Earthworks SV33 User manual

SV33
Studio Vocal
Microphone
User’s Guide
for Recording & Broadcast

Congratulations on your purchase of the SV33
High Denition Studio Vocal Microphone
The SV33 Studio Microphone is the culmination of two decades of engineering and
innovation at Earthworks Inc., the goal of which was to celebrate the human voice by
revolutionizing the way in which one can capture the full depth of nuance and emotional
expression. The objective of this manual is to provide a basic understanding of the fea-
tures and capabilities of this new microphone as well as some fundamental information
to help you get started. As with all new technologies, the innovation process continues
with you in your discovery of what is now possible.
Packing List and Identication of Items
• SV33Microphone
• Pivotarm
• Cherry-woodbox
• Warranty
• Manual
A Quick Tour
• SV33 Microphone
  •TheSV33’sgrillecontainsasonicallytransparentpop-filter,inmost 
cases eliminating the need for an external popscreen.
  •TheSV33isanend-addresselectretcondensermicrophoneleveraging 
Earthworks proprietary technologies to deliver a cardioid pattern with
   consistentatfrequencyresponseacrossthemicrophone’sentirefront 
hemisphere. Rejection at the rear of the microphone is similarly consist-
   entacrosstheentirefrequencyrange,includinglowfrequencies.
  •TheSV33hasanextremelygentleproximityeffectprovidingconsistent 
   lowfrequencyresponsethatdoesn’tbecomeboomyupcloseorthinat 
a distance.
• Cherry-wood Box - The SV33 box is hand-crafted from solid cherry-wood, provid-
ing both beauty and functionality. The strength and durability of natural hardwood
coupled with its timeless aesthetic will protect your microphone for years to come.
• Pivot Arm - Allows mounting the SV33 on a stand or boom and enables rotation
along either the vertical or horizontal axis. The microphone is constructed to pro-
vide mechanical isolation, however the pivot arm does not provide shock absorp-
tion and can be substituted with a shockmount (available as an optional accessory)
if needed.
SV33 Microphone Pivot Arm
1November 29, 2017

Stand and Boom Mounting
1. Because the mass and weight of the SV33
can introduce complexity into the mounting
process. It is recommended to rst remove
theSV33fromthePivotArmbyunscrewing
theknurledblackringwithyourngers(Fig-
ure 1). Gently set the microphone aside in a
safe location until you are ready to complete
step 3.
2.MountthePivotArmontothemicrophonestandor
boom(Figure2).
3. Insert the threaded end of the microphone into the knurled
blackring,(Figure3)androtatetheringuntilitisngertight
(do not use tools to tighten).
4.Figure4A&Bshows
the SV33 mounted on
amicstandwhileFig-
ures 5-A & 5-C show
the recommended
positions for boom
mounting in order to
avoidlooseningofthepivotarmfromtheboomduetorotationaltorquefromtheweight
of the microphone.
Preamps & Input Capabilities
The SV33 can provide a very clean output of up to 10 volts. However, some preamps
are unable to handle this amount of input level. Be aware of the limitations of your
preamps and choose one that can handle high input levels. The use of electronically
balanced inputs is recommended. If you use a transformer preamp, it is suggested that
younotpushittoohard.Onlyaveryhighqualitytransformercancleanlyhandlethe
highlevelsandlowfrequencyoutputoftheSV33.
Connecting the SV33
TheSV33requires24-48voltphantompower.Aswithallcondensermicrophones,the
SV33 “thumps” when phantom power is applied or removed. Before connecting the
microphoneorapplyingphantompower,makesurethechannelismuted.Connectthe
SV33usingahigh-quality3-pinXLRmicrophonecable.Wait15to20seconds(upto
1 minute with transformer-coupled inputs) before unmuting the channel as the internal
circuitry takes time to stabilize.
2
Threads on SV33 Mating Threads on
Mounting Bracket
Figure 1
Pivot Arm
Figure 2
Pivot Arm
Mounted
on Stand
or Boom
5-A 5-D
5-B 5-C
B
A
Figure 3 Rotate knurled ring clock-
wise until nger tight and secure
Figures 4 A & B - SV33
mounted on mic stand

SV33 Use and Fundamentals
The SV33 is capable of delivering excellent results with only modest attention given to
roomacousticsandconventionalmicrophoneetiquette;However,thefollowingguide-
lines and suggestions are presented to help achieve consistently exceptional results.
Microphone Placement
At its core, the SV33 has been designed to pick up a wider array of sound emanating
fromthehumanbodyandvoice.Whenaperformerspeaksorsings,therearemultiple
sources generating sound all at once. The contributions of the chest, neck, mouth,
nose and head all sound very different from one another, and their balance continually
changes. As with other complex musical instruments, like drums, piano and guitar, the
position of the microphone greatly affects the sound that is captured. Developing an
understanding of the unique SV33 capabilities will transform microphone placement
into a powerful tool for shaping the desired vocal sound.
The following provides a few examples of what is possible through placement of
this microphone:
 • Tocaptureanaturalvocalsoundthatissimilartowhatalistenerwouldhear
in the room with the performer, consider placing the microphone at the same
  heightastheperformer’smouth,6to12inchesaway,aimedattheirmouth.
 • Reducingthedistanceto3inchesorsowhilestillpositioningthemicinfront
of the mouth allows you to get a drier and more intimate vocal sound. As with
  allmicrophoneplacementtechniquesyoustillneedtomovethemicaround
   fromthatstartingpointtondthedesiredtonalbalance.
 • Adistancegreaterthan12inchescanbeusedtoincreasetheratioofroom
sound to direct vocal sound.
On-axis Frequency Response
TheSV33isatfrom30Hzto33kHz(Figure6).
Proximity Effect
Conventionalstudiovocalmicrophonestypicallyexhibitastrongproximityeffect.Con-
sequentlytheirlowfrequencyresponsevarieswidelywithdistance,droppingoffasthe
performer moves away from the microphone and increasing as they get closer. There
is often only a narrow sweet spot in the range of distances that provides the appropriate
balanceoflowfrequencycontentforaperformer’svoice.
Figure 6 SV33 Frequency Response
+10dB
0dB
-10dB
-20dB
30Hz50Hz100Hz1kHz10k20k30k40k50k
12inches
5 inches
3

4
In practice this often leads to a compromise of the overall tonal balance and nat-
uralness of the vocal sound, as keeping the microphone inside the sweet spot for
lowfrequenciesplacesittooclosetothevocalisttocapturethenaturalbalanceof
all of the sound-generating parts of the human body.
The SV33 has been engineered with the gentlest possible proximity effect to avoid
thissortofcompromise.Thismicrophoneslowfrequencyresponseisalmosten-
tirely unaffected by distance, therefore a whole new constellation of use and place-
ment options open up, making it possible to achieve the desired vocal sound.
Polar Response
The polar response of the SV33 provides a wide area of pickup that is consistent in
frequencyandamplitudeoutto70degreesoff-axis(Figures7&8).Italsoprovides
alargeareaofuncoloredrearrejectionbeyond110degreesoff-axis(Figures10-A
&10-B).Dependingonwhatelseishappeningintheroom,aimtherearofthe
SV33towardsourcesyouwanttoavoid.TheSV33’srearrejectionofdeepbass
is also extraordinary.
Pop Screens & Plosives
The SV33 has a built-in screen to keep saliva,
lipstickordirtfromthecapsule;however,when
working close to the SV33 an external pop-
screen should be used as an additional preven-
tion against plosives. It is also recommended to
usethemicplacementsshowninFigures9-A&
9-Btohelpreduceplosives.
Earthworks Cardioid Conventional Cardioid
B
D
Figures 8 A-D
Note: The wider accurate pickup
pattern of the SV33 allows you to
place 3 singers on a single mic and
pick each of them up with the same
pristine sound quality.
Figure 7 SV33 Polar Response Accurate Pickup Patterns i.e. Usable Sweetspot
A
C
Figures 9-A & 9-B Positioning
a Microphone to Prevent Plosives
B
A

5
Cleaning
When cleaning the windscreen or microphone
body do not spray cleaning solutions onto the
microphone. Instead, use a damp cloth (not too
wet) to carefully remove dirt, grease or lipstick.
If more extensive cleaning of the windscreen is
required, rst remove the windscreen by un-
screwing it from the body of the microphone.
Gently hand wash with warm water and a small
amount of mild dish detergent. After thoroughly rinsing, gently shake any water droplets
from the windscreen and air-dry before using.
Donotattempttoremovethepoplterfromthewindscreenassembly.Donotdirectly
wetorsubmergethebodyofthemicrophoneinanytypeofuid.
If Something Seems Wrong
If you experience unexpected behavior from the SV33 such as noise, distortion or
a lack of output signal, it is recommended that you start by checking the following:
 • Isphantompowerswitchedon?Isitatleast24V,andisthephantompower
  sourcecapableofsupplyingatleast10mAofcurrent?
 • Areyouusinghighqualitymicrophonecables?Failedsolderjointsandpoor
  shieldingfoundinlow-qualitymicrophonecablescanbeasourceofvarious
types of unwanted noise and distortion, and can prevent the proper function-
ing of the microphone and phantom power.
 • Ifdistortionoccurswhenmikingloudsourceslikedrums,electricguitarorvery
  loudvocalistsatcloserange,verifythatthepreampitselfisn’tclipping.Some
preamps will not handle high input levels. Even with the gain control set to mini-
mum they are sensitive enough to overload and clip when loud sources are
captured with high output condenser microphones. In such cases an external
  inlinepad(suchastheEarthworksLP20)canbeusedtoreducethemicro-
  phone’ssignallevelbeforeitentersthepreamp.
If the problem still persists, please contact earthworks tech support at:
[email protected]
Earthworks
SV33
A
Conventional
Vocal Mics
B
Figures 10-A & 10-B Microphone Rear Rejection
EARTHWORKS WARRANTY
AllEarthworks®productscarryalimitedwarranty(partsandlabor).Please
register your warranty at www.earthworksaudio.com/register If you have
any problems with your Earthworks products, please contact our warranty/
repair department by email at:
[email protected]orbytelephoneat(603)654-2433,ext.119

SV33 Vocal Microphone
Minimum output load
600Ω, balanced
between pins 2&3
Noise
Weight
8.32 inches (211.32mm) long
2.5lb (
1.13k
g)
Frequency response
Polar Pattern
Cardioid
Sensitivity
10 mV/Pa (-40dBV/Pa)
Power requirements
24-48V Phantom @
1
0mA
Peak acoustic input
1
45dB SPL
30Hz to 33kHz
Signal-to-Noise Ratio
Output
XLR (PIN 2+)
Output Impedance
79dB A-weighted
65Ω bal. (between pins 2 & 3)
15dB (A-weighted)
Dimensions
1.97 inches (50mm) max dia
.860 inches (22mm) min dia
Polar
Response
8.32“
1.0“
1.0“
1.8“
1.97“
15/16 - 8
SV33
Vocal Microphone for
Recording & Broadcast
Earthworks, Inc. • 37 Wilton Rd. • Milford, NH 03055
603-654-2433 • www.earthworksaudio.com
email: [e-mail] • Printed in U.S.A.
Expertly Handmade in U.S.A.
6

Earthworks, Inc. • 37 Wilton Rd. • Milford, NH 03055
603-654-2433 • www.earthworksaudio.com
email: [e-mail] • Printed in U.S.A.
Expertly Handmade in U.S.A.