Sennheiser Evolution e 912 User manual

912
Bedienungsanleitung
Instuctions for use
Notice d‘emploi
Istruzoni per l‘uso
Instruccione para el uso
Gebruiksaanwijzing

Bedienungsanleitung..............................................................3
Instructions for use...............................................................11
Notice d’emploi......................................................................19
Istruzioni per l’uso.................................................................27
Instrucciones para el uso......................................................35
Gebruiksaanwijzing...............................................................43

11
912
High-quality pre-polarized condenser microphone with
half-cardioid pick-up pattern, acoustically optimized for
speech, vocal and instrument miking.
The 912 is suitable for use in grand pianos or on theater
and opera stages, conference tables, altars, lecterns, etc.
Incidental rear noise is effectively rejected.
The 912 is available in two color variants:
e 912 WH (white) Cat. No. 500648
e 912 BK (black) Cat. No. 500647

12
Features
yFrequency response and sensitivity tailored for
speech, vocal and instrument miking
yVery unobtrusive due to flat design
yExtremely rugged sound inlet basket
yRubber damping plate on base
yMounting slots for mounting the micorphone to e.g.
table tops
yGold-plated XLR connector
yIntegrated electronics (instead of in-line pre-amp)
Delivery includes
y912 microphone
yPouch
yInstructions for use
yWarranty Certificate

13
Positioning the microphone
Boundary microphones make use of the pressure effects
ataroomboundaryandneedtobemountedonaflatsur-
face:
Position Resulting sound Commentary
Altar or lectern:
onasound-reflecting
surface
Less room resonance
portions or comb filter
elements;
improved speech
intelligibility and
greater gain reserves
in contrast to free-
standing microphones
Unobtrusivedueto
flat design;
no microphonesin
the field of vision
Conference rooms:
lying on the table;
directed towards the
conference
participants *)
Less room resonance
in contrast to free-
standing microphones
Microphones must
not be covered by
papers, folders or
similar objects

14
*) The cardioid pick-up pattern has an opening angle of
approx. 130°. Try to position the microphone so that the
sound source (conference participant, speaker or
instrument) is located in this angle area (see polar
diagram).
Theater stages:
lying at the edge of
the stage and
directed towards the
stage; as spot
microphoneofthePA
system or for
monitoring purposes
in the theater
cloakrooms
Less room resonance
in contrast to free-
standing
microphones;
improved speech
intelligibility
Excellent rejection
of rumble noise; if
necessary, place
the microphone on
a soft pad (e.g.
mousepad).
If necessary,
combine with
overhead micro-
phones (e.g.
Sennheiser ME 36
with MZH 30 B &
MZC 30)
Grand piano / piano:
mounted to the
inside cover (=
sound-reflecting
surface) of the piano
or lying in the
instrument or on the
floor underneath the
piano
Very transparent and
powerful sound;
stereo sound image
can be shaped
individually,
depending on
microphone position
chosen
Instrument is easy
to mike, even
when the cover is
closed;
excellent
protection against
crosstalk into
other microphone
channels and
reducedvolumeon
stage

15
Polar diagram
Frequency response curve
0°
5
10
15
20
25
dB
30°
60°
90°
30°
60°
90°
120°
150° 180° 150°
120°
2000 Hz
4000 Hz
8000 Hz
16000 Hz
125 Hz
250 Hz
500 Hz
1000 Hz
0
- 40
- 50
- 60
- 7020 50 100 200 500 1000 2000 5000 1000020000 Hz
0°, 1 m 0°, 5 cm
- 30
dBv
- 20

16
Specifications
Transducer principle pre-polarized
condenser microphone
Frequency response 20–20,000 Hz
Pick-up pattern half-cardioid
Sensitivity
(free field, no load at 1 kHz) 10 mV/Pa
Nominal impedance (at 1 kHz) < 100 Ω
Min. terminating impedance 1 kΩ
Phantom powering 48 V / 1.1 mA
Max. sound pressure level at 1 kHz 136 dB SPL
Connector XLR-3
Weight 350 g
Dimensions Length: 126.5 mm
Width: 105 mm
Height: 26.5 mm
Pin assignment of XLR-3 connector
12 3
12
3
++
12 3
XLR
+
XLRXLR
+

17
Overview of microphone applications
Variant
Application
e901 e902 e904 e905 e906 e908B e908B ew e908D e908T ew e912 e914 e935/e945
Vocals x
Choirs x x
Studio, acoustic
instruments x x x
Orchestra x
Trumpet, trombone xxx
Saxophone x x x
Acoustic guitar x
Acoustic bass x
Guitar amplifiers x
Bass amplifiers x
Leslie xxxx
Piano, grand piano x x
Kick drums xx
Snare drums xxx x
Rack toms xxxx x
Floor toms xxxx x
Congas xxx x
Cymbals x
Percussion xxxx x x
Overhead
Conference table,
altar x
Lectern x
Theater stage x

18
Manufacturer Declarations
Approval
Sennheiser electronic GmbH & Co. KG declare that this device is in com-
pliance with the applicable CE standards and regulations.
WEEE Declaration
Your Sennheiser product was developed and manufactured with high-
qualitymaterialsandcomponents whichcanbe recycledand/orreused.
This symbol indicates that electrical and electronic equipment must be
disposed of separately from normal wasteat the end of its operational
lifetime. Please despose of this product by briningit to your lacalcollec-
tion point or recycling centre for such equipment. This will help to pro-
tect the environment in which we all live.

Sennheiser electronic GmbH & Co. KG
30900 Wedemark, Germany
Phone [phone]
Fax [phone]
www.sennheiser.com
PrintedinGermany Publ.12/05 511961/A01