Casio XW-P1 User manual

XW-P1/XW-G1
MIDI Implementation
CASIO COMPUTER CO., LTD.
Contents
I MIDI Message Overview 9
1 Product Configuration as a MIDI Device 9
1.1 SystemSection.......................................... 9
1.2 Performance Controller Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
1.3 SoundGeneratorSection .................................... 9
2 Timbre Type Specific Operation 10
3 Controlling Send/Receive of MIDI Messages in Each Instrument Part 10
4 Conditions that Disable Message Send and Receive 10
II Channel Message 11
5 Note Off 11
6 Note On 11
7 Control Change 12
7.1 BankSelect(00H,20H) ..................................... 12
7.2 Modulation(01H) ........................................ 13
7.3 Portamento (05H)(Solo Synthesizer tone selected) . . . . . . . . . . . . . . . . . . . . . . 13
7.4 DataEntry(06H,26H)...................................... 13
7.5 Volume(07H) .......................................... 13
7.6 Pan(0AH) ............................................ 14
7.7 Expression(0BH) ........................................ 14
7.8 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H) . . . . . . . . 14
7.9 Hold1(40H) ........................................... 15
7.10 Portamento On/Off(41H)(Solo Synthesizer tone selected) . . . . . . . . . . . . . . . . . . 15
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7.11 Sostenuto(42H) ......................................... 16
7.12 Soft(43H) ............................................ 16
7.13 Drawbar Position 16’(46H)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . 16
7.14 FilterResonance(47H)...................................... 16
7.15 Drawbar Position 5 1/3’(47H)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . 17
7.16 ReleaseTime(48H) ....................................... 17
7.17 Drawbar Position 8’(48H)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . 17
7.18 AttackTime(49H)........................................ 17
7.19 Drawbar Position 4’(49H)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . 18
7.20 FilterCutOff(4AH) ...................................... 18
7.21 Drawbar Position 2 2/3’(4AH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . 18
7.22 Drawbar Position 2’(4BH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . 19
7.23 VibratoRate(4CH) ....................................... 19
7.24 Drawbar Position 1 3/5’(4CH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . 19
7.25 VibratoDepth(4DH) ...................................... 19
7.26 Drawbar Position 1 1/3’(4DH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . 20
7.27 VibratoDelay(4EH) ...................................... 20
7.28 Drawbar Position 1’(4EH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . 20
7.29 Drawbar Organ Type(4FH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . 21
7.30 Drawbar Organ 2nd Percussion(54H)(Drawbar tone selected) . . . . . . . . . . . . . . . . 21
7.31 Drawbar Organ 3rd Percussion(55H)(Drawbar tone selected) . . . . . . . . . . . . . . . . 21
7.32 Drawbar Organ Percussion Decay Time(56H)(Drawbar tone selected) . . . . . . . . . . . 21
7.33 Drawbar Organ Key On Click(57H)(Drawbar tone selected.) . . . . . . . . . . . . . . . . 22
7.34 Drawbar Organ Key Off Click(58H)(Drawbar tone selected.) . . . . . . . . . . . . . . . . 22
7.35 Vibrato Rate (59H)(Drawbar tone selected.) . . . . . . . . . . . . . . . . . . . . . . . . . 22
7.36 Vibrato Depth (5AH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . . . . 22
7.37 ReverbSend(5BH) ....................................... 23
7.38 ChorusSend(5DH) ....................................... 23
7.39 NRPN(62H,63H) ........................................ 23
7.40 RPN(64H,65H) ......................................... 33
7.41 AllSoundOff(78H)....................................... 35
7.42 ResetAllControllers(79H)................................... 35
7.43 AllNotesOff(7BH)....................................... 35
7.44 OmniOff(7CH) ......................................... 35
7.45 OmniOn(7DH) ......................................... 36
7.46 Mono(7EH) ........................................... 36
7.47 Poly(7FH)............................................ 36
8 Program Change 36
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9 Channel After Touch 37
10 Pitch Bend 37
III System Message 39
11 Timing Clock 39
12 Start 39
13 Stop 39
14 Active Sensing 39
15 System Exclusive Message 40
15.1 Universal Real Time System Exclusive Message . . . . . . . . . . . . . . . . . . . . . . . . 40
15.2 Universal Non Real Time System Exclusive Message . . . . . . . . . . . . . . . . . . . . . 42
15.3 Instrument-Specific System Exclusive Message . . . . . . . . . . . . . . . . . . . . . . . . 42
IV Instrument-Specific System Exclusive Messages 43
16 Format 43
16.1 MessageClassifications ..................................... 43
16.2 BasicMessageStructure..................................... 44
16.3 FormatofEachField ...................................... 44
17 Individual Parameter Operations 52
18 Parameter Set Transfer 52
18.1 CommunicationModes ..................................... 52
18.2 One-way Mode Communication Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
18.3 Handshake Mode Communication Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
V Parameter List 63
19 Using the Parameter List 63
20 System Parameters 63
20.1 System Information Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
20.2 System Exclusive Protocol Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
20.3 DataManagementParameter.................................. 64
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21 Patch Parameter 66
21.1 AnalogInputTuneParameter ................................. 66
21.2 CardAudioParameter ..................................... 66
21.3 DSPOutputParameter..................................... 66
21.4 DSPSetupParameter...................................... 66
21.5 MasterEQParameter...................................... 66
21.6 MasterTuneParameter..................................... 67
21.7 MasterMixerParameter .................................... 67
21.8 PartParameter.......................................... 67
21.9 SystemChorusParameter.................................... 68
21.10 SystemReverbParameter.................................... 68
21.11 PatchEtcParameter ...................................... 68
22 Tone Parameter 69
22.1 BasicParameter ......................................... 69
23 Melody Parameter 70
23.1 MelodyParameter........................................ 70
24 Drum Parameter 70
24.1 Instrument Parameter (x128instrument) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
24.2 Velocity Split Parameter (x4velocity-split x128instrument) . . . . . . . . . . . . . . . . . 71
24.3 LFOParameter ......................................... 71
25 Drawbar Parameter(XW-P1 only) 71
25.1 DrawbarParameter ....................................... 71
26 Hex Layer Parameter(XW-P1 only) 72
26.1 Hex Layer Parameter (x6layer) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
26.2 HexLayerLFOParameter ................................... 72
27 Solo Synth Parameter 73
27.1 Solo Synth OSC Block Basic (x6oscillator) . . . . . . . . . . . . . . . . . . . . . . . . . . 73
27.2 Solo Synth OSC Block Oscillator (x5oscillator) . . . . . . . . . . . . . . . . . . . . . . . . 73
27.3 Solo Synth OSC Block Filter (x5oscillator) . . . . . . . . . . . . . . . . . . . . . . . . . . 74
27.4 Solo Synth OSC Block Amp (x5oscillator) . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
27.5 Solo Synth Etc (x8controller) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
27.6 Solo Synth Controller (x8controller) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
27.7 SoloSynthLFO(x2lfo) ..................................... 78
27.8 SoloSynthPWM ........................................ 79
27.9 SoloSynthTotalFilter ..................................... 79
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28 User Wave Parameter(XW-G1 only) 80
28.1 User Wave Key Splits Parameter (x10splits) . . . . . . . . . . . . . . . . . . . . . . . . . 80
28.2 UserWaveLFOParameter ................................... 80
28.3 UserWaveLooperParameter.................................. 81
29 DSP Parameter 81
29.1 DSPBasic ............................................ 81
30 All Data Parameter 81
30.1 AllDirectoryInfo ........................................ 81
31 Step Sequencer Parameter 82
31.1 Step Sequencer Directory Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
32 Step Sequencer Chain Parameter 82
32.1 Step Sequencer Chain Directory Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
33 Arpeggio Parameter 82
33.1 ArpeggioDirectoryInfo..................................... 82
34 Phrase Parameter 82
34.1 PhraseDirectoryInfo ...................................... 82
35 Spec Parameter 82
VI Parameter Set List 85
36 Parameter Set Table 85
36.1 XW-P1 .............................................. 85
36.2 XW-G1 .............................................. 86
VII DSP Parameter List 87
37 DSP Type List 87
37.1 SoloSynthDSP ......................................... 87
37.2 NormalDSP ........................................... 87
38 DSP Parameter Set Type 88
38.1 SoloSynthBypass........................................ 88
38.2 SoloSynthAutoPan ...................................... 88
38.3 SoloSynthDistortion ...................................... 89
38.4 SoloSynthFlanger........................................ 89
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38.5 SoloSynthChorus........................................ 89
38.6 SoloSynthDelay......................................... 89
38.7 SoloSynthRingModulator................................... 90
38.8 Wah................................................ 90
38.9 Compressor............................................ 90
38.10 Distortion............................................. 90
38.11 Enhancer ............................................. 90
38.12 AutoPan............................................. 90
38.13 Tremolo.............................................. 91
38.14 Phaser............................................... 91
38.15 Flanger .............................................. 91
38.16 Chorus .............................................. 91
38.17 Delay ............................................... 92
38.18 Reflection............................................. 92
38.19 Rotary .............................................. 92
38.20 RingModulator ......................................... 93
38.21 LoFi................................................ 93
38.22 WahCompressor......................................... 93
38.23 WahDistortion.......................................... 93
38.24 WahChorus ........................................... 94
38.25 WahFlanger ........................................... 94
38.26 WahReflection.......................................... 94
38.27 WahTremolo........................................... 94
38.28 WahAutoPan.......................................... 95
38.29 CompressorWah......................................... 95
38.30 CompressorDistortion...................................... 95
38.31 CompressorChorus ....................................... 96
38.32 CompressorFlanger ....................................... 96
38.33 CompressorReflection...................................... 96
38.34 CompressorTremolo....................................... 96
38.35 CompressorAutoPan...................................... 96
38.36 DistortionWah.......................................... 97
38.37 DistortionCompressor...................................... 97
38.38 DistortionChorus ........................................ 97
38.39 DistortionFlanger........................................ 97
38.40 DistortionReflection....................................... 98
38.41 DistortionTremolo........................................ 98
38.42 DistortionAutoPan....................................... 98
38.43 ChorusReflection ........................................ 98
38.44 ChorusAutoPan ........................................ 98
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38.45 FlangerReflection ........................................ 99
38.46 FlangerAutoPan ........................................ 99
38.47 ReflectionDistortion.......................................100
38.48 ReflectionChorus ........................................100
38.49 ReflectionAutoPan.......................................100
38.50 TremoloDistortion........................................100
38.51 TremoloChorus .........................................100
38.52 TremoloFlanger .........................................101
38.53 TremoloReflection........................................101
VIII Setting Values and Send/ Receive Values 102
39 Setting Value Tables 102
39.1 Off/OnSettingValueTable...................................102
39.2 –64 - 0 - +63 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
39.3 PanSettingValueTable.....................................102
39.4 Fine Tune Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
39.5 Drawbar Position 設定値テーブル ................................103
39.6 Sine/Vintage Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
39.7 Tempo Sync Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
39.8 0-3SettingValueTable .....................................103
39.9 0-5SettingValueTable .....................................103
39.10 Chorus Mode Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
39.11 Delay Level Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
39.12 Delay Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
39.13 LFO Wave Form1 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
39.14 LFO Wave Form2 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
39.15 LFO Wave Form3 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
39.16 LoFi Noise Level Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
39.17 Reflection Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
39.18 Ring Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
39.19 Rotate/Brake Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
39.20 Slow/Fast Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
39.21 –128 - 0 +127 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
39.22 –256 - 0 +255 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
39.23 Envelope Clock Trigger Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . 106
39.24 Filter Cutoff Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
39.25 Filter Gain Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
39.26 Synth Ext Osc Pitch Shifter Mode Setting Value Table . . . . . . . . . . . . . . . . . . . 107
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39.27 Synth Ext Osc Pitch Shifter Mix Setting Value Table . . . . . . . . . . . . . . . . . . . . 107
39.28 Synth LFO Wave Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
39.29 Synth LFO Sync Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
39.30 Synth LFO Clock Sync Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . 108
39.31 Synth Total Filter Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . 109
39.32 Hex Layer Detune Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
IX MIDI Implementation Notation 110
40 Value Notation 110
40.1 HexadecimalNotation......................................110
40.2 BinaryNotation .........................................110
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Part I
MIDI Message Overview
1 Product Configuration as a MIDI Device
As a MIDI device, this Instrument consists of the System Section, Sound Generator Section, and Per-
formance Controller Section described below. Each of these sections can send and receive specific MIDI
Messages in accordance with its function.
1.1 System Section
The System Section manages the Instrument status and user data. A communication method known as
a “bulk dump” can be used for two-way transfer of user data between the Instrument and a computer.
1.2 Performance Controller Section
The Performance Controller Section performs keyboard play and controller operations, and generates
performance messages in accordance with auto play, etc. Basically, generated performance messages are
sent to external destinations while also being transmitted to the Sound Generator Section. The channel
number of the sent channel message is in accordance with the Instrument’s MIDI setting. For details
about the MIDI setting, see the Instrument User’s Guide.
1.3 Sound Generator Section
The Sound Generator Section mainly performs receive of performance information and sound source
setting information. It consists of a common part that does not depend on the channel and a musical
instrument part that is independent of each channel.
1.3.1 Sound Generator Common Block
The common block consists of system effects, master control, etc. These can be controlled by mixer func-
tion, effect function, general universal system exclusive messages, or the Instrument’s system exclusive
messages or all.
1.3.2 Instrument Part Block
The instrument part section consists of a total of 16 instrument parts. The settings of each part can be
changed using the mixer function, channel messages or Instrument’s system exclusive messages or all.
Part numbres 01 through 04 in particular are called a zone, and the zone editor function can be used to
modify operations and settings. See the Instruments User’s Guide for details about zones.
The functions assigned to each part are shown below. The MIDI send channel and MIDI receive
channel can be changed using the Instruments’s MIDI settings.
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Part number MIDI Receive Ch MIDI Send Ch Assigned Function
01 01-16 01-16 Zone 1/Step Sequencer(Solo 1)/Multi-function
Phrase 1(Note1)/SMF play/MIDI IN
02 01-16 01-16 Zone 2/SMF play/MIDI IN
03 01-16 01-16 Zone 3/SMF play/MIDI IN
04 01-16 01-16 Zone 4/SMF play/MIDI IN
05 01-16 01-16 Multi-function Phrase 1(Note1)/SMF play/MIDI
IN
06 01-16 01-16 Multi-function Phrase 2(Note1)/SMF play/MIDI
IN
07 01-16 01-16 Guide on/Precount on/SMF play/MIDI IN
08 01-16 01-16 Step Sequencer(Drum 1)/SMF play/MIDI IN
09 01-16 01-16 Step Sequencer(Drum 2)/SMF play/MIDI IN
10 01-16 01-16 Step Sequencer(Drum 3)/SMF play/MIDI IN
11 01-16 01-16 Step Sequencer(Drum 4)/SMF play/MIDI IN
12 01-16 01-16 Step Sequencer(Drum 5)/SMF play/MIDI IN
13 01-16 01-16 Step Sequencer(Base)/SMF play/MIDI IN
14 01-16 01-16 Step Sequencer(Solo 1)/SMF play/MIDI IN
15 01-16 01-16 Step Sequencer(Solo 2)/SMF play/MIDI IN
16 01-16 01-16 Step Sequencer(Chord)/SMF play/MIDI IN
Note :Multi-function key is available on the XW-G1 only.
2 Timbre Type Specific Operation
The sound source operation performed for a sound generator instrument receive message may depend
on the value of the Timbre Type (see “About the Timbre Type” in “8 Program Change”) of each part’s
operation mode. For details, see the explanation for each message.
3 Controlling Send/Receive of MIDI Messages in Each Instru-
ment Part
Send and receive of MIDI messages for each instrument part can be controlled by mixer function and
global Instrument MIDI settings, Performance MIDI settings, NRPN messages, and Instrument-specific
system exclusive messages. See the Instrument’s User’s Guide for details.
4 Conditions that Disable Message Send and Receive
No MIDI messages at all can be sent or received while “Please Wait ...” is on the display.
10

Part II
Channel Message
MIDI Message Send by Assignable Knobs When the Instrument is in the Performance Mode,
any control change, after touch, or other MIDI message from CC:00H to CC:65H can be assigned to the
assignable knobs, so the MIDI messages are sent by knob operation. For details about the functions that
can be assigned, see the User’s Guide.
MIDI Message Send by Multi-function Key Any control change, polyphonic key pressure, or
other MIDI message from CC:00H to CC:77H can be assigned to the multi-function key, so the MIDI
message is sent are sent by key operation. (The Multi-function key is supported by the XW-G1 only.)
For details about the functions that can be assigned, see the User’s Guide.
MIDI Message Receive by Virtual Controller When the tone is a Solo Synthesizer tone, CC:00H-
CC:61H and/or after touch and other effects can be assigned a virtual controller source, which makes it
possible to send and receive their MIDI messages. Operation when a message is received is in accordance
with the function assigned to the destination of the virtual controller. For details about the functions
that can be assigned, see the User’s Guide.
5 Note Off
Message Format: 8nH kkH vvH
9nH kkH 00H(receive only)
n: MIDI Channel Number
kk: Key Number
vv: Velocity(Send:40H, Receive:Ignored)
Send Sent when the keyboard is played, when play is performed using Auto Accompaniment, and
when recorded song data is played back. The key number changes in accordance with on the Transpose
function and Octave Shift function.
Receive Receipt stops a note being sounded by a note on message.
6 Note On
Message Format: 9nH kkH vvH
n: MIDI Channel Number
kk: Key Number
vv: Velocity
Send Sent when the keyboard is played, when play is performed using Auto Accompaniment, and
when recorded song data is played back. The key number changes in accordance with on the Transpose
function and Octave Shift function.
Receive Receipt sounds a note of the corresponding instrument part.
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7 Control Change
Message Format: BnH ccH vvH
n: MIDI Channel Number
cc: Control Number
vv: Value
Drawbar Operation by Control Change Message When a drawbar tone is selected on the appli-
cable MIDI channel (n: MIDI Channel Number), control change messages can be used to perform various
drawbar parameter operations. (Drawbar tone selection is supported by the XW-P1 only.) Specifically,
control change message assignment can be switched as shown below when a non-drawbar tone is selected
or when a drawbar tone is selected.
Control Change Number Non-drawbar tone selected Drawbar tone selected
46H - Drawbar Position 16’
47H Filter Resonance Drawbar Position 5 1/3’
48H Release Time Drawbar Position 8’
49H Attack Time Drawbar Position 4’
4AH Filter Cut Off Drawbar Position 2 2/3’
4BH - Drawbar Position 2’
4CH Vibrato Rate Drawbar Position 1 3/5’
4DH Vibrato Depth Drawbar Position 1 1/3’
4EH Vibrato Delay Drawbar Position 1’
4FH - Drawbar Organ Type
54H - Drawbar Organ 2nd Percussion
55H - Drawbar Organ 3rd Percussion
56H - Drawbar Organ Percussion Decay Time
57H - Drawbar Organ Key On Click
58H - Drawbar Organ Key Off Click
59H - Vibrato Rate
5AH - Vibrato Depth
For details about messages, see each section of this manual that covers them.
7.1 Bank Select (00H,20H)
Message Format: BnH 00H mmH (MSB)
BnH 20H llH (LSB)
n: MIDI Channel Number
mm: MSB Value(Note1)
ll: LSB Value(Send:00H, Receive:Ignored)
Note1 :For details about the relationship between the MSB value and the tone, see the Tone List that comes with the
Instrument.
Send Sent when tone, performance number, or Step Sequencer number is selected.
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Receive Receipt causes a change in the tone bank number stored in Instrument memory, but the
tone is not actually changed until a Program Change message is received. For details, see “8 Program
Change”.
The performance number and Step Sequencer number can also be changed by the bank program.
For details, see “8 Performance Number/Step Sequencer Number Switching by Bank Select Message
and Program Change Message”. For details about performance and the Step Sequencer, see the User’s
Guide.
7.2 Modulation (01H)
Message Format: BnH 01H vvH
n: MIDI Channel Number
vv: Value
Send Sent when the modulation wheel is operated.
Receive Receipt adds, to the tone being sounded, modulation of a depth specified by the value. In
the case of a tone that already has modulation applied, receipt of this message increases the modulation
depth. The modulation effect differs according to the tone being used.
7.3 Portamento (05H)(Solo Synthesizer tone selected)
Note :This message is valid only when a Solo Synthesizer tone is selected for the MIDI channel.
Message Format: BnH 05H vvH
n: MIDI Channel Number
vv: Value
Receive Receipt changes the portamento application time.
7.4 Data Entry (06H,26H)
Message Format: BnH 06H mmH (MSB)
BnH 26H llH (LSB)
n: MIDI Channel Number
mm: MSB Value
ll: LSB Value
Send Sent when there is a change to the parameter assigned to RPN, NRPN.
Receive Receipt changes the parameter assigned to RPN, NRPN.
7.5 Volume (07H)
Message Format: BnH 07H vvH
n: MIDI Channel Number
vv: Value
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Send Sent when the mixer part volume is changed.
Receive Receipt changes the mixer part volume.
7.6 Pan (0AH)
Message Format: BnH 0AH vvH
n: MIDI Channel Number
vv: Value(Note1)
Note1 :For information about the relationship between setting values and send/receive values, see “39.3 Pan Setting Value
Table” in “VIII Setting Values and Send/Receive Values”.
Send Sent when the pan of any part is changed.
Receive Receipt changes the pan of the corresponding part.
7.7 Expression (0BH)
Message Format: BnH 0BH vvH
n: MIDI Channel Number
vv: Value
Receive Receipt changes the Expression value.
7.8 General Use Controllers 1 through 8 (10H through 13H, 50H through
53H)
On this Instrument, these messages are used to control DSP operation.
Message Format: BnH 10H vvH DSP Parameter7[1]
BnH 11H vvH DSP Parameter7[2]
BnH 12H vvH DSP Parameter7[3]
BnH 13H vvH DSP Parameter7[4]
BnH 50H vvH DSP Parameter7[5]
BnH 51H vvH DSP Parameter7[6]
BnH 52H vvH DSP Parameter7[7]
BnH 53H vvH DSP Parameter7[8]
n: MIDI Channel Number
vv: Value
Send Sent when the drawbar rotary button is operated or when the sliders to which DSP parameters
A and B are assigned are operated.
Receive Receipt changes the value of DSP Parameter 7 [1 to 8] (7-bit parameter) assigned to the part
specified by the MIDI Channel Number. Any message received that corresponds to the parameter of a
number not being used by the currently selected DSP is ignored. For details about Parameter 7 of each
DSP, see the explanations under “VII DSP Parameter List”.
14

Received values and parameter setting values The range of the value of each DSP Parameter 7
array element depends on the selected DSP or array number. Unlike manipulation of a DSP parameter
using a System Exclusive Message, a value received by this control change message is always in the range
of 0 to 127, but the range is changed in accordance with the setting range of the applicable parameter
setting. Because of this, it is impossible for a value to be outside of the range. Conversion to the
parameter setting value from the value received with the message can be represented in general terms
by the expression shown below.
Parameter Setting Value =Parameter Minimum Value + (Parameter Maximum Value −Parameter Minimum Value)∗„Received Value
127 «
7.9 Hold1 (40H)
Message Format: BnH 40H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a pedal that has a sustain (damper) function is operated.
Receive Receipt performs an operation equivalent to a sustain pedal operation.
Timbre Type Specific Operation This operation differs in accordance with the Timbre Type (see
“About the Timbre Type” in “8 Program Change”) setting.
•Timbre Type: Melody, Drawbar, Hex Layer, Solo Synth or User Wave
Sustain off/on control is performed in accordance with the value of the received message.
•Timbre Type: Drum
The received message does not affect sound source operation.
7.10 Portamento On/Off(41H)(Solo Synthesizer tone selected)
Note :This message is valid only when a Solo Synthesizer tone is selected for the the MIDI channel.
Message Format: BnH 41H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Receive Receipt changes the portamento on/off setting.
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7.11 Sostenuto (42H)
Message Format: BnH 42H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a pedal that has a sostenuto function is operated.
Receive Receipt performs an operation equivalent to a sostenuto pedal operation.
7.12 Soft (43H)
Message Format: BnH 43H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a pedal that has a soft function is operated.
Receive Receipt performs an operation equivalent to a soft pedal operation.
7.13 Drawbar Position 16’(46H)(Drawbar tone selected)
Note :This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 46H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.5 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 16’ is operated.
Receive Receipt changes the drawbar 16’ position.
7.14 Filter Resonance(47H)
Message Format: BnH 47H vvH
n: MIDI Channel Number
vv: Value
Receive Receipt changes the resonance intensity.
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7.15 Drawbar Position 5 1/3’(47H)(Drawbar tone selected)
Note :This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 47H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.5 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 5 1/3’ is operated.
Receive Receipt changes the drawbar 5 1/3’ position.
7.16 Release Time (48H)
Message Format: BnH 48H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Receive Receipt makes a relative change in the time it takes for a note to decay to zero after a key is
released.
7.17 Drawbar Position 8’(48H)(Drawbar tone selected)
Note :This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 48H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.5 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 8’ is operated.
Receive Receipt changes the drawbar 8’ position.
7.18 Attack Time (49H)
Message Format: BnH 49H vvH
n: MIDI Channel Number
vv: Value (Note1)
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Note1 :For information about the relationship between setting values and send/receive values, see the “39.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Receive Receipt makes a relative change in the time it takes for a note to rise to its maximum level.
7.19 Drawbar Position 4’(49H)(Drawbar tone selected)
Note :This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 49H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.5 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 4’ is operated.
Receive Receipt changes the drawbar 4’ position.
7.20 Filter Cut Off (4AH)
Message Format: BnH 4AH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Receive Receipt changes how the cut-off filter is applied.
7.21 Drawbar Position 2 2/3’(4AH)(Drawbar tone selected)
Note :This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 4AH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.5 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 2 2/3’ is operated.
Receive Receipt changes the drawbar 2 2/3’ position.
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7.22 Drawbar Position 2’(4BH)(Drawbar tone selected)
Note :This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 4BH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.5 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 2’ is operated.
Receive Receipt changes the drawbar 2’ position.
7.23 Vibrato Rate (4CH)
Message Format: BnH 4CH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Receive Receipt changes the note vibrato rate.
7.24 Drawbar Position 1 3/5’(4CH)(Drawbar tone selected)
Note :This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 4CH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.5 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 1 3/5’ is operated.
Receive Receipt changes the drawbar 1 3/5’ position.
7.25 Vibrato Depth (4DH)
Message Format: BnH 4DH vvH
n: MIDI Channel Number
vv: Value (Note1)
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Note1 :For information about the relationship between setting values and send/receive values, see the “39.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Receive Receipt changes the degree of pitch modulation.
7.26 Drawbar Position 1 1/3’(4DH)(Drawbar tone selected)
Note :This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 4DH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.5 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 1 1/3’ is operated.
Receive Receipt changes the drawbar 1 1/3’ position.
7.27 Vibrato Delay (4EH)
Message Format: BnH 4EH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Receive Receipt changes the time it takes until note vibrato starts.
7.28 Drawbar Position 1’(4EH)(Drawbar tone selected)
Note :This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 4DH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 :For information about the relationship between setting values and send/receive values, see the “39.5 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 1’ is operated.
Receive Receipt changes the drawbar 1’ position.
20