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  9. TAG MCLAREN AUDIO PPA20 User manual

TAG MCLAREN AUDIO PPA20 User manual

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input selector
button filter selector
button
mode selector
button
cartridge selector
button
status
indicators power
button
power
LED
mute
input
mc/mm mode
riaa/iec in 1
mcx30
filter
in 2
mcx10
mono
riaa
mm
direct
riaa/iec
left
right
left
0 dB
left
right
signallevel
left
right
signal 12
serial
number
ground
220-240V
~50-60Hz
Fuse: T1A L250V
made in United Kingdom
OUTPUT PHONO
12 3 4right left right load load
-20 dB
transformer
balanced
(option)
transformer
balanced
(option)
transformer
balanced
(option)
transformer
balanced
(option)
fuse
carrier output level
button phono input
sockets
XLR output
(optional)
ac supply
socket
output
sockets
ground
terminals
PPA 1234567
02 welcome
08 key features
10 getting started
12 inputs
14 selecting the cartridge type
17 muting
18 filter and mono settings
21 grounding
23 outputs
25 special input loading
28 running in and warming up
29 interference
30 care and maintenance
32 technical data
36 international standards
contents
Specification shown may vary for different countries
GRA00046.1-[CA]PPA20 13/03/01 11:31 Page 1
03
Now,this blend of talent and
expertise has been combined
with the award-winning
experience ofAudiolab to create
a company with a technical
advantage and access to
resources second-to-none in the
high end audio industry -
TAG McLarenAudio.
TAG McLarenAudio has been created with
one aim in mind:to produce the best high-
fidelity audio and audio-visual systems
available.Now the first fruits of that
alliance are ready – a unique new range of
audio products.
Throughout the F3 Series development
process,quality,performance and
reliability have been paramount,resulting
in unparalleled performance, operational
excellence and sheer listening pleasure.
celebrating a TAG McLaren victory
All TAG companies perpetually strive
for,and achieve,excellence and high-
performance in every area of their
business.
These qualities are demonstrated in the
fastidious standards that makeTAG Heuer
watches some of the world’s most
admired;in the teamwork that makesTAG
McLaren’s motor racing team one of the
most successful in Formula One;and in the
advanced electronics technology that
makesTAG Electronic Systems the first
choice for many Formula One constructors
and high-performance car makers.
Derek Scotland (on the left) – Technical Director
Peter Stevens – Chief Industrial Designer
Dr. Zucker – Chief Executive
welcome to a new partnership
..in hi-performance, hi-fidelity
GRA00046.1-[CA]PPA20 13/03/01 11:31 Page 3
We are convinced it will give you many hours o
listening pleasure.
The PPA20 is dedicated to those who want to get the very
best out of their vinyl records. It can accept the output of two
turntables and includes the capability to fine tune the signals
of both independently.The PPA20 also has switchable filters
to enhance your enjoyment of older records which may be
damaged or were recorded using non-standard equalisation.
RIAA / IEC requency response
The frequency response of the PPA20 meets
the RIAA specification,and a switchable low-
frequency (‘rumble’) filter is included which
meets the IEC specification.An additional
switchable bandpass filter allows you to
remove noise at both low and high
frequencies and a facility is also provided
to select mono reproduction.
low intermodulation distortion
The theoretically-ideal preamplifier
reproduces sound perfectly over an infinite
range of frequencies – starting from well
below the audible range and extending far
above the capabilities of human hearing.
Although sound outside the human hearing
range of approximately 20 to 20,000 Hz
cannot be heard,it can significantly affect
the quality of music reproduction through
welcome welcome
0504
Thank you for purchasing theTAG McLarenAudio phono preamplifier PPA20.
an effect that audio engineers call
‘intermodulation distortion’.This type
of distortion moves imperfections that
originate outside the hearing range back
into the audible frequencies.To minimise
this effect,TAG McLarenAudio
preamplifiers have a frequency response
which extends both above and below the
range of normal human hearing.
straight line technology
To prevent intermodulation distortion,
a preamplifier must respond to very low
frequencies but block any Direct Current
(DC).This is traditionally achieved using
capacitors, which also block some of the
low-frequency signal.In the PPA20,
a feedback circuit eliminates DC offset
voltage and allows the signal path to be
direct coupled without any capacitors.
GRA00046.1-[CA]PPA20 13/03/01 11:31 Page 5
This arrangement, which we atTAG
McLarenAudio call‘Straight Line
Technology’,is easy to describe but not
easy to realise.The design has taken our
expert engineers years to perfect.
time constant switching
The PPA20 has a sophisticated muting
system which protects your hi-fi and
prevents annoying,loud switching noises
from reaching the output.A preamplifier
that responds to low frequencies will‘ring’
for a long time in response to the sudden
voltage changes that happen,for example,
when you select a different input.A muting
system that simply waited for the switching
transients to die down naturally would take
far too long to settle.To overcome this
problem the PPA20 incorporates a
technique developed byTAG McLaren
Audio called‘Time Constant Switching’.
This changes the characteristics of the
preamplifier during input switching to
reduce the settling time so that the mute
period can be as short as possible.
versatile input loading
The inputs of the PPA20 have the correct
loading for moving magnet and moving coil
cartridges.Each input includes special load
terminals which allow you to tailor the
input to match any cartridge which may
need special,non-standard,loading
characteristics. Gain control is also
provided so that you can select the right
amount of amplification for your cartridge.
Loading and gain settings for each input are
retained in the memory of the PPA20.
high-quality circuitry
The circuits in the PPA20 are‘no-
compromise’designs using high-quality,
high-stability components to send a
smooth,clean signal to your amplifier for
excellent sound quality.
The PPA20 unveils,without any
compromise,all of the music information
in your record collection.
06 07
welcomewelcome
GRA00046.1-[CA]PPA20 13/03/01 11:31 Page 7
‘Straight Line Technology’ to give low-frequency response
down to 0.1 Hz
Dual mono design with independent left and right grounds
Precision RIAA equalisation
Independent inputs for two turntables with independent
ground connections
Settings for two different types of cartridge
Three gain settings
Input, gain and cartridge-type settings retained in memory
Automatic muting with ‘Time Constant Switching’
Controls for: input selection, cartridge type, low-frequency
(IEC) filter, bandpass filter and mono
Dedicated sockets for special cartridge loading
Two low-impedance analogue stereo outputs to allow long
cable runs
Switchable 20 dB output attenuator
An additional transformer-coupled and balanced output, via the
fitted XLR connectors, can be supplied as an option
Precision metal-film resistors
Sorbothane®sonic isolation feet, specially designed by
TAG McLaren Audio(1)
08 09
key eatures key eatures
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
1. For the very best performance we recommend that our units are placed on
individual shelves and are not stacked one on top of another
GRA00046.1-[CA]PPA20 13/03/01 11:31 Page 9
We know you are keen to get your PPA20 working. This section will
have you listening to your favourite music as quickly as possible.
If you fold out the front cover of this manual, you will locate
diagrams which will help you find your way around your PPA20(1).
Make sure that all the components of your audio system are
disconnected from the AC supply whenever you change any
connections.
Use the cable supplied with your turntable and tone arm to connect
your turntable to the phono sockets marked PHONO signal 1 left
and right on the back of your PPA20(2).
Use a good-quality, screened phono-phono audio cable to
connect the phono sockets marked OUTPUT 1 left and right on
the back of your PPA20 to the corresponding AUX inputs of your
amplifier or preamplifier(3).
Make sure the AUX input is selected and the amplifier’s volume
is turned down.
be ore
you start
turntable
connection
ampli ier
connection
Check that the power button is out so that power is off when you
plug in(4). Using the cable supplied, connect the socket on the
back of your PPA20 to an AC supply outlet. For the best sound
quality, we recommend that you do not use multi-plug adaptors.
Press the power button in. The blue power LED will come on.
Start playing a record on your turntable.
Turn up the volume, sit back and enjoy the music(5).
power
connection
switch on
10 11
getting started getting started
1. Throughout this instruction manual (except in titles), bold print indicates the
lettering that you will find on the panels of your PPA20
2. If your turntable has a ground lead, you should connect it to your PPA20, please
see page 21
3. You should not use the phono input of your amplifier or preamplifier unless you
are sure it is suitable for line level inputs. If your amplifier does not have an
input labelled AUX, you can usually connect to an input labelled LINE or any
other line level input
4. The power button is a latching switch. One press will hold it in, the next will
release it
5. While the above procedure should work with most cartridges, you may find that
with your cartridge there is no sound or it is distorted. If this happens, please
read the rest of this instruction manual to find out how to set up your PPA20 to
work with your cartridge
left
right
signal
left
right
signal 12
ground
PHONO
load load
GRA00046.1-[CA]PPA20 13/03/01 11:31 Page 11
The input button allows you to select the PHONO 1 or 2input.
The input you have selected is shown by an LED on the front
panel marked in 1 or in 2. Pressing the input button switches the
input from PHONO 1 to 2and back(2).
selecting input
Your PPA20 has independent inputs for two turntables.
On the back panel of your PPA20 you will find two sets of inputs
labelled PHONO 1 and 2. Each input consists of a pair of phono
sockets for left and right signal, a pair of phono sockets for left
and right load and a ground terminal.
Connect your turntable to the left and right signal sockets. The load
sockets are used to apply special input loading as described on
page 25. The use of the ground terminal is described on page 21.
The PHONO 1 and 2inputs, including the ground terminals and
the signal grounds, are electrically isolated from each other.
This means that two turntables may be connected to the PPA20
without interfering with each other.
The input loading and equalisation meet the RIAA(1) standard.
turntable inputs
12 13
inputs inputs
1. Record Industry Association of America
2. The PPA20 remembers the last input setting even when power is disconnected
c
in 1 in 2
input
left
right
signal
left
right
signal 12
ground
PHONO
load load
GRA00046.1-[CA]PPA20 13/03/01 11:31 Page 13
In order to work properly, the input and gain characteristics
of your PPA20 have to be matched to your cartridge.
The PPA20 has a choice of three predefined settings tailored to
the most common types of cartridge (special cases are discussed
on page 25).
The three cartridge settings on the PPA20 are mm, mc x 10 and
mc x 30. The mm setting has the lowest gain and is suitable for
high-output cartridges. The mm setting also selects the correct
input characteristics for a typical moving magnet cartridge.
The mc x 10 and mc x 30 settings select the correct input
characteristics for a typical moving coil cartridge. The mc x 10
setting gives a gain of 10 times the gain on mm and is most
suitable for medium-output cartridges. The mc x 30 setting has
a gain of 30 times the gain on mm and is most suitable for low-
output cartridges.
The cartridge selector button mc/mm allows you to select the
cartridge type and gain. The cartridge type and gain setting
you have selected is shown by an LED on the front panel marked
mc x 30, mc x 10 or mm. Pressing the mc/mm button steps
through the following sequence, mc x 30, mc x 10, mm, mc x 10
and back to mc x 30(1).
You can have a different cartridge type and gain on each input.
Changing the input will return you to your chosen cartridge type
for that input(2).
types o
cartridge
selecting the
cartridge type
14 15
selecting the cartridge type selecting the cartridge type
mc/mm
mcx30 mcx10 mm
1. Because of the large difference in gain, the PPA20 passes through mc x 10 when
switching from mm to mc x 30 and back
2. The PPA20 remembers the cartridge type and gain for each input even when
power is disconnected
GRA00046.1-[CA]PPA20 13/03/01 11:31 Page 15
The information supplied with your cartridge should include its
output level.
If this is less than 100 µV (or 0.1 mV)(1),use the mc x 30 setting;
If it is between 100 µV and 400 µV (0.1 to 0.4 mV), use mc x 10;
If it is more than 400 µV (0.4 mV), use mm.
If your cartridge is of the moving magnet type, you should always
use the mm setting.
If you don’t have the information, you can find the best setting
by experiment. With the volume on your amplifier set low, play
a recording of roughly average dynamics. Try the different
cartridge settings until you find the one which has the best
transparency and least distortion. You may have to adjust the
volume on your amplifier as you change cartridge settings(2)
Your PPA20 has a microprocessor-controlled muting system to prevent
switching noises being sent to your amplifier and loudspeakers.
The PPA20 turns off the output for a short time whenever you
change any settings. The LED on the front panel labelled mute
will light when the output is muted.
If all the filters are off (see page 18 and 20), the automatic muting
may be triggered by the low-frequency pulse generated when you
lift the tone arm.
The output will switch itself back on after a short period(1).
choosing the
ideal cartridge
setting
automatic
muting
16 17
selecting the cartridge type muting
1. About 2.5 seconds when the cartridge type is set to mm, and 10 seconds when
it is set to mc x 10 or mc x 30
1. 1 µV (microvolt) is one millionth of a volt and 1 mV (millivolt) is one thousandth of
a volt. The output levels are relative to a cartridge excitation of 5 cm/sec at 1 kHz
2. If the volume is too high, even with the volume control on your amplifier turned
down low, you can use the OUTPUT level control (rear panel) to reduce the
output from your PPA20 (see page 23)
mute
GRA00046.1-[CA]PPA20 13/03/01 11:31 Page 17
The frequency response of the PPA20 has been tailored to fit
precisely the requirements of the RIAA specification.The PPA20
also includes a filter which meets the requirements of the IEC(1)
extension to the RIAA specification, cutting out low (bass)
frequencies to prevent ‘rumble’. To further enhance your
enjoyment of older recordings, which may be damaged or were
recorded using non-standard methods, the PPA20 also has a
bandpass filter and the capability to be switched to mono.
Use the IEC filter if you hear low-frequency ‘rumbling’ noises that
you might get, for example, from a warped record.
Press the filter selector button marked riaa/iec on the front panel
to switch from riaa to riaa/iec and back. The status of the filter is
shown by an LED on the front panel labelled riaa or riaa/iec.
The riaa LED indicates that the PPA20 is meeting the RIAA
specification while the riaa/iec LED indicates that the IEC
low-frequency filter is switched on as well.
The bandpass filter(2) cuts down both high- and low-frequency
noise and is useful for listening to older records. In particular, the
bandpass filter can be used to remove the high-frequency carrier
signal from old quadraphonic recordings.
You can use the bandpass filter and the low-frequency (IEC) filter
at the same time to enhance the rejection of low frequencies.
When you listen to mono recordings you should select the mono
setting. This setting will also enable you to listen to certain types
of non-standard stereo recordings, albeit in mono(3).
The mono setting only works when the bandpass filter is on.
bandpass ilter
mono
low- requency
(IEC) ilter
18 19
ilter and mono settings ilter and mono settings
1. International Electrotechnical Commission
2. A bandpass filter passes a band of frequencies and cuts out frequencies above
and below the band. The bandpass filter in the PPA20 allows through
frequencies between 40 Hz and 20 kHz
3. You can use the mono setting to check the wiring of your cartridge. Play a stereo
record. If the sound drops to a very low level when you switch to mono, then it is
most likely that the phasing of your stereo channel connections is wrong
riaa/iec
riaa riaa/iec
GRA00046.1-[CA]PPA20 13/03/01 11:31 Page 19