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Superlux PRO238MKII User manual

User Guide
GOANG-FANN CO.,LTD.
2007, SUPERLUX I
LB10238MK01EN (Rev. 1)
nc.
Specifications
Features
Supplied accessories
Condenser microphone
Type
Polar pattern
20 to 20,000 Hz (Figure 2)
Frequency response
Sensitivity
(at 1,000 Hz Open Circuit Voltage)
-40dBV/Pa (10mV/Pa)
1Pa=94dB SPL
3dB
200Ω
Rated impedance
1,000Ω
Minimum load impedance
Equivalent noise level
(A-weighted)
16dB (IEC/DIN 651)
Max. SPL
(1 k load)Ω
136dB SPL (THD 1% 1kHz)≦
120 dB
Dynamic range
(1 k Load)Ω
JUST PLAY IT
Description
PRO238MKII handheld large diaphragm condenser microphone is
based on the superior performance, and improving the frequency
response, lower handling noise, and mechanical structure. Modular
design makes it easy to remove/restore the capsule. While the
hidden low cut filter switch inside the chamber can be protected
from mis-operation, and let the artist perform comfortably with the
great holding feeling of the PRO238MKII.
Wide and extended frequency and optimized damping, this
cardioids PRO238MKII exhibit nature and lively sound. A best
microphone for live sound, broadcasting, and recording.
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1" gold plated 3 m thin film diaphragm. Protected capsule.
Wide range with mid-high band emphasis tailor frequency
response.
High dynamic range, low distortion.
Superior modular design, lower handling noise.
Hidden low cut filter.
Warm and detail sound even
at close-up.
μ
78 dB
noise ratio-to- ignal
PRO238MKII
TYPICAL POLAR PATTERN (Figure 1)
TYPICAL FREQUENCY RESPONSE (Figure2)
Foam windshield -- ----------------- - - - S58
Microphone holder ---- --
--- ---- ----- ------ ----- YA1
- - - - ---
- - -- ----
-------- --------
--------------------------------- ---- HM38S
5/8" to 3/8" adapter - -------- --
Large Diaphragm True
Condenser Microphone
The PRO238MKII operates
between -10 to +50 (14
to 122 ) with relative humidity
between 0 to 95%.
Environmental conditions
Pin 2 output positive voltage
(related to pin 3) when diaphragm
receives positive pressure.
(Diaphragm moving inward)
Polarity
Integral 3 pin male XLR type
Connector
Dimensions
Net weight
350.0 grams (13.78oz.)
<3.5mA
Current consumption
Φ49.5mm(1.95in.) X 183.0mm
(7.20in.) (Figure 3)
Power supply
9 to 52 VDC phantom
Low frequency roll-off
100 Hz, 12dB/OCT
Metal construction with
painted finishGrey
Finish
Foam windshield (Figure 3)
Unidirectional (Cardioid),
rotationally symmetrical about
microphone axis, uniform with
frequency. (Figure 1)
3 pin male XLR
49.5 mm
(1.95 in.)
183.0 mm
(7.20 in.)
53.0 mm
(2.10 in.)
O
(0.89 in.)
22.5 mm
O
FREQUENCY IN Hz
Frequency Response
RELATIVE RESPONSE IN dB
dB
10
-10
-20
20 50 100 200 500 1000 2000 5000 10000 20000 Hz
0
2000 Hz
4000 Hz
8000 Hz
250 Hz
500 Hz
1000 Hz
S58
Foam windshield
YA1
Screw adaptor
Attenuation switch
HM38S
Microphone clip
Related accessories
Shock mount -- ---------- -------- - HM26B
Phantom power supplier ------- -----
HM18AG Pop screen --- ---- -----------------------
Adjustable boom stand ----- ------------------- S131E
- - -- ---
- - --- -- - H
------- - ---- M
------------------ -
----------------- ------ PS2A
- M18AG
HM26B
Shock Mount
HM18AG
Pop screen
MS131E
Adjustable
boom stand
PS2A
Phantom
power supplier
Condenser microphones work with power. Professional standard is 48VDC
phantom power. Some microphones work with lower voltage as low as
1.5VDC, such as battery power model. PRO238MKII work with 9 to 52VDC
phantom only. Please make sure your sound system provide adaquate power
to the microphone.
Extremely light weight diaphragm, very sensitive to sound. Very small
versions available for hiding applications. High performance condenser
microphones are regarded as standard equipment of recording studios for
extreme detail capturing. Operates with power, such as phantom or battery.
Knowing your microphone
Superlux provides variety selection of microphones for professionals and
amatures. To know your microphone is the first step to successful result.
Type of transducer
Condenser
Powering microphone
About Frequency Response
Suitable for working at controlled environment, or for acoustic
measurements. Although people persuit flatness, but for none-
professionals, it is a challenge to makes it works as expectation.
Flat
Based on years of practical experience of pro users. There are curves to be
build for various applications, so that it is very simple to use the
microphone for the purpose. Limiting bandwidth, and emphasing are typical
skill.
Popular curve response
Incorporating switchable filters to elliminates interference, such as sub-
sonic filter to cut air-conditioner and floor vibrations. And allows full flat
when used in controlled environment.
Variable response
Directivity
Distance to source
Close miking or distant miking sound very differently. Vocal recording or
live performance practice close miking mostly. Suitable proximity effect is
one desired target, and lower feedback problem is another factor for live
sound application.
While distant miking is common practice for recording, especially stereo
pair recording with large group of performers, such as orchestra or choir.
Distant miking generally picks up less bass section with pressure gradient
type of microphone (cardioid, figure-8, shotgun...) due to acoustic nature
and lack of proximity effects.
Rich bass with distant miking can be recorded with pressure type of
microphone (Omni), which performs the same frequency response with
close or distant pick-up.
Mounting the microphone
Pressure gradient microphone is very sensitive to vibration. Suitable shock
mount for high performance microphone is necessary for extreme low noise
recording. Sturdy stand can set the microphone excatly at the sweet spot
and keep it there. Choose heavy duty microphone stand for studio
condenser microphone which weights much more than handle microphone.
Superlux provides wide range of microphone stands for various demands.
Big Foot Willie is specially developed for large condenser microphones that
able to support 2 large microphones with stereo bracket for single point
stereo recording.
Extension foot on all the 'E' versions serve to mount heavy studio
microphone in limit space live sound applications.
Picks up most signal on axis. Rejects side and picks up least to the back. Suitable for
live sound re-inforcement. Apparent proximity effect and most singer likes to take this
bass boost advantages which is not good for speech.
Cardioid
Maintainence
Condenser microphone shall be kept in low humidity environment for best
sound performance. Store the condenser microphones in airconditioned
room or dehumidifier to keep away form moisture. Clean air is another
important factor. Keep away from smoking environment to avoid tar
residuals.
GF
PRO AUDIO
Shanghai Shenzhen Taipei••
Tel 886-2-2693 1323:
Fax 886-2-2694 8990:
E-mail [email protected]:
Http://www.superlux.com.tw
GOANG-FANN CO.,LTD.
3F, No.7,Alley 2, Lane 342, Fu-Der 1st Road
Hsichih, Taipei, Taiwan

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