CARVIN C1600 User manual

CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
SAFETY INSTRUCTIONS (EUROPEAN)
The conductors in theAC power cord are colored in accordance with the following code.
GREEN & YELLOW—Earth BLUE—Neutral BROWN—Live
U.K. MAIN PLUG WARNING: Amolded main plug that has been cut off from the cord is unsafe. NEVER
UNDER ANY CIRCUMSTANCES SHOULD YOU INSERT ADAMAGED OR CUT MAIN PLUG INTOAPOWER SOCKET.
IMPORTANT! FOR YOUR PROTECTION, PLEASE READ THE FOLLOWING:
WATERANDMOISTURE: Applianceshould notbeusednearwater(nearabathtub,washbowl,kitchen
sink, laundry tub, in a wet basement, or near a swimming pool, etc). Care should be taken so that
objects do not fall and liquids are not spilled into the enclosure through openings.
POWERSOURCES: Theapplianceshould beconnectedto a powersupplyonly ofthetypedescribed
in the operating instructions or as marked on the appliance.
GROUNDING OR POLARIZATION: Precautions should be taken so that the grounding or polariza-
tion means of an appliance is not defeated.
POWER CORD PROTECTION: Power supply cords should be routed so that they are not likely to
bewalked on orpinched byitems placed uponor against them,paying particular attentionto cords
at plugs, convenience receptacles, and the point where they exit from the appliance.
SERVICING: The user should not attempt to service the appliance beyond that described in the
operating instructions. All other servicing should be referred to qualified service personnel.
FUSING: Ifyourunitis equippedwitha fuse receptacle,replaceonly withthesametype fuse. Refer
to replacement text on the unit for correct fuse type.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL!
REF. Carvin P/N Description
Channel PCB Rev (C) 30-08248
A1 60-20430 Op Amp NJM2043D Linear Dual
A2 60-45580 Op Amp MC4558 CP1 Dual HFREQ
A3 60-45580 Op Amp MC4558 CP1 Dual HFREQ
A4 60-45580 Op Amp MC4558 CP1 Dual HFREQ
A5 60-20430 Op Amp NJM2043D Linear Dual
B1 50-00035 Jumper .35" 0.0Ω
B2 50-00035 Jumper .35" 0.0Ω
B3 50-00035 Jumper .35" 0.0Ω
B4 50-00035 Jumper .35" 0.0Ω
B5 50-00035 Jumper .35" 0.0Ω
B10 50-47005 1/4W Resistor 4.7K 5% Carbon
B12 50-00035 Jumper .35" 0.0Ω
B13 50-00035 Jumper .35" 0.0Ω
B14 50-00035 Jumper .35" 0.0Ω
B15 50-00035 Jumper .35" 0.0Ω
B16 50-00035 Jumper .35" 0.0Ω
B17 50-00035 Jumper .35" 0.0Ω
B18 50-00035 Jumper .35" 0.0Ω
B21 50-00035 Jumper .35" 0.0Ω
B22 50-00035 Jumper .35" 0.0Ω
B23 50-00035 Jumper .35" 0.0Ω
B24 50-00035 Jumper .35" 0.0Ω
B31 50-00035 Jumper .35" 0.0Ω
B32 50-00035 Jumper .35" 0.0Ω
B33 50-00035 Jumper .35" 0.0Ω
B34 50-00035 Jumper .35" 0.0Ω
B41 50-00035 Jumper .35" 0.0Ω
B42 50-00035 Jumper .35" 0.0Ω
B43 50-00035 Jumper .35" 0.0Ω
B44 50-00035 Jumper .35" 0.0Ω
B51 50-00035 Jumper .35" 0.0Ω
B52 50-00035 Jumper .35" 0.0Ω
B53 50-00035 Jumper .35" 0.0Ω
B54 50-00035 Jumper .35" 0.0Ω
B55 50-00035 Jumper .35" 0.0Ω
B61 50-00035 Jumper .35" 0.0Ω
B62 50-00035 Jumper .35" 0.0Ω
B63 50-00035 Jumper .35" 0.0Ω
B64 50-00035 Jumper .35" 0.0Ω
B71 50-00035 Jumper .35" 0.0Ω
B72 50-00035 Jumper .35" 0.0Ω
B73 50-00035 Jumper .35" 0.0Ω
B74 50-00035 Jumper .35" 0.0Ω
B81 50-00035 Jumper .35" 0.0Ω
B82 50-00035 Jumper .35" 0.0Ω
B83 50-00035 Jumper .35" 0.0Ω
B84 50-00035 Jumper .35" 0.0Ω
C1 45-39052 Capacitor 39PF 500 Volt Ceramic 5%
C2 45-39052 Capacitor 39PF 500 Volt Ceramic 5%
C3 47-22051 Capacitor 22µF 50V Electrolytic 20%
C4 47-22051 Capacitor 22µF 50V Electrolytic 20%
C5 46-47312 Capacitor 0.047µF 100V Poly 10%
C6 47-22051 Capacitor 22µF 50V Electrolytic 20%
C7 45-39052 Capacitor 39PF 500 Volt Ceramic 5%
C8 46-47312 Capacitor 0.047µF 100V Poly 10%
C9 46-33312 Capacitor 0.033µF 100V Poly 10%
C10 47-22051 Capacitor 22µF 50V Electrolytic 20%
C11 45-39052 Capacitor 39PF 500 Volt Ceramic 5%
C12 45-39052 Capacitor 39PF 500 Volt Ceramic 5%
C13 47-22051 Capacitor 22µF 50V Electrolytic 20%
C14 47-22051 Capacitor 22µF 50V Electrolytic 20%
C15 47-22051 Capacitor 22µF 50V Electrolytic 20%
C16 46-10312 Capacitor 0.01µF 100V Poly 10%
C17 47-22051 Capacitor 22µF 50V Electrolytic 20%
C18 47-47116 Capacitor 470µF 16V Electrolytic 20%
C19 47-47116 Capacitor 470µF 16V Electrolytic 20%
C20 45-39052 Capacitor 39PF 500 Volt Ceramic 5%
C21 45-56152 Capacitor 560PF 500V Ceramic 10%
C22 45-56152 Capacitor 560PF 500V Ceramic 10%
C23 46-33212 Capacitor 0.0033µF 100V Poly 10%
C24 47-22051 Capacitor 22µF 50V Electrolytic 20%
D1 60-75330 LED Green small #204GD 3mm T-1.0
D2 60-75320 LED Red small #204HD 3mm T-1.0
D10 60-75320 LED Red small #204HD 3mm T-1.0
H1 23-11008 Header 8 Pin Vert SHS 2.5mm
H2 23-11008 Header 8 Pin Vert SHS 2.5mm
H3 23-11008 Header 8 Pin Vert SHS 2.5mm
H11 23-11008 Header 8 Pin Vert SHS 2.5mm
H12 23-11008 Header 8 Pin Vert SHS 2.5mm
H13 23-11008 Header 8 Pin Vert SHS 2.5mm
J1 21-50545 Phone Jack 1/4" 5 pin H= 24mm
J2 21-40000 XLR Jack Female Vert
J3 21-50545 Phone Jack 1/4" 5 pin H= 24mm
P1 71-09253 Potentiometer B50K Vert D Shaft 9 25F
P2 71-09252 Potentiometer B50K C-C D Shaft 9 25F
P3 71-09252 Potentiometer B50K C-C D Shaft 9 25F
P4 71-09252 Potentiometer B50K C-C D Shaft 9 25F
P5 71-09253 Potentiometer B50K D Shaft 9 25F
P6 71-09253 Potentiometer B50K Vert D Shaft 9 25F
P7 71-09253 Potentiometer B50K Vert D Shaft 9 25F
P8 71-09253 Potentiometer B50K Vert D Shaft 9 25F
P9 72-13169 Potentiometer B50Kx2 C-C D 14 25F
P10 71-15065 Fader 25A50K 60mm HT= .215mm
R1 50-56231 1/4W Resistor 5.62 1% Metal
R2 59-10040 1/8W Resistor 10K x4 SIP 2% Carbon
R3 50-10045 1/4W Resistor 10K 5% Carbon
R4 50-15031 1/4W Resistor 1.51K 1% Metal
R5 50-15031 1/4W Resistor 1.51K 1% Metal
R6 50-22131 1/4W Resistor 2.21K 1% Metal
R7 59-10040 1/8W Resistor 10K x4 SIP 2% Carbon
R8 50-47025 1/4W Resistor 470Ω5% Carbon
R9 50-68045 1/4W Resistor 68K 5% Carbon
R10 59-10040 1/8W Resistor 10K x4 SIP 2% Carbon
R11 50-10045 1/4W Resistor 10K 5% Carbon
R12 50-10045 1/4W Resistor 10K 5% Carbon
R13 50-22035 1/4W Resistor 2.2K 5% Carbon
R14 50-10025 1/4W Resistor 100Ω5% Carbon
R15 50-12045 1/4W Resistor 12K 5% Carbon
R16 50-10035 1/4W Resistor 1K 5% Carbon
R17 50-22131 1/4W Resistor 2.21K 1% Metal
R18 50-10025 1/4W Resistor 100Ω5% Carbon
R19 50-47045 1/4W Resistor 47K 5% Carbon
R20 50-10045 1/4W Resistor 10K 5% Carbon
R21 50-47005 1/4W Resistor 4.7K 5% Carbon
R22 50-10055 1/4W Resistor 100K 5% Carbon
R23 50-56231 1/4W Resistor 5.62 1% Metal
R24 50-47045 1/4W Resistor 47K 5% Carbon
R25 50-47005 1/4W Resistor 4.7K 5% Carbon
R26 50-10025 1/4W Resistor 100Ω5% Carbon
R27 50-33035 1/4W Resistor 3.3K 5% Carbon
R28 50-47045 1/4W Resistor 47K 5% Carbon
R29 50-33035 1/4W Resistor 3.3K 5% Carbon
R30 50-10045 1/4W Resistor 10K 5% Carbon
R31 50-22045 1/4W Resistor 22K 5% Carbon
R32 50-18045 1/4W Resistor 18K 5% Carbon
R33 50-68035 1/4W Resistor 68K 5% Carbon
R34 50-56035 1/4W Resistor 5.6K 5% Carbon
R35 50-10045 1/4W Resistor 10K 5% Carbon
R36 50-10055 1/4W Resistor 100K 5% Carbon
R37 50-56035 1/4W Resistor 5.6K 5% Carbon
R38 50-47055 1/4W Resistor 470K 5% Carbon
R43 50-56035 1/4W Resistor 5.6K 5% Carbon
R47 50-00035 Jumper .35" 0.0Ω
R100 50-22035 1/4W Resistor 2.2K 5% Carbon
R247 50-00035 Jumper .35" 0.0Ω
R347 50-00035 Jumper .35" 0.0Ω
R447 50-00035 Jumper .35" 0.0Ω
R547 50-00035 Jumper .35" 0.0Ω
R647 50-00035 Jumper .35" 0.0Ω
R747 50-00035 Jumper .35" 0.0Ω
R847 50-00035 Jumper .35" 0.0Ω
S1 25-02201 Switch DPDT Push Vert
S2 25-02201 Switch DPDT Push Vert
S5 25-02201 Switch DPDT Push Vert
S6 25-02201 Switch DPDT Push Vert
S10 25-02201 Switch DPDT Push Vert
Z1 61-04734 Diode Zener 5.6V 1N4734A 1W
System Master PCB Rev (C) 30-16214
A1 60-20430 Op Amp NJM2043D Linear Dual
A10 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A11 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A12 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A13 60-20430 Op Amp NJM2043D Linear Dual
A14 60-20430 Op Amp NJM2043D Linear Dual
A15 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A16 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A19 60-20430 Op Amp NJM2043D Linear Dual
A2 60-20430 Op Amp NJM2043D Linear Dual
A20 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A21 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A22 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A23 60-20430 Op Amp NJM2043D Linear Dual
A24 60-20430 Op Amp NJM2043D Linear Dual
A25 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A26 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A28 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A29 60-20430 Op Amp NJM2043D Linear Dual
A3 60-20430 Op Amp NJM2043D Linear Dual
A30 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A31 60-20430 Op Amp NJM2043D Linear Dual
A32 60-20430 Op Amp NJM2043D Linear Dual
A33 60-20430 Op Amp NJM2043D Linear Dual
A35 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A36 60-20430 Op Amp NJM2043D Linear Dual
A4 60-20430 Op Amp NJM2043D Linear Dual
A41 60-29010 IC DIP 14 Comparitor x4 OC
A42 60-29010 IC DIP 14 Comparitor x4 OC
A43 60-29010 IC DIP 14 Comparitor x4 OC
A44 60-29010 IC DIP 14 Comparitor x4 OC
A45 60-29010 IC DIP 14 Comparitor x4 OC
A5 60-20430 Op Amp NJM2043D Linear Dual
A6 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A7 60-45580 Op Amp MC4560 CP1 Dual HFREQ
A8 60-29010 IC DIP 14 Comparitor x4 OC
C1 45-39052 Capacitor 39PF 500V Ceramic 5%
C10 47-22051 Capacitor 22µF 50V Electrolytic 20%
C100 45-39052 Capacitor 39PF 500V Ceramic 5%
C101 45-39052 Capacitor 39PF 500V Ceramic 5%
C103 47-10061 Capacitor 10µF 63V Electrolytic 20%
C104 47-10061 Capacitor 10µF 63V Electrolytic 20%
C105 48-01031 Capacitor 1µF 35V Tant 10%
C11 45-39052 Capacitor 39PF 500V Ceramic 5%
C116 47-10061 Capacitor 10µF 63V Electrolytic 20%
C118 47-10061 Capacitor 10µF 63V Electrolytic 20%
C119 45-39052 Capacitor 39PF 500V Ceramic 5%
C12 47-10061 Capacitor 10µF 63V Electrolytic 20%
C120 45-39052 Capacitor 39PF 500V Ceramic 5%
C122 47-10061 Capacitor 10µF 63V Electrolytic 20%
C124 47-10061 Capacitor 10µF 63V Electrolytic 20%
C125 45-39052 Capacitor 39PF 500V Ceramic 5%
C126 45-39052 Capacitor 39PF 500V Ceramic 5%
C13 47-22051 Capacitor 22µF 50V Electrolytic 20%
C14 47-22051 Capacitor 22µF 50V Electrolytic 20%
C15 47-10061 Capacitor 10µF 63V Electrolytic 20%
C158 47-10061 Capacitor 10µF 63V Electrolytic 20%
C159 47-10061 Capacitor 10µF 63V Electrolytic 20%
C16 45-39052 Capacitor 39PF 500V Ceramic 5%
C168 45-39052 Capacitor 39PF 500V Ceramic 5%
C169 47-10061 Capacitor 10µF 63V Electrolytic 20%
C17 45-39052 Capacitor 39PF 500V Ceramic 5%
C170 47-10061 Capacitor 10µF 63V Electrolytic 20%
C18 45-39052 Capacitor 39PF 500V Ceramic 5%
C19 46-47312 Capacitor 0.047µF 100V Poly 10%
C2 45-39052 Capacitor 39PF 500V Ceramic 5%
C20 45-82052 Capacitor 82PF 500V Ceramic 5%
C203 47-10061 Capacitor 10µF 63V Electrolytic 20%
C21 45-39052 Capacitor 39PF 500V Ceramic 5%
C22 47-10061 Capacitor 10µF 63V Electrolytic 20%
C23 45-39052 Capacitor 39PF 500V Ceramic 5%
C24 46-10212 Capacitor 0.001µF 100V Poly 10%
C25 45-39052 Capacitor 39PF 500V Ceramic 5%
C26 47-10061 Capacitor 10µF 63V Electrolytic 20%
C27 46-47412 Capacitor 0.47µF 100V Poly 10%
C28 46-22312 Capacitor 0.022µF 100V Poly 10%
C29 46-22461 Capacitor 0.22µF 63V Poly 10%
C3 45-39052 Capacitor 39PF 500V Ceramic 5%
C30 46-68312 Capacitor 0.068µF 100V Poly 10%
C31 46-33212 Capacitor 0.0033µF 100V Poly 10%
C32 46-33312 Capacitor 0.033µF 100V Poly 10%
C33 46-10212 Capacitor 0.001µF 100V Poly 10%
C34 46-22312 Capacitor 0.022µF 100V Poly 10%
C35 45-33113 Capacitor 330PF 1000V 10%
C36 46-10212 Capacitor 0.001µF 100V Poly 10%
C37 45-39052 Capacitor 39PF 500V Ceramic 5%
C38 46-10212 Capacitor 0.001µF 100V Poly 10%
C39 45-39052 Capacitor 39PF 500V Ceramic 5%
C4 45-39052 Capacitor 39PF 500V Ceramic 5%
C40 46-22212 Capacitor 0.0022µF 100V Poly 10%
C41 47-10061 Capacitor 10µF 63V Electrolytic 20%
C42 47-10061 Capacitor 10µF 63V Electrolytic 20%
C43 47-10061 Capacitor 10µF 63V Electrolytic 20%
C44 47-10061 Capacitor 10µF 63V Electrolytic 20%
C45 47-10061 Capacitor 10µF 63V Electrolytic 20%
C46 46-10312 Capacitor 0.01µF 100V Poly 10%
C47 46-10412 Capacitor 0.1µF 100V Poly 10%
C48 46-47212 Capacitor 0.0047µF 100V Poly 10%
C49 45-33113 Capacitor 330PF 1000V 10%
C5 47-10061 Capacitor 10µF 63V Electrolytic 20%
C50 45-39052 Capacitor 39PF 500V Ceramic 5%
C51 46-10212 Capacitor 0.001µF 100V Poly 10%
C52 47-22051 Capacitor 22µF 50V Electrolytic 20%
C53 46-10212 Capacitor 0.001µF 100V Poly 10%
C54 46-10212 Capacitor 0.001µF 100V Poly 10%
C55 46-68212 Capacitor 0.0068µF 100V Poly 10%
C56 46-10212 Capacitor 0.001µF 100V Poly 10%
C57 46-47212 Capacitor 0.0047µF 100V Poly 10%
C58 45-39052 Capacitor 39PF 500V Ceramic 5%
C59 45-39052 Capacitor 39PF 500V Ceramic 5%
C6 45-39052 Capacitor 39PF 500V Ceramic 5%
C60 45-39052 Capacitor 39PF 500V Ceramic 5%
C61 47-10061 Capacitor 10µF 63V Electrolytic 20%
C62 45-25152 Capacitor 250PF 500V Ceramic 5%
C63 45-39052 Capacitor 39PF 500V Ceramic 5%
C64 46-47212 Capacitor 0.0047µF 100V Poly 10%
C65 46-22212 Capacitor 0.0022µF 100V Poly 10%
C66 45-33113 Capacitor 330PF 1000V 10%
C67 45-25152 Capacitor 250PF 500V Ceramic 5%
C68 46-10212 Capacitor 0.001µF 100V Poly 10%
C69 45-33113 Capacitor 330PF 1000V 10%
C7 47-10061 Capacitor 10µF 63V Electrolytic 20%
C70 47-47125 Capacitor 470µF 25V Electrolytic 20%
C71 47-10061 Capacitor 10µF 63V Electrolytic 20%
C72 45-39052 Capacitor 39PF 500V Ceramic 5%
C73 46-47412 Capacitor 0.47µF 100V Poly 10%
C74 46-22312 Capacitor 0.022µF 100V Poly 10%
C75 46-22461 Capacitor 0.22µF 63V Poly 10%
C76 46-10312 Capacitor 0.01µF 100V Poly 10%
C77 46-10412 Capacitor 0.1µF 100V Poly 10%
C78 46-47212 Capacitor 0.0047µF 100V Poly 10%
C79 46-68312 Capacitor 0.068µF 100V Poly 10%
C8 45-39052 Capacitor 39PF 500V Ceramic 5%
C80 46-33212 Capacitor 0.0033µF 100V Poly 10%
C81 46-33312 Capacitor 0.033µF 100V Poly 10%
C82 46-10212 Capacitor 0.001µF 100V Poly 10%
C83 46-22312 Capacitor 0.022µF 100V Poly 10%
C84 46-10212 Capacitor 0.001µF 100V Poly 10%
C85 46-68212 Capacitor 0.0068µF 100V Poly 10%
C86 45-33113 Capacitor 330PF 1000V 10%
C87 45-39052 Capacitor 39PF 500V Ceramic 5%
C88 46-10212 Capacitor 0.001µF 100V Poly 10%
C89 47-22051 Capacitor 22µF 50V Electrolytic 20%
C9 47-10061 Capacitor 10µF 63V Electrolytic 20%
C90 47-47125 Capacitor 470µF 25V Electrolytic 20%
C91 46-47312 Capacitor 0.047µF 100V Poly 10%
C92 46-47312 Capacitor 0.047µF 100V Poly 10%
C93 45-82052 Capacitor 82PF 500V Ceramic 5%
C94 45-82052 Capacitor 82PF 500V Ceramic 5%
C95 45-82052 Capacitor 82PF 500V Ceramic 5%
C96 45-82052 Capacitor 82PF 500V Ceramic 5%
C97 45-39052 Capacitor 39PF 500V Ceramic 5%
C98 45-39052 Capacitor 39PF 500V Ceramic 5%
C99 45-39052 Capacitor 39PF 500V Ceramic 5%
D1 60-75320 LED Red small #204HD 3mm T-1.0
D10 60-75340 LED Yellow small #204YD 3mm T-1.0
D11 60-75340 LED Yellow small #204YD 3mm T-1.0
D12 60-75330 LED Green small #204GD 3mm T-1.0
D13 60-75330 LED Green small #204GD 3mm T-1.0
D14 60-75330 LED Green small #204GD 3mm T-1.0
D15 60-75330 LED Green small #204GD 3mm T-1.0
D16 60-75330 LED Green small #204GD 3mm T-1.0
D17 60-75330 LED Green small #204GD 3mm T-1.0
D18 60-75320 LED Red small #204HD 3mm T-1.0
D19 60-75340 LED Yellow small #204YD 3mm T-1.0
D2 61-19140 Diode 1N914 HI SPD 20mA 250mW
D20 60-75340 LED Yellow small #204YD 3mm T-1.0
D21 60-75340 LED Yellow small #204YD 3mm T-1.0
D22 60-75330 LED Green small #204GD 3mm T-1.0
D23 60-75330 LED Green small #204GD 3mm T-1.0
D24 60-75330 LED Green small #204GD 3mm T-1.0
D25 60-75330 LED Green small #204GD 3mm T-1.0
D26 60-75330 LED Green small #204GD 3mm T-1.0
D27 60-75330 LED Green small #204GD 3mm T-1.0
D28 60-75320 LED T-1.750" Lg Red #333HD 5mm
D29 61-19140 Diode 1N914 HI SPD 20mA 250mW
D3 61-19140 Diode 1N914 HI SPD 20mA 250mW
D30 61-19140 Diode 1N914 HI SPD 20mA 250mW
D31 61-19140 Diode 1N914 HI SPD 20mA 250mW
D32 61-19140 Diode 1N914 HI SPD 20mA 250mW
D4 61-19140 Diode 1N914 HI SPD 20mA 250mW
D5 61-19140 Diode 1N914 HI SPD 20mA 250mW
D6 61-19140 Diode 1N914 HI SPD 20mA 250mW
D7 60-75320 LED Red small #204HD 3mm T-1.0
D8 60-75320 LED Red small #204HD 3mm T-1.0
D9 60-75340 LED Yellow small #204YD 3mm T-1.0
E1 25-22203 Rot Encoder Vert 5-bit Vert
H1 23-11008 Header 8 Pin Vert 2.5mm
H2 23-11008 Header 8 Pin Vert 2.5mm
H3 23-11008 Header 8 Pin Vert 2.5mm
H4 23-11008 Header 8 Pin Vert 2.5mm
H5 23-11010 Header 10 Pin Vert 2.5mm
H6 23-11008 Header 8 Pin Vert 2.5mm
J1 21-50545 Phone Jack 1/4" Stereo H=24mm
J10 21-40022 RCA Phono Jack x4
J11 21-50345 Phone Jack 1/4" Mono H=24mm
J12 21-50345 Phone Jack 1/4" Mono H=24mm
J13 21-50345 Phone Jack 1/4" Mono H=24mm
J2 21-50545 Phone Jack 1/4" Stereo H=24mm
J3 21-50345 Phone Jack 1/4" Mono H=24mm
J31 21-40001 XLR Jack Male Vert
J32 21-40001 XLR Jack Male Ver
J33 21-40001 XLR Jack Male Ver
J4 21-50345 Phone Jack 1/4" Mono H=24mm
J5 21-50345 Phone Jack 1/4" Mono H=24mm
J6 21-50345 Phone Jack 1/4" Mono H=24mm
J7 21-50345 Phone Jack 1/4" Mono H=24mm
J8 21-50345 Phone Jack 1/4" Mono H=24mm
J9 21-50545 Phone Jack 1/4" Stereo H=24mm
P1 71-15065 Fader 25A50K 60mm HT=.215
P107 72-13168 Potentiometer B50Kx2 D Shaft 14 25F
P109 72-13168 Potentiometer B50Kx2 D Shaft 14 25F
P11 71-10333 Fader B50K C-C 30mm HT=6.5
P110 72-13168 Potentiometer B50Kx2 D Shaft 14 25F
P12 71-10333 Fader B50K C-C 30mm HT=6.5
P120 72-13168 Potentiometer B50Kx2 D Shaft 14 25F
P13 71-10333 Fader B50K C-C 30mm HT=6.5
P130 72-13168 Potentiometer B50Kx2 D Shaft 14 25F
P14 71-10333 Fader B50K C-C 30mm HT=6.5
P15 71-10333 Fader B50K C-C 30mm HT=6.5
P16 71-10333 Fader B50K C-C 30mm HT=6.5
P17 71-10333 Fader B50K C-C 30mm HT=6.5
P18 71-10333 Fader B50K C-C 30mm HT=6.5
P19 71-10333 Fader B50K C-C 30mm HT=6.5
P2 71-15065 Fader 25A50K 60mm HT=.215
P21 71-10333 Fader B50K C-C 30mm HT=6.5
P22 71-10333 Fader B50K C-C 30mm HT=6.5
P23 71-10333 Fader B50K C-C 30mm HT=6.5
P24 71-10333 Fader B50K C-C 30mm HT=6.5
P25 71-10333 Fader B50K C-C 30mm HT=6.5
P26 71-10333 Fader B50K C-C 30mm HT=6.5
P27 71-10333 Fader B50K C-C 30mm HT=6.5
P28 71-10333 Fader B50K C-C 30mm HT=6.5
P29 71-10333 Fader B50K C-C 30mm HT=6.5
P3 71-15065 Fader 25A50K 60mm HT=.215
P31 71-15065 Fader 25A50K 60mm HT=.215
P32 71-15065 Fader 25A50K 60mm HT=.215
P33 71-09253 Potentiometer B50K D Shaft 9 25F
P4 71-09253 Potentiometer B50K D Shaft 9 25F
P42 71-09253 Potentiometer B50K D Shaft 9 25F
P5 71-09253 Potentiometer B50K D Shaft 9 25F
P6 71-09253 Potentiometer B50K D Shaft 9 25F
P8 71-09253 Potentiometer B50K D Shaft 9 25F
Q1 60-17500 JFET J175 TO-92 P Chnl
Q17 60-45000 Transistor 2N54000 TO-92
Q18 60-45000 Transistor 2N54000 TO-92
Q2 60-17500 JFET J175 TO-92 P Chnl
R1 50-22055 1/4W Resistor 220K 5% Carbon
R10 50-10045 1/4W Resistor 10K 5% Carbon
R100 50-47015 1/4W Resistor 47Ω5% Carbon
R101 50-22045 1/4W Resistor 22K 5% Carbon
R102 50-10045 1/4W Resistor 10K 5% Carbon
R103 50-22035 1/4W Resistor 2.2K 5% Carbon
R104 50-22035 1/4W Resistor 2.2K 5% Carbon
R105 50-10045 1/4W Resistor 10K 5% Carbon
R106 50-10045 1/4W Resistor 10K 5% Carbon
R107 50-24035 1/4W Resistor 2.4K 5% Carbon
R108 50-15055 1/4W Resistor 150K 5% Carbon
R109 50-22035 1/4W Resistor 2.2K 5% Carbon
R11 50-10045 1/4W Resistor 10K 5% Carbon
R110 50-15035 1/4W Resistor 1.5K 5% Carbon
R111 50-22055 1/4W Resistor 220K 5% Carbon
R112 50-10015 1/4W Resistor 10Ω5% Carbon
R113 50-22035 1/4W Resistor 2.2K 5% Carbon
R114 50-30055 1/4W Resistor 300K 5% Carbon
R115 50-24035 1/4W Resistor 2.4K 5% Carbon
R116 50-18055 1/4W Resistor 180K 5% Carbon
R117 50-22035 1/4W Resistor 2.2K 5% Carbon
R118 50-36055 1/4W Resistor 360K 5% Carbon
R119 50-12045 1/4W Resistor 12K 5% Carbon
R12 50-10055 1/4W Resistor 100K 5% Carbon
R120 50-20035 1/4W Resistor 2K 5% Carbon
R121 50-13055 1/4W Resistor 130K 5% Carbon
R122 50-22035 1/4W Resistor 2.2K 5% Carbon
R123 50-11055 1/4W Resistor 110K 5% Carbon
R124 50-47035 1/4W Resistor 4.7K 5% Carbon
R125 50-22035 1/4W Resistor 2.2K 5% Carbon
R126 50-11055 1/4W Resistor 110K 5% Carbon
R127 50-18035 1/4W Resistor 1.8K 5% Carbon
R128 50-91045 1/4W Resistor 91K 5% Carbon
R129 50-24035 1/4W Resistor 2.4K 5% Carbon
R13 50-47025 1/4W Resistor 470Ω5% Carbon
R130 50-22035 1/4W Resistor 2.2K 5% Carbon
R131 50-22035 1/4W Resistor 2.2K 5% Carbon
R132 50-24035 1/4W Resistor 2.4K 5% Carbon
R133 50-22055 1/4W Resistor 220K 5% Carbon
R134 50-30055 1/4W Resistor 300K 5% Carbon
R135 50-91045 1/4W Resistor 91K 5% Carbon
R136 50-10045 1/4W Resistor 10K 5% Carbon
R137 50-10045 1/4W Resistor 10K 5% Carbon
R138 50-10015 1/4W Resistor 10Ω5% Carbon
R139 50-33035 1/4W Resistor 3.3K 5% Carbon
R14 50-10045 1/4W Resistor 10K 5% Carbon
R140 50-10045 1/4W Resistor 10K 5% Carbon
R141 50-10045 1/4W Resistor 10K 5% Carbon
R142 50-22045 1/4W Resistor 22K 5% Carbon
R143 50-22045 1/4W Resistor 22K 5% Carbon
R144 50-10055 1/4W Resistor 100K 5% Carbon
R145 50-10045 1/4W Resistor 10K 5% Carbon
R146 50-10055 1/4W Resistor 100K 5% Carbon
R147 50-10045 1/4W Resistor 10K 5% Carbon
R148 50-10065 1/4W Resistor 1M 5% Carbon
R149 50-10065 1/4W Resistor 1M 5% Carbon
R15 50-10045 1/4W Resistor 10K 5% Carbon
R150 50-10055 1/4W Resistor 100K 5% Carbon
R16 50-10045 1/4W Resistor 10K 5% Carbon
R160 50-47025 1/4W Resistor 470Ω5% Carbon
R163 50-47025 1/4W Resistor 470Ω5% Carbon
R167 50-12045 1/4W Resistor 12K 5% Carbon
R168 50-10045 1/4W Resistor 10K 5% Carbon
R17 59-10040 1/8W Resistor 10Kx4 SIP 2%
R18 50-47045 1/4W Resistor 47K 5% Carbon
R19 50-10045 1/4W Resistor 10K 5% Carbon
R2 50-10045 1/4W Resistor 10K 5% Carbon
R20 50-10045 1/4W Resistor 10K 5% Carbon
R200 50-47005 1/4W Resistor 4.7Ω5% Carbon
R201 50-47005 1/4W Resistor 4.7Ω5% Carbon
R21 50-10055 1/4W Resistor 100K 5% Carbon
R210 50-22055 1/4W Resistor 220K 5% Carbon
R22 50-10045 1/4W Resistor 10K 5% Carbon
R227 50-12045 1/4W Resistor 12K 5% Carbon
R228 50-47025 1/4W Resistor 470Ω5% Carbon
R229 50-47025 1/4W Resistor 470Ω5% Carbon
R23 50-10045 1/4W Resistor 10K 5% Carbon
R230 50-12045 1/4W Resistor 12K 5% Carbon
R235 50-12045 1/4W Resistor 12K 5% Carbon
R236 50-47035 1/4W Resistor 4.7K 5% Carbon
R237 50-47025 1/4W Resistor 470Ω5% Carbon
R238 50-10045 1/4W Resistor 10K 5% Carbon
R239 50-43045 1/4W Resistor 43K 5% Carbon
R24 50-10045 1/4W Resistor 10K 5% Carbon
R240 50-47025 1/4W Resistor 470Ω5% Carbon
R241 50-47025 1/4W Resistor 470Ω5% Carbon
R242 50-27045 1/4W Resistor 27K 5% Carbon
R243 50-15045 1/4W Resistor 15K 5% Carbon
R245 50-68035 1/4W Resistor 6.8K 5% Carbon
R246 50-39035 1/4W Resistor 39K 5% Carbon
R247 50-18035 1/4W Resistor 1.8K 5% Carbon
R248 50-91025 1/4W Resistor 910Ω5% Carbon
R249 50-47025 1/4W Resistor 470Ω5% Carbon
R25 50-47025 1/4W Resistor 470Ω5% Carbon
R250 50-27025 1/4W Resistor 270Ω5% Carbon
R251 50-33025 1/4W Resistor 330Ω5% Carbon
R254 50-22045 1/4W Resistor 22K 5% Carbon
R255 50-22045 1/4W Resistor 22K 5% Carbon
R26 50-22045 1/4W Resistor 22K 5% Carbon
R260 50-12045 1/4W Resistor 12K 5% Carbon
R261 50-12045 1/4W Resistor 12K 5% Carbon
R266 50-22045 1/4W Resistor 22K 5% Carbon
R267 50-22045 1/4W Resistor 22K 5% Carbon
R27 50-47025 1/4W Resistor 470Ω5% Carbon
R28 50-22045 1/4W Resistor 22K 5% Carbon
R29 50-12045 1/4W Resistor 12K 5% Carbon
R3 50-47035 1/4W Resistor 4.7K 5% Carbon
R30 50-47045 1/4W Resistor 470Ω5% Carbon
R303 50-00035 Jumper 0.35" 0.0Ω
R31 50-10045 1/4W Resistor 10K 5% Carbon
R32 50-33035 1/4W Resistor 3.3K 5% Carbon
R33 50-10045 1/4W Resistor 10K 5% Carbon
R34 50-10045 1/4W Resistor 10K 5% Carbon
R35 50-10045 1/4W Resistor 10K 5% Carbon
R36 50-10045 1/4W Resistor 10K 5% Carbon
R37 50-36055 1/4W Resistor 360K 5% Carbon
R38 50-10055 1/4W Resistor 100K 5% Carbon
R39 50-22045 1/4W Resistor 22K 5% Carbon
R4 50-47025 1/4W Resistor 470Ω5% Carbon
R40 50-10045 1/4W Resistor 10K 5% Carbon
R404 50-00035 Jumper 0.35" 0.0Ω
R41 50-10045 1/4W Resistor 10K 5% Carbon
R42 50-22045 1/4W Resistor 22K 5% Carbon
R43 50-10045 1/4W Resistor 10K 5% Carbon
R44 50-22045 1/4W Resistor 22K 5% Carbon
R45 50-47025 1/4W Resistor 470Ω5% Carbon
R46 50-47025 1/4W Resistor 470Ω5% Carbon
R47 50-10045 1/4W Resistor 10K 5% Carbon
R48 50-10045 1/4W Resistor 10K 5% Carbon
R49 50-10045 1/4W Resistor 10K 5% Carbon
R5 50-47025 1/4W Resistor 470Ω5% Carbon
R50 50-10045 1/4W Resistor 10K 5% Carbon
R505 50-00035 Jumper 0.35" 0.0Ω
R51 50-10045 1/4W Resistor 10K 5% Carbon
R52 50-10045 1/4W Resistor 10K 5% Carbon
R53 50-10045 1/4W Resistor 10K 5% Carbon
R54 50-10045 1/4W Resistor 10K 5% Carbon
R55 50-10045 1/4W Resistor 10K 5% Carbon
R56 50-22045 1/4W Resistor 22K 5% Carbon
R57 50-22045 1/4W Resistor 22K 5% Carbon
R58 50-15035 1/4W Resistor 1.5K 5% Carbon
R59 50-47025 1/4W Resistor 470Ω5% Carbon
R6 50-22055 1/4W Resistor 220K 5% Carbon
R60 50-10045 1/4W Resistor 10K 5% Carbon
R606 50-47025 1/4W Resistor 470Ω5% Carbon
R61 50-10045 1/4W Resistor 10K 5% Carbon
R62 50-10045 1/4W Resistor 10K 5% Carbon
R63 50-47025 1/4W Resistor 470Ω5% Carbon
R64 50-22035 1/4W Resistor 2.2K 5% Carbon
R65 50-33035 1/4W Resistor 3.3K 5% Carbon
R66 50-33035 1/4W Resistor 3.3K 5% Carbon
R67 50-10045 1/4W Resistor 10K 5% Carbon
R68 50-12045 1/4W Resistor 12K 5% Carbon
R69 50-47025 1/4W Resistor 470Ω5% Carbon
R7 50-22055 1/4W Resistor 220K 5% Carbon
R70 50-12045 1/4W Resistor 12K 5% Carbon
R71 50-10045 1/4W Resistor 10K 5% Carbon
R72 50-22045 1/4W Resistor 22K 5% Carbon
R73 50-15055 1/4W Resistor 150K 5% Carbon
R74 50-10045 1/4W Resistor 10K 5% Carbon
R75 50-10045 1/4W Resistor 10K 5% Carbon
R76 50-12045 1/4W Resistor 12K 5% Carbon
R77 50-10045 1/4W Resistor 10K 5% Carbon
R78 50-10045 1/4W Resistor 10K 5% Carbon
R79 50-18055 1/4W Resistor 180K 5% Carbon
R8 50-10045 1/4W Resistor 10K 5% Carbon
R80 50-22035 1/4W Resistor 2.2K 5% Carbon
R808 50-00035 Jumper 0.35" 0.0Ω
R81 50-36055 1/4W Resistor 360K 5% Carbon
R82 50-20035 1/4W Resistor 2K 5% Carbon
R83 50-13055 1/4W Resistor 130K 5% Carbon
R84 50-22035 1/4W Resistor 2.2K 5% Carbon
R85 50-11055 1/4W Resistor 110K 5% Carbon
R86 50-22035 1/4W Resistor 2.2K 5% Carbon
R87 50-11055 1/4W Resistor 110K 5% Carbon
R88 50-18035 1/4W Resistor 1.8K 5% Carbon
R89 50-10045 1/4W Resistor 10K 5% Carbon
R9 50-10055 1/4W Resistor 100K 5% Carbon
R90 50-10045 1/4W Resistor 10K 5% Carbon
R909 50-10015 1/4W Resistor 10Ω5% Carbon
R91 50-10045 1/4W Resistor 10K 5% Carbon
R92 50-22045 1/4W Resistor 22K 5% Carbon
R93 50-10045 1/4W Resistor 10K 5% Carbon
R94 50-22045 1/4W Resistor 22K 5% Carbon
R95 50-22045 1/4W Resistor 22K 5% Carbon
R96 50-22045 1/4W Resistor 22K 5% Carbon
R97 50-22045 1/4W Resistor 22K 5% Carbon
R98 50-10045 1/4W Resistor 10K 5% Carbon
R99 50-47015 1/4W Resistor 47Ω5% Carbon
R999 50-00035 Jumper 0.35" 0.0Ω
S1 25-04201 Switch 4PDT Push Vert
S2 25-04201 Switch 4PDT Push Vert
S5 25-02201 Switch DPDT Push Vert
S6 25-02201 Switch DPDT Push Vert
S7 25-02201 Switch DPDT Push Vert
S8 25-02201 Switch DPDT Push Vert
REPLACEMENT PARTS LIST
This symbol is intended to alert the user
tothepresenceofuninsulated“dangerous
voltage”withintheproduct’senclosurethat
may be of sufficient magnitude to consti-
tute a risk of electric shock to persons.
This symbol is intended to alert the
user to the presence of important
operating and maintenance (servic-
ing) instructions in the literature
accompanying the appliance.
LIMITED WARRANTY
Your Carvin product is guaranteed against failure for 1 YEAR unless otherwise stated. Carvin
willservice and supply all parts at no chargetothecustomerprovidingthe unit is under warranty.
Shipping costs are the responsibility of the customer. CARVIN DOES NOT PAY FOR PARTS OR
SERVICING OTHER THAN OUR OWN. A COPY OF THE ORIGINAL INVOICE IS REQUIRED TO
VERIFY YOUR WARRANTY. Carvin assumes no responsibility for horn drivers or speakers dam-
aged by this unit. This warranty does not cover, and no liability is assumed, for damage due to:
natural disasters, accidents, abuse, loss of parts, lack of reasonable care, incorrect use, or failure
to follow instructions. This warranty is in lieu of all other warranties, expressed or implied. No
representative or person is authorized to represent or assume for Carvin any liability in connec-
tion with the sale or servicing of Carvin products.
CARVIN SHALL NOT BE LIABLE FOR INCIDEN-
TAL OR CONSEQUENTIAL DAMAGES.
WhenRETURNING merchandiseto the factory, youmaycallfor a returnauthorizationnumber.
Describe in writing each problem. If your unit is out of warranty, you will be charged the cur-
rent FLAT RATE for parts and labor to bring your unit up to factory specifications.
MAINTAINING YOUR EQUIPMENT
Avoidspillingliquids orallowing anyother foreignmatter insidethe unit. Thepanel ofyour
unit can be wiped from time to time with a dry or slightly damp cloth in order to remove
dust and bring back the new look. As with all pro gear, avoid prolonged use in caustic
environments (salt air). When used in such an environment, be sure the mixer is ade-
quately protected by a cover.

CARVIN ENGINEERING DATA C1600 16CH & C2400 24CH STEREO MIXER OPERATING MANUAL
12340 World Trade Drive, San Diego, CA 92128
[phone] [phone]
www.carvin.com
Congratulationsonthepurchase of your mixer. YournewConcertSeries
mixerdemonstratesCARVIN’scommitmenttoproducingthehighestqual-
ity and most sophisticated engineering in the audio industry today. The
“C”seriesmixersaredesignedtobeprofessionalmixersforuseinliveper-
formance sound reinforcement systems. Features include a full function
stereomixerwithtwoninebandgraphicequalizers. Exclusivefeaturesinclude
groupedphantompowerandinternal24BITstereodigitaleffects. Thehigh
qualityconstructionwillprovideyearsofperformanceinandoutofthestudio.
Enjoy your new mixer.
OVERVIEW
TheMIC/LINEinputchannelsfeatureBalanced XLR and TRS 1/4” inputs with grouped phan-
tom power for condenser mics. There are 3 bands of EQ with a MID SHIFT and LOW CUT,
2 post fader effect sends, and 2 monitor pre-fader sends on each channel. The master sec-
tionfeaturestwo9bandgraphic EQs, master stereo main and monitor mix controls, a mono
main control, a complete 16 program effects processor with send and return controls that
allow the effects to be heard through the main mix and monitor mix, and stereo external
effects returns.
CHANNEL EQ WITH ACTIVE TONE CIRCUITS
The Concert Series incorporates 3 bands of EQ per channel. They offer smooth non inter-
active tone curves so your adjustments will sound natural and yet be effective. The high
(treble) and low (bass) “shelving” type controls cover the complete upper and bottom por-
tions of the audio range. The LOW CUT switch provides instant elimination of unwanted
low frequencies below 75 Hz. The MID EQ controls are a “band pass” type which peak at
2.5k Hz or 700 Hz (depending on the MID SHIFT switch) for added presence to your mid
rangetones . BecauseCARVIN uses“active” tone circuits,you are able to boost or cut your
tones without any signal loss to your sound.
RECEIVING INSPECTION—read before getting started
INSPECT YOUR MIXER FOR ANY DAMAGE which may have occurred during shipping.
If any damage is found, please notify the shipping company and CARVIN immediately.
SAVE THE CARTON & ALL PACKING MATERIALS. In the event you have to re-ship your
unit, always use the original carton and packing material. This will provide the best pos-
sible protection during shipment. CARVIN and the shipping company are not liable for
any damage caused by improper packing.
SAVE YOUR INVOICE. It will be required for warranty service if needed in the future.
SHIPMENT SHORTAGE. If you find items missing, they may have been shipped sepa-
rately. Please allow several days for the rest of your order to arrive before inquiring.
RECORD THE SERIAL NUMBER on the enclosed warranty card or below on this manual
for your records. Keep your portion of the card and return the portion with your name
and comments to us.
INTERNAL SIGNAL ROUTING
Abalancedmicorinstrumentplugs directly into the high quality XLR Neutrik™ connectors
and is then routed into the differential circuits for excellent hum and noise cancellation.
As your signal continues within the console, a double-sided printed circuit board (FR-4
fire rated) carefully guards the circuit traces with a copper shield running over the traces.
This reduces RF interference and crosstalk substantially. The printed circuit board has
plated-throughholeswhichmeansthateverycomponentissolderedsecurelyinthreeplaces
(onthebottom,inthehole and on top). This offers unsurpassed component security while
reducing circuit resistance for pure dynamic sound.
HEADROOM
Headroomisveryimportantwhendesigningamixer—especiallyforrecording.Lack of head-
room will cause your sound to become distorted and muddy. This can happen when you turn
the volume too high, the input signal is too hot or excess EQ is added. With most mixers, you
havetoreducethe input gaintofightheadroom problems, butthisjustincreases noise. That’s
why we have taken great care in the “C” series to make sure that each gain stage is properly
designed and balanced for more headroom along the entire audio path.
SWITCHING POWER SUPPLY
The Concert Series power supply offers unsurpassed rejection of noise and hum while
providing precision voltage for all preamp stages. The internal switching power supply
takes the 60 Hz AC line input and immediately converts it to 100kHz well outside of the
audio range. The 100kHz AC is sent through a transformer and converted to precision
DC voltages. Now you can go anywhere and never worry about inconsistent sound due
to fluctuating voltages because your mixer automatically switches internally to use 120
or240VAC.(120VAC&240VACcompatiblewiththeproperACcable) CARVINhasspared
no expense to achieve the best possible quality & performance.
For your records, you may wish to record the following information.
Serial No.________________________________ Invoice Date_______________
76-02400 498
C1600 & C2400 SPECIFICATIONS:
Frequency Response: Mic or Line Inputs: 20Hz-20KHz ±1dB
Total Harmonic Distortion: Less than .01%
Equivalent Input Noise: 150 ohm source: -112dBu
Output Noise: less than -90dBu Master Line Out
(all levels minimum)
Output Headroom: +28dB XLR bal, +20dB 1/4” unbal
Maximum Gain: Mic in to Master Line Out: 74dB
Crosstalk: Adjacent ch’s: -60db at 1KHz
Common Mode Rejection: -80db at 1KHz
Phantom Power: All XLR Mic in (channel groups of 8)
Channel EQ.: 3 band active,LOW: 80Hz ±15dB
MID: 2.5K or 700 Hz±15dB
HI: 11.5KHz ±15dB
Graphic EQ.: 9 Band Oct. Intervals ±12dB
Mic Input: Balanced XLR input
Line Input: Balanced 1/4” Phone Jack
Power Consumption: C1600: 30VA, C2400: 40VA
Size: C1600: 14”D x 23”W x 3.1”H
C2400: 14”D x 30”W x 3.1”H
C1600& C2400 BLOCK DIAGRAM
THREE BAND
CHANNEL TONE
CONTROLS
PAD
GAIN MID LOW
MIC
PRE
LEVEL
L
R
EFF 1&2
EFF 3
EFFECTS 1&2
EFFECTS 2
OUTPUT
EFFECTS 2
LEVEL
LEFT
TAPE IN
PAN
RIGHT
CHANNELS
line pad
(-11dB)
EFF 3
HEADPHONE
LEVEL
HEADPHONE
OUTPUT
EFFECTS 3
EFFECTS 3
OUTPUT
EFFECTS 3
LEVEL
RIGHT
LEFT
EFFECTS RETURNS
ONE AND TWO
HI
EFF 1&2
RETURN
LEVEL
L - R
METERS
INSERT
MIC
LINE
LO
CUT
MON 1
MON 2
PFL
MUTE
PFL
MON 2
MON 1
MON 1
Unbal OUT
MONO BAL OUT
MONO
FADER
Unbal OUT
TAPE OUT LEFT
BAL OUT
HEADPHONE
AND METER
SWITCHES
RIGHT BUSS
FADER
LEFT BUSS
FADER
EFFECTS 1
LEVEL
RETURN
LEVEL
MON 1 INTERNAL
DIGITAL
EFFECTS
L
R
EFF 1&2
EFF 3
MON 1
MON 2
PFL
MONITOR 2
MON 2
LEVEL
MONITOR 1
MON 1
LEVEL
BAL TRS
BAL TRS
MONITOR 2
MONITOR 1
DUAL
9 BAND
GRAPHIC EQ
AND
ASSIGNMENT
SWITCHES Unbal OUT
TAPE OUT RIGHT
BAL OUT

C1600 & C2400 CONTROLS
CHANNEL FEATURES
1. 1/4” LINE IN
Theline connectors are for connectingbalanced andunbal-
anced instruments, mics, and line level sources such as
drum machines or keyboards.
2. XLR MIC IN The balanced Mic inputs are for connect-
ing microphones that use XLR connections.
3. CHANNEL INSERT/CHANNEL DIRECT
Forinsertingchanneleffects,compressor,ETC. Or,asadirect
output for multi-track recording. For a direct out use a 1/4”
TRS (Tip Ring Sleeve) phone jack. To achieve a direct out
from the channel insert to the first “click” (1/2 insert).
4. GAIN CONTROL
Adjusts the GAIN when connecting various instruments &
mics. Thetypeofmic (uni-directional, omnidirectional,etc)
andmodelwillrequireGAIN settings for each individual mic.
MonitortheGAINlevelwiththePEAKLEDs. IfanLEDis con-
stantly illuminated decrease the amount of GAIN. Too much
GAINmaycausedistortion. Ifdistortionis present, decrease
the amount of GAIN until the distortion is eliminated.
5. LOW CUT SWITCH
75 Hz low cut filter helps eliminate unwanted low frequen-
ciesfromanyparticularchannel. Greatfor reducing “boom”
noisefrommicstandsorfrom acoustic/electric guitars. This
filtercan also helppunch upthe bass byturning upthe LOW
tone control while using the LOW CUT switch.
6. MID SHIFT SWITCH
An exclusive feature giving you two different midrange
centerfrequencies. Thisisidealforvocals and/or instruments.
TheMIDtoneswitchoneachchanneliseasiertousethancon-
ventional sweep controls because they allow you to compare
for the best vocal or instrument sound by switching between
the two MID frequencies.
7. ACTIVE 3 BAND TONE CONTROLS
TheCseriesmixersprovidestudio quality tone controls with
distortion less than .009%–exceptionally clean for record-
ing & live sound. The ±15 dB boost or cut give an overall
30dBrangeforpowerfulEQcontrol.Theactivecircuitsdeliver
deep bass from the 20-80 Hz LOW control. TheMID control
works in the 2.5k Hz range or the 700 Hz range depending
on the MID SHIFT switch. The HI control functions at 11-
20kforcrisperhighs. Startoutwithalltonecontrolsat their
center zero position. Determine which position your MID
SHIFTsoundsbestat,thencutor boost your HI,MID andLOW
frequenciesforeachasneeded. Ifyou are tryingtomicinstru-
mentssuchasacousticguitaror drums, tryvariousmicsand
micplacementbeforeadjustingyourtone controls (condenser
mics work well for these applications). Cutting and boost-
ingfrequenciesimproperlycancausean “un-natural” sound
toyourvocals orinstruments. Yourgoal is toachieve a nat-
ural sound for your entire performance or recording.
8. & 9. MONITOR 1 AND 2 CONTROLS
SeparateMONITORlevelcontrolsforeach channel allows you
tocreatetwoindependentmonitormixes. The MONITOR sig-
nalsare routedto themaster MON 1 & 2 faders respectively
before going to the MONITOR output connectors. The mix
you create with the MON 1 & 2 controls can also be heard
C1600 & C2400
1
2
3
4
7
8
9
10
11
12
13
14
15
16
17
5
6
QUICK START UP
If you’re like most new owners, you’re probably in a hurry
toplugyourmixerinanduseit. Herearesomebriefinstruc-
tionstogetyougoingquickly.Withthemixerunpluggedand
the unit turned off, complete the following procedures:
1. CONNECTING AC POWER TO YOUR MIXER
• The mixer can be used with 120 or 230VAC (it automati-
cally switches internally)
• Use only a grounded (3 prong) power outlet to prevent a
shockhazard. Thisgivesthequietestgroundingforyourmixer.
2. CONNECTING INPUTS TO YOUR MIXER
• Forlowlevelbalanceddevicessuchasmicrophones,plug
into the balanced MIC inputs using a shielded microphone
cable with XLR ends.
• For high level unbalanced devices such as instruments &
Keyboards, plug into the LINE input jacks using a shielded
cable with 1/4” phone plugs. Adjust the GAIN knob for the
mic or line input being used.
3. TURNING YOUR MIXER ON
• Adjust all channel FADERS and master LEVEL controls to
their OFF positions
• Adjust all channel’s HI, MID, and BASS controls and the
two master 9 Band Graphic EQ’s to their center position.
• AdjustalltheChannel“PAN”controlstotheircenter position.
• Turn the mixer on by the rear panel POWER SWITCH and
watch for the POWER LED to come on. Your mixer is now
ready to operate.

through your headphones. (see 24.)
10. EFFECTS 1 & 2
This control adjusts the level a signal being sent from each
channel,onetotheinternaldigital effects processor (EFFECTS
1), and one to the EFFECTS 2 output jack via the EFFECTS
2master send control to drive an outboard processor. The
internalEFFECTS1arereadytouseand do notrequireaddi-
tionalcable connections toachieve their fullstereo imaging.
11. EFFECTS 3 Athirdsendroutesasignalfromeachchan-
nel’s EFFECTS 3 controlto the EFFECTS 3 master send control.
12. STEREO PANNING
Each channel’s PAN control allows sweeping stereo effects
when panning from L to R for recordings or live sound.
Superior channel separation is available over other mixers
becauseof the “dual element” pan controls providing 15dB
greater separation.
13. CHANNEL SIGNAL GREEN LED
Thesignal indicatoris pre-fader and post EQ.This LEDver-
ifies that the channel is receiving a signal from the mic or
instrument inputs.
14. CHANNEL PEAK RED LED
This peak indicator is pre-fader and post EQ. A constantly
lit LED indicates the signal is probably needs a reduction in
GAIN to prevent input overloading.
15. CHANNEL MUTE SWITCH
Mutesachannelinstantlywithouttouching your faders. This
is extremely useful when you need to mute channels. You
won’t lose the settings on your faders.
16. CHANNEL PFL SWITCH
This switch allows the operator to monitor a channel in the
headphone mix to set tone and gain levels.
17. AUDIO TAPER FADERS
Slideallfadersdownwhenconnectingyour inputs. Increase
eachchannelsfadertoachievetheoverallmix.Calibrated60mm
faders with audio taper are featured for smooth fade-outs.
MASTER SECTION
18. INTERNAL STEREO DIGITAL EFFECTS
TheMASTER EFFECTS SEND 1 control takesthe effectssend
from the channels and sends it to the internal digital effects
system. The EFFECTS PEAK LED helps to set the proper
level and prevents overloading the internal digital effects
system. RETURN 1 sets the effects level going to the
LEFT/RIGHT mix MONITOR 1 is an exclusive feature allowing
youtosendtheinternaldigitaleffectstoyourMONITOR1speak-
ers.Selectfromsixteenpremiumeffects:fourREVERBS—two
rooms, plate & stadium, six ECHOES/REVERBS—50ms to
500ms, four sweeping CHORUS/REVERBS and two FLANG-
ING/REVERBS—all in true STEREO!
19. MASTER MONITOR 1 & 2 FADERS
Large 60mm faders control the master output level of the
monitors.SincetheMONITORS arenotaffected by thechan-
nel’s tone controls(pre-channelEQandpre-channelinsert)
you are free to EQ your monitor signals externally to con-
trol stage feedback. You may use an external equalizer
(Carvin’s EQ2015 or EQ2030), a monitor amp with an
onboard EQ(HT760M) or usethe EQ 1& 2switch (see 29.)
20. EFFECTS SEND 2 & 3
Two more sends for outboard effects processors. Each send
feeds their respective effects output jack (EFF 2 AND EFF 3).
21. MASTER RETURN EFFECTS 2 & 3
Return up to 4 mono or 2 stereo effects from 2 stereo con-
trols. You can also send effects to your MON 1 speakers.
22. MASTER LEFT & RIGHT FADERS
These faders send the main stereo mix created by all channel
faderstothemainbalancedandunbalancedoutputconnectors.
Theleftandrightsignalswillbeidenticalifyoudonotpanyour
individual channels left or right to create a stereo image.
23. MASTER MONO FADER
The C series creates an extra mono signal from the R & L
masterfaderstobeusedfor a mono house PAor subwoofer.
24. HEADPHONE AND METER SOURCE
The PHONES control sets the desired level of the PHONES
jack. ThePFL,L/R,MONOandMONITOR1&2 switchesallow
for isolation of these events through the headphones.
25. PFL RED LED
Indicates that the headphone & meters are monitoring the
channels where the PFL is switched on.
26. TAPE IN RETURN LEVEL
ControlsthereturnlevelsoftheL&Rtape(CD)intothemixer
27. R/L LED VU METERS
ThisgroupofLEDsaretensegment6dBresolutionmetersthat
give the operator a visual of the mixer output.
28. DUAL PRECISION 9 BAND GRAPHIC EQs
are octave filters at 60,125, 250, 500, 1k, 2k, 4k, 8k & 16k
Hz centers that offer precise adjustment to help eliminate
feedback & enhance tone of the main or monitor mix.
29. EQ SWITCH 1 & 2
TheseswitchesswaptheEQ’sfromthestandardLEFT,RIGHT
mainoutputs(OUT)totheMON1&MON2outputs(IN)respec-
tively. Thisallowstheequalizers tobeusedwithmonitoramps
and eliminates the need for outboard monitor equalizers.
30. POWER LED Verifies the mixer is on.
31. RETURN 2 L/R CONNECTORS
Returns a stereo signal from an external effects processor.
Connect the output of an external effect to these points.
32. RETURN 3 L/R CONNECTORS
Returnsastereosignalfroman external effect. Connect your
effects processors’ stereo outputs to these stereo returns.
33. EFFECTS 2 & 3 CONNECTORS
1/4”outputconnectorsdriveexternaleffects. Connect your
effects processor’s inputs to these outputs.
34. MONITOR 1 & 2 CONNECTORS
TheConcertSeriesprovidesbalanced1/4”outputsforlongcable
runs. Connect your monitor power amp(s) to these outputs.
35. HEADPHONE JACK
1/4” stereo jack for headphone or control room output.
36. RCA R & L TAPE OUT
Stereo RCA jacks for connecting a tape recorder.
37. RCA R & L TAPE IN
Forstereoplaybackofatape/CDoruseasa4thstereoreturn.
38.–39. LEFT /RIGHT XLR & 1/4” CONNECTORS
This set of balanced and unbalanced connectors are for
connect main mix to external power amp(s).
40.–41. MONO XLR & 1/4” CONNECTORS
A set of balanced and unbalanced mono outputs for PA or
Subwoofer (requires subwoofer crossover & power amp).
42. MIC PHANTOM POWER SWITCH / RED LED
This switch provides phantom power for condenser mics in
groups of 8 channels. This allows other channel groups to
remainnon-powered to use the LINEinputs for instruments
and MIC inputs for mics that don’t require phantom power.
18
25
26
27
28
29
30
32
34
35
37
36
41
39
40
31
38
33
42
23
19 21
24
22
20

In a live sound reinforcement or a public address system (P.A. System), the input signals to the mixer
will come from the microphones and instruments on the stage. Each microphone or instrument to be
amplified by the P.A. system must be connected to one of the mixing console inputs. It is preferred to
have as many of the stage instruments as possible plugged into the mixer. This allows for the best over-
all sound control of the instruments as they are mixed together and then amplified by the P.A. system.
Themixer can beoperated on thestage or froma remote locationin front ofthe stage usinga snake cable
to bring the signals from the stage to the mixer. The advantage of the remote operation allows the per-
formance to be monitored and mixed from the audience’s perspective.
THE SOUND CHECK
Thesoundchecktakes someskill,but mostly patiencefromthe performersand especiallyyouthe system
operator. If youget frustratedduring the soundcheck, the performers canlose confidence andthe sound
may suffer due to things missed in the sound check. The basic sound check follows this format: First
2423
17-24
22 PHANTOM
POWER
E
C
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
LR
TAPE
OUT
TAPE IN
RTN 2 LEFF 2 RTN 2 R RIGHT
RTN 3 LEFF 3 RTN 3 R MON 2
LEFT
MON 1 PHONES
+18
+12
+6
0
-6
-12
-18
-24
-30
PEAK
LR
POWER
63 125 250 500 1K 2K 4K 8K 16K
0
8
4
4
8
–12
+12
EQ 2
EQ 1
LEFT/
MON 1
EQ 2
RIGHT/
MON 2
MONO
LEFT RIGHT MONO
0
8
4
4
8
–12
+12
EQ 1
dB
LO
CUT
MID
SHIFT
1
2
MON
MON
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
LO
CUT
MID
SHIFT
1
2
MON
MON
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
T
N
N
LO
CUT
MID
SHIFT
1
2
MON
MON
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
TWO-TRACK
TAPE RECORDER
AUX EFFECTS PROCESSOR
R & L OUT
OUT IN
OUT
IN
MONO IN
TAPE DECKS AND EXTERNAL EFFECTS
TAPE IN
INTERNAL DIGITAL EFFECTS
PEAK
RTN 1 MON 1
TO
SENDS STEREO RETURNS
SEND 1 CHORUS
REV
REVERB
FLANGE
REV
ECHO
REV
2
010
5
010
5
010
5
3
4
5
6
1
2
3
4
1
2
1
2
3
4
1
C2400
CONCERT SERIES
DSP EFFECTS
Select from Reverb, Flange, Chorus, and Echo. Écho includes delay times of
50,100, 150, 250, 350, and 500 milliseconds with background reverb.
Put the effects on your on stage monitor mix. Ideal for vocalists to hear
the vocal effects on stage.
Thebasichookupissimple, using
four (or two stereo) RCA cables.
Plug the TAPE OUT on the mixer
intothetapedeck’s inputs and the
mixer’s TAPE IN’s to the tape
deck’s outputs. With an external
effects processor, plug a 1/4”
cable from one of the EFF SEND
outputsonthemixerintothe input
jack on the effects processor.
Then from the outputs of the
effectsprocessor,plugoneortwo
(forstereo)cablesintooneofthe
L/R EFFECTS RETURN.
test all microphones and other input devices(direct boxes, etc.) before the performers are included in
the sound check. A good thing to also check here is feedback in the monitors from the microphones.
Good positioning of the monitors and the use of a graphic equalizer solves most major monitor feed-
back problems. Now for a sound check with the performers. First set the level of each performer indi-
vidually and in cases where a performer has multiple microphones, such as with drummers, set each
drum mic individually then the drum set as a whole. This is also a good time to make some channel
tone control adjustments to tailor the sound of the individual performers and instruments. After setting
eachindividual,have theperformersrunthrough asong. Don’t hesitateto stoptheperformersif some-
thing needs to be adjusted or a performer or microphone needs to be heard solo again. Remember the
sound check is not a rehearsal, but a system check. It is always a good idea for the mixer operator to
have a microphone to inform the performers of what is needed during the sound check. If a monitor
systemisbeingused, themixeroperator’smicrophone shouldonlybeheard throughthemonitors when
addressing the on stage performers, especially if something needs to be checked during the show. If
24
24
23
17-24
22
22
21
21
20
20
19
19
18
18
17
17
2316
16
DIR - INSERT
LINE
MIC
15PHANTOM
POWER
9-16
14
14
13
13
12
12
11
11
10
10
9
9
15
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
87654321
87654321 PHANTOM
POWER
1-8
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
PHANTOM
POWER
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
PFL
PHONES
MONO
L-R
MON 1
MON 2
TAPE IN
INTERNAL DIGITAL EFFECTS
PEAK
RTN 1 MON 1
TO
EFF 2 EFF 3
SENDS
RTN 2 MON 1 RTN 3 MON 1
TO TO
STEREO RETURNS
MON 1 MON 2 MONOLEFT RIGHT
SEND 1 CHORUS
REV
REVERB
FLANGE
REV
ECHO
REV
2
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
-30
-50
+
0
-12
-24
12
+6
3
4
5
6
1
2
3
4
1
2
1
2
3
4
1
-30
-50
+
0
-12
-24
12
+6
-30
-50
+
0
-12
-24
12
+6
-30
-50
+
0
-12
-24
12
+6
-30
-50
+
0
-12
-24
12
+6
C2400
LR
TAPE
OUT
TAPE IN
RTN 2 LEFF 2 RTN 2 R RIGHT
RTN 3 LEFF 3 RTN 3 R MON 2
LEFT
MON 1 PHONES
+18
+12
+6
0
-6
-12
-18
-24
-30
PEAK
LR
POWER
CONCERT SERIES
63 125 250 500 1K 2K 4K 8K 16K
0
8
4
4
8
–12
+12
EQ 2
EQ 1
LEFT/
MON 1
EQ 2
RIGHT/
MON 2
MONO
LEFT RIGHT MONO
0
8
4
4
8
–12
+12
EQ 1
dB
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
EXTERNAL
POWER AMP
RIGHT
PA CABINET
LEFT
PA CABINET
19
CHANNEL
123
4
5
6
7
8
9
10
11
12
13
15
17
22
3050 0dB
1 2
CHANNEL
123
4
5
6
7
8
9
10
11
12
13
15
17
19
22
30
50 0 dB
Grouped Phantom Power for Condenser Mics
19
CHANNEL
123
4
5
6
7
8
9
10
11
12
13
15
17
22
3050 0dB
1 2
CHANNEL
123
4
5
6
7
8
9
10
11
12
13
15
17
19
22
30
50 0 dB
19
CHANNEL
123
4
5
6
7
8
9
10
11
12
13
15
17
22
30
50 0 dB
1 2
CHANNEL
123
4
5
6
7
8
9
10
11
12
13
15
17
19
22
30
50 0 dB
SUBWOOFER CABINET
STEREO LIVE SOUND SYSTEM
Phantom
Power Switch
This diagram depicts a stereo live sound system using a stereo power
amp for the main speakers, a stereo power amp for two monitor mixes,
and another power amp for a mono subwoofer.

HALF INSERT DIRECT OUT
Thehalfinsertconnectioncreatesa send signal
withoutbreakingthechannelssignalpath. The
insertinthismodeisno longer used as an insert
but it becomes what is called an “insert direct
out”. Aninsertdirectoutfunctionsas a normal
direct out but the plug has to be half inserted.
Ifaninsertisneededon the same channel, spe-
cial cabling is required to perform both func-
tions. Thehalfinsertionconnectsthetip of the
plug being inserted to the ring of the jack. See
thefig. If the jack is fully inserted to where the
tip of the plug connects to the tip of the jack,
theinternaljackswitchwillopenandthe chan-
nel’s signal path will be broken. The connec-
tion will still function as a direct out but the
channel’s signal will stop at the insert and not
continue on to the rest of the channel and the
masters. The result of the half insert is multi-
ple outputs for use in multi-track recording.
FULL INSERT
The insert jack is a Tip Ring Sleeve (TRS) 1/4”
phone jack, where the tip is the send, the ring is
the return and the sleeve is ground. When used
asaninsertpointorin full insert mode, the chan-
nel is opened up to allow an external piece of
equipmenttobeinsertedintothe channels signal
path. Thechannelsignalcomingfromthe micro-
phone preamplifier will be forced to go through
theexternalequipmentbeforeitcan continue back
throughthechannelre-enteringbeforethe chan-
neltonecontrols. Mostexternalequipmentis not
setupfortheTRSplug directly so an adapter cable
is required. The adapter cable will have on one
endtheTRSplugandtwo mono plugs either male
orfemale, onthe otherend. The two plugs each
havethegroundconnectedtothe sleeve, one has
the return on its tip and the other has the send
on its tip. This allows the send to be connected
to the input of the external equipment and the
returntoitsoutputcompletingthe insert loop back
to the channel.
MIC
INSERT
1
12
3
6
9129
6
3
- 0 +
GAIN
HI
MID
LOW
5
4
3
2
1010 9
8
7
6
12
3
6
9129
6
3
- 0 +
12
3
6
9129
6
3
- 0 +
LINE
MIC Pre-Amp
PIN 2 (+)
PIN 3 (–)
GAIN
TO EFFECTS
STEREO PLUG
FULL INSERT
INSERT JACK
SEND RETURN
TIP: SEND
SLEEVE: GROUND
RING: RETURN
INSERTS AND DIRECT OUTS
MIC
INSERT
1
12
3
6
9129
6
3
- 0 +
GAIN
HI
MID
LOW
5
4
3
2
1010 9
8
7
6
12
3
6
9129
6
3
- 0 +
12
3
6
9129
6
3
- 0 +
LINE
PIN 2 (+)
PIN 3 (–)
MONO PLUG
1/2 INSERT
MIC Pre-Amp
GAIN
INSERT JACK
TO RECORDER
TIP: SIGNAL
SLEEVE: GROUND
24
24
23
17-24
22
22
21
21
20
20
19
19
18
18
17
17
2316
16
DIR - INSERT
LINE
MIC
15PHANTOM
POWER
9-16
14
14
13
13
12
12
11
11
10
10
9
9
15
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
87654321
87654321 PHANTOM
POWER
1-8
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
PHANTOM
POWER
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
PFL
PHONES
MONO
L-R
MON 1
MON 2
TAPEIN
INTERNAL DIGITAL EFFECTS
PEAK
RTN 1 MON 1
TO
EFF 2 EFF 3
SENDS
RTN 2 MON 1 RTN 3 MON 1
TO TO
STEREO RETURNS
MON 1 MON 2 MONOLEFT RIGHT
SEND 1 CHORUS
REV
REVERB
FLANGE
REV
ECHO
REV
2
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
-30
-50
+
0
-12
-24
12
+6
3
4
5
6
1
2
3
4
1
2
1
2
3
4
1
-30
-50
+
0
-12
-24
12
+6
-30
-50
+
0
-12
-24
12
+6
-30
-50
+
0
-12
-24
12
+6
-30
-50
+
0
-12
-24
12
+6
C2400
LR
TAPE
OUT
TAPEIN
RTN 2 LEFF2 RTN 2 R RIGHT
RTN 3 LEFF3 RTN 3 R MON 2
LEFT
MON 1 PHONES
+18
+12
+6
0
-6
-12
-18
-24
-30
PEAK
LR
POWER
CONCERT SERIES
63 125 250 500 1K 2K 4K 8K 16K
0
8
4
4
8
–12
+12
EQ 2
EQ 1
LEFT/
MON 1
EQ 2
RIGHT/
MON 2
MONO
LEFT RIGHT MONO
0
8
4
4
8
–12
+12
EQ 1
dB
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
MULTI-TRACK RECORDER
Multitrack IN
1/2 INSERT DIRECT OUT
TWO-TRACK
TAPE RECORDER
TAPE OUT
Although the Concert Series 16 & 24 channel
mixersmaybeprimarilyusedfor live applications,
thequalityoftheseboardsare also designed for
use in multi-track recording. All channels are
designedto meet theneeds of cuttingedge dig-
ital technologies. The C1600 & C2400 can
handle16or24trackrecordings respectively. By
combiningthissetupwitha live system, you can
record a performance and mix down to a two
track recorder later.
Recordingaliveperformance direct to two track
(typicallydonebyconnectingaDATorcassette
recorder to the RCA TAPE OUT connectors)
can also be done instead of a recording with a
multi-track.
24
24
23
17-24
22
22
21
21
20
20
19
19
18
18
17
17
2316
16
DIR - INSERT
LINE
MIC
15PHANTOM
POWER
9-16
14
14
13
13
12
12
11
11
10
10
9
9
15
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
87654321
87654321 PHANTOM
POWER
1-8
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
PHANTOM
POWER
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
PFL
PHONES
MONO
L-R
MON 1
MON 2
TAPEIN
INTERNAL DIGITAL EFFECTS
PEAK
RTN 1 MON 1
TO
EFF 2 EFF 3
SENDS
RTN 2 MON 1 RTN 3 MON 1
TO TO
STEREO RETURNS
MON 1 MON 2 MONOLEFT RIGHT
SEND 1 CHORUS
REV
REVERB
FLANGE
REV
ECHO
REV
2
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
010
5
-30
-50
+
0
-12
-24
12
+6
3
4
5
6
1
2
3
4
1
2
1
2
3
4
1
-30
-50
+
0
-12
-24
12
+6
-30
-50
+
0
-12
-24
12
+6
-30
-50
+
0
-12
-24
12
+6
-30
-50
+
0
-12
-24
12
+6
C2400
LR
TAPE
OUT
TAPEIN
RTN 2 LEFF2 RTN 2 R RIGHT
RTN 3 LEFF3 RTN 3 R MON 2
LEFT
MON 1 PHONES
+18
+12
+6
0
-6
-12
-18
-24
-30
PEAK
LR
POWER
CONCERT SERIES
63 125 250 500 1K 2K 4K 8K 16K
0
8
4
4
8
–12
+12
EQ 2
EQ 1
LEFT/
MON 1
EQ 2
RIGHT/
MON 2
MONO
LEFT RIGHT MONO
0
8
4
4
8
–12
+12
EQ 1
dB
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
LO
CUT
MID
SHIFT
1
2
MON
MON
1-2
3
EFF
EFF
010
5
050
HI GAIN
0
-15 +15
0
-15 +15
0
-15 +15
MID
LOW
010
5
010
5
010
5
PFL
MUTE
PEAK
C
LR
PAN
SIG
+
0
-12
-24
-30
-50
12
+6
MULTI-TRACK RECORDER
Multitrack Out
TWO-TRACK
TAPE RECORDER
AUX EFFECTS PROCESSOR
IN L &R
OUT
MULTI-TRACK RECORDING
Followthissetupformixingdowntoatwotrackrecorder.
Connect the Multi-track recorders’ outputs to the line
inputs of the channels. Use the headphones or connect a
professionalpoweramplifier (Carvin’sDCM and HT power
amps)andhigh quality studiomonitors to your mainLEFT
& RIGHT outputs to monitor your mixdown sessions.
Mixingis a practiced skill. A trained ear will know when to
EQ, add effects, compress, gate, and when not to. Listen
toyourfavoriteCDthroughthesameheadphonesormon-
itoring system you plan to mix through. Note each instru-
ment’s level and position in the stereo mix. Use this as a
guide to help mix your project. Mixing down to a digital
format such as DAT or to an analog reel to reel will yield
differentresults. Digital recorders aremeant to accurately
represent the original sound source, therefore you should
get exactly what you heard while mixing.
MULTI-TRACK MIXDOWN