Roland Realtime Arranger RA30 User manual

Roland min! <Gs
Realtime Arranger
RA30
OWNER'S MANUAL
Introduction
We'd like to take a moment to thank you for purchasing the Roland RA-30 Realtime
Arranger. The RA-30 is a realtime arranger that can be connected to an electronic piano
(such as a Roland digital piano) or an acoustic piano, making it easy to enjoy ensemble
play with your keyboard performances.
Please read this manual thoroughly before you try using the RA-30, to help you get the
most out of its outstanding features and enjoy years of trouble-free service.
Main Features
1. Lots of Tones available for play
The RA-30 has many Tones covering a wide range of instruments, including sax, violin,
and trumpet. It’s easy to select these Tones from the control panel, making it a snap to
play a rich array of instrumental sounds. There are also many Drum Tones built in, giv-
ing you an abundant range for rhythmic expression.
2. Sophisticated ensembles can be played
Whether it be Pops, Rock, Latin, or whatever, the built-in Arranger function lets you play
music in a wide range of genres. Just switch the music style to the musical genre you
want, and the RA-30 automatically plays the best accompaniment.
3. Ensemble play with an acoustic piano
By connecting a KP-24 Acoustic Keyboard Pickup (sold separately) to the RRC (Roland
remote control) In connector, you can enjoy ensembles performances with an acoustic
piano that has no MIDI connectors.
Copyright © 1995 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written
permission of ROLAND CORPORATION.

For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE: NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
For Nordic Countries
Apparatus containing Lithium batteries
ADVARSEL! VARNING!
Lithiumbatteri - Eksplosionsfare ved Explosionsfara vid felaktigt batteribyte.
tejlagtig handtering. Anvand samma batterityp eller en
Udskiftning ma kun ske med batteri af ekvivalent typ som rekommenderas av
samme fabrikat og type. apparattillverkaren.
Lever det brugte batteri tilbage til Kassera anvant batteri enligt
leverandoren. fabrikantens instruktion.
ADVARSEL! VAROITUS!
Lithiumbatteri - Eksplosjonsfare. Paristo voi rajahtaa, jos se on
Ved utskifting benyttes kun batteri som virheellisesti asennettu.
anbefalt av apparatfabrikanten. Vaihda paristo ainoastaan
Brukt batteri returneres laitevalmistajan suosittelemaan
apparatleverandgren. tyyppiin. Havita kaytetty paristo
valmistajan ohjeiden mukaisesti.
For Germany
Bescheinigung des Herstellers/Importeurs
Hiermit wird bescheinigt, daB der/die/das Dem Zentralamt fir Zulassungen im Fernmeldewesen
. wurde das Inverkehrbringen dieses Gerates angezeigt und
Realtime Arranger RA-30 die Berechtigung zur Uberprifung der Serie auf die
(Gerat, Typ, Bezeichnung) Einhaltung der Bestimmungen eingeraumt.
in Obereinstimmung mit den Bestimmungen der BMPT- Roland Corporation
AmtsbliVfg 243/1991, 46/1992 funk-entst6rt ist. i ;
Der vorschriftsmaBige Betrieb mancher Gerate (z. B. 4:16 Dojimahama 1-Chome Kita-ku Osaka 530 Japan
MeBsender) kann allerdings gewissen Einschrankungen (Name und Anschrift des Herstellers/Importeurs)
unterliegen. Beachten Sie deshalb die Hinweise in der
Bedienungsanleitung.
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
~ Reorient or relocate the receiving antenna.
~ Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
~ Consult the dealer or an experienced radio/TV technician for help.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
CLASS B NOTICE
This digital apparatus does not exceed the Class B limits for radio noise emissions set out in the Radio Interference
Regulations of the Canadian Department of Communications.
CLASSE B AVIS
Cet appareil numérique ne dépasse pas les limites de la classe B au niveau des émissions de bruits radioélectriques
fixés dans le Reglement des signaux parasites par le ministre canadien des Communications.

Using the RA-30, and How to Read This Manual
The RA-30 can be used in any of three different ways, depending on what type of instru-
ment it’s connected to.
1, Using the RA-30 with an electronic piano
You can connect the RA-30 to a Roland digital piano or another electronic piano to play
ensembles (or individual Tones).
2. Using the RA-30 with an acoustic piano
You can connect the RA-30 to a KP-24 Acoustic Keyboard Pickup (sold separately) to
play ensembles (or individual Tones) using an acoustic piano.
3. Using the RA-30 with other instruments
You can connect the RA-30 to a MIDI instrument (such as a MIDI accordion) to play
ensembles (or individual Tones).
Some of the chapters and sections in this manual are marked with to the
right of the title. These indicate the particular instrument for connection, and tell you at a
glance what type of instrument is covered in the chapter or section. Be sure to read the
chapters or sections that deal with the type of instrument that you are using.
E.P. (Electronic Piano} _: Read this if you have the RA-30 connected to an electronic
piano.
A.P. (Acoustic Piano} : Read this if you have the RA-30 connected to an acoustic piano.
MIDI : Read this if you have the RA-30 connected to a MIDI accordion,
or some other MIDI instrument.
* If you're using a synthesizer or other type of MIDI keyboard, you should read the sections
marked “E.P.” instead of the sections marked “MIDI.”
How Button Names Are Written
In this manual you will see instructions such as “press the Tempo -/+ buttons.” This is a
simplified way of saying “press the Tempo - button or + button.”
General MIDI system
The General MIDI system is a set of recommendations which seeks to provide a way to
go beyond the limitations of proprietary designs, and standardize the MIDI capabilities
GENERAL of sound generating devices. Sound generating devices and music data that meets the
| General MIDI standard bears the General MIDI logo ( ). Music data bearing the
General MIDI logo can be played back using any General MIDI sound generating unit to
ee produce essentially the same musical performance.
GS format
The GS format is Roland's unified set of specifications to standardize the MIDI capabili-
ties of sound generating devices. Music data bearing the GS logo ( @ ) can be played
back using any GS sound generating unit.
GS The RA-30‘s sound generator conforms to both the GM and GS specifications.

Nolo) (-Meym@&eyainin
INEFOGUCHION os ccsscc.cessectveccssecciseseieestsasveccoscsetnapentectsceessines
Main Features
Using the RA-30, and How to Read This Manual .......... 3
Important Notes .........c ccc ceric ce ceere teense cenrereneereess 5
Part Names and Descriptions ................cccccecseseeeereeee 6
Chapter 1-1 Getting Ready for Connection to
an Electronic Piano GRA... +18
Making the Connections ..........ccccceceteeeeeeeeeterreneens 8
Installing the RA-30 wees eeseenesnecneesneeneesneeeeee 8
Plugging in the AC Adaptor ........ccneee eerie 8
Connecting to the Electronic Piano ae
Connecting a Pedal Switch 00... reeset 9
Connecting Headphones «0... escent 10
Before You Switch on the Powel... 00... ccs 10
Lower the Volume o.0..cccecesees rece neeecteeescseneneesenees 10
Setting the Local ON/OFF Switch ........- eee 10
If You‘re Using a Roland HP-G Series Instrument... 10
POWETING UP oes esesersetsneeseceeeseseraseseseesanenssaesenecies 11
If You're Using an Electronic Piano... 11
If You're Using a Roland HP-G Series Instrument Without
Hookup to a Keyboard Amp or Portable Stereo... .....11
After the Power Is On......cccccccce cee eneeseeseetestseneneeeee
Setting the MIDI Channels ..............
Setting the Local ON/OFF Switch .....
Adjusting the Volume ......csceeceeeeneseetsseeereeneris 12
Chapter 1-2 Getting Ready for Connection to
an Acoustic Piano EM& ........ sueusesotencenis 13
Making the Connections 0.0.00... cee cee eet eens 13
Installing the RA-30 occ iesseneeeersereeeeneeees 13
Plugging in the AC Adaptor...........
Connecting to the Acoustic Piano ..
Connecting a Pedal Switch...
Before You Switch on the Powe’... ........ccceeeeeeeteee
POWETING UP wivccnccccssssnsscovertcrtntecessarseverertestonesaseeentansiocs
After the Power IS On........ccccceccseeseeseeeeeeseessaseenene
Chapter 1-3 Getting Ready for Connection to
Another MIDI Device HIDM .................04
Making the Connections 0.0.00... ccc e eee tereer ees
Plugging in the AC Adaptor ...........00
Connecting to the Other MIDI Device..
Powering Up .......scccccssssesscssscescsesersesseteesessssenseerenseens
After the Power ts On
Chapter 2 Before Starting to Play wel dD
Adjusting Reference Pitch — Tuning... een ke)
Listening to the Demo Songs.............. ce eee cee 20
Chapter 3 Let’s Play! ....... cc eseseeseeessetssctseeteneeeees 21
Playing Tones GEMM oo. 21
Getting Ready for Tone Play...
How to Choose a Tone Group
How to Choose a Tone Variation ...00..02ee ce 21
Storing a Tone Variation Choice... ce 22
Playing Drums GEWZMAINE 23
Using Styles GADWAMMMITE one 23
Getting Ready for Style Play ........:-.-::sseeec 24
How to Choose a Style Group.....-- eee 24
How to Choose a Style Variation.......0. ee 25
Storing a Style Variation Choice «00... een 25
How to Choose a Tone During Style Play ...............25
Starting and Stopping Style Play ...........-.-: ene 25
Changing the Tempo for Style Play 27
inserting a Fill-in and Changing
the Accompaniment Pattern 27
How to Select the Original and the Variation.......... 28
How to Insert a Filleln ce ee eee eeeeeseeees 28
Handy Functions for Playing Chords GRZM ........ 29
About Chord icc: dis ceccdilcealeettestiinestonneantas 29
Chord Intelligence
(Playing Chords with Simple Fingering) ........... 30
Chord Hold
(Holding Chords Played with the Left Hand)...31
Try Playing a Simple Song EEWZMM .................. 32
SOME Tip ......sssesosessecceseeeessecseecsteeneesneenseceenneennessnenssne 33
The Number of Sounds That Can Be Played
Simultaneously GEWZMOWAT on. 34
Choosing a Music Style Without Changing
Tone or Tempo GEWZNWAT ow. 34
Playing a Music Style Rhythm
During Tone Play EEXZNWIE ................... 34
Chapter 4 Try Out Some Handy Functions.............. 36
Changing the Volume Balance XENI ................. 36
Recording a Performance
Recording Style Play........--:.e
Recording Tone Play .....c:ccceccecseecee senescence 38
Listening to a Song Repeatedly... 38
Changing the Pedal Functions GERZNAET ........... 39
How to Change the Pedal Functions..........0ee 40
Tone and Style Backup GEWZNMATE 40
Changing the Range for Style Play Ad
Changing the Pitch (Register)
of aTone by Octaves GERZNWET ............. 42
Turning Chord Intelligence On/Off GEARY ............ 43
Adding Reverberation (Reverb) EEWZNMINEY ........ 44
Adding Expansiveness (Chorus) GRZNT ........ 45
Restoring the RA-30 to
Its Factory Defaults GEYZEWRTY ................. 45
Chapter 5 About MIDI GEAZMQATID ............s000 46
What's MIDI? oo. ecereeeeee 46
About MIDI Connectors ...c ccc cisceseseccnecsseereeeeee canes 46
Main MIDI Messages for Controlling
the RA-30’s Sound Source wo... eee cree 46
Using the RA-30 As a GS or GM So48und Generator.47
Chapter 6 Reference GEXZNWED ..... ushsuaustvaieass 48
If You Think There Might Be a Problem... 48
Error Message List... eee cece cees eee ceeeseaeeeaeereeees 49
TONG Catt sci ccassceeeeicceerccaavesaaaaaeiyta sdaciaba cosnadeeaeediarese 50
Drum Tone: Chart :isec6 gente. cos ieee ie esietaeeepeebeseasetiil 51
Music Style Chart... ccc eee ccceteeenseecseseeeeeees 53
Chord Gants csc ssetes aa hiiecate iaeiecieceaseecoceaveteses fas ctecks 54
MIDI Implementation Chart... ec e ce eereeees 56
Main Specifications oo... ec ecccseeeeeeececseeeneneeseteees 58

Important Notes
Be sure to use only the AC adaptor supplied with the unit. Other AC adaptors may use a different polarity, or be
designed for a different voltage, so their use could result in damage, malfunction, or electric shock.
Power Supply
@ Before connecting this unit to other devices, turn off
the power to all units; this will help prevent damage
or malfunction.
@ Do not use this unit on the same power circuit with
any device that will generate line noise; an electric
motor or variable lighting system for example.
@ The power requirement for this unit is indicated on
its nameplate (rear panel). Ensure that the voltage in
your installation meets this requirement.
@ Avoid damaging the power cord: do not step on it,
place heavy objects on it, etc.
@ When disconnecting the AC adaptor from the power
outlet, grasp the plug itself; never pull on the cord.
@ If the unit is to remain unused for an extended peri-
od of time, unplug the power cord.
Placement
@ Do not subject the unit to temperature extremes
(eg., direct sunlight in an enclosed vehicle). Avoid
using or storing the unit in dusty or humid areas, or
areas that are subject to high levels of vibration.
@ Using the unit near power amplifiers (or other
equipment containing large power transformers)
may induce hum.
@ This device may interfere with radio and television
reception. Do not use this device in the vicinity of
such receivers.
@ Do not expose the unit to temperature extremes or
install it near devices that radiate heat. Direct sun-
light in an enclosed vehicle can deform or discolor
the unit.
Maintenance
@ For everyday cleaning wipe the unit with a soft, dry
cloth or one that has been slightly dampened with
water. To remove stubborn dirt, use a mild, non-
abrasive detergent. Afterwards, be sure to wipe the
unit thoroughly with a soft, dry cloth.
@ Never use benzene, thinners, alcohol or solvents of
any kind, to avoid the possibility of discoloration
and/or deformation.
Additional Precautions
@ Protect the unit from strong impact.
@ Do not allow objects or liquids of any kind to pene-
trate the unit. In the event of such an occurrence,
discontinue use immediately. Contact qualified ser-
vice personnel as soon as possible.
@ Never strike or apply strong pressure to the display.
@ Before using the unit in a foreign country, consult
with qualified service personnel.
@ Should a malfunction occur, or if you suspect there
is a problem, discontinue use immediately. Contact
qualified service personnel as soon as possible.
@ To avoid the risk of electric shock, do not open the
unit or its AC adaptor.
Memory Backup
@ This unit contains a battery which powers the unit's
memory circuits while the main (AC) power is off.
The expected life of this battery is 5 years or more.
However, to avoid the untimely loss of memory
data, it is strongly recommended that you change
the battery every 5 years. Please be aware that the
actual life of the battery will depend upon the physi-
cal environment — especially the temperature — in
which the unit is used. When it is time to change the
battery, consult with qualified service personnel.
@ When the battery becomes weak the following mes-
sage will appear in the display: “E00”. Please change
the battery as soon as possible to avoid the loss of
memory data.

xls
Names and Vescriptions
Front Panel
Keyboard
Sax/Brass Organ/Fluta Stings Guitar/Bass Synth Piano SFX Others
Tone =
<
Tone Seiect
.
ee ee ee od
Rock Contemporery Swing
Acranget wemmerccaam Tone
aa |
Balance Filt In
2 5 7 6 10
1, Volume Knob
This knob adjusts the overall volume (p.12).
2. Balance Buttons
During Style Play, these are used to adjust the Tone
and Performance (Arranger) volume balance (p.36).
During Tone Play, these are used to adjust the volume
balance of the Tones and Rhythm (p.34).
If during Tone Play you want to play only the Tones,
then use the Balance buttons to increase the Tones. You
may be unable to hear the Tones if the Rhythm volume
is too high.
3. Display
This displays the Music Style, Tone Number, and other
information.
4. Beat Indicators
During Style Play, they flash with each beat (p.27).
5. Function
Tune Button
Press this to adjust the overall pitch of the RA-30 (p.19).
Demo Button
Press this to play a Demo song (p.20).
6. Recorder
Rec Button
Press this button to record a performance (p.37).
Play Button
Pressed to play back a recorded performance (p.37).
To Variaton To Onginat
Music Styfe
Style Sotoct
InttosEnding Stant/Stop
Latin = Traditional = Waltz World
Keyboard Arranger
(seat ema
One Touch
11 12 13
7. Tempo Buttons +/-
These are used to adjust the speed (tempo) of Style
Play, or for a song being played back or recorded
(p.27).
These buttons are also used when making settings for
various parameters.
8. Tone
Tone Group Buttons
These are used to select a Group for the Tone (p.21).
Keyboard Button
Press this when you want to play using the sounds of
an electronic piano connected to the RA-30 (p.21).
Tone Select Buttons
These choose the Tone to be played from among the
variations in the currently selected Tone Group (p.21).
9. Music Style
Style Group Buttons
These select the Group for the Music Style (p.24).
Style Select Buttons
These choose the Style to be played from among the
variations in the currently selected Style Group (p.25).
10. Fill In
To Original Button
To Variation Button
Pressed to insert Fill-Ins during Style Play (p.28).
11. Intro/Ending Button
This is used to add an intro or an ending to Style Play
(p.26).

Part Names and Descriptions
PR
PE
PN TR
ET
TI
I
A
PS
TTS
SIR
TSF
SEINE,
12. Start/Stop
Button
Pressed to start and stop Style Play. It is also used to
start or stop play of a Demo song (p.20, p.26).
13. One Touch
Arranger Button
Press this to enable Style Play (p.24).
Keyboard Button
Press this to play Tones using the entire keyboard of an
electronic piano (p.21).
Rear Panel
21 20 19 18 17 1615 14
14. Power Switch
Turns the power on or off (p.11, p.15, p.18).
15. DC-In Jack
This is for connecting an AC adaptor (p.8, fee p.16).
Be sure to use only the AC adaptor supplied with the
RA-30.
16. Cord Hook
By hooking the AC adaptor cord around the cord hook,
you can prevent the plug from being accidentally
pulled out.
17. Phones Jack
Accepts connection of headphones (p.10, p.17).
18. Output Jacks R/L (Mono)
These provide the unit’s audio output, which can be
input to a keyboard amp, portable stereo, electronic
piano, or similar device (p.8, p.13, p.16).
19. Foot Control Jack
Here is where you can connect a pedal switch (Roland
DP-2; sold separately) (p.9, p.14, p.17).
20. RRC In Connector
Here is where you need to connect the RRC cable com-
ing from the KP-24 in order to receive its performance
data (p.14).
21. MIDI Connectors
Out
This is used to send MIDI data from the RA-30 to
another MIDI instrument.
In
This is used to receive MIDI data from another MIDI
instrument.

Chapter 1-1 Getting Ready
@ Making the Connections
To
prevent
malfunctions,
and/or
cane
to
speakers
(or
other
equipment)
be
sure
to
switch
off
all
equipment,
and
turn
the
volume
all
the
way
down
before
making
any
connections.
@ Installing the RA-30
If
the
RA-30
will
fit
on
the
top
of
your
electronic
piano,
place
it
there,
since
that
is
proba-
bly
the
most
convenient
location
for
it.
Operation
may
be
easier
if
you
place
it
at
the
left-
hand
side
of
the
electronic
piano.
If
you
can’t
place
the
RA-30
on
top
of
the
electronic
piano,
then
you
should
use
a
small
table
that
is
at
about
the
same
height
as
the
electronic
piano’s
keyboard.
Be
sure
to
use
a
table
that
does
not
wobble
or
tip
over
easily.
Place
the
table
to
the
left
of
the
electronic
piano,
and
then
put
the
RA-30
on
top
of
the
table.
@ Plugging in the AC Adaptor
Power
1. Plug the AC adaptor into the DC In jack on the rear panel.
* Be sure to use only the AC adaptor supplied with your RA-30.
2. Hook the AC adaptor cord around the cord hook.
You can prevent the plug from being accidentally pulled out.
3. Plug the AC adaptor into a power outlet.
@ Connecting to the Electronic Piano
Electronic Piano without
INPUT jack
senene «12> <7 lan iY
—
(==) eS
ROL
Electronic Piano Oe )
sibs eur with INPUT jack
© MIDI Cable Connections
1. Use a MIDI cable to connect the MIDI OUT connector on the electronic piano to the
MIDI In connector on the RA-30.
2. Use a MIDI cable to connect the MIDI IN connector on the electronic piano to the
MIDI Out connector on the RA-30.

Chapter 1-1 Getting Ready for Connection to an Electronic Piano Ei
© Audio Cable Connections
How you should make the connections differs depending on whether or not the electron-
ic piano has an INPUT jack.
If the Electronic Piano Has an INPUT Jack...
If you are using an electronic piano equipped with an INPUT jack, such as a Roland HP
series instrument, then you can play the sounds from the RA-30 on the electronic piano’s
speakers.
1. Use the supplied audio cables to connect the Output L/R jacks on the RA-30 to the
INPUT L/R jacks on the electronic piano.
* Tf you're making a monaural (single cable) connection, be sure to use the L. (Monto) jack.
If the Electronic Piano Does Not Have an INPUT Jack...
If you are using an electronic piano that has no INPUT jack, such as a Roland HP-G
series instrument, then you can play the sounds from the RA-30 on a keyboard amp or
portable stereo.
1. Use the supplied audio cables to connect the Output L/R jacks on the RA-30 to the
INPUT L/R jacks on the keyboard amp, or to the LINE IN L/R or AUX IN L/R jacks
on the portable stereo.
* If you're making a monaural (single cable) connection, be sure to use the L (Mono) jack.
If You’re Using a Roland HP-G Series Instrument...
If you're connecting the RA-30 to a Roland HP-G series electronic piano, then please take
note of the following important points.
© You cannot use “Dual Play” on the HP-G.
© You cannot select a Drum Set on the HP-G. If you want to use the keyboard to play
drums, then choose a Drum Tone on the RA-30 (p.23).
© The Piano Partner on the HP-G cannot be used.
O Additionally, if you set the RA-30 (during powerup) so it is to be used with an HP-G
series unit (p.11), you can listen to Style Play through the speakers on the HP-G series
instrument, even when not hooked up to a keyboard amp or portable stereo (no audio
cable needed). In this case, however, you will not be able to play Demo songs through
the HP-G's speakers. If you want to hear the Demo songs, you will need to connect
headphones to the RA-30 (p.10). You also will not be able to select the RA-30’s Drum
Tones.
@ Connecting a Pedal Switch
1. Connecting a pedal switch (Roland DP-2; sold separately) to the Foot Control jack
on the RA-30 lets you use the pedal switch to perform the same operations as the
Start/Stop button.
* You can also use the pedal switch for a variety of other functions as well. If you want to know
more, see “Changing the Pedal Functions” (p.39).

Chapter 1-1 Getting Ready for Connection to an Electronic Piano Gia
emma
ee
SI
TI
I
I
I
ET
TE
a
SETTER
TTS
ET
I
EE
EET
@ Connecting Headphones
You can use the headphones for practice at night, or at other times when you don’t want
to use the speakers.
* If the electronic piano has no INPUT jack, then you can’t listen to the RA-30 and electronic
piano at the same time through the headphones.
* The Phones jack on the RA-30 is a standard stereo phone jack. If you wish to use headphones
with a stereo-mini plug, you will need to use an adaptor to convert it to the 1/4” phone type.
© If the Electronic Piano Has an INPUT Jack...
Plug the headphones into the PHONES jack on the electronic piano.
O
If
You’re
Using
a
Roland
HP-G
Series
Instrument
Without
Hookup
to
a
Keyboard
Amp
or Portable Stereo...
Plug the headphones into the PHONES jack on the HP-G.
m@ Before You Switch on the Power...
Before you switch on the power to the electronic piano and the RA-30, make the follow-
ing settings.
@ Lower the Volume
Use the Volume knobs (or Volume slider) to reduce the volume on the electronic piano
and the RA-30. This helps prevent damage to the speakers or other areas. After switching
on the power, adjust the volume to the appropriate level.
@ Setting the Local ON/OFF Switch
If you're using an electronic piano that has a Local ON/OFF switch on the rear panel, set
this switch to “OFF.”
@ If You’re Using a Roland HP-G Series Instrument...
Set the COMPUTER switch on the rear panel of the HP-G series instrument to “MIDI.”
COMPUTER
MIDI PC-1
COMPUTER INTERNAL
/O PC-2 Mac
10

Chapter 1-1 Getting Ready for Connection to an Electronic Piano Ei
@ Powering Up
First of all, make sure that the AC adaptor is connected and plugged in correctly.
The RA-30 provides a feature that allows you to quickly select the settings that are
appropriate for the kind of instrument connected — whether it be an electronic piano,
acoustic piano, or something else. To use this feature, follow the procedure below when
switching on the power.
* This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up
is required before the unit will operate normally.
@ If You’re Using an Electronic Piano
Follow this procedure when using an HP-G series instrument while connected to a key-
board amp or portable stereo.
1. Switch on the power for the electronic piano.
* Be sure to switch on the electronic piano first. Wait a few seconds until it is ready for normal
operation.
2. On the RA-30, press the Power switch.
The following message appears in the display, and the settings for the electronic piano
are called up.
Power
m|
On =
Electronic Piano Set
3. If a keyboard amp or portable stereo is connected, then switch on this playback
device.
@ If You’re Using a Roland HP-G Series Instrument Without Hookup to
a Keyboard Amp or Portable Stereo...
1. Switch on the power for the HP-G series instrument.
* Be sure to switch on the HP-G series instrument first. Wait a few seconds until it is ready for
normal operation.
2. On the RA-30, press the Power switch while holding down the Sax/Brass button in
the Tone Group.
The following message appears in the display, and the appropriate settings are called
up.
Sax/Brass Power
1 while. {
On nao oS oC
Hold down HP-G Set
* Turn on power the same way each time.
* You will also need to have the RA-30 set to tis mode (HGS) if you intend to record its accom-
maniment data into a sequencer, such as the MT-200 or MT-120.
f ]
11

Chapter 1-1 Getting Ready for Connection to an Electronic Piano Gia
mi After the Power Is On...
After the power has been switched on, confirm the following items and make the appro-
priate settings.
@ Setting the MIDI Channels
Set the MIDI channels for the electronic piano (both the transmit channel and the receive
channel) to “1.” Refer to the owner’s manual for the electronic piano if you don’t know
how to do this.
* If you have connected an instrument in the Roland HP or HP-G series, the default is for the
MIDI
channels
to
be
set
to
“1”
when
you
switch
on
the
power.
If
either
of
the
MIDI
channels
has been changed, you will need to set it back to “1.”
@ Setting the Local ON/OFF Switch
If you have connected an electronic piano that has no Local ON/OFF switch on its rear
panel, then refer to the MIDI Implementation Chart in the owner’s manual for the elec-
tronic piano and find the column labeled “AUX Messages.” If there is an X in the space
for recognition of “Local ON/OFF,” it means that the electronic piano does not receive
local ON/OFF signals, so local ON/OFF should be set to “OFF.” Refer to the owner’s
manual for the electronic piano if you’re not sure how to do this.
* If there is an O in the space for recognizing “Local ON/OFF” under “AUX Messages,” it
means that the electronic piano receives local ON/OFF signals, and so there is no need to make
any setting.
* If you want to disconnect the electronic piano from the RA-30 and play the piano alone, you
need to return the local ON/OFF setting to “ON.” See the electronic piano’s manual for a
description of how to do this.
@ Adjusting the Volume
Volume
e
Min
Use the Volume knob to adjust the volume of the RA-30.
For the volume of the electronic piano, use the instrument’s volume knob (or slider) to
make adjustment for this as well.
12

Chapter 1-2 Getting Ready for Connection to an Acoustic Piano
@ Making the Connections
To prevent malfunctions, and/or damage to speakers (or other equipment) be sure to
switch off all equipment, and turn the volume all the way down before making any con-
nections.
@ Installing the RA-30
Use a smail table that is at about the same height as the acoustic piano’s keyboard. Be
sure to use a table that will not wobble or tip over easily.
Place the table to the left of the acoustic piano, and then put the RA-30 on top of the
table.
@ Plugging in the AC Adaptor
1. Plug the AC adaptor into the DC In jack on the rear panel.
* Be sure to use only the AC adaptor supplied with your RA-30.
2. Hook the AC adaptor cord around the cord hook.
You can prevent the plug from being accidentally pulled out.
3. Plug the AC adaptor into a power outlet.
@ Connecting to the Acoustic Piano
You need a KP-24 Acoustic Keyboard Pickup (sold separately) for connecting with an
acoustic piano.
13

Chapter 1-2 Getting Ready for Connection to an Acoustic Piano
TODS
TN
ET
EE
I
SE
EIST
OO
I
aE
© Connecting the RRC Cable from the KP-24
When shipped from the factory, the KP-24’s transmit channel is set to “1.” For connect-
ing the KP-24 to the RA-30, the transmit channel should be set to “1.” If the transmit
channel has been changed to something else, then be sure to change it back to “1” before
making the connection. If you’re not sure how to do this, see the owner’s manual for the
KP-24.
1. Connect the RRC cable for the KP-24 to the RRC In connector on the RA-30.
2. Install the KP-24 on the keyboard of the acoustic piano. See the KP-24’s owner's
manual for details on how to do this.
* The RRC-MIDI Box included with the KP-24 is not used.
© Audio Cable Connections
1. Use the supplied audio cables to connect the Output L/R jacks on the RA-30 to the
INPUT L/R jacks on the keyboard amp, or to the LINE IN L/R or AUX IN L/R jacks
on the portable stereo.
* If you're making a monaural (single cable) connection, be sure to use the L (Mono) jack.
@ Connecting a Pedal Switch
1. Connecting a pedal switch (Roland DP-2; available separately) to the Foot Control
jack on the RA-30 lets you use the pedal switch to perform the same operations as
the Start/Stop button.
* You can also use the pedal switch for a variety of other functions as well. If you want to know
more, see “Changing the Pedal Functions” (p.39).
re) oO: Oi oO}
@ Before You Switch on the Power...
Before you switch on the power to the RA-30, make the following settings.
@ Lower the Volume
Use the Volume knob to reduce the volume on the RA-30. This helps prevent damage to
the speakers or other areas. After switching on the power, adjust the volume to the
appropriate level.
14

Chapter 1-2 Getting Ready for Connection to an Acoustic Piano
l@ Powering Up
First of all, make sure that the AC adaptor is connected and plugged in correctly.
The RA-30 provides a feature that allows you to quickly select the settings that are
appropriate for the kind of instrument connected — whether it be an electronic piano,
acoustic piano, or something else. Use the following procedure to obtain settings appro-
priate for an acoustic piano.
* Turn on power the same way each time.
* This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up
is required before the unit will operate normally.
1. On the RA-30, press the Power switch while holding down the Organ/Flute button
in the Tone Group.
The following message appears in the display, and the settings for the acoustic piano
are called up.
Organ/Flute Power
2 pos while ... = {
On nooeoTm a
Hold down Acoustic Piano Set
2. If a keyboard amp or portable stereo is connected, then switch on this playback
device.
@ After the Power Is On...
After the power has been switched on, check the following and make the appropriate set-
ting.
@ Adjusting the Volume
Volume
D
Min
Use the Volume knob to adjust the volume of the RA-30.
15

Chapter
1-3
Getting
Reaay
tor
Connection
to
If
you
want
to
connect
the
RA-30
to
a
synthesizer
keyboard
or
some
other
type
of
MIDI
keyboard,
then
read
“Chapter
1-1
—
Getting
Ready
for
Connection
to
an
Electronic
Piano
”
(p8).
@ Making the Connections
To
prevent
malfunctions,
and/or
damage
to
speakers
(or
other
equipment)
be
sure
to
switch
off
all
equipment,
and
turn
the
volume
all
the
way
down
before
making
any
con-
nections.
@ Plugging in the AC Adaptor
1. Plug the AC adaptor into the DC In jack on the rear panel.
* Be sure to use only the AC adaptor supplied with your RA-30.
2. Hook the AC adaptor cord around the cord hook.
You can prevent the plug from being accidentally pulled out.
3. Plug the AC adaptor into a power outlet.
@ Connecting to the Other MIDI Device
Here’s
how
to
connect
the
RA-30
to
a
MIDI
accordion
or
a
similar
MIDI
instrument.
MIDI OUT
© MIDI Cable Connections
1.
Use
a
MIDI
cable
to
connect
the
MIDI
OUT
connector
on
the
MIDI
instrument
to
the MIDI In connector on the RA-30.
16

Chapter 1-3 Getting Ready for Connection to Another MIDI Device IIE]
O Audio Cable Connections
1. Use the supplied audio cables to connect the Output L/R jacks on the RA-30 to the
INPUT L/R jacks on a keyboard amp, or to the LINE IN L/R or AUX IN L/R jacks on
a portable stereo.
* If you're making a monaural (single cable) connection, be sure to use the L (Mono) jack.
@ Connecting a Pedal Switch
1. Connecting a pedal switch (Roland DP-2; sold separately) to the Foot Control jack
on the RA-30 lets you use the pedal switch to perform the same operations as the
Start/Stop button.
* You can also use the pedal switch for a variety of other functions as well. If you want to know
more, see “Changing the Pedal Functions” (p.39).
@ Connecting Headphones
You can use the headphones for practice at night, or at other times when you don’t want
to use the speakers.
Plug the headphones into the Phones jack on the RA-30.
* The Phones jack on the RA-30 is a standard stereo phone jack. If you wish to use headphones
with a stereo-mint plug, you will need to use an adaptor to convert it to the 1/4” phone type.
l™@ Before You Switch on the Power...
Before you switch on the power to the MIDI instrument and the RA-30, make the follow-
ing settings.
@ Lower the Volume
Use the Volume knobs to reduce the volume on the RA-30. This helps prevent damage to
the speakers or other areas. After switching on the power, adjust the volume to the
appropriate level.
17

Chapter
1-3
Getting
Ready
for
Connection
to
Another
MIDI
Device
ened
s
lm Powering Up
First
of
all,
make
sure
that
the
AC
adaptor
is
connected
and
plugged
in
correctly.
The RA-30 provides a feature that allows you to quickly select the settings that are
appropriate
for
the
kind
of
instrument
connected
—
whether
it
be
an
electronic
piano,
acoustic
piano,
or
something
else.
Use
the
following
procedure
to
obtain
settings
appro-
priate for a MIDI instrument that you have connected to the RA-30.
* Turn on power the same way each time.
*
This
unit
is
equipped
with
a
protection
circuit.
A
brief
interval
(a
few
seconds)
after
power
up
is required before the unit will operate normally.
1.
Switch
on
the
power
for
the
MIDI
instrument
you
have
connected
to
the
RA-30.
* Be sure to switch on the MIDI instrument first.
2. On the RA-30, press the Power switch while holding down the Strings button in the
Tone Group.
The following message appears in the display, and the settings for the MIDI instru-
ment are called up.
Ci while ... a {
On
Hold down MIDI Accordion Set
3. Switch on the power for the keyboard amp or portable stereo.
m After the Power Is On...
After the power has been switched on, check the following items and make the appropri-
ate settings.
@ Seiting the MIDI Channel
On the MIDI accordion, set the MIDI channels for parts (the channels it will use to send
on) to the channels listed below.
Melody Part 1
Chord Part 3
Bass Part 2
Refer to the owner's manual for the MIDI accordion if you don't know how to set these
channels.
@ Adjusting the Volume
Volume
m2
Min
Use the Volume knob to adjust the volume of the RA-30.
18

Chapter 2 Before Starting to Play
@ Adjusting Reference Pitch — Tuning
When you're using the RA-30 to play along with an electronic piano, an acoustic piano,
or some other instrument, it is important to have the RA-30’s reference pitch matched
properly with the other instrument, otherwise you will not be able to produce the kind of
music you hope for. The reference pitch commonly refers to the pitch of the middle A
key on the keyboard, and is expressed in hertz.
To tune the RA-30, you simply need to alter the frequency of the reference pitch.
* If you have the RA-30 connected to an HP-G series instrument and are playing with no key-
board amp or portable stereo hooked up, there is no need to adjust the tuning of the RA-30.
Keyboart Tone
heal cS
SaxfBres Onenifte Stnngs Guam/Bass Syn Pano FX Tone Select
' =
ANA lt Co
Music Style
Cc
Srv Setect
Pop Rock Contenpormy Swing Latin Indio! Watt Works Se
OMe eee
1. Press the Tune button.
The light for the Tune button comes on, indicating that tuning can now be performed.
The RA-30 emits a note for tuning (middle A [middle la]). You need to tune this note
to middle A (middle la) on the electronic or acoustic piano.
2. Press the Tempo -/+ buttons to tune the RA-30.
Pressing the + button raises the pitch.
Pressing the - button lowers the pitch.
The pitch is shown as a value from 27.0 to 40.0 to 53.0 in the display, which represent
the frequencies of 427.0 to 440.0 to 453.0 Hz.
~~ (Sag || Ga |
* Pressing the Tempo - and + buttons at the same time returns the RA-30 to the standard pitch
(A4 = 440 Hz, displayed as “40.0").
3. When you’re done tuning, press the Tune button again to make the Tune button
light go out and return the RA-30 to the play mode.
19

Chapter 2 Before Starting to Play
nel
@ Listening to the Demo Songs
20
The
RA-30
has
three
built-in
tunes
that
demonstrate
the
use
of
a
wide
range
of
Tones
and
Music
Styles.
These
tunes
are
called
Demo
songs.
To
start
off
with,
try
listening
to
the
Demo
songs
and
find
out
for
yourself
what
features
the
RA-30
has
to
offer.
* See back cover for details on the Demo songs.
*
If
you
have
connected
an
HP-G
series
instrument,
but
no
keyboard
amp
or
portable
stereo
ts
connected,
you
cannot
play
a
Demo
song
from
the
HP-G‘s
speaker.
If
you
want
to
hear
a
Demo
song,
you
need
to
connect
headphones
to
the
RA-30.
Keyboant Tone
ce
ry
Saxfrass Orgrutise Stings Guitat/Bass Synbi Pian Diner, Tet Select
Music Styte
es |
ry
Lawn = Tradtona = Wake Work Siyla Satucs
oom oc
Keyooan) Arranger
4
1. Press the Demo button.
The
indicator
lights
up
and
the
number
of
the
song
appears
in
the
display.
i)
Song number
2. Press the Start/Stop button.
The song number 1 will start playing.
3. To stop playback of the Demo songs, press the Start/Stop button again.
* These are the only controls that work while the Demo songs are playing:
Start/Stop button
Volume knob
When
you
want
to
hear
another
song,
after
finishing
step
1
above,
use
the
Tempo
-/+
buttons
to
choose
the
Demo
song
you
want
to
hear.
When
you
choose
ALL,
the
following
appears
in
the
display
and
the
three
Demo
songs
are
played
one
after
another.
ALL
moo
All songs played
* You can’t change songs during play. To listen to a different song, first stop play by pressing
the Start/Stop button, then choose the new song.
4. To return the RA-30 to the mode for normal play, press the Demo button again. This
makes the indicator go out.