Roland INTEGRA-7 User manual

2
Contents
Studio Set .........................................4
Top Screen ............................................. 4
STUDIO SET COMMON .................................. 5
GENERAL tab ...................................... 5
CONTROL tab ..................................... 5
PHASE LOCK tab ................................... 5
PART VIEW .............................................. 6
TONE tab .......................................... 6
LEVEL/CH tab ..................................... 6
EQ tab ............................................ 7
KBD tab ........................................... 7
PITCH tab ......................................... 8
OFFSET tab ........................................ 9
SCALE tab ........................................10
MIDI tab ..........................................10
MOTIONAL SURROUND ................................11
COMMON tab ....................................11
PART tab .........................................11
CONTROL tab ....................................11
EFFECTS ROUTING .....................................12
STUDIO SET EFFECTS ..................................13
COMP+EQ OUTPUT tab ...........................13
CHORUS tab ......................................13
REVERB tab .......................................13
MASTER EQ tab ...................................14
SuperNATURAL Acoustic Tone (SN-A) . . . . . . . . . . . . . . .15
TONE EDIT (SN-A) ......................................15
COMMON tab ....................................15
INST tab ..........................................16
Instrument List ...................................16
SuperNATURAL INST Parameters . . . . . . . . . . . . . . . . . . 18
Performance Variation Sounds . . . . . . . . . . . . . . . . . . . . 28
MFX tab ..........................................31
MFX CTRL tab ....................................31
SuperNATURAL Synth Tone (SN-S) . . . . . . . . . . . . . . . . . .32
TONE EDIT (SN-S) ......................................32
COMMON tab ....................................32
OSC tab ..........................................34
PITCH tab ........................................34
FILTER tab ........................................34
AMP tab ..........................................35
LFO tab ..........................................36
MOD LFO tab .....................................37
AFTERTOUCH tab .................................37
MISC tab .........................................37
MFX tab ..........................................38
MFX CTRL tab ....................................38
SuperNATURAL Drum Kit (SN-D) . . . . . . . . . . . . . . . . . . .39
TONE EDIT (SN-D) ......................................39
COMMON tab ....................................39
DRUM INST tab ...................................39
COMP tab ........................................40
EQ tab ...........................................40
MFX tab ..........................................40
MFX CTRL tab ....................................40
SuperNATURAL Drum Inst List . . . . . . . . . . . . . . . . . . . . . . . . . . 41
PCM Synth Tone (PCMS) ...........................47
TONE EDIT (PCMS) .....................................47
COMMON tab ....................................47
WAVE tab ........................................50
PMT tab ..........................................52
PITCH tab ........................................54
PITCH ENV tab ....................................55
TVF tab ..........................................56
TVF ENV tab ......................................57
TVA tab ..........................................58
TVA ENV tab ......................................59
OUTPUT tab ......................................60
LFO1/LFO2 tab ...................................60
STEP LFO tab .....................................61
How to Apply the LFO ............................62
CTRL tab .........................................63
MTRX CTRL1–4 tab ...............................63
MFX tab ..........................................65
MFX CTRL tab ....................................65
PCM Drum Kit (PCMD) .............................66
TONE EDIT (PCMD) .....................................66
COMMON tab ....................................66
WAVE tab ........................................67
WMT tab .........................................68
PITCH tab ........................................68
PITCH ENV tab ....................................68
TVF tab ..........................................69
TVF ENV tab ......................................70
TVA tab ..........................................70
TVA ENV tab ......................................71
OUTPUT tab ......................................71
COMP tab ........................................71
EQ tab ...........................................72
MFX tab ..........................................72
MFX CTRL tab ....................................72

Contents
3
MFX Parameters ..................................73
Equalizer .........................................74
Spectrum ........................................74
Low Boost ........................................74
Step Filter ........................................74
Enhancer .........................................75
Auto Wah ........................................75
Humanizer .......................................75
Speaker Simulator ................................75
Phaser 1 ..........................................76
Phaser 2 ..........................................76
Phaser 3 ..........................................76
Step Phaser ......................................77
Multi Stage Phaser. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Innite Phaser ....................................77
Ring Modulator ..................................78
Tremolo ..........................................78
Auto Pan .........................................78
Slicer .............................................78
Rotary 1 ..........................................79
Rotary 2 ..........................................79
Rotary 3 ..........................................80
Chorus ...........................................80
Flanger. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Step Flanger. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Hexa-Chorus .....................................82
Tremolo Chorus ..................................82
Space-D ..........................................82
Overdrive ........................................82
Distortion ........................................82
Guitar Amp Simulator ............................83
Compressor ......................................83
Limiter ...........................................83
Gate .............................................84
Delay ............................................84
Modulation Delay ................................85
3Tap Pan Delay ...................................85
4Tap Pan Delay ...................................85
Multi Tap Delay ...................................86
Reverse Delay ....................................86
Time Ctrl Delay ...................................87
LOFI Compress ...................................87
Bit Crasher .......................................87
Pitch Shifter ......................................87
2Voice Pitch Shifter ...............................88
Overdrive -> Chorus ..............................88
Overdrive -> Flanger ..............................88
Overdrive -> Delay ...............................89
Distortion -> Chorus ..............................89
Distortion -> Flanger .............................89
Distortion -> Delay ...............................89
OD/DS -> TouchWah ..............................89
OD/DS -> AutoWah ...............................90
GuitarAmpSim -> Chorus .........................90
GuitarAmpSim -> Flanger .........................91
GuitarAmpSim -> Phaser .........................91
GuitarAmpSim -> Delay ..........................92
EP AmpSim -> Tremolo ...........................93
EP AmpSim -> Chorus ............................93
EP AmpSim -> Flanger ...........................93
EP AmpSim -> Phaser .............................94
EP AmpSim -> Delay ..............................94
Enhancer -> Chorus ..............................95
Enhancer -> Flanger ..............................95
Enhancer -> Delay ................................95
Chorus -> Delay ..................................95
Flanger -> Delay ..................................96
Chorus -> Flanger ................................96
About the STEP RESET function . . . . . . . . . . . . . . . . . . . 97
Controlling a MFX via MIDI (MFX CONTROL) . . . . . . . 97
Chorus, Reverb ....................................98
Chorus Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Reverb Parameters .....................................98
SuperNATURAL Tone CC Assign . . . . . . . . . . . . . . . . . . .100
SuperNATURAL Acoustic (SN-A) . . . . . . . . . . . . . . . . . . . . . . .100
SuperNATURAL Drum (SN-D) . . . . . . . . . . . . . . . . . . . . . . . . . .106
Copyright © 2012 ROLAND CORPORATION All rights reserved.
No part of this publication may be reproduced in any form without the written
permission of ROLAND CORPORATION.

4
Studio Set
Top Screen
Solo and mute on/o for
each part
Solo and mute on/o for
each part
Tone type/bank
Part number,
Tone type/bank/name
Studio set number/name
Part number,
Tone number/name TYPE1
TYPE2
* There are two types of top screen: TYPE 1 and TYPE 2. Use [SHIFT] + [ENTER] to switch between them.
Parameter Value Explanation
Studio Set Number 1–64
Selects the number of the studio set.
The studio set will be switched when you change the number and press [ENTER].
(This is shown if the system setting “Top Screen” is TYPE 2.)
Tone Type
For details, refer to “TONE tab” (p. 6) of the PART VIEW screen.Tone Bank
Tone Number
MUTE OFF, ON
Mutes (ON) or un-mutes (OFF) each part.
Use this setting when, for example, you want to use the instrument for karaoke by muting the part
playing the melody, or when you want to play something using a separate sound module.
* The bar (—) above the part number is erased for parts whose mute setting is on.
* The Mute Switch parameter does not turn the part o, but sets the volume to minimum so that
no sound is heard. Therefore, MIDI messages are still received.
SOLO OFF, 1–16 Only the sound of the part set to Solo will be heard.
* You can’t set the Ext part to Solo.

Studio Set – GENERAL tab
5
STUDIO SET COMMON
1. In the top screen, press the [MENU] button.
2. Choose “STUDIO SET COMMON,” and press the [ENTER] button.
Parameter Value Explanation
GENERAL tab
Studio Set Tempo 20–250
Tempo for the studio set
MEMO
If the system setting “Tempo Assign Source” is set to STUDIO SET, the tempo setting of the
studio set will be used as the tempo.
If “Tempo Assign Source” is set to SYSTEM, the system’s tempo setting will be used as the
tempo.
Drum Comp+EQ Assign Part1–Part16
Species the part that will use the six sets of compressor + equalizer that are provided for use with
a drum kit.
* If a tone (not a drum kit) is assigned to the part specied by Drum Comp+EQ Assign, the
Comp+EQ will not be available.
CONTROL tab
Tone Control 1 Src OFF, CC01–CC31, CC33–CC95, BEND,
AFT Specify the MIDI messages that will be used for Tone Control of the studio set.
MEMO
If you want to use the Tone Control 1–4 Src settings of each studio set to control the tone,
set the system setting “Control Source Select” to STUDIO SET. If you want to use the system
settings System Control 1–4 Src to control the tone, set the system setting “Control Source
Select” to “SYSTEM.”
Tone Control 2 Src OFF, CC01–CC31, CC33–CC95, BEND,
AFT
Tone Control 3 Src OFF, CC01–CC31, CC33–CC95, BEND,
AFT
Tone Control 4 Src OFF, CC01–CC31, CC33–CC95, BEND,
AFT
PHASE LOCK tab
CH 1–CH 16 OFF, ON
Set Phase Lock to “ON” when you want to suppress discrepancies in timing of parts played on the
same MIDI channel.
When the Phase Lock parameter is set to “ON,” parts on the same MIDI channel are put in
a condition in which their timing is matched, enabling them to be played at the same time.
Accordingly, a certain amount of time may elapse between reception of the Note messages and
playing of the sounds. Turn this setting to “ON” only as needed.
* Phase Lock is not available for SuperNATURAL acoustic organ-type instruments.

Studio Set – TONE tab
6
PART VIEW
1. In the top screen, press the [PART VIEW] button.
The PART VIEW -ALL- screen appears.
* Some of the part parameters are not shown in the
PART VIEW -ALL- screen.
2. Press the [PART VIEW] button again.
The PART VIEW screen appears.
Parameter Value Explanation
TONE tab
Tone Type SN-A, SN-S, SN-D
PCMS, PCMD
SN-A : SuperNATURAL Acoustic Tones
SN-S : SuperNATURAL Synth Tones
SN-D : SuperNATURAL Drum Kits
PCMS : PCM Synth Tones
PCMD : PCM Drum Kits
Species the type of tone/drum kit assigned to each part.
Tone Bank
PRST, USER,
GM2 (GM2#),
ExSN1–ExSN6,
SRX01–SRX12,
ExPCM
Selects the group of the tone/drum kit assigned to each part.
• ExSN1–5 can be selected as SN-A if that expansion is loaded
• ExSN6 can be selected as SN-D if that expansion is loaded
• SRX01–12 and ExPCM can be selected as PCMS and PCMD if that expansion is loaded
Tone Number 001– Selects the number of the tone/drum kit assigned to each part.
LEVEL/CH tab
Level
(Also valid for the Ext part) 0–127 Adjust the volume of each part.
This setting’s main purpose is to adjust the volume balance between parts.
Pan L64–63R
Adjust the pan of each part.
“L64” is far left, “0” is center, and “63R” is far right.
* If motional surround is on, surround output will be enabled and this setting will be ignored.
Cho Send Level
(Also valid for the Ext part) 0–127
Adjusts the amount of Chorus for each Part.
If you don’t want to add the Chorus eect, set it to 0.
* This has no eect if motional surround is on.
Rev Send Level
(Also valid for the Ext part) 0–127
Adjusts the amount of Reverb for each Part.
If you don’t want to add the Reverb eect, set it to 0.
* This has no eect if motional surround is on.
Output Assign A, B, C, D, 1–8
Species for each part how the sound will be output.
A, B, C, D: The sound will be output in stereo to the OUTPUT A (MIX) jacks or from the OUTPUT B,
C, D jacks.
1–8: The sound will be output in monaural to the INDIVIDUAL 1–8 jacks.
Rx Switch OFF, ON
For each part, specify whether MIDI messages will be received (ON), or not (OFF).
If this is “OFF,” the part will not respond. Normally, you should leave this “ON,” but you can turn it
“OFF” when you do not want a specic part to be playing during song playback.
Rx Channel 1–16 Species the MIDI receive channel for each part.
Mono/Poly MONO, POLY, TONE
Set this parameter to “MONO” when the tone assigned to the part is to be played monophonically,
or to “POLY” when the tone is to be played polyphonically. If you want to use the Mono/Poly
setting of the tone assigned to the part (p. **), set this to “TONE.”
* This is not shown in PART VIEW -ALL-.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–ü ü –ü–

Studio Set – EQ tab
7
Parameter Value Explanation
Legato Switch OFF, ON, TONE
You can add legato when performing monophonically. The term “legato” refers to a playing style
in which notes are smoothly connected to create a owing feel. This creates a smooth transition
between notes, which is eective when you wish to simulate the hammering-on and pulling-o
techniques used by a guitarist.
Turn this parameter “ON” when you want to use the Legato feature and “OFF” when you don’t. If
you want to use the Legato Switch setting of the tone assigned to the part, set this to “TONE.”
* This is not shown in PART VIEW -ALL-.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü– – ü–ü–
Voice Reserve 0–63, FULL
This setting species the number of voices that will be reserved for each part when more than 128
voices are played simultaneously.
It is not possible for the settings of all parts to total an amount greater than 64.
* This is not shown in PART VIEW -ALL-.
EQ tab
EQ Switch OFF, ON EQ for each part on/o setting
EQ Low Freq 200, 400 [Hz] Frequency of the low range
* This is not shown in PART VIEW -ALL-.
EQ Low Gain -15–+15 [dB] Gain of the low frequency range
EQ Mid Freq
200, 250, 315, 400, 500, 630, 800,
1000, 1250, 1600, 2000, 2500, 3150,
4000, 5000, 6300,8000 [Hz]
Frequency of the middle range
* This is not shown in PART VIEW -ALL-.
EQ Mid Gain -15–+15 [dB] Gain of the middle frequency range
EQ Mid Q 0.5, 1.0, 2.0, 4.0, 8.0
Width of the middle frequency range
Set a higher value for Q to narrow the range to be aected.
* This is not shown in PART VIEW -ALL-.
EQ High Freq 2000, 4000, 8000 [Hz] Frequency of the high range
* This is not shown in PART VIEW -ALL-.
EQ High Gain -15–+15 [dB] Gain of the high frequency range
KBD tab
Range Lower Range Upper
Fade Lower Fade Upper
Level
Pitch
Key Fade Upper 0–127
Determines what will happen to the Part’s level when a note that’s higher than its specied
keyboard range is played. Higher settings produce a more gradual change in volume.
If you don’t want the Tone to sound at all when a note above the keyboard range is played, set this
parameter to 0.
Key Range Upper LOWER–G9
Species the highest note that the tone will sound for each part.
* It is not possible to set Lower to a value greater than the Upper value, or Upper to a value less
than the Lower value.
Key Range Lower C-1–UPPER Species the lowest note that the tone will sound for each part.
Key Fade Lower 0–127
Determines what will happen to the Part’s level when a note that’s lower than its specied
keyboard range is played. Higher settings produce a more gradual change in volume.
If you don’t want the Tone to sound at all when a note below the keyboard range is played, set this
parameter to 0.

Studio Set – PITCH tab
8
Parameter Value Explanation
Range Lower Range Upper
Fade Lower Fade Upper
Level
Velocity
Velo Fade Upper 0–127
Determines what will happen to the tone’s level when the tone is played at a velocity greater than
Velo Range Upper. If you don’t want the tone to sound at all, set this parameter to “0.”
* This is not shown in PART VIEW -ALL-.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–üüüüü
Velo Range Upper LOWER–127 Species the highest velocity at which the part will sound.
* This is not shown in PART VIEW -ALL-.
Velo Range Lower 1–UPPER Species the lowest velocity at which the part will sound.
* This is not shown in PART VIEW -ALL-.
Velo Fade Lower 0–127
Determines what will happen to the tone’s level when the tone is played at a velocity lower than
Velo Range Lower. If you don’t want the tone to sound at all, set this parameter to “0.”
* This is not shown in PART VIEW -ALL-.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–üüüüü
Velo Sens Oset -63–+63
Adjusts the velocity sensitivity. The higher the value, the greater the sensitivity.
* This is not shown in PART VIEW -ALL-.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü– – üüüü
PITCH tab
Octave Shift -3–+3
Adjusts the pitch of the part’s sound up or down in units of an octave (+/-3 octaves).
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
üüüü –ü–
Coarse Tune -48–+48 Adjusts the pitch of the part’s sound up or down in semitone steps (+/-4 octaves).
Fine Tune -50–+50
Adjusts the pitch of the part’s sound up or down in 1-cent steps (+/- 50 cents).
MEMO
One cent is 1/100th of a semitone.
Bend Range 0–24, TONE
Species the amount of pitch change in semitones (2 octaves) that will occur when the Pitch Bend
Lever is moved. The amount of change when the lever is tilted is set to the same value for both left
and right sides. If you want to use the Pitch Bend Range setting of the tone assigned to the part,
set this to “TONE.”
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
üüüü –ü ü
Porta Switch OFF, ON, TONE
Specify whether portamento will be applied. Turn this parameter “ON” when you want to apply
Portamento and “OFF” when you don’t. If you want to use the Portamento Switch setting of the
tone assigned to the part, set this to “TONE.”
* This is not shown in PART VIEW -ALL-.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–ü ü –ü–

Studio Set – OFFSET tab
9
Parameter Value Explanation
Porta Time 0–127, TONE
When portamento is used, this species the time over which the pitch will change. Higher settings
will cause the pitch change to the next note to take more time. If you want to use the Portamento
Time setting of the tone assigned to the part, set this to “TONE.”
* This is not shown in PART VIEW -ALL-.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–ü ü –ü–
OFFSET tab
Cuto Oset -64–+63
Adjusts the cuto frequency for the tone/drum kit assigned to a part.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
– – ü*ü–ü ü
* For some tones, the eect may be dicult to notice.
Reso Oset -64–+63
Adjusts the Resonance for the tone/drum kit assigned to a part.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
– – ü*ü–ü ü
* For some tones, the eect may be dicult to notice.
Attack Oset -64–+63
Adjusts the Attack Time for the tone/drum kit assigned to a part.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
– – ü ü –ü ü
Decay Oset -64–+63
Adjusts the Decay Time for the tone/drum kit assigned to a part.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
–––üüüü
Release Oset -64–+63
Adjusts the Release Time for the tone/drum kit assigned to a part.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
– – üüüüü
Vibrato Rate -64–+63
For each part, adjust the vibrato speed (the rate at which the pitch is modulated). The pitch will be
modulated more rapidly for higher settings, and more slowly with lower settings.
* This is not shown in PART VIEW -ALL-.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–ü*ü–ü ü
* This eect does not apply to instruments of the Bell/Mallet and Percussion categories.
Vibrato Depth -64–+63
For each part, this adjusts the depth of the vibrato eect (the depth at which the pitch is modulated).
The pitch will be modulated more greatly for higher settings, and less with lower settings.
* This is not shown in PART VIEW -ALL-.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–ü*ü–ü ü
* This eect does not apply to instruments of the Bell/Mallet and Percussion categories.
Vibrato Delay -64–+63
For each part, this adjusts the time delay until the vibrato (pitch modulation) eect begins. Higher settings
will produce a longer delay time before vibrato begins, while lower settings produce a shorter time.
* This is not shown in PART VIEW -ALL-.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–ü*ü–ü ü
* This eect does not apply to instruments of the Bell/Mallet and Percussion categories.

Studio Set – SCALE tab
10
Parameter Value Explanation
SCALE tab
Scale Tune Type
CUSTOM,
EQUAL,
JUST-MAJ,
JUST-MIN,
PYTHAGORE,
KIRNBERGE,
MEANTONE,
WERCKMEIS,
ARABIC
These are templates that set all of the Scale Tune C–B settings.
CUSTOM: Specify the tuning individually for Scale Tune C–B.
EQUAL: Equal temperament
JUST-MAJ: Just intonation (major)
JUST-MIN: Just intonation (minor)
PYTHAGORE: Pythagorean tuning
KIRNBERGE: Kirnberger (type 3)
MEANTONE: Meantone temperament
WERCKMEIS: Werckmeister (type 1, number 3)
ARABIC: Arabic scale
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–ü ü –ü ü
Scale Tune Key C, C#, D, D#, E, F, F#, G, G#, A, A#, B
Species the tonic note for the scale tune template.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–ü ü –ü ü
Scale Tune for C–B -64–+63
Species the scale tuning.
* This is not shown in PART VIEW -ALL-.
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–ü ü –ü ü
MIDI tab
PC
(Rx Program Change) OFF, ON For each MIDI channel, specify whether MIDI Program Change messages will be received “ON”, or
not “OFF”.
BS
(Rx Bank Select) OFF, ON For each MIDI channel, specify whether MIDI Bank Select messages will be received “ON”, or not
“OFF”.
PB
(Rx Pitch Bend) OFF, ON For each MIDI channel, specify whether MIDI Pitch Bend messages will be received “ON”, or not
“OFF”.
PA
(Rx Poly Key Press) OFF, ON For each MIDI channel, specify whether MIDI polyphonic key pressure messages will be received
“ON”, or not “OFF”.
CA
(Rx Ch Press) OFF, ON For each MIDI channel, specify whether MIDI Channel Pressure messages will be received “ON”, or
not “OFF”.
MD
(Rx Modulation) OFF, ON For each MIDI channel, specify whether MIDI Modulation messages will be received “ON”, or not
“OFF”.
VO
(Rx Volume) OFF, ON For each MIDI channel, specify whether MIDI Volume messages will be received “ON”, or not
“OFF”.
PN
(Rx Pan) OFF, ON For each MIDI channel, specify whether MIDI Pan messages will be received “ON”, or not “OFF”.
EX
(Rx Expression) OFF, ON For each MIDI channel, specify whether MIDI Expression messages will be received “ON”, or not
“OFF”.
HD
(Rx Hold-1) OFF, ON For each MIDI channel, specify whether MIDI Hold 1 messages will be received “ON”, or not “OFF”.
VC
(Velo Crv Type) OFF, 1–4
Velocity Curve selects for each part one of the four following Velocity Curve types that best
matches the touch of the connected MIDI keyboard. Set this to “OFF” if you are using the MIDI
keyboard’s own velocity curve.
21 3 4
SN-A
(Ac.Piano)
SN-A
(Organ)
SN-A
(Other) SN-S SN-D PCMS PCMD
ü–üüüüü

Studio Set – COMMON tab
11
MOTIONAL SURROUND
1. Press the [MOTIONAL SURROUND] button.
2. Press the [ENTER] button.
Parameter Value Explanation
COMMON tab
Room Type ROOM1, ROOM2, HALL1, HALL2 Species the room type.
Room Size SMALL, MEDIUM, LARGE Species the room size.
Motional Surround Depth 0–100 Species the depth of the Motional Surround eect.
Ambience Level 0–127 Species the volume of ambience.
Ambience Time 0–100 Species the duration of ambience.
Ambience Density 0–100 Species the density of ambience.
Ambience HF Damp 0–100 Species the frequency at which the high range of the ambience will be cut.
PART tab
Part L-R -64–+63
Species the left/right position.
Control change number
• 1–16 Part : CC12
• Ext Part : CC28
Part F-B -64–+63
Species the front/rear (back) position.
Control change number
• 1–16 Part : CC13
• Ext Part : CC29
Part Width 0–32 Species the width of the positioned sound.
Part Ambience Send Level 0–127
Species the send level to ambience
Control change number
• 1–16 Part : CC14
• Ext Part : CC30
CONTROL tab
Ext Part Control Ch 1–16, OFF Species the MIDI channel used when controlling the front/back/left/right position and ambience
send level of an Ext part via MIDI.

Studio Set – CONTROL tab
12
EFFECTS ROUTING
1. In the top screen, press the [EFFECTS] button.
Motional surround : ONMotional surround : OFF
Parameter Value Explanation
MFX Switch OFF, ON Species whether Multi-Eect will be used (ON) or not used (OFF).
* You can also set this in the tone MFX tab for each type.
Cho Send Level
(Also valid for the Ext part) OFF, ON
Adjusts the amount of Chorus for each Part.
If you don’t want to add the Chorus eect, set it to 0.
* You can also set this in the LEVEL/CH tab of PART VIEW (p. 6).
* This is ignored if motional surround is on.
Rev Send Level
(Also valid for the Ext part) OFF, ON
Adjusts the amount of Reverb for each Part.
If you don’t want to add the Reverb eect, set it to 0.
* You can also set this in the LEVEL/CH tab of PART VIEW (p. 6).
* This is ignored if motional surround is on.
Chorus Switch OFF, ON Species whether chorus will be used (ON) or not used (OFF).
* This is ignored if motional surround is on.
Reverb Switch OFF, ON Species whether Reverb will be used (ON) or not used (OFF).
* This is ignored if motional surround is on.
Master EQ Switch OFF, ON Switches the Master EQ on/o.
Comp+EQ Switch OFF, ON Turns the six drum kit compressor + equalizer units on/o together.
* This is shown only if you’ve selected the part specied by Drum Comp+EQ Assign.

Studio Set – COMP+EQ OUTPUT tab
13
STUDIO SET EFFECTS
1. In the EFFECTS ROUTING screen, move the cursor to the eect that you want to edit, and press the [ENTER] button.
* MFX and COMP+EQ can be set individually for each tone.
Parameter Value Explanation
COMP+EQ OUTPUT tab
Comp+EQ 1 Output Assign
PART, A, B, C, D, 1–8
Specify the output destination for each the six drum kit compressor + equalizer units.
PART: Input to the MFX of the part.
A, B, C, D: Output in stereo to the OUTPUT A (MIX) jacks or the OUTPUT B, C, D jacks.
1–8: Output in monaural to the INDIVIDUAL 1–8 jacks.
* If motional surround is on, the output from each compressor + equalizer will always be the MFX
of the part, regardless of the COMP+EQ Output Assign setting.
Comp+EQ 2 Output Assign
Comp+EQ 3 Output Assign
Comp+EQ 4 Output Assign
Comp+EQ 5 Output Assign
Comp+EQ 6 Output Assign
CHORUS tab
* This is ignored if motional surround is on.
Chorus Switch OFF, ON Switches the chorus on/o.
* This is ignored if motional surround is on.
Chorus Type
00: OFF
01: Chorus
02: Delay
03: GM2 Chorus
Selects the types of chorus.
Choose “00: OFF” if you don’t want to apply a chorus.
Chorus Parameter -Edit the parameters for the selected chorus type.
Refer to “Chorus Parameters” (p. 98).
Chorus Level 0–127 Adjusts the volume of the sound that has passed through chorus.
Chorus Output Assign A, B, C, D Selects the pair of OUTPUT jacks to which the chorus sound is routed when Chorus Output Select
is set to “MAIN” or “MAIN+REV.”
Chorus Output Select MAIN, REV, MAIN+REV
Species how the sound routed through chorus will be output.
MAIN: Output in stereo to the OUTPUT jacks.
REV: Output in monaural to the reverb.
MAIN+REV: Output in stereo to the OUTPUT jacks, and in monaural to the reverb.
REVERB tab
* This is ignored if motional surround is on.
Reverb Switch OFF, ON Switches the reverb on/o.
* This is ignored if motional surround is on.
Reverb Type
00: OFF
01: Room 1
02: Room 2
03: Hall 1
04: Hall 2
05: Plate
06: GM2 Reverb
Selects the types of reverb.
Choose “00: OFF” if you don’t want to apply a reverb.
Reverb Parameter -Edit the parameters for the selected reverb type.
Refer to “Reverb Parameters” (p. 98).
Reverb Level 0–127 Adjusts the volume of the sound that has passed through reverb.
Reverb Output Assign A, B, C, D Species how the sound routed through reverb will be output.
A, B, C, D: Output in stereo to the OUTPUT A (MIX) jacks or the OUTPUT B, C, D jacks.

Studio Set – MASTER EQ tab
14
Parameter Value Explanation
MASTER EQ tab
Master EQ Switch OFF, ON Master EQ on/o setting
EQ Low Freq 200, 400 [Hz] Frequency of the low range
EQ Low Gain -15–+15 [dB] Gain of the low frequency range
EQ Mid Freq
200, 250, 315, 400, 500, 630, 800,
1000, 1250, 1600, 2000, 2500, 3150,
4000, 5000, 6300,8000 [Hz]
Frequency of the middle range
EQ Mid Gain -15–+15 [dB] Gain of the middle frequency range
EQ Mid Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle frequency range
Set a higher value for Q to narrow the range to be aected.
EQ High Freq 2000, 4000, 8000 [Hz] Frequency of the high range
EQ High Gain -15–+15 [dB] Gain of the high frequency range

15
SuperNATURAL Acoustic Tone (SN-A)
TONE EDIT (SN-A)
For each tone, there are instrument settings (INST) and multi-eect settings (MFX).
The instrument settings let you make settings for the tone and its parameters.
MFXINST
1. In the top screen, press the [EDIT] button.
Parameter Value Explanation
COMMON tab
Category
No assign, Ac.Piano, E.Piano, Organ,
Other Keyboards, Accordion/
Harmonica, Bell/Mallet, Ac.Guitar,
E.Guitar, Dist.Guitar, Ac.Bass, E.Bass,
Synth Bass, Plucked/Stroke, Strings,
Brass, Wind, Flute, Sax, Recorder, Vox/
Choir, Synth Lead, Synth Brass, Synth
Pad/Strings, Synth Bellpad, Synth
PolyKey, FX, Synth Seq/Pop, Phrase,
Pulsating, Beat&Groove, Hit, Sound
FX, Drums, Percussion, Combination
Selects the category of the tone.
Phrase Number 0–87 Number of the phrase that plays when you press the [VOLUME] knob (PREVIEW).
Phrase Octave Shift -3–+3 Pitch (in one-octave units) of the preview phrase.
Tone Level 0–127 Adjusts the volume of the tone.
Mono/Poly MONO, POLY
Species whether the patch will play polyphonically (POLY) or monophonically (MONO).
MONO: Only the last-played note will sound.
POLY: Two or more notes can be played simultaneously.
* This parameter will not appear when INT 029: TW Organ is selected.
Octave Shift -3–+3 Adjusts the pitch of the patch’s sound up or down in units of an octave (+/-3 octaves).
Cuto Oset -64–+63
Adjusts the cuto frequency Oset for the instrument assigned to a tone.
* This parameter will not appear when any of INT 001: Concert Grand, INT 009: Honky-tonk, or INT
029: TW Organ is selected.
Resonance Oset -64–+63
Adjusts the Resonance Oset for the instrument assigned to a tone.
* This parameter will not appear when any of INT 001: Concert Grand, INT 009: Honky-tonk, or INT
029: TW Organ is selected.
Attack Time Oset -64–+63
Adjusts the TVA Envelope Attack Time Oset for the instrument assigned to a tone.
* This parameter will not appear when any of INT 001: Concert Grand, INT 009: Honky-tonk, or INT
029: TW Organ is selected.
Release Time Oset -64–+63
Adjusts the TVA Envelope Release Time Oset for the instrument assigned to a tone.
* This parameter will not appear when any of INT 001: Concert Grand, INT 009: Honky-tonk, or INT
029: TW Organ is selected.
Portamento Time Oset -64–+63
When portamento is used, this species the time over which the pitch will change. Higher settings
will cause the pitch change to the next note to take more time.
* This parameter will not appear when INT 029: TW Organ is selected.
Vibrato Rate -64–+63
Adjust the vibrato speed (the rate at which the pitch is modulated). The pitch will be modulated
more rapidly for higher settings, and more slowly with lower settings.
* This eect does not apply to instruments of the Organ, Bell/Mallet, or Percussion categories.
Vibrato Depth -64–+63
This adjusts the depth of the vibrato eect (the depth at which the pitch is modulated). The pitch
will be modulated more greatly for higher settings, and less with lower settings.
* This eect does not apply to instruments of the Organ, Bell/Mallet, or Percussion categories.

SuperNATURAL Acoustic Tone (SN-A) – INST tab
16
INST
BANK NUM NAME Category
INT 1 ConcertGrand Ac.Piano
INT 2 Grand Piano1 Ac.Piano
INT 3 Grand Piano2 Ac.Piano
INT 4 Grand Piano3 Ac.Piano
INT 5 Mellow Piano Ac.Piano
INT 6 Bright Piano Ac.Piano
INT 7 UprightPiano Ac.Piano
INT 8 Concert Mono Ac.Piano
INT 9 Honky-tonk Ac.Piano
INT 10 Pure Vintage EP1 E.Piano
INT 11 Pure Vintage EP2 E.Piano
INT 12 Pure Wurly E.Piano
INT 13 Pure Vintage EP3 E.Piano
INT 14 Old Hammer EP E.Piano
INT 15 Dyno Piano E.Piano
INT 16 Clav CB Flat Other Keyboards
INT 17 Clav CA Flat Other Keyboards
INT 18 Clav CB Medium Other Keyboards
INT 19 Clav CA Medium Other Keyboards
INT 20 Clav CB Brillia Other Keyboards
INT 21 Clav CA Brillia Other Keyboards
INT 22 Clav CB Combo Other Keyboards
INT 23 Clav CA Combo Other Keyboards
INT 24 Glockenspiel Bell/Mallet
INT 25 Vibraphone Bell/Mallet
INT 26 Marimba Bell/Mallet
INT 27 Xylophone Bell/Mallet
INT 28 Tubular Bells Bell/Mallet
INT 29 TW Organ Organ
INT 30 French Accordion Accordion/Harmonica
INT 31 Italian Accordion Accordion/Harmonica
INT 32 Harmonica Accordion/Harmonica
INT 33 Bandoneon Accordion/Harmonica
INT 34 Nylon Guitar Ac.Guitar
INT 35 Flamenco Guitar Ac.Guitar
INT 36 SteelStr Guitar Ac.Guitar
INT 37 Jazz Guitar E.Guitar
INT 38 ST Guitar Half E.Guitar
INT 39 ST Guitar Front E.Guitar
INT 40 TC Guitar Rear E.Guitar
INST
BANK NUM NAME Category
INT 41 Acoustic Bass Ac.Bass
INT 42 Fingered Bass E.Bass
INT 43 Picked Bass E.Bass
INT 44 Fretless Bass E.Bass
INT 45 Violin Strings
INT 46 Violin 2 Strings
INT 47 Viola Strings
INT 48 Cello Strings
INT 49 Cello 2 Strings
INT 50 Contrabass Strings
INT 51 Harp Plucked/Stroke
INT 52 Timpani Percussion
INT 53 Strings Strings
INT 54 Marcato Strings Strings
INT 55 London Choir Vox/Choir
INT 56 Boys Choir Vox/Choir
INT 57 Trumpet Brass
INT 58 Trombone Brass
INT 59 Tb2 CupMute Brass
INT 60 Mute Trumpet Brass
INT 61 French Horn Brass
INT 62 Soprano Sax 2 Sax
INT 63 Alto Sax 2 Sax
INT 64 Tenor Sax 2 Sax
INT 65 Baritone Sax 2 Sax
INT 66 Oboe Wind
INT 67 Bassoon Wind
INT 68 Clarinet Wind
INT 69 Piccolo Flute
INT 70 Flute Flute
INT 71 Pan Flute Flute
INT 72 Shakuhachi Flute
INT 73 Sitar Plucked/Stroke
INT 74 Uilleann Pipes Wind
INT 75 Bag Pipes Wind
INT 76 Erhu Strings
INT 77 Steel Drums Percussion
ExSN1 1 Santoor Bell/Mallet
ExSN1 2 Yang Chin Bell/Mallet
ExSN1 3 Tin Whistle Flute
Parameter Value Explanation
Vibrato Delay -64–+63
This adjusts the time delay until the vibrato (pitch modulation) eect begins. Higher settings will
produce a longer delay time before vibrato begins, while lower settings produce a shorter time.
* This eect does not apply to instruments of the Organ, Bell/Mallet, or Percussion categories.
INST tab
INST BANK
INT,
ExSN1–ExSN5
(only if an expansion is loaded)
Select the instrument bank of the tone.
INT: Internal sound bank
ExSN1–ExSN5: Expanded sound bank
INST NUMBER 001– Select the instrument number of the tone.
Parameters for the each inst Make parameter settings for the selected instrument.
Refer to “SuperNATURAL INST Parameters” (p. 18).
Instrument List

SuperNATURAL Acoustic Tone (SN-A) – INST tab
17
INST
BANK NUM NAME Category
ExSN1 4 Ryuteki Flute
ExSN1 5 Tsugaru Plucked/Stroke
ExSN1 6 Sansin Plucked/Stroke
ExSN1 7 Koto Plucked/Stroke
ExSN1 8 Taishou Koto Plucked/Stroke
ExSN1 9 Kalimba Plucked/Stroke
ExSN1 10 Sarangi Strings
ExSN2 1 Soprano Sax Sax
ExSN2 2 Alto Sax Sax
ExSN2 3 Tenor Sax Sax
ExSN2 4 Baritone Sax Sax
ExSN2 5 English Horn Wind
ExSN2 6 Bass Clarinet Wind
ExSN2 7 Flute2 Flute
ExSN2 8 Soprano Recorder Recorder
ExSN2 9 Alto Recorder Recorder
ExSN2 10 Tenor Recorder Recorder
ExSN2 11 Bass Recorder Recorder
ExSN2 12 Ocarina SopC Recorder
ExSN2 13 Ocarina SopF Recorder
ExSN2 14 Ocarina Alto Recorder
ExSN2 15 Ocarina Bass Recorder
ExSN3 1 TC Guitar w/Fing Ac.Guitar
ExSN3 2 335Guitar w/Fing Ac.Guitar
INST
BANK NUM NAME Category
ExSN3 3 LP Guitar Rear E.Guitar
ExSN3 4 LP Guitar Front E.Guitar
ExSN3 5 335 Guitar Half E.Guitar
ExSN3 6 Acoustic Bass 2 Ac.Bass
ExSN3 7 Fingered Bass 2 E.Bass
ExSN3 8 Picked Bass 2 E.Bass
ExSN4 1 Ukulele Ac.Guitar
ExSN4 2 Nylon Guitar 2 Ac.Guitar
ExSN4 3 12th Steel Gtr Ac.Guitar
ExSN4 4 Mandolin Ac.Guitar
ExSN4 5 SteelFing Guitar Ac.Guitar
ExSN4 6 SteelStr Guitar2 Ac.Guitar
ExSN5 1 Classical Trumpet Brass
ExSN5 2 Frugal Horn Brass
ExSN5 3 Trumpet 2 Brass
ExSN5 4 Mariachi Tp Brass
ExSN5 5 Trombone 2 Brass
ExSN5 6 Bass Trombone Brass
ExSN5 7 Tuba Brass
ExSN5 8 Straight Mute Tp Brass
ExSN5 9 Cup Mute Trumpet Brass
ExSN5 10 French Horn 2 Brass
ExSN5 11 Mute French Horn Brass

SuperNATURAL Acoustic Tone (SN-A) – INST tab
18
SuperNATURAL INST Parameters
Ac.Piano
INT 001: Concert Grand
INT 002: Grand Piano1
INT 003: Grand Piano2
INT 004: Grand Piano3
INT 005: Mellow Piano
INT 006: Bright Piano
INT 007: Upright Piano
INT 008: Concert Mono
INT 009: Honky-tonk
• Dierences in your playing strength will smoothly change the tone character in a natural way.
Parameter Value Explanation
String Resonance 0–127
When the keys are pressed on an acoustic piano, the strings for keys that are already
pressed also vibrate sympathetically. The function used to reproduce is called “String
Resonance.”
Increasing the value will increase the amount of eect.
Key O Resonance 0–127
This adjusts resonances such as the key-o sound of an acoustic piano (subtle sounds that
are heard when you release a key).
Higher values will increase the volume of the resonances.
Hammer Noise -2, -1, 0, +1, +2 This adjusts the sound of the hammer striking the string of an acoustic piano.
Higher values will increase the sound of the hammer striking the string.
StereoWidth 0–63 The higher the value set, the wider the sound is spread out.
Nuance Type1, Type2, Type3
This changes the Tone’s subtle nuances by altering the phase of the left and right sounds.
This eect is dicult to hear when headphones are used.
* This has no eect for 008:Concert Mono.
Tone Character -5, -4, -3, -2, -1, 0, +1, +2, +3, +4, +5 Higher values produce a harder sound; lower values produce a more mellow sound.
E.Piano
INT: 010 Pure Vintage EP1
INT: 011 Pure Vintage EP2
INT: 012 Pure Wurly
INT: 013 Pure Vintage EP3
INT: 014 Old Hammer EP
INT: 015 Dyno Piano
• Dierences in your playing strength will smoothly change the tone character in a natural way.
• A key-o noise typical of that instrument will be heard when you release the key (PureWurly is excepted).
Parameter Value Explanation
Noise Level (CC16) -64–+63 Adjusts the amount of hum noise and key-o noise. Higher settings will raise the volume.
Other Keyboards
INT: 016 Clav CB Flat
INT: 017 Clav CA Flat
INT: 018 Clav CB Medium
INT: 019 Clav CA Medium
INT: 020 Clav CB Brillia
INT: 021 Clav CA Brillia
INT: 022 Clav CB Combo
INT: 023 Clav CA Combo

SuperNATURAL Acoustic Tone (SN-A) – INST tab
19
• Dierences in your playing strength will smoothly change the tone character in a natural way.
• A key-o noise typical of that instrument will be heard when you release the key.
Parameter Value Explanation
Noise Level (CC16) -64–+63 Adjusts the amount of hum noise and key-o noise. Higher settings will raise the volume.
Bell/Mallet
INT: 024 Glockenspiel
INT: 025 Vibraphone
INT: 026 Marimba
INT: 027 Xylophone
INT: 028 Tubular Bells
ExSN1: 001 Santoor
ExSN1: 002 Yang Chin
• You can play a roll by operating the Modulation controller (CC01) while playing a note.
• You can produce a glissando eect by operating the pitch bend lever while holding down a note, or by playing legato with the Portamento SW (CC65)
turned on.
• If Bend Range is set to Tone, you can produce a glissando eect by operating the pitch bend lever.
• If Bend Range is set to anything other than Tone, this eect will be obtained if Bend Mode (CC19) is turned on.
Use this when you want to switch between glissando playing and conventional pitch change.
• By using CC18, you can simulate the following technique.
INT: 024–028: the technique of using your hand or mallet to mute the vibration (sound).
ExSN1: 001–002: the technique of playing a rapid and delicate roll (Slide Roll)
Parameter Value Explanation
Mallet Hardness (CC16) -64–+63 Adjusts the hardness of the mallet. Higher settings produce the sound of a harder mallet.
Roll Speed (CC17) -64–+63 Adjusts the speed of the roll eect.
Variation Refer to p. 28. Performance variation sounds
Organ
INT: 029 TW Organ
• The sound will be unaected by the strength with which you play the keyboard.
• This allows you to use the nine harmonic bars to create your sound just as on a tone wheel organ.
Parameter Value Explanation
Harmonic Bar 16' 0–8
Adjust the level of each footage.
A dierent harmonic component is assigned to each footage; the sound of the organ is
created by mixing these components.
The 8’ footage is the core of the sound; this is the basic pitch around which the sound is
created.
* Harmonic Bar 1’ is unavailable if Percussion Switch is on.
Harmonic Bar 5-1/3' 0–8
Harmonic Bar 8' 0–8
Harmonic Bar 4' 0–8
Harmonic Bar 2-2/3' 0–8
Harmonic Bar 2' 0–8
Harmonic Bar 1-3/5' 0–8
Harmonic Bar 1-1/3' 0–8
Harmonic Bar 1' 0–8
Leakage Level 0–127 Noise Level at which the signal of tone wheels unrelated to the pressed keys is mixed into
the input
Percussion Switch OFF, ON If this is on, a crisp attack will be added to the beginning of the notes.
Percussion Soft NORM, SOFT
NORM: The percussion sound will be at the normal volume, and the sound of the harmonic
bars will be reduced.
SOFT: The percussion sound will be reduced, and the harmonic bars will be at the normal
volume.
Percussion Soft Level 0–15 Volume of the percussion sound when Percussion Soft is set to SOFT
Percussion Normal Level 0–15 Volume of the percussion sound when Percussion Soft is set to NORM

SuperNATURAL Acoustic Tone (SN-A) – INST tab
20
Parameter Value Explanation
Percussion Slow FAST, SLOW FAST: The percussion sound will disappear immediately, producing a sharp attack.
SLOW: The percussion sound will disappear slowly, producing a more gentle attack.
Percussion Slow Time 0–127 Decay time of the percussion sound when Percussion Slow is set to SLOW
Percussion Fast Time 0–127 Decay time of the percussion sound when Percussion Slow is set to FAST
Percussion Harmonic 2ND, 3RD 2ND: The percussion sound will be the same pitch as the 4’ harmonic bar.
3RD: The percussion sound will be the same pitch as the 2-2/3’ harmonic bar.
Percussion Recharge Time 0–15
Normally, the percussion sound will be added only to the rst note of successive notes
played legato.
This reproduces the characteristics of the analog circuitry that produced the percussion
sound in tone wheel organs, which caused the percussion sound to be softer when keys
were pressed in quick succession. This species the characteristics of this analog circuit.
Percussion Harmonic Bar Level 0–127 The volume of the organ will be reduced if Percussion Soft is set to NORM.
This species how much the volume will be reduced.
Key On Click Level 0–31 Level of the key-click when a key is pressed
Key O Click Level 0–31 Level of the key-click when a key is released
Accordion/Harmonica
INT: 030 French Accordion
INT: 031 Italian Accordion
INT: 033 Bandoneon
• Varying your keyboard playing dynamics will create volume changes as if you were using the bellows.
• If Bend Range is set to Tone, moving the pitch bend lever upward will produce a tremolo eect, as if you were moving the bellows in small steps.
• If Bend Range is set to anything other than Tone, this eect will be produced if Bend Mode (CC19) is turned on.
Use this when you want to switch between the tremolo eect and conventional pitch change.
Parameter Value Explanation
Noise Level (CC16) -64–+63 Adjusts the amount of key noise heard when you press or release a key.
INT: 032 Harmonica
• If Bend Range is set to Tone, moving the pitch bend lever upward will produce a wah eect as if you were using your hands to enclose the harmonica.
• If Bend Range is set to anything other than Tone, this eect will be produced if Bend Mode (CC19) is turned on.
Use this when you want to switch between the wah eect and conventional pitch change.
Parameter Value Explanation
Noise Level (CC16) -64–+63 Adjusts the amount of breath noise.
Growl Sens (CC18) 0–127 Adjusts the distinctive nuance (growl) of the breath noise.
Ac.Guitar
INT: 034 Nylon Guitar
INT: 035 Flamenco Guitar
INT: 036 SteelStr Guitar
ExSN3: 001 TC Guitar w/Fing
ExSN3: 002 335Guitar w/Fing
ExSN4: 001 Ukulele
ExSN4: 002 Nylon Guitar 2
ExSN4: 003 12th Steel Gtr
ExSN4: 005 SteelFing Guitar
ExSN4: 006 SteelStr Guitar2
• Rapid legato playing in an interval of two semitones or less will produce either a slide or a hammering-on eect, depending on how fast you play.
• If Strum Mode is o, playing an arpeggio with the Hold pedal held down will produce an arpeggio eect typical of a guitar.
• If Strum Mode is on, playing a chord with the Hold pedal held down will produce a guitar-like chordal performance.
• Note numbers 34 and lower will produce ghost notes as played on a guitar.