Roland Hp 1800 User manual

Roland

Digital

Piano

HP

1800

OWNER'S

MANUAL

Thank

you,

and

congratulations

on

your

choice

of

the

Roland

HP-1800

Digital

Piano.

Thanks

to

its

use

of

Advanced

SA

Process

digital

sound

sources,

the

HP-1800

faithfully

recreates

the

powerful

lows

and

sparkling

highs

of

a

concert

grand

piano.

Moreover,

it

comes

equipped

with

a

keyboard

that

is

a

delight

to

play

—

one

which

responds

to

every

playing

dynamic.

And

because

the

instrument's

sound

sources

are

digital,

the

piano

will

never

need

tuning,

to

retain

its

sound

quality.

For

these

and

many

other

reasons,

you

will

now

be

able

to

enjoy

everything

you

would

expect

from

a

traditional

piano

—

all

within

a

user-friendly,

compact

package

that

more

readily

fits

into

a

modern

lifestyle.

In

order

to

take

full

advantage

ol

the

HP-1800's

numerous

features,

and

to

enjoy

vears

of

trouble-free

service,

please

take

the

time

to

read

through

this

manual.

*

Six

Diflerent

Sounds

«Page

4>

*

Auto

Loudness

Effect

The

selection

of

sounds,

beginning

with

a

luxurious

grand

Allows

vou

to

obtain

impressively

emphasized

bass

sounds

piano,

allows

vou

to

play

music

in

virtually

any

style.

even

with

fainter

notes.

*

A

Dual

Function

«Page

4>

*

Tuning

Functions

Any

Iwo

Voices

can

he

combined

ilayeredi

and

played

Even

though

there

is

no

need

to

tune

an

electric

piano

at

together.

regular

intervals,

or

after

it

has

been

moved,

the

instrument

allows

for

the

creative

use

of

alternate

tunings.

*

Digital

Effects

«Page

5»

Your

new

piano

comes

equipped

with

two

digital

effects:

Chorus

and

Reverb.

A

"Recorder"

«Page

62

An

easv-to-operate

Recorder

allows

vou

to

record

and

play

back

the

music

vou

create,

A

Kev

Touch

Function

«Page

7»

Three

‘Touch’

levels

are

available,

allowing

the

player

to

adjust

the

keyboard

feel

to

suit

personal

preferences.

A

Damper

Pedal

<Page

when

the

Damper

pedal

is

depressed,

he

HP-1800

pro-

vides

a

realistic

simulation

of

"sympathetic

resonance."

This

effect

occurs

when

strings

(on

an

acoustic

piano!

adjacent

to

the

notes

played

also

resonate,

creating

much

richer,

expansive

sonorities,

Master

Tuning

«Page

4»

The

overall

pitch

of

the

piano

can

be

changed

to

match

the

pitch

of

other

musical

instruments.

*

MIDI

Capability

«(rom

Page

8>

The

instrument

also

provides

for

use

of

MIDI,

the

interface

standard

designed

to

provide

for

the

transfer

of

perform-

ance

information

among

electronic

musical

instruments

and

computers.

About

the

Advanced

SA

Sound

Sources

The

sounds

produced

hy

this

instrument

are

created

using

the

"Advanced

SA

Process,"

which

represents

a

pooling

of

the

best

leading-edge

digital

technology

by

Roland.

The

ASA

process,

developed

as

a

natural

extension

of

the

original

SA

process,

involved

a

series

of

efforts:

first,

an

analysis

of

the

essential

properties

of

sound

as

generated

by

musical

instru-

ments,

then

an

extraction,

and

finally

a

re-synthesis

designed

to

facilitate

the

expressive

needs

of

musicians.

The

result

is

a

sound

generation

method

which

provides

very

finely

textured

and

realistic

sounds.

Copyright

©

1993

by

Roland

Corporation

All

rights

reserved.

No

part

of

this

publication

may

be

reproduced

in

any

form

without

the

written

permission

of

Roland

Corporation.

ho

Features.....................

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Important

Notes...

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disk

UA

2

Assembling

the

KS-1800

StandfortheHP-1800.....................

eee

€—

M

Aged

Front

Panel

Description

.................

"—————

Á——Á———

C

—

Ma

—:

Rear

Panel

Description

M

—

M

Ê

Turning

the

Power

On............

eee

——Á——

MIU

ME

—(——

D

Listening

to

the

Demonstration

Songs

.........

eese

EE

6

Try

Recording

What

You

Play

...............

eee

S

"E

EO

R

A

VERE

C

How

to

Create

Recordings

..................

teen

creer

sete

eene

entem

eer

nen

enhn

nre

teer

nennen

eene

nennen

b

Now

try

listening

to

what

you

just

recorded

isses

eee

een

e

ee

eene

Playing

with

the

KeyTransposed.........................

Playing

a

piece

in

some

other

key

with

the

Pedal

Functions

...............

—

PE

Key

Touch

Function

...............

ER

yeme

Pre

5

Changing

the

Depth

of

the

Chorus

Effect

...........................

ApplyingReverbtotheSound.............................

—

For

Those

Who

Wish

To

Use

MIDI

...............

—

MÀ

Setting

the

MIDI

Transmil/Receive

Channels

...............

OM

OVOM

iiie

eiae

eter

ayari

Local

ON

set

hay

acerbe

eter

The

Multi-Timbral

Mode...

Selecting

the

Transmission/Reception

Mode

...

Transmission/Reception

ot

Program

Change

Messages

eee

me

El

Troubleshooting

.......

--———————

————————

Hl

DZ

Specifications

eee

P————Á—

MÀ

RE

EE

ERR

REG

TZ

MIDI

implementation

Chart

......

REN

In

addition

to

the

items

listed

under

Safety

Precautions

on

page

16,

please

read

anc

adhere

to

the

following:

Power

Supply

*

When

making

any

connections

with

other

devices,

always

turn

off

the

power

to

all

equipment

first;

this

will

help

prevent

damage

or

malfunction.

*

Do

not

use

this

unit

on

the

same

power

circuit

with

any

device

that

will

generate

line

noise,

such

as

a

molor

or

variable

lighting

system.

Placement

*

Using

the

unit

near

power

amplifiers

tor

other

equipment

containing

large

transtormers

)

may

induce

hum.

*

This

unit

may

interfere

with

radio

and

television

reception,

Do

not

use

this

unit

in

the

vicinity

of

such

receivers.

*

Make

sure

you

always

have

the

instrument

placed

so

it

is

level

and

sure

to

remain

stable.

Otherwise,

il

played

while

tilted,

you

risk

causing

damage

to

the

keyboard

as

a

result

of

the

unnatural

degree

of

force

that

might

be

applied

to

certain

parts

of

it.

Maintenance

*

For

everyday

cleaning

wipe

the

unit

with

a

soft,

dry

cloth

tor

one

that

has

been

slightly

dampened

with

water).

To

remove

stubborn

dirt,

use

a

mild

neutral

detergent.

Afterwards,

be

sure

to

wipe

the

unit

thoroughly

with

a

soft,

dry

cloth.

*

Never

use

benzene,

thinners,

alcohol

or

solvents

of

any

kind,

to

avoid

the

risk

of

discoloration

and/or

deformation.

Additional

Precautions

*

Protect

the

unit

from

strong

impact.

*

Before

using

the

unit

in

a

foreign

country,

consult

with

qualified

service

personnel.

*

Walch

your

fingers

when

opening

or

closing

the

cover.

Smaller

children

might

need

some

help.

*

Do

not

attempt

to

forcibly

the

music

stand

further

forward

than

it

is

designed

for.

(Keep

it

within

its

normal

swing

when

moved

gently.)

»

Never

place

vases,

drinks,

or

any

other

item

containing

liquid

on

top

of

the

unit.

In

the

event

ola

spill,

be

sure

to

wipe

clean

immediately

with

a

dry

cloth.

Any

spill

that

is

not

cleaned

up

promptly

may

damage

the

finish.

H

quic

enters

Ihe

unit,

there

is

the

fire

or

electric

shock.

Assembling

the

KS-1800

Stand

for

the

HP-1800

Two

people

are

needed

to

carry

out

the

assembly.

Never

attempt

it

alone.

*

To

move

the

main

unit,

be

surc

to

keep

it

level

while

you

lift

it

straight

up.

Be

very

careful,

so

as

to

avoid

getting

fingers

pinched

or

toes

hurt

by

accidentally

dropping

the

unit.

BM

Check

the

parts

Before

vou

begin

assembly.

check

that

vou

hase

alf

the

Following

parts

)

Side

board

(left)

=-

Side

hoatd

tight)

`

Pedal

board:

y

Rear

board

Sa

2:

Long

screws

(M6

X

60

mm)

«eee

“4

b:

Short

screws

(M4

X

15

mm)

---

eed

€:

Pointed

screws

(4

X

25

mm)

.4

d:

Knob

bolls

*-

e

-2

€:

Phillips

head

screwdriver

1

f

Cord

clamps

e

2

WM

Assembly

procedure

Attach

the

side

boards

(left

and

right)

t

Fasten

the

pedal

cord

with

the

cord

clamps;

and

plug

in

the

pedal

cord

and

the

power

cord.

6

Plug

the

pedal

cord

into

the

jacks

on

the

rear

side

of

the

piano.

7:

Attix

the

cord

clamps

:(

on

the

appropriate

positions

af

the

back

of

the

rear

board

(See

the

ligure

below.)

then

fasten

the

pedal

cord

using

the

clamps

8:

Plug

the

power

cord

into

the

rear

side

of

the

piano.

(The

power

cord

is

supplied

with

the

piano.)

o

the

Note

Extend

the

pedal

cable

eut

from

the

pedal

board,

Note

he

sure

lit

the

side

boards

(left

and

right)

are

|

$

oriented

ian

rectIy:

the

metal

fittings

are

en

the

inside.

«li

Use

the

long

screws

:a`

(M6

»

60

mm)

to

fasten

Ï

f

the

side

boards

to

the

pedal

board

i

z

(Use

Iwo

screws

for

each

side.)

re

Pd

i

Note

Be

sure

thar

the

rear

board

is

oriented

correctly:

the

grainy

surface

is

ent

the

inside,

aud

the

black

painted

surface

im

ilie

eiside

The

end

wate

two

through

holes

on

she

right

and

tefi

di^

sides

should

be

tacing

up

>

2

Use

the

short

screws

b

(Md

`.

15

mm)

lo

fasten

the

rear

board

to

the

side

boards.

lo

(Use

two

screws

lor.

iC;

each

side.)

A,

3:

Use

the

pointed

screws

c:

(4

«

25

mmi

to

fasten

the

rear

board

to

the

pedal

board.

(Use

four

screws.)

Ey

Attach

the

piano

to

the

stand.

|

Note

When

placing

the

pime

on

the

stand.

Pe

careful

mat

te

pinch

vonr

fingers

g

Rotate

the

adjusting

bolt

Note

Ifthe

piane

is

placed

on

carpeting,

rotate

the

adjusting

belt

a

little

more

vii

nas

property

supported

hy

the

Bonr.

Note

When

pluciie

tiw

piano

m

its

location,

he

vare

not

te

paich

the

power

cord

underneath

the

pinna.

9:

After

the

piano

has

been

assembled

and

installed

in

its

location,

rotate

the

adjusting

bol!

on

the

bottom

of

the

pedal

board

until

it

completely

touches

the

fioor.

Avoid

heddiag

the

ends

et

the

mano.

4

Align

the

screws

(one

on

each

side)

located

on

the

bottom

ol

the

piano

with

the

slots

in

the

metal

fittings,

and

slide

the

prano

toward

the

front

so

QEON

IL

E

the

screws

`

à

>

slide

into

C

position

H

secured

lo

the

|

S

metal

fittings.

S

J

use

the

two

knob

bolts

-d

to

3

fasten

the

piano

to

the

stand.

(one

on

each

side}

$`

Aller

the

piano

is

|

p

|

Front

Panel

Description

——————————————————————

ü

H

ü

VOLUME

BRILLIANCE

Y

PIANO

HARPSI-

VIBRA-

E.PIANO

PIPE

STRINGS

CHORD

PHONE

ORGAN

r

quee

pp

elc

FUNCTION

b

#

m

MAX

MELLOW

lL

ï

4)

==

BRIGHT

KB

VOLUME

Knob

At

“MAX”

the

volume

will

be

greatest.

n

Voice

Buttons

Use

these

buttons

to

select

the

sound

vou

want.

A

rich

concert

grand

piano

sound.

BRILLIANCE

Knob

The

sound

becomes

brighter

as

the

knob

is

turned

toward

BRIGHT.

FUNCTION

Button

The

FUNCTION

button,

when

used

in

combination

with

other

buttons

or

keyboard,

is

used

to

perform

the

lollowing

proce-

VIBRAPHONI

E.

PIANO

Provides

the

timbre

of

a

luminous,

trans-

parent

electric

piano.

dures:

--

^

PIPE

ORGAN

SIRINGS

^

Cathedral

pipe

organ.

The

sound

of

a

delightful

string

ensemble.

Ora

4

i

2.

Playing

the

demo

songs

tp.

6)

Transposing

to

other

keys.

(p.

7)

Setting

the

MIDI

Transmit/Receive

Channels

(p.

9)

Press

any

two

Voice

buttons

simultaneously

to

have

those

Setting

Omni

ON

or

OFF

(p.

9)

Setting

Local

ON

or

OFF.

(p.

9)

Setting

the

Multi-Timbral

mode

ip.

101

Setting

the

MIDI

mode

(p.

101

Transmission/Reception

of

Program

Change

Messages

(p.

11

Rear

Panel

Description

MIDI

OUT

IN

[|

L|

Ô

O

9 O

090

O95

[1]

MIDI

Connectors

Accept

the

MIDI

cables

used

to

connect

external

electronic

instruments.

PEDAL

Jack

This

is

where

you'll

connect

the

supplied

pedals.

TUNE

Knob

Allows

the

overall

pitch

to

be

adjusted.

With

the

knob

at

its

center

position,

the

center

A

key

Ha)

on

the

keyboard

will

have

a

frequency

ol

440

Hz.

Move

the

knob

in

the

direction

of

^"

to

raise

the

pitch.

and

toward

“b”

to

lower

it.

By

rotating

the

knob

to

either

extreme,

you

obtain

a

change

ol

50

cents

(172

semitone.

TUNE

809

two

sounds

combined

and

played

together.

(This

is

known

as

the

DUAL

function)

*

The

Chorus

setting

that

will

apply

to

the

sounds

in

a

layered

pair

will

be

the

setting

made

for

the

Voice

button

on

the

left.

[4]

[5]

A.

INPUTS.

=

OUTPUT

R

L

R

L

Ô

@

TN

STEREO

INPUT

Jacks

Accept

input

of

audio

signals

trom

some

other

unit

(CD

player,

cassette

deck

etc.)

that

you

wish

to

hear

through

the

HP-1800's

speakers.

OUTPUT

Jacks

Provide

output

of

sound

produced

by

the

HP-T800.

a

E

CHORUS

REVERB

KEY

TOUCH

REC

PLAY

LIGHT

HEAVY

EXEC

DEMO

CHORUS

Button

KEYTOUCH

Button

Press

the

CHORUS

button

tits

indicator

will

light)

to

add

=

Allows

vou

to

adjust

the

keyboard's

sensitivity.

(p.

7!

minute

pulsations

to

the

sounds

you

play.

and

make

them

seem

fatter

and

more

expansive,

n

REC

Button

You

can

select

from

six

Chorus

Depth

levels.

tp.

81

Allows

vou

to

record

your

performances.

ip.

b)

*

Chorus

On/Off

setting

can

be

set

individually

for

each

Br

Button

Voice.

Pressed

to

play

back

what

vou

have

recorded.

(p.

6)

Hold

down

a

Voice

button

while

you

press

the

CHORUS

button

to

store

the

setting

(ON

/OFF)

along

with

that

Voice.

P

REVERB

Button

Press

the

REVERB

button

(ils

indicator

will

light)

to

add

reverberation

(spacious

ambiance)

to

the

sound.

You

can

select

from

six

Reverb

Depth

levels.

tp.

8)

*

Reverb

On/Off

cannot

be

set

individually

for

each

Voice.

Turning

the

Power

On

1.

Insert

the

plug

on

the

power

cord

into

an

outlet.

Using

Headphones

To

use

headphones,

insert

the

plug

into

the

jack

located

on

the

left

side

of

the

instrument.

*

The

piano's

speakers

will

no

longer

produce

sound

once

you

have

headphones

connected.

This

is

convenient

for

private

practice

or

late-night

playing.

2.

Press

the

POWER

button

on

the

left

side

of

the

panel.

(Press

the

button

again

to

turn

it

OFF.)

Pressing

the

button

once

Prossing

the

button

again

__

_

m

EM

TE

ON

OF}

*

A

muting

feature

comes

into

effect

for

a

brief

interval

:

(about

2

seconds)

after

power

up.

During

this

interval,

nothing

will

be

heard

if

you

play

the

keyboard.

*

Besure

to

use

only

the

power

cord

supplied

with

this

unit.

*

Whenever

you

do

not

intend

to

use

the

piano

for

an

c

extended

period

of

time,

disconnect

the

power

cord

from

the

outlet.

*

The

VOLUME

knob

on

the

instrument

can

be

used

to

adjust

the

volume

as

necessary.

*

We

recommend

the

use

of

stereo

headphones.

nme

Listening

to

the

Demonstration

Songs

The

HP-

1800

contains

three

demonstration

songs

in

memory

which

highlight

the

instrument’s

capability.

To

hear

them,

follow

the

steps

below.

1.

While

holding

down

the

FUNCTION

button,

press

PLAY

button

(both

buttons

will

start

to

flash)

and

in

a

few

seconds

the

Demo

songs

will

start

to

play.

PLAY

Come

FUNCION

DEMO

co

x

2.

When

one

song

finishes,

the

will

start

playing

automatically.

If

you

wish

to

listen

to

only

one

song,

press

PLAY

button

while

holding

the

FUNCTION

button.

Then

within

2-3

seconds,

press

one

of

the

PIANO,

HARPSICHORD

and

VIBRAPHONE

buttons.

PIANO

gives

you

the

first

song,

HARPSICHORD

the

second

one

ancl

VIBRAPHONE

the

third

one.

(The

button

indicator

will

be

flashing

for

the

song

currently

playing.)

PIANO

HARPSI

VIBRA

CHOND

PHONE

EE

fey.

rL

3.

To

stop

playback

of

one

song

and

have

the

another

play,

simply

press

the

another

Voice

button

(where

the

indica-

tor

is

not

flashing).

To

stop

playback

of

the

demonstration

songs

(and

return

to

the

standard

mode),

press

the

FUNCTION

or

PLAY

button.

Voice

Buttons

Composer

Song

Title

PIANO

Chopin

from

Valse

No.6

"

Petit

chien"

op.64-1

HARPSICHORD

—

Chopin

from

Nocturne

No.1

op.9-1

VIBRAPHONE

j.5.Bach

from

Cantata

BWV.

147

arranged

by

Naoki

Nishi

Profile

of

the

demo

song

arranger

Naoki

Nishi

Born

in

1958

in

Hiroshima.

Began

working

professionally

at

the

age

of

21.

Has

so

far

released

8

albums

on

which

he

is

featured.

He

has

also

taken

part

in

numerous

other

albums.

His

broad

range

of

activities

have

included

appearances

at

a

number

of

jazz

festivals

in

Japan

and

other

parts

of

the

world.

In

addition

to

his

duties

as

an

instructor

at

the

Tokyo

Conservatoire

Shoubi,

he

has

provided

his

services

as

a

demonstrator

for

Roland

since

1990.

He

is

considered

to

be

one

of

Japan's

finest

jazz

pianist.

Try

Recording

What

You

Play

How

to

Create

Recordings

Use

whatever

Voice

you

liketo

play

whatever

song

you

wish

to

record.

When

completed,

you

will

be

able

to

listen

to

the

results,

and

check

how

well

you

played

the

song.

*

+

Select

the

Voice

you

wish

to

use

for

the

recording,

then

make

any

other

selections

vou

wish,

such

as

for

Chorus

and

Reverb.

When

ready,

press

the

REC

button

tits

indicator

will

light).

This

means

that

the

instrument

is

in

stand-by,

waiting

for

recording

to

begin.

REC

Start

playing.

(Recording

will

start

the

moment

the

first

note

is

played.)

When

finished,

press

the

REC

button

again

to

stop

recording.

The

indicator

should

go

out.

REC

During

recording,

you

can

change

to

any

other

Voice

you

wish

to

use.

You

can

record

up

to

approximately

2,000

notes.

When

the

unit

starts

running

low

on

memory

space,

the

indicator

on

the

REC

button

will

start

flashing.

If

you

continue

recording,

the

REC

indicator

will

begin

flashing

faster.

Once

you

reach

the

stage

where

the

unit

cannot

record

any

more,

the

indicator

on

the

REC

button

will

go

out,

and

recording

stops

automatically.

Once

you

begin

a

new

recording,

all

of

the

performance

data

previously

recorded

will

be

erased.

Once

erased,

performance

data

cannot

be

recovered.

Now

try

listening

to

what

you

just

recorded

Pr

ess

the

PLAY

button

tits

indicator

will

light.

PLAY

The

unit

stops

automatically

alter

the

song

has

played

through.

The

indicator

will

then

go

out.

(Press

the

PLAY

button

to

stop

playback

at

any

point)

The

performance

data

that

you

record

will

disappear

about

8

hours

after

power

has

been

turned

off.

If

you

need

amore

permanent

form

of

storage

for

your

songs,

you

will

need

to

connect

an

external

sequencer

(p.

8)

and

record

onto

that

unit.

To

manually

erase

all

recorded

performance

data,

simul-

taneously

press

the

REC

and

PLAY

buttons.

lE

EE

Playing

with

the

Key

Transposed

If

vou

wish,

vou

can

play

the

instrument

with

the

key

‘transposed.’

This

conveniently

allows

you

to

play

in

a

key

that

matches

a

vocal

accompaniment,

without

changing

vour

fingering

on

the

keyboard.

Transposition

is

also

useful

when

you

are

going

to

play

a

piece

in

a

key

other

than

C,

and

wish

to

play

it

as

if

it

were

in

the

key

of

C.

This

makes

it

is

easier

to

plav.

While

holding

down

the

FUNCTION

button,

press

either

PIANO

(bi

or

HARPSICHORD

(4)

enough

times

to

obtain

the

amount

of

transposition

you

wish.

PIANO

HARPSI-

CHORD

ESA

E=)

EE

FUNCTION

b

4

While

holding

C

#

With

each

press,

the

sound

is

raised

by

1

semitone.

(Max.

of

5

semitones.)

b

Wilh

each

press,

the

sound

is

lowered

by

1

semitone.

(Max.

of

6

semitones.)

Playing

a

piece

in

some

other

key

with

the

fingering

of

C

You

need

to

specily

which

note

you

wish

to

sound

when

the

C

key

(do

in

the

key

of

C)

is

pressed.

Hold

down

the

FUNCTION

button

while

vou

press

the

keynote

for

the

key

you

wish

to

transpose

to

(using

the

C-B

kevs

in

the

upper-

most

of

the

keyboard).

For

example,

to

play

an

E

major

piece

in

the

key

of

C

major,

vou

would

hold

down

the

FUNCTION

button

while

you

press

E

(mi.

FUNCHON

While

holding

pe

—

Press

the

keynote

of

the

key

to

which

you

wish

to

transpose:

*

To

return

to

the

key

of

C,

press

PIANO

(

b)

and

HARPSI-

CHORD

(#)

simultaneously

while

holding

down

the

FUNC-

TION

button.

*

The

indicator

on

the

FUNCTION

button

will

remain

lit

while

transposition

is

in

effect.

*

To

cancel

transposition,

press

the

FUNCTION

button

again,

and

confirm

that

its

indicator

has

gone

out.

*

Once

you

have

set

the

transposition,

all

you

need

to

do

to

obtain

the

same

transposition

the

is

to

press

the

FUNCTION

button.

*

If

you

have

used

the

Key

Transpose

feature

to

raise

the

pitch

(by

1

to

5 semitones),

the

keyboard's

5

highest

keys

(at

the

far

right)

will

sound

one

octave

lower

than

normal

when

playing

organ

or

string

sounds.

Pedal

Functions

The

specialized

stand

comes

equipped

with

3

pedals.

The

right

one

is

the

Damper

pedal,

the

middle

one

is

the

Sostenuto

pedal,

and

the

left

one

acts

as

the

Soft

pedal.

1

Damper

Pedal

While

the

Damper

Pedal

is

depressed,

notes

that

have

been

plaved

will

continue

to

sound

even

after

your

fingers

have

been

removed

from

those

keys.

2

Sostenuto

Pedal

This

pedal

is

used

to

sustain

only

the

sound

of

those

keys

that

are

pressed

at

the

very

moment

the

pedal

is

depressed.

Notes

played

afterwards

are

not

effected.

3

Soft

Pedal

When

depressed,

you

obtain

a

softer

sound.

Key

Touch

Function

This

instrument

allows

you

to

select

one

of

three

touch

settings.

These

settings

determine

how

the

keyboard

will

respand

to

certain

playing

dynamics.

Choose

the

setting

which

is

most

comfortable.

—

KEY

TOUCH

LL

This

is

the

standard

setting.

The

response

provided

by

this

setting

is

generally

perceived

as

being

the

most

natural.

Medium

Light

=

With

this

setting,

the

keys

will

seem

lighter

to

the

touch,

and

fortissimo

levels

can

be

achieved

with

much

less

effort.

uan

MEA

Heavy

Ç=

With

this

setting,

the

keys

will

seem

heavier

to

the

touch,

and

you

will

need

to

apply

even

more

force

than

normal

to

obtain

fortissimo

levels.

*

When

powered

up,

the

instrument

will

be

at

the

default

setting

(Medium).

Changing

the

Depth

of

the

Chorus

Effect

You

can

select

from

6

different

Chorus

levels.

1.

Hold

down

the

CHORUS

button

for

a

few

seconds

until

vou

have

confirmed

that

its

indicator

has

started

to

flash.

2.

With

the

CHORUS

button

still

depressed,

press

the

appropriate

Voice

button

to

select

the

desired

depth

setting.

PIANO.

HARP

SE

CHORUS

TSHORO

3

eS]

"EY

m

——

(

)

Provides

=

`+

Nescit

ris

E

Whe

oldini:

Applying

Reverb

to

the

Sound

You

can

select

from

6

different

Reverb

levels.

1.

Hold

down

the

REVERB

button

for

à

few

seconds

and

ils

indicator

will

start

to

flash.

2.

With

the

REVERB

button

still

depressed,

press

the

appro-

priate

Voice

button

to

select

the

desired

depth

setting.

PIANG

HAÑ

VIBRA

EPANU

=

PIPE

STRINGS

REVERS

CHORD

—

PHONE

ORGAN

.

v

Lua

mi

1

Provides

«m

>

Deepens

M

a

While

holen

ed

€€690606060€690906€00€00€90909000000€00000€00060606€660000000200090000006000900950006€00600009009009006009€0€60006800000099*9002006€909009

For

Those

Who

Wish

To

Use

MIDI

Those

satistied

with

playing

the

piano

by

itself

need

not

read

the

following.

About

MIDI...

The

MIDI

(Musical

Instrument

Digital

Interface)

standard

was

created

to

provide

for

the

exchange

of

performance

information

among

electronic

Musical

instruments.

and

computers

The

MIDI

Connectors

Take

a

look

at

the

rear

panel

of

your

piano.

You

should

be

able

to

quickly

line

the

vo

MIDI

sackets.

These

connectors

enable

the

piano

to

‘converse’

with

other

MIDI-equipped

units.

The

two

connectors

function

as

follows:

MIDI

OUT

IN

Ə

©

*

MIDI

IN

Connector

This

connector

is

where

messages

from

other

MIDI-

equipped

units

are

received,

and

can

be

likened

to

the

"ears"

which

listen

to

what

the

other

instrument

has

to

convey.

e

MIDI

OUT

Connector

From

this

connector,

messages

are

sent

out

to

other

MIDI-

equipped

units.

Ht

can

be

likened

to

the

“mouth”

in

the

ongoing

dialogue

between

the

unils.

In

order

to

enable

communication

between

two

devices,

vou

need

to

run

a

cable,

such

as

shown

below,

between

their

respective

MIDI

connectors.

Connecting

a

recorder

or

sequencer

such

as

the

PR-1

or

MT-200

AMDIESequenser

in

Recorder

HP-

Eou

f

mmm

İİİ

İLLE

LDL

Yİ

EE

SE

DN

İİİ

ET

A6

EEA

ISTE

EE

NTE

TE

TEE,

Setting

the

MIDI

Transmit/Receive

Channels

MIDI

provides

for

the

use

of

16

channels,

numbered

1—16.

When

the

channel

used

by

the

transmitting

unit

matches

that

ola

remote

receiving

unit,

vou

can

play

sounds

contained

in

the

remote

unit,

or

change

the

sounds

if

uses.

Hold

down

the

FUNCTION

button

while

you

press

the

VIBRAPHONE

button

to

set

the

MIDE

Transmit/Receive

Channel.

1.

While

the

VIBRAPHONE

button's

indicator

is

dark,

the

transmission

and

reception

channels

will

be

set

to

the

same

channel.

The

Transmit

channel

alone

can

be

set

while

the

VIBRAPHONE

button's

indicator

is

blinking:

whereas

the

Receive

channel

alone

can

be

set

while

the

VIBRAPHONE

button's

indicator

is

lit.

VIBRA-

PHONE

=

Tx

and

Rs

channels

15

the

same

channel

F

Setting

the

Ts

channel

Bize

Setting

the

Rs

channel

©

2.

With

the

FUNCTION

button

still

depressed,

press

the

key

which

corresponds

to

the

desired

MIDI

channel.

(See

illustration

below.

While

holding

unen

Press

the key

that

corresponds

to

the

MIDI

channel

vou

want

Omni

On/Off

When

set

to

"Omni

ON,"

the

HP-1800

will

produce

sound

no

matter

which

channel

any

performance

data

is

received

on.

This

is

convenient

for.

hearing

(he

performance

data

on

all

channels

at

the

same

time.

To

set

the

unit

to

Omni

ON,

hold

down

the

FUNCTION

button

and

press

the

kev

at

the

right

end

of

the

keyboard

ithe

highest

key).

At

the

same

time,

both

the

transmission

and

reception

channels

are

automatically

set

to

channel

1.

e

=>

€

While

holding

*

Thereafter,

the

unit

will

be

placed

back

into

the

Omni

OFF

mode

when

a

specific

setting

for

the

Receive

channel

is

made.

Local

On/Off

lí.

you

intend

to

record

into

a

sequencer,

set

il

so

its

“Soft

Thru”

function

is

ON.

At

the

same

time,

set

the

piano’s

Local

setting

to

OFF:

1.

Press

FUNCTION

ithe

STRINGS

button

indicator

should

be

dark).

(When

this

indicator

is

dark,

it

means

that

the

unit

is

set

to

Local

ON.)

STRINGS

[-—3.

Im

fUNCMON

Ó

2.

With

the

FUNCTION

button

still

depressed,

press

the

STRINGS

button,

and

confirm

that

its

indicator

has

lit.

(When

this

indicator

is

lit,

the

unit

is

set

to

Local

OFF.)

STRINGS

js

—

E

FUEL

HON

While

holding

*

If

the

HP-1800

is

set

to

"Local

ON"

while

connected

to

a

sequencer

set

with

its

"Soft

Thru"

function

"ON,"

the

same

notes

will

be

produced

twice.

This

is

because

the

locally

produced

keyboard

notes

first

sound

internally,

and

then

are

sounded

a

second

time

when

the

note

messages

(after

having

been

sent

out

the

HP-1800's

MIDI

OUT,

and

been

routed

through

the

sequencer)

have

arrived

back

again

at

the

HP-1800's

MIDI

IN.

The

result-

ing

sound

might

seem

quite

unnatural.

*

When

the

Local

feature

is

set

at

^Off",

the

sound

source

of

the

instrument

will

be

disengaged

from

the

keyboard.

Asa

result,

only

the

musical

information

that

has

traveled

through

the

sequencer

and

has

arrived

back

again

will

cause

the

instrument

to

sound.

*

Some

sequencers,

such

as

the

MT-200,

automatically

send

out

a

"Local

Off"

message

at

power

up.

There

are

also

sequencers

(such

as

the

PR-1)

which

are

ordinarily

used

while

set

to

Soft

Thru

Off,

so

the

instrument

being

used

can

be

left

set

at

Local

On.

*

This

piano

will

always

be

set

at

"Local

ON"

whenever

its

power

is

turned

on.

*

Whenever

there

are

no

cables

connected

to

this

instru-

ment's

MIDI

connectors,

it

will

always

be

at

"Local

ON."

9

10

ERR

I

TA

AP

OR

PST

SE

I

AV

E

SENI

cM

S

ESE

ELİE

İİİ

İLİ

CASADO

İİ

İİİ

The

Multi-Timbral

Mode

When

the

Multi-Timbral

mode

is

ON,

MIDI

data

arriving

on

several

channels

can

be

received.

This

allows

vou

to

simul-

taneously

play

several

ot

the

piano's

internal

sounds.

*

When

the

Multi-Timbral

Mode

is

OFF

Data

that

arrives

on

the

specified

Receive

channel

(see

page

9)

is

received

and

used

to

play

the

currently

selected

Voice.

*

When

the

Multi-Timbral

Mode

is

ON

Of

any

MIDI

data

that

arrives,

that

which

arrives

on

channels

1,

11,

12,

13,

14

and

15

is

received.

Data

on

all

other

channels

is

ignored.

The

Voice

that

is

used

to

play

the

notes

will

be

determined

by

the

Program

Change

message

that

is

received

on

the

relevant

channel.

The

correspondence

between

Program

Change

Numbers

and

Voices

is

shown

on

page

11.

While

holding

down

the

FUNCTION

button,

press

the

PIPEORGAN

button

to

turn

the

Multi-Timbral

Mode

ON

or

OFF.

With

the

indicator

lit,

it

is

ON.

PIPE

ORGAN

[rJ

FUNCTION

Ó

While

holding

How

Various

Types

of

Messages

Function

While

the

Multi-Timbral

Mode

is

ON

*

Pedal

Messages

Damper,

sostenuto

and

soft

pedal

messages

function

inde-

pendently

for

any

of

these

channels:

T,

11,

12,

13,

140r

15.

*

Volume

Messages

Volume

messages

control

the

volume,

and

function

inde-

pendently

for

any

of

these

channels:

1,

11,12,

13,

140r

15.

Such

messages,

however,

have

no

effect

on

what

is

plaved

on

this

instrument's

keyboard.

The

actual

volume

obtained

is

determined

by

both

the

value

of

the

Volume

message,

and

the

position

of

the

Volume

knob

on

this

instrument.

When

a

Volume

message

calls

for

the

maximum

value,

the

actual

volume

produced

will

directly

reflect

the

position

of

the

Volume

knob.

*

Chorus

On/Off

Messages

Chorus

On/Off

messages

affect

independently

for

each

channel

1,

11, 12, 13,

14

or

15.

*

Reverb

On/Off

Messages

Reverb

On/Off

messages

affect

all

Voices

equally,

regard-

less

of

whether

they

are

received

on

channel

1,

11,

12,

13,

i4or

15.

*

When

the

Multi-Timbral

Mode

is

“On,”

the

unit

will

always

be

at

"Omni

OFF."

Selecting

the

Transmission/Reception

Mode

Three

Transmission/Reception

Modes

have

been

provided

to

allow

vou

to

select

the

mode

which

best

matches

your

needs.

*

Note

and

Pedal

messages

are

received/transmitted

in

every

mode.

Hold

down

the

FUNCTION

button

while

vou

press

the

E.PIANO

button

to

set

the

Transmit/Receive

mode.

When

the

E.PIANO

button's

indicator

is

dark,

you

are

in

Mode

T.

When

the

E.PIANO

button's

indicator

is

blinking,

vou

are

in

Mode

2.

When

the

E.PIANO

button's

indicator

is

lit,

vou

are

in

Mode

3.

E

PIANO

=]

Mode

|

Mode

?

C=)

Mode

+

Ò

*

When

power

is

turned

on,

the

unit

will

always

be

at

the

Mode

1

setting.

While

holding

Mode

|

H

lii

MIDI

Messages

TX

RN

TX

RN

IN

RN

Note

Messages

Yes

No

Yes!

Yes

Program

Change

Messages

Control

Change

Messages

Volume

(7)

No

Yes

No

Yes

No

Yes

Damper

ibd)

Yes

Sostenulo

ibb)

Yes

Ves

Yes

Yos

Yes

Satt

ib?)

Yes

Yes Yes Yes Yes

Chorus

On/Ott

(934

No

Yes

Reverb

On/Off

iati

No

Yes

Master

Tune

(RPN).

No

No.

No

No.

Yes

Roland

System

Exclusive

Messages

No

Yes

No

Yes

Multi-Timbral

Mode

Chorus

Depth

No

Yes

No

Yes

Reverb

Depth

No

Yes

No

Yes

Brilliance

No

Yes

No

Yes

*

In

Mode

3,

the

appropriate

Program

Change

message

will

be

transmitted

whenever

you

press

a

Voice

button.

(See

the

following

page.)

Transmission/Reception

of

Program

Change

Messages

Transmitting

While

holding

down

the

FUNCTION

button,

press

the

keys

corresponding

to

the

Group,

Bank,

and

Number

which

make

up

the

Program

C

Shange

message

vou

wish

to

transmit.

li

nsn

Camp

À

Group

B

Number

E

CJ

While

holding

Bank

KLN

SKEE

604

oap

ES

GROUP

A

R

i

te

ss

the

key

that

corresponds

the

program

change

number

sH

want

t

Fiunt

rs

gelin

*

In

the

Mode

3

Transmission/Reception

mode,

the

appropriate

Program

Change

message

will

be

transmitted

whenever

you

press

a

Voice

button.

ï

PIANO

13

PIANO

+

VIBRAPHONE

32

HARPSICHORD

+

STRINGS

3

HARPSICHORD

14

PIANO

+

E.PIANO

46

VIBRAPHONE

+

E.PIANO

5

VIBRAPHONE

15

PIANO

+

PIPEORGAN

47

VIBRAPHONE

+

PIPEORGAN

6

E.PIANO

16

PIANO

+

STRINGS

48

VIBRAPHONE

STRINGS

7

PIPEORGAN

29

HARPSICHORD

+

VIBRAPHONE

55

E.PIANO

+

PIPEORGAN

8

STRINGS

30

HARPSICHORD

+

E.PIANO

56

E.PIANO

STRINGS

11

PIANO

+

HARPSICHORD

31

HARPSICHORD

+

PIPEORGAN

64

PIPEORGAN

+

STRINGS

Receiving

When

a

Program

Change

message

is

received,

a

change

is

made

to

the

correspondingly

numbered

Voice,

as

shown

below.

1

PIANO

13

PIANO

+

VIBRAPHONE

32

HARPSICHORD

+

STRINGS

3

HARPSICHORD

14

PIANO

+

L.PIANO

46

VIBRAPHONE

+

E.PIANO

5

VIBRAPHONE

15

PIANO

+

PIPEORGAN

47

VIBRAPHONE

+

PIPEDRGAN

6

E.PIANO

16

PIANO

+

STRINGS

48

VIBRAPHONE

+

STRINGS

7

PIPEORGAN

29

HARPSICHORD

+

VIBRAPHONE

55

E.PIANO

+

PIPEORGAN

8

STRINGS

30

HARPSICHORD

+

E.PIANO

56

E.PIANO

+

STRINGS

11

PIANO

+

HARPSICHORD

31

HARPSICHORD

+

PIPEORGAN

64

PIPEORGAN

+

STRINGS

*

Program

Changes

except

those

mentioned

above

will

be

ignored.

11

po

Whenever

you

suspect

that

the

instrument

is

not

performing

as

it

should,

please

consult

the

following

information.

Q.

No

sound

heard

from

speakers.

A.

eHave

you

checked

to

make

sure

vou

don't

have

the

volume

set

at

"MIN"?

*

Do

you

possibly

have

headphones

connected?

elf

using

other

connected

MIDI

devices,

have

vou

made

sure

the

power

is

ON

for

all

such

devices?

»

|f

in

the

Multi-Timbral

mode,

do

vou

have

the

Transmit

channel

sel

to

something

other

than

F,

11,

12,

13,

I4,

or

£5

?

s

the

Local

control

set

to

OFF?

Q.

The

damper

effect

is

constantly

applied

to

notes

played

they

continue

sounding

longer

than

normali.

Or,

the

damper

effect

cannot

be

obtained

at

alll.

Have

vou

checked

to

make

sure

the

cable

from

the

stand

is

connected

properly

to

the

piano?

Refer

to

"Assembling

the

KS-1800

Stand

for

the

HP-

1800,"

page

3.

A.

O.

Notes

played

on

the

keyboard

are

too

high

tor

low

in

pitch.

A.

*

Have

you

checked

to

make

sure

that

key

transposition

is

not

in

effect?

Hi

Key

Transpose

has

been

set,

the

indicator

on

the

FUNCTION

button

will

be

lit)

To

exit

the

transposed

state,

press

the

FUNCTION

button.

dts

indicator

should

be

out.)

Do

you

have

the

Master

Tuning

set

appropriately?

Q.

Data

that

was

in

the

recorder

has

disappeared.

A.

*

The

performance

data

that

vou

record

into

the

recorder

will

be

erased

approx.

8

hours

after

power

is

turned

off.

rased.

I

you

need

a

more

permanent

form

of

storage

Regrettably,

there

is

no

way

lo

restore

such

data

once

it

has

been

e

for

vour

songs,

vou

will

need

to

use

a

sequencer

teg.,

Roland

MT

*

Have

you

possibly

pressed

the

PLAY

and

REC

buttons

at

the

same

lime?

200)

and

store

songs

on

floppy

disks.

Q.

The

pitch

differs

from

what

it

should

be

with

Roland

“ISM”

or

another

manufacturer's

sound

generating

unit.

A.

Check

to

make

sure

that

the

Tuning

knob

on

the

rear

of

the

unit

hasn't

been

inadvertently

moved.

Adjust

the

tuning

knob

until

the

piano’s

pitch

matches

that

of

the

external

units

vou

are

using,

O.

Operations

you

perform

using

the

panel

buttons

(Chorus/Reverb/Voice

selections)

cannot

he

stored

into

a

sequencer.

A.

Have

you

made

sure

you

have

the

Transmission/Reception

Mode

set

to

Mode

37

Note

that

each

time

power

is

turned

on,

the

unit

will

hy

default

be

in

Mode

1.

In

order

to

record

operations

you

perform

using

the

panel

buttons,

the

piano

must

be

set

to

Mode

3.

Specifications

HP-1800

——

—————

—Á—Á

—Á

Áo

MM——————M

Keyboard

88

keys

Speakers

16

cm

X

2

tweighted

counter-lever

action)

Output

20W

X2

Sound

Source

Advanced

SA

Process

Finish

Simulated

Brazilian

Rosewood

Voices

Piano

Power

Consumption

50

W

(120V),

45

W

(230,240V)

Harpsichord

Dimensions

:Piano

—

1419

(Wi

X

456

(D)

X

192

(H

mm

Vibraphone

55-7/8

(W)

X

18(D)

X

7-9/16

H)

inches

Electric

Piano

Stand

=

1419

Wi

X

456

(D)

X

638

(H)

mm

Pipe

Organ

55-7/8

(WOX

18

(W0

X

25-

1/8

1

Hi

inches

Strings

Total

=

1419

(Wi

X

456

(D)

X

830

(H)

nim

Effects

Chorus

(6

levels)

55-7/8

WAX

84D)

N

32-1

1/1

6d

inches

Reverb

(6

levels)

Weight

Piano

=

43.5kg

Touch

Control

Light

95lbs.

150z.

Medium

Stand

147kg

Heavy

324bs.

Faz.

Controls

Volume,

Brilliance,

Master

Tune,

‘Total

=

58.2ke

Key

Transpose

128lbs.

Soz.

Connectors

Output

Jacks

(Stereo)

Supplied

Accessories

Owner's

Manual,

Power

Cable

nput

Jacks

(Stereo/Mono)

Options

Keyboard

Stand

iKS-

15001

Pedal

Jacks

MIDI

IN

Connector

MIDI

OUT

Connector

*

In

the

interest

of

product

improvement,

the

specifica-

Headphones

Jack

tions

of

this

unit

are

subject

to

change

without

prior

Pedals

Damper,

Soft,

Sostenuto

notice.

DIGITAL

PIANO

MIDI

Implementation

Chart

Date:Feb.

12,

1993

Model

HP-1800

Version:1.00

|

Transmitted

Recognized

Remarks

|

Functionese

|

H

Em

RO

TA

CE

a

"

Ae

T

teks

Ae

x

d

Basic

Default

1

j

|

Channel

Changed

|

1-

16.

PA

(1.11.12.43.14.)5)

EE

Lus

tam

=

i

i.

Default

Made

3

Mode

3

Mode

Messages

OMNI

OFF,

POLY

t5

*2

Altered

|

-

ee

eee

ie

|

RM

|

Note

`

0-127

|

Number

True

Voice

yedeğe

le

tede

15-113

|

Velocity

Note

ON

la

a

|

Note

OFF

o

8n

v=1-127

o

After

Key's

;

|

Touch

Ch's

|

[x

F

APEERE

RECETA

-

PES

i

dtu

TA

MILI

MES

|

Pitch

Bend

x

|x

Li

e

|

m

o

Data

entry

|

6,38

|

)

|

7

İN

o

Volume

|

64

|

o

Hold

|

66

|

©

o

Sostenuto

|

67

|

v

o

Soft

|

91

*]

v]

Reverb

Control

93

|

*l

+]

Chorus

Change

|

100,101

|

o

[o

|

RPN

LSB,

MSB

|

121

|

X

o

Reset

all

controllers

|

L

ie

a

Susan

ellik

——

-

EE

er

RS

24

Prog

#1

(0-127)

|

*1

(0-127)

|

Change

True

#

se

spe

ste

ole

sks

ste

le

sk

jo

|

0...63

|

RESTER

"

|

eae

System

Exclusive

9

System

Song

Pos

>

$

|

Common

Song

Sel

re

À

|

True

=

[^

mE

€

I

s

mus

=

—

A

l———

System

Clock

>

|

À

|

Real

Time

Commands

7

|

^

|

sie

=

|

entes

|

NEA

EM

H

L

!

|

Local

ON/OFF)

X

Peet

a

AUX

All

Notes

OFF

|

^

Lenape

Messages

Active

Sense

`:

|

Reset

j

`

|

Rs

Able

to

choose

between

"o"

and

"X".

E

|

Notes

When

power

on.

OMNI

OFF

and

POLY

are

sent

through

the

basic

channel.

|

When

the

Multi-Timbral

Mode

is

OFF,

recognized

as

Mode

3

even

if

receiving

in

MONO

|

mode

(Ml).

Recognized

as

Mode

|

even

if

receiving

in

MONO

mode

(Ml).

i

When

the

Multi-Timbral

Mode

is

ON.

Set

to

"x"

when

the

Mulu-Timbral

Mode

is

ON

and

set

to

"o"

when

the

Multi-

Mode

1

:

OMNI

ON,

POLY

Mode

3

:

OMNI

OFF,

POLY

©

Timbral

Mode

is

OFF.

Mode

2

:

OMNI

ON,

MONO

Mode

4

:

OMNI

OFF,

MONO

Information

When

you

need

repair

service,

call

your

local

Roland

Service

Station

or

the

authorized

Roland

distributor

in

your

country

as

shown

below.

U.S.

A.

Roland

Corporation

US

Th

EN

on

Cin

d

OA

DOC

das

31554;

HE:

24.33.

685-5141

CANADA

Roland

Canada

Music

Ltd.

(Head

Office)

5480

Parkwood

Way

Richmond

B.

C.

VaV

JAH

CANADA

Vil

ziG04

270-4646

Roland

Canada

Music

Ltd.

(Montreal

Office)

949-425

[ranscanadienne

Service

Rd.

Nv

Si

Laurent,

ueber

HAS

İVA,

CANADA

TEE

151.4).

335-2009

Roland

Canada

Music

Ltd.

(Toronto

Office)

346

Watling

Avenue

Mississauga,

Ontario

147

XC

ADA

TEL:

i4

16:

890-6408

AUSTRALIA

Roland

Corporation

Australia

Pty.

Ltd.

jë

Campbell

Avenue

Dee

Why

West,

NSW

2099

AUSTRALIA

TEL

02)

9842-8266

NEW

ZEALAND

Roland

Corporation

(NZ)

Ltd.

87

MIL.

Eden

Road,

Mi

Eden,

Auckland

3,

NEW

ZEALAND

TEL:

(09)

3098-715

UNITED

KINGDOM

Roland

(U.K.)

Ltd.

Rye

Close

Ancells

Business

Park

Fleet,

Hampshire

GU

1

BUY,

UNITED

KINGDOM

TEL:

0252-816181

Roland

(U.K.)

Ltd.,

Swansea

Office

Atlantic

Close,

Swansea

Enterprise

Park,

Swansea.

West

Glamorgan

SAT9FI,

UNITLD

KINGDOM

TEL:

10792:

700-

E39

ITALY

Roland

Italy

S.

p.

A.

Viale

delle

industrie &

20020

AR

MILANO

ITALY

TEL:

02-93581311

SPAIN

Roland

Electronics

de

Espana,

S.

A.

Calle

Bolivia

239

08020

Barcelona,

SPAIN

TÉL:

93-308-

1000

GERMANY

Roland

Elektronische

Musikinstrumente

Handelsgesellschait

mbH.

Oststrasee

96,

2000

Norderstedt,

GERMANS

HE

4055.)

GO

098

FRANCE

Musikengro

102

Avenue

Jean

Jautis

69007

Lyon

Cedex

07

TRANCI

184

2474.

858-54

60

Musikengro

(Paris

Office)

Conte

Re

Parisienne

4

i

rac

Charles-Fouriec

84400

Vitry

SUR/SEINE

FRANCE

TEL:

chi

4680

66

62

BELGIUM/HOLLAND/

LUXEMBOURG

Roland

Benelux

N.

V.

Houtstraat

E

D-22060

Oevel-

Westerlo

BELGIUM

[CL

400424

4-575811

DENMARK

Roland

Scandinavia

A/S

Langebragaile

6

Box

19.47

DK-1023

Copenhagen

K.

DENMARK

VEL

31

05

4E

61

SWEDEN

Roland

Scandinavia

A/S

Danvik

Center

28

A,

2

tr.

S-

13]

30

Nacka

SWEDEN

PLL:

05702

00

20

NORWAY

Roland

Scandinavia

Avd.

Kontor

Norge

Lilleakerveien

2

Postboks

95

Lilleaker

N-0246

Oslo

2

NORWAY

TEL:

22-7

5

u0

74

FINLAND

Fazer

Musik

Inc.

Hánsituulentie

POB

169,

SF-

02104

Espoo

FINLAND

PEL:

0-43

30

11

SWITZERLAND

Musitronic

AG

Gerberstrasse

5,

CH-34

10

Liestal,

SWITZERLAND

TEL:

O6

1/921

To

£5

Roland

CK

(Switzerland)

AG

Postfach/Hauptstrasse

21

CH-4456

Tenniken

SWITZERI

AND

TEL:

061/98

60

55

Repair

Serce

by

Musifraniic

AG

AUSTRIA

E.

Dematte

&Co.

Neu-Rum

Siemens-Strasse

4

A-6021

Innsbruck

Postfach

59}

AUSTRIA

TEL:

(0512:

63

451

GREECE

V.

Dimitriadis

&

Co.

Ltd.

Avit,

GR

REECE

"OO

Alkar

[068.2

Ath:

VEL:

(44882424

PORTUGAL

Casa

Caius

Instrumentos

Musicais

Lda.

Rua

de

Santa

Catania

E

4000

Porto,

PORTUGALI

FEL:

02-58

H4

56

HUNGARY

Intermusica

Ltd.

Warehouse

Area

DEPO

Forolbalint,

Budapest

HUNGARY

Hb

4868905

ISRAEL

D.J.A.

international

Ltd.

H

Bar

Gy

dora

St,

Fel

Avn

ISKAH

HE:

972.3:52433729

CYPRUS

Radex

Sound

Equipment

Ltd.

17

Diagoroi

SE.)

P

OF

box

2046,

Nicosia

CYPRUS

VEL:

A

53426,

466423

U.A.E

Zak

Electronics

&

Musical

Instruments

Co.

PO.

Bos

8050

DUBAI

UA.

1EL:

095774

SAUDI

ARABIA

Omar

Badoghaish

Trading

Corp.

P.O.

Box

5980

teddah.

SAUDI

ARABIA

JEL:

96602-66070

30

KUWAIT

Easa

Husain

Al-Yousifi

P.O.

Bos

126

Safat

13002

KUWAIT

TEL:

965-574

9494

LEBANON

A.

Chahine

&

Fils

P.O,

Box

16-5857

Beirut,

LEBANON

TEL:

335799

TURKEY

Barkat

Sanayi

ve

Ticaret

Sirmelviler

Cad. 86/6

Taksim

Istanbul,

TURKEY

TEL:

149

93

24

EGYPT

Al

Fanny

Trading

Office

9,

Ebn

Hagar

Askalany

Street,

Ard

E

Gott,

Heliopolis,

Cairo;

EGYPT

TH

:

297

7803-605918

BRAZIL

Roland

Brasil

Ltda.

Oliver

do

Brasil

S.A.

instrumentos

Musicais

Rua

Bolureca,

198.

200

CHH

ü5586-010

Vila

Indiaas

Butanta

Sao

Paulo

st!

BRAZH

VEL:

ini

ade

aio

em

BOSS

products

Kepan

MEXICO

Casa

Veerkamp,

s.a.

de

C.V.

Mesones

No,

Jİ

Col

Cento

MEXICO

DLE,

Oodd

FEL:

Te

3746

La

Casa

Wagner

de

Guadalajara

s.a.

de

c.v.

Ax.

Corona

No, 202

S.J

C.P

44400

Guadalajara,

Jalisco

MEXICO

ThE:

G0:

E1414

VENEZUELA

Musicland

Digital

C.A.

Av.

Francisco

De

Miranda

Centro

Parque

Castal,

Nivel

C2

Local

20

Caracas

VENEZUELA

PEE:

(242844497

PANAMA

Productos

Superiores,

S.A.

Aparlado

635

Panaria

|

REP.

DE

PANAMA

VEL:

265-4422

ARGENTINA

Instrumentos

Musicales

S.A.

Florida

638

cuo)

Buenos

Aires

ARGENTINA

DL:

61

3494-4029

HONG

KONG

Tom

Lee

Music

Co.,

Ltd.

Service

Division

22-32

Pun

Shan

Street,

Tsuen

Wan,

New

Territories

HONG

KONG

Ttt:

415-0911

KOREA

Cosmos

Corporation

Service

Station

261

2nd

Floor

Nak-Won

acade

fong-Ko

ku,

Seoul,

RORLA

TEL:

(02)

742

8844

SINGAPORE

Swee

Lee

Company

Bras

Basah

Complex

805-21

Singapore

0178

SINGA-

PORE

TEL:

3307886

PHILIPPINES

G.A.

Yupangco

&

Co.

inc,

539

Gil

E

Pavat

Avenue

Makati,

Mebo

Manila

P200

PEHLIPPINTS

Hibs

Ala

TER

THAILAND

Theera

Music

Co.,

Ltd.

330

Veray

Nakora

Kasco

Son

2.

Bangkok

TOLDO,

HHAILANHD

ill:

224581

MALAYSIA

Syarikat

Bentley

No.

E42,

falan

Buka

Bintang

55100

Kuala

bumper.

MALAYSIAN

Hg:

2421258

INDONESIA

PT

Galestra

Inti

kompleks

Perkantoran

Duta

Morin

Blok

C/59

JE.

Gajah

mada

No

3-5

Jakarta

101

10

INDONESIA

HELLO

i

554604,

54606

TAIWAN

Siruba

Enterprise

(Taiwan)

Co.,

LTD.

Room.

5,

Mİ

No.

112

Chung

Shan

N

Road

Sec.

2

taipei,

TAIWAN,

ROC.

VET

cu:

5

364546

SOUTH

AFRICA

That

Other

Music

Shop

(PTY)

Ltd.

256

Dice

Sheet,

fofiannes-

burg

2001

Republic

ar

South

Africa

Paut

Bothner

(PTY)

Ltd,

17

Werdimutler

Centre

Claremont

7700

Republic

of

South

Africa

TH

2

64-4030

As

òt

Feb

4

4945

For

Germany

Bescheinigung

des

Herstellers/Importeurs

Hiermit

wird

bescheinigt,

daB

der/die/das

in

Übereinstimmung

mit

den

Bestimmungen

der

Roland

Digital

Piano

HP1800

Amtsbl.

Víg

1046/1984

(Gerát.

Typ.

Bezeichnung)

(Amtsblattverfügung)

funk-entstórt

ist.

Der

Deutschen

Bundespost

wurde

das

Inverkehrbringen

dieses

Gerâles

angezeigt

und

die

Berechtigung

zur

Überprüfung

der

Serie

auf

Einhaltung

der

Bestimmungen

eingeräumt.

Name

des

Herstellers/Importeurs

FEDERAL

COMMUNICATIONS

COMMISSION

RADIO

FREQUENCY

INTERFERENCE

STATEMENT

This

equipment

has

been

tested

and

found

to

comply

with

the

limits

for

a

Class

B

digital

device.

pursuant

to

Part

15

of

the

FCC

Rules.

These

limits

are

designed

to

provide

reasonable

protection

against

harmful

interference

in

a

residentialinstallation.

This

equipment

generates,

uses,

and

can

radiate

radio

frequency

energy

and,

if

not

installed

and

used

in

accordance

with

the

instructions,

may

cause

harmful

interference

to

radio

communications.

However,

there

is

no

guarantee

that

interference

will

not

occur

in

a

particular

installation.

H

this

equipment

does

cause

harmful

interference

to

radio

or

television

reception,

which

can

be

determined

by

turning

the

equipment

off

and

on,

the

user

is

encouraged

to

try

to

correct

the

interference

by

one

or

more

of

the

following

measures:

Reorient

or

relocate

the

receiving

antenna.

Increase

the

separation

between

the

equipment

and

receiver.

Connect

the

equipment

into

an

outlet

on

a

circuit

different

trom

that

to

which

the

receiver

is

connected.

Consult

the

dealer

or

an

experienced

radio/TV

technician

for

help.

Unauthorized

changes

or

modification

to

this

system

can

void

the

users

authority

to

operate

this

equipment.

For

Canada

CLASS

B

NOTICE

This

digital

apparatus

does

not

exceed

the

Class

B

limits

for

radio

noise

emissions

set

out

in

the

Radio

Interference

Regulations

of

the

Canadian

Department

of

Communications.

CLASSE

B

AVIS

CAUTION

RISK

OF

ELECTRIC

SHOCK

DO

NOT

OPEN

A

ATTENTION

aisoue

DE

CHOC

ELECTRIQUE

NE

PAS

OUVRIR

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

SHOCK

DO

NOT

REMOVE

COVER

(OR

BACK;

NO

USER-SERVICEABLE

PARTS

INSIDE

REFER

SERVICING

TO

OUALIFIED

SERVICE

PERSONNEL

A

|A

The

ighining

flash

with

arrowhead

symbol

within

an

equilateral

triangle.

is

intended

te

alert

the

user

to

the

insulated

“dangerous

voltage

within

the

produc

that

may

be

of

sulboent

magnitude

to

cons

etecinic

shock

to

persons

nation

point

within

an

equialera!

triangle

is

intended

af

important

operating

and

ns

in

the

literature

accom-

user

to

the

pre:

maintenance

(servicing)

instr

panymg

the

product

INSTRUCTIONS

PERTAINING

TO

A

RISK

OF

FIRE,

ELECTRIC

SHOCK,

OR

INJURY

TO

PERSONS.

ro

IMPORTANT

SAFETY

INSTRUCTIONS

WARNING

—

When

using

electric

products,

basic

precautions

should

always

be

followed.

including

the

following:

.

Read

all

the

instructions

before

using

the

product.

.

Do

not

use

this

product

near

water

—

for

example.

near

a

bathtub,

washbowl,

kitchen

sink.

in

a

wet

basement,

or

near

a

swimming

pool.

or

the

like.

.

This

product

should

be

used

only

with

a

cart

or

stand

that

is

recommended

by

the

manufacturer.

This

product,

either

alone

or

in

combination

with

an

amplifier

and

headphones

or

speakers,

may

be

capable

of

producing

sound

levels

that

could

cause

permanent

hearing

loss.

Do

not

operate

tor

a

long

period

of

time

at

a

high

volume

level

or

at

a

level

that

is

uncomfortable.

|f

you

experience

any

hearing

loss

or

ringing

in

the

ears,

you

should

consult

an

audiologist.

.

The

product

should

be

located

so

that

its

location

or

position

does

not

interfere

with

ils

proper

ventilation.

.

The

product

should

belocated

away

from

heat

sources

such

as

radiators,

heat

registers,

or

other

products

that

produce

heat.

.

Avoid

using

the

product

where

it

may

be

affected

by

dust.

.

The

product

should

be

connected

to

a

power

supply

only

of

the

type

described

in

the

operating

instructions

or

as

marked

on

the

product.

For

Polarized

Attachment

Plug

CAUTION:

FULLY

INSERT.

9.

The

power-supply

cord

of

the

product

should

be

unplugged

from

the

outlet

when

left

unused

for

a

long

period

ol

time.

.

Do

not

tread

on

the

power-supply

cord.

Do

not

pull

the

cord

but

hold

the

plug

when

unplugging.

.

When

setting

up

with

any

other

instruments,

the

procedure

should

be

followed

in

accordance

with

instruction

manual.

.

Care

should

be

taken

so

that

objects

do

not

fall

and

liquids

are

not

spilled

into

the

enclosure

through

openings.

.

The

product

should

be

serviced

by

qualified

service

per-

sonnel

when:

A.

The

power-supply

cord

or

the

plug

has

been

damaged:

or

Objects

have

fallen,

or

liquid

has

been

spilled

into

the

product;

or

The

product

has

been

exposed

to

rain;

or

The

produci

does

not

appear

to

operate

normally

or

exhibits

a

marked

change

in

performance;

or

The

product

has

been

dropped,

or

the

enclosure

dam

aged.

m

co

go

.

Do

not

attempt

to

service

the

product

beyond

that

described

in

the

user-maintenance

instructions.

All

other

servicing

should

be

referred

to

qualified

service

personnel.

For

Canada

TO

PREVENT

ELECTRIC

SHOCK.

MATCH

WIDE

BLADE

OF

PLUG

TO

WIDE

SLOT,

ATENTION:

POUR

ÉVITER

LES

CHOCS

ÉLECTRIQUES,

INTRODUIRE

LA

LAME

LA

PLUS

LARGE

DE

LA

FICHE

DANS

LA

BORNE

CORRESPONDANTE

DE

LA

PRISE

ET

POUSSER

JUSQU'

AU

FOND.

For

the

U.K

IMPORTANT:

THE

WIRES

IN

THIS

MAINS

LEAD

ARE

COLOURED

IN

ACCORDANCE

WITH

THE

FOLLOWING

CODE.

BLUE

BROWN

LIVE

`

NEUTRAL

As

the

colours

of

the

wires

in

the

mains

lead

of

this

apparatus

may

not

correspond

with

the

coloured

markings

identifying

the

terminals

in

your

plug

proceed

as

lollows:

The

wire

which

is

coloured

BLUE

must

be

connected

lo

the

terminal

which

is

marked

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

L.

or

coloured

RED.

Roland

26054924

93

3

AG2

TES

Roland”.

26055922

"T

Roland:

Roland HP 1800 User manual

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