Kawai X65-D User manual

KAWAI
X65-D
Owner’s
Manual
i
Thank
you
for
your
purchase
of
a
KAWAI
X65-D
Personal
Keyboard.
How
To
Use
This
Manual
This
manual
is
divided
into
three
sections:
Basic
Operation,
Advanced
Operation,
and
Trouble
Shooting.
The
Basic
Operation
section
will
help
you
become
familiar
with
the
basic,
but
extremely
powerful
features
of
the
X65-D.
By
the
time
you’re
through
with
this
first
section,
you
will
have
a
clear
understanding
of
how
to
select
tones
and
accompaniment
styles,
adjust
tempo,
use
the
auto-accompaniment
and
recorder
functions,
and
operate
Kawai’s
exclusive
ONE
FINGER
AD-LIB.
The
Advanced
Operation
section
will
help
you
explore
the
X65-D’s
more
advanced
features
such
as
combining
tones,
adding
effects,
using
MIDI,
and
programming
accompaniments
or
ONE
FINGER
AD-LIB
phrases.
Should
you
have
any
difficulty
getting
your
keyboard
to
perform
properly,
turn
first
to
the
“Trouble-Shooting”
section
of
this
manual.
If
the
solution
is
not
found
there,
please
refer
to
the
Table
of
Contents
(on
the
next
page)
and
review
the
pertinent
section
of
this
instruction
manual.
Have
fun
learning
to
play
your
X65-D!
@
Note:
This
equipment
has
been
tested
and
found
to
comply
with
the
limits
for
a
Class
B
digital
device,
pursuant
to
Part
15
of
the
FCC
Rules.
These
limits
are
designed
to
provide
reasonable
protection
against
harmful
interference
in
a
residential
installation.
This
equipment
generates,
uses
and
can
radiate
radio
frequency
energy
and,
if
not
installed
and
used
in
accordance
with
the
instructions,
may
cause
harmful
interference
to
radio
communications.
However,
there
is
no
guarantee
that
interference
will
not
occur
in
a
particular
installation.
_
If
this
equipment
does
cause
harmful
interference
to
radio
or
television
reception,
which
can
be
determined
by
turning
the
equipment
off
and
on,
the
user
is
encouraged
to
try
to
correct
the
interference
by
one
or
more
of
the
following
measures:
—
Reorient
or
relocate
the
receiving
antenna.
--
Increase
the
separation
between
the
equipment
and
receiver.
—
Connect
the
equipment
into
an
outlet
on
a
different
electrical
circuit
from
the
receiver.
—
Consult
the
dealer
or
an
experienced
radio/TV
technician
for
help.
@
This
instrument
complies
with
the
limits
for
class
B
digital
apparatus,
pursuant
to
the
Radio
Interference
Regulations,
C.R.C.,
c.
1374,
;
i
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Table
of
Contents
@
Before
Using
Your
ae
enatlon
eae
NNER
B-1
®
Creating
ENDING,
INTRO
and
FILL-IN
M
Trouble-Shooting....
dis
ataed
tenia,
ae
Patterns...
eer
B-4
at
AA
@
Overall
Diagram
and
Explanation...
-
®
Storing
the
‘Newly
‘Created
Styles...
serenaoii<akee
M
Programmable
ONE
FINGER
AD-
|
A-6
BASIC
OPERATION
®
Creating
Phrases...
siseverseeee
A-6
M@
Getting
Started
On
Your
Cee
eae
B-6
®
Storing
ONE
FINGER
AD-LIB
Phrases.......0..
A-7
@
Selecting
Sounds...
ee:
M@
Using
the
SYSTEM/MIDI
Functions...................000
A-8
HM
Getting
Started
with
Accompaniment
Styles.
.
B-7
M
Using
the
MIDI
Functions:
..0......
cc
ececsseeeeeseeeeeeeees
A-10
®
Selecting
Accompaniment
Styles...
_
B-7
.
MIDI
Transmit
(“tch”)
Channel
Select
(ieveew
Seedenns
A-10
@
Using
the
SYNC
Feature..
-
...
B-7
@
MIDI
MODE
SELECTION
....0.
eerie:
AQTL
@
Changing
Accompaniment
Tempo...
.
B-8
@
Selecting
MIDI
Modes
.........0..ccccescseesessseeteereeeees
A-12
@
Using
the
VARIATION
button...
.
B-8
@
Setting
Local
Control
ON/OEFP
.........0....ceeeeeee:
A-13
@
Using
the
“SUPER
3D”
Section
..................
ee
B-8
@
Creating
Songs
with
an
External
Sequencer.......
A-13
M
Using
the
“PANEL
MEMORY”
.......cececcsseseesneene,
BHO
@
Accompaniment
MIDI
Out...
eee
AHS
BH
Using
aoa
oles
a
ee
ee
ree
oi
@
Sending
Recorder
Data
to
an
M@
The
Mixer
Section...
..
B-10
External
Sequencer
via
MIDI...
eeeeeeeeeeeeees
A-15
#
Muting
a
Part...
.
_
B-10
@
Drum
Send
Control/Drum
Receive
............0.06
A-16
™@
Using
ONE
FINGER
“AD-
LIB
To
Play
Like
a
“Pro”:
_B-11
@
Wheel
Assign
Function........cccccccccesseecensesseeseees
A-17
M
Using
the
Real-Time
Recorder
..
Peep
ai
eusiecrat
HTS
@
Creating
Accompaniment
Styles........0....cceeeeeee
A-18
$
Using
the
Overdubbing
Capability...
..
B-13
Creating
ONE
FINGER
AD-LIB
Phrases
............
A-18
Mi
‘Chord
"Table,
55.
ciscciciaviannctisiicvclianttsdeDol
ADVANCED
OPERATION
WD
..
SROCHICAHONG
sscccccstete
cick
ceccutestintnes
lick
occcaceussaniercenens
Apa
@
Advanced
Use
OF
SOUNAS!
ceiticcsntoaiasiassvaustnae
aed
WM
DRUM
Assignment
.0.....csccsscessessesssessessscsseseeeseeere
Ap-3
@
Combining
Two
Sounds...
eee
Ad
BH
MIDI
Implementation
Chart...
eeeeeeee
Ap-5
@
Adding
Effects
..
ae
Ataaduntsdsnistecsterieane
AEE
@
Creating
Accompaniment
Styles...
A-3
@
Creating
BASIC
Patterns...
A-4
@
Before
Using
Your
Keyboard
1.
Cautions
@
Do
not
disassemble
or
attempt
to
modify
the
keyboard.
@
Do
not
subject
the
keyboard
to
severe
shocks.
@
Should
the
keyboard
become
soiled,
clean
it
using
a
soft,
dry
cloth.
If
this
does
not
remove
the
stain,
wet
@
Do
not
expose
the
keyboard
to
direct
sunlight,
or
high
the
cloth
slightly
before
wiping.
Never
use
alcohol
or
temperatures
(such
as
inside
your
car
on
a
warm
day).
thinner
to
clean
your
keyboard.
e
Do
not
use
the
keyboard
where
there
is
excessive
@
Do
not
allow
foreign
matter
to
enter
the
gaps
between
moisture
or
dust.
the
keys
or
around
the
buttons.
2.
Connecting
the
Power
Supply
Your
keyboard
can
use
either
your
home
AC
power
outlet
or
dry
cell
batteries
as
a
power
source.
@
To
insert
batteries:
1.
Turn
the
unit
over
and
remove
the
battery
cover.
2.
Insert
six
Size
C
dry
cell
batteries.
Be
sure
they
are
aligned
in
the
proper
direction.
BZE-
3.
Replace
the
battery
cover.
ms
As
the
batteries
begin
to
run
down,
the
volume
of
the
keyboard
will
decrease
and
the
sound
x
quality
will
begin
to
change
or
deteriorate.
The
unit
may
begin
to
malfunction.
Aft
that
time,
you
should
replace
all
six
batteries.
Do
not
mix
battery
types
for
new
batteries
with
old
ones),
as
this
may
cause
problems
such
as
battery
fluid
leakage.
Remove
the
batteries
when
not
using
the
keyboard
for
long
periods
of
time.
M@
To
Use
An
AC
Power
Outlet:
Connect
a
PS-102
or
PS-101
adaptor
(available
separately)
to
the
adaptor
terminal
on
the
rear
panel
of
the
keyboard.
Then,
connect
the
adaptor
to
a
wall
socket.
We
recommend
that
you
use
a
KAWAI
AC
adaptor
(10-volt/1
Amp)
with
the
X65-D.
If
you
decide
to
use
a
universal
adaptor
from
another
manufacturer,
please
be
sure
of
the
following:
(1)
The
voltage
selector
should
be
set
at
10
volts.
(2)
The
polarity
selector
must
be
set
to
“negative”
(—}
polarity,
otherwise
the
keyboard
will
not
operate
for
will
run
on
batteries
until
the
batteries
are
drained).
(3)
The
adaptor
must
be
rated
at
1
Amp
(A).
B-1

@
Where
to
Place
Your
X65-D
Keyboard
for
Optimum
Sound
Quality
|
The
X65-D’s
SUPER
3D
Sound
System
consists
of
four
multi-directional
speakers.
The
two
larger
speakers
are
“ported”
on
the
underside
to
project
sound
both
downward
and
forward
from
the
keyboard
housing.
TO
MAXI-
MIZE
THE
SUPER
3D
EFFECT
AND
ACHIEVE
OPTIMUM
OVERALL
Larger
Speakers
SOUND,
PLACE
YOUR
X65-D
ON
A
KEYBOARD
STAND
WHICH
DOES
NOT
BLOCK
THESE
UNDERSIDE
PORTS.
@
Connecting
the
Keyboard
to
an
Audio
Device
Your
keyboard
utilizes
a
carefully-crafted
case,
four
multi-directional
speakers
and
additional
sound
processing
to
create
a
richer,
fuller
sound
than
is
possible
with
traditional
stereo
speakers.
To
enjoy
listening
to
the
sound
of
your
X65-D
through
your
amplified
home
stereo
system
or
other
external
amplifier,
purchase
an
adaptor
plug
at
an
electrical
goods
store
or
audio
specialty
shop.
For
normal
stereo
listening,
use
a
set
of
cords
to
connect
the
keyboard’s
STEREO
PHONES
jack
to
the
LINE
IN
or
AUX
IN
jacks
on
your
stereo
amplifier
or
powered
receiver.
To
create
the
full
“SUPER
3D”
sound
effect,
use
one
set
of
cords
(with
stereo
RCA
pins)
to
connect
the
keyboard’s
OUTPUT
1
jacks
to
the
LINE
IN
or
AUX
IN
jacks
on
your
stereo
amplifier
or
powered
receiver
and
use
another
set
of
cords
to
connect
the
keyboard’s
OUTPUT
2
jacks
to
the
LINE
IN
or
AUX
IN
jacks
on
a
separate
amplifier
or
other
stereo
audio
device.
We
suggest
you
to
connect
the
larger
speakers
to
the
keyboard’s
OUTPUT
1
jacks
and
connect
smaller
speakers
to
the
keyboard’s
OUTPUT
2
jacks.
Then,
arrange
the
four
speakers
as
shown
in
the
illustration
at
left.
This
arrangement
will
help
you
experience
the
“Super
3D”
effect
more
fully.
M
About
the
Keyboard’s
Internal
Memory
The
contents
of
the
keyboard’s
internal
memory
(such
as
recorder
data)
will
be
kept
stored
for
up
to
five
years
by
a
back-up
battery
built
into
the
unit.
Note
that
if
you
turn
the
power
switch
ON
while
holding
down
keys
C
and
E
at
the
left
end
of
the
keyboard,
all
of
the
contents
of
the
memory
will
be
erased
and
the
keyboard’s
factory
settings
will
be
restored.
This
is
known
as
the
“factory
reset’
procedure.
Lower
Keyboard
Saocnncd
€—~
C>
€m
You
cannot
back
up
the
internal
memory
once
the
back-up
battery
has
run
out
of
power.
+
So,
we
recommend
that
you
save
your
important
data
into
an
external
sequencer
(see
“ising
the
MIDI
Functions”
section).
For
a
replacement
back-up
battery,
contact
an
authorized
|
POWER
|
|
KAWAI
dealer.
i
Protective
Plastic
Covering
On
Front
Panel
Your
keyboard
comes
equipped
with
a
thin
plastic
covering
over
the
front
panel
designed
to
protect
the
panel
from
dust
and
scratches.
If
you
want
to
remove
this
covering,
carefully
use
a
fingernail
to
lift
up
one
of
the
corners.
Then,
slowly
peel
off
the
covering
and
discard
it.
M@
Trouble-Shooting
On
Your
X65-D
1)
Check
your
power
adaptor.
We
recommend
that
you
use
a
KAWAI
10-volt
adaptor.
2)
If
using
a
universal
adaptor
from
another
manufacturer:
~Is
the
voltage
at
10-volts?
—Is
it
set
to
negative
(—)
polarity?
—Is
it
rated
above
1
Amp?
3)
Have
you
tried
six
fresh
batteries?
4)
Are
all
the
batteries
aligned
in
the
proper
direction?
The
keyboard
makes
no
sound.
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se
Not
every
button
is
designed
to
light
up.
Please
refer
to
the
“Overall
Diagram
and
Explanation”
on
page
B-4
of
this
manual
to
see
which
buttons
are
supposed
to
light
up
when
you
press
them.
Check
the
SYSTEM/MIDI
functions
to
make
sure
that
the
LOCAL
mode
is
“on”.
If
LOCAL
mode
gets
turned
“off”
by
mistake,
the
keys
will
not
play.
The
front
panel
has
a
“cloudy”
finish
or
has
begun
|
There
is
a
thin
plastic
film
applied
to
the
glossy
panel
(where
the
buttons
to
“bubble”
or
“peel”.
This
is
not
a
defect.
are
located)
for
protection
during
shipping.
You
can
remove
this
film
at
any
time.
Use
a
fingernail
to
carefully
lift
up
one
of
the
edges,
then
peel
off
the
protective
film.
You
are
using
the
SELECTOR
buttons
to
select
a
|
You
may
be
taking
too
long
to
enter
iis
second
or
third
digits.
Once
specific
two-digit
or
three-digit
number,
but
a
|
you
enter
the
first
digit,
the
keyboard
waits
for
about
one
second
to
lower
number
appears
in
the
display.
see
if
a
second
or
third
digit
will
follow.
If
the
second
or
third
digit
is
not
entered
within
that
one-second
“waiting
period’,
the
keyboard
assumes
that
you
meant
to
enter
a
single-digit
number
only.
Be
sure
to
enter
all
two-digit
and
three-digit
numbers
in
rapid
succession.
When
using
the
ONE
FINGER
AD-LIB
feature,
the
|
This
is
normal
operation.
When
you
first
activate
ONE
FINGER
sounds
change
by
themselves.
AD-LIB
(OFA),
specific
sounds
are
pre-assigned
to
the
OFA
phrases.
If
you
select
a
sound
and
then
turn
OFA
“on”,
the
pre-assigned
sounds
will
appear.
However,
if
you
turn
OFA
on
first
and
then
select
a
sound,
your
new
sound
will
be
assigned
to
all
the
OFA
phrases.
The
accompaniment
will
not
start
when
you
press
|
The
tempo
may
have
been
moved
to
SYNC
mode,
which
deactivates
the
START/STOP
button.
the
START/STOP
button.
To
escape
SYNC
mode,
press
the
TEMPO
UP
button
until
a
number
appears
in
the
display.
The
accompaniment
should
now
begin
when
you
press
the
START/STOP
button.
Accompaniment
cannot
be
started
in
the
General
MIDI
Standard
or
Interface
modes.
{|
When
you
try
to
record
a
song
on
the
X65-D’s
|
Because
the
X65-D
has
overdubbing
capability,
the
recorder
will
record
recorder,
a
previous
song
always
play
when
you
|
over
any
song
currently
in
memory.
Use
the
ERASE
procedure
(press
start
to
record.
both
the
REC/END
and
PLAY/STOP
buttons
simultaneously
twice)
to
clear
the
existing
song.
Then
try
recording
again.
The
recorder
function
does
not
work
in
the
GM
Standard
or
Interface
modes.
The
RECORDER
suddenly
stops
or
will
not
record.
|
This
usually
happens
when
you
have
exceeded
the
RECORDER’s
memory
capacity.
Use
the
ERASE
procedure
above
to
clear
the
memory.
Then,
begin
recording
again.
The
keyboard
only
plays
drum
sounds.
The
DRUM
SET
sound
(#129)
has
probably
been
selected.
Use
the
.
Sound
1
and
SELECTOR
buttons
to
select
a
different
sound
{refer
to
the
“Selecting
Sounds”
section
of
the
manual).
The
keyboard
is
not
sending
complete
accompani-
|
See
the
MIDI
section
of
this
manual.
The
Accompaniment
MIDI
Out
ment
note
information
via
MIDI.
function
must
be
set
to
“on”.
Otherwise,
the
keyboard
will
only
send
“note”
information
(notes
that
are
actually
played)
via
MIDI.
The
Variation
button
does
not
work.
_
The
Variation
Pattern
does
not
work
with
Styles
99
and
100.
The
keyboard
MIDI
transmit
channel
is
not
sent
|
The
transmit
channel
will
be
fixed
when
the
Accompaniment
MIDI
Out
as
selected.
function
is
set
to
“on”.
Set the
Accompaniment
MIDI
Out
function
to
“of
ii
The
DRUM
SET
sound
on
the
keyboard
does
not
|
Drum
part
changes
are
only
effective
for
MIDI
input
information
on
change
even
when
you
change
the
drum
part.
channel
10.
The
DRUM
SET
sound
(No.
129)
will
not
change.
TUNE
and
TRANSPOSE
do
not
change.
TUNE
and
TRANSPOSE
cannot
be
set
in
the
GM
standard
mode.

SRELREEE
SERA
E28
etree
sea
ateresrstan
eM
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:
See
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ell
sa
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Sac
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Bistrot
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SSR
SALTS
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OAC
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SEHR
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IS
ee
foe
Riser
se
The
buttons
marked
with
“@"
in
the
above
illustration
will
light
up
when
pressed.
Buttons
not
marked
with
an
“@®"
will
not
light
when
pressed.
M@
Operation
panel
@
POWER
button
The
POWER
button
turns
the
keyboard’s
power
on
and
off.
When
the
power
is
turned
on,
the
display
window
will
light,
showing
the
number
{7/7
|.
@)
Volume
Control
buttons
a)
The
Master
Volume
buttons
control
overall
volume
of
all
notes
played
on
the
keyboard.
b)
The
Accompaniment
Volume
buttons
control
the
volume
of
the
Accompaniment
Styles
only.
@)
Demo
button
Pressing
this
button
starts
the
built-in
demo
song.
Press
it
again
at
any
time
to
stop
the
demo
song.
@)
Part
buttons
Used
to
turn
a
specific
part
of
auto-accompaniment
or
ONE
FINGER
AD-LIB
part
on
or
off.
6)
TEMPO
buttons
The
TEMPO
buttons
can
be
used
to
control
changes
in
auto-accompaniment
tempo.
©
EFFECTS
buttons
These
buttons
allow
you
to
add
variety
to
the
key-
board’s
129
sounds
by
adding
effects
such
as
Stereo
Chorus,
and
Duet
Harmony.
The
TOUCH
RESPONSE
button
allows
you
to
turn
the
touch
response
feature
on
or
off.
You
can
assign
different
sounds
to
the
upper
and
lower
settings
of
the
keyboard
when
you
use
the
SPLIT
function.
@
Recorder
Section
These
buttons
allow
you
to
record
the
songs
you
write
or
perform
on
the
keyboard.
Display
The
display
window
shows
which
sound
or
style
is
currently
selected.
The
window
is
also
used
to
display
a
wide
variety
of
other
information
which
will
be
des-
cribed
later
in
this
manual.
@)
SELECTOR
buttons
a)
Numeric
buttons
(Ten
keys)
Used
to
enter
the
numbers
that
appear
in
the
LED
display.
To
enter
a
number
from
1
to
9,
just
press
the
number
you
desire.
The
keyboard
will
wait
for
about
one
second
to
see
if
you
press
another
digit.
After
this
brief
pause,
the
display
will
show
the
number
you
selected
(001
to
009).
To
enter
a
num-
ber
between
1
and
9
without
the
one-second
pause,
enter
two
“zeros”
before
the
number.
For
example,
you
would
rapidly
press
“0-0-6”
to
select
sound
number
“6”
without
a
pause.
B-4

To
enter
a
two-
or
three-digit
number,
press
all
the
digits
in
rapid
succession.
For
example,
to
enter
sound
number
025,
press
2
followed
quickly
by
5.
After
a
one-second
pause,
“025”
will
appear
in
the
display.
To
avoid
the
pause,
rapidly
enter
“0-2-5”.
The
display
will
immediately
read
“025”.
If
you
wait
too
long
to
enter
the
last
digit
(“5’’),
the
keyboard
will
think
you
meant
to
select
“2”
and
then
changed
your
mind
to
select
“5”.
The
display
will
end
up
showing
“005”
instead
of
“025”.
BE
SURE
TO
ENTER
ALL
THE
DIGITS
OF
THE
DESIRED
NUMBER
IN
RAPID
SUCCESSION.
b)
“—1/+1’
buttons
These
buttons
are
used
to
increase
or
decrease
the
numbers
in
the
display
window
by
a
value
of
1.
Accomp.
Style
button
This
button
is
used
when
selecting
from
among
the
100
Accompaniment
Styles
stored
in
the
keyboard’s
memory.
@
SOUND
1
and
SOUND
2
buttons
These
buttons
are
used
to
select
from
among
the
129
sounds
available
in
the
SOUND
LIST.
These
buttons
are
also
used
to
select
sounds
when
using
the
SPLIT
function.
(2
Accompaniment
Control
button
These
buttons
allow
you
to
control
the
“INTROs”
(Intro-
ductions)
that
can
be
used
to
start
a
song,
“FILL-INs”
to
add
variety
during
a
song,
“ENDINGs”
which
finish
a
song,
and
“BASIC
Patterns”
which
are
the
foundation
of
any
song
that
uses
auto-accompaniment.
The
“SYNC./
FILL-IN”
button
lets
you
start
your
song
at
the
exact
moment
you
press
a
key
in
the
Lower
Keyboard.
You
can
also
use
the
VARIATION
button
to
select
the
“variation”
version
for
each
Style.
(3
Program
buttons
a)
STYLE
MAKER
button
This
button
allows
you
to
create
your
own
accompani-
ment
styles
and
ONE
FINGER
AD-LIB
phrases
with
the
Style
Maker
feature.
b)
System/MIDI
button
SUPER
3D
button
This
button
allows
you
to
turn
SUPER
3D
system
“on”
or
“off”.
(5)
PANEL
MEMORY
button
The
current
panel
settings
are
stored
in
memory
when
you
press
this
button.
Up
to
four
settings
can
be
stored
in
memory.
Digital
Reverb
Section
These
buttons
let
you
select
either
of
the
the
two
reverb
settings
(HALL
or
ROOM).
The
Digital
Reverb
effect
can
be
turned
“off”
by
pressing
the
Reverb
button
which
is
currently
lit.
When
neither
Reverb
button
is
lit,
the
Reverb
effect
is
turned
off.
To
restore
Digital
Reverb,
press
either
Reverb
button
so
that
one
lights
up.
@
Pitch
Bend
Wheel
Rotating
this
wheel
up
or
down
allows
you
to
change
the
pitch
of
a
sound.
@
Rear
Panel
Serial
Interface
Setting
Button
This
switch
is
used
to
select
the
type
of
computer
which
will
be
used with
the
X65-D’s
Serial
Interface.
Serial
Interface
This
interface
port
allows
you
to
connect
the
X65-D
directly
to
the
serial
port
of
a
computer.
@
MIDI
IN/OUT
Jacks
These
jacks
are
used
to
connect
the
keyboard
to
other
MID
instruments
and
equipment.
@)
PEDAL
Jack
This
jack
allows
you
to
connect
an
optional
footswitch
(model
F-1,
available
separately)
to
the
keyboard.
When
the
footswitch
is
depressed,
notes
played
on
the
keyboard
will
be
heard
continuously
for
as
long
as
the
footswitch
is
held
down
(or
until
the
natural
decay
of
a
sound
reduces
it
to
zero
volume).
It
operates
like
a
sustain
pedal
on
a
piano.
(The
pedal
has
no
effect
on
auto-accompaniment
performance.)
This
jack
can
also
be
programmed
to
let
an
optional
footswitch
(model
F-1,
available
separately)
function
in
different
ways.
Refer
to
the
“Using
the
SYSTEM
Func-
tions”
for
details.
@
STEREO
PHONES
Jack
When
stereo
headphones
are
connected
to
this
jack,
the
sound
from
the
speakers
is
cut
off.
This
allows
you
to
play
the
keyboard
at
night
and
at
other
times
when
you
might
be
concerned
about
disturbing
others.
43)
Input
Volume
Knob
This
knob
adjusts
the
input
volume
level
of
any
external
device
connected
to
the
X65-D’s
input
jacks.
(4)
Input
Jacks
These
jacks
allow
you
to
connect
any
external
audio
device
or
electronic
musical
instrument
to
the
X65-D,
The
sound
of
the
external
device
will
be
heard
through
the
X65-D’s
speakers.
.
@)
OUTPUT
1/OUTPUT
2
Jacks
These
jacks
are
used
to
send
the
keyboard’s
sound
through
an
external
amplifier
or
amplified
home
stereo
system.
@)
DC
IN
Jack
This
jack
is
used
to
connect
a
Power
Adaptor
(Kawai
PS-102
or
PS-101)
available
separately.
See
page
B-2
for
special
instructions
if
you
are
using
a
universal
AC
adaptor
or
other
brand
of
adaptor.
HM
Keys
@
Lower
Keyboard
(C1-G#2)
These
are
used
to
trigger
chord
forms
when
the
auto-
accompaniment
function
is
selected.
ONE
FINGER
AD-LIB
Keys
(A2
-G#3)
These
keys
are
used
to
play
ONE
FINGER
AD-LIB
phrases
when
the
ONE
FINGER
AD-LIB
function
is
selected.
@9
User
Program
Keys
(C#¥5
—
C6)
Used
for
programming
auto-accompaniments
(with
Style
Maker)
and
ONE
FINGER
AD-LIB
phrases.
»
OF
course,
the
keys
in
the
special
keyboard
sections
named
above
also
function
as
a
normal
keyboard
when
all
automatic
settings
are
off.
>
Throughout
this
manual,
the
keys
will
be
referred
fo
in
the
following
manner:
CI
stands
for
“the
first
C”’
on
the
keyboard,
counting
from
the
left.
B2
stands
for
“the
second
B’’
on
the
keyboard
from
the
left.
The
total
range
of
your
keyboard
is
C1
to
C6.
B-5

-
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Rinne
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eet
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pire
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eke
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ae
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ee
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ieaigar
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ee
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oe
4
Cra
Ju
ee
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ee
BSB
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Gent
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ene
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Ieee
ah
@
Getting
Started
On
Your
Keyboard:
@
Selecting
Sounds
This
section
will
show
you
how
to
select
and
play
any
of
the
129
sounds
listed
in
the
SOUND
LIST
on
the
keyboard’s
front
panel.
=
First,
press
the
POWER
button
to
turn
the
keyboard
“on”.
Several
oo
.
_|
‘ee
LI
“many
IND
4
ND
4
buttons
will
light
(like
the
SOUND
1
button).
The
display
should
also
be
lit,
showing
the
number
001.
Press
one
of
the
keys
on
the
keyboard.
You
should
hear
the
sound
which
is
numbered
77
}
(GRAND
PIANO).
Your
X65-D
features
Touch
Response,
which
allows
you
to
control
the
volume
of
each
note
by
playing
hard
or
soft.
Try
playing
a
few
notes
with varying
force.
You'll
notice
that
the
harder
you
strike
the
keys,
the
louder
they
will
sound.
The
volume
of
the
entire
keyboard
can
be
controlled
with
the
MASTER
VOLUME
buttons.
These
buttons
will
not
light.
.
Check
to
be
sure
that
the
SOUND
1
button
is
lit
(if
not,
press
it
now).
Next,
quickly
press
“4”
and
then
“1”
with
the
SELECTOR
buttons
to
select
sound
number
041
(VIOLIN).
The
number
in
the
display
should
change
to
read
“041”
after
about
one
second.
When
you
use
the
SELECTOR
buttons
to
select
a
two-digit
or
three-digit
number,
enter
all the
numbers
in
rapid
succession.
A
lower
number
will
appear
in
the
display
if
you
take
too
long
to
enter
the
second
or
third
digits.
The
SELECTOR
buttons
will
not light
when
you
press
them.
_
You
can
use
the
SELECTOR
section
to
choose
any
of
the
keyboard's
129
sounds
quickly
and
easily.
The
+1
button
adds
“one”
to
the
number
in
the
display,
while
the
~1
button
subtracts
“one”
from
the
displayed
number.
The
number
shown
in
the
display
is
the
number
of
the
sound
currently
selected.
Look
at
the
SELECTOR
section
and
find
the
button
marked
+1.
When
you
press
it,
the
number
shown
in
the
display
should
change
to
042.
When
you
press
one
of
the
keys
on
the
keyboard,
you
will
hear
sound
number
042
(VIOLA).
Pressing
the
—1
button
in
the
SELECTOR
section
will
bring
you
back
to
sound
number
41
(VIOLIN).
Press
“1-2-9”
in
rapid
succesion
to
select
sound
number
129
“DRUM
SET”.
When
you
press
one
of
the
keys
on
the
keyboard,
you
will
hear
the
sound
of
the
instrument
pictured
above
that
key.
Refer
to
page
Ap-3
for
the
chart
of
drum
assignments.
Note:
When
you
activate
the
auto-accompaniment
feature,
the
pitch
of
the
“normal”
keyboard
section
on
the
right
will
drop
by
one
octave
for
certain
sounds
(bass,
guitar,
etc).
This
octave
shift
helps
keep
these
sounds
closer
to
their
normal
sound
range,
even
though
you’ve
playing
upper-range
notes
on
the
keyboard.
B-6

PI
Getting
Started
with
Accompaniment
Styles
@
Selecting
Accompaniment
Styles
STYLE
STYLE
Ss)
INTRO/ENDING
START/STOP
or
*1/
YES
SYNC./FILL.
IN
INTRO/ENDING
START/STOP
ia
tn
This
section
will
show
you
how
to
select
and
play
any
of
the
100
Accompaniment
Styles
listed
in
the
STYLE
LIST
on
the
keyboard’s
front
panel.
1
2.
First,
press
the
ACCOMP.
STYLE
button.
The
button
will
light
and
the
display
will
change
to
read
97
/.
If
you
press
the
INTRO/ENDING
button
at
this
point,
you
will
hear
an
introduction,
followed
by
the
BASIC
Pattern
for
Style
number
001
(JAZZ
FUNK
1).
To
start
the
Style
without
the
Intro,
press
the
START/STOP
button.
Now,
find
the
SELECTOR
buttons
and
press
the
+1
button.
The
display
will
change
to
read
GU
and
the
Style
will
change
to
number
002
(JAZZ
FUNK
2).
You
may
use
the
SELECTOR
buttons
in
this
way
to
select
any
Style
you
desire.
The
number
in
the
display
will
change
to
indicate
the
number
of
the
Style
currently
selected.
Not
every
button
is
designed
to
light
up
when
pressed.
Refer
to
the
“Overall
Diagram
and
Explanation”
on
page
B-4
of
this
manual
to
see
which
buttons
will
light
and
which
will
not.
Try
pressing
the
“SYNC./FILL-IN”
button
while
the
auto-accompani-
ment
is
playing.
The
keyboard
will
play
a
FILL-IN
pattern
suited
to
the
Style
currently
selected.
The
FILL-IN
feature
can
help
to
add
variety
within
a
song.
Next,
press
the
INTRO/ENDING
button.
An
“Ending”
which
matches
the
currently
selected
Style
will
play
to
finish
the
song.
If
you
want
the
Style
to
end
abruptly
without
the
ENDING,
simply
press
the
START/STOP
button.
@
Using
the
SYNC
Feature
SYNG/FILLIN
Lower
Keyboard
SYNC./FILL
IN
,
INTRO/ENDING
Lower
Keyboard
=>
1.
If
you
press
the
SYNC.
/FILL-IN
button
while
the
accompaniment
is
off,
the
button
functions
as
a
“SYNC.”
button
only.
When
the
SYNC.
/FILL-
IN
button
is
pressed,
the
Style
will
begin
to
play
the
moment
you
press
a
key
on
the
Lower
Keyboard.
The
start
of
the
Style
will
“synchronize”
with
your
touch
of
the
keyboard
(thus,
the
abbreviation
“SYNC”).
If
you
want
to
start
the
accompaniment
with
your
touch
of
the
keyboard
(as
described
above),
but
would
rather
have
the
accompaniment
begin
with
an
appropriate
introduction,
press
the
SYNC./FILL-IN
button
and
then
the
INTRO/ENDING
button.
When
you
press
a
key
on
the
Lower
Keyboard,
the
INTRO
will
play
first,
followed
by
the
BASIC
Pattern.
B-7

cera
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Ee
eae
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See
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ears
: é
os
Serer
ete
ak
ener
ar
Bene
Boe
oer
eS
pei
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@
Changing
Accompaniment
Tempo
You
can
use
the
TEMPO
buttons
(which
do
not
light)
to
change
the
tempo
of
any
accompaniment.
The
UP
button
causes
the
tempo
to
increase.
The
=
—
—
DOWN
button
causes
the
tempo
to
decrease.
The
small
lamp
at
the
top
left
C7
=>
Li
/
of
the
display
(labelled
BEAT)
will
blink
in
time
with
the
current
tempo.
pee
ee
|
Se
When
you
press
either
of
the
TEMPO
buttons,
the
display
will
briefly
show
the
current
tempo.
ue
If
you
continue
to
press
the
Tempo
DOWN
button
to
minimum
tempo,
the
7]
maid
display
will
change
to
read
54
which
is
an
abbreviation
for
“SYNC”
or
—
we! ame
“synchronized
mode”.
This
setting
is
a
MIDI-related
function
which
is
Li
fli
discussed
in
the
Advanced
Operation
section
of
this
manual.
The
START/STOP
button
will
not
operate
when
this
mode
is
activated.
To
escape
SYNC
mode,
press
the
TEMPO
UP
button
until
a
number
appears
in
the
display.
Pressing
the
TEMPO
UP
button
within
five
seconds
after
selecting
a
new
Style
will
change
the
tempo
to
a
factory
preset
rate
that
suits
the
new
Style.
@
Using
the
VARIATION
button
The
“Variation”
feature
provides
an
easy
way
to
add
variety
and
excitement
:
to
your
performances.
Here’s
how
it
works.
.
>
1.
Press
the
VARIATION
button
while
the
auto-accompaniment
is
Baio
etal
ARIAT
.
playing.
The
VARIATION
button
will
light
up
and
a
louder
“FILL-IN”
=>
[eo
}
Pattern
(which
we
will
call
FILL-IN
2)
will
play
to
announce
the
“variation”
style.
The
FILL-IN
2
is
followed
immediately
by
the
more
complex
and
exciting
Variation
Pattern.
2.
Press
the
SYNC./FILL-IN
button
while
VARIATION
button
is
lit.
You
,
will
hear
the
louder
FILL-IN
2
play,
followed
by
the
Variation
Pattern.
SYNCJFLLIN
There
are
two
types
of
FILL-INs
for
each
Style
on
the
X65-D.
If
you
press
the
SYNC.
/FILL-IN
button
while
the
VARIATION
button
is
not
lit
(which
means
the
BASIC
Pattern
is
currently
selected),
you
will
hear
the
softer
FILL-IN
1.
3.
Press
the
VARIATION
button
again.
The
button
light
will
go
off
and
the
softer
FILL-IN
1
will
play,
followed
by
the
original
BASIC
Pattern.
VARIATION
VARIATION
fn
=>
=
The
VARIATION
button
does
not
work
if
you
select
one
of
the
LISER
|
Accompaniment
Styles,
which
are
numbered
099
and
100
in
the
STYLE
LIST.
MH
Using
the
“SUPER
3D”
Section
“SUPER
3D”
is
the
Kawai’s
exclusive
sound
enhancement
system
which
brings
a
new
dimension
of
sound
to
the
listener’s
ears
—
the
third
sonic
dimension
of
“depth”.
The
X65-D
keyboard
utilizes
a
carefully-crafted
case,
START/STOP
four
multidirectional
speakers
and
additional
sound
processing
to
create
a
richer,
fuller
sound
than
is
possible
with
traditional
stereo
speakers.
1.
Select
Style
number
“001”
using
the
ACCOMP.
STYLE
button
and
the
SELECTOR
buttons.
Now,
look
at
the
SUPER
3D
button
on
the
front
ad
panel
of
the
keyboard.
The
SUPER
3D
button
should
be
lit,
indicating
that
SUPER
3D
is
SUPER
2D
SUPER
2D
currently
active.
Le}
=>
(3)
Press
the
START/STOP
button
to
begin
the
auto-accompaniment.
You
will
be
able
to
experience
the
music
richness
of
SUPER
3D.
2.
You
can
cancel
the
SUPER
3D
system
by
pressing
the
SUPER
3D
button
so
that
its
lamp
goes
off.
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ak
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Using
the
Drum
Pads
ASSIGNABLE
PADS
There
are
four
drum
pads
on
the
X65-D.
When
you
try
these
pads,
eS
you
will
hear
four
drum
sounds
that
have
already
been
preset.
It
is
[
zz
also
possible
to
assign
other
drum
sounds
to
these
pads.
Use
the
procedure
below
to
assign
you
favorite
drum
sound
to
each
of
the
four
pads:
See
that
Panel
Memory
Button
(
is
not
lit.
If
it
is
lit,
then
these
four
(
[
drum
pads
will
work
as
Panel
Memory
Selector
Buttons,
(Refer
to
the
following
section
“Using
Panel
Memory”)
SS
S|
oe
1.
First,
make
certain
that
the
PANEL
MEMORY
button
is
not
lit.
fl.
_f
If
it
is
lit,
the
four
drum
pads
will
operate
as
PANEL
MEMORY
selector
buttons.
(Refer
to
the
follwing
section
“Using
PANEL
MEMORY”).
2.
Select
Sound
129
to
assign
Drum
Set
to
the
keys.
This
will
allow
you
to
play
drum
sounds
on
the
keyboard.
You
can
assign
a
drum
sound
to
a
pad
by
holding
the
pad
down
while
you
press
a
drum
GQ
-down
the
first
drum
pad,
press
the
key
C1.
Now
you
should
hear
a
bass
drum
when
you
press
the
first
drum
pad.
C1
a
sound
key.
~-
.
Let’s
assign
a
bass
drum
sound
to
the
first
drum
pad.
While
holding
|
@
Using
the
Panel
Memory
With
the
X65-D,
up
to
four
panel
settings
can
be
stored
in
memory.
When
the
PANEL
MEMORY
button
is
lit,
you
can
use
the
four
pads
on
the
right
side
to
store
and
recall
panel
settings.
These
pads
are
normally
used
as
drum
pads,
but
when
the
PANEL
MEMORY
button
is
lit,
they
are
used
as
PANEL
MEMORY
selector
buttons.
1.
First,
adjust
the
panel
to
the
setting
you
want
stored
in
memory.
PANEL.
MEMORY
fe
.
For
this
procedure,
the
PANEL
MEMORY
button
should
not
be
(
p
.
p
lit.
;
a
2.
Next,
hold
down
the
PANEL
MEMORY
button
while
you
press
.
the
pad
on
which
you
want
to
save
your
setting.
For
this
example,
press
Pad
1.
3.
Pad
1
will
now
contain
the
panel
setting
that
you
set
up
earlier.
Try
assigning
panel
settings
to
Pads
2,
3
and
4.
If
the
above
operation
is
done
when
the
PANEL
MEMORY
button
is
lit,
no
panel
setting
will
be
stored.
Be
sure
that
the
PANEL
MEMORY
button
light
is
off
before
you
try
to
store
a
panel
setting.
Recalling
Stored
Settings
You
can
recall
a
panel
setting
that
you
have
stored
by
pressing
the
PANEL
MEMORY
button
(so
that
it
lights)
and
pressing
a
pad
on
which
you
have
stored
a
setting.
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Using
Auto-Accompaniment
The
X65-D’s
auto-accompaniment
(short
for
“automatic
accompaniment’’)
section
is
one
of
the
most
powerful
found
on
any
portable
keyboard.
It
has
the
capability
of
working
in
three
different
“modes”.
In
this
Basic
Operation
section
of
the
manual,
however,
we
will
deal
only
with
the
first
mode
cailed
“AUTO
1”.
In
AUTO
1
mode,
you
can
control
the
chord
and
bass
parts
with
your
left
hand
while
playing
the
melody
with
your
right
hand.
Here’s
how
AUTO
1
works:
The
AUTO
1
auto-accompaniment
mode
allows
you
to
create
a
realistic
“full
band”
performance
by
simply
pressing
and
holding
left
hand
chords
as
you
play
the
melody.
The
21
keys
on
the
left
side
of
the
keyboard
(which
we
call
the
Lower
Keyboard)
are
used
to
play
the
chords
which
control
the
auto-accompaniment.
1.
Select
an
Accompaniment
Style
(which
we'll
refer
to
as
just
“Style”)
using
the
ACCOMP.
STYLE
button
and
the
SELECTOR
buttons.
Then,
start
the
Style
STARTISTOP
by
pressing
the
START/STOP
button.
2.
Now
press
one
or
more
of
the
keys
on
the
Lower
Keyboard.
The
auto-
accompaniment
chords
will
change
as
you
press
different
keys.
Your
keyboard
recognizes
a
wide
variety
of
chords.
See
Page
Ap-1
for
a
chart
of
these
chords
in
the
key
of
C
and
some
valuable
hints
for
beginners.
Lower
Keyboard
es
The
Mixer
Section
The
MASTER
VOLUME
buttons
(which
do
not
light)
control
overall
volume
of
—
all
notes
played
on
the
keyboard.
The
volume
of
auto-accompaniment
can
be
adjusted
using
the
ACCOMP.
VOLUME
buttons
(which
do
not
light).
The
current
volume
for
a
specific
part
will
appear
briefly
in
the
display
each
time
a
VOLUME
:
ra
1
SOUND
2
i
button
is
pressed.
With
the
X
Series
keyboards,
you
can
also
adjust
the
individual
volume
of
the
instruments
assigned
the
SOUND
1
and
SOUND
2
buttons.
For
example,
if
PPANO
aa
is
assigned
to
SOUND
1,
you
can
increase
its
volume
individually
by
holding
down
the
SOUND
1
button
while
you
raise
the
volume
with
the
MASTER
VOLUME
buttons.
In
the
same
way,
you
can
increase
ro
decrease
SOUND
2
volume
individually
by
holding
down
the
SOUND
2
button
while
using
the
MASTER
VOLUME
buttons
to
adjust
the
level.
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a
Part
You
can
turn
any
of
the
auto-accompaniment
elements
(rhythm,
bass,
and
chord
parts)
on
or
off
using
the
following
procedure:
ne
nies
1.
Press
the
SFART/STOP
button
to
begin
an
auto-accompaniment.
Then,
>
=
press
the
RHYTHM
button
(in
the
PART
section).
The
RHYTHM
button
#
light
will
go
off
and
the
volume
of
the
“rhythm”
part
will
be
turned
off.
This
procedure
is
called
“muting”
a
part.
Next,
press
the
RHYTHM
button
again.
The
RHYTHM
button
will
light
and
the
volume
of
the
Rhythm
(drum)
part
will
be
restored.
2.
Press
the
BASS
button
in
the
PART
section.
The
BASS
button
light
will
BASS
go
off
and
the
Bass
part
volume
will
be
turned
off.
When
you
press
the
®
>
LC)
BASS
button
again,
the
BASS
button
will
light
and
the
Bass
part
will
immediately
return
to
its
original
volume
level.
3.
SINGLE
FINGER
CHORD
MODE.
The
CHORD
button
operates
a
bit
differently.
Press
the
CHORD
button
once.
This
time
the
CHORD
button
will
flash,
indicating
that
you
are
in
“Single
Finger
Chord”
mode.
This
mode
lets
CHORD
CHORD
you
play
a
complete
chord
by
pressing
one
note
in
the
Lower
Keyboard.
=>
To
try
“Single
Finger
Chord”
mode,
use
the
START
/STOP
button
to
stop
the
auto-accompaniment.
Then,
hold
down
one
note
in
the
Lower
Keyboard.
You
should
hear
a
complete
chord
play
for
as
long
as
you
hold
the
note
down.
. .
Note:
There
are
actually
three
sounds
which
make
up
the
“chord”
part
of
an
Accompaniment
Style.
In
“Single
Finger
Chord”
mode,
only
CHORD
+»
Cc
one
of
these
sounds
is
used
to
play
the
chord.
4.
Press
the
START/STOP
button
to
resume
the
auto-accompaniment.
Now,
press
the
CHORD
button
again.
The
CHORD
button
light
will
go
off,
and
all
the
CHORD
parts
will
be
muted
(off).
5.
Press
the
CHORD
button
one
more
time.
The
CHORD
button
will
light
up
and
all
the
CHORD
parts
will
return
to
original
volume.
6.
Here
is
a
summary
of
CHORD
button
operation
for
the
X55-D:
LIT:
All
chords
are
heard.
FLASHING:
Single
Finger
Chord
mode.
You
can
play
a
chord
with
one
.
finger
in
the
Lower
Keyboard
when
the
auto-accompani-
ment
is
“off”.
NOT
LIT:
All
chord
parts
are
muted.
E
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@
Using
ONE
FINGER
AD-LIB
To
Play
Like
a
“Pro”
ONE
FINGER
AD-LIB
is
an
exclusive
Kawai
feature
which
allows
anyone
(at
any
level
of
musical
ability)
to
sound
like
a
“pro”.
With
the
touch
of
a
-|
finger,
you
can
play
hundreds
of
impressive
ad-lib
melodies
with
full
auto-accompaniment
and
chord
progressions.
ONE
FINGER
AD-LIB
will
ONE
FINGER
ONE
FINGER
make
your
keyboard
immediately
fun
and
“playable”
for
every
member
of
AD-LIB
AD-LIB
+>
Ce]
your
family
(even
the
non-players)!
The
ONE
FINGER
AD-LIB
phrases
are
determined
by
the
Accompaniment
Style
(or
“Style’”)
you
select.
For
example,
there
are
“funky”
ad-lib
phrases
for
Style
number
007
(DISCO
FUNK
1)
and
some
exciting
rock’n
roll
phrases
for
Style
number
045
(R&R1).
=
ONE
FINGER
AD-LIB
keys
How
does
ONE
FINGER
AD-LIB
work?
1.
Use
the
ACCOMP.
STYLE
button
and
the
SELECTOR
buttons
to
select
a
Style.
Next,
press
the
ONE
FINGER
AD-LIB
button.
The
ONE
FINGER
AD-LIB
button
will
light
up.
2.
Now,
press
and
hold
down
one
of
the
keys
in
the
ONE
FINGER
AD-LIB
section
of
the
keyboard
(shown
in
the
drawing
at
left).
By
holding
down
a
single
key,
you
can
play
an
entire
ad-lib
phrase!
Try
other
ONE
FINGER
AD-LIB
keys.
Note
that
each
key
plays
a
different
phrase
and
that
some
keys
use
different
sounds
than
other
keys.
3.
Adding
Auto-Accompaniment
Press
the
START/STOP
button.
The
Style
you
selected
will
begin
to
play.
Listen
closely!
Notice
that
the
auto-accompaniment
chords
are
changing
automatically.
The
keyboard
has
been
designed
so
that
each
Style
is
accompanied
by
an
authentic-sounding
progression
of
chords
that
plays
automatically.
.
4.
Now,
hold
down
one
of
the
keys
in
the
ONE
FINGER
AD-LIB
section
of
keyboard
(try
to
press
the
st
on
one
of
the
main
beats
of
the
accompaniment).
The
ad-lib
phrase
will
play.
If
you
continue
to
hold
the
AD-LIB
key
down,
you'll
notice
that
the
phrase
changes
automatically
with
the
chord
progression!
5.
To
change
the
preset
chord
progression,
play
any
chord
on
the
Lower
Keyboard.
This
will
override
the
preset
progression.
Then,
the
ONE
FINGER
AD-LIB
phrases
will
change
to
match
your
own
chords.
Py
cd
IMPORTANT
NOTE:
When
you
turn
ONE
FINGER
AD-LIB
“on”,
specific
sounds
will
automatically
appear
on
the
ONE
FINGER
AD-LIB
phrases.
These
are
preassigned
at
the
factory.
To
select
your
own
sounds,
turn
ONE
FINGER
AD-LIB
“on”
first
and
then
select
a
sound.
Your
new
sound
will
be
assigned
to
all
twelve
ONE
FINGER
AD-LIB
phrases.
@
A
Note
About
the
ONE
FINGER
AD-LIB
Chord
Progressions
When
you
start
the
auto-accompaniment
with
ONE
FINGER
AD-LIB
turned
.
“on”,
the
chord
progression
that
plays
is
automatically
in
the
key
of
C.
For
pclc|
rir]
example,
the
progression
for
Style
number
001
(JAZZ
FUNK
1)
is
as
shown
at
left.
When
the
chord
is
selected
with
the
lower
keyboard,
chord
progression
stops
and
AUTO-ACCOMPANIMENT
is
started
in
the
selected
chord.
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CHORD
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.
START/STOP
PALA
|
Dr|
Dy
Changing
Keys
with
ONE
FINGER
AD-LIB
What
if
you
wanted
the
chord
progression
for
JAZZ
FUNK
1
to
be
in
the
key
of
“A”?
You
can
change
it!
Follow
this
procedure:
1.
2.
Be
sure
that
the
ONE
FINGER
AD-LIB
button
is
lit.
Make
sure
the
auto-accompaniment
is
stopped
(use
the
START/STOP
button
if
necessary.
Press
the
CHORD
button
until
it
flashes.
Then
play
an
“A”
in
the
Lower
Keyboard
as
shown
in
illustration
at
left.
Then,
press
the
START
/STOP
button
to
start
the
auto-accompaniment.
The
chord
progression
will
now
be
in
the
key
of
“A”
as
shown
at
left.
To
play
in
the
key
of
“G”,
just
repeat
the
four
steps
above
playing
a
“G”
key
instead
of
the
“A”
key
in
Step
3.
B-13

‘Hi
Using
The
Real-
Time
RECORDER
REC/END
REC/END
PLAY/STOP
|
—emse—
REC/END
=
PLAY/STOP
This
section
will
show
you
how
to
record
the
songs
you
perform
using
the
keyboard's
RECORDER
feature.
Here
are
the
steps:
1.
Press
the
REC/END
button
(which
will
not
light).
You
will
hear
the
sound
of
the
metronome.
2.
Start
playing.
Everything
you
play,
including
ONE
FINGER
AD-LIB
phrases
and
changes
in
Sounds
or
Styles,
will
be
recorded
just
as
you
played
them.
That’s
what
“Real-Time”
means.
What
you
play
is
what
you
get.
3.
When
you
are
done
with
your
song,
press
the
REC/END
button
once
more.
The
recording
process
will
end.
4.
Now,
play
the
song
back.
Press
the
PLAY/STOP
button
(which
will
not
light).
The
song
you
just
recorded
will
begin
to
play.
To
stop
the
song
without
listening
through
to
the
end,
press
the
PLAY/STOP
button
once
more.
5.
To
record
a
different
song,
you
must
first
erase
the
song
currently
in
memory.
To
erase
the
current
song,
press
the
REC/END
button
while
holding
down
the
PLAY/STOP
button.
The
song
will
be
erased
instantly.
Tempo
information
will
not
be
recorded
by
the
RECORDER.
This
allows
you
to
record
songs
at
a
slow
tempo
and
play
them
back
at
a
faster
tempo.
»
Once
the
memory
capacity
of
the
recorder
is
reached,
the
recorder
will
automatically
stop
recording.
a)
@
Using
The
Overdubbing
Capability
“Overdubbing”
is
a
term
used
in
professional
recording
studios.
It
means
“recording
one
track
over
another”
to
achieve
a
multi-track
recording.
The
X65-D’s
RECORDER
gives
you
this
capability.
Note
that
ONE
FINGER
AD-LIB
phrases,
auto-accompaniment
playing,
dual
sounds,
and
duet
harmony
(described
later)
should
be
recorded
on
the
first
track
you
record.
You
cannot
use
these
features
on
subsequent
overdub
tracks.
6.
To
overdub,
repeat
the
following
step
up
to
three
times.
Each
time
you
repeat
this
step,
you’re
recording
another
“track”.
Fine
4-track
performance
(the
1st
track
and
three
other
over
dubbing
tracks)
is
possible
if
you
select
a
different
sound
for
each
track.
Procedure:
Press
the
REC/END
button.
Then,
press
the
PLAY/STOP
button.
Any
tracks
you
recorded
earlier
will
begin
to
play
back.
Start
playing
your
new
track
in
time
with
the
previous
tracks.
When
you
are
done
recording
the
new
track,
press
the
REC/END
button.
Repeat
this
procedure
to
record
another
overdub
track.
When
the
recorder
will
no
longer
record
another
track,
it
has
reached
overdubbing
capacity.
While
overdubbing,
you
may
find
it
necessary
to
erase
only
the
last
track
recorded
(but
keep
previous
tracks).
To
do
this,
press
the
REC/END
and
PLAY/STOP
buttons
simultaneously
as
_
above.
Then
you
can
continue
overdubbing
by
repeating
the
above
step.
When
the
maximum
number
of
simultaneous
sounds
has
been
reached
at
a
given
moment,
the
recorder
will
not
receive
additional
notes.
To
erase
the
entire
song,
press
the
REC/END
button
twice
while
holding
down
the
PLAY/STOP
button.
@
Congratulations!
You’ve
finished
learning
the
Basic
Operations
of
your
keyboard.
We
trust
that
this
first
section
has
given
you
a
good
basic
knowledge
of
the
X65-D’s
powerful
features.
But
you’ve
only
just
begun
to
explore
the
full
capability
of
your
keyboard!
The
Advanced
Operation
section
will
show
you
how
much
more
can
be
done
with
this
powerful
instrument.
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M@
Advanced
Use
of
Sounds:
@
Combining
Two
Sounds
As
a
first
step
in
this
Advanced
Operation
section,
try
combining
two
of
the
sounds
listed
in
the
keyboard’s
SOUND
LIST
for
a
rich
DUAL
sound
effect.
rz
:
1.
First,
select
any
sound
using
the
SELECTOR
buttons.
For
this
example,
SOUND
2
SOUND
2
choose
sound
number
001
(GRAND
PIANO).
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Le
}
2.
Next,
press
the
SOUND
2
button.
The
button
will
light
up.
Now,
select
sound
number
054
(VOICE
OOHS)
for
our
example.
3.
Press
both
the
SOUND
1
and
SOUND
2
buttons
simultaneously.
Both
buttons
will
light
up
and
the
display
should
change
to
read
“314A”,
which
zi
is
short
for
“Dual”.
When
you
play
the
keyboard,
you
will
hear
the
ea.
See
combination
of
sounds
001
and
054,
GRAND
PIANO
and
VOICE
OOHS.
Ce]
1
(e
2

@
Adding
Effects
STEREO
CHORUS
:
DUET
TOUCH
;
SPLIT
__DIGITAL
REVEAS
__DIGITAL
REVERB
HALL
ROOM
_
_DIGITAL
REVERB
—_DIGITAL
REVERS
a4
3
fa
Your
keyboard
has
a
variety
of
effects
which
can
add
realism
or
excitement
to
your
selected
sound.
a)
PITCH
BEND
Wheel:
‘Pitch
bend
is
an
effect
which
bends
the
pitch
of
a
sound
smoothly
up
or
down.
It
is
useful
for
copying
the
sound
of
a
guitar
being
played
with
a
“choking”
technique.
Try
rotating
the
Pitch
Bend
Wheel
while
holding
down
one
of
keys
on
the
keyboard.
The
pitch
should
bend
smoothly
up
when
you
rotate
the
pitch
wheel
away
from
you
or
down
when
you
rotate
the
wheel
toward
you.
STEREO
CHORUS:
Pressing
the
STEREO
CHORUS
button
adds
a
deep
stereo
richness
to
the
currently
selected
sound.
Pressing
the
button
a
second
time
cancels
the
effect.
DUET
HARMONY:
When
the
DUET
button
is
pressed,
the
keyboard
will
add
a
harmonizing
note
to
each
melody
note
that
is
played
on
the
keyboard,
so
you
can
enjoy
a
duet
performance
while
playing
only
one
melody
note
at
a
time.
This
function
is
most
effective
when
used
together
with
the
auto-accompaniment
function.
.
Pressing
the
button
a
second
time
cancels
the
DUET
effect.
TOUCH
RESPONSE:
When
you
press
the
TOUCH
RESPONSE
button,
the
light
will
go
off
and
the
“Touch
Response”
feature
will
be
deactivated.
Press
the
TOUCH
RESPONSE
button
again
and
it
will
light
up,
indicating
that
Touch
Response
feature
is
restored.
SPLIT:
You
can
enjoy
different
sounds
with
the
upper
and
lower
keys
when
you
use
the
SPLIT
function.
1.
Check
to
see
that
the
upper
button
(SOUND
1
button)
is
lit.
Choose
the
upper
key
sound
with
the
SELECTOR
as
when
normally
choosing
sound,
2.
Next,
select
lower
key
sound.
Press
the
lower
button
(SOUND
2
button)
and
choose
the
sound
in
the
same
way.
3.
Press
the
SPLIT
button.
Consequently,
the
different
sounds
chosen
for
the
lower
keys
and
upper
keys
will
be
heard
when
the
lower
and
upper
keys
are
played
respectively.
You
can
enjoy
two
sounds
at
the
same
time
when
you
use
the
SPLIT
function.
DIGITAL
REVERB:
The
X65-D
lets
you
select
between
two
types
of
reverb
(echo).
When
the
power
of
the
X65-D
is
first
turned
on,
the
HALL
button
will
be
lit
to
indicate
that
the
deeper
HALL
reverb
effect
is
selected.
When
you
press
the
ROOM
button,
the
button
will
light
and
the
more
intimate
“ROOM”
reverb
will
be
selected.
To
turn
the
reverb
effect
“off”,
press
whichever
reverb
button
is
lit
(either
HALL
or
ROOM).
This
will
leave
both
reverb
button
lights
off
and
the
reverb
effect
will
be
cancelled.
All
of
the
above
effects
(except
for
digital
reverb)
can
be
applied
only
te
SOUND
1
or
SOUND
2,
not
fo
the
auto-accompaniment
parts
(RHYTHM,
BASS,
or
CHORD).
When
you
choose
the
DUAL
or
STEREO
CHORUS
effects,
the
number
of
notes
that
can
be
heard
at
the
same
fime
(polyphony)
will
be
reduced.
The
DUET
effect
cannot
be
activated
when
Auto
2
or
Auto
3
is
selected.
(Refer
to
page
A-3
for
details).

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Mi
Style
Maker:
Creating
Accompaniment
Styles
@
Creating
BASIC
Patterns
Have
you
ever
wished
you
could
take
your
own
musical
ideas
and
put
together
a
dynamite
auto-accompaniment
style
of
your
own?
Now
you
can!
Using
the
Style
Maker
feature,
you
can
create
your
own
Styles
(including
INTRO,
FILL-IN,
ENDING,
and
BASIC
Patterns).
This
is
an
extremely
powerful
feature
that
offers
you
tremendous
creative
freedom!
1.
Use
the
SELECTOR
buttons
to
select
a
style.
For
this
example,
try
the
HAKEWSTORE
SITES
Style
No.
033
(POP
ROCK
1).
2.
First
select
the
BASIC
Pattern.
With
the
accompaniment
turned
“off”,
press
the
STYLE
MAKER
button
(which
does
not
light).
Then
press
the
START/STOP
button.
The
display
will
change
to
read
“bAS”,
which
is
short
for
“Basic.’”’
This
rc
!
BAS
[7
indicates
that
the
BASIC
Pattern
has
been
selected.
BAS
im)
]
Now
change
the
Rhythm
(drum)
part.
_
Find
the
STYLE
MAKER
section
at
the
right
end
of
the
keyboard
which
is
identified
by
the
heading
STYLE
MAKER
above
the
keys.
This
section
contains
the
“User
Program”
keys
for
changing
accompaniment
styles.
Notice
that
there
are
two
RHYTHM
CLEAR
keys
in
the
STYLE
MAKER
RHYTHM
section.
That
is
because
the
Rhythm
part
is
made
up
of
two
elements
-
CLEAR
the
“Group
A”
Rhythm
part
and
the
“Group
B”
Rhythm
part.
The
Group
A
Rhythm
part
is
heard
through
the
two
smaller
recessed
speakers
on
the
X65-D.
The
Group
B
Rhythm
part
is
heard
through
the
two
larger
speakers.
(a)
Changing
the
Group
B
Rhythm
Part
Press
the
G#5
key
(labelled
“Rhythm
Clear”)
twice.
You'll
hear
the
metronome
begin
to
play.
The
metronome
is
on
if
you
can
hear
a
high
“wood
block”
sound
on
the
first
beat
of
each
measure.
The
display
will
change
to
show
the
number
of
the
POP
ROCK
Style
(that
is,
number
033).
Try
adding
the
CLAP
sound
by
pressing
the
D#1
key
(which
controls
the
CLAP
sound)
wherever
it
seems
appropriate.
Add
other
drum
sounds
to
suit
your
musical
taste.
,
(b)
If
you
make
a
mistake
(for
example,
you
put
the
claps
in
the
wrong
2-b
place),
use
the
“Rhythm
Erase”
key
(A5)
to
remove
the
mistake.
Hold
down
the
Rhythm
Erase
key
(A5)
while
you
press
the
“CLAP”
key
(D
#1).
All
CLAP
sounds
will’
be
instantly
erased.
(c)
Changing
the
Group
A
Rhythm
Part
Press
the
D#5
key
twice.
The
entire
Group
A
rhythm
part
will
be
erased.
Now,
use
the
drum
keys
to
rebuild
the
rhythm
part.
If
you
make
a
mistake,
use
the
Rhythm
Erase
key
(A5)
to
erase
a
particular
RHYTHM
-
sound
as
before.
Three
CLEAR
keys
at
the
left
side
of
the
STYLE
MAKER
section
(C#5
fo
D#
5)
are
used
to
create
the
Group
A
parts.
Fioe
CLEAR
keys
from
£5
to
G#S
are
used
to
create
te
Group
B
parts.
2-¢
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2.
Changing
the
Bass
part.
.
Now,
move
on
to
the
bass
part.
Press
the
“BASS
CLEAR”
key
(G5)
twice.
The
bass
part
should
disappear
and
the
display
will
change
to
show
the
number
039.
This
indicates
that
sound
039
(SYNTH
BASS
1)
is
currently
being
used
for
the
bass
part
in
this
Style.
Use
the
notes
from
Ci
to
C5
to
create
a
new
bass
part.
To
use
a
sound
other
than
SYNTH
BASS
1
for
the
bass
part,
select
a
sound
you
prefer
using
the
SELECTOR
buttons.
The
new
sound
number
will
appear
in
the
display.
3.
Last,
let’s
change
the
Chord
part.
The
chord
part
consists
of
five
elements
(Chords
1/2
of
Group
A
and
Chords
1/2/3
of
Group
B).
Press
the
CHORD
3
CLEAR
key
twice.
The
number
058
should
appear
in
the
display.
This
indicates
that
sound
.
number
058
is
being
used
for
the
Group
B
Chord
3
part.
Use
the
keys
from
C1
to
C5
to
add
some
notes
to
this
part.
To
use
a
sound
other
than
Sound
058,
select
the
sound
you
want
using
the
SELECTOR
buttons.
When
you
press
the
STYLE
MAKER
“CLEAR”
key
once,
that
part
will
be
selected
and
it
will
be
possible
to
store
a
new
Style.
Pressing
the
STYLE
MAKER
“CLEAR”
keys
twice
erases
all
notes
from
that
part,
allowing
you
to
rebuild
it
from
scratch.
The
three
CLEAR
keys
at
the
left
side
of
the
STYLE
MAKER
section
(C#5
to
D
#5)
are
used
to
create
the
Group
A
parts.
the
five
CLEAR
keys
from
E5
to
G#5
are
used
to
create
the
Group
B
parts.
Use
the
procedure
described
above
to
create
any
of
the
other
parts
of
an
accompaniment.
For
example,
press
the
Group
A
“Chord
1
Clear”
key
twice.
The
entire
Group
A
Chord
1
part
will
be
erased.
Then,
create
a
new
Group
A
Chord
1
part
to
suit
your
musical
taste.
Use
the
C,
E
and
G
keys
from
Cl
to
C5
to
create
Chords
1/2
parts.
>
Both
Group
A
and
B
parts
will
be
erased
when
Chord
1
and
2
parts
are
cleared.
So
far,
we
have
changed
each
of
the
elements
(rhythm,
bass,
chord)
of
the
POP
ROCK
Basic
Pattern.
But
we
have
not
yet
stored
the
revised
Style
in
the
X65-D
User
Memory.
Before
describing
the
“storing”
procedure,
let’s
change
the
FILL-IN,
ENDING
and
INTRO
Patterns
as
well.
H
Creating
FILL-IN,
ENDING
and
INTRO
Patterns:
|
Fy
Link
INTRO/ENDING
rr
Fr
FILL-IN,
ENDING
and
INTRO
Patterns
can
also
be
changed:
using
the
same
procedure
that
you
used
to
change
the
Basic
Pattern
in
the
previous
pages.
1.
Try
changing
the
FILL-IN
Pattern:
With
Style
033
(POP
ROCK)
still
selected,
press
the
SYNC/FILL-IN
button.
The
display
will
change
to
read
FIL
and
you
should
hear
the
POP
ROCK
FILL-IN
Pattern.
Change
this
FILL-IN
Pattern
to
suit
your
taste
by
using
the
same
procedure
that
you
used
to
change
the
Basic
Pattern.
.
Now,
change
the
INTRO
and
ENDING
Patterns:
When
you
press
the
INTRO/ENDING
button,
the
display
will
change
to
read
“Int”
and
you
will
hear
the
POP
ROCK
“INTRO”
Pattern.
Press
the
INTRO/ENDING
button
once
more
and
you
will
hear
the
ENDING
Patterns.
The
INTRO/ENDING
button
lets
you
switch
back
and
forth
between
INTRO
and
ENDING.
Now,
edit
these
patterns
using
the
same
procedure
described
earlier.
When
creating
difficult
patterns,
try
slowing
down
the
tempo
for
input.
Then,
speed
the
tempo
up
again
for
playback
or
performance.
The
same
Bass
and
Chord
sounds
will
be
used
on
all
four
pattern
types
(BASIC,
INTRO,
FILL-IN,
and
ENDING)
for
each
Style.
The
last
sounds
you
choose
for
the
Bass
and
Chord
parts
are
the
ones
that
will
be
memorized
when
you
store
the
style.
For
example,
if
you
chose
CLAVI
for
the
bass
part
sound
when
creating
the
BASIC
Pattern,
but
later
changed
it
to
CELLO
when
creating
the
ENDING
Pattern,
then
CELLO
will
be
stored
as
the
bass
sound
for
all
four
of
the
pattern
types.
A-4

If
you
incorrectly
enter
one
or
more
notes
while
creating
any
part
of
the
auto
accompaniment
style,
just
press
the
CLEAR
key
for
that
part
and
all
of
the
notes
that
you
input
will
be
erased.
(For
example,
if
you
press
the
G#5
key
while
creating
the
bass
part
for
a
style,
the
entire
bass
line
will
disappear.)
You
can
use
the
RHYTHM
ERASE
key
(A5)
to
remove
individual
drum
sounds
from
a
Rhythm
part.
For
example,
to
remove
only
the
“closed
hi-hat”
sound
from
a
Rhythm
part,
hold
down
the
A5
key
and
press
the
FH#1
key
which
controls
the
closed hi-hat
sound.
That
sound
will
be
removed
from
the
Rhythm
part.
When
using
STYLE
MAKER,
always
create
styles
in
the
key
of
C.
Once
your
new
Style
is
stored,
the
auto-accompaniment
system
of
the
X65-D
will
automatically
modify
the
Style
you
create
to
suit
any
chord.
>
You
cannot
edit
the
Variation
and
EILL-IN
2
Patterns
on
the
X65-D.
¢
Storing
Your
New
Patterns
MAKER/STORE
TT
i}
if
Li
Nee
+1/
YES
vy
y
Ls
STYLE
MAKER/STORE
Now
that
you've
created
an
entirely
new
Style,
store
it
in
the
keyboard’s
User
Memory
using
the
following
procedure:
1.
With
your
new
Style
in
final
form,
press
the
STYLE
MAKER
button
once
again
(we
assume
you
haven’t
pressed
it
since
the
beginning
of
this
Style
Maker
section).
The
display
should
change
to
read
“f}
!”.
If
you
press
the
STYLE
Maker
Button
one
more
time,
the
AUTO-
ACCOMP.
that
was
created
will
be
stored
in
USER
1.
2.
On
the
X65-D,
it
is
possible
to
store
up
to
two
Styles
which
you
have
created.
Those
two
Styles
will
be
stored
as
Styles
099
and
100,
which
are
listed
as
USER
1
and
USER
2
in
the
“STYLE
LIST.”
The
“a?
!”
in
the
display
indicates
that
USER
1
is
selected.
wou
can
use
the
SELECTOR
buttons
to
change
this
number
from
“uf
/”
to
“Ji2”.
In
this
example,
let’s
store
our
style
in
the
USER
2
location.
Use
the
+1
button
to
change
the
display
to
“U2”.
Press
the
STYLE
MAKER
button
one
more
time.
The
style
you
just
created
will
be
stored
as
Style
100
(USER
2).
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