RAM RP2000 User manual

RAmi RP2000S
2

SUMMARY
SOMMARY
RMT 2001, Micro / Line channel ...................................................................... 05
RMT 2005, Line 1 / Line 2 channel.................................................................... 11
RMT 2006, Voie Line 1 / Line 2 channel ........................................................... 17
RMT 2007, Digital / Analog channel ................................................................ 21
RMT 2008, Digital / Analog channel ................................................................ 27
RMT 20054, Sub channel ................................................................................ 31
RMT 2051, Hybrid Out channel ....................................................................... 37
RMT 2052/1, Broadcast Out2 channel/Aux Return/Hybrid management ........... 43
RMT 2052/1, Out2 Talkback channel / PGM2-Record / Studio / C.Room ........... 49
RMT 2068, Digital Output ............................................................................... 55
RMT 2045, Power Supply ................................................................................ 61
Dimensions ..................................................................................................... 63
Options / Accessories ...................................................................................... 67
RAmi RP2000S
3

RAmi RP2000S
4

MICRO / LINE CHANNEL: RMT2001
1
2
3
-
+
MIC INSERT
BALANCED
MIC
MIC INSERT
RIGHT
LEFT
IN
OUT
LINE
PUSH PUSHPUSH
PUSH
100
RL
L+R
BAL
0
+15-15
0
+15
-15
0
+15-15
100
SENS
PGM2
pre
post
AUX 2
AUX 1
100
LINE
MIC PRE GAIN
MIC
0
1
2
3
4
5
6
7
8
9
10
LINE / MIC
ANT
CUE
BASS
MID
TREBLE
RAmi RP2000S
5

MICRO / LINE CHANNEL: FRONT PANEL
100
RL
L+R
BAL
0
+15-15
0
+15
-15
0
+15-15
100
SENS
PG M 2
pre
post
AUX 2
AUX 1
100
LINE
MIC PRE GAIN
MIC
0
1
2
3
4
5
6
7
8
9
10
LINE / MIC
ANT
CUE
BASS
MID
TREBLE
20
19
3
4
5
8
6
10
11
9
12
13
14
15
16
2
1
18
17
7
RAmi RP2000S
6

1 - Multiturn microphone gain preset ( 30 dB range).
Way of use: Using key (18) (CUE) switch the channel to CUE.
Switch (3) to MIC and set (5) mid range.
While using the microphone, adjust pot (1) to read 0dB on peak, on the CUE vumeter.
2 - Led display for line input.
3 - Key to select balanced MICROPHONE or balanced LINE.
4 - Led display for microphone input.
5 - Input sensibility pot (25dB range).
Way of use : Using key (18) (CUE) switch the channel to CUE.
Switch (3) to MIC and set (5) at mid range.
While using the microphone or line input, adjust pot (5) to read 0dB on peak on the CUE vumeter.
6 - High level setting.
7 - Medium level setting.
8 - Bass level setting. Center setting does not affect tone.
9 - AUX 1 output level setting. Signal is stereo.
10 - AUX output selection 1: - Pre: Before level fader (19).
- Post: After level fader (19).
11 - AUX 2 output level. Signal is stereo. Jumpers on printed circuit, allow selection of sampling point, before or after
level fader (19). See page (8)
12 - Key sending the channel to stereo ANTENNA output.
13 - Key (12) light.
14 - Key sending the channel to stereo PROGRAMME 2 output.
15 - Key (14) light.
16 - Left / Right pan. Center is neutral.
17 - Key (18) light.
18 - CUE key. It sends the incoming signal to the CUE circuits (vumeter and headphones) even when the fader (19) is
down. Regarding ANTENNA, PROGRAMME 2 and CUE, signal handling uses electronic analogue switches, no relays,
or mechanical switches.
19 - 100mm fader controlling a VCA (voltage control amplifier). VCA is a device whose gain is controlled using t he DC voltage
from the fader.
Advantages: the signal does not use the fader (no cracks) very high attenuation (fader down) optimum signal
travelling path.
Plastic track potentiometers are available as an option.
An electronic detection in the beginning of running of the potentiometer (19) allows the remote control of machines
(19) 15 poles Sub D (E) switching on the lighted switch (20) and the channel muting using VCA.
On LINE the remote control is available on SUB D (E).
On MICRO, the machine remote control is disabled, the Start information is send to the bus to switch an ON AIR lamp
(ASM120, RGL500 or RGL800), or to fade the control room monitoring (according to internal jumpers see page 8).
20 - Brilliant key working with the start detector on the fader (19).
a) Key (20) pushed: The machine remote control is enabled, the VCA will switch the light on and open the channel a s
soon as the fader is activated (19). This is used to start the machine by the fader.
b) Key (20) released: The fader (20) can be open, to a preset level. The remote equipment will start when key (20) is
pushed. The VCA switches the light on and the opens channel. This to start the machine by the
key when the fader is open. The signal level is according to the fader position.
MICRO / LINE CHANNEL: FRONT PANEL
RAmi RP2000S
7

2
1
3
PUSH
DCA
1: Earth
2: signal +
3: signal -
XLR 3 pts Female
B
IN
OUT
Jack 6.35 female
10
9
3
2
1
4
5
6
7
8
11
12
13
15 14
6 13 5 4 12 11 10 3
15
7 8
STOP
START
E
(out) (out)
STOP
DB15 femelle socket
START PROGRAMMATION
Earth
GND
PROGRAMMING
PULSE HOLD
5 not connected link 13 and 5
6 not connected link 13 and 6
MUTE CUE ON
internal
internal
-15v
+15v
common
The START et STOP orders can be activated only if the
switch 3 is set in position “LINE1”.
MICRO / LINE CHANNEL: REAR PANEL
A
B
C
D
E
1
2
3
-
+
MIC INSERT
BALANCED
MIC
MIC INSERT
RIGHT
LEFT
IN
OUT
LINE
PUSH PUSHPUSH
PUSH
RAmi RP2000S
8

A - XLR female 3 pins MICRO connector.
This input is electronically balanced (1 Earth, 2 signal +, 3 signal - ).
Use of top quality transistors and components for input amplifier, results in excellent noise signal ratio and distortion
figure.
Nominal input level ranges from -70dBu to -14dBu
Two internal jumpers change this input as line input, the nominal level then becomes -37dBu to +19dBu (see
page 8)
B - ¼” connector for insert at line level for input (A).
C - XLR female 3 pins MICRO connector.
This input is electronically balanced
XLR (female 3 poles) Left input (1 Earth, 2 signal +, 3 signal -).
Nominal input level ranges from -14dBu to +12dBu
D - XLR female 3 pins MICRO connector.
This input is electronically balanced (1 Earth, 2 signal +, 3 signal -).
Nominal input level ranges from -14dBu to +12dBu
E - 15 pins female Sub D for input output remote control. The signal is available on opto couplers. Remote control is
available only in line configuration (switch 3).
All inputs/outputs (XLR, 1/4 jack, Sub D) use a T filter to protect against radio frequencies and electrostatic. The RF and
electrostatic flow to the RP2000 Frame.
Note: All XLR pin 1 are grounded to the RP2000 frame.
MICRO / LINE CHANNEL: REAR PANEL
RAmi RP2000S
9

VOL AUX2
JP3/JP4
JP6
JP1/JP2
JP5
JP7
JP0
1 8
159
FEMELLE
XLR A
* default setting
Line and Micro
* Line only
JP7 : START/STOP remote
JP6 : Chrono start pulse (Line only)
JP5 : MICRO order send selection
JP0 : Phantom power supply.
* ON OFF
JP3/JP4 : AUX2 VOL setting
*
JP1
JP2
JP1/JP2 : Attenuation setting- XLR A
MICRO sens -70dBu to -14dBu
JP1
JP2
LINE sens (mono) -37dBu to +19dBu
*
C.ROOM
+ C.ROOM order (red/green, on air)
STUDIO order (red/green, on air)
fading
OFF
ON
*
*
JP3 JP4
AUX2 POST FADER
JP3 JP4
AUX2 PRE FADER
MICRO / LINE CHANNEL: INTERNAL PROGRAMMING
RAmi RP2000S
10

LINE 1 / LINE 2 CHANNEL: RMT2005
100
RL
L+R
BAL
0
+15-15
0
+15
-15
0
+15-15
100
SENS
PGM2
pre
post
AUX 2
AUX 1
100
LINE 1
LINE 2
0
1
2
3
4
5
6
7
8
9
10
LINE 1 / LINE 2
ANT
CUE
BASS
MID
TREBLE
RIGHT
LEFT
LINE 1
LINE 2
RIGHT LEFT
PUSHPUSH
RAmi RP2000S
11

LINE 1 / LINE 2 CHANNEL: FRONT PANEL
100
RL
L+R
BAL
0
+15-15
0
+15
-15
0
+15-15
100
SENS
PG M 2
pre
post
AUX 2
AUX 1
100
LINE 1
LINE 2
0
1
2
3
4
5
6
7
8
9
10
LINE 1 / LINE 2
ANT
CUE
BASS
MID
TREBLE
19
18
4
5
3
15
7
10
9
8
12
13
14
1
6
17
16
11
2
RAmi RP2000S
12

1 - Led display for line input 1.
2 - Key to select Line 1 stereo balanced input or LINE 2 stereo unbalanced input.
3 - Led display for line input 2
4 - Input sensibility pot ( 25dB range).
Way of use: Using key (17) (CUE) switch the channel to CUE
Switch LINE1 or LINE 2.
While using the line input, adjust pot (4) to read 0dB on peak on the CUE vumeter.25dB).
5 - High level setting.
6 - Medium level setting.
7 - Bass level setting. Center setting does not affect tone.
8 - AUX 1 output level setting. Signal is stereo.
9 - AUX output selection 1 : - Pre: Before level fader (18).
- Post: After level fader (18).
10 - AUX 2 output level. Signal is stereo. Jumpers on printed circuit, allow selection of sampling point, before or after
level fader (18). See page (14)
11 - Key sending the channel to stereo antenna output.
12 - Key (11) light.
13 - Key sending the channel to stereo PROGRAMME 2 output.
14 - Key (13) light.
15 - Left/right pan. Center is neutral.
16 - Key (17) light.
17 - CUE key. It sends the incoming signal to the CUE circuits (vumeter and headphones) even when the fader (18) is
down. Regarding ANTENNA, PROGRAMME 2 and CUE, signal handling uses electronic analogue switches, no relays,
or mechanical switches.
18 - 100mm fader controlling a VCA (voltage control amplifier). VCA is a device whose gain is controlled using the DC
voltage from the fader.
Advantages: the signal does not use the fader (no cracks) very high attenuation (fader down) optimum signal
travelling path.
Plastic track potentiometers are available as an option.
An electronic detection in the beginning of running of the potentiometer (18) allows the remote control of machines
(18) 15 poles Sub D (E) switching on the lighted switch (19) and the channel muting using VCA.
On LINE1, the remote control is available on SUB D (E).
On LINE2, the remote control is disabled on SUB D (E).
19 - Brilliant key working with the start detector on the fader (18).
a) Key (19) pushed: The machine remote control is enabled, the VCA will switch the light on and open the channel as
soon as the fader is activated (18). This is to start the machine by the fader.
b) Key (19) released: The fader (18) can be open, to a preset level. The remote equipment will start when key (19) i s
pushed. The VCA switches the light on and the opens channel.
This is used to start the machine by the key when the fader is open.
The signal level is according to the fader position
LINE 1 / LINE 2 CHANNEL: FRONT PANEL
RAmi RP2000S
13

2
1
3
PUSH
DC
XLR 3 pts Female
LINE 1 / LINE 2 CHANNEL: REAR PANEL
1: Earth
2: signal +
3: signal -
E
10
9
3
2
1
4
5
6
7
8
11
12
13
15 14
6 13 5 4 12 11 10 3
15
7 8
STOP
START
(out) (out)
STOP
DB15 femelle socket
START PROGRAMMATION
Earth
GND
PROGRAMMING
PULSE HOLD
5 not connected link 13 and 5
6 not connected link 13 and 6
MUTE CUE ON
internal
internal
-15v
+15v
common
The START et STOP orders can be activated only if the
switch 3 is set in position “LINE1”.
C
D
E
AB
RIGHT
LEFT
LINE 1
LINE 2
RIGHT LEFT
PUSHPUSH
RAmi RP2000S
14

A - Left input line 2 RCA connector.
Level ranges from -14dBU to +12dBU.
B - Right input line 2 RCA connector
Level ranges from -14dBU to +12dBU
C - Left input XLR (female 3 pins) line 1 connector.
Electronically balanced input
(1 Ground, 2 signal +, 3 signal -).
Level ranges from -14dBu to +12dBu.
D - Right input XLR (female 3 pins) line 1 connector.
Electronically balanced input
(1 Ground, 2 signal +, 3 signal -).
Level ranges from -14dBu to +12dBu.
E - 15 pins female Sub D for input output remote control. The signal is available on opto couplers. Remote control is
available only in line 1 configuration (switch 3).
All inputs/outputs (XLR, 1/4 jack, Sub D) use a T filter to protect against radio frequencies and electrostatic. The RF and
electrostatic flow to the RP2000 Frame.
Note: All XLR pin 1 are grounded to the RP2000 frame
LINE 1 / LINE 2 CHANNEL: REAR PANEL
RAmi RP2000S
15

VOL AUX2
JP3/JP4
JP6
JP7
1 8
159
FEMELLE
*
JP3 JP4
JP3 JP4
Line 1 and Line 2
JP7 : START/STOP remote
JP6 : Start chrono pulse
ON
*
AUX2 PRE FADER
AUX2 POST FADER
JP3/JP4 : VOL AUX2 setting
LINE 1 / LINE 2 CHANNEL: INTERNAL PROGRAMMING
OFF
*Line 1 only
* default setting
RAmi RP2000S
16

LINE 1 / LINE 2 CHANNEL: RMT2006
100
RL
L+R
BAL
100
SENS
PGM2
pre
post
AUX 2
AUX 1
100
LINE 1
LINE 2
0
1
2
3
4
5
6
7
8
9
10
LINE 1 / LINE 2
ANT
CUE
RIGHT
LEFT
LINE 1
LINE 2
RIGHT LEFT
PUSHPUSH
RAmi RP2000S
17

LINE 1 / LINE 2 CHANNEL: FRONT PANEL
100
RL
L+R
BAL
100
SENS
PG M 2
pre
post
AUX 2
AUX 1
100
LINE 1
LINE 2
0
1
2
3
4
5
6
7
8
9
10
LINE 1 / LINE 2
ANT
CUE
16
15
4
3
12
7
6
5
9
10
11
1
14
13
8
2
RAmi RP2000S
18

1 - Led display for line input 1.
2 - Key to select Line 1 stereo balanced input or LINE 2 stereo unbalanced input.
3 - Led display for line input 2
4 - Input sensibility pot ( 25dB range).
Way of use : Using key (17) (CUE) switch the channel to CUE
Switch LINE1 or LINE 2.
While using the line input, adjust pot (4) to read 0dB on peak on the CUE vumeter.25dB).
5 - AUX 1 output level setting. Signal is stereo.
6 - AUX output selection 1: - Pre: Before level fader (15).
- Post: After level fader (15).
7 - AUX 2 output level. Signal is stereo. Jumpers on printed circuit, allow selection of sampling point, before or after level
fader (15). See page (14)
8 - Key sending the channel to stereo antenna output.
9 - Key (8) light.
10 - Key sending the channel to stereo PROGRAMME 2 output.
11 - Key (10) light.
12 - Left / right pan. Center is neutral.
13 - Key (14) light.
14 - CUE key. It sends the incoming signal to the CUE circuits (vumeter and headphones) even when the fader (15) is
down. Regarding ANTENNA PROGRAMME 2 and CUE, signal handling uses electronic analogue switches, no relays,
or mechanical switches
15 - 100mm fader controlling a VCA (voltage control amplifier). VCA is a device whose gain is controlled using the DC
voltage from the fader.
Advantages: the signal does not use the fader (no cracks) very high attenuation (fader down) optimum signal
travelling path.
Plastic track potentiometers are available as an option.
An electronic detection in the beginning of running of the potentiometer (15) allows the remote control of machines
15 poles Sub D (E) switching on the lighted switch (16) and the channel muting using VCA.
On LINE1, the remote control is available on SUB D (E).
On LINE2, the remote control is disabled on SUB D (E).
16 - Brilliant key working with the start detector on the fader (15).
a) Key (16) pushed: The machine remote control is enabled, the VCA will switch the light on and open the channel as
soon as the fader is activated (15). This is to start the machine by the fader.
b) Key (16) released: The fader (15) can be open, to a preset level. The remote equipment will start when key (16) is
pushed. The VCA switches the light on and the opens channel.
This is used to start the machine by the key when the fader is open.
The signal level is according to the fader position
LINE 1 / LINE 2 CHANNEL: FRONT PANEL
RAmi RP2000S
19

The RMT2006 rear panel is similar to RMT2005. See page 14 and 15.
RMT2006 internal configuration is the same as RMT2005. See page 16.
LINE 1 / LINE 2 CHANNEL: REAR PANEL
LINE 1 / LINE 2 CHANNEL: INTERNAL PROGRAMMING
RAmi RP2000S
20
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