Drawmer DS101 User manual

DRAWMER
CONTENTS
Warranty
Safety Consideration
Radio Frequencies Statement
Chapter 1 - Introduction
Introduction
Installation
AudioConnection
Typical Connection Guide
Chapter 2 - Control Description
The Gate Controls
The Key Filters
Quick Start Guide
Noise Gate Operation
Chapter 3 - General Information
If a fault develops
Contacting Drawmer
Specification
Block Diagram
Session Recall Sheet
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DS101
NOISE GATE
FORTHE
500 SERIES RACK SYSTEM

2
DRAWMER
COPYRIGHT
This manual is copyrighted © 2012 by Drawmer Electronics Ltd. With all rights reserved. Under copyright
laws, no part of this publication may be reproduced, transmitted, stored in a retrieval system or translated
into any language in any form by any means, mechanical, optical, electronic, recording, or otherwise,
without the written permission of Drawmer Electronics Ltd.
DrawmerElectronicsLtd.,warrantstheDrawmerDS101NoiseGate
toconformsubstantiallytothespecificationsofthismanualfora
periodofoneyear fromthe originaldate ofpurchase whenusedin
accordancewith the specifications detailed in this manual. Inthe
caseofa validwarrantyclaim,yoursole andexclusiveremedyand
Drawmer’sentire liability under any theory of liability will be to,at
Drawmer’sdiscretion,repairorreplacethe productwithoutcharge,
or,ifnotpossible,torefundthepurchasepricetoyou.Thiswarranty
isnottransferable.Itappliesonly to the original purchaser of the
product.
For warranty service please call your local Drawmer dealer.
AlternativelycallDrawmer ElectronicsLtd.at+44(0)1709527574.
Thenshipthedefectiveproduct,withtransportationandinsurance
chargespre-paid,to Drawmer Electronics Ltd., Coleman Street,
Parkgate,Rotherham, S626EL UK. Writethe RAnumberin large
lettersinaprominentpositionontheshippingbox. Enclose your
name,address,telephonenumber,copyoftheoriginalsalesinvoice
andadetaileddescription ofthe problem.Drawmerwillnotaccept
responsibilityfor loss or damageduringtransit.
Thiswarranty isvoidif the producthas been damagedbymisuse,
modification,unauthorisedrepairorinstalled withother equipment
thatprovedtobefaulty.
THISWARRANTYISINLIEUOFALLWARRANTIES,WHETHER
ORALORWRITTEN,EXPRESSED,IMPLIED ORSTATUTORY.
DRAWMER MAKES NO OTHER WARRANTY EITHER
EXPRESSORIMPLIED,INCLUDING, WITHOUTLIMITATION,
ANYIMPLIEDWARRANTIESOFMERCHANTABILITY,FITNESS
FOR APARTICULAR PURPOSE, OR NON-INFRINGEMENT.
PURCHASER’SSOLEANDEXCLUSIVEREMEDYUNDERTHIS
WARRANTY SHALL BE REPAIR OR REPLACEMENT AS
SPECIFIEDHEREIN.
INNOEVENTWILLDRAWMERELECTRONICSLTD.BELIABLE
FOR ANY DIRECT, INDIRECT, SPECIAL, INCIDENTAL OR
CONSEQUENTIAL DAMAGES RESULTING FROM ANY
DEFECT IN THE PRODUCT, INCLUDING LOST PROFITS,
DAMAGETOPROPERTY,AND,TOTHEEXTENTPERMITTED
BY LAW, DAMAGE FOR PERSONAL INJURY, EVEN IF
DRAWMER HAS BEEN ADVISED OF THE POSSIBILITY OF
SUCHDAMAGES.
Somestatesand specific countries do notallowtheexclusionof
impliedwarrantiesorlimitationsonhowlonganimpliedwarrantymay
last,sotheabovelimitationsmaynotapplytoyou.Thiswarrantygives
youspecificlegalrights.Youmayhaveadditionalrightsthatvaryfrom
statetostate,andcountrytocountry.
For the USA
FEDERALCOMMUNICATIONS COMMISSION RADIO
FREQUENCYINTERFERENCE STATEMENT
Thisequipmenthasbeentestedandfound tocomplywith thelimits
fora Class Bdigitaldevice, pursuant toPart15 of theFCCRules.
Theselimitsaredesignedtoprovide reasonableprotectionagainst
harmfulinterferenceinaresidential installation. This equipment
generates,usesand canradiate radiofrequency energyand, ifnot
installedand usedin accordancewiththe instructions,maycause
harmfulinterferencetoradiocommunications.However,thereisno
guaranteethatinterference willnotoccurina particularinstallation.
If this equipment does cause interference to radio or television
reception,whichcanbedeterminedbyturningtheequipmentoffan
on,thentheuserisencouragedtotrytocorrecttheinterferenceby
oneormoreofthefollowingmeasures:
Re-orientorrelocatethe receivingantenna.
Increasetheseparationbetweentheequipmentand thereceiver.
Connecttheequipmentintoanoutletonacircuit differentfromthat
towhichthe receiverisconnected.
Consultthedealeroranexperiencedradio/TVtechnicianforhelp.
Unauthorisedchanges ormodificationto this systemcanvoid the
users’authorityto operatethis equipment.
Thisequipmentrequiresshieldedinterfacecablesinordertomeet
FCC class B limit.
For Canada
CLASS B NOTICE
Thisdigital apparatusdoesnot exceed theClass B limitsforradio
noiseemissionssetoutintheRadioInterferenceRegulationsofthe
CanadianDepartmentofCommunications.
CLASSE B AVIS
CetappareilnumériquenedépassepasleslimitesdelaclasseBau
niveau des émissions de bruits radioélectriques fixés dans le
Règlementdes signaux parasites par le ministère Canadien des
Communications.
In the interests of product development, Drawmer reserve the right to modify
or improve specifications of this product at any time, without prior notice.
SAFETYCONSIDERATIONS
CAUTION-SERVICING
DO NOT PERFORM ANY SERVICING. REFER ALL SERVICING TO QUALIFIED SERVICE PERSONNEL.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE
THIS EQUIPMENT TO RAIN OR MOISTURE.
WARNING
PLEASE BE SURE TO POWER OFF YOUR 500 SERIES RACK BEFORE INSTALLING OR REMOVING
THIS OR ANY OTHER 500 SERIES MODULE. HOT SWAPPING COULD CAUSE DAMAGE TO THIS OR
OTHEREQUIPMENT.
ONEYEARLIMITEDWARRANTY

3
DS101 - Noise Gate for 500 Series Systems
CHAPTER1
The Industry-Standard High-End Noise-Gate comes to the 500 Series!
The DS101 is the first noise gate designed specifically for the 500 Series rack
system and takes its place alongside the Drawmer family of industry standard
Noise Gates, such as the DS201, DS501 and DS404. Anyone familiar with those
units will immediately be at home with the DS101.
Based on a single-channel of the DS201 the DS101 is a sophisticated noise gate
incorporating a number of features pioneered by Drawmer, which are invaluable to
the sound engineer, such as variable high and lowpass filters for “frequency
conscious gating.” Other features include comprehensive envelope control, attack,
hold, decay, and range, plus a whole host of other features, all adding up to one
amazing processor.
When placed side by side in a 500 series rack two or more gates can be linked
using the new infra red triggering mechanism employed on the DS101. This means
that any number of gates can be linked with each having their own envelope shaping
whilst the trigger pulse passes through unchanged, this opens up a whole world
of “envelope follower” effects limited only by your imagination.
Drawmer DS101 single-channel Noise Gate Features at a Glance:
Fully featured noise gate based on the industry standard DS201.
Takes up a single 500 series slot.
Proprietary Hysteris or “trigger stabilization” to prevent “chatter” around the
threshold.
Fully variable high pass and low pass filters for “frequency conscious” gating.
Comprehensive envelope control, attack, hold, decay, and range.
External triggering via key input or the new IR trigger pulse from another DS101.
“Key Listen” facility.
Extremely fast attack time, to preserve the natural attack of the sound.
Linkable - up to ten units in one rack space.
Drawmer “traffic lighting” metering.
Can be used for “Gating” or “Ducking”.
Low noise design.
DS101
NOISE GATE FOR THE
500 SERIES RACK SYSTEM

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DRAWMER
INSTALLATION
AUDIO CONNECTIONS
The inputs and outputs found on
the back of the 500 rack are
electronically balanced on
conventionally wired XLRs (pin
1 screen, pin 2 hot, pin 3 cold
and XLR shell is connected to
chassis).
The use of balanced wiring is
recommended.
(Please consult your 500 series
manual for further information).
Congratulations on purchasing your new Drawmer product. In order to protect your
new investment, please take a few moments to fill out the warranty registration
card provided in the box, or alternatively visit our website at www.drawmer.com and
fill out the form online.
Quick and easy to do, registering your audio product is important and helps to
serve as proof of ownership for any future warranty issues.
The DS101 does not function stand alone and requires the power supply and the
audio connectors provided by an API 500 series compatible rack frame (not
included).
Installing the DS101 into a 500 Series compatible rack.
1. Before you install anything be sure to turn off the 500 series rack and unplug it
from the mains supply. The 500 Series have not been designed for ‘hot swapping’
and doing so could damage this and other products within the unit, making any
warranty void.
2.After removing the DS101 from its packaging locate a single free slot per DS101.
Note that if you are installing more than one DS101 locate them in slots adjacent to
each other so that the linking feature can work.
3. Whilst looking down into the 500 series rack ensure that the DS101 card edge
connectors line up with the EDAC type connector of the rack, then gently push the
DS101 in place keeping it as square as possible until it is fully located. Do not use
excessive force!
4. Tighten the two front panel screws.
5. Connect the XLR cables to the rear and power up the rack. The DS101 will power
automatically and should be ready to use.

5
DS101 - Noise Gate for 500 Series Systems
TYPICAL CONNECTION GUIDE

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DRAWMER
CONTROL DESCRIPTION
The DS101 noise gate incorporates many
impressive features, many pioneered by
Drawmer, which are invaluable to the sound
engineer and not found on conventional noise
gates:
•Variable high-pass and low-pass filters for
‘frequency conscious’ gating, with ‘Key listen’
facility.
•Comprehensive envelope control, attack, hold,
decay and range.
•Ultra-fast response time.
•‘Traffic light’ display giving clear indication of
gate status as well as Threshold Metering.
•Key input for external triggering.
•Linking. Each DS101 can be linked to another
whilst still retaining independent envelopes.
•Can be used for "Gating" or "Ducking".
•High audio specification.
These features are based on the industry
standard, DS201 Noise Gate manufactured by
Drawmer since 1981.
The Gate Controls
Threshold Infinite to -62.0dB
Sets the level below which gating starts to take
place. For normal noise removal applications,
it is usual to set the Threshold as low as is
possible without spurious triggering occurring,
so that none of the desired signal is lost. The
meter above clearly shows the threshold level
in response to the actual signal.
Attack 10uS to 1S
Controls the speed that the gate opens. The
fastest Attack time ensures that the gate does
not clip the leading edge of extremely fast
signals.
Hold 2mS to 2 Seconds
Determines the amount of time the gate is held
open after the signal falls below the Threshold.
This helps to prevent spurious re-triggering
when using fast Release times, but is also
instrumental in creating the classic gated reverb
sound which is often applied to drums.
CHAPTER2

7
DS101 - Noise Gate for 500 Series Systems
Decay 2mS to 4 Seconds.
Once the signal has fallen below the Threshold and the Hold time has expired
Decay determines the rate at which the gate closes.
Range -80 to 0.0 dB
Sets the amount of attenuation applied to the input signal when the gate is closed,
enabling the gate to be used to remove unwanted signals entirely, or simply to
attenuate signals which are too loud. When Duck mode of operation is enabled,
the Range control sets the level to which the signal will be reduced when open
(triggered).
Traffic Light Meter
A three led meter is used to show the operation of the gate. When red the gate is
closed, when green the gate is open and when yellow the gate is closing after the
signal has dropped below the threshold value (as set by Hold).
Duck Switch
Toggles between normal gating and ducking. In Gate mode a Key signal above the
Threshold will cause the Gate to open. In Duck mode the audio passes un-
attenuated until the Key signal exceeds the Threshold - mainly used for voice-overs
or the removal of ‘clicks’ and ‘pops’ using an External Key Trigger.
Bypass Switch
With the Bypass switch active the input signal is routed to the output with no
processing taking place.

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DRAWMER
The Key Filters
Source Switch Ext/Linked/Internal
With no LED lit the source comes from the ‘Internal’ signal. In the Ext position the gate
responds to the signal dynamics of another, independent signal as plugged in via the
1/4” jack. This jack works in the same way as the ‘Key Input’ jack of the DS201, DS404
or DS501.
Using the innovative optical infra red triggering mechanism linking can be acheived
regardless of the 500 series rack that you use. With the switch ‘Linked’ the signal
trigger of each linked channel is set by the ‘Key Filters’ section and the Threshold of the
adjacent left channel - if this is also linked this continues until the Master DS101 is
reached. Note that only adjacent channels can be linked. The Attack, Hold, Range and
Decay controls, as well as the Duck and Bypass switches remain indepentent. In this
way the triggers are the same but differing envelopes can be used for each channel.
UsingExternalKeys
An external audio source may be used to control the Gate action, making it possible to
Gate one channel’s sound according to the dynamics of another independent signal.
For example, gating a bass guitar from a kick drum, or where a brass section can be
keyed from the most experienced player; producing a tighter, more aligned sound.
L.F.22Hzto 3kHz
The Low Frequency control works
by attenuating frequencies below
the cut-off frequency selected.
H.F.25Hz to 30kHz
The High Frequency control
attenuates frequencies above the
selected cut-off value.
In other words, when both filters are set, it is the range between the two settings that is
allowed to pass and is the source used to trigger the gate. The optimum use of these
controls is to momentarily operate the channel in Key Listen, and tune-into the loudest
part of the trigger source sound.

9
DS101 - Noise Gate for 500 Series Systems
Key Listen Switch
In normal operation, the filter only affects the way the Gate responds (opens) to the
incoming programme material - it does not have any direct effect on the output
signal, but when Key listen is enabled the effect of the key filter on the programme
material is heard at the output - the audio signal is not routed through gate. Normally
this is used to monitor the effect of the filter to assist in tuning into the specific key
source sound(s) - though it can be used as a Bracketing Filter making it simple to
remove unwanted frequencies without using the resources that a more complicated
equaliser would utilise.
Set up correctly and you will have removed all the room/vehicle rumble, high
frequency amplifier hiss etc. that any mic may pick up. On a snare drum, this filter
can be very effective in controlling bass drum leak, or, on a bass drum, removing
snare rattle. Acoustic guitar or backing vocals can be
greatly improved allowing you to hear midrange clarity
and stereo separation without the need for any
additional equalization.
Quick Start Guide
Setting of controls can be done very quickly using the
following suggestions:
1. Select the Key trigger source using the Key section.
2. Initially, the LF filter should be set fully anticlockwise,
with HF fully clockwise. This will allow the full audio
spectrum of the Key input programme to be monitored.
Set the Range control fully anticlockwise and the Key
Listen selector switched Out.
3. Set the Attack, Hold. Decay and Range controls. For
a programme with long legato release, then Release
will also need to be long, e.g. Piano with reverb. For
material with much low frequency content, the Attack
will need to be quite slow, unless a ‘click’ is desired.
4. With the Release control set at its midway position,
and with suitable programme material fed into the Gate
module, increase the Threshold level from its
anticlockwise position until the Gate starts to operate.
This will be shown by the activity of the traffic light LED’s,
the threshold meter, and you should also hear the effect
on the output signal, in that pauses in the programme
will now be silent.
5. Adjust the settings: If the Threshold setting is too
high, the Gate will start to cut out wanted pieces of
programme, so adjust it to as low a setting as possible.
If the ends of sounds are being truncated, then a longer
Decay time may help. On the other hand, if unwanted
noise is audible after the wanted sound has ended, a
shorter Decay time may be more appropriate.

10
DRAWMER
Noise Gate Operation
There are circumstances when the programme
material is corrupted such as, in a multi-miked
drum kit setup, some hi-hat will inevitably leak
into the snare microphone, some snare drum into
the kick drum microphone and so on. Equally, on
location, you may experience problems due to
wind or traffic noise or close-by conversation. If
the unwanted noise is different in pitch to the
wanted sound, it is often possible, by using the
Key Listen facility, to use the filters to ‘tune’ in to
the wanted sound while excluding the unwanted.
With signals having a naturally slow or moderate
attack, setting the gate attack time too fast can
cause clicks, particularly if the threshold has to
be set high because of excessive background
noise, especially with the audio signal in lower
frequencies (eg bass guitar, bass drum). With a
high threshold, a low frequency sine wave will
be ignored as the signal starts from its zero level
point, as this wave climbs towards its peak, the
level will suddenly exceed the threshold setting,
at this point a very fast attack rate will switch the
signal through the noise gate with such a steep
(almost vertical) leading edge that the low
frequency sound will have a single high
frequency square wave added to its first cycle, in
other words a ‘click’ will be heard. In cases like
these, start with a fast attack time and moderate
threshold, then gradually lengthen the attack time
until the audible click just disappears when the
gate opens, unless the ‘click’ is being added as
an effect!
Ducking
Probably the most common form of Ducking is that used by radio
announcers, whereby the volume of the music being played is dropped,
enabling them to speak over it. In Duck mode the music signal is routed to
the input and the announcer’s microphone signal is the key source ( set
‘Source’ to ‘External’ and plug in the mic signal via the jack).
The Range control is used to set the level to which the music will drop duck
is triggered, and the envelope controls determine the rate at which the level
Gating Vocals