Panasonic PT_AT6000E User manual

Dive into the World of Full HD 3D
Full HD 3D Home Cinema Projector
PT-AT6000E

3D Home Cinema Experience
Just Got Better than Ever
Advanced 3D dual-core processing engine
enables high-quality 3D and 2D projection.

High 2,400 lm of Brightness with the Advanced
Red-Rich Lamp
The new 220 W Red-Rich Lamp increases the luminous efficiency of the
projector to achieve brighter images, even in 3D viewing, with excellent
colour purity. Able to produce a stunning brightness of 2,400 lm, the
PT-AT6000E unleashes the beauty of 2D/3D full-HD expression for view-
ing on various screen sizes. Cooling efficiency for example around the
polarisation filters has been increased to realize the higher lumens.
Colour purity is further increased by applying a special coating to the
red and green condenser lenses in order to trim the impurities from the
light after it is separated into the three primary colours.
Full-HD Optimised Optical System
To assure maximum clarity and sharpness in full-HD images, this
advanced optical system employs a full-HD-optimised lens unit com-
prising of 16 lens elements in 12 groups, including two large-diameter
aspherical lenses and two high-performance ED (extra-low dispersion)
lenses. Each lens is carefully aligned to assure a uniform focusing bal-
ance from the centre to the edges of the screen. As a result, the
PT-AT6000E produces stunningly clear and beautiful images.
Up to 480 Hz Compatible LCD Panels
The PT-AT6000E’s full-HD LCD panels provide bright images with high
aperture ratio. The panels are also designed for 480 Hz processing
capability for bright 3D image. These high-precision panels use
vertically aligned liquid crystal molecules with inorganic alignment
layers. When no voltage is applied, the molecules are aligned perpen-
dicular to the glass substrate, so there is minimal light leakage, pro-
viding higher contrast.
Pure Contrast Plates Deliver High 500,000:1 Contrast Ratio
The Pure Contrast Plates in the PT-AT6000E use a high-precision
crystalline material that is carefully matched to the characteristics of
the LCD panels to effectively correct the passage of light exiting the
panels. This enables the projector to block unwanted light leakage and
successfully increases the dynamic range. It works together with the
Pure Colour Filter Pro and Dynamic Iris Pro to achieve an astounding
contrast ratio of 500,000:1.
Pure Colour Filter Pro for Rich, Vibrant Colours
The optical filter optimises the light spectrum from the UHM projector
lamp, helping to produce deeper blacks while improving purity levels
in the three primary colours (red, green and blue). This advanced filter
system improves colour purity to cover a range that extends from the
HDTV standard (Rec. 709 mode)*1to the colour gamut used in digital
cinema*2. This gives images the deep, rich colouring that distinguishes
movie images.
Dynamic Iris Pro Adds Beauty to Both Dark and
Bright Scenes
This intelligent iris system works by analysing the brightness level of
each image using a histogram, then adjusting the lamp power, iris and
gamma curve*3accordingly to create the ideal image. The adjustments
are made virtually frame by frame.
This helps the projector achieve a
wide dynamic range with swift
smoothness for added beauty in
both dark and bright scenes.
Smooth Screen Technology
Creates Film-Like Texture
While many LCD projectors suffer
from a “chicken wire” effect,
Panasonic’s pursuit of the highest
possible image quality has suc-
cessfully overcome this device
limitation through the incorpora-
tion of Smooth Screen technology.
This uses the double refraction
property of crystals to arrange
pixels on a screen with no gaps
between them.
Seven Picture Modes
For each 2D and 3D viewing, seven different picture modes (normal,
dynamic, Rec. 709, D-cinema, cinema 1, cinema 2 and game mode for
reduced frame delay) are provided.
Excellent Picture Quality
The PT-AT6000E and optional Panasonic
active 3D Eyewear are finely tuned to achieve
3D viewing with Hollywood-like quality.
Hollywood continues to produce and release 3D
movies that give us an entirely new level of dynamic
realism. The PT-AT6000E Full HD 3D
Home Cinema Projector was developed
according to the Panasonic philosophy
of providing images that mirror the
director’s artistic vision and intent—
right in your own home. The PT-AT6000E
is designed from the ground up to
achieve higher basic 2D performance,
and packed with unique 3D features to
deliver the level of quality demanded by Hollywood
professionals. The key 3D projection technologies
were developed in collaboration with
Panasonic Hollywood Laboratory
(PHL) engineers, who have taken
key roles in establishing the industry
standards for 3D. This allows the
PT-AT6000E to deliver both stunning
2D images and a comfortable and
immersive 3D viewing experience
at home.
A Full HD 3D Experience that Will Blow You Away!
PT-AT6000E:
Smooth, theatre-like
images.
Conventional:
Black lines between
pixels mar picture
quality.
220 W Red-Rich
Lamp
Prism with polar-
isers
Condenser lenses with special coating

LCD Panels Driven at 480Hz and Original Overdrive
Technology for Bright 3D Image
The PT-AT6000E features 480Hz-driven LCD panels, which lengthen
the time that the shutter is open about 1.5 times the duration of a
240-Hz drive system. Together with Panasonic’s original high-precision
overdrive technology, this improves the brightness of the images
viewed through 3D Eyewear, while at the same time minimising cross-
talk, or double image seen as a result of the left image entering the
right eye and vice versa.
3D Motion Remaster Delivers Correct, Natural 3D Movement
This new technology solves the
problem caused by a phenomenon
called the Mach-Dvorak effect, which
occurs in many systems during 3D
viewing. The active shutter 3D sys-
tem displays left-eye and right-eye
images alternately. This means that
left-eye and right-eye images that
were captured at the same instant
are shown with a time lag. During
this time lag, especially when
watching a scene in which an object
moves quickly and horizontally
across the screen, the viewer’s brain
automatically speculates and forms
a image at a position that differs
from the actual shown image. This
results in incorrect depth perception
and makes the horizontal movement
appear unnatural. 3D Motion
Remaster technology achieves
smoothly moving 3D images by cre-
ating properly positioned images to
compensate for the time lag.
Dual Core Processing Engine
High-quality 2D image processing, including Frame Creation and Detail
Clarity Processor, can be enjoyed in 3D as well, with the incorporation
of the high-performance dual core processing engine.
Frame Creation 2 for Motion Blur Reduction in 3D/2D Viewing
A double-speed frame interpolation display for both 2D and 3D view-
ing, even during 2D-3D conversion, greatly improves the clarity of
motion images, reproducing sharp and clear images for fast moving
scenes in sports and action movies. For 24p signal input, four frames
are calculated and interpolated for each existing frame, to enable 5x
speed (120-Hz) display.
2D-3D Conversion
2D to 3D image conversion is possible, with five 3D effect modes to
select from.
A Whole New Level of 3D Viewing
Customisation and Installation Flexibility
Lens Memory for 2D/3D Viewing
Up to six settings, in 2D or 3D viewing,
can be stored in the Lens Memory,
including zoom and focus positions for
projecting in the normal 16:9 or 4:3
image ratio, and wide cinema projec-
tion settings. These memories can be
recalled manually for 2D or 3D, or can
be set for automatic switching in 2D.
The projector is able to detect 2.35:1
and 16:9 sources and retrieve the
stored setting automatically. The Lens
Memory function lets you easily enjoy
images with different image ratios on a
wide 2.35:1 screen for an immersive
theatre-like experience.
2x Optical Power Zoom/Focus and Wide Lens Shift Range
A 2x optical power zoom/focus lens and a lens shift function together
make it possible to project a 120-inch picture from as close as
3.6 metres (11 feet 10 inches) to the screen or as far as 7.2 metres
(23 feet 7 inches) away. In addition, the image can be shifted ±100%
vertically, and ±26% horizontally. This gives you outstanding setup flex-
ibility. If you choose to ceiling-mount the projector, you can zoom and
focus by remote control.
Waveform Monitor for Precise Calibration
With the PT-AT6000E you can view the waveforms on the screen and
adjust the settings both automatically and manually as you prefer.
Advanced Gamma Adjustment Function
The gamma curve can be flexibly controlled, allowing precise calibra-
tion according to the signal source and environment. Brightness (Y), R,
G and B can each be adjusted at any fifteen points. Adjustment point
positions can be shifted both horizontally and vertically to bring out
the desired gradation level. Adjustment is easy because the small
menu screen does not block the image.
Split Adjust Mode for Easy Picture Adjustment
You can freeze any scene you wish, and then make adjustments while
easily comparing the original image and the adjusted image side
by side.
Cinema Colour Management Premium Enables Flexible
Colour Control
This colour correction system enables free colour control in two differ-
ent modes. The Point Colour Correction mode lets you pick a point in
the image and adjust that colour without affecting the neighbouring
colours. The Six Colour Correction mode enables independent adjust-
ment of red, green, blue, cyan, magenta and yellow. Adjustment is
possible for either 2D or 3D viewing.
Abundant Connection Terminals
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The PT-AT6000E has three HDMI input terminals for digital trans-
mission without image degradation. The HDMI input terminals also
Blu-ray/DVD
contents
In 2D viewing, the
projector recalls
the zoom and focus
positions by detecting
the aspect ratio.
Lens Memory
16:9 projection area
2.35:1 projection area
2.35:1 projection image
16:9 projection image
2.35:1 projection image
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Frame Creation 2:
Motion is crisp and
clear even for fast-
moving images and
panning scenes.
Frame
Creation 2
On
Frame
Creation 2
Off
Original
Mach-Dvorak Effect
The viewer’s brain perceives
the depth incorrectly.
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left to right
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right to left
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The PT-AT6000E’s 3D Motion
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Mach-Dvorak effect.

PT-AT6000E Full HD 3D Home Cinema Projector
Detail Clarity Processor 4 Gives Natural Clarity to Even the
Finest Details
This digital image processing circuit brings greater clarity and sharp-
ness to details embedded in the image. After analysing the video sig-
nal frequency in each scene, the circuit optimises the sharpness of
each part of the image based on the extracted information. The result-
ing images, 3D or 2D, have more natural, lifelike expression than
those of previous image-processing methods.
Advanced 3D Adjustment Functions
A variety of 3D viewing adjustments also provide a more comfortable
viewing experience at home. These include 3D Lens Memory, 3D zoom
and focus, 3D colour management, and 3D keystone correction.
3D Viewing Monitor for Adjustment of Depth-of-Field
The projection size for viewing 3D images can be selected from among
9 different sizes, ranging from 40 inches to 200 inches diagonally.*4
The amount of parallax is optimised according to the projection size,
so comfortable, easy-to-view 3D images can be enjoyed at any size.
Either of three monitor styles can be selected.
3D Picture Balance with Waveform Monitor
The projector is able to show the right and left image side by side to
check if the two sides have the same colours. The difference may
occur due to poor content quality.
With the Waveform Monitor dis-
played, you can adjust the contrast,
brightness, colour and tint as
desired, and up to three adjustment
settings can be stored in memory
for instant recall.
Precisely Tuned 3D Projection with Optional Panasonic
3D Eyewear
The PT-AT6000E uses frame sequential technology for 3D image
projection. When viewing 3D content, signals from the PT-AT6000E’s
built-in infrared transmitter precisely control the left and right shut-
ters of the active 3D Eyewear. The built-in transmitter offers maximum
transmission distance of six metres (about 20 feet).*5For more range
up to ten metres (about 33 feet), an optional infrared transmitter,
ET-TRM110 is available for greater installation flexibility.
support Deep Colour and the x.v.Colour colour space. Deep Colour
provides 10-bit (over 1.07 billion) and 12-bit (over 68.7 billion) colour
depths for smooth gradation between colours, while x.v.Colour com-
pliance reproduces natural, lifelike images.*6
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Two 12V triggers are provided.*7Since the input and output can be
set independently (menu selectable), they can link flexibly with pow-
ered screens, room light
and powered curtains.
When combined with the
Lens Memory, they let
you create a truly classy
home theatre.
VIERA Link for Easy Operation
The PT-AT6000E supports VIERA Link. If your home theatre
system contains VIERA Link-ready equipment, projection
can be started by using only the remote control unit of the
PT-AT6000E, regardless of whether the source is a Blu-ray Disc or a
TV program stored on an HD recorder. This eliminates the need for
hassling with several remote controls.*8
Up to 5,000-Hour Lamp Replacement Cycle*9and
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Panasonic’s proprietary lamp drive system helps maintain lamp per-
formance, resulting in a up to 5,000-hour lamp replacement cycle. For
easy maintenance, you can replace the filter from the side and the
lamp from the top of the projector. The dust filter and lamp are easily
replaced even after the PT-AT6000E is installed on the ceiling.
Conventional sharpness control:
Sharpness is applied uniformly,
which can cause a halo or ring
effect.
Detail Clarity Processor 4: Signal
frequency is extracted realtime and
necessary sharpness is applied at varying
degrees for natural, lifelike images.
Mode 2: Simplified monitor. It is easy
and simple because only a small part
of the screen is blocked.
Mode 3: Positive parallax is indicated
by the blue colour, and negative
parallax by the red colour.
Mode 1: 3D Viewing Monitor ensures
comfortable 3D viewing. The area
between the two dotted lines is the
safety zone for the parallax. It makes
it possible to check and adjust the
amount of parallax in an image.
Ecology-conscious Design
Panasonic works from every angle to minimize environmental impact in the
product design, production and delivery processes, and in the performance
of the product during its life cycle. The PT-AT6000E reflects the following
ecological considerations.
 No halogenated flame retardants are used in the cabinet.
 Lead-free glass for the lens.
 Standby power consumption of only 0.08 W has been achieved.
 A sleep-timer that reduces wasteful power consumption.
 RoHS compliant.
*'A setting that supports the 6,500K colour temperature recommended in
the HDTV standard (ITU-R BT.709) *(Specifications put forth by the Society
of Motion Picture and Television Engineers (SMPTE) PR431-2. *3Parametres
for adjusting the output brightness gradation level according to the input
signal. *4Projection size for 2D images covers from 40 inches to 300 inches
diagonally. *5The indicated distance between the projector and screen is
valid when the conditions described below are satisfied. Also, note that the
transmission distance can differ largely due to strong light, such as sunlight
and fluorescent lamps, at the installation location or due to the screen type or
material. CONDITION 1: The distance between the screen and the 3D Eyewear
(viewing position) is 5 metres to the front of the screen. CONDITION 2: The screen
is 100 inches, measured diagonally, and has a screen gain of 1. CONDITION 3:
The projector is set up in front of the screen, and the lens shift function is not
used. CONDITION 4: The [3D IR TRANSMITTER] setting in the main unit is set to
[STRONG]. *6Effective in Rec. 709 image mode. *7The trigger terminals also
operate as the 3D shutter outputs to connect the optional 3D IR transmitter
ET-TRM110. *8Cannot be used simultaneously with TV that supports VIERA
Link. Some operations may not be available depending on the equipment. In this
case, use its own remote control to operate the equipment. *9When a lamp
power is set to ECO. The lamp replacement cycle is up to 4,000 hours when the
lamp mode is set to NORMAL. The values above are maximum values when they
are used in cycles of being turned on for 2 hours and off for 0.25 hours. When
the lamps are turned on and off more frequently, the lamp replacement cycle is
shortened. The usage environment affects the lamp replacement cycle.

Aspect ratio 16:9
Aspect ratio 2.35:1
(When projecting both 2.35:1 and 16:9 images onto a 2.35:1 screen using the Lens Memory function.)
Projection distance
Diagonal length
Projection size (16:9) Projection distance
Min (Wide) Max (Telephoto)
1.02 m
1.52 m
2.03 m
2.54 m
3.05 m
3.81 m
5.08 m
6.35 m
7.62 m
1.16 m
1.77 m
2.37 m
2.98 m
3.58 m
4.49 m
6.00 m
7.51 m
9.02 m
2.37 m
3.58 m
4.79 m
6.00 m
7.20 m
9.02 m
12.04 m
15.06 m
18.08 m
40˝
60˝
80˝
100˝
120˝
150˝
200˝
250˝
300˝
3´10˝
5´10˝
7´9˝
9´9˝
11´9˝
14´9˝
19´8˝
24´8˝
29´7˝
7´9˝
11´9˝
15´9˝
19´8˝
23´7˝
29´7˝
39´6˝
49´5˝
59´4˝
/
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/
/
/
/
/
/
/
/
/
/
/
/
/
/
/
/
/
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Diagonal length
Projection size (16:9) Projection distance
Min (Wide) Max (Telephoto)
1.02 m
1.52 m
2.03 m
2.54 m
3.05 m
3.81 m
5.08 m
6.35 m
7.62 m
–
1.40 m
1.88 m
2.37 m
2.85 m
3.57 m
4.78 m
5.98 m
7.19 m
–
2.85 m
3.82 m
4.78 m
5.74 m
7.19 m
9.60 m
12.02 m
14.43 m
40˝
60˝
80˝
100˝
120˝
150˝
200˝
250˝
300˝
–
4´7˝
6´2˝
7´9˝
9´4˝
11´9˝
15´8˝
19´7˝
23´7˝
–
9´4˝
12´6˝
15´8˝
18´10˝
23´7˝
31´6˝
39´5˝
47´4˝
/
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Optional accessories
ET-PKA110H
Ceiling mount
bracket for high
ceilings
ET-LAA410
Replacement
lamp unit
ET-PKA110S
Ceiling mount
bracket for low
ceilings
TY-EW3D3M*1
3D Eyewear
(medium size)
ET-TRM110
3D IR
transmitter
NOTE: The 3D Eyewear models shown above are current models as of September
2012. For information on other available models with verified interoperability
and the newest models, please visit our Projector Global Web Site.
http://panasonic.net/avc/projector
Specifications
Power supply
Power consumption
LCD*2panel Panel size
Display method
Drive method
Pixels
Lamp*3
Lens
Projection size (diagonal)
Brightness*5
Centre-to-corner uniformity ratio*5
Contrast ratio*5
Resolution
Scanning frequency
HDMI
RGB
YPBPR(YCBCR)
Video/S-Video
Optical axis shift*8
Keystone correction range
Terminals
HDMI IN
COMPUTER (RGB) IN
COMPONENT IN
TRIGGER IN / TRIGGER OUT /
3D SHUTTER OUT
VIDEO IN
S-VIDEO IN
SERIAL IN
Dimensions (W ×H ×D)
Weight*12
Operation noise*5
Operating temperature
Operating humidity
Supplied accessories
100–240 V AC, 50/60 Hz
310 W (0.08 W in standby mode)
18.7 mm (0.74 in) diagonal (16:9 aspect ratio)
Transparent LCD panel (×3, R/G/B)
Active matrix
2,073,600 (1,920 ×1,080) ×3, total of 6,220,800 pixels
220 W UHM lamp (The lamp replacement cycle is up to
4,000 hours (lamp power: NORMAL) / 5,000 hours (lamp
power: ECO)*4)
Powered zoom/focus lenses (1.35–2.70:1),
F 1.9–3.2, f 22.4–44.8 mm
2D projection: 1.02–7.62 m (40 –300 inches)
3D projection: 1.02–5.08 m (40 –200 inches)
2,400 lm*6
85%
500,000:1*7(full on/full off)
1,920 ×1,080 pixels
480p, 576p, 720/60p, 720/50p, 1080/60i, 1080/50i, 1080/24p,
1080/60p, 1080/50p
fH: 15 kHz–74 kHz, fV: 24 Hz–85 Hz,
dot clock: 154 MHz or lower
525i (480i), 625i (576i), 525p (480p), 625p (576p),750
(720)/60p, 750 (720)/50p, 1125 (1080)/60i, 1125 (1080)/50i,
1125 (1080)/24p, 1125 (1080)/60p, 1125 (1080)/50p
fH: 15.7 kHz, fV: 59.9 Hz [NTSC/NTSC4.43/PAL-M/PAL60]
fH: 15.6 kHz, fV: 50.0 Hz [PAL/PAL-N/SECAM]
Vertical: ±100%, horizontal: ±26%
Vertical: approx. ±30°
HDMI connector ×3, HDMI (Deep Colour, x.v.Colour,*9CEC*10),
HDCP compliant, supports HDAVI Control Version 5
D-sub HD 15-pin (female) ×1 (RGB/YPBPR/YCBCR×1)
RCA pin ×3 (YPBPR/YCBCR)
M3 ×2, 12 V, max. 100 mA (input/output/3D shutter output
selectable using on-screen menu)
RCA pin ×1
Mini DIN 4-pin ×1
D-sub 9-pin ×1 for external control (RS-232C compliant)
470 ×151 ×364*11 mm
(18-1/2 ×5-15/16 ×14-11/32*11 inches)
Approx. 8.7 kg (19.2 lbs)
22 dB (lamp power: ECO)
0°C–40°C (32°F–104°F)*13
20%–80% (no condensation)
Power cord (×1)
Wireless remote control unit (×1)
Batteries for remote control (R6 (LR6) type ×2)
Lens cover (×1)
Other Features
 16-bit (full 12-bit) gamma correction for
natural gradations.
 3D noise reduction for high-precision noise
detection and reduction.
 Scene-adaptive MPEG noise reduction effec-
tively blocks regular noise and minimises
mosquito noise.
 Scene adaptive resizing LSI improves quality
when resizing 480p images or those from
other sources with resolution lower than the
PT-AT6000E’s native resolution.
 24p compatible.
 Progressive cinema scan (3/2 pulldown) and
HD IP.
 Auto 3D input format select for frame pack-
ing, side by side, and top and bottom. Man-
ual selection is also possible.
 Selectable frame response.
 Independent horizontal/vertical sharpness
adjustment.
 Featuring a wide range of aspect modes,
including ones for anamorphic lenses.
(JUST/4:3/16:9/S16:9/14:9/ZOOM1/ZOOM2/
H-FIT/V-FIT) NOTE: The selectable modes
vary depending on the input signal.
 Up to sixteen sets of PICTURE adjustment
settings can be stored in memory with cus-
tom names that make them easy to
remember (PICTURE MEMORY).
 Masking function to match the desired
projection area to the screen.
 User-friendly ergonomic
remote control.
 Built-in test pattern including
colour bar and gray scale.
 On-screen input guidance.
 Auto input search.
 Quiet operation: 22 dB (lamp
power: ECO).
 NORMAL/ECO lamp power selection.
*1If you do not have a Panasonic 3D TV that supports 3D video, use a charger that has a USB2.0 port for charging your Eyewear. The recommended charger is Apple USB Power Adapter for
iPhone. The code that follows KBC-L2 may differ depending on the country of purchase. The code at the end of the model number of 3D Eyewear may differ depending on the country of
purchase. *2The projector uses a type of liquid crystal panel that typically consists of millions of pixels. This panel is built with very high-precision technology to provide the finest possible
image. Occasionally, a few pixels may remain turned on (bright) or turned off (dark). Please note that this is an intrinsic characteristic of the manufacturing technology that affects all products
using LCD technology. *3The projector uses a high-voltage mercury lamp that contains high internal pressure. This lamp may break, emitting a large sound, or fail to illuminate, due to impact
or extended use. The length of time that it takes for the lamp to break or fail to illuminate varies greatly depending on individual lamp characteristics and usage conditions. *4The values
above are maximum values when they are used in cycles of being turned on for 2 hours and off for 0.25 hours. When the lamps are turned on and off more frequently, the lamp replacement
cycle is shortened. The usage environment affects the lamp replacement cycle. *5Measurement, measuring conditions, and method of notation all comply with ISO 21118 international
standards. *6In dynamic mode, with dynamic iris on. *7In cinema 1 mode, with dynamic iris on. *8Shift range is limited during simultaneous horizontal and vertical shifting. *9 Effective in
Rec. 709 picture mode. *10 CEC is an abbreviation for Consumer Electronics Control. Operation may not be possible with some connected equipment or settings. *11 With legs at shortest
position. *12 Average value. May differ depending on models. *13 When [HIGH ALTITUDE MODE] is set to [ON]: 0°C – 35°C (32°F– 95°F)
NOTE: A PC is required to read the detailed operating instructions (a PDF file on a CD).
Weights and dimensions shown are approximate. Specifications and appearance are subject to
change without notice. Product availability differs depending on region and country. This product may
be subject to export control regulations. The projection distances and throw ratios given in this bro-
chure are for use only as guidelines. For more detailed information, please consult the dealer from
whom you are purchasing the product. The PJLink trademark is an application trademark in Japan,
the United States, and other countries and regions or registered trademarks. All other trademarks are
the property of their respective trademark owners. Projection images simulated.
© 2012 Panasonic Corporation. All rights reserved.
PT-AT6000E1 Printed in Japan.
All information included here is valid as of August 2012.
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