FujiFilm FUJICHROME 64T TYPE II Professional User manual

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AF3-024E
COLOR REVERSAL FILMS
FUJICHROME 64T TYPE II Professional [RTPII]
1. FEATURES AND USES
FUJICHROME 64T TYPE II Professional [RTP II]is an
ISO 64 speed tungsten-type high image quality color
reversal film. In its speed class, this new film provides
the highest degree of fine grain possible along with
excellent resolving power. It also provides high satura-
tion, rich gradation, faithful color reproduction and well-
controlled gradation balance. These qualities make
RTP II particularly suited to all types of product photog-
raphy, interior and other architectural work, as well as
the reproduction of illustrations, paintings etc.
Features Results
2. SPEED
ISO 64/19° Tungsten-type (3100K)
Exposure Time 4 sec.
For the sheet film version of this film, the usable speeds
for exposures under tungsten (3100K) lighting, along
with color correction filter required, if indicated, are
printed on the back of the box. Differences in lighting
equipment and processing conditions may prevent opti-
mum results from being attained. For precise results,
test exposures are recommended.
3. FILM SIZES, EMULSION NUMBER,
BASE MATERIAL AND THICKNESS
Sizes*
135 .......... 36-exp.
35 mm x 30.5 m (100 ft)
120
120 .......... 12-exp. (5-roll packs)
4 x 5 in. ........ 10 and 50 sheets
5 x 7 in. ........ 20 sheets
8 x 10 in. ...... 10 sheets
11 x 14 in. .... 10 sheets
9 x 12 cm ..... 10 sheets
13 x 18 cm ... 10 sheets
QuickLoad (4 x 5) ....... 20 sheets
* Some sizes are not available in certain market areas.
Base Material .................. Cellulose Triacetate
Base Thickness ............... Rolls 135: 127 µm
120: 104 µm
Sheets: 205 µm
4. EXPOSURE GUIDE AND EXPOSURE UN-
DER VARIOUS LIGHT CONDITIONS
This film is designed to render optimum results with
photographic tungsten lighting. If used under different
light sources, the following color compensations are
required.
Emulsion
Number
#701 –
•Excellent-fine Grain
•Rich Gradation
•Faithful Color
Reproduction
•Improved Reciproc-
ity Characteristics
•Excellent Push/Pull-
Processing Suitabil-
ity
•E-6/CR-56* Process-
ing
•Allows large-size enlarg-
ing and other work which
requires finely-detailed
magnified images.
•Provides excellent
gradation continuity and
delicate texture depic-
tion, without any loss in
shadow smoothness.
•Results in faithful repro-
duction of color hues
along with high satura-
tion, delicate tones and
rich gradation.
•Enables long exposures
to be made under low-
light conditions or when
using small diaphragm
openings for increased
depth-of-field. Under
these shooting condi-
tions, any decreases in
film speed and changes
in color balance are
minimal.
•Permits push/pull-
processing, from -1
/2to
+1 stop, with minimal
changes in color tone
and gradation, providing
ample compensation for
over-/underexposures.
•Can be processed in
standard E-6/CR-56
chemicals anywhere in
the world as with other
FUJICHROME films.
64T TYPE II has the same excellent color image stability
as ASTIA 100 and PROVIA 100 films, along with the
same strong resistance against raw film aging.
* CR-56 is Fujifilm’s equivalent to the E-6 process.
Rolls
Sheets

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FUJIFILM DATA SHEET • FUJICHROME 64T TYPE II Professional [RTPII]
Tungsten Photograhic
Lamps
•Studio Tungsten Lamps
•Tungsten-halogen Lamps
•Photoflood Lamps
•Photospot Lamps
(Color Temperature: 3100K)
•Daylight
•Electronic Flash
•Blue Photoflood Lamps
•Blue Photospot Lamps
(Color Temperature: 5500K)
Light Sources
Compensations for Various Light Sources
Color Compensating
Filters Exposure
Corrections*4
*1 Wratten Filter
*2 Fuji Light-balancing Filter
*3 Wratten Color Compensating Filters (or Fuji CC Filters) are
recommended.
*4 Exposure correction values include filter exposure factors.
“+” followed by number = required increase in lens opening.
None
No. 85B*1
(LBA-12+LBA-2)*2
No. 85B
*1
+81D
*1
(or LBA-16
*2
)
+40B*3+10M*3
No. 85B
*1
(or LBA-12
*2
)
+40R*3
No. 85B
*1
(or LBA-12
*2
)
+25M*3+10R*3
30R+5M
None
+2/3stop
(+1 stop)
+2 1/2stops
+1 1/2stops
+1 1/2stops
+1 stop
Fluorescent
Lamps
White
(W)
Daylight
(D)
Cool White
(CW)
Warm White
(WW)
Tungsten Lamps
•Photographic tungsten lamps should be used at their
specified voltages because any deviation from the
correct voltage affects the color temperature. As light
output and color temperature vary with manufacturer,
total time the lamp has been used, line voltage,
reflector and diffuser, etc. employed, test exposures
are recommended.
•Since household tungsten lamps have generally low
color temperatures (around 2700K), No. 82A or LBB-
2 light-balancing filters should be used if these lamps
constitute the main light source.
Daylight
Daylight and general electronic flash exposures require
the compensations listed in the above table. Exposures
made under bright sun or clear blue sky conditions,
where the color temperature is higher, will require the
use of No. 85B + No. 81A or LBA-16 filters. Low color
temperatures will necessitate the use of No. 85B or LBA-
12 + LBA-2 filter.
Fluorescent Lamps
Even with fluorescent lamps of the same type and
manufacturer, there will be differences in light quality
relative to use duration, reflector, diffuser and lamp fix-
ture types. Test exposures, therefore, should be made
whenever possible.
Mixed Light Sources
Exposures made under mixed light sources (especially
a mixture of daylight and tungsten light) are not recom-
mended. If these conditions are unavoidable, light com-
pensation filtration should be provided relative to the
dominant light source.
Other Light Sources
With metal-halide lamps, mercury-vapor lamps and fluo-
rescent lamps other than those listed in the above table,
provide initial test exposures to determine the best
filter(s) to use and proper exposure time.
5. LONG EXPOSURE COMPENSATION
Reciprocity compensation is not required if exposure
times remain within the 1/15 to 64 second range. How-
ever, in cases where over 64 seconds are necessary,
exposure compensation as shown in the following table
should be used.
* "+" followed by number = required increase in lens opening.
6. EXPOSURE PRECAUTIONS
With artificial light, such as electronic flash, photoflood,
fluorescent, tungsten, mercury vapor, etc., the lamp out-
put and color temperature may be affected by such fac-
tors as make, age of equipment and line voltage. Reflec-
tors and diffusers can also influence light intensity and
color temperature.
7. FILM HANDLING
•Expose film before the expiration date indicated on
the film package and process as soon as possible
after exposure.
•When loading and unloading roll film, avoid direct
sunlight. If there is no shade, shield the film from
the sun with your body.
•Handle sheet film in total darkness. Avoid touching
emulsion surface. (The use of a safelight will cause
fogging.)
Exposure
Time (sec.)
Color
Conpasating
Filters
Exposure
Corrections*
1/4000
to 1/30
Not
Recom-
mended
1/15 to 64 128 256
None None
None
+1/3 stop +1/2 stop

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FUJICHROME 64T TYPE II Professional [RTPII]• FUJIFILM DATA SHEET
•X-ray equipment, used to inspect carry-on baggage
at airport terminals, can cause film fogging. Both
exposed and unexposed films should be removed
for manual inspection. As checked-in baggage is
also X-rayed, film should be part of your carry-on
baggage whenever possible.
•Film fogging may occur near X-ray equipment used in
hospitals, factories, laboratories and other locations.
Always keep film away from possible sources of
radiation.
8. FILM STORAGE
Unprocessed Film
•Storing exposed or unexposed film under hot and
humid conditions may adversely affect the speed,
color balance and physical properties of the film.
Store film under the following conditions.
OShort-to-medium-term storage :
Below 15°C (59°F) ........ (Refrigerator)
OLong-term storage :
Below 0°C (32°F) .......... (Freezer)
• Building materials, finishes used on newly manufac-
tured furniture, paints and bonding agents may pro-
duce gases which could affect photographic film.
Do not store film, lightproof boxes of film, loaded
cameras or film holders near these materials.
•Before use, films taken from cold storage should be
allowed to stand at room-temperature for over 3
hours for refrigerated film, and over 6 hours for
frozen film. Long rolls such as 100 feet (30.5 m) will
require additional time. Opening a package/box of
film that is cold may cause harmful condensation.
Processed Film
Exposure to light, high temperature and humid condi-
tions can cause color changes in processed films.
Therefore, place such films in mounts or sleeves and
store them in a dark, dry, cool and well ventilated loca-
tion under the following conditions.
OMedium-term storage:
Below 25°C (77°F) at 30% to 60% RH
OLong-term storage :
Below 10°C (50°F) at 30% to 50% RH
NOTE As with all color dyes, those used in this film will
discolor or fade with time.
9. PROCESSING
This film is designed for processing in Kodak Process
E-6, or Fujifilm Process CR-56.
10. VIEWING LIGHT SOURCES
Use a standard viewer. Visual responses will differ with
light source quality and brightness. Therefore, employ a
viewer which meets the ISO/ANSI standard.
* The ISO standard (ISO/DP3664-2) specifies an illuminated
viewer surface with a color temperature derived from a CIE
illuminant D50 (D: Daylight) with a reciprocal color temperature
of 5000K, an average brightness of 1400cd/m2 ± 300cd/m2, a
brightness uniformity of more than 75%, a light diffusion level
of more than 90% and an average color rendition assessment
value of more than Ra90. Transparency viewers should meet
these standards.
11. PRINTS AND DUPLICATES
Processed transparencies can be made into prints on
FUJICHROME papers or FUJICOLOR INTERNEGATIVE
FILM IT-N, thus greatly increasing its versatility. High-
quality duplicates can be made on FUJICHROME
DUPLICATING FILM CDU TYPE II (CDU II).
12. RETOUCHING
Changes in density and color balance can be made by
using readily available retouching dyes and bleaching
chemicals.
13. SHEET FILM CODE NOTCHING
A notch identifying this emulsion type is located in the
upper right-hand corner when the emulsion surface is
facing toward you. The same notch is provided for
QuickLoad type films.
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FUJIFILM DATA SHEET • FUJICHROME 64T TYPE II Professional [RTPII]
14. PROCESSED FILM EDGE MARKINGS*
<Rolls>
•135 Size
•35mm x 30.5 (100 ft.)
•120 Size
<Sheets>
•Standard Sheet Film

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FUJICHROME 64T TYPE II Professional [RTPII]• FUJIFILM DATA SHEET
16. DIFFUSE RMS GRANULARITY VALUE ............ 10
Micro-densitometer Measurement Aperture: 48 µm in diameter.
Sample Density: 1.0 above minimum density.
17. RESOLVING POWER
Chart Contrast 1.6 : 1 ................... 55 lines/mm
Chart Contrast 1000 : 1 ................. 135 lines/mm
15. FILM STRUCTURE
* The emulsion is on the
opposite side.
(Base side facing you)
•QuickLoad
* These layers become colorless and transparent after processing.
** The backing layer is colorless and transparent both before and after process-
ing, but it is not provided with 135 size film.

FUJI PHOTO FILM CO., LTD.
26-30, Nishiazabu 2-chome, Minato-ku, Tokyo 106-8620, Japan
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FUJIFILM DATA SHEET • FUJICHROME 64T TYPE II Professional [RTPII]
Ref. No. AF3-024E (EIGI-01.11-HB•3-2!) Printed in Japan
NOTICE The data herein published were derived from materials taken from
general production runs. However, as Fujifilm is constantly upgrading the quality
of its products, changes in specifications may occur without prior notice.
19. SPECTRAL SENSITIVITY CURVES
21. SPECTRAL DYE DENSITY CURVES
18. CHARACTERISTIC CURVES
20. MTF CURVE
* Sensitivity equals the reciprocal of the exposure
(J/cm²) required to produce a specified density.
400 500 600 700
1.0
0.5
0.0
Wavelength (nm)
Spectral Diffuse Density
Yellow
Exposure
Process
Magenta Cyan
: Separated Light
: E-6/CR-56