Christie DS+5K User manual

User’s Manual
Table of Contents
NOTE: Due to continuing research, all information in this manual is subject to change without notice.
013-100199-02 (06/06) Software v1.2d User’s Manual
1.1 Projector Overview ......................................................................................... 1-1
1.2 Components..................................................................................................... 1-2
1.3 Purchase Record and Servicing....................................................................... 1-3
2.1 Quick Setup..................................................................................................... 2-1
2.2 Installation Considerations.............................................................................. 2-3
2.3 Connecting Sources....................................................................................... 2-12
2.4 Connecting Communications ........................................................................ 2-15
2.5 System Integration – GPIO Connector.......................................................... 2-19
2.6 Power Connection ......................................................................................... 2-20
3.1 About the Projector ....................................................................................... 3-1
3.2 Using the Remote or Built-in Keypad............................................................. 3-3
3.3 Navigating the Menus ................................................................................... 3-10
3.4 Using Inputs and Channels............................................................................ 3-14
3.5 Adjusting the Image ...................................................................................... 3-19
3.6 Adjusting System Parameters and Advanced Controls................................. 3-36
3.7 Working with PIP and Seamless Switching.................................................. 3-50
3.8 Working with the Lamp ............................................................................... 3-53
3.9 Status Menu ................................................................................................. 3-57
3.10 Using Multiple Projectors ............................................................................. 3-57
3.11 Remote Control of the Projector .................................................................. 3-68
3.12 Error Conditions............................................................................................ 3-69
4.1 Warnings and Safety Guidelines ..................................................................... 4-1
4.2 Cleaning and Maintenance Guide ................................................................... 4-4
4.3 Replacing Remote Batteries............................................................................ 4-5
4.4 Lamp and Filter Replacement ......................................................................... 4-5
4.5 Replacing the Projection Lens....................................................................... 4-10
5.1 Displays........................................................................................................... 5-1
5.2 Lamp .............................................................................................................. 5-3
5.3 Ethernet ........................................................................................................... 5-3
6.1 Specifications .................................................................................................. 6-1
Appendix A: Glossary ............................................................................................... A-1
Appendix B: Keypad Reference .................................................................................B-1
Appendix C: Serial Communications .........................................................................C-1
Appendix D: Throw Distance.................................................................................... D-1
Appendix E: System Integration ................................................................................E-1
Appendix F: Optional Input Modules.........................................................................F-1
1INTRODUCTION
2INSTALLATION &
SETUP
3OPERATION
4MAINTENANCE
5TROUBLESHOOTING
6SPECIFICATIONS
APPENDICES
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Section 1
Introduction
User’s Manual 1-1
Christie DS+5K/5Kc/8K, Mirage S+2K/4K/8K, DW3K/3Kc/6K/6Kc, Matrix 4000 and
DLV1400-DX are all professional 3-chip projectors based on next-generation Digital
Light Processing(DLP) technology by
Texas Instrumentsto deliver high quality,
crisp, clean images.
Mirage S+2K/4K/8K projectors provide a
powerful combination of SXGA+ , high
brightness and high contrast ratios to produce
flawless, realistic three-dimensional graphic
images for simulation, virtual reality and other
stereographic related applications.
The DW3K/3Kc and DW6K/6Kc provide
exceptional image quality in a native widescreen
format, HD2 resolution and superior color accuracy.
Another reliable and compact projector is the Matrix 4000. With its purpose built
simulation features such as RGB color matching, and gamma controls, it can be used
to simulate any application.
The DLV1400-DX are designed for the demands of 24/7 control room applications and
provides long-term reliability and performance.
• Native SXGA+ or HD2 resolution (model dependant) with all others fully
scaleable
• Internal scaling of stereo signals (Mirage models)
• 10-bit video processing
• Built-in multi-standard video decoder
• Display of NTSC, PAL and SECAM video input
• User replaceable CermaxXenon lamp
• LiteLOCfor constant brightness
• Intelligent Lens System (ILS) to save and restore lens positions
• Motorized lens mount for all models
• Auto-setup feature
• Integrated ChristieNET
• Networking ability through RS232 and RS422 connectors
• Status LED display on built-in keypad for easy projector status monitoring
• Control with IR, wired or built-in keypad
• Two input slots for Optional Input Modules
1.1 Projector
Overview
Main Features '
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Section 1: Introduction
1-2 User’s Manual
Refer to Section 6 for a complete list of Specifications including Brightness and
Contrast and Optional Input Modules
The projector accepts data/graphics and video input signals for projection onto front
or rear flat screens. High brightness light is generated by an internal Xenon lamp then
modulated by three DMD (Digital Micromirror Device) panels that provide digitized
red, green or blue color information. Light from the “on” pixels of each panel is
reflected, converged and then projected to the screen through a single front lens,
where all pixels are perfectly superimposed as a sharp full-color image (2D or 3D for
Mirage models only).
The following listed items are shipped with your projector. Ensure you have received
all these items before using your projector.
‘ User’s Manual
‘ IR remote keypad (includes two, 1.5V AA batteries and a mini-stereo cable for
conversion to wired)
‘ Line cord
‘ Stereo 3D Cable (Mirage only)
‘ Warranty Card
Lamp Type Model Name Resolution ChristieTWIST 3D Motorized Lens
Mount
DLV1400-DX SXGA+ Optional y  500W Models
Mirage S+2K SXGA+ Optional  
DW3K, DW3Kc HD2 Optional y
Christie DS+5K/Kc SXGA+ Optional y 
Mirage S+4K SXGA+ Optional  
1000W Models
Matrix 4000 SXGA+ y
DW6K, DW6Kc HD2 Optional y
Christie DS+8K SXGA+ Optional y 
1200W Models
Mirage S+8K SXGA+ Optional 
NOTE: Kc models include the same features, but are color corrected to film color standards.
How the
p
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1.2 Components
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Section 1: Introduction
User’s Manual 1-3.
Whether the projector is under warranty or the warranty has expired, Christie’s highly
trained and extensive factory and dealer service network is always available to quickly
diagnose and correct projector malfunctions. Service manuals and updates are
available to service technicians for all projectors.
If you encounter any problems with the projector and require assistance, contact your
dealer or Christie Digital Systems. Fill out the information in the table below and keep
with your records for future reference.
Purchase Record
Dealer:
Dealer Phone Number:
Pro
j
ector Serial Number:
Purchase Date:
Installation Date
,
if a
pp
licable:
NOTE: The serial number can be found on the license label, which is located at the back of the projector.
You can also register your product on-line by visiting www.christiedigital.com ⇒
Service and Support ⇒Product Registration. This will keep you in touch with all
the latest product information, such as updates, technical bulletins, downloads and
Christie newsletters.
1.3 Purchase
Record and
Servicing
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Section 2
Installation & Setup
User’s Manual 2-1
The instructions provided here are for those that are familiar with the projector and
wish to quickly set it up and use it temporarily. Refer to the remaining subsections of
this manual for a more complete setup.
Install a Projection Lens
The projection lens is shipped separately from the projector and must be installed
prior to setting up the projector. Install the projection lens as described in 4.5
Replacing the Projection Lens.
Remove the lens plug from the lens opening in the projector before installing the
lens.
Remove the lens when shipping the projector and reuse the lens plug to prevent
dust and debris from entering and settling on the projector’s optical components.
Position the Projector
Place the projector on a sturdy, level surface and position it so that it is perpendicular
to the screen at a suitable distance. In general, the further back the projector is
positioned from the screen, the larger the image will be.
If required, you can level the projector by adjusting its three feet. With the projector
positioned perpendicular to the screen the image will appear rectangular instead of
keystoned.
For more detailed instructions on positioning the projector refer to Projector Position
and Mounting later in this section.
2.1 Quick Setup
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Connect a Source
Located at the back of the projector is the input panel where all source connections are
made. Each input is clearly labeled for easy identification.
Using the appropriate cable(s), connect your source. Connect RGB and YPbPr sources
to INPUT 1 located in the upper right corner of the input panel. Use the DVI-I
connector at INPUT 2 to connect analog or digital display signals. Connect composite
video to INPUT 3 and S-video to INPUT 4.
NOTE: One of the available optional input modules can be installed at INPUT 5 or
INPUT 6 for additional connections.
Refer to 2.3 Connecting Sources for more details on connecting a specific source.
Connect the Line Cord
The North American rated line cord is provided with each projector. Ensure
that you are using a line cord that meets the appropriate rating standards (CCC
for use in China, PSE for use in Japan).
Plug the line cord to the AC receptacle located on the right hand side of the projector
and the 3-pronged end into a grounded AC outlet. Make sure the socket outlet is
installed near the equipment and is easily accessible. The input voltage to the
projector must be capable of 100 – 240 VAC in 500W and 1000W models and 200-
240VAC in 1200W models. (See also Section 6 – Specifications for complete details
on all power requirements.)
Use the approved North American-rated line cord supplied with the projector. If you
are connecting to an area outside of North America make sure you are using an
appropriately rated line cord.
Turn the Projector ON
Press the POWER button on either the remote or built-in keypad to turn the
projector on. Wait a few minutes to allow the projector to warm up. The LED status
window displays an active pattern of segments to indicate the projector is changing its
state from powered down to powered up. The message “On” appears in the display
when the projector has completed its initialization and is ready for use.
Select a Source
Press one of the input keys on the remote or built-in keypad to select and display the
image for the source you connected in Step 3.
Adjust Image
Adjust the more common image settings, such as Brightness, Contrast, Gamma,
Focus, Zoom etc. using the direct keys on the IR remote.
You can also access the menu system and adjust these and other image settings by
pressing
Menu
on the remote.
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Section 2: Installation and Setup
User’s Manual 2-3.
Proper installation of your projector will ensure the quality of your display. Whether
you are installing a projector temporarily or permanently you should take the
following into account to ensure your projector performs optimally.
Choose the installation type that best suits your needs: front or rear screen, floor
mount or inverted mount.
Front Screen, Floor Mount Installation
ADVANTAGES CONSIDERATIONS
• Easy to set up
• Can be moved or changed quickly
• Easy to access
• Shares floor space with audience
Front Screen, Inverted Mount (ceiling) Installation
ADVANTAGES CONSIDERATIONS
• Does not take up audience space
• Projector is unobtrusive
• Projector cannot be accidentally moved
• Installation is more permanent
• It is more difficult to access the projector
Rear Screen, Floor Mount Installation
ADVANTAGES CONSIDERATIONS
• Projector is completely hidden
• Projector is easily accessed
• Usually good ambient light rejection
• Requires separate room
• Installation cost is usually higher
Rear Screen, Inverted Mount (ceiling) Installation
ADVANTAGES CONSIDERATIONS
• Projector is completely hidden
• Usually good ambient light rejection
• Requires separate room
• Installation cost is usually higher
Rear Screen, Floor Mount with Mirror
ADVANTAGES CONSIDERATIONS
• Projector is completely hidden
• Usually good ambient light rejection
• Requires less space behind screen than
other rear screen installations
• Requires separate room
• Installation cost is usually higher
Front Screen Installations
In front screen installations the projector and audience are positioned in front of the
screen, which can be flat or curved.
Flat screens are most recommended with this projector. They offer a gain of about 1
with a viewing angle just less than 180°. This type of screen reflects incident light
equally in all directions so the audience can see the display from various angles.
2.2 Installation
Considerations
Installation t
yp
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Screen T
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Section 2: Installation and Setup
2-4 User’s Manual
Curved screens have a gain greater than 1 with a viewing angle much less than 180°.
This type of screen does not reflect incident light equally in all directions instead it is
concentrated in a viewing cone. The audience sitting within the viewing cone area will
see a brighter image than those sitting just outside this area.
Rear screen installations
There are two basic types of rear screens: diffused and optical.
A diffused screen has a surface, which spreads the light striking it. Purely diffused
screens have a gain of less than 1. The main advantage of the diffused screen is its
wide viewing angle, similar to that of a flat screen for front screen projection. This
type of screen is suitable when a wide viewing angle is required but there is low
ambient room lighting.
Optical screens take light from the projector and redirect it to increase the light
intensity at the front of the screen. This reduces it in other areas. A viewing cone,
similar to that of a curved front screen installation is created. This type of screen is
better suited for brightly lit rooms where the audience is situated within the viewing
cone.
Screen size
Choose a screen size, which is appropriate for your lens and application. Keep in mind
that if the projector will be used to display text information, the image size must allow
the audience to recognize all text clearly. The eye usually sees a letter clearly if eye-
to-text distance is less than 150 times the height of the letter. Small text located too far
from the eye will likely be illegible at a distance no matter how sharply and clearly it
is displayed.
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Section 2: Installation and Setup
User’s Manual 2-5.
To fill a screen with an image, the aspect ratio of the screen should be equal to the
aspect ratio of the image (expressed as the ratio of its width to its height). Standard
video from a VCR has a 4:3 or 1.33:1 aspect ratio. For example, to display a VCR
output with a 4:3 aspect ratio onto a 10-foot (3m) high screen, the width of the screen
must be at least 13.3feet (4m).
The high brightness of this projector is well suited for locations where ambient
lighting might be considered less than ideal for projection. A typical room with ceiling
lights and windows rarely requires special attention. Contrast ratio in your images will
be noticeably reduced only if light directly strikes the screen, such as when a shaft of
light from a window or floodlight falls on the image. Images may then appear washed
out and less vibrant.
In general, avoid or eliminate light sources directed at the screen.
Other considerations and tips that can help improve your installation:
• Keep the ambient temperature constant and below 35°C (95°F). Keep the
projector away from heating and/or air conditioning vents. Changes in
temperature may cause drifts in the projector circuitry, which may affect
performance.
• Keep the projector away from devices, which radiate electromagnetic energy
such as motors and transformers. Common sources of these include slide
projectors, speakers, power amplifiers, elevators, etc.
Choose the best screen size for the application. Since more magnification reduces
brightness, use a screen size appropriate for the venue but not larger than required.
Installing a large screen in a small room is similar to watching television at a close
range; too large a screen can overpower a room and interfere with the overall effect.
A good rule of thumb is to be no closer than 1.5 times the width of the screen.
Throw distance
Throw distance is the distance measured from your projector’s front feet to the screen.
This is an important calculation in any projector installation as it determines whether
or not you have enough room to install your projector with a desired screen size and if
your image will be of the right size for your screen.
You can quickly estimate the throw distance by taking the horizontal width of the
screen and multiplying it by the lens throw ratio. The result of this calculation tells
you roughly how far back the projector should be positioned from the screen in order
to project a focused image large enough to fill the screen. For example, using a 0.73:1
lens, throw distance would roughly be 0.73 x screen width.
IMPORTANT: Once you determine the type of lens and screen size you’re going to
use, calculate the precise throw distance using the formula or graphs located in
Appendix D.Due to lens manufacturing tolerances for lens focal length, actual
throw distance can vary
± 5% between lenses described as having the same throw
ratio.
Ambient Li
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Other Considerations '
Projector Position and '
Mount
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Section 2: Installation and Setup
2-6 User’s Manual
Vertical and horizontal position
The correct vertical and horizontal position of the projector in relation to the screen
depends on the lens type and the screen size. Ideally, the projector should be
positioned perpendicular to the screen. This way, the image will appear rectangular
instead of keystoned (trapezoidal).
The vertical position of the image can be offset – that is moved above or below the
optical axis (lens center) by adjusting the fully motorized lens mount with the keypad.
The amount of vertical offset available depends directly on the lens installed in the
projector and can be slightly limited if horizontal offset has been applied. Vertical
offset can also be expressed as the percent of half the image height OR the number of
pixels of shift from lens center. Refer to Figure 2.1 for some illustrated examples of
vertical offset.
Table 2.1 along with Figure 2.2 show the maximum vertical offset of a lens or
alternatively, how much of your projected image will appear above or below lens
center if the maximum vertical offset is applied using that lens.
Table 2.1. Lens Offsets
%Pixels%Pixels%Pixels%Pixels
0.73:1 fixed 37% +/-196 69% +/-721 22% +/-153 61% +/-853
1.2:1 fixed (1m-3m)
1.2:1 fixed (3m-15m) 100% +/-525 100% +/-1050 50% +/-350 75% +/-1050
1.45-1.8:1 zoom 100% +/-525 100% +/-1050 50% +/-350 75% +/-1050
1.8-2.5:1 zoom 100% +/-525 100% +/-1050 50% +/-350 75% +/-1050
2.5-4.5:1 zoom 100% +/-525 100% +/-1050 50% +/-350 75% +/-1050
4.5-7.3:1 zoom 100% +/-525 100% +/-1050 50% +/-350 75% +/-1050
Info not yet available
Maximum amount of
projected image to one side
of lens center
Lens Type Vertical Offset
(% of Half Height)
Maximum amount of
projected image above or
below lens center
Horizontal Offset
(% of Half Width)
NOTES: 1) Offsets are subject to ± 7% centering tolerance 2) % Offset = # pixels of offset / half panel resolution x
100.
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Section 2: Installation and Setup
User’s Manual 2-7.
Figure 2.1. Vertical Offset Examples
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Section 2: Installation and Setup
2-8 User’s Manual
Figure 2.2. Lens Vertical Offsets
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Section 2: Installation and Setup
User’s Manual 2-9.
The horizontal position of the image can be offset – that is moved to the left or right
of lens center, by adjusting the fully motorized lens mount through software. The
amount of horizontal offset available depends on the lens installed and if the image
has already been vertically offset. Horizontal offset can also be expressed as the
percent of half the image width – the number of pixels of shift to one side of lens
center. Refer to Figure 2.3 for some illustrated examples of horizontal offset.
See also Table 2.1 along with Figure 2.4 which shows the maximum horizontal offset
of a lens or alternatively, how much of your projected image will appear to one side of
lens center if the maximum horizontal offset is applied using that lens.
Figure 2.3. Horizontal Offset Examples
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Section 2: Installation and Setup
2-10 User’s Manual
Figure 2.4. Lens Horizontal Offsets
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Section 2: Installation and Setup
User’s Manual 2-11.
Mounting
There are several methods for mounting the projector. Depending on your chosen
installation, one method may be more suitable than another. In typical front and rear
screen installations the projector can be mounted to a secure and level surface, such as
a table or cart. Carts are useful when the projector has to be moved during a
presentation or from site to site. It is recommended you lock the wheels on a cart,
when it’s in position, to prevent someone from accidentally moving it during a
presentation.
CEILING MOUNT - The projector can also be inverted and suspended from the ceiling
using a specially designed ceiling mount fixture. This type of mounting is
recommended for fixed installations and for those that want the projector out of plain
view or have a limited amount of space for projector and audience. For more
information, contact your dealer.
Use only the CHRISTIE approved ceiling mount kit designed for
your projector. Refer to the installation instructions and safety
guidelines provided in the kit.
SPECIAL MOUNTING – The projector can be rotated (front-to-back) up to 360 degrees
and mounted without it affecting performance. However, the side-to-side tilt limit of
the projector must not exceed ±15 degrees. This tilt limit is required to ensure optimal
performance of the projector.
Adjusting projector height
You can modify the height of the projector to remedy a slightly uneven mounting
surface by adjusting the two feet threaded into the bottom chassis. Turn each foot
clock-wise or counter-clockwise until the project is level on all sides.
Folded Optics
In rear screen applications where space behind the projector is limited, a mirror may
be used to fold the optical path. See Figure 2.5. The position of the projector and
mirror must be accurately set – if considering this type of installation call your dealer
for assistance.
Figure 2.5. Folded Optical Path
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Section 2: Installation and Setup
2-12 User’s Manual
Sources connect to the Input Panel located at the back of the projector. See Figure 2.6.
The upper right corner (INPUT 1) typically accepts an RGB signal from an external
analog RGB source, or it can also be used for YPbPr signals or additional video
sources. Just beside these BNCs, the DVI-I connector (INPUT 2) accepts digital or
analog display signals from a computer. Connect analog composite video at INPUT 3
or S-video at INPUT 4 from devices such as VCRs, laser disc players or DVD players.
There are also several optional interfaces available for connecting other sources—
these interfaces slide into the remaining unused option slot, and can be done while the
projector is running.
Figure 2.6. Input Panel
NOTES: 1) See Section 6 – Specifications for details regarding compatible inputs. 2)
Use high quality shielded cables only for all connections.
INPUT 1 consists of five BNCs (connectors) for linking to a variety of sources. The
typical connection would be to an RGB source such as a PC, Mac, DEC, Sun, SGI and
others. This projector supports multiple sync types with RGB signals: sync-on-green,
composite sync, and separate H & V syncs.
NOTE: Depending on your source, you may need a custom adapter cable with BNC
connectors at the projector end and a different type of connector at the other (such as
a 15-pin "D" connector for some computer sources). Contact your dealer for details.
Connect the SYNC BNC input(s) first. Then connect the red, green and blue source
outputs to the RED, GREEN, and BLUE BNCs on the INPUT 1 panel. If the source uses
sync-on-green, only the red, green, and blue connections are required. If the source
provides a composite sync output, connect it to the SYNC input labeled HOR/COMP. If
the source provides separate horizontal and vertical sync outputs, connect horizontal
sync to the SYNC input labeled HOR/COMP and connect vertical sync to SYNC input
labeled VERT. See Figure 2.7.
2.3 Connecting
Sources
RGB Si
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Section 2: Installation and Setup
User’s Manual 2-13.
Figure 2.7. Connecting RGB and Sync
NOTES: 1) If for some reason the projector fails to recognize a signal as an RGB
signal, specify this Color Space option within the Image Settings menu. See 3.5
Adjusting the Image. 2) To connect YPbPr signals–such as from DVDs or analog HDTV
sources–to INPUT 1, use the red, green and blue BNCs as described in YPbPr Signals
(below).
Connect a YPbPr signal (component video) to INPUT 1 or INPUT 2 as shown in Figure
2.8.
NOTES: 1) If, for some reason, the projector fails to recognize a YPbPr signal,
specify this Color Space option within the Image Settings menu. See 3.5, Adjusting
the Image. 2) Do not connect digital component signals (known as YCbCr) to INPUT
1. Install an appropriate optional module in INPUT 5 or INPUT 6 for this.
Figure 2.8. Connecting YPbPr sources
YPbPr Signals
'
(COMPONENT VIDEO)
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Section 2: Installation and Setup
2-14 User’s Manual
INPUT 3 and INPUT 4 provide simultaneous connection of both a composite video
source (INPUT 3) and an S-Video source (INPUT 4). See Figure 2.9.
Figure 2.9.Connecting Composite or S-Video sources
Use the DVI-I connector at INPUT 2 to connect either analog or digital video devices
to the projector. When connecting devices that transmit an analog video signal such as
VCRs, laptops, and PCs use the DVI cable provided with the projector. Plug the
DVI-I (single link) connector end to the projector and the 15-pin VGA connector to
the device.
Use a cable with DVI-I connectors at both ends to connect devices that transmit
digital and analog video signals such as high-quality DVD players, satellite receiver
and digital cable TVs.
NOTES: 1) To ensure true digital output from devices that transmit digital signals,
connect to the DVI-I connector. 2) DVI loop through is not available unless you have
the optional DVI Input Module installed at INPUT 5 or INPUT 6.
Optional modules allow you to increase your total number of inputs and/or
accommodate different signal types, whether analog or digital. Install in the areas
labeled INPUT 5 or INPUT 6. Options include:
• RGB 500 Input Module
• RGB 400 Active Loop Thru Input Module
• RGB 400 Buffered Amplifier Input Module
• PC250 Analog Input Module
• Serial Digital Input Module
• DVI Input Module
• Dual SD/HD-SDI Module
NOTE: See Appendix F – Optional Input Modules for a brief description of each
interface.
Com
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DVI Di
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O
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