Marantz AV8003 User manual
Please use this service manual with referring to the user guide ( D.F.U. ) without fail.
Service
Manual AV Pre Tuner
AV8003 /F B/K1B/N1B/U1B
AV8003
TABLE OF CONTENTS
SECTION PAGE
1. TECHNICAL SPECIFICATIONS ........................................................................................... 1
2. TECHNICAL DESCRIPTION ................................................................................................ 9
3. SERVICE MODE................................................................................................................. 15
4. SYSTEM ERROR ............................................................................................................... 17
5. DUAL BACKUP MEMORY .................................................................................................. 21
6. UPDATE FIRMWARE.......................................................................................................... 22
Mode 1 : Update/Download MAIN CPU's software to internal Flash-ROM.................... 24
Mode 2 : Update/Download DSP's software to Flash-ROM........................................... 30
Mode 3 : Update/Download HDMI CPU's software to internal Flash-ROM ................... 36
Mode 4 : Update/Download HD Radio CPU's software to internal Flash-ROM............. 40
Mode 5 : Update/Download HD Radio Module's software............................................. 48
Mode 6 : Update/Download DMP Sub CPU's software to internal Flash-ROM ............. 53
7. WIRING DIAGRAM ............................................................................................................. 61
8. BLOCK DIAGRAM .............................................................................................................. 63
9. SCHEMATIC DIAGRAM...................................................................................................... 67
10. PARTS LOCATION............................................................................................................ 101
11. EXPLODED VIEW AND PARTS LIST............................................................................... 135
12. MICROPROCESSOR AND IC DATA................................................................................ 139
13. ELECTRICAL PARTS LIST............................................................................................... 183
14. ABOUT REPLACE THE MICROPROCESSOR WITH A NEW ONE.............................255
AV8003
Part no. 90M46CW855000
First Issue 2008 05
MZ
TOP
ZONE
SPEAKER
DISPLAY
INPUT
7.1CH
DIRECT
PURE
PHONES
THX M-DA X
MODE
SURROUND
CLEARMEMORYT-MODEBANDEXITMENUZONE
ENTER
DOWN
VOLUME
UP
INPUT
SELECTOR
AUTO
SETUP MIC
HDMI
M-DAX
PURE DIRECT
POWER ON/OFF
STANDBY
AV PRE TUNER AV8003
MARANTZ DESIGN AND SERVICE
Using superior design and selected high grade components, MARANTZ company has created the ultimate in stereo sound.
Only original MARANTZ parts can insure that your MARANTZ product will continue to perform to the specifications for which
it is famous.
Parts for your MARANTZ equipment are generally available to our National Marantz Subsidiary or Agent.
ORDERING PARTS :
Parts can be ordered either by mail or by Fax.. In both cases, the correct part number has to be specified.
The following information must be supplied to eliminate delays in processing your order :
1. Complete address
2. Complete part numbers and quantities required
3. Description of parts
4. Model number for which part is required
5. Way of shipment
6. Signature : any order form or Fax. must be signed, otherwise such part order will be considered as null and void.
SHOCK, FIRE HAZARD SERVICE TEST :
CAUTION : After servicing this appliance and prior to returning to customer, measure the resistance between either primary AC
cord connector pins ( with unit NOT connected to AC mains and its Power switch ON ), and the face or Front Panel of product and
controls and chassis bottom.
Any resistance measurement less than 1 Megohms should cause unit to be repaired or corrected before AC power is applied, and
verified before it is return to the user/customer.
Ref. UL Standard No. 60065
In case of difficulties, do not hesitate to contact the Technical
Department at above mentioned address.
070719MZ
USA
MARANTZ AMERICA, INC
100 CORPORATE DRIVE
MAHWAH, NEW JERSEY 07430
USA
EUROPE / TRADING
MARANTZ EUROPE B.V.
P. O. BOX 8744, BUILDING SILVERPOINT
BEEMDSTRAAT 11, 5653 MA EINDHOVEN
THE NETHERLANDS
PHONE : +31 - 40 - 2507844
FAX : +31 - 40 - 2507860
KOREA
D&M SALES AND MARKETING KOREA LTD.
CHUNG JIN B/D., #1001,
53-5, WONHYORO 3 GA, YONGSAN-GU,
SEOUL, 140-719, KOREA
PHONE : +82 - 2 - 323 - 2155
FAX : +82 - 2 - 323 - 2154
CANADA
D&M CANADA INC.
5-505 APPLE CREEK BLVD.
MARKHAM, ONTARIO L3R 5B1
CANADA
JAPAN
D&M BUILDING, 2-1 NISSHIN-CHO,
KAWASAKI-KU, KAWASAKI-SHI,
KANAGAWA, 210-8569 JAPAN
D&M Holdings Inc.
CHINA
MARANTZ SHANGHAI TRADING LTD.
ROOM.506 SHANGHAI LIGHT INDUSTRY MANSION
1578 NANJING (WEST) ROAD SHANGHAI
CHINA
TEL : 021 - 6248 - 1064
FAX : 021 - 6248 - 3565
NOTE ON SAFETY :
Symbol Fire or electrical shock hazard. Only original parts should be used to replaced any part marked with symbol .
Any other component substitution (other than original type), may increase risk of fire or electrical shock hazard.
安全上の注意：
がついている部品は、安全上重要な部品です。必ず指定されている部品番号のものを使用して下さい。
1
FM TUNER SECTION
Frequency Range ................................. 76.0 - 90.0 MHz [ /F ]
........................... 87.5 - 108.0 MHz [ /K/N ]
...............................87.5 - 107.9 MHz [ /U ]
Usable Sensitivity .................................. IHF 1.8 µV/16.4 dBf
Signal to Noise Ratio..........................Mono/Stereo 75/70 dB
Distortion ........................................... Mono/Stereo 0.2/0.3 %
HD Radio............................................................ 0.02 % [ /U ]
Stereo Separation............................................... 1 kHz 45 dB
HD Radio....................................................1 kHz 85 dB [ /U ]
Alternate Channel Selectivity ....... ± 300 kHz 60 dB [ /F/K/N ]
..............± 400 kHz 60 dB [ /U ]
Image Rejection................................98 MHz 70 dB [ /F/K/N ]
................................... 98.1 MHz 70 dB [ /U ]
Tuner Output Level ...................1 kHz, ± 75 kHz Dev 800 mV
AM TUNER SECTION
Frequency Range ........................... 531 - 1602 kHz [ /F/K/N ]
..................................530 - 1710 kHz [ /U ]
Signal to Noise Ratio.................................................... 50 dB
Usable Sensitivity ............................... Loop 400 µV [ /F/K/N ]
......................................Loop 500 µV [ /U ]
Distortion ........................................ 400Hz, 30 % Mod. 0.5 %
Selectivity ...................................................... ± 20 kHz 70 dB
HDMI SECTION
Version ......................................................... 1.3a [INPUT]
..................................................... 1.3a [OUTPUT]
AUDIO SECTION
Input Sensitivity/Impedance
(Unbalanced) .....................................200 mV/ 47 k ohms
(Balanced) .........................................400 mV/ 30 k ohms
Output Level/Impedance
(Unbalanced) .............................................1 V/ 470 ohms
(Balanced) ................................................ 2 V/ 470 ohms
Signal to Noise Ratio
Analog Input / Pure Direct..................................... 105 dB
Frequency Response
Analog Input / Pure Direct........... 8 Hz - 100 kHz (± 3 dB)
Digital Input / 96 kHz PCM............ 8 Hz - 45 kHz (± 3 dB)
VIDEO SECTION
Television Format...................................................NTSC/PAL
Input Level/Impedance ..................................1 Vp-p/75 ohms
Output Level/Impedance................................1 Vp-p/75 ohms
Video Frequency Response .............. 5 Hz to 8 MHz (- 1 dB)
Video Frequency (Component)....... 5 Hz to 100 MHz (- 3 dB)
S/N................................................................................ 60 dB
GENERAL
Power Requirement ......................... AC 100 V 50/60 Hz [ /F ]
.........................AC 220 V 50/60 Hz [ /K ]
.........................AC 230 V 50/60 Hz [ /N ]
..............................AC 120 V 60 Hz [ /U ]
Power Consumption .......................................................85 W
Standby Power Consumption .........................(Normal) 1.0 W
..................... (Economy) 0.7 W
Weight ....................................................................... 11.6 kg
ACCESSORIES
Remote Controller RC2001 ..................................................1
Remote Controller RC101 ....................................................1
Microphone...........................................................................1
AAA-size alkaline batteries...................................................4
AAA-size dry batteries..........................................................2
FM Antenna...........................................................1 [ /F/K/N ]
FM Feeder Antenna..................................................... 1 [ /U ]
FM Antenna Converter ................................................ 1 [ /U ]
AM Loop Antenna..................................................1 [ /F/K/N ]
AM Loop Antenna for HD Radio .................................. 1 [ /U ]
AC cable ...............................................................................1
USB cable.............................................................................1
AV8003 User Guide..............................................................1
AV8003 NETWORK User Guide ..........................................1
Wizz.it3 User Guide..................................................1 [ /N/U ]
1. TECHNICAL SPECIFICATIONS
DIMENSIONS
CONNECTIONS SETUP BASIC
OPERATION
ADVANCED
OPERATION
REMOTE
CONTROLLER
TROUBLESHOOTING
NAMES AND
FUNCTION OTHERS
100
ENGLISH
DIMENSIONS
TOP
ZONE
SPEAKER
DISPLAY
INPUT
7.1CH
DIRECT
PURE
PHONES
THX M-DAX
MODE
SURROUND
CLEARMEMORYT-MODEBANDEXITMENUZONE
ENTER
DOWN
VOLUME
UP
INPUT
SELECTOR
AUTO
SETUPMIC
HDMI
M-DAX
PUREDIRECT
POWERON/STANDBY
STANDBY
AVPRE TUNER AV8003
7-5/16 ins.
(184.5 mm)
9/16 ins.
(14 mm)
6-3/4 ins.
(170.5 mm)
17-5/16 ins. (440 mm)
11/16 ins.
(17 mm)
15-3/16 ins. (385 mm)
3/8 ins.
(8 mm)
14-3/16 ins. (360 mm)
FM TUNER SECTION
Frequency Range ................................ 87.5 – 107.9 MHz
Usable Sensitivity ............................IHF 1.8 µV/16.4 dBf
Signal to Noise Ratio ................... Mono/Stereo 75/70 dB
Distortion......................................Mono/Stereo 0.2/0.3 %
HD Radio .............................................................. 0.02 %
Stereo Separation......................................... 1 kHz 45 dB
HD Radio ...................................................... 1 kHz 85 dB
Alternate Channel Selectivity.................± 400 kHz 60 dB
Image Rejection......................................98.1 MHz 70 dB
Tuner Output Level ........... 1 kHz, ± 75 kHz Dev 800 mV
AM TUNER SECTION
Frequency Range ................................... 530 – 1710 kHz
Signal to Noise Ratio .............................................. 50 dB
Usable Sensitivity ......................................... Loop 500µV
Distortion...................................400Hz, 30 % Mod. 0.5 %
Selectivity.................................................± 20 kHz 70 dB
AUDIO SECTION
Input Sensitivity/Impedance
(Unbalanced) .............................200 mV/ 47 k ohms
(Balanced)..................................400 mV/ 30 k ohms
Output Level/Impedance
(Unbalanced) .................................... 1 V/ 470 ohms
(Balanced)......................................... 2 V/ 470 ohms
Signal to Noise Ratio(Analog Input / Pure Direct) .... 105 dB
Frequency Response
(Analog Input / Pure Direct) .... 8 Hz – 100 kHz (± 3 dB)
(Digital Input / 96 kHz PCM).... 8 Hz – 45 kHz (± 3 dB)
VIDEO
Television Format....................................................NTSC
Input Level/Impedance ........................... 1 Vp-p/75 ohms
Output Level/Impedance......................... 1 Vp-p/75 ohms
Video Frequency Response .......5 Hz to 8 MHz (– 1 dB)
Video Frequency (Component)
.. 5 Hz to 100 MHz (– 3 dB)
S/N.......................................................................... 60 dB
HDMI
Version.........................................................1.3a [INPUT]
.........................................................1.3a [OUTPUT]
GENERAL
Power Requirement ................................AC 120 V 60 Hz
Power Consumption ................................................ 85 W
Standby Power Consumption .................. (Normal) 1.0 W
......................................................(Economy) 0.7 W
Weight................................................................... 11.6 kg
Specifications subject to change without prior notice.
OTHERS
TECHNICAL SPECIFICATIONS
ACCESSORIES
Remote Controller RC2001 ........................................... 1
Remote Controller RC101 ............................................. 1
Microphone .................................................................... 1
AAA-size alkaline batteries ............................................ 4
AAA-size dry batteries ................................................... 2
FM Feeder Antenna ....................................................... 1
FM Antenna Converter................................................... 1
AM Loop Antenna .......................................................... 1
AC cable ........................................................................ 1
USB cable...................................................................... 1
AV8003U01ENG44.indd100 08.4.3010:59:03AM
2
Surround Mode Input Signal Decoding
Output Channel Front information display
L/R C SL
SR
SBL
SBR
SubW
Signal format indicators Channel status
AUTO Dolby Surr.EX Dolby Digital EX
OOOOO
2DIGITAL EX L, C, R, SL, SR, S, LFE
Dolby D (5.1ch) Dolby Digital 5.1
O O O
-
O
2DIGITAL L, C, R, SL, SR, LFE
Dolby D (2ch) Dolby Digital 2.0
O
- - -
O
2DIGITAL L, R
Dolby D (2ch Surr) Pro Logic IIx movie
OOOOO
2DIGITAL 2SURROUND L, R, S
Dolby Digital Plus (5.1ch)
DolbyDigital +
O O O
-
O
2DIGITAL L, C, R, SL, SR, LFE
Dolby Digital Plus (6.1ch)
DolbyDigital +
OOOOO
2DIGITAL L, C, R, SL, SR, S, LFE
Dolby Digital Plus (7.1)
DolbyDigital +
OOOOO
2DIGITAL L, C, R, SL, SR, S, LFE
Dolby TrueHD (5.1ch)
DolbyTrueHD
O O O
-
O
2DIGITAL
Depend on speaker setup
Dolby TrueHD (6.1ch)
DolbyTrueHD
OOOOO
2DIGITAL
Depend on speaker setup
Dolby TrueHD (7.1ch)
DolbyTrueHD
OOOOO
2DIGITAL
Depend on speaker setup
DTS-ES DTS-ES
OOOOO
dts, ES L, C, R, SL, SR, S, LFE
DTS 96/24 DTS-96/24
O O O
-
O
dts 96/24 L, C, R, SL, SR, LFE
DTS (5.1ch) DTS 5.1
O O O
-
O
dts L, C, R, SL, SR, LFE
DTS-HD (5.1) DTS-HD
O O O
-
O
dts L, C, R, SL, SR, LFE
DTS-HD (6.1) DTS-HD
OOOOO
dts L, C, R, SL, SR, S, LFE
DTS-HD (7.1) DTS-HD
OOOOO
dts L, C, R, SL, SR, S, LFE
Multi Ch-PCM Multi Ch-PCM
O O O
-
O
PCM L, C, R, SL, SR, LFE
Multi Ch-PCM 96kHz
Multi Ch-PCM 96kHz
O O O
-
O
PCM L, C, R, SL, SR, LFE
SA-CD (5.1ch) Multi Ch-PCM
O O O
-
O
L, C, R, SL, SR, LFE
SA-CD (2ch) PCM (Stereo)
O
- - -
O
L, R
PCM (Audio) PCM (Stereo)
O
- - -
O
PCM L, R
PCM 96kHz PCM (Stereo 96kHz)
O
- - -
O
PCM L, R
HDCD HDCD
O
- - -
O
PCM, HDCD L, R
Analog Stereo
O
- - -
O
ANALOG -
7.1ch input Multi Ch
OOOOO
ANALOG -
SOURCE DIRECT
PURE DIRECT
Dolby Surr.EX Dolby Digital EX
OOOOO
2DIGITAL EX L, C, R, SL, SR, S, LFE
Dolby D (5.1ch) Dolby Digital 5.1
O O O
-
O
2DIGITAL L, C, R, SL, SR, LFE
Dolby D (2ch) Dolby Digital 2.0
O
- - - - 2DIGITAL L, R
Dolby D (2ch Surr) Pro Logic IIx movie
OOOOO
2DIGITAL 2SURROUND L, R, S
Dolby Digital Plus (5.1)
DolbyDigital +
O O O
-
O
2DIGITAL L, C, R, SL, SR, LFE
Dolby Digital Plus (6.1)
DolbyDigital +
OOOOO
2DIGITAL L, C, R, SL, SR, S, LFE
Dolby Digital Plus (7.1)
DolbyDigital +
OOOOO
2DIGITAL L, C, R, SL, SR, S, LFE
Dolby TrueHD (5.1) DolbyTrueHD
O O O
-
O
2DIGITAL
Depend on speaker setup
Dolby TrueHD (6.1) DolbyTrueHD
OOOOO
2DIGITAL
Depend on speaker setup
Dolby TrueHD (7.1) DolbyTrueHD
OOOOO
2DIGITAL
Depend on speaker setup
DTS-ES DTS-ES
OOOOO
dts, ES L, C, R, SL, SR, S, LFE
DTS 96/24 DTS-96/24
O O O
-
O
dts 96/24 L, C, R, SL, SR, LFE
DTS (5.1ch) DTS 5.1
O O O
-
O
dts L, C, R, SL, SR, LFE
DTS-HD (5.1) DTS-HD
O O O
-
O
dts L, C, R, SL, SR, LFE
DTS-HD (6.1) DTS-HD
OOOOO
dts L, C, R, SL, SR, S, LFE
DTS-HD (7.1) DTS-HD
OOOOO
dts L, C, R, SL, SR, S, LFE
Multi Ch-PCM Multi Ch-PCM
O O O
-
O
PCM L, C, R, SL, SR, LFE
Multi Ch-PCM 96kHz
Multi Ch-PCM 96kHz
O O O
-
O
PCM L, C, R, SL, SR, LFE
SA-CD (5.1ch) Multi Ch-PCM
O O O
-
O
L, C, R, SL, SR, LFE
SA-CD (2ch) PCM (Stereo)
O
- - - - L, R
PCM (Audio) PCM (Stereo)
O
- - - - PCM L, R
PCM 96kHz PCM (Stereo 96kHz)
O
- - - - PCM L, R
HDCD HDCD
O
- - - - PCM, HDCD L, R
Analog Stereo
O
- - - - ANALOG -
7.1ch input Multi Ch
OOOOO
ANALOG -
EX/ES Dolby Surr.EX Dolby Digital EX
OOOOO
2DIGITAL EX L, C, R, SL, SR, S, LFE
Dolby D (5.1ch) Dolby Digital EX
OOOOO
2DIGITAL L, C, R, SL, SR, LFE
Dolby Digital Plus (5.1)
DolbyDigital + D o l b y
Digital EX
OOOOO
2DIGITAL L, C, R, SL, SR, LFE
Dolby TrueHD (5.1) DolbyTrueHD + D o l b y
Digital EX
OOOOO
2DIGITAL
Depend on speaker setup
DTS-ES DTS-ES
OOOOO
dts, ES L, C, R, SL, SR, S, LFE
DTS (5.1ch) DTS-ES
OOOOO
dts L, C, R, SL, SR, LFE
Multi-PCM Multi C h-PCM + Dolby
Digital EX
OOOOO
PCM L, C, R, SL, SR, LFE
SA-CD (5.1ch) Multi C h-PCM + Dolby
Digital EX
OOOOO
L, C, R, SL, SR, LFE
SURROUND MODE
This unit is equipped with many surround modes.These are provided to reproduce a variety of surround sound
effects, according to the content of the source to be played.
The available surround modes may be restricted depending on the input signal and speaker setup.
The relationship between the selected surround mode and the input signal
The surround mode is selected with the surround mode selector on the unit or the remote controller. However,
the sound you hear is subject to the relationship between the selected surround mode and the input signal. That
relationship is as follows:
3
Surround Mode Input Signal Decoding
Output Channel Front information display
L/R C SL
SR
SBL
SBR
SubW
Signal format indicators Channel status
DOLBY
(PLIIx movie)
(PLIIx music)
(PLIIx game)
Dolby Surr.EX Dolby Digital EX
O O O
-
O
2DIGITAL EX L, C, R, SL, SR, S, LFE
Dolby D (5.1ch) Dolby Digital 5.1
OOO
-
O
2DIGITAL L, C, R, SL, SR, LFE
Dolby D (5.1ch) Dolby Digital 5.1 + PLIIx
O O O O O
2DIGITAL L, C, R, SL, SR, LFE
Dolby D (2ch) Pro Logic IIx
OOOOO
2DIGITAL L, R
Dolby D (2ch Surr) Pro Logic IIx
O O O O O
2DIGITAL 2SURROUND L, R, S
Dolby Digital Plus (5.1)
DolbyDigital +
O O O
-
O
2DIGITAL L,C,R,SL,SR,LFE
Dolby Digital Plus (6.1)
DolbyDigital +
OOOOO
2DIGITAL L,C,R,SL,SR,S,LFE
Dolby Digital Plus (7.1)
DolbyDigital +
O O O O O
2DIGITAL L,C,R,SL,SR,S,LFE
Dolby TrueHD (5.1) DolbyTrueHD
O O O
-
O
2DIGITAL
Depend on speaker setup
Dolby TrueHD (6.1) DolbyTrueHD
O O O O O
2DIGITAL
Depend on speaker setup
Dolby TrueHD (7.1) DolbyTrueHD
O O O O O
2DIGITAL
Depend on speaker setup
Multi Ch-PCM Multi Ch-PCM + PLIIx
OOOOO
PCM L, C, R, SL, SR, LFE
SA-CD (5.1ch) Multi Ch-PCM + PLIIx
O O O O O
L, C, R, SL, SR, LFE
SA-CD (2ch) Pro Logic IIx
O O O O O
L, R
PCM (Audio) Pro Logic IIx
OOOOO
PCM L, R
HDCD Pro Logic IIx
O O O O O
PCM, HDCD L, R
Analog Pro Logic IIx
OOOOO
ANALOG -
DTS
(Neo:6 Cinema)
(Neo:6 Music)
DTS-ES DTS 5.1
O O O
-
O
dts, ES L, C, R, SL, SR, S, LFE
DTS 96/24 DTS-96/24
O O O
-
O
dts 96/24 L, C, R, SL, SR, LFE
DTS (5.1ch) DTS 5.1
OOO
-
O
dts L, C, R, SL, SR, LFE
DTS-HD(5.1) DTS-HD
O O O
-
O
dts L, C, R, SL, SR, LFE
DTS-HD(6.1) DTS-HD
OOOOO
dts L, C, R, SL, SR, S, LFE
DTS-HD(7.1) DTS-HD
O O O O O
dts L, C, R, SL, SR, S, LFE
Dolby D (2ch) Neo:6
O O O O O
2DIGITAL L, R
Dolby D (2ch Surr) Neo:6
OOOOO
2DIGITAL 2SURROUND L, R, S
SA-CD (2ch) Neo:6
O O O O O
L, R
PCM (Audio) Neo:6
O O O O O
PCM L, R
HDCD Neo:6
O O O O O
PCM, HDCD L, R
Analog Neo:6
O O O O O
ANALOG -
CSII Cinema
CSII Music
CSII Mono
Dolby D (2ch) CSII
OOOOO
2DIGITAL L, R
Dolby D (2ch Surr) CSII
O O O O O
2DIGITAL 2SURROUND L, R, S
SA-CD (2ch) CSII
O O O O O
L, R
PCM (Audio) CSII
OOOOO
PCM L, R
HDCD CSII
O O O O O
PCM, HDCD L, R
Analog CSII
OOOOO
ANALOG -
STEREO Dolby Surr.EX Stereo
O
- - -
O
2DIGITAL EX L, C, R, SL, SR, S, LFE
Dolby D (5.1ch) Stereo
O
- - -
O
2DIGITAL L, C, R, SL, SR, LFE
Dolby D (2ch) Stereo
O
- - -
O
2DIGITAL L, R
Dolby D (2ch Surr) Stereo
O
---
O
2DIGITAL 2SURROUND L, R, S
Dolby Digital Plus (5.1)
Stereo
O
- - -
O
2DIGITAL L, C, R, SL, SR, LFE
Dolby Digital Plus (6.1)
Stereo
O
- - -
O
2DIGITAL L, C, R, SL, SR, S, LFE
Dolby Digital Plus (7.1)
Stereo
O
- - -
O
2DIGITAL L, C, R, SL, SR, S, LFE
Dolby TrueHD (5.1) Stereo
O
- - -
O
2DIGITAL
Depend on speaker setup
Dolby TrueHD (6.1) Stereo
O
---
O
2DIGITAL
Depend on speaker setup
Dolby TrueHD (7.1) Stereo
O
- - -
O
2DIGITAL
Depend on speaker setup
DTS-ES Stereo
O
- - -
O
dts, ES L, C, R, SL, SR, S, LFE
DTS 96/24 Stereo
O
- - -
O
dts 96/24 L, C, R, SL, SR, LFE
DTS (5.1ch) Stereo
O
- - -
O
dts L, C, R, SL, SR, LFE
DTS-HD (5.1) Stereo
O
- - -
O
dts L, C, R, SL, SR, LFE
DTS-HD (6.1) Stereo
O
- - -
O
dts L, C, R, SL, SR, S, LFE
DTS-HD (7.1) Stereo
O
- - -
O
dts L, C, R, SL, SR, S, LFE
Multi Ch-PCM Stereo
O
- - -
O
PCM L, C, R, SL, SR, LFE
Multi Ch-PCM 96kHz
Stereo
O
- - -
O
PCM L, C, R, SL, SR, LFE
SA-CD (5.1ch) Stereo
O
- - -
O
L, C, R, SL, SR, LFE
SA-CD (2ch) Stereo
O
- - -
O
L, R
PCM (Audio) Stereo
O
- - -
O
PCM L, R
PCM 96kHz Stereo
O
---
O
PCM L, R
HDCD Stereo
O
- - -
O
PCM, HDCD L, R
Analog Stereo
O
- - -
O
ANALOG -
Dolby Virtual
Speaker
Dolby Surr.EX Dolby Virtual Speaker
O
- - - - 2DIGITAL EX L, C, R, SL, SR, S, LFE
Dolby D (5.1ch) Dolby Virtual Speaker
O
- - - - 2DIGITAL L, C, R, SL, SR, LFE
Dolby D (2ch) Dolby Virtual Speaker
O
- - - - 2DIGITAL L, R
Dolby D (2ch Surr) Dolby Virtual Speaker
O
- - - - 2DIGITAL 2SURROUND L, R, S
DTS-ES Dolby Virtual Speaker
O
- - - - dts, ES L, C, R, SL, SR, S, LFE
DTS 96/24 Dolby Virtual Speaker
O
- - - - dts 96/24 L, C, R, SL, SR, LFE
DTS (5.1ch) Dolby Virtual Speaker
O
- - - - dts L, C, R, SL, SR, LFE
Multi Ch-PCM Dolby Virtual Speaker
O
- - - - PCM L, C, R, SL, SR, LFE
SA-CD (5.1ch) Dolby Virtual Speaker
O
- - - - L, C, R, SL, SR, LFE
SA-CD (2ch) Dolby Virtual Speaker
O
- - - - L, R
PCM (Audio) Dolby Virtual Speaker
O
- - - - PCM L, R
HDCD Dolby Virtual Speaker
O
- - - - PCM, HDCD L, R
Analog Dolby Virtual Speaker
O
- - - - ANALOG -
Multi Ch.
Movie
Music
(O): Movie mode only.
Dolby Surr.EX Dolby Digital EX
O (O) O O O
2DIGITAL EX L, C, R, SL, SR, S, LFE
Dolby D (5.1ch) Dolby Digital 5.1
O (O) O
-
O
2DIGITAL L, C, R, SL, SR, LFE
Dolby D (2ch) Multi Channel
O (O) O O O
2DIGITAL L, R
Dolby D (2ch Surr) Multi Channel
O (O) O O O
2DIGITAL 2SURROUND L, R, S
4
Surround Mode Input Signal Decoding
Output Channel Front information display
L/R C SL
SR
SBL
SBR
SubW
Signal format indicators Channel status
Multi Ch.
Movie
Music
(O): Movie mode only.
DTS-ES DTS-ES
O (O) O O O
dts, ES L, C, R, SL, SR, S, LFE
DTS 96/24 DTS-96/24
O (O) O
-
O
dts 96/24 L, C, R, SL, SR, LFE
DTS (5.1ch) DTS 5.1
O (O) O
-
O
dts L, C, R, SL, SR, LFE
Multi Ch-PCM Multi Ch-PCM
O (O) O
-
O
PCM L, C, R, SL, SR, LFE
Multi Ch-PCM 96kHz
Multi Ch-PCM 96kHz
O (O) O
-
O
PCM L, C, R, SL, SR, LFE
SA-CD (5.1ch) Multi Ch-PCM
O (O) O
-
O
L, C, R, SL, SR, LFE
SA-CD (2ch) Multi Channel
O (O) O O O
L, R
PCM (Audio) Multi Channel
O (O) O O O
PCM L, R
HDCD Multi Channel
O (O) O O O
PCM, HDCD L, R
Analog Multi Channel
O (O) O O O
ANALOG -
Dolby H.P Dolby Surr.EX Dolby H.P
O
- - - - 2DIGITAL EX L, C, R, SL, SR, S, LFE
Dolby D (5.1ch) Dolby H.P
O
- - - - 2DIGITAL L, C, R, SL, SR, LFE
Dolby D (2ch) Dolby H.P
O
- - - - 2DIGITAL L, R
Dolby D (2ch Surr) Dolby H.P
O
- - - - 2DIGITAL 2SURROUND L, R, S
Dolby Digital Plus (5.1)
Stereo
O
- - - - 2DIGITAL L, C, R, SL, SR, LFE
Dolby Digital Plus (6.1)
Stereo
O
- - - - 2DIGITAL L, C, R, SL, SR, S, LFE
Dolby Digital Plus (7.1)
Stereo
O
- - - - 2DIGITAL L, C, R, SL, SR, S, LFE
Dolby TrueHD (5.1) Stereo
O
- - - - 2DIGITAL
Depend on speaker setup
Dolby TrueHD (6.1) Stereo
O
- - - - 2DIGITAL
Depend on speaker setup
Dolby TrueHD (7.1) Stereo
O
- - - - 2DIGITAL
Depend on speaker setup
DTS-ES Dolby H.P
O
- - - - dts, ES L, C, R, SL, SR, S, LFE
DTS 96/24 Dolby H.P
O
- - - - dts 96/24 L, C, R, SL, SR, LFE
DTS (5.1ch) Dolby H.P
O
- - - - dts L, C, R, SL, SR, LFE
DTS-HD (5.1) Stereo
O
- - - - dts L, C, R, SL, SR, LFE
DTS-HD (6.1) Stereo
O
- - - - dts L, C, R, SL, SR, S, LFE
DTS-HD (7.1) Stereo
O
- - - - dts L, C, R, SL, SR, S, LFE
Multi Ch-PCM Dolby H.P
O
- - - - PCM L, C, R, SL, SR, LFE
SA-CD (5.1ch) Dolby H.P
O
- - - - L, C, R, SL, SR, LFE
SA-CD (2ch) Dolby H.P
O
- - - - L, R
PCM (Audio) Dolby H.P
O
- - - - PCM L, R
HDCD Dolby H.P
O
- - - - PCM, HDCD L, R
Analog Dolby H.P
O
- - - - ANALOG -
THX
(AUTO)
Dolby Surr.EX
Dolby Digital + THX Surround EX
O O O O O
2DIGITAL EX L, C, R, SL, SR, S, LFE
Dolby D (5.1ch)
Dolby Digital 5.1+
TH X
Ultra2 Cinema
O O O O O
2DIGITAL L, C, R, SL, SR, LFE
Dolby D (2ch)
Pro Logic IIx movie + THX
O O O O O
2DIGITAL L, R
Dolby D (2ch Surr)
Pro Logic IIx movie + THX
O O O O O
2DIGITAL 2SURROUND L, R, S
DTS-ES DTS-ES + THX
O O O O O
dts, ES L, C, R, SL, SR, S, LFE
DTS (5.1ch) DTS + THX Ultra2 Cinema
O O O O O
dts L, C, R, SL, SR, LFE
Multi Ch-PCM M u l t i C h - P C M + T H X
Ultra2 Cinema
O O O O O
PCM L, C, R, SL, SR, LFE
SA-CD (5.1ch) M u l t i C h - P C M + T H X
Ultra2 Cinema
O O O O O
L, C, R, SL, SR, LFE
SA-CD (2ch)
Pro Logic IIx movie + THX
O O O O O
L, R
PCM (Audio)
Pro Logic IIx movie + THX
O O O O O
PCM L, R
HDCD
Pro Logic IIx movie + THX
O O O O O
PCM, HDCD L, R
Analog
Pro Logic IIx movie + THX
O O O O O
ANALOG -
THX Ultra2
(THX EX)
(THX Cinema)
(THX Music)
(THX Games)
Dolby Surr.EX
Dolby Digital + THX Surround EX
O O O O O
2DIGITAL EX L, C, R, SL, SR, S, LFE
Dolby D (5.1ch) Dolby Digital 5.1+ THX
Ultra2 Cinema
O O O O O
2DIGITAL L, C, R, SL, SR, LFE
Dolby D (2ch)
Pro Logic IIx movie + THX
O O O O O
2DIGITAL L, R
Dolby D (2ch Surr)
Pro Logic IIx movie + THX
O O O O O
2DIGITAL 2SURROUND L, R, S
DTS-ES DTS-ES + THX
O O O O O
dts, ES L, C, R, SL, SR, S, LFE
DTS (5.1ch)
DTS + THX
Ultra
2 Cinema
O O O O O
dts L, C, R, SL, SR, LFE
Multi Ch-PCM M u l t i C h - P C M + T H X
Ultra2 Cinema
O O O O O
PCM L, C, R, SL, SR, LFE
SA-CD (5.1ch) M u l t i C h - P C M + T H X
Ultra2 Cinema
O O O O O
L, C, R, SL, SR, LFE
SA-CD (2ch)
Pro Logic IIx movie + THX
O O O O O
L, R
PCM (Audio)
Pro Logic IIx movie + THX
O O O O O
PCM L, R
HDCD
Pro Logic IIx movie + THX
O O O O O
PCM, HDCD L, R
Analog
Pro Logic IIx movie + THX
O O O O O
ANALOG -
Notes:
Abbreviations
L/R : Front speakers
C : Center speaker
SL/SR : Surround speakers
SBL/SBR : Surround back speakers
SubW : Subwoofer
5
AUTO
When this mode is selected, the unit determines
whether the digital input signal is Dolby Digital,
Dolby Digital Surround EX, Dolby Digital Plus, Dolby
TrueHD, DTS-HD, DTS, DTS-ES, DTS 96/24 or PCM
audio.
Surround EX & DTS-ES will operate for multichannel
sources that have a Dolby Digital Surround EX or
DTS-ES auto trigger flag in the digital signal.
When a Dolby Digital or DTS signal is input, the
number of channels for which the corresponding
signal is encoded will be played.
Inputting a Dolby Digital two channel signal with
Dolby surround status automatically subjects that
signal to Pro Logic II x movie processing before play.
PCM 96 kHz source material can be played in this
mode.
Notes:
SOURCE DIRECT
In the Source Direct mode, the tone control circuit
Acoustic EQ. and bass management configuration
are bypassed for full-range frequency response and
the purist audio reproduction.
Notes:
PURE DIRECT
The Pure Direct mode further reduces sources of
noise in addition to effect of the Source Direct mode,
by blocking output from the video jacks (VIDEO,
S-VIDEO, COMPONENT VIDEO and HDMI) and
turning the FL display off.
Note:
EX/ES
This mode provides 6.1 channel surround for Dolby
Digital EX, and DTS-ES-encoded source material
such as DVD.
This mode cannot be used when an analog input has
been selected.
Dolby Digital EX
In a movie theater, film soundtracks that have been
encoded with Dolby Digital Surround EX technology
are able to reproduce an extra channel which has
been added during the mixing of the program.
This channel, called surround back, places sounds
behind the listener in addition to the currently
available front left, front center, front right, surround
right, surround left and subwoofer channels.
This additional channel provides the opportunity
for more detailed imaging behind the listener and
brings more depth, spacious ambience and sound
localization than ever before.
Dolby Digital EX is not available in systems that do
not have without surround back speaker(s).
DTS-ES (Discrete 6.1, Matrix 6.1)
DTS-ES adds the surround center channel audio to
the DTS 5.1 channel format to improve the acoustic
positioning, and makes acoustic image movement
more natural with the 6.1 channel reproduction.
This unit incorporates a DTS-ES-decoder, which
can handle DTS-ES Discrete-encoded and DTS-ES
Matrix-encoded program sources from DVD, etc.
DTS-ES Discrete 6.1 features digital discrete
recording of all channels, including the surround back
channel(s), and higher quality audio reproduction.
DTS-ES is not available in systems that do not have
surround back speakers.
6
Dolby MODE
(Dolby Digital, Pro Logic
II
x MOVIE, Pro Logic
II
x
MUSIC, Pro Logic
II
x GAME)
This mode is used with source materials encoded in
Dolby Digital and Dolby Surround.
DOLBY DIGITAL
This mode is enabled when playing source materials
encoded in Dolby Digital.
Playing multichannel-encoded 5.1 channel Dolby
Digital sources provides 5 main audio channels (left,
center, right, surround left and surround right) and a
Low Frequency Effect channel.
Dolby Digital EX decoding is not available in this
mode.
Dolby Pro Logic II x has 5 modes:
Pro Logic
II
x MOVIE
This mode provides 6.1 or 7.1 channel surround
sound from Dolby Surround, encoded stereo movie
soundtracks.
Pro Logic
II
x MUSIC
This mode provides 6.1 or 7.1 channel surround
sound from conventional stereo sources (analog or
digital), such as CD, tape, FM, TV, stereo VCR, etc.
Pro Logic
II
x GAME
This mode
restores the impact low-frequency
surround effects by routing them to the system’s
subwoofer.
5.1ch + Pro Logic
II
x Movie
This mode provides 7.1 channel surround sound from
5.1 channel sources
movie soundtracks
.
5.1ch + Pro Logic
II
x Music
This mode provides 6.1 or 7.1 channel surround sound
from 5.1 channel sources music soundtracks.
Notes:
II II
NONE
II
dts
dts, Neo:6 Cinema, Neo:6 Music
This mode is for DTS-encoded source materials
such as laserdisc, CD and DVD. Neo:6 is for some 2
channel sources.
dts
This mode is enabled when playing source materials
encoded in dts multichannel.
Playing multichannel encoded-5.1 channel dts
sources provides five main audio channels (left,
center, right, surround left and surround right) and a
Low Frequency Effects channel.
dts-ES decoding is not available in this mode.
The DTS mode cannot be used when an analog
input has been selected.
Neo:6 Cinema, Neo:6 Music
This mode decodes 2 channel signals into 6 channel
signals using high-accuracy digital matrix technology.
The DTS Neo:6 decoder has near-discrete properties
in the frequency characteristics of the channels as
well as in channel separation.
According to the signals to be played back, DTS Neo:6
uses either the Neo:6 Cinema mode optimized for
movie playback or the Neo:6 Music mode optimized
for music playback.
Note:
CIRCLE SURROUND
II
(CS
II
-CINEMA, CS
II
-MUSIC, CS
II
-MONO)
Circle Surround is designed to enable multichannel
surround sound playback of non-encoded and
multichannel encoded material.
Backward compatibility provides listeners with up to
6.1 channels of surround performance from an entire
collection of music and film, including broadcast,
videotape and stereo recorded music.
Depending on source material, you can select CSII -
Cinema mode, CSII -Music mode or CSII -Mono
mode.
Note:
II
7
STEREO
This mode bypasses all surround processing.
In stereo program sources, the left and right channels
play normally when PCM audio or analog stereo is
input.
With Dolby Digital and DTS sources, the 5.1 channels
are converted to two channel stereo. 96 kHz PCM
source material can be played back in stereo mode.
Dolby Virtual Speaker
Dolby Virtual Speaker technology uses proprietary
technology of Dolby Laboratories to create a virtual
surround sound field using only two speakers for the
front channels, allowing the user to experience sound
as if surround speakers were actually being used.
MULTI CH. (MOVIE, MUSIC)
This mode is used to create a wider, deeper and more
natural soundstage from two channel source material.
This is done by feeding the left channel signal to
both the left front and left surround speakers and the
right channel signal to both the right front and right
surround speakers. Additionally, the center channel
reproduces a mix of the right and left channels.
Note:
THX CINEMA
THX Cinema mode applies additional processing
to Dolby Digital, DTS and Dolby Pro Logic multi-
channel, surround sources. The THX processing
was developed by THX Ltd. to recreate the sound of
top-quality theater.
Use the THX Cinema mode for all movies on disc,
tape or broadcast. In this mode, the THX Surround
EX mode is not available.
THX SURROUND EX
In a movie theater, film soundtracks that have been
encoded with Dolby Digital Surround EX technology
are able to reproduce an extra channel which has
been added during the mixing of the program.
This channel, called Surround Back, places sounds
behind the listener in addition to the currently
available front left, front center, front right, surround
right, surround left and subwoofer channels.
This additional channel provides the opportunity
for more detailed imaging behind the listener and
brings more depth, spacious ambience and sound
localization than ever before.
THX Surround EX will operate for any 5.1 channel
source whenever THX is active.
THX Surround EX is not available in system without
surround back speaker(s).
Note:
THX ULTRA2 CINEMA
THX ULTRA2 Cinema mode plays 5.1 movies using
all 7.1 speakers giving you the best possible movie
watching experience. In this mode, ASA processing
blends the surround L/R speakers and surround back
speakers, providing the optimal mix of ambient and
directional surround sound.
This mode permits the playback of a non Surround
EX/ES-encoded 5.1 movie over a 7.1 system.
DTS-ES (Matrix and 6.1 Discrete) and Dolby
Digital Surround EX-encoded soundtracks will be
automatically detected, if the appropriate flag has
been encoded.
Some Dolby Digital Surround EX soundtracks
are missing the digital flag that allows automatic
switching.
If you know that the movie that you are watching is
encoded in Surround EX, you can manually select the
THX Surround EX playback mode, otherwise the THX
ULTRA2 Cinema mode will apply ASA processing to
provide optimum replay.
THX MUSIC
For the replay of multichannel music, the THX Music
mode should be selected. In this mode, THX ASA
processing is applied to the surround channels of all
5.1-encoded music sources, such as DTS and Dolby
Digital, to provide a wide, stable, rear soundstage.
This mode is to be used with multichannel music
sources such as DTS 5.1 music and Dolby Digital
5.1 music.
Notes:
8
THX GAMES
For the replay of stereo and multichannel game
audio the THX Games mode should be selected.
In this mode, THX ASA processing is applied to
the surround channels of all 5.1 and 2.0-encoded
game sources such as analog, PCM, DTS and
Dolby Digital. This accurately places all game audio
surround information, providing a full 360-degree
playback environment. THX Games mode is unique
as it gives you a smooth transition of audio in all
points of the surround field.
Neural Surround
Neural SurroundTM represents the latest advancement
in surround technology developed for music.
Neural SurroundTM employs psychoacoustic
frequency domain processing which allows delivery
of a more detailed sound stage with superior channel
separation and localization of audio elements.
System playback is scalable from 5.1 to 7.1 multi-
channel surround playback.
CAUTION
Note for DTS
•
To connected DVD player, laserdisc player or CD
player needs to support DTS digital output. You
may not be able to play some DTS source signals
from certain CD players and LD players even if
you connect the player to the unit digitally. This is
because the digital signal has been processed
(such as the output level, sampling frequency or
frequency response), and the unit cannot recognize
the signal as DTS data.
• Depending on the player used, DTS play may
produce a short noise. This is not a malfunction.
• While signals from a DTS laserdisc or CD are
playing in another surround mode, you cannot
switch to digital input or from digital input to analog
input from the INPUT SETUP in the MAIN MENU
or by pressing the A/D button.
• You can not listen to DTS-encoded software in a
ZONE.
•
The outputs for VCR 1 OUT, DSS/VCR 2 OUT,
TAPE OUT and CD-R OUT output analog audio
signals only. Do not record from CDs or LDs that
support DTS using these outputs. If you do, the
DTS-encoded signal will be recorded as noise.
Note or Dolby Digital Surround EX
•
When playing Dolby Digital Surround EX-encoded
software in 6.1 channels, it is required to set the EX/
ES mode.
• Note that some Dolby Digital Surround EX-encoded
software does not contain the identification signal.
In this case, set the EX/ES mode manually.
Note for 96 kHz/192 kHz PCM audio
•
The AUTO, Pure Direct, and Stereo modes can be
used when playing PCM signals with a sampling
frequency of 96/192 kHz (such as from DVD-Video/
Audio discs).
•
Certain DVD player models inhibit digital output. For
details, refer to the player’s operation manual.
•
Some DVD discs feature copy protection. When using
such disc, 96 kHz PCM signal are not output from the
DVD player. For details, refer to the player’s operation
manual.
Note for HDCD
•
HDCD is effective only through digital input.
•
You may not be able to play some HDCD source
signals from certain CD players if you connect the
player to the unit digitally. This is because the digital
signal has been processed (such as the output level,
sampling frequency or frequency response) and the
unit cannot recognize the signal as HDCD data.
9
2. TECHNICAL DESCRIPTION
CONNECTIONSSETUP
BASIC
OPERATION
ADVANCED
OPERATION
REMOTE
CONTROLLER
TROUBLESHOOTING
NAMES AND
FUNCTION
OTHERS
101
ENGLISH
DESCRIPTION
THX®isanexclusivesetof standardsandtechnologies
established by the world-renowned film production
company, Lucasfilm Ltd. THX resulted from George
Lucas’ desire to reproduce the movie soundtrack as
faithfully as possible both in the movie theater and in
the home theater.
THX engineers developed patented technologies to
accurately translate the sound from a movie theater
environment into the home, correcting the tonal and
spatial errors that occur.
When the THX mode of the unit is on, three distinct
THX technologies are automatically added:
Re-Equalization-restores the correct tonal balance
for watching a movie in a home environment.
These sounds are otherwise mixed to be brighter
for a large movie theater. Re-EQ compensates for
this and prevents the soundtracks from being overly
bright and harsh when played in a home theater.
Timbre Matching-filters the information going to the
surround speakers so they more closely match the
tonal characteristics of the sound coming from the
front speakers.
This ensures seamless panning between the front
and surround speakers.
AdaptiveDecorrelation-slightly changes one surround
channel’s time and phase relationship with respect to
the other surround channel.
This expands the listening position and creates with
only two surround speakers the same spacious
surround experience as in a movie theater with
multiple surround speakers.
The unit was required to pass a rigorous series
of quality and performance tests, in addition to
incorporating the technologies explained above, in
order to be THX certified.
THX requirements cover every aspect of performance
including pre-amplifier and power amplifier
performance and operation, and hundreds of other
parameters in both the digital and analog domain.
Movies which have been encoded in Dolby Digital,
DTS, Dolby Pro Logic, stereo and Mono will all
benefit from the THX mode when being viewed.
The THX mode should only be activated when
watching movies which were originally produced for
a movie theater environment.
THX need not be activated for music, movies
made especially for TV, or shows such as sports
programming, talk shows, etc.
This is because they were originally mixed for a small
room environment.
The THX logo is a trademark of THX Ltd. which
may be registered in some jurisdictions. All rights
reserved.
THX Surround EX—Dolby DIgital Surround EX is a
joint development of Dolby Laboratories and THX
Ltd.
In a movie theater, film soundtracks that have been
encoded with Dolby Digital Surround EX technology
are able to reproduce an extra channel which has
been added during the mixing of the program. This
channel, called Surround Back, places sounds
behind the listener in addition to the currently
available front left, front center, front right, surround
right, surround left and subwoofer channels. This
additional channel provides the opportunity for more
detailed imaging behind the listener and brings more
depth, spacious ambience and sound localization
than ever before.
Movies that were created using the Dolby Digital
Surround EX technology, when released into the
home consumer market may exhibit wording to that
effect on the packaging. A list of movies created
using this technology can be found on the Dolby
web site at www.dolby.com. A list of available DVD
software titles encoded with this technology an be
found at www.thx.com.
Only receiver and controller products bearing the
THX Surround EX logo, when in the THX Surround
EX mode, faithfully reproduce this new technology
in the home. This product may also engage the
THX Surround EX mode during the playback of 5.1
channel material that is not Dolby Digital Surround
EX eocnded. In such case, the information delivered
to the Surround Back channel will be program
dependent and may or may not be very pleasing
depending on the particular soundtrack and the
tastes of the individual listener.
“SURROUND EX™” is a trademark of Dolby
Laboratories. Used under authorization.
The THX Ultra2 specification provides
uncompromised 7.1 channel playback of any multi-
channel program, whether movie soundtracks or
music over the widest possible seating area.
There are an additional two processing’s for THX
Ultra2 as bellow.
A.S.A. (Advanced Speaker Array)
“ASA” is a proprietary THX technology which
processes the sound fed to 2 surround and 2
surround back speakers to provide the optimal
surround sound experience. When you set up your
home theater system using all eight speaker outputs
(Left, Center, Right, Surround Right, Surround
Back Right, Surround Back Left, Surround Left and
Subwoofer), placing the two Surround Back speakers
close together facing the front of the room as shown
in the diagram will provide the largest sweet spot. If
for practical reasons you have to place the Surround
Back speakers apart, you will need to go to the THX
Audio Set-up screen and choose the setting that
most closely corresponds to the speaker distance,
which will re-optimize the surround sound-field. ASA
is used in two new surround modes; THX Ultra2
Cinema, THX Music Mode and THX Games mode.
B.G.C. (Boundary Gain Compensation)
If your chosen listening room layout (for practical or
aesthetic reasons) results in most of the listeners
being close to the rear wall, the resulting bass level
can be sufficiently reinforced by the boundary that
the overall sound quality becomes “boomy”. THX
Ultra2 receivers contain the BGC (Boundary Gain
Compensation) feature to provide an improved bass
balance. BGC can be selected by choosing “THX
Ultra2 Subwoofer-Yes” from the “Boundary Gain
Compensation” section of the “THX Audio setup
menu”.
Neural-THX®Surround has been chosen as the
official surround sound broadcast format for leading
FM/HD and satellite radio and television stations
worldwide. Neural-THX Surround delivers the rich
envelopment and discrete image detail of surround
sound in a format 100% compatible with stereo.
Neural-THX Surround draws the brain’s attention
to sonic details in musical instruments, vocals and
ambience that are typically masked by other playback
systems. This allows the listener to fully experience
the richness and subtleties in recorded performance
as never before for both surround encoded material
and regular stereo material such as CDs or digital
media players.
Neural-THX Surround: Taking Surround to the Next
Level.
This product is manufactured under license from
Neural Audio Corporation and THX Ltd. Marantz
hereby grants the user a non-exclusive, non-
transferable, limited right of use to this product
under USA and foreign patent, patent pending and
other technology or trademarks owned by Neural
Audio Corporation and THX Ltd. “Neural Surround”,
“Neural Audio”, “Neural” and “NRL” are trademarks
and logos owned by Neural Audio Corporation, THX
is a trademark of THX Ltd., which may be registered
in some jurisdictions. All rights reserved.
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,003,467; 7,212,872 & other
U.S. and worldwide patents issued & pending. DTS,
DTS Digital Surround, ES, and Neo:6 are registered
trademarks and the DTS logos, Symbol and DTS
96/24 are trademarks of DTS, Inc.© 1996-2007 DTS,
Inc. All Rights Reserved.
• dts Digital Surround
DTS was introduced in 1994 to provide 5.1 channels
of discrete digital audio into home theater systems.
DTS brings you premium quality discrete multichannel
digital sound to both movies and music.
DTS is a multichannel sound system designed to
create full range digital sound reproduction.
The no compromise DTS digital process sets the
standard of quality for cinema sound by delivering
an exact copy of the studio master recordings to
neighborhood and home theaters.
AV8003UEng.indb101 08.4.2810:40:50AM
10
CONNECTIONSSETUP
BASIC
OPERATION
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THX®isanexclusivesetof standardsandtechnologies
established by the world-renowned film production
company, Lucasfilm Ltd. THX resulted from George
Lucas’ desire to reproduce the movie soundtrack as
faithfully as possible both in the movie theater and in
the home theater.
THX engineers developed patented technologies to
accurately translate the sound from a movie theater
environment into the home, correcting the tonal and
spatial errors that occur.
When the THX mode of the unit is on, three distinct
THX technologies are automatically added:
Re-Equalization-restores the correct tonal balance
for watching a movie in a home environment.
These sounds are otherwise mixed to be brighter
for a large movie theater. Re-EQ compensates for
this and prevents the soundtracks from being overly
bright and harsh when played in a home theater.
Timbre Matching-filters the information going to the
surround speakers so they more closely match the
tonal characteristics of the sound coming from the
front speakers.
This ensures seamless panning between the front
and surround speakers.
AdaptiveDecorrelation-slightly changes one surround
channel’s time and phase relationship with respect to
the other surround channel.
This expands the listening position and creates with
only two surround speakers the same spacious
surround experience as in a movie theater with
multiple surround speakers.
The unit was required to pass a rigorous series
of quality and performance tests, in addition to
incorporating the technologies explained above, in
order to be THX certified.
THX requirements cover every aspect of performance
including pre-amplifier and power amplifier
performance and operation, and hundreds of other
parameters in both the digital and analog domain.
Movies which have been encoded in Dolby Digital,
DTS, Dolby Pro Logic, stereo and Mono will all
benefit from the THX mode when being viewed.
The THX mode should only be activated when
watching movies which were originally produced for
a movie theater environment.
THX need not be activated for music, movies
made especially for TV, or shows such as sports
programming, talk shows, etc.
This is because they were originally mixed for a small
room environment.
The THX logo is a trademark of THX Ltd. which
may be registered in some jurisdictions. All rights
reserved.
THX Surround EX—Dolby DIgital Surround EX is a
joint development of Dolby Laboratories and THX
Ltd.
In a movie theater, film soundtracks that have been
encoded with Dolby Digital Surround EX technology
are able to reproduce an extra channel which has
been added during the mixing of the program. This
channel, called Surround Back, places sounds
behind the listener in addition to the currently
available front left, front center, front right, surround
right, surround left and subwoofer channels. This
additional channel provides the opportunity for more
detailed imaging behind the listener and brings more
depth, spacious ambience and sound localization
than ever before.
Movies that were created using the Dolby Digital
Surround EX technology, when released into the
home consumer market may exhibit wording to that
effect on the packaging. A list of movies created
using this technology can be found on the Dolby
web site at www.dolby.com. A list of available DVD
software titles encoded with this technology an be
found at www.thx.com.
Only receiver and controller products bearing the
THX Surround EX logo, when in the THX Surround
EX mode, faithfully reproduce this new technology
in the home. This product may also engage the
THX Surround EX mode during the playback of 5.1
channel material that is not Dolby Digital Surround
EX eocnded. In such case, the information delivered
to the Surround Back channel will be program
dependent and may or may not be very pleasing
depending on the particular soundtrack and the
tastes of the individual listener.
“SURROUND EX™” is a trademark of Dolby
Laboratories. Used under authorization.
The THX Ultra2 specification provides
uncompromised 7.1 channel playback of any multi-
channel program, whether movie soundtracks or
music over the widest possible seating area.
There are an additional two processing’s for THX
Ultra2 as bellow.
A.S.A. (Advanced Speaker Array)
“ASA” is a proprietary THX technology which
processes the sound fed to 2 surround and 2
surround back speakers to provide the optimal
surround sound experience. When you set up your
home theater system using all eight speaker outputs
(Left, Center, Right, Surround Right, Surround
Back Right, Surround Back Left, Surround Left and
Subwoofer), placing the two Surround Back speakers
close together facing the front of the room as shown
in the diagram will provide the largest sweet spot. If
for practical reasons you have to place the Surround
Back speakers apart, you will need to go to the THX
Audio Set-up screen and choose the setting that
most closely corresponds to the speaker distance,
which will re-optimize the surround sound-field. ASA
is used in two new surround modes; THX Ultra2
Cinema, THX Music Mode and THX Games mode.
B.G.C. (Boundary Gain Compensation)
If your chosen listening room layout (for practical or
aesthetic reasons) results in most of the listeners
being close to the rear wall, the resulting bass level
can be sufficiently reinforced by the boundary that
the overall sound quality becomes “boomy”. THX
Ultra2 receivers contain the BGC (Boundary Gain
Compensation) feature to provide an improved bass
balance. BGC can be selected by choosing “THX
Ultra2 Subwoofer-Yes” from the “Boundary Gain
Compensation” section of the “THX Audio setup
menu”.
Neural-THX®Surround has been chosen as the
official surround sound broadcast format for leading
FM/HD and satellite radio and television stations
worldwide. Neural-THX Surround delivers the rich
envelopment and discrete image detail of surround
sound in a format 100% compatible with stereo.
Neural-THX Surround draws the brain’s attention
to sonic details in musical instruments, vocals and
ambience that are typically masked by other playback
systems. This allows the listener to fully experience
the richness and subtleties in recorded performance
as never before for both surround encoded material
and regular stereo material such as CDs or digital
media players.
Neural-THX Surround: Taking Surround to the Next
Level.
This product is manufactured under license from
Neural Audio Corporation and THX Ltd. Marantz
hereby grants the user a non-exclusive, non-
transferable, limited right of use to this product
under USA and foreign patent, patent pending and
other technology or trademarks owned by Neural
Audio Corporation and THX Ltd. “Neural Surround”,
“Neural Audio”, “Neural” and “NRL” are trademarks
and logos owned by Neural Audio Corporation, THX
is a trademark of THX Ltd., which may be registered
in some jurisdictions. All rights reserved.
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,003,467; 7,212,872 & other
U.S. and worldwide patents issued & pending. DTS,
DTS Digital Surround, ES, and Neo:6 are registered
trademarks and the DTS logos, Symbol and DTS
96/24 are trademarks of DTS, Inc.© 1996-2007 DTS,
Inc. All Rights Reserved.
• dts Digital Surround
DTS was introduced in 1994 to provide 5.1 channels
of discrete digital audio into home theater systems.
DTS brings you premium quality discrete multichannel
digital sound to both movies and music.
DTS is a multichannel sound system designed to
create full range digital sound reproduction.
The no compromise DTS digital process sets the
standard of quality for cinema sound by delivering
an exact copy of the studio master recordings to
neighborhood and home theaters.
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Now, every moviegoer can hear the sound exactly as
the moviemaker intended.
DTS can be enjoyed in the home for either movies or
music on of DVD’s, LD’s, and CD’s.
• dts Neo:6®
The advantages of discrete multichannel systems
over matrix are well known.
But even in homes equipped for discrete multichannel,
there remains a need for high-quality matrix decoding.
This is because of the large library of matrix surround
motion pictures available on disc and on VHS tape;
and analog television broadcasts.
The typical matrix decoder of today derives a center
channel and a mono surround channel from two-
channel matrix stereo material. It is better than a
simple matrix in that it includes steering logic to
improve separation, but because of its mono, band-
limited surround it can be disappointing to users
accustomed to discrete multichannel.
Neo:6 offers several important improvements as
follow,
• Neo:6 provides up to six full-band channels of
matrix decoding from stereo matrix material. Users
with 6.1 and 5.1 systems will derive six and five
separate channels, respectively, corresponding to
the standard home-theater speaker layouts.
• Neo:6 technology allows various sound elements
within a channel or channels to be steered
separately, and in a way which follows naturally
from the original presentation.
• Neo:6 offers a music mode to expand stereo
nonmatrix recordings into the five- or six-channel
layout, in a way which does not diminish the subtlety
and integrity of the original stereo recording.
• dts Digital Surround ES®
DTS-ES Extended Surround is a new multichannel
digital signal format developed by Digital Theater
Systems Inc. While offering high compatibility with
the conventional DTS Digital Surround format, DTS-
ES Extended Surround greatly improves the 360-
degree surround impression and space expression
thanks to further expanded surround signals. This
format has been used professionally in movie
theaters since 1999.
In addition to the 5.1 surround channels (FL, FR, C,
SL, SR and LFE), DTS-ES Extended Surround also
offers the SB (Surround Back) channel for surround
playback with a total of 6.1 channels. DTS-ES
Extended Surround includes two signal formats with
different surround signal recording methods, as DTS-
ES Discrete 6.1 and DTS-ES Matrix 6.1.
• dts Digital Surround 96/24
The stereo CD is a 16-bit medium with sampling at
44.1 kHz. Professional audio has been 20- or 24-
bit for some time, and there is increasing interest
in higher sampling rates both for recording and for
delivery into the home. Greater bit depths provide
extended dynamic range. Higher sampling rates
allow wider frequency response and the use of anti-
alias and reconstruction filters with more favorable
aural characteristics.
DTS 96/24 allows for 5.1channel sound tracks to be
encoded at a rate of 96kHz/24bits on DVD-Video
titles.
When DVD-video appeared, it became possible to
deliver 24-bit, 96 kHz audio into the home, but only in
two channels, and with serious limitations on picture.
This capability has had little use.
DVD-audio allows 96/24 in six channels, but a
new player is needed, and only analog outputs are
provided, necessitating the use of the D/A converters
and analog electronics provided in the player.
DTS 96/24 offers the following:
1. Sound quality transparent to the original 96/24
master.
2. Full backward compatibility with all existing
decoders. (Existing decoders will output a 48 kHz
signal)
3. No new player required: DTS 96/24 can be carried
on DVD-video, or in the video zone of DVD-audio,
accessible to all DVD players.
4. 96/24 5.1-channel sound with full-quality full-
motion video, for music programs and motion
picture soundtracks on DVD-video.
DTS-HD Master Audio is capable of delivering audio
that is a bit-for-bit identical to the studio master.
DTS-HD Master Audio delivers audio at super high
variable bit rates -24.5 mega-bits per second (Mbps)
on Blu-ray discs and 18.0 Mbps on HD-DVD - that
are significantly higher than standard DVDs . This bit
stream is so “fast” and the transfer rate is so “high”
that it can deliver the Holy Grail of audio: 7.1 audio
channels at 96k sampling frequency/24 bit depths
that are identical to the original.With DTS-HD Master
Audio, you will be able to experience movies and
music, exactly as the artist intended: clear, pure, and
uncompromised.
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380;5,978,762;
6,226,616; 6,487,535 & other U.S. and worldwide
patents issued & pending.
DTS is a registered trademark and the DTS logos,
Symbol, DTS-HD and DTS-HD Master Audio are
trademarks of DTS, Inc. © 1996-2007 DTS, Inc. All
Rights Reserved.
DTS-HD High Resolution Audio can deliver up to 7.1
channels of sound that is virtually indistinguishable
from the original. DTS-HD High Resolution Audio
delivers audio at high constant bit rates superior to
standard DVDs---6.0 Mbps on Blu-ray discs and 3.0
Mbps on HD-DVD to produce outstanding sound
quality. It is capable of delivering up to 7.1 channels
at 96k sampling frequency/24 bit depth resolution. It
allows content creators to deliver rich, high definition
audio on movies where disc space may not allow for
DTS-HD Master Audio.
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535 & other U.S. and worldwide
patents issued & pending. DTS is a registered
trademark and the DTS logos, Symbol, DTS-HD,
DTS-HD High Resolution
Audio and DTS-HD High Res Audio are trademarks of
DTS, Inc. © 1996-2007 DTS, Inc. All Rights Reserved.
Dolby Digital identifies the use of Dolby Digital audio
coding for such consumer formats as DVD and DTV.
As with film sound, Dolby Digital can provide up to five
full-range channels for left, center, and right screen
channels, independent left and right surround channels,
and a sixth (“.1”) channel for low-frequency effects.
Dolby Surround Pro Logic
II
is an improved matrix
decoding technology that provides better spatiality
and directionality on Dolby Surround program
material; provides a convincing three-dimensional
soundfield on conventional stereo music recordings;
and is ideally suited to bring the surround experience
to automotive sound. While conventional surround
programming is fully compatible with Dolby Surround
Pro Logic
II
decoders, soundtracks will be able to be
encoded specifically to take full advantage of Pro
Logic
II
playback, including separate left and right
surround channels. (Such material is also compatible
with conventional Pro Logic decoders.)
Dolby Digital EX creates six full-bandwidth output
channels from 5.1-channel sources. This is done
using a matrix decoder that derives three surround
channels from the two in the original recording. For
best results, Dolby Digital EX should be used with
movies soundtracks recorded with Dolby Digital
Surround EX.
About Dolby Pro Logic IIx
Dolby Pro Logic IIx technology delivers a natural
and immersing 7.1-channel listening experience
to the home theater environment. A product of
Dolby's expertise in surround sound and matrix
decoding technologies, Dolby Pro Logic II x is a
complete surround sound solution that maximizes
the entertainment experience from stereo as well as
5.1-channel encoded sources.
Dolby Pro Logic IIx is fully compatible with Dolby
Surround Pro Logic technology and can optimally
decode the thousands of commercially available Dolby
Surround encoded video cassettes and television
programs with enhanced depth and spatiality. It can
also process any high-quality stereo or Advanced
Resolution 5.1-channel music content into a seamless
6.1- or 7.1-channel listening experience.
The Dolby Headphone technology provides a
surround sound listening experience over headphones.
When listening to multichannel content such as DVD
movies over headphones, the listening experience
is fundamentally different than listening to speakers.
Since the headphone speaker drivers are covering
the pinna of the ear, the listening experience differs
greatly from traditional speaker playback. Dolby
utilizes patented headphone perspective curves to
solve this problem and provides a non-fatiguing,
immersive, home theater listening experience. Dolby
Headphone also delivers exceptional 3D audio from
stereo material.
Dolby Virtual Speaker is a technologycertified by Dolby
Laboratories that creates a virtualized surround sound
experience from two speakers using a multichannel
Dolby Digital source. Additionally, Dolby Virtual
Speaker can simulate the surround sound effect
produced by Dolby Pro Logic or Dolby Pro Logic II.
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Now, every moviegoer can hear the sound exactly as
the moviemaker intended.
DTS can be enjoyed in the home for either movies or
music on of DVD’s, LD’s, and CD’s.
• dts Neo:6®
The advantages of discrete multichannel systems
over matrix are well known.
But even in homes equipped for discrete multichannel,
there remains a need for high-quality matrix decoding.
This is because of the large library of matrix surround
motion pictures available on disc and on VHS tape;
and analog television broadcasts.
The typical matrix decoder of today derives a center
channel and a mono surround channel from two-
channel matrix stereo material. It is better than a
simple matrix in that it includes steering logic to
improve separation, but because of its mono, band-
limited surround it can be disappointing to users
accustomed to discrete multichannel.
Neo:6 offers several important improvements as
follow,
• Neo:6 provides up to six full-band channels of
matrix decoding from stereo matrix material. Users
with 6.1 and 5.1 systems will derive six and five
separate channels, respectively, corresponding to
the standard home-theater speaker layouts.
• Neo:6 technology allows various sound elements
within a channel or channels to be steered
separately, and in a way which follows naturally
from the original presentation.
• Neo:6 offers a music mode to expand stereo
nonmatrix recordings into the five- or six-channel
layout, in a way which does not diminish the subtlety
and integrity of the original stereo recording.
• dts Digital Surround ES®
DTS-ES Extended Surround is a new multichannel
digital signal format developed by Digital Theater
Systems Inc. While offering high compatibility with
the conventional DTS Digital Surround format, DTS-
ES Extended Surround greatly improves the 360-
degree surround impression and space expression
thanks to further expanded surround signals. This
format has been used professionally in movie
theaters since 1999.
In addition to the 5.1 surround channels (FL, FR, C,
SL, SR and LFE), DTS-ES Extended Surround also
offers the SB (Surround Back) channel for surround
playback with a total of 6.1 channels. DTS-ES
Extended Surround includes two signal formats with
different surround signal recording methods, as DTS-
ES Discrete 6.1 and DTS-ES Matrix 6.1.
• dts Digital Surround 96/24
The stereo CD is a 16-bit medium with sampling at
44.1 kHz. Professional audio has been 20- or 24-
bit for some time, and there is increasing interest
in higher sampling rates both for recording and for
delivery into the home. Greater bit depths provide
extended dynamic range. Higher sampling rates
allow wider frequency response and the use of anti-
alias and reconstruction filters with more favorable
aural characteristics.
DTS 96/24 allows for 5.1channel sound tracks to be
encoded at a rate of 96kHz/24bits on DVD-Video
titles.
When DVD-video appeared, it became possible to
deliver 24-bit, 96 kHz audio into the home, but only in
two channels, and with serious limitations on picture.
This capability has had little use.
DVD-audio allows 96/24 in six channels, but a
new player is needed, and only analog outputs are
provided, necessitating the use of the D/A converters
and analog electronics provided in the player.
DTS 96/24 offers the following:
1. Sound quality transparent to the original 96/24
master.
2. Full backward compatibility with all existing
decoders. (Existing decoders will output a 48 kHz
signal)
3. No new player required: DTS 96/24 can be carried
on DVD-video, or in the video zone of DVD-audio,
accessible to all DVD players.
4. 96/24 5.1-channel sound with full-quality full-
motion video, for music programs and motion
picture soundtracks on DVD-video.
DTS-HD Master Audio is capable of delivering audio
that is a bit-for-bit identical to the studio master.
DTS-HD Master Audio delivers audio at super high
variable bit rates -24.5 mega-bits per second (Mbps)
on Blu-ray discs and 18.0 Mbps on HD-DVD - that
are significantly higher than standard DVDs . This bit
stream is so “fast” and the transfer rate is so “high”
that it can deliver the Holy Grail of audio: 7.1 audio
channels at 96k sampling frequency/24 bit depths
that are identical to the original.With DTS-HD Master
Audio, you will be able to experience movies and
music, exactly as the artist intended: clear, pure, and
uncompromised.
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380;5,978,762;
6,226,616; 6,487,535 & other U.S. and worldwide
patents issued & pending.
DTS is a registered trademark and the DTS logos,
Symbol, DTS-HD and DTS-HD Master Audio are
trademarks of DTS, Inc. © 1996-2007 DTS, Inc. All
Rights Reserved.
DTS-HD High Resolution Audio can deliver up to 7.1
channels of sound that is virtually indistinguishable
from the original. DTS-HD High Resolution Audio
delivers audio at high constant bit rates superior to
standard DVDs---6.0 Mbps on Blu-ray discs and 3.0
Mbps on HD-DVD to produce outstanding sound
quality. It is capable of delivering up to 7.1 channels
at 96k sampling frequency/24 bit depth resolution. It
allows content creators to deliver rich, high definition
audio on movies where disc space may not allow for
DTS-HD Master Audio.
Manufactured under license under U.S. Patent
#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535 & other U.S. and worldwide
patents issued & pending. DTS is a registered
trademark and the DTS logos, Symbol, DTS-HD,
DTS-HD High Resolution
Audio and DTS-HD High Res Audio are trademarks of
DTS, Inc. © 1996-2007 DTS, Inc. All Rights Reserved.
Dolby Digital identifies the use of Dolby Digital audio
coding for such consumer formats as DVD and DTV.
As with film sound, Dolby Digital can provide up to five
full-range channels for left, center, and right screen
channels, independent left and right surround channels,
and a sixth (“.1”) channel for low-frequency effects.
Dolby Surround Pro Logic
II
is an improved matrix
decoding technology that provides better spatiality
and directionality on Dolby Surround program
material; provides a convincing three-dimensional
soundfield on conventional stereo music recordings;
and is ideally suited to bring the surround experience
to automotive sound. While conventional surround
programming is fully compatible with Dolby Surround
Pro Logic
II
decoders, soundtracks will be able to be
encoded specifically to take full advantage of Pro
Logic
II
playback, including separate left and right
surround channels. (Such material is also compatible
with conventional Pro Logic decoders.)
Dolby Digital EX creates six full-bandwidth output
channels from 5.1-channel sources. This is done
using a matrix decoder that derives three surround
channels from the two in the original recording. For
best results, Dolby Digital EX should be used with
movies soundtracks recorded with Dolby Digital
Surround EX.
About Dolby Pro Logic IIx
Dolby Pro Logic IIx technology delivers a natural
and immersing 7.1-channel listening experience
to the home theater environment. A product of
Dolby's expertise in surround sound and matrix
decoding technologies, Dolby Pro Logic II x is a
complete surround sound solution that maximizes
the entertainment experience from stereo as well as
5.1-channel encoded sources.
Dolby Pro Logic IIx is fully compatible with Dolby
Surround Pro Logic technology and can optimally
decode the thousands of commercially available Dolby
Surround encoded video cassettes and television
programs with enhanced depth and spatiality. It can
also process any high-quality stereo or Advanced
Resolution 5.1-channel music content into a seamless
6.1- or 7.1-channel listening experience.
The Dolby Headphone technology provides a
surround sound listening experience over headphones.
When listening to multichannel content such as DVD
movies over headphones, the listening experience
is fundamentally different than listening to speakers.
Since the headphone speaker drivers are covering
the pinna of the ear, the listening experience differs
greatly from traditional speaker playback. Dolby
utilizes patented headphone perspective curves to
solve this problem and provides a non-fatiguing,
immersive, home theater listening experience. Dolby
Headphone also delivers exceptional 3D audio from
stereo material.
Dolby Virtual Speaker is a technologycertified by Dolby
Laboratories that creates a virtualized surround sound
experience from two speakers using a multichannel
Dolby Digital source. Additionally, Dolby Virtual
Speaker can simulate the surround sound effect
produced by Dolby Pro Logic or Dolby Pro Logic II.
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Dolby Virtual Speaker retains all the original
Multichannel audio information and provides the
listener with the sensation of being surrounded by
additional speakers.
Dolby®TrueHD is Dolby’s next-generation lossless
technology developed for high-definition disc-based
media. Dolby TrueHD delivers tantalizing sound that is
bit-for-bit identical to the studio master, unlocking the
true high-definition entertainment experience on next-
generation discs. When coupled with high-definition
video, Dolby TrueHD offers an unprecedented home
theater experience that lets you enjoy sound as
stunning as the high-definition picture.
Dolby Digital Plus is a highly sophisticated and
versatile audio codec based on Dolby Digital and
designed specifically to adapt to the changing
demands of future audio, video delivery, and audio
storage systems while simultaneously retaining
backwards compatibility with the existing Dolby Digital
5.1-channel home theater systems in use today.
Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic”, “Surround EX”, and the double-D
symbol are trademarks of Dolby Laboratories.
Circle Surround II (CS-II) is a powerful and versatile
multichannel technology. CS-II is designed to enable
up to 6.1 multichannel surround sound playback
from mono, stereo, CS encoded sources and other
matrix encoded sources. In all cases the decoder
extends it into 6 channels of surround audio and a
LFE/subwoofer signal. The CS-II decoder creates a
listening environment that places the listener “inside”
music performances and dramatically improves
both hi-fi audio conventional surround-encoded
video material. CS-II provides composite stereo rear
channels to greatly improve separation and image
positioning– adding a heightened sense of realism to
both audio and A/V productions.
CS-II is packed with other useful feature like dialog
clarity (SRS Dialog) for movies and cinema-like bass
enrichment (TruBass). CS-II can enable the dialog
to become clearer and more discernable in movies
and it enables the bass frequencies contained in the
original programming to more closely achieve low
frequencies–overcoming the low frequency limitations
of the speakers by full octave.
Circle Surround II, SRS and symbol are
trademarks of SRS Labs, Inc.
Circle Surround II is incorporated under license from
SRS Labs, Inc.
HDCD®(High Definition Compatible Digital ®) is a
patented process for delivering on Compact Disc the
full richness and details of the original microphone
feed.
HDCD encoded CDs sound better because they are
encoded with 20-bits of real musical information as
compared to 16-bits for all other CDs.
HDCD overcomes the limitation of the 16-bit CD
format by using a sophisticated system to encode
the additional four bits onto the CD while remaining
completely compatible with the CD format.
When listening to HDCD recordings, you hear more
dynamic range, a focused 3-D sound stage, and
extremely natural vocal and musical timbre. With
HDCD, you get the body, depth and emotion of the
original performance not a flat, digital imitation.
HDCD system manufactured under license from
Microsoft. This product is covered by one or more
of the following: In the United States 5,479,168
5,638,074 5,640,161 5,808,574 5,838,274 5,854,600
5,864,311 5,872,531 and in Australia 669,114 with
other patents pending.
“Microsoft, HDCD, and the HDCD logo are trademarks
or registered trademarks of Microsoft Corporation in
the United States and / or other countries.”
HDMI, the and High-Definition Multimedia
Interface are trademarks or registered trademarks of
HDMI Licensing LLC.
There are several factors that can degrade the sound
from even the best loudspeakers in a listening room.
One of the most important is the interaction of sound
from the loudspeakers with large surfaces such as walls,
the floor, and the ceiling in the room. Even with careful
loudspeaker placement and acoustical treatments,
there are significant problems that are caused by
room acoustics. These include reflections from nearby
surfaces and standing waves that are created between
large parallel surfaces in the room. In a home theater
the situation is further complicated because there are
several listening locations.The effects of room acoustics
on the sound arriving at each person’s ears are very
different and the result is a listening experience that is
degraded in a different way for every person in the room.
It is not uncommon to have variations in two adjacent
seats that are as large as 10 dB, particularly in the
frequency range below 250 Hz.
The solution to this problem is to apply room correction
after precisely measuring how each loudspeaker
interacts with the room. Because the room causes
variations in the frequency response of the
loudspeakers that are so large from seat to seat, it
is important to measure each loudspeaker at several
locations in the listening room. This should be done
even if there is only one listener. Measurement at a
single location is not representative of the acoustical
problems in the room and will in most cases, degrade
overall performance. Audyssey MultEQ is the only
technology that can achieve room correction for
multiple listeners in a large listening area. It does so
by combining the data collected at several points in
the room from each loudspeaker and then applying
correction that minimizes the acoustical effects of the
room and is matched to the frequency resolution of
human perception (known as psychoacoustics).
Furthermore, MultEQ correction is applied both
in frequency and time domains and so there are
no artifacts (such as smearing of sound or modal
ringing)that are sometimes associated with traditional
methods of room equalization.
In addition to correcting frequency response problems
over a wide listening area, Audyssey MultEQ provides a
completely automated sound system set-up process. It
identifies how many loudspeakers are connected to the
amplifiers and whether they are full-range, satellites, or
subwoofers. If there is a least one subwoofer connected,
Audyssey MultEQ determines the optimum crossover
frequency between each satellite and the subwoofer(s).
It automatically checks the polarity of each loudspeaker
and alerts the user if there are any that may be wired out-
of-phase relative to the others. It measures the distance
to each loudspeaker from the main listening position and
adjusts the delays so that sound from each loudspeaker
arrives at the same time. Finally, Audyssey MuitEQ
determines the playback level of each loudspeaker and
adjusts the volume trims so that all levels are equal.
MultEQ and the Audyssey MultEQ logo are trademarks
of Audyssey Laboratories, Inc. All rights reserved.
DLNA CERTIFIED™ Audio/Video/Image Player
DLNA®, the DLNA Logo and DLNA CERTIFIED™
are trademarks, service marks, or certification marks
of the Digital Living Network Alliance.
x.v.Color
“x.v.Color” and “x.v.Color” logo are trademarks of
Sony Corporation.
HD RadioTM technology is a new technology that
enables AM and FM radio stations to broadcast
programs digitally. Digital broadcasting provides
listeners with radically improved audio quality and
reception as well as new data services. Furthermore,
supplemental program services allow listeners to
select from up to 8 HD Radio programs multicast on
a single FM HD Radio channel. For more information
on HD RadioTM technology, visit “www.ibiquity.com”.
HD RadioTM Technology Manufactured Under License
From iBiquity Digital Corp. U.S. and Foreign Patents.
HD RadioTM and the HD Radio logo are proprietary
trademarks of iBiquity Digital Corp.
XM Satellite Radio Ready
The XM name and related logos are registered
trademarks of XM Satellite Radio Inc.
XM HD Surround uses Neural SurroundTM technology
to achieve optimal surround sound from XM radio.
© 2006 SIRIUS Satellite Radio Inc. “SIRIUS” and
the SIRIUS dog logo are registered trademarks of
SIRIUS Satellite Radio Inc.
AV8003UEng.indb103 08.4.2810:40:51AM
14
CONNECTIONSSETUP
BASIC
OPERATION
ADVANCED
OPERATION
REMOTE
CONTROLLER
TROUBLESHOOTING
NAMES AND
FUNCTION
OTHERS
103
ENGLISH
Dolby Virtual Speaker retains all the original
Multichannel audio information and provides the
listener with the sensation of being surrounded by
additional speakers.
Dolby®TrueHD is Dolby’s next-generation lossless
technology developed for high-definition disc-based
media. Dolby TrueHD delivers tantalizing sound that is
bit-for-bit identical to the studio master, unlocking the
true high-definition entertainment experience on next-
generation discs. When coupled with high-definition
video, Dolby TrueHD offers an unprecedented home
theater experience that lets you enjoy sound as
stunning as the high-definition picture.
Dolby Digital Plus is a highly sophisticated and
versatile audio codec based on Dolby Digital and
designed specifically to adapt to the changing
demands of future audio, video delivery, and audio
storage systems while simultaneously retaining
backwards compatibility with the existing Dolby Digital
5.1-channel home theater systems in use today.
Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic”, “Surround EX”, and the double-D
symbol are trademarks of Dolby Laboratories.
Circle Surround II (CS-II) is a powerful and versatile
multichannel technology. CS-II is designed to enable
up to 6.1 multichannel surround sound playback
from mono, stereo, CS encoded sources and other
matrix encoded sources. In all cases the decoder
extends it into 6 channels of surround audio and a
LFE/subwoofer signal. The CS-II decoder creates a
listening environment that places the listener “inside”
music performances and dramatically improves
both hi-fi audio conventional surround-encoded
video material. CS-II provides composite stereo rear
channels to greatly improve separation and image
positioning– adding a heightened sense of realism to
both audio and A/V productions.
CS-II is packed with other useful feature like dialog
clarity (SRS Dialog) for movies and cinema-like bass
enrichment (TruBass). CS-II can enable the dialog
to become clearer and more discernable in movies
and it enables the bass frequencies contained in the
original programming to more closely achieve low
frequencies–overcoming the low frequency limitations
of the speakers by full octave.
Circle Surround II, SRS and symbol are
trademarks of SRS Labs, Inc.
Circle Surround II is incorporated under license from
SRS Labs, Inc.
HDCD®(High Definition Compatible Digital ®) is a
patented process for delivering on Compact Disc the
full richness and details of the original microphone
feed.
HDCD encoded CDs sound better because they are
encoded with 20-bits of real musical information as
compared to 16-bits for all other CDs.
HDCD overcomes the limitation of the 16-bit CD
format by using a sophisticated system to encode
the additional four bits onto the CD while remaining
completely compatible with the CD format.
When listening to HDCD recordings, you hear more
dynamic range, a focused 3-D sound stage, and
extremely natural vocal and musical timbre. With
HDCD, you get the body, depth and emotion of the
original performance not a flat, digital imitation.
HDCD system manufactured under license from
Microsoft. This product is covered by one or more
of the following: In the United States 5,479,168
5,638,074 5,640,161 5,808,574 5,838,274 5,854,600
5,864,311 5,872,531 and in Australia 669,114 with
other patents pending.
“Microsoft, HDCD, and the HDCD logo are trademarks
or registered trademarks of Microsoft Corporation in
the United States and / or other countries.”
HDMI, the and High-Definition Multimedia
Interface are trademarks or registered trademarks of
HDMI Licensing LLC.
There are several factors that can degrade the sound
from even the best loudspeakers in a listening room.
One of the most important is the interaction of sound
from the loudspeakers with large surfaces such as walls,
the floor, and the ceiling in the room. Even with careful
loudspeaker placement and acoustical treatments,
there are significant problems that are caused by
room acoustics. These include reflections from nearby
surfaces and standing waves that are created between
large parallel surfaces in the room. In a home theater
the situation is further complicated because there are
several listening locations.The effects of room acoustics
on the sound arriving at each person’s ears are very
different and the result is a listening experience that is
degraded in a different way for every person in the room.
It is not uncommon to have variations in two adjacent
seats that are as large as 10 dB, particularly in the
frequency range below 250 Hz.
The solution to this problem is to apply room correction
after precisely measuring how each loudspeaker
interacts with the room. Because the room causes
variations in the frequency response of the
loudspeakers that are so large from seat to seat, it
is important to measure each loudspeaker at several
locations in the listening room. This should be done
even if there is only one listener. Measurement at a
single location is not representative of the acoustical
problems in the room and will in most cases, degrade
overall performance. Audyssey MultEQ is the only
technology that can achieve room correction for
multiple listeners in a large listening area. It does so
by combining the data collected at several points in
the room from each loudspeaker and then applying
correction that minimizes the acoustical effects of the
room and is matched to the frequency resolution of
human perception (known as psychoacoustics).
Furthermore, MultEQ correction is applied both
in frequency and time domains and so there are
no artifacts (such as smearing of sound or modal
ringing)that are sometimes associated with traditional
methods of room equalization.
In addition to correcting frequency response problems
over a wide listening area, Audyssey MultEQ provides a
completely automated sound system set-up process. It
identifies how many loudspeakers are connected to the
amplifiers and whether they are full-range, satellites, or
subwoofers. If there is a least one subwoofer connected,
Audyssey MultEQ determines the optimum crossover
frequency between each satellite and the subwoofer(s).
It automatically checks the polarity of each loudspeaker
and alerts the user if there are any that may be wired out-
of-phase relative to the others. It measures the distance
to each loudspeaker from the main listening position and
adjusts the delays so that sound from each loudspeaker
arrives at the same time. Finally, Audyssey MuitEQ
determines the playback level of each loudspeaker and
adjusts the volume trims so that all levels are equal.
MultEQ and the Audyssey MultEQ logo are trademarks
of Audyssey Laboratories, Inc. All rights reserved.
DLNA CERTIFIED™ Audio/Video/Image Player
DLNA®, the DLNA Logo and DLNA CERTIFIED™
are trademarks, service marks, or certification marks
of the Digital Living Network Alliance.
x.v.Color
“x.v.Color” and “x.v.Color” logo are trademarks of
Sony Corporation.
HD RadioTM technology is a new technology that
enables AM and FM radio stations to broadcast
programs digitally. Digital broadcasting provides
listeners with radically improved audio quality and
reception as well as new data services. Furthermore,
supplemental program services allow listeners to
select from up to 8 HD Radio programs multicast on
a single FM HD Radio channel. For more information
on HD RadioTM technology, visit “www.ibiquity.com”.
HD RadioTM Technology Manufactured Under License
From iBiquity Digital Corp. U.S. and Foreign Patents.
HD RadioTM and the HD Radio logo are proprietary
trademarks of iBiquity Digital Corp.
XM Satellite Radio Ready
The XM name and related logos are registered
trademarks of XM Satellite Radio Inc.
XM HD Surround uses Neural SurroundTM technology
to achieve optimal surround sound from XM radio.
© 2006 SIRIUS Satellite Radio Inc. “SIRIUS” and
the SIRIUS dog logo are registered trademarks of
SIRIUS Satellite Radio Inc.
AV8003UEng.indb103 08.4.2810:40:51AM
15
3. SERVICE MODE
MAIN CPU Version, DSP Version, HDMI CPU Version, HD
Radio Version, HD Radio module Firmware Version, DMP
Sub CPU Version, DMP module Firmware Version and
Segment Check Mode.
Note : As for step 10 and step 11, only /U1B is displayed.
1. Connect the mains cord into the unit.
2. Press the POWER ON/OFF (STANDBY) button for turn
on the unit.
3. Press the PURE DIRECT, 7.1CH INPUT and M-DAX
buttons simultaneously more then 3 seconds.
4. The FL display shows "SERVICE MODE" for 2 seconds
then shows the model name.
5. Press the ENTER button, the software version of the
MAIN CPU (IC17) is displayed in the format below.
6. Press the ENTER button again, the serial Number of the
unit is displayed.
7. Press the ENTER button, the software version of the TI
DSP (IC34) B1 Code is displayed in the format below.
8. Press the ENTER button, the software version of the TI
DSP (IC34) B2 Code is displayed in the format below.
9. Press the ENTER button, the software version of the
HDMI CPU (IC81) is displayed in the format below.
10. Press the ENTER button, the software version of the HD
Radio (IC91) is displayed in the format below.
(/U1B only)
3. SERVICE MODE
MAIN CPU Version, DSP Version, HDMI CPU Version, HD
Radio Version, HD Radio module Firmware Version, DMP
Sub CPU Version, DMP module Firmware Version and
Segment Check Mode.
注記：手順10と11は/U1Bのみ表示されます。
1. 本機に電源コードを接続します。
2. POWER ON/OFF (STANDBY)ボタンを押し、本機の電源
を入れます。
3. PURE DIRECT, 7.1CH INPUT, M-DAXの3つのボタンを
同時に3秒以上押します。
4. FLに"SERVICE MODE"と2秒表示し、次にモデル名を表
示します。
5. ENTERボタンを押すと、MAINマイコン(IC17)のバージョ
ンが表示されます。
6. 更にENTERボタンを押すと、シリアルナンバーが表示さ
れます。
7. 更にENTERボタンを押すと、TI DSP (IC34) B1 Codeの
バージョンが表示されます。
8. 更にENTERボタンを押すと、TI DSP (IC34) B2 Codeの
バージョンが表示されます。
9. 更にENTERボタンを押すと、HDMI CPU (IC81)のバージ
ョンが表示されます。
10. 更にENTERボタンを押すと、HD Radio (IC91)のバージ
ョンが表示されます。(
/U1B
のみ
)
S E R V I C E M O D E
A V 8 0 0 3
V080509 1U
Month Date Release No. Destination
Year
MZ 294967295
B 1 1 0 8 0 5 0 8 1
H D M I V e r . h 1 3
V080509 1U
Month DateYear リリース No. 仕向け
B 2 2 0 8 0 3 1 3 1
HR V07111401
16
11. Press the ENTER button, the Firmware version of the
HD radio Module is displayed (scroll) in the format
below. (/U1B only)
12. Press the ENTER button, the software version of the
DMP Sub CPU (IC51) is displayed in the format below.
13. Press the ENTER button, the software version of the
DMP Module is displayed in the format below.
14. Press the ENTER button again, the left half, right half
and center of the label area in the FLD light on and off
each other.
15. Press the ENTER button again, the segments of the
character area in the FLD flick in checker pattern.
16. Press the ENTER button again, all the FL segments
turns off.
17. Press the ENTER button again to quit this mode.
Product Reset
To reset the back up memory of the unit into the default
status, follow the procedure below.
Should the operation or display seem to be abnormal,
reset the unit with the following procedure.
To turn on the AV8003, press and hold the ZONE and
TOP buttons simultaneously for 3 seconds or more.
Remember that the procedure will reset the settings of
the function selector, Surround mode, delay time, TUNER
PRESET etc., to their initial settings.
11. 更にENTERボタンを押すと、HD radio Moduleのバージ
ョンがスクロール表示されます。(
/U1B
のみ
)
12. 更にENTERボタンを押すと、DMP Sub マイコン(IC51)
のバージョンが表示されます。
13. 更にENTERボタンを押すと、DMP Moduleのバージョン
が表示されます。
14. 更にENTERボタンを押すと、FLのラベル部分の左半分と
右半分および中心部が交互に点灯と消灯を繰り返します。
15. 更にENTERボタンを押すと、FLのキャラクタセグメント
部がチェッカーフラグのように点灯と消灯を繰り返しま
す。
16. 更にENTERボタンを押すと、FLは全消灯します。
17. 更にENTERボタンを押すと、サービスモードを終了しま
す。
初期状態に戻すには（リセット）
但しリセット行うと、セットアップメニューにて設定した内
容、サラウンドモードの設定の情報が消去されますことをご了
承ください。
1. 電源が入っていることを確認します。
2. 本機のZONE ボタンを押しながら、TOP ボタンを3秒以上
押します。
本機は一度スタンバイ状態になった後、再度POWER −ON
状態となり、各種設定された内容が初期化され、工場出荷時の
状態に戻ります。
H D R M H D R a d i o S
_ 0 0 B U 0 9 . 1 6 /
D R I - 3 5 2 - 0 0 1 7
5 1 E F - C M R L - V 0 1
6
Module Firmware Version
Module DSP Version
D M P V 0 8 0 5 0 7 0 1
D M P M 0 8 0 2 1 4 0 1
17
4. SYSTEM ERROR
Check 1
• Indication of abnormalities with the EEP-ROM (DSP
PWB / IC15) Interface
This indicates a communication error wherein the ACK
will not return for 2 seconds or more while the system is
in communication with the EEP-ROM (DSP PWB / IC15).
- Message on FL display
Points to be checked
1) The IIC Clock Line (IC17/116pin – IC15/6pin) is normal
when the power is ON;
2) The IIC Data Line (IC17/117pin – IC15 / 5pin) is normal
when the power is ON;
3) The IC15/8pin is supplied with VCC +3.3V;
4) If none of the above is negative, the IC15 may be
having a defect.
Check 2
4. SYSTEM ERROR
Check 1
•EEP-ROM (DSP PWB / IC15) Interface異常検出
EEP-ROM (DSP PWB / IC15)との通信でACKが帰って
こない状態（通信エラー）が約２秒以上生じた場合FL
Displayに下記の様な表示がされます。
- FL DisplayへのError表示
回路上の確認箇所
①Power ON時にIIC Clock Line (IC17/116pin - IC15 /
6pin)が正常なのを確認する。
②Power ON時にIIC Data Line (IC17/117pin - IC15 /
5pin)が正常なのを確認する。
③IC15 / 8pinにVCC (+3.3V)が供給されていることを確
認する。
④上記の①−③に不具合が生じていない場合はIC15の不
良が考えられます。
Check 2
C H E C K E 2 P I F
Error Detection Reason Check points
STANDBY LED
FLICKERING 500 msec.
NOTE : HOW TO
RECOVER FROM THIS
SYSTEM ERROR
The product can
recover from the
SYSTEM ERROR when
the user turns on and
then off the STANDBY.
However, once any
of the right errors is
redetected, the product
goes into STANDBY
again.
1. Detection of an abnormality on ±15V
Supply. (_P LINE FAIL)
CPU (IC17) 135pin _P LINE FAIL :
0 V ~ ± 15V Supply is fail)
5 V ~ ± 15V Supply is normality
Connection REGURATOR PWB : CN66/3pin,
CPU PWB : BN66/3pin.
± 15V Supply REGURATOR PWB : D901, R903/
R904, IC93/IC94 fail
2. +5VD supply Error Detection.
(_5V DOWN)
Main-CPU (IC17) 137pin _5V DOWN :
0 V ~ No +5VD (fail),
5 V ~ +5VD is work (normality)
Connection IC17/137pin + 5VD (RC53)
+5VD Supply
DSP PWB : CN80/6,7pin,
INPUT PWB : BN80/6,7pin
BN50/4,5pin
REGULATOR PWB : CN50/4,5pin
IC92, D902, F901 fail
18
Check 3
For the product to start operating normally when the power
is turned on, the circuit connected to each input port of _P
DOWN, _P LINE FAIL and 5V_DOWN needs to be operating
normally.
• TIMING CHART
Normal operation when the power is turned on
Check 3
電源ON時に製品が通常動作を開始するためには、下図の様な
Timing で_P DOWN, _P LINE FAIL, __5V_DOWN の各入
力Portで接続されている回路が正常動作している必要がありま
す。
•TIMING CHART
電源ON時の正常動作
_PRE_MUTE
(IC20: Q5, 14pin)
(OUT)
MUTE RELAY：OFF
_STAND BY (136pin)
(OUT)
_STAND BY LED (94pin)
(OUT)
_P_DOWN (25pin)
(IN)
_P_LINE_FAIL (135pin)
（IN)
_5V_DOWN (137pin)
(IN)
Hi：P_LINE=OK
_STAND BY：解除
AC POWER SUPPLY: POWER ON
STANDBY LED：LIGHT OUT
STAND BY LED：消灯
①
3.5 sec後、検出開始
INCONSTANT
電源立ち上げ：正常時
7 sec
3.5 sec
②
MUTE RELAY：ON
MUTE：OFF MUTE：OFF
FRONT_OFF
(IC20: Q4, 7pin)
(OUT) Low LEVEL
200 msec
3.5 sec後、検出開始
③
+5VDD=OK
MUTE：ON
各ch MUTE
EACH CHANNEL MUTE
(OUT)
1 sec
_STAND BY：CANCEL
INCONSTANT
不定
不定
After 3.5 sec, the detection start
After 3.5 sec, the detection start
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