TubeOhm Jeannie User manual

Jeannie
POLYPHONIC DIY SYNTHESIZER
User manual
Firmware V2.19
Jeannie is an 8-voice polyphonic open source synthesizer kit with digital sound synthesis and digital
ilters based on a ast ARM Cortex-M7 processor with 1MByte Ram.
For sound generation, the user has a variety o classic and band-limited wave orms at his disposal, as
well as a polyphonic multi-saw. A pool o 15 wave orm banks with 63 di erent wave orms each o er
plenty o space or sound experiments. A waveshaper with di erent characteristics provides or gentle
to vicious sounding distortions. To tame the wave orms, there are three digital ilters. The 1st ilter is a
12dB state variable ilter with TP/HP/BP unction. The 2nd ilter is a 24dB ladder low pass ilter. The 3rd
ilter is located at the internal sum output. It is a 12dB high pass ilter with adjustable cut-o requency
rom 20Hz - 2000Hz. A 24Bit DSP e ect module with adjustable parameters rounds o the sound
synthesis. An integrated polyphonic step sequencer provides or the play ulness o the small
synthesizer.
A total o 2048 sound programmes rom 15 banks can be loaded and stored via an integrated SD card.
A colour 1.8 inch TFT display allows a clear menu structure and easy operation o the synthesiser. The
parameters are entered via our rotary knobs below the display as well as an encoder or selecting the
sound programmes and switching to the menu unctions. In addition, six keys are available or
operating special unctions o the synthesiser.
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Inhaltsverzeichnis
Operatin manual ..........................................1
Table o contents ..................................................2
Prologue ...............................................................3
Special thanks ......................................................3
The development team .........................................3
Firmware ...............................................................3
The assemblies ...............................................4
Block diagram .......................................................5
Jeannie Synthesizer .............................................6
Speci ications .......................................................7
Controls and connections ...........................8
Front .....................................................................8
Connections on the back ......................................8
Power supply connection .....................................9
Power supply ........................................................9
Power ON .............................................................9
SD Card ............................................................10
Folder and ile structure ......................................10
Operatin concept .......................................11
DATA ...................................................................11
Poti ......................................................................11
Switches..............................................................11
Volume.................................................................12
Display.................................................................12
Menuestructure ..................................................13
Menu pa es.....................................................14
Selecting a Sound Program................................14
Showing the unction parameters........................14
Oscillator.........................................................14
Selecting a wave orm..........................................14
Pitch setting.........................................................15
Glide....................................................................15
Oscillator Level ...................................................15
Oscillator Mixer ...................................................15
Pulse width modulation.......................................15
Quadsaw ............................................................16
SawMix and spread ............................................16
Detune.................................................................16
Oscillator submenu ....................................17
Wave Shaper ......................................................17
Gain ....................................................................17
Sync ....................................................................17
Transpose............................................................17
Tune ...................................................................17
Noise ..................................................................17
Oscillator modulation ..........................................17
Filter..................................................................18
Cuto / Resonanz................................................18
Resonanz ...........................................................18
Envelope .............................................................18
SVF Typ ..............................................................18
Filter submenu...............................................18
Keytraking ..........................................................18
Velocity ...............................................................18
LFO .....................................................................18
Filter submenu 2 ..........................................19
Cuto / Resonanz ...............................................19
Filter switching ....................................................19
Envelopes........................................................20
Attack, Decay, Sustain, Release ........................20
Envelope submenu .......................................20
Curve ..................................................................20
Velocity ...............................................................20
LFO.....................................................................21
Shape, Rate, AMT, SYN .....................................21
Velocity ...............................................................21
LFO submenu..................................................21
Mode, Fade-In, Fade-Out, Curve .......................21
Modulation.......................................................22
Slot 1 - 24 ....................................................22 - 23
FxDSP menu....................................................24
Parameter adjustment ........................................24
SEQUENCER ..................................................25
STEP ..................................................................25
PITCH .................................................................25
BPM ....................................................................25
DIV ......................................................................25
SEQUENCER submenu ...............................25
LEN .....................................................................25
TIME ...................................................................25
DIR .....................................................................26
MODE .................................................................26
Sequenzer Pattern .......................................27
Loading and saving a sequencer pattern............27
SYSTEM menu ...............................................28
Midi cannel..........................................................28
Velocity curve......................................................28
Pickup unktion....................................................28
MIDI-Clock...........................................................28
Program change..................................................28
parameter Pot 1 - Pot 4.......................................28
SYSEX DUMP .................................................29
Parameter settings .............................................29
Receiving and sending SysEx data.....................29
Save Sound Pro ram....................................30
Create Init Program ............................................30
Appendix .........................................................31
Tipps & Tricks .....................................................31
Start problem ......................................................31
SD card is not recognised ..................................31
Tutorial 1 : programing sounds....................31 – 33
Midi Controller Messa es .........................34
Midi Controller Messages (0 – 31) .....................34
Midi Controller Messages (32 – 63) ...................35
Midi Controller Messages (64 – 95) ...................36
Midi Controller Messages (96 – 127) .................37
Technical data...............................................38
Copyright ............................................................39
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Prolo ue
Thank you or purchasing the polyphonic synthesizer kit "Jeannie" rom TubeOhm Instruments.
The synthesiser is desi ned as a kit and is aimed at customers with basic
knowled e of electronics and some experience with di ital or analo ue
synthesizers.
Some mechanical experience is required, as solderin and the assembly of a
cabinet are necessary.
This synthesiser combines di erent types o sound synthesis and is thus a great playground or sound
tinkerers. A graphic 1.8-inch TFT display or visual representation o the wave orms and a simple menu
structure acilitate operation.
Special thanks to
Paul Sto regen, https://www.pjrc.com/
ElectroTechnique, https://electrotechnique.cc/
and to all those who have been orgotten here.
The development team
Hardware Andre’ Laska, Rol Degen
Designe: Andre’ Laska tubeohm.com
So tware: Rol Degen github.com
Firmware: V2.19 Januar 2023
Download: tubeohm.com
Jeannie DIY Block: sequencer.de
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The assemblies
The kit consists o a total o our boards, whereby the Teensy 4.1 board and the PCM5102A board are
supplied already assembled and are simply plugged into the existing contact strips on the back o the
panel board.
The panel board contains all the controls and a 160x128 pixel colour TFT display. The FxDSP board is
equipped with an FV-1 reverb IC rom Spin Semiconductor and is responsible or the sound e ects.
Panel Board (SMD bereits bestückt)
Teensy 4.1 Board (fertig bestückt) PCM5102A Board (fertig bestückt)
Fx DSP Board (SMD bereits bestückt)
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Block dia ram
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Jeannie
Jeannie is a digital synthesiser. The sound generation o Jeannie is based on an ARM Cortex-M7
processor with a clock requency o 720 MHz and 1 MB RAM. With this, eight voices can be generated.
Two digital oscillators with a selection o over 900 wave orms are available or each voice. These
include classic to band-limited wave orms and a multisaw. In addition, a noise generator with white and
pink noise is available. There is a digital multimode ilter with 12 dB slope, which can be operated as
low-pass, band-pass or high-pass. In addition, the multimode ilter can be switched to a ladder low-pass
ilter with 24 dB slope. At the sum output, an adjustable high-pass ilter attenuates the low tones.
Downstream o the ilter is a waveshaper with di erent characteristics, which can be used to distort the
sound rom light to strong. Two ADSR envelopes and three LFOs are available or modulation. A 24-bit
DSP e ect module based on the FV-1 processor rom Spin Semiconductor rounds o the sound
synthesis. A polyphonic sequencer with 16 steps provides or urther play ulness.
DCO / Noise / Modulation / Waveshaper
Two oscillators are available or each voice and can generate di erent oscillation orms simultaneously.
For the pulse oscillation orm, the pulse width or each oscillator can be varied manually, by its own LFO
or via an ADSR generator. Both oscillators can be switched on or o . Stepless mixing o both oscillators
is also possible. In addition, white or pink noise can be added i desired. The pitch can be adjusted up
or down over 2 octaves. In addition, there is a pitch envelope that can a ect both oscillators separately.
The oscillators can modulate each other with the modes XOR, XMOD, MOD, AND, Phase and FM. A
waveshaper with di erent characteristics and adjustable gain provides gentle to vicious sounding
distortions behind the ilter.
Filter
Jeannie has three digital ilters, which have di erent settings. In the ilter menu you can choose
between a controllable 12dB state variable ilter (TP / HP / BP) or a 24dB ladder ilter (TP). At the sum
output there is a 12dB high-pass ilter with a requency rom 20Hz to 2000Hz. For each ilter the
requency and resonance can be adjusted. The ladder ilter also has a drive parameter.
Envelope / LFO
An ADSR envelope generator is available or both the ilter and the VCA. The attack phase can be set
rom linear to exponential. Decay and release are always exponential. The adjustable rise and all times
range rom 0.3ms - 12sec. Jeannie has three LFOs that are permanently assigned. LFO1 modulates
the pitch o oscillator1+2. LFO2 modulates the requency o the ilter (cuto ). LFO3 modulates the VCA
and e ect parameters in the FX DSP. Each LFO also has an adjustable ade-in and ade-out unction.
This allows you to create small delays or decay e ects in the LFO modulation.
Effekte
Jeannie is equipped with a programmable e ects module. The module is based on a 24bit FV-1 reverb
chip rom Spin Semiconductor. There are 15 e ects to choose rom. Each e ect can be changed by
modi iable parameters such as reverb time, eedback or pitch. With the LFO3, each e ect parameter
(P1-P3) and the Fx volume can be modulated.
Sequencer
An integrated polyphonic sequencer with 16 steps ensures playability. A maximum o 4 notes can be
entered per step. The notes can be recorded and edited directly in the sequencer editor using a midi
keyboard. The volume o the notes (velocity) is also recorded. It is displayed in the orm o coloured
steps.
Memory
The synthesiser has an internal SD card on which a total o 2048 sound programmes can be stored.
Individual programmes or banks can be loaded or saved via USB using the SysEx protocol.
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Specifications
- 8-voice polyphonic DIY synthesizer
- ARM Cortex-M7 processor 720MHz with 1MByte Ram
- two digital oscillators per voice
- 15 wave orm banks with a total o 945 wave orms and MultiSaw
- 12 standard wave orms, some o them band-limited
- Noise generator (white and pink noise)
- Oscillator modulation (XOR, XMOD, MOD, AND, PHA, FM)
- Waveshaper with di erent wave orms
- 3 LFOs with 64 wave orms or pitch, ilter, AMP and e ect modulation
- 2 PWM LFO rom 0.04Hz - 25Hz
- digital ilters
12dB state variable ilter with resonance LP/HP/BP per voice
24dB low pass ladder ilter with resonance, gain and saturation per voice
12dB global high pass ilter 20Hz - 2000Hz with resonance at sum output
- 2 ADSR generators 0.3ms - 12s with linear and exponential wave orms
- 24Bit DSP e ect module with 15 e ects and adjustable parameters
- Polyphonic sequencer with 16 steps
- SD cards or loading and saving a maximum o 2048 sound programmes
- USB SYSEX protocol or trans erring sound programmes
- colour 1.8 inch display with a resolution o 160x128 pixels
- Volume control
- Bass boost unction
- 4 potentiometers or parameter input
- Rotary encoder or menu control and sound selection
- 6 unction keys
- Midi In and Midi Out /Midi True
- stereo audio output jack 6.3mm
- USB 2.0 Midi inter ace
- Easy irmware update via USB
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Controls and connections
Front
1SOUND PATCH / MENÜ 8SHIFT FUNcTION 15 FX CLIP LED
2PARAMETER pot 9LOAD / SAVE 16 FX ON / OFF LED
3PARAMETER pot 10 SEQUENCER 17 UNISONO MODE LED
4PARAMETER pot 11 MUTE / PANIC 18 TEMPO LED
5PARAMETER pot 12 VOLUME 19 BASSBOOST ON / OFF
6UNISONO 13 DISPLAY
7BASSBOOST 14 MIDI LED
Connections on the back
20 12V DC POWER SUPPLY CONNECTION
21 Power switch
22 STEREO OUTPUT
23 MIDI OUT / MIDI THRU
24 MIDI IN
25 USB CONNECTION ( or irmware update)
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Power supply connector
The synthesiser is powered by an external 12V DC power supply at the power supply connector (20).
The power supply must be rated or a current load o at least 500 mA or more. The power switch (21) is
used to turn the synthesiser on and o . Make sure that all peripheral devices such as active speakers
or ampli iers are switched o and turn down the volume on the volume control (12).
Power supply unit
The synthesiser is supplied without a power supply unit. We recommend using a switching power
supply with 12 volts DC and 1000mA load. The power supply should have a 5.5 mm / 2.1 mm spar
connector and a positive polarity o the inner conductor as shown in the illustration.
PIN Spannung
1 + 12V DC
2 Ground
Switch on
A ter switching on, the system parameters or initialising the synthesiser are loaded rom the internal SD
card located in the Teensy 4.1 board. During this time the start screen with the TubeOhm logo is
displayed. The necessary system olders and iles must be present on the SD card, otherwise an error
message will appear.
A detailed description o the required system olders and iles can be ound on the ollowing page.
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SD-Card
The synthesiser is supplied without an SD card. Micro SDHC cards o the type Class 10-UHS I rom 8 -
64GB can be used as shown in the illustration.
microSDHC Karten Class 10-UHS I Teensy 4.1 mit SD-Karte
All required olders and iles can be downloaded as a ZIP ile rom the download section o the
tubeohm.com website. SD cards up to 32GB must be ormatted as FAT32, SD cards up to 64GB as
exFAT. Please copy the contents o the unzipped ZIP ile completely onto the SD card (see below).
Folder and file structure on the SD card
The olders A - P contain the stored sound programmes. Sound programmes are numbered rom 1 to
128. An exchange o iles and olders is possible at any time, as long as the numbering and designation
matches the original.
The PIC older contains the start screen and other picture elements. The SEQ older contains the saved
sequencer patterns. A sequencer pattern can be saved as individual iles in the sequencer editor. The
pattern iles are numbered rom 1-128.
Up to 128 sequencer patterns can be saved and loaded in the Sequencer Editor. I you are outside the
Sequencer Editor and save a sound programme, the current sequencer pattern is saved as part o a
sound programme.
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Operatin concept
DATA controller and potentiometer
The data knob (1) is used to select a sound programme and to switch the menu pages. It is equipped
with a push-button to switch between the sound programme and the menu pages. Below the display
(13) are our potentiometers (2 - 5) or entering parameters. The respective parameter unctions are
shown in the lower area o the display menu.
Keys Functions (6 - 11)
Uni switch
The Uni key (6) activates the unison mode. All voices sound when a note is struck. The key has two
modes. In unison mode 1 (uni LED lights up) the voices are slightly out o tune with each other. The
detuning can be changed in the OSC2 menu with DETUNE. I you press the button a second time, you
enter unison mode 2 (uni LED lashes). With Detune you can now select the type o chord (major,
minor, augmented...). Pressing the button a second time switches the unison mode o again (uni LED
o ).
Boost switch
The output ampli ier in the synthesiser is equipped with a switchable bass boost. The low requencies
below 100 Hz are boosted to make the sound atter. The boost key (7) switches the unction on or o .
LED 19 signals this unction.
Shift switch
The shi t key (8) is used to change to an existing submenu (SUB) or to cancel a unction. It is also used
when selecting a sound programme to scroll through the sound programmes in steps o 10 with the
rotary knob (1).
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Load / Save switch
The Load / Save button (9) is used to save and load a sound programme or sequencer pattern.
Seq switch
The internal step sequencer can be started and stopped with the SEQ button (11). The Temp LED (18)
lights up in time with the sequencer.
Mute switch
With the mute button (10), a step can be muted or reactivated in the sequencer editor. I the button is
pressed or longer in the sequencer editor, all sequencer settings are deleted and reset to de ault
values.
Pressing the MUTE button outside the sequencer editor or longer than 2 seconds sends a note o to
Jeannie.
Volume
The analogue volume control (12) is used to set the volume level or the stereo output (22) o the
synthesiser. It is recommended to turn the volume to zero be ore switching on (turn the potentiometer to
the le t) and to set the desired volume level only a ter switching on.
Display
The colour TFT display (13) in the synthesiser has a resolution o 160 x 128 pixels and has LED
backlighting that cannot be changed in brightness.
When assembling this synthesiser kit, please ensure that you use the TFT display supplied by
tubeohm.com. There are similar displays on the internet which are not compatible. To prevent errors,
the display is supplied with all kit variants.
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Menu structure
From the sound programme page, pressing the DATA knob takes you to the editing pages. Pressing it
again takes you back to the sound programme page.
Pressing the Shi t key takes you to the edit submenus (SUB menu). Pressing the Shi t key repeatedly
takes you either to a second submenu (i available) or to the previous edit menu page. You can also
scroll to other menu pages within the submenus.Pressing the Shi t key takes you to the edit submenus
(SUB menu). Pressing the Shi t key repeatedly takes you either to a second submenu (i available) or to
the previous edit menu page. You can also scroll to other menu pages within the submenus.
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PATCH SELECT
OSC 1
PATCH SELECT (Shift)
OSC 2
OSC Sub
FILTER FILTER SUB 1 FILTER SUB 2
VCF ENV VCF ENV SUB
VCA ENV VCA ENV SUB
LFO 1 LFO 1 SUB
Modul tion
LFO 3 SUB
LFO 2 LFO 2 SUB
LFO 3
FX DSP
SEQ SEQ SUB
SYSTEM UP SYSTEM SUB
SYSTEM DOWN

Menu pa es
Sound pro ramme pa e
A ter switching on, the synthesiser is on the programme page.
The DATA knob (1) is used to select a sound programme rom
1 - 128. The BANK knob is used to select a sound bank rom A
- P. When switching a programme, the sound is switched o
or a short time and the message [Loading...] appears in the
display. This avoids loud inter erence peaks in the audio
signal. I you hold down the shi t key (8) while switching, you
can step through the sound programmes in steps o 10.
The upper hal o the display shows the programme name and
number as well as the sound bank. Next to them are eight blue
indicators that show which voices are active. A green dot with an S indicates the presence o a
sequencer pattern in the sound programme.
The oscilloscope is located in the lower part. It shows the signal amplitude o all active voices in the
internal audio processor o the Teensy CPU. The e ect signal is generated in a special DSP chip
(SPN1001-FV-1 Spin) and mixed analogue to the audio signal. For this reason, it cannot be displayed in
the oscilloscope.
Display of the function parameters
When you are on the programme page, you can use the shi t
key to show a total o our unction parameters. This allows
quick and direct access to individual parameters and saves
searching in the menu pages. The unction parameters are
selected in the system menu (last menu page). The
parameters or cuto and resonance are preset.
Oscillator 1
The synthesiser has two digital oscillators per voice whose
parameters are almost identical. The parameters are selected
with the SELECT knob. A coloured rectangle marks the
selected parameter. The parameter values are changed with
the VALUE knob. I the WAVE parameter is selected, one o 15
wave orm banks (A - O) can be selected with the BANK knob.
Waveform selection
WAVE
With WAVE, one o a total o 63 wave orms can be selected rom a wave orm bank. A total o 945
wave orms are available to the user in banks A - O. The wave orms 1 - 12 in bank A di er rom the other
wave orms. They are calculated by the CPU in real time and are partially band-limited (recognisable by
the designation BANDLIMIT in the wave orm preview window).
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Waveform 0 - 12 BANK A
0The oscillator is switched o (All banks) 7Sawtooth sloping
1Sinus 8Sawtooth to triangle (varying)
2Tri 9Sawtooth sloping (ban limite )
3Sawtooth rising/ QuadSaw 10 Sawtooth ascen ing (ban limite )
4Rectangle 11 Rectangle (ban limite )
5Pulse width modulation 12 Pulse wi th mo ulation (ban limite )
6Sample & Hold
The other wave orms are sample-based and are loaded rom the programme memory. The selected
wave orm is shown in a small preview window at the top right o the display.
Only i the WAVE parameter is selected, a wave orm bank can be selected with the BANK control. The
same applies on the menu page o oscillator 2.
PITCH
With PITCH, the pitch o the oscillator can be adjusted in semitone steps in the range o -24 ... +24
semitones.
P.ENV
The P.ENV (Pitch Envelope) modulates the pitch o oscillator 1 and is controlled by the ilter envelope.
GLIDE
The GLIDE parameter determines the continuous glide o the pitch rom one note to the next. Low
GLIDE values produce a short glide and higher values a longer glide. GLIDE a ects the pitch o both
oscillators.
LEVEL
LEVEL controls the volume o oscillator 1 and oscillator 2.
OSCMI
The OSCMIX in luences the volume ratio o Osc1 to Osc2 .
The parameters LEVEL and OSCMIX are marked with an arrow on the menu page o oscillator 1 and
oscillator 2 and in luence both oscillators simultaneously.
PWMOD / PWAMT
Both oscillators have variable pulse and variable triangle
wave orms. These are located in wave orm bank A (wave
no.5 / no.8 / no.12). With PWMOD, the modulation type (PW /
ENV) or the modulation requency can be determined by the
PWM LFO. I the parameter is set to PW (le t stop), the pulse
width or triangle wave orm can be set with PWAMT. The
middle setting corresponds approximately to a pulse wave with
50% pulse width or a triangle wave orm. I you turn the
PWMOD control clockwise a little urther, the ENV sign is
displayed in the wave orm preview window.
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The pulse width or triangular wave orm is then controlled by the Envelope ilter. The strength o the
envelope modulation is determined by PWAMT. I you turn the PWMOD parameter a little urther to the
right, the control range or the PWM LFO (1 - 121) begins. An LFO sign then appears in the wave orm
preview window. The requency o the PWM LFO can be set rom 0.04Hz - 25Hz. The wave orm can be
set in MODULATION menu slot 5. You can choose between sine, triangle and SAW.
SAWMI / SPEAD (only QuadSaw)
Oscillator 1 and oscillator 2 have a polyphonic QuadSaw
Engine (wave no. 3 in bank A). Four modulated sawtooth
waves are generated in each oscillator, detuned against each
other. SPREAD adjusts the amount o detuning. With
SAWMIX, the three additional sawtooth waves are blended to
the undamental wave. The higher the SAWMIX value, the
louder the additional wave orms. I the value is set to zero,
only the undamental wave is heard.
Oscillator 2
WAVE
Function as described in oscillator 1. To visually distinguish
between OSC1 and OSC2, the colours o the wave orms are
di erent.
PITCH
Function as described in oscillator 1
P.ENV
Function as described in oscillator 1
DETUNE
The DETUNE parameter detunes oscillator 2 relative to oscillator 1. This is use ul to achieve a at
sound or chorus-like e ect. In unison mode 1, DETUNE slightly detunes all 16 oscillators. In Unison
Mode 2, DETUNE can be used to set di erent chord types (e.g. Major, Minor, Diminished and more...).
LEVEL
Function as described in oscillator 1
OSCMI
Function as described in oscillator 1
PWMOD / PWAMT
Function as described in oscillator 1
SAWMI / SPREAD
Function as described in oscillator 1
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Oscillator submenu (SUB)
The oscillators have a common submenu which is marked
SUB (submenu) in the menu bar. The Shi t key takes you rom
the oscillator level to the submenu. A lashing SUB marker at
the top o the screen indicates this. The oscillator submenu
contains various unctions, including the settings or oscillator
synchronisation, noise generator, waveshaper and more. All
unctions are described in more detail on the ollowing page.
WSHAPE
The waveshaper changes or distorts the shape o the set
wave orm. Complex spectra are created rom simple tones. In
this synthesiser, we have not placed the waveshaper behind
the oscillators as usual, but behind the ilters. This gives us an additional distortion e ect. With the
parameter WSHAPE you can select a certain characteristic curve or the waveshaper. The
characteristic curve is displayed graphically in a small window on the right side o the display.
GAIN
With GAIN, the amount o distortion in the waveshaper can be adjusted. I the waveshaper is switched
o , GAIN has no unction.
SYNC
I SYNC is switched on, both oscillators are synchronised in phase when a note is received.
TRANS
Transposes the pitch o the synthesiser in semitone steps. This also a ects the received MIDI notes.
TUNE
With TUNE you determine the overall tuning o the Jeannie 430Hz - 450Hz. The de ault setting is
440Hz.
NOISE
The synthesiser has a noise generator. The level and colouring o the noise can be adjusted with the
NOISE control. A W in the menu stands or a white noise and a P or a pink noise. In the middle
position, the noise generator is switched o .
OSCMOD
Di erent oscillator modulations can be set (see table).
MODAMT
Adjust the strength o the oscillator modulation.
Oszillator Mo ulation
OFF Oscillator modulation is switched o
OR Ring modulation e ect
MO
Cross Modulation. Modulates one oscillator with the other, depending on the setting o the OSCMIX knob.
Turning past centre to the le t increases the modulation o oscillator 1 by oscillator 2. Turning to the right
increases the modulation o oscillator 2 to oscillator 1.
MOD Digital MODULO operation o both oscillator outputs
AND Digital AND operation o both oscillator outputs
PHA Phase modulation o oscillator 1 by oscillator 2
FM Ring modulation o oscillator 1 by oscillator 2
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Filter
Jeannie has either a State Variable Filter or a La er Filter for
soun programming. In the filter submenu 2, you can choose
between a 12 B state variable filter (TP / HP / BP) or a 24 B
la er filter (TP). A 12 B high-pass filter with a frequency of 20
- 2000Hz is also available at the sum output.
CUT (all Filter)
With CUT you determine the cut-o requency or the low-pass
and high-pass ilters or the centre requency or the band-pass
ilter.
RES (all Filter)
The resonance determines the boost o the requencies in the range o the set cuto requency.
ENV ( SVF and Ladder)
With ENV you determine the in luence o the ilter envelope on the ilter requency. With positive values,
the ilter requency increases with the amplitude o the envelope. With negative values, the ilter
requency alls accordingly. The display shows a visualisation o the envelope and LFO value.
TYP (SVF)
In the State Variable Filter, the ilter type is set via TYPE (LP / HP / BP). You can choose between low-
pass, high-pass and band-pass. You can cross ade between lowpass and highpass with the TYP
control. The middle position results in a typical notch ilter character.
DRV (Ladder)
DRV (Drive) is used to control the input gain in the ladder ilter.
PBG (only ladder in submenu 1)
With PBG (passband gain), the passband gain can be set in the ladder ilter.
Filter submenu 1 (SUB1)
Press the SHIFT key to enter the ilter submenu 1 and press it
again to enter submenu 2.
Pressing it again takes you to submenu 2. A lashing SUB
marker at the top o the screen indicates this. In submenu 1 you
can set the values or KEY tracking, ilter velocity and LFO
modulation. Submenu 2 is reserved or the high-pass ilter at
the sum output. Here you can only set the ilter requency and
resonance. Furthermore, it is possible to switch rom SVF to
ladder ilter here.
KEY
KEY sets the keytracking or the ilter requency. This determines how much the ilter requency
depends on the midi note played. The setting +100% corresponds to a 1:1 scaling, i.e. i you play an
octave on the keyboard, the ilter requency changes by the same amount.
VEL
The velocity parameter (VEL) determines the in luence o the ilter envelope on the ilter requency
depending on the velocity o a midi note. The stronger the note velocity and the higher the VEL value,
the greater the modulation o the ilter requency.
LFO
With the LFO parameter, you determine the strength o the requency modulation by LFO 1.
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Filter submenu 2 (SUB2)
Submenu 2 is reserved or the high-pass ilter at the sum
output. Here you can set the ilter requency and resonance.
Furthermore, it is possible to switch rom state variable to
ladder ilter.
CUT
With CUT you determine the cut-o requency o the high-pass
ilter. The requency range is adjustable rom 20Hz - 2000Hz.
RES
The resonance determines the boost o the requencies in the
range o the set cuto requency. Low settings make the sound more brilliant and high settings give the
sound a typical ilter character.
FLT
This unction can be used to switch between ladder and SVF.
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Envelopes(VCF + VCA)
Jeannie has two ADSR envelopes. The ilter envelope (VCF
ENV) is primarily intended to control the ilter. The ampli ier
envelope (VCA ENV) controls the overall volume. .
ATK
ATK (Attack) indicates the time in which the envelope signal
rises rom zero to the maximum level. Long attack times result
in a swelling sound (brass, strings), short attack times in a more
percussive sound. The attack time can be set rom 0.3ms to a
maximum o 11.9 seconds.
DCY
DCY (Decay) determines the time in which the envelope signal decreases rom the maximum to the
sustain level. The decay time can be set rom 0.3ms to a maximum o 11.9 seconds.
SUS
SUS (Sustain) indicates how high the envelope signal is (as a percentage o the maximum) while the
keyboard key is held. The sustain value can be set rom 0 to a maximum o 100%.
REL
REL controls the release time. As soon as a keyboard key is released, the release phase begins. In the
release phase, the envelope signal drops rom the current sustain level to zero in the set release time.
The release time can be set rom 0.3ms to a maximum o 11.9 seconds.
Envelopes submenu
The Shi t key takes you to the envelope submenu o the ilter
and VCA envelope.
CUR
With CUR, the curve type or the attack phase o the envelopes
can be set. The value can be set rom positive exponential to
negative exponential or linear.
VEL (VCA ENV)
With Velocity, you determine how much the volume depends on
the key velocity. This can be used to give the sound a stronger
expression. In the system menu you can set a velocity curve or
the velocity (see p. 22).
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