Sound
Combinations”,
page
12).
(4)
Now,
start
playing.
se

Dynamic Bass System
* Refer to the general guide found on page 4-5 for exact locations of this keyboard controls and
connections.
The MT-640 equipped with Casio's innovative “Dynamic Bass System” for
rich, powerful bass response. In addition to full-range stereo speakers on
the front panel, a “super woofer” is located on the bottom of the MT-640. And
the MT-640 body is designed to act as a speaker cabinet, as bass sounds are
channeled through internal sound ducts and output through twin ports as well
as from the bottom of the unit. This results in dynamic, multi-directional bass
sounds.
+
¢ Dynamic Bass Volume Slider
You can adjust the volume of the “Dynamic Bass” sound independently, to
gain just the right effect for the type of music you're playing. |
¢ Dynamic Bass Level Indicators
The MT-640 features a linear bar indicator located on the front panel, which
shows the volume level of the dynamic bass sound.
Preset
Tones
"
Refer
to
the
general
guide
found
on
page
4-5
for
exact
locations
of
this
keyboard
controls
and
connections.
¢
To
select
a
preset
tone
@)
Specify
either
the
upper
or
lower
row
of
preset
tones
by
pressing
the
tone
select
button.
The
upper
or
lower
select
indicator
lights
to
show
the
active
row.
ae
ae
:
ae
|
|
(2)
Press
one
of
the
tone
selectors
to
choose
a
preset
tone.
*
“PIANO”
tone
is
automatically
selected
when
power
is
turned
ON.
¢
Percussion
1
and
Percussion
2
Tones
~
By
selecting
the
percussion
1
or
percussion
2
tones,
you
can
play
a
wide
variety
of
percussion
sounds
using
the
keyboard
keys.
<
Percussion
1
Sounds
>
“ “aa ae ee - —_ ., EEe
@
Tom-toms;
1/2/3/4/5
@
Rim
shot
@
Ride
symbals;
1/2
@
Closed
hi-hats;
1/2
©
Synth
tom-toms;
Hi/Mid/Low
@®
Open
hi-hats;
1/2
©
Gongs;
1/2
@
Crash
cymbals;
1/2/3/Mixed
©
Synth
cymbals;
1/2/3
@®
Cow
bells;
Hi/Low
@
Triangle;
Open/Muted
@
Timbales;
Hi
mute/Hi/Low/Mixed
@
Synth
percussion;
1/2/3
@
Claves;
Hi/Low
Bass
drums;
1/2
®
Congas;
Hi
mute/Hi/Middle/Low/Mix
©
Snare
drums;
1/2
©
Agogos;
Hi/Low
@
Gated
snare
drum

5.
Preset
Tones
| ,
|
_
pee
eS
ae
5.
Preset
Tones
< Percussion 2 Sounds > | © Wood Bass/Piano Tone
By
selecting
the
wood
bass/piano
tone,
you
can
play
a
wood
bass
sound
with
the
left
hand
and
play
piano
with
Hie
Hem
hand.
‘ci ps yn” intima mm bt em
egret FE Vartey e sly hae
(Section
|—Japanese
Sounds)
e
Flectric
Bass/Slap_
Bass
:
Set,
cand
@
Shouts;
L
Speaker/R
Speaker/Middle
1/Middle
2/Two
people
By
selecting
the
el
ree
@
Wood
blocks;
Left/Middle/Right
g
the
elec
bass/slap
bass
tone,
you
can
play
a
straight
electric
bass
Stand
drums:
Hilow:
* |
.
sound
wi
ie
ac
hand
and
Bey
a
slap
bass
sound
det
the
right
hand.
@
Wood
blocks
(L)/Hand
drum
(R)
|
@
Shout
(L)/Hand
drum
(R)
(Section
Il—Latin
Sounds)
|
*
|
Litt
©
Voices;
1/2/3/4/5
-
|
_
|
@
Quijadas;
Left/Middle/Right
|
© Wind
chimes;
Lto
R
V/R
to
L1/L
to
R
2RtoL2
|
:
|
,
|}
tre
bass
(€2—
Ba
+
ter
bass
(C4—C
as
(Section
fil
Orcheetia:
Sounds)
4,
© Orchestra Hits; 1/2/3/4/5
@ Cymbals; Left/Middle/Right =. °~ . . Ses hy
@ Tympanis; 1/2/3/4 | | | oe — .
(Section IV—Daily Life) 2.8 . on | 7 a a ee eee
@ Telephone; Left/Right . 3 | : 7 7
@® Car horns in distance; 1/2/3 .
@® Typewriter; Low typing/Hi iypingyBel
@® Car horns; 1/2/3/4/5
<{0=
A
Aes

Tone Bank Sound Combinations
* Refer to the general guide found on page 4-5 for exact locations of this keyboard controls and
connections.
| é This keyboard features Casio's innovative “Tone Bank” feature, which lets
you choose from an amazing total of 210 different sound combinations.
To create these layered sounds, the Tone Bank function actually integrates the
characteristics of the 20 preset tones. You can select these sound combinations
through the following procedure. —— ae
© To select Tone Bank Sound Combinations.
@) Select any of the 20 preset tones. When selecting Tone Bank sound com-
binations, the tone initially selected is used as a base, or “Primary” sound.
* When the Primary sound is selected, the keyboard features 10-note polyphdny.
(2) Press the Tone Bank button.
This activates the Tone Bank function, allowing you to choose a Secondary
3
sound to integrate with the Primary sound you just’selected.
* After the Tone Bank button is pressed, the keyboard changes to 5-note polyphony.
(3) Select any other of the 20 preset tones. The characteristics of this “Secondary”
sound is automatically integrated with those of the “Primary” sound already
selected.
po
Le
5
=.
¢ To select a different secondary sound |
The secondary sound can be changed at any time, as long as the Tone Bank
function is selected. Simply select a different preset tone—the primary sound
remains the same. | ‘
¢ To select a different primary sound :
The primary sound can be changed by first turning the Tone Bank function
OFF (press Tone Bank button so that indicator goes out), selecting any other
preset tone, and finally turning the Tone Bank function back ON. The secon-
dary tone remains the same in this case.
ae
6.
Tone
Bank
Sound
Combinations
<
Example
of
Tone
Bank
Operation
>
(1)
Select
the
preset
ORGAN
tone
by
pressing
the
corresponding
tone
selector.
(This
is
the
“Primary”
sound.)
Initially,
the
ORGAN
tone
can
be
played
with
10-note
polyphony.
.
|
GC
tenie
8
|
(2) Press the Tone Bank button. ae |
The
ORGAN
tone
can
now
be
played
with
5-note
polyphony.
*
Indicator
above
the
Tone
Bank
button
lights.
.
'
NOTE:
When
power
is
turned
ON,
the
PIANO
tone
is
automatically
selected
in
Tone
Bank
memory.
Because
of
this,
procedure
@)
above
causes
the
ORGAN
tone
to
be
integrated
with
the
PIANO
tone.
(3)
Select
the
preset
CHORUS
tone
by
pressing
the
corresponding
tone
selec-
tor.
(This
is
the
“Secondary”
sound.)
Now,’the
“ORGAN
+
CHORUS”
Integrated
Tone
Bank
combination
sound
can
be
played
with
5-note
polyphony.
Vie
|
(4)
Next,
try
changing
the
secondary
sound
by
selecting
the
preset
FLUTE
tone.
The
“ORGAN
+
FLUTE”
integrated
Tone
Bank
combination
sound
can
be
played
with
5-note
polyphony.
Ey
aa
a
7
ents
&
op
bie
Sn
ties
«Py
(6)
Next,
try
changing
the
Primary
sound
by
first
pressing
the
Tone
Bank
button
once
again
to
turn
the
Tone
Bank
function
OFF
temporarily.
The
preset
ORGAN
tone
can
once
again
be
played
with
10-note
polyphony.
(6)
Select
a
new
Primary
sound—the
STRINGS
tone
for
example,
and
turn
the
Tone
Bank
function
back
ON.
As
the
secondary
sound
(FLUTE)
does
not
change
in
this
case,
you
can
now
play
the;“STRINGS
+
FLUTE”
integrated
Tone
Bank
combination
sound
with
5-note
poly-phony.
=e ee

Auto-rhythms
* Refer to the general guide found on page 4-5 for exact locations of this keyboard controls and
connections.
¢ Playing an auto-rhythm | |
(1) Press the rhythm select button to choose the upper row or the lower row
of auto-rhythms. The upper or lower select indicator lights to show the active
row.
(2) Press one of the rhythm selectors.
(3) Press start/stop button to start the rhythm. — - ts
(4) Adjust the tempo of the rhythm by using the tempo control buttons. Press-
ing the <A> button will increase tempo, while pressing the <W> button
will decrease tempo. '
* Tempo of the auto-rhythm can be adjusted between 40 and 256 beats per min ute. Pressing both
tempo keys at the same time resets the tempo to 132 beats per minute.
(S) You can adjust the relative volume of the rhythm by using the rhythm volume
slider. ., nS | | -
(6) Press start/stop button once again to stop auto-rhythm play.
¢ Using Synchro/fill-in button
Press to enter synchro start standby. Rhythm starts when an accompaniment
. keyboard key (lower 1.5 octave, C through F) is pressed. (See page 16 to use
synchro start in the auto-accompaniment performance.) When pressed
during auto-rhythm and accompaniment performance, an appropriate fill-
in is inserted in the rhythm pattern. If the button is held down, the fill-in
pattern is repeated until the end of the measure during which the button
is released. | a : | ea Ges : “
Using Intro/ending button ,
If you press the intro/ending button instead of pressing the start/stop button
to start an auto-rhythm, the selected auto-rhythm begins after a one-measure
intro pattern. This can be an effective way to lead into auto-rhythm perfor-
mance. If pressed during auto-rhythm and accompaniment performance,
the rhythm stops after an appropriate ending pattern.
* Using synchro start with an intro pattern
Press the synchro/fill-in button to enter synchro start standby, and sub-
sequently press the Intro/ending button. Rhythm starts when an accompani-
ment keyboard key is pressed, after a one-measure intro pattern.
—14—
Auto-accompaniment
*
Refer
to
the
general
guide
found
on
pa
ge
4-5
for
exact
locations
of
this
keyboard
controls
and
connections,
¢
Chord/MIDI
selector
_
Slide
to
select
one
of
the
Casio
Chord
functions
(or
MIDI
function).
—
Of
ee
eae
ee
For
normal
play
without
auto-accompaniment.
FINGERED
1
&
2
...For
auto-accompaniment
pressing
chords
as
usual.
ONG
isan
Sate
See
teoe
For.
auto-accompaniment
using
the
Casio
Chord
system.
Aang
7
MIDI
datas
eh
ites
OF
Set
to
use
the
MIDI
functions
(refer
to
“11.
MIDI”)
¢
Accomp
volume
slider
:
be
st
ai
Adjust
the
volume
of
the
auto-accompaniment.
NOTES:
-
°e
If
the
Chérd/MIDI
selector
is
set
to
“FINGERED.
(1
or
2)”
or
“ON”
the
lower
1.5
octave
of
the
keyboard
become
accompaniment.
keyboard
keys,
and
the
upper
part
of
the
keyboard
becomes
4-note
polyphonic.
i
Accompaniment
keyboard
>}
nto
keyboard
(4-note
Polrhonic)
————
°
During
auto-accompaniment
performance,
chord
played
on
the
accompani-
ment
keyboard
will
continue
to
sound
after
releasing
the
keys.
°
Auto-accompaniment
starts
with
rhythm,
the
moment
the
accompaniment
keyboard
key
is
pressed
if
synchro
start
is
in
standby
status.
2 ag la ds

8. Auto-accompaniment |
S 7 n
Casio Chord system
The Casio Chord system has been developed so you can play the four main
types of chords more easily. Playing of the chords is simplified as shown
below: 4, |
e Pressing one of the accompaniment keyboard keys produces a major
chord corresponding to that note.
¢ Simultaneously pressing any key to the right (two keys at the same time)
results in a minor chord.
¢ Similarly, pressing one more key to the right (three keys in all) produces
a seventh chord, and pressing the fourth key to the right (four keys
in all) creates a minor seventh chord.
< Examples >
~C (C major chord)—Press @.
Cm (C minor chord)—Press @, @ together.
C7 (C seventh chord)—Press @, @, © together. * | : !
f 0000 7
Cm7 (C minor seventh chord)—Press @, @, 86,0 Auto-accompaniment
- | keyboard |
together. | i fe
* Not only @, ©, and @, but any black or white keys can be used as long as they are to
the right of @. 7 E : |
[1] Auto-accompaniment using the Casio Chord system (One-finger method)
@) Set the Chord/MIDI selector to “ON” | 7
(2) Select one of the auto-rhythms and press the synchro/fill-in button.
* Tempo indicator lights, meaning that the accompaniment keyboard keys are ready for play.
(3) Play on the accompaniment keyboard keys according to the Casio Chord
system. | ss. . _
* Adjust the tempo and accompaniment volume using the respective controls.
[2] Auto-accompaniment play using standard chord fingering
(1) Set the Chord/MIDI selector to “FINGERED 1” or “FINGERED 2”
(2) Select one of the auto-rhythms and press the synchro/fill-in button.
* Tempo indicator lights, meaning that the accompaniment keyboard keys are ready for play.
(3) Play a chord on the accompaniment keyboard keys.
* Adjust the tempo and accompaniment volume using the respective controls.
* This unit is capable of recognizing the following chords; <M, m, —5, +5, dim, sus4, 7, MZ, m7,
mMZ m5, *Zus4, 9 mI>
51 6=
8.
Auto-accompaniment
a_i
<About
‘Fingered
1”
and
“Fingered
2’">
:
|
This
keyboard
features
two
different
types
of
fingered
accompaniment
patterns.
vou
can
select
which
type
you
want
by
selecting
either
the
Fingered
1
mode,
or
the
Fingered
2
mode.
Respective
accompaniment
patterns
and
characteris-
tics
are
as
listed
below.
(Fingered
1
Accompaniment)
Accompaniment
consists
of
a
single
bass
line
and
two
different
backing
chord
patterns.
The
pattern
does
not
change
until
you
play
a
chord
consisting
of
at
least
3
notes.
(Fingered
2
Accompaniment)
fa
7
|
:
Accompaniment
consists
of
a
single
bass
line
and
a
single
backing
chord
pat-
terns
In
addition,
you
can
add
notes
manually
in
two-note
polyphony
on
the
accompaniment
keyboard”
without
affecting
the
accompaniment
pattern.
The
pattern
doe’
not
change
until
you
play
a
chord
consisting
of
at
least
3
notes
Fingered
2
accompaniment
also
allows
you
to
choose
the
way
the
chord
will
play
rhythmically.
If
you
keep
repeating
your
chord
shape
in
any
rhythmic
pat-
tern
you
choose
(quarter-notes,
eight-note
triplets
or
any
syncopation)
this
key-
board
will
play
that
chord
pattern
rhythm,
allowing
for
more
flexibility
in
your
accompaniment
patterns.
:
*
.
.
Auto-accompaniment
tones
are
preset
in
correspondence
to
each
auto-rhythm
type.
A
list
of
auto-rhythms
and
corresponding
accompaniment
tones
is
provided
on
page
18.
|

8. Auto-accompaniment
a
EE
LEI
TE
a
et
< About the tones used in the auto-accompaniment >
Each
auto-accompaniment
pattern
consists
of
one
bass
line
and
two
types
of
chord
lines
(chord
1
and
chord
2).
The
tones
of
these
elements
are
preset
corresponding
to
each
auto-rhythms
as
shown
below;
_
CHORD
1
TONES
CHORD
2
TONES
BASS
TONES
RHYTHMS
ROCK‘1
|
BRASS
ENS.
.
METALLIC
SOUND
-,
SLAP
BASS
ROCK
2
BRASS
SYNTH.
CLAVI
SLAP
BASS
8
BEAT
1
JAZZ
ORGAN
PIANO
SLAP
BASS
8
BEAT
2
METALLIC
SOUND
BRASS
ENS.
°::
SLAP
BASS
16
BEAT
1_
_
MARIMBA
ELEC.
PIANO
SLAP
BASS
16
BEAT
2.
SYNTH.
CLAVI
BRASS
ENS.
SLAP
BASS
|
DISCO
1
_
SYNTH.
CELESTA
BRASS
ENS.
SLAP
BASS
DISCO
2
HARP”
STRINGS
BRASS
ENS.
,
POPS
1°
JAZZ
ORGAN
PIANO
‘
WOOD
BASS
POPS2.
FLUTE:
BRASS
ENS.
...
SLAP
BASS
-
SLOW
ROCK
1...
PIANO.
;:.
.
VIBRAPHONE
..
WOOD
BASS
|,
SLOW
ROCK
2
PIANO...
HARP
WOOD
BASS
SWING
~~
PIANO)
.
_
BRASS
ENS.
WOOD
BASS
SAMBA
SYNTHE.
CLAVI
JAZZ
ORGAN
SLAP
BASS
BOSSA
NOVA
ELEC.
PIANO
STRINGS
*
WOOD
BASS
WALTZ
STRINGS
ORGAN
WOOD
BASS
REGGAE
JAZZ
ORGAN
FUNKY
CLAVI
SLAP
BASS
TANGO
ACCORDION
PIANO
WOOD
BASS
BEGUINE
PIANO
JAZZ
GUITAR
WOOD
BASS
MARCH
BRASS
ENS.
FLUTE
BRASS
ENS.
4,
tb aes
Percussion
Solo
Pads:
* Re
fer
to
the
general
guide
found
on
page
4-5
for
exact
locations
of
t
connections.
his
keyboard
controls
and
The
MT-640
features
a
total
of
10
percussion
solo
pads
that
let
you
add
Ria
das
and
accents
to
your
performance.
Preset
percussion
sounds
sens
eee
y
simply
tapping
the
pads
with
your
finger(s).
In
addition
to
ancard
percussion
pads,
the
MT-640
features
4
unique
“sound
effect”
cussion
pads,
including
Quijada,
Voice,
Wind
Chime,
and
Orchestra
Hit
SOU
aie
nds.
MID TOM
H! TOM ™
LOW TOM
PERCUSSION PAD .
CRASH
CYMBAL
LOW
AGOGO
eS ~— &
Pdi ony a
. ily ' +
QUIJADA'
''
VOICE
CHING:
shia
al
CH2 CH3 CH4
Pulse Code Modulation
NOTE: = = Oe
4
of
the
percussion
ads
perform
Ly
ee
ee
aE
ae
eee
|
formance.
Pads
Perrorm
other
functions
when.
set
for
MIDI
per-
ae
Gs