Roland BOSS OD-200 User manual

Owner’s Manual
Before using this unit, carefully read “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (the leaet “USING THE UNIT SAFELY”and the Owner’s
Manual (p. 16)). After reading, keep the document(s) where it will be available for immediate reference.
© 2019 Roland Corporation

2
Panel Descriptions
Top Panel
1 2 3 4
5 6 7 8
9 10 11 12
13 14
1 Display
Shows the parameters and the values.
2 [PARAM] knob
Adjusts the parameter that is selected by the [PARAM]
button, or switches memories.
3 [LEVEL] knob
Adjusts the volume of the eect sound.
4 [DRIVE] knob
Adjusts the depth of distortion.
5 Mode knob
Selects the sound.
Mode Explanation
OVD
(OVERDRIVE)
Uses an asymmetrical overdrive circuit to
produce sweet, mild distortion.
BLS (BLUES) Providing distortion that faithfully reproduces
the nuances of your picking.
SCR (SCREAM) Sound similar to the Ibanez TS-808.
CNT (CNTR OD) An eect that models the sound of the KLON
CENTAUR.

Panel Descriptions
3
Mode Explanation
XDR (X-DRIVE) Overdrive that uses MDP to provide ideal
distortion in each frequency region.
DST (DIST) This gives a basic, traditional distortion sound.
XDS (X-DIST) Distortion that uses MDP to provide ideal
distortion in each frequency region.
STK
(STACK DRIVE)
Produces the sound of a large stack amp.
Drive settings provide a diverse variety of
distortion.
FAT (FAT DIST) Distortion that provides a thick distortion
sound.
BRW (BROWN) Lead sound with a distinct edge.
XMT (X-METAL) Core sound that uses MDP to preserve the
sound's denition even with extreme gain.
FUZ (FUZZ) Sound similar to an Electro-Harmonix Big
Mu π.
6 [LOW] knob
Adjusts the sound level of the low-frequency range.
7 [MIDDLE] knob
Adjusts the sound level of middle-frequency range.
8 [HIGH] knob
Adjusts the sound level of the high-frequency range.
9 [PARAM] button
Selects the parameter that is adjusted by the [PARAM]
knob, or switches memories.
Parameter Explanation
BOOST TYPE
(BOOSTER TYPE)
MID:A booster with a distinctive
mid-range. A sound suitable for
soloing.
CLN (CLEAN) : Raises the gain without
changing the guitar’s character.
TRB (TREBLE) : A bright-sounding
booster.
OVD (OVERDRIVE) : This models the
sound of the BOSS OD-1.
BLS (BLUES) : This is a crunch sound of
the BOSS BD-2.
SCR (SCREAM) : This models an Ibanez
TS-808.
CNT (CNTR OD) : This models a KLON
CENTAUR.
Xdr (X-DRIVE) : This is an overdrive that
uses MDP to obtain the distortion
that’s most appropriate in each pitch
range.
DST (DIST) : This models the sound of
the BOSS DS-1.

Panel Descriptions
4
Parameter Explanation
BOOST TYPE
(BOOSTER TYPE)
XDS (X-DIST) : This is a distortion that
uses MDP to obtain the distortion
that’s most appropriate in each pitch
range.
STK (STACK DRIVE) : This models the
sound of the BOSS ST-2.
FAT (FAT DIST) : A distortion sound with
thick distortion.
MZN (METAL ZONE) : This models the
sound of the BOSS MT-2.
MCR (METAL CORE) : This models the
sound of the BOSS ML-2.
FUZ (FUZZ) : This models an Electro-
Harmonix Big Mu π.
BOOST PRE
(BOOSTER PRE GAIN) Adjusts the gain of the booster.
BOOST POST
(BOOSTER POST GAIN) Adjusts the volume when boost is on.
GATE DECAY
Adjusts the time until the gate closes.
With smaller values, the gate closes
faster.
GATE THRESH
(GATE THRESHOLD)
Adjusts the volume at which the gate
applies.
With larger values, the gate applies at
a higher volume.
You can also select a parameter or memory by pressing
the [PARAM] knob.
About the booster
As its main distortion, the OD-200 provides 12 dierent
types of sound.
The position of the booster connection and the
operations of the BOOSTER PRE GAIN, BOOSTER
POST GAIN, and LOW/MIDDLE/HIGH knobs will dier
depending on the STRUCTURE parameter.
When STRUCTURE is SERIES
The booster is placed before the main distortion.
Guitar
&
Booster
Pre GAIN
&
Main
distortion
&
Booster
Post GAIN
&
Gate
&
Amp
Parameter Explanation
BOOST PRE
(BOOSTER PRE GAIN)
Adjusts the booster gain.
Increasing this value increases the
signal that is input to the main
distortion, making the distortion
stronger. The distortion of the booster
itself does not change.
BOOST POST
(BOOSTER POST GAIN)
Adjusts the volume when boost is on.
This let you raise (or lower) the
volume when using the booster to
increase the gain when transitioning
from backing to solo.

Panel Descriptions
5
Parameter Explanation
[LOW] [MIDDLE]
[HIGH] knobs
Adjust the tonal character of the main
distortion.
When STRUCTURE is PARALLEL
The booster and main distortion are placed in parallel.
Guitar
Main
distortion
Booster [LOW]
[MIDDLE]
[HIGH]
Gate Amp
Parameter Explanation
BOOST PRE
(BOOSTER PRE GAIN)
Adjusts the booster gain.
Depending on the type, the sound
will distort.
BOOST POST
(BOOSTER POST GAIN) Adjusts the volume of the booster.
[LOW] [MIDDLE]
[HIGH] knobs
Adjust the tonal character of the
main distortion and the booster as
a whole.
Preventing accidental operation (panel lock)
By long-pressing the [PARAM] button, you can switch
between enabling (unlocking) or disabling (locking)
operation of the knobs and buttons.
If you attempt an operation while the unit is locked, the
display indicates “LCK.”
10 BOOST/GATE indicator
Indicates the parameter that can be adjusted by the
[PARAM] knob.
When the indicator is unlit, the knob selects memories.
Memory
MANUAL = “MAN”, memory 1–9 = “M-1”–“M-g”, memory
10–99 = “M10”–“Mgg”, memory 100–127 = “M.00”–“M.27”
11 [MEMORY] button
Switches or saves memories (MANUAL, 1–127) (p. 8).
The memory is switched each time you press the
[MEMORY] button. You can also switch memories by
holding down the [MEMORY] button and turning the
[PARAM] knob.
12 MEMORY indicator
Indicates the currently selected memory.
If a memory 5–127 is selected, the indicator is unlit.
13 [ON/OFF] switch
Turns the eect on/o.

Panel Descriptions
6
14 [MEMORY/BOOST] switch
Switches memories (p. 8).
Long-press the [MEMORY/BOOST] switch to turn the
booster on/o.
MEMO
The function of the footswitch can be changed by
“MFC”(MEMORY SWITCH FUNCTION).
Rear Panel (Connecting Your Equipment)
* To prevent malfunction and equipment failure, always turn down the
volume, and turn o all the units before making any connections.
A B C D
A INPUT jack
Connect your guitar, bass, or eect unit here.
Turning On/O the Power
The INPUT jack also operates as the power switch. The
power turns on when you insert a plug into the INPUT
jack.
When powering up
Power-up equipment such as your guitar amp last.
When powering down
Power-down equipment such as your guitar amp rst.
* Before turning the unit on/o, always be sure to turn the volume
down. Even with the volume turned down, you might hear some
sound when switching the unit on/o. However, this is normal and
does not indicate a malfunction.
B OUTPUT jack
Connect this jack to your amp or eector.
C CTL 1, 2/EXP jack
Using the jack as CTL 1, 2
You can connect a footswitch (sold separately: FS-5U,
FS-6, FS-7) and use it to switch the booster ON/OFF or
switch memories (p. 9).

Panel Descriptions
7
Using the jack as EXP
You can connect an expression pedal (sold separately:
EV-30, Roland EV-5, etc.) and use it to control the
amount of boost or the volume of the eect sound
(p. 11).
* Use only the specied expression pedal. By connecting any other
expression pedals, you risk causing malfunction and/or damage
to the unit.
D DC IN jack
An AC adaptor (sold separately: PSA-S series) can be
connected to this jack.
* Use only the specied AC adaptor (sold separately: PSA-S series)
and plug it into an AC outlet of the correct voltage.
* If the AC adaptor is connected while power is on, the power supply
is drawn from the AC adaptor.
Side Panel (Connecting Your Equipment)
E F
E MIDI jacks
Use a TRS/MIDI connecting cable (sold separately:
BMIDI-5-35) to connect an external MIDI device. You can
use an external MIDI device to switch the memories of
this unit.
* Do not connect an audio device here. Doing so will cause
malfunctions.
F USB port
Connect your computer using a commercially available
USB cable that supports USB 2.0.
* Do not use a micro USB cable that is designed only for charging a
device. Charge-only cables cannot transmit data.
* This is used only for program updates.

8
Saving to Memory
Here's how to save eect settings that you edited.
1. Long-press the [MEMORY] button.
The display indicates“Wrt.”
2. Turn the [PARAM] knob to select the save-
destination (MAN, 1–127).
You can also select the save-destination by pressing
the [MEMORY] button.
If you decide to cancel, press the [PARAM] button.
3. Long-press the [MEMORY] button to conrm
the save-destination.
The memory is saved.
* If you save to MAN, the settings of the panel are applied as the
values for MODE, DRIVE, LEVEL, LOW, MIDDLE, and HIGH.
Switching Memories
Here’s how to recall a saved memory.
1. Press the [MEMORY] button to select a
memory.
Each time you press the button, you cycle through
the memories in the order of “MAN (manual) 01
02 03 04 ...1270MAN...”
You can also switch memories by holding down the
[MEMORY] button and turning the [PARAM] knob.
* The MEMORY indicator is unlit if a memory 5–127 is selected.
MEMO
You can specify the memory switching range by editing
the ETF (EXTENT FROM) and ETT (EXTENT TO) settings (p. 11).
What is “MAN” (manual)?
This unit normally applies the eect according to the
settings that are saved in memory, but if you select
MAN (manual) the eect is applied according to the
positions of the panel knobs. Even in this case, the
booster and gate settings recall the settings that are
written to MAN (this can be changed).
Saving and Switching Memories

9
Overall Settings (Menu)
Basic Operation
1. Press the [PARAM] button and [MEMORY]
button simultaneously.
You enter menu mode.
2. Turn the [PARAM] knob to select a parameter,
and then press the [PARAM] knob.
The value is displayed.
3. Turn the [PARAM] knob to edit the value.
4. Press the [PARAM] knob.
5. Press the [PARAM] button and [MEMORY]
button simultaneously.
You exit menu mode.
Assigning functions to external pedals
You can connect a footswitch (sold separately: FS-5U, FS-6, FS-7) to
the CTL 1, 2/EXP jack, and use it to switch the booster on/o or to
change memories.
Use the menu items“C1F” or “C2F” to make these settings (p. 10).
FS-5U FS-6, FS-7
CTL 2 CTL 1 CTL 2 CTL 1
CTL 2
CTL 1
CTL 1
FS-5U×2
FS-5U FS-6, FS-7

Overall Settings (Menu)
10
Menu Parameter List
About the
MEMORYMEMORY
mark
5 Can be set and saved for each memory by the“Saving to Memory”(p.
8) operation. If you do not perform this operation, the settings are lost
when you switch memories.
5 Can be set and saved for each memory if the preference (SWP/MEP/C1P/
C2P/EPP) is set to MEM (MEMORY). To save, refer to“Saving to Memory”
(p. 8).
If set to SYS (SYSTEM), the settings common to the unit are used. Function
settings are saved automatically.
Parameter Explanation
STR
(STRUCTURE)
Selects how the main distortion and the
booster are connected.
SER (SERIES): Connected in the order of
booster & main distortion.
PRL (PARALLEL): The booster and the main
distortion are connected in parallel.
Parameter Explanation
SWF
(ON/OFF SWITCH
FUNCTION)
Specify the functions of the [ON/OFF]
switch, [MEMORY/BOOST] switch, and
footswitches connected to the CTL 1, 2/
EXP jack.
* The functions that can be assigned dier
depending on the switch.
oFF:No operation.
SW (ON/OFF SWITCH) : Turns the eect on/o.
BST (BOOST) :Turns the booster on/o.
MAn (MANUAL) : Selects manual.
M-1 (MEMORY 1) –M-g(MEMORY 9): Selects memory
1–9.
M10 (MEMORY 10) –Mgg (MEMORY 99): Selects
memory 10–99.
M.00 (MEMORY 100) –M.27 (MEMORY 127): Selects
memory 100–127.
MUP (MEMORY UP) : Increments the memory
number according to the MEMORY EXTENT
setting. Long-press the switch to turn the booster
on/o.
Mdn (MEMORY DOWN) : Decrements the memory
number according to the MEMORY EXTENT
setting. Long-press the switch to turn the booster
on/o.
MUP. (MEMORY UP, ON/OFF) : Increments the memory
number according to the MEMORY EXTENT
setting. Long-press the switch to turn the eect
on/o.
MDN. (MEMORY DOWN, ON/OFF) : Decrements the
memory number according to the MEMORY
EXTENT setting. Long-press the switch to turn the
eect on/o.
MFC
(MEMORY SWITCH
FUNCTION)
C1F
(CTL1 FUNCTION)
C2F
(CTL2 FUNCTION)
MEMORYMEMORY
MEMORYMEMORY
MEMORYMEMORY
MEMORYMEMORY
MEMORYMEMORY