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  9. Kawai MK 10 User manual

Kawai MK 10 User manual

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Copyright 2025 Manuals.Online. All Rights Reserved.

PERSONAL
KEYBOARD
INTRODUCTION
Thank
you
for
purchasing
a
member
of
Kawai’s
MK
Series
of
electronic
keyboards.
These
advanced
instruments
use
the
latest
developments
in
electronics
to
offer
you
more
features
than
you'll
find
in
any
other
personal
keyboard.
The
MK
Series
provides
the
unsurpassed
flexibility
and
full
realism
of
both
PCM
sound
sources
and
Kawai's
own
Variable
Memory
(VM}
sound
sources.
Complete
touch
sensitivity
and
many
other
features
provide
you
with
total
artistic
expression,
whether
you're
new
to
playing
keyboards
or
whether
you're
already
well-versed
in
advanced
electronic
musical
instrument
techniques.
To
help
you
get
the
most
from
your
new
instrument,
we
recommend
that
you
practice
with
your
keyboard
as
you
read
the
explanations
in
this
guide.
You'll
want
to
keep
this
manual
handy
for
future
reference.
FEATURES
*
VM
Sound
Sources
Kawai'’s
Variable
Memory
{VM)
sound
sources
use
the
latest
digital
technology
to
create
just
the
sounds
that
you
are
looking
for
—
from
the
Jush
sounds
of
a
full
orchestra
to
the
pure
tones
of
a
synthesizer.
*
Touch
Response
Function
Kawai’s
Touch
Response
function
allows
you
to
control
the
MK’s
tone,
volume,
and
percussion
sounds
with
your
touch
on
the
keyboard.
*
Flexible,
Realistic
Rhythm
Accompaniment
.
PCM
recording
faithfully
reproduces
rhythm
patterns,
hand
percussion,
and
fill-ins
recorded
digitally
with
professional
musicians.
The
keyboard
provides
a
complete
selection
of
rhythm
patterns
you
can use
with
a
tremendous
variety
of
songs.
*
Programming
Ease
The
MK
series’
Program
Registration
feature
allows
you
to
store
a
combination
of
settings
tone,
rhythm,
volume,
and
other
key-
board
features
easily
for
instant
recall
later.
The
MK20
also
includes
a
program
sequencer
which
stores
melody,
accompani-
ment,
and
other
parts
in
real
time,
as
your
play.
*
MIDI
Link
to
Other
Instruments
The
internationally-recognized
MIDI
standard
aliows
you
to
connect
your
MK
Series
Keyboard
to
synthesizers,
drum
machines,
and
other
electronic
instruments
so
that
you
can
control
them
from
your
Kawat
keyboard.
CARE
AND
MAINTENANCE
PROTECT
YOUR
MK
KEYBOARD
FROM:
*
Direct
sunlight
and
exposure
to
the
elements
*
Temperature
and
humidity
extremes
*
Unstable
or
“noisy’”
AC
power
*
Dust
and
sand
*
Vibration
during
transport
POWER
SUPPLY
*
Use
a
10-volt
power
supply
*
Make
sure
that
all
power
switches
are
off
before
changing
equipment
connections
CLEANING
*
Clean
the
instrument
with
a
soft
cloth,
a
mild
detergent
and
lukewarm
water
*
Never
use
harsh
or
abrasive
cleaners
or
organic
solvents
REPAIRS
The
MK
keyboard
should
only
be
serviced
by
an
authorized
Kawai
repair
station.
Always
save
your
valuable
internal
data
to
a
PROGRAM
CARD
before
taking
the
MK20
in
for
service,
as
the
data
may
be
erased
during
repair.
HELPFUL
HINT
Back-up
A
special
capacitor
preserves
memory
contents
(PROGRAM
REGISTRATION/SEQUENCER/ACCOMPANIMENT)
for
a
week
after
the
power
is
turned
off.
If
you
wish
to
keep
the
data
for
longer
periods,
either
turn
on
the
power
within
a
week
after
the
power
is
turned
off
or
copy
it
to
a
program
card
(MK20)}.
English
TABLE
OF
CONTENTS
1.
PLAYING
FOR
THE
FIRST
TIME
Tel
SEVIS
UP
pirat
4
ok
hah
eee
hie
eee
hem
SF
AAAEO
EE
Sa
ee
Se
oes
Sa
Ee
5
etal
-LIPCIPOWER
Sik
cctiiae
oe
Oe
is
ate
eke
alts
Dae.
totes
Ca
eee
hte
to
eicu
tag
tenant
gonads
5
Vlad:
SOUOry
POWER
6h
ie
ces
hea
waren’
bend
be
eS
Rae
s
DAE
R
aa
Lad
UR
Sheed
NER
G
Rae
EE
5
Sl
d
-SVILISIO
SIAN
wi
6
aS
ows
Mies
hake
oy
wed
Ge
oe
ees
woe
een
ea
enter
pare
tecaaees
5
1:2
IMPORTANT
NOTES:
uric
dae
ek
Hane
saree
dicks
ee
Rte
ee
ahe
ae
Boca
de
leeabedeel
5
Weg,
ROWER
tat
tectasaet
was
ig
care
ets
kw
wea
os
geet
aeae
Aye
owe
wea
ace
ea
ce
Rel
een
GN:
Goto
ts
GE
5
2?
;
Locations
cess
iach
oo
ed
db
aaa
eee
ees
SR
eed
Koa
ew
tate
aw
meee
twee
5
Ve:
GIEANNG:
oe.
a
wnce
te
aceunten
sa
hel
nase
ane
mu
sak
eeens
Seka
tte
cence
5
12
ROD
ANNS:
cau
seein
aie
eee
ewe
2
bok
eae
aw
aa
ew
Eee
Aaland
WORM
ee
OL
ee
LAG
te aa
ey
5
1235).
PUNO
Oh
+3420
ote
dor
Goi
es
eae
OO
nas
Swen
atica
eM
Nace
Babee
ewes
ee
5
1.3
COMPORENTS
0
2¢0e
she
lecte
a
See
ksi
ne
te
nau
ae
cle
fee
a
loueules
cue
dentek
eee
a4
6
1:4
GETTING
READY
TO
PLAY.
a
cdco
eee
8S
kx
Sw
ea
Wend
edd
ciwd
se
Gie-aivig
Gates
Wale
yews
Rawls
9
PA
MPOWErS
935
aCe
eras
yeaa
dk
corn
EON
PES
se
NE
ha
9
ee
tah
ob
nuda
Be
Bele
9
12
MaSter
VOIIINE
55.68
Sor
ne
RR
ew
alae
Wa
OAR)
Sle
a
ee ow
Dea
le
5o
ae
bod
bare
wkd
9
TALS?
SteregtIMI2G
ON?
a
snakes
aaewaw
vewatcun
eee aed
ei
nawpaaeeeg
oleae
nac
as
9
ee
TOUGCI
ote
pete
W
ew
aracan
Helaaie
es
eal
ie
band
eared
w
Rania
ead
Dare
eta
oe
wale
eee
aM
cea
eles
9
WA:
WUD
cose
setndnarcadks
oa
Satie
iat
ee
Sis
here
ek
nists,
3
sew
awl
hem
bbe
s
oid
So
tea
hae
ate
9
DAG
TAIT
cstslel
core
Sak
beecasen.
4
as
8
sees
ate
ARR
we
eR
Wiin
g
aah
eats
edt
one
eee
oe
9
AD
NWWANSROSE
cc
eriatecw,
care
Susoset
ane
ye
Ree eae
eet
Oke
es
aa
ae
ate
xs eo
mtaeuads
9
2.
TONES
AND
EFFECTS
Za,
BOLO
TONES:
-csccar
cea
tererrsa
ee
eee
eee
bah
a
de
wu
reds
Ve
waa
e
ee
ress
10
ZAGT
>.
SRISCUNG
a
HONG,
hi0s.s-5
32s
5
vNO
ak
Baa
eda
aaa
ae
he
eS
SoG
be
boa
hates
10
2c.
Experimenting.
WIT
EMeCUS
~
xh
lneie
ga
clw
a
ae
wey
oto
clade
ea
aid
ote
aie
Bee
O
Se
acne
bee
10
2:2
CRACHESTRA
TONES
\
6
oi
55
do
ee
ERS
oO
eh
ohn
noe
wea
en
ee
eeeeeed
11
22a
RICCHNO
A.
PONGy
as
cuted
Pega
tarecuehats
Ghets
Gaeee
ees
we
eke
oon
late
11
22.2:
EXERIMENU
OG
WIL
EHOCIS:
4.055
1
lates
lol
cle
sateen
ie
iis
operant
Sa
melanie
laa
hy
11
2.3
COMBINING
SOLO
AND
ORCHESTRA
TONES
.............
0.
cee
ee
eee
ees
12
2.4
SPLITTING
THE
KEYBOARD
BETWEEN
SOLO
AND
ORCHESTRA
...................
12
2.5
SPLITTING
THE
KEYBOARD
BETWEEN
TWO
ORCHESTRATONES
.................
1
2.6
CHANGING
THE
KEYBOARD
SPLIT
POINT
.............
0.00.
ce
cece
eee
eee
ee
eeeee
12
3.
RHYTHM
OSE
LEC
UI
ACR
YER
Gioia
oar dtr
reals
eee
adi
wat eds
dalavee
tae
beahdeuenasebis
13
$22
SO
IARTING
ARAVA
«icc
ate
fee
in
aw
yak
duet
nd
bee
bed
Be
woe
Shek
Babe
Oe
EN
Oweows
1
oo
STOPPING
A
AAVIAM.
6
aiid
andeterewei
eis
te
tate
roe
pata
baw
Wau
aire
aaah
akes
13
3.4
GETTING
RHYTHM
VARIATIONS
.....
00...
ccc
cc
een
cece
nevenveneres
ie
3:5
SPEGIAE
RHYTHM
EFFECTS
#
inact
oaiian
ce oe
can
ddecduwee
aidwned
novo
ix
erect
dena
14
S51)
-FEMmGG
Vanatlons
ac
io
vi.
caatinsewet
le
eadd-va
ek
oe
nu
bwe
haan madd
baw
Rew
eed
Rees
14
S002.
"Pattern
VarlaulOlis:
eitecoaaeackons
cde
amb
Saeed
de
od
ena
cee
dine
wae
aS
14
etek,
UL
NS
Fe
Ve
Sew
een
a
ee
SA
ole
LAB
ods
GW
EA
DR
ere
eel
Bok
Salas
dae
etude
dk
14
3.5
aN
PElCussiOMy
+40
Noh
ky
Gv
sik
6
ee
eR
ad
Rae
alae
eo
Che
ee
ahine
tue
a
eedawew
keen
14
3.6
USING
RHYTHM
WITH
AUTO
PLAY
ACCOMPANIMENT
............
00.0.0.
cee
cue
ee
15
4.
AUTO
PLAY
ACCOMPANIMENT
4.1
NORMAL
FINGERING
.....
02.0...
ccc
ccc
cece
ce
een
ee
rece
center
eeraeeuns
16
4.2:
ONE.
FINGER
OPERATION:
<i
hoses
coe ede
vee
eetes
eave
determine
eo
eye
leeeeds
16
A2\.-
“CHOP
SpeCinegHOns:
-.«
22
9.00%
done
satis
Weare
Oe
iiammoe
eeu
Boe
een
BTR
ve
17
4.3
ADVANCED
ACCOMPANIMENT
FEATURES
...........
0.
ccc
cc
cee
cece
eee
eens
17
A314)
CONSTAND
avccteaveda
wud
es
ak
wince
cee
ee
oy
URSA
k
ts
Ada
e
Reo
huey
ood
herreewes
17
AS
2.
NarnanOns:
tis
ccnrecaasdwsw
adi
av
eres
TA
bend
ba
REN
e
eee
bauerotii
be
te
ociees
17
Ada:
“SPeCtal
VANAHONS
“5.152565.
4.20
056
RS
tS
eA
VA
a
HAG
RA
eS
ESA
RRS
ewe
ones
17
AS
(CHANGING
TONES!
6
i444
4
eerie
eae
rey
eeeles
6
hee
awe
ees
Bene
eda
eae
be
Cee
eee
18
5.
PROGRAM
ACCOMPANIMENT
Rit
BAoIG
PROCEDURE
sas
Sains
eeceeulvsd
oueud
hedbol
es
aalebe
neat
sah
ieaceciy
ceuee
whens
s
19
Oalcd
PROPOrg
(Ol
WUE
acetic
Lo
psp
dein
nk
has
ab
Ra
wlS
GORE
Hee
ue
hod
ba
ak
19
Didee,
MMDUE
vs
ee
ecks
eee
al
Meant
atl
dete
tile
ci
eee
ea
aie)
hte
iee
od
19
Meds
SRQRAOE
+
5s
gah
viad
gnds
Seca
ews
Sewn
e
LE
Sete
binc’
otttead
Ge
uu
kai
te
20
Dd
-HGCAll
tsatctsiwsas
ciate
taser
een
dluleae
lute
seated
aca
ads
eee
oy
ates
20
5.2
PROGRAMMING
PROCEDURE
IN
DETAIL
...........
0...
cc
ccc
cece
cccccucucccccees
20
S201)
Prepanng
10
Program.cs.
chad
cued
eta
Peed
x
eSh aaa
ueed
buena
doesn
ee
eee
Ae)
5.2.2
Programming
the
Rhythm
Pattern
.............-0......005
Kncadinita
iets
Cain
wendaowean
es
20
5.2.3
Programming
the
Chord
Pattern
.......
0.0...
cece
eee
eee
caaees
Fay
ene
weer
a
20
5.2.4
Programming
the
Bass
Pattern
........
0.0.
ccc
cece
cece
ccc
cccvceceveeuceuctnees
21
5.2.5
Programming
the
Counter-melody
Pattern
.......
0...
cece
cee
ceccccccucvceuceuucs
21
5.3
STORAGE
AND
RECALL
6
vias
vcires
can
euaseesends
boule
uw
eddboevcwaweesann
ats
22
Bidit:-
SIOrage
PrOCOGUNe
a
tae
cones
Mean
iekl
eg
eGh
och
c
alee
Pa
dvd
cas
lowe
buwan
22
D.0-2:
(RECO
PIGCROITO®
gs
cosas
ance
atch
ase
hefids-s
aed
eka
SS
Misra
s
wed
Aenea
Bae
She
oe
aie
3:33
“REVISION.
PrOCEOUNG.
Ss
2.cancck
cirateneyeoeesaiee
urate
ed
eb
atid
One
vie
dincein
cent
22
6.
PROGRAM
SEQUENCER
(MK20
only)
6.1
USING
THE
SEQUENCER:
svivsia
vrs
deeedd
eeueeds
einticeoss
bet
bedeesd
Sou
ads
vases
23
6.1.1
Rhythm
and
Chord
Accompaniment
............
ccc
cece
ccc
ceecccuccvccveueevece
23
6.9.2)
SOI:
‘visetiers
vrsawselawes
Pe
RNR
Mae
WE
wae
Vp
en
ean
eae
AES
Wee
SC
ase
23
1S),
ONCHGSte
viniy
caer
t
visin
ee
Gen
dob
ae
Sed
Coa
wus
EE
oe
aoe
wid
coe
ute
ao
eared
23
Gat”.
PIGVIGOR:
40.
acaa
wees
hu
cians
dash
were
wh
ween
wats
Lowe
eee
eee
hae
be
kneete,
eh
..
23
GUUS:
sMOdIVING
4
SeqUuONCE.
-
fics
Waaee
ss
less
key
en
See
serene
tee
aes
cea
Seba
unease
23
7.
PROGRAM
REGISTRATION
7.1
TO
SETUP
A
REGISTRATION:
isisscsseks
cis
conde
ddeeged
oncabedeeednded
bwin
beeues
24
8.
PROGRAM
CARD
(MK20
only)
Bt
AVE
ak
cobs.
ruched
wil
ae
inne
Dea
aeaeaed
ea
ce
ee
aw
onCaawenemed
cen
ecapucmiant
tose.
25
8.1.1
To
save
your
data
onto
a
RAM
CARO:
26
apenivensssadt
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9.
MIDI
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—
REGISTRATION
1.
PLAYING
FOR
THE
FIRST
TIME
1.1
SETTING
UP
1.1.1
Line
Power
Your
MK
Series
keyboard
includes
an
AC
adapter
with
two
cords
connected
to
it.
Plug
its
power
cord
into
a
wall
socket
and
the
other
cord
into
the
9-12
V
DC
jack
on
the
back
of
the
keyboard.
1.1.2
Battery
Power
Your
MK
Series
keyboard
is
also
capable
of
battery-powered
operation.
Remove
the
cover
on
the
bottom
of
the
keyboard
and
insert
six
size
“A”
cells.
Be
sure
the
batteries
face
in
the
correct
direction
as
indicated
in
the
battery
compartment.
If
lamp
next
to
the
POWER
switch
flashes
when
you
turn
on
the
-
keyboard,
the
batteries
are
running
low.
Promptly
replace
the
entire
battery
set.
1.1.3
Music
Stand
insert
the
music
stand
in
the
two
holes
provided
on
the
eee
of
the
keyboard.
1.2
IMPORTANT
NOTES
1.2.1
Power
*Use
only
the
adapter
provided
and
only
connect
it
to
an
outlet
with
the
proper
voltage.
*Do
not
handle
the
power
cord
with
wet
hands.
An
electrical
shock
may
result.
*Be
careful
not
to
step
on
or
trip
over
the
power
cord.
The
wires
inside
may
break
or
short-circuit.
1.2.2
Location
|
*Avoid
locations
with
excessive
dust
or
humidity.
*Avoid
heaters,
direct
sunlight,
and
other
sources
of
extreme
heat.
1.2.3
Cleaning
*Wipe
the
unit
with
a
clean,
dry
cloth.
Remove
excess
dirt
with
a
tightly
wrung,
damp
cloth.
*Never
use
alcohol,
paint
thinner,
or
other
organic
solvents.
1.2.4
Repairs
*Never
attempt
to
remove
or
modify
internal
components.
This
will
void
your
warranty
and
it
may
cause
damage
to
the
instrument.
*lf
your
keyboard
appears
to
be
malfunctioning,
contact
the
store
where
you
purchased
the
instrument,
or
your
nearest
authorized
Kawai
service
facility.
1.2.5
Turning
off
When
you
finish
playing,
turn
off
the
power
and
make
sure
the
Power
light
goes
out.
Leaving
your
keyboard
on
for
extended
periods
may
lead
to
electrical
problems.
@
POWER
switch
Controls
the
keyboard's
power.
@
MASTER
VOLUME
slider
Controls
the
keyboard’s
output
volume.
©
AUTO
PLAY
ACCOMPANIMENT
controls
Control
the
keyboard's
automatic
accompaniment
functions.
@
RHYTHM
section
Controls
the
keyboard’s
automatic
rhythm
accompaniment.
@
SOLO
controls
Control
the
SOLO
tone
and
the
tone
for
the
automatic
accompaniment.
@
ORCHESTRA
controls
Control
the
ORCHESTRA
tone.
@
HAND
PERCUS
switch
Turns
a
section
of
the
keyboard
into
a
percussion
section.
®
FILL-IN
switches
Provide
temporary
variations
in
the
rhythm
or
automatic
accompaniment.
@©
PROGRAM
REGISTRATION
section
Controls
storage
and
retrieval
of
tone,
rhythm,
volume,
and
other
settings.
@
PROGRAM
CARD
(MK20
only)
Provides
an
external
storage
medium
for
holding
program
sequencer,
program
accompaniment,
and
program
regiStra-
tion
data.
@
PROGRAM
SEQUENCER
section
(MK20
only)
Provides
separate
storage
facilities
for
rhythm,
automatic
accompaniment,
SOLO
and
ORCHESTRA
data.
These
may
be
combined
for
automated
playing.
(@®
PROGRAM
ACCOMPANIMENT
section
(MK20
only)
Allows
you
to
create
your
own
automatic
accompaniments
for
later
recall.
@®
SPLIT
POINT
switch
Allows
you
to
split
the
keyboard
into
two
sections.
Each
section
controls
a
separate
function.
@
PITCH
BEND
wheel
Bends
the
keyboard’s
pitch
up
or
down.
®
SPEAKERS
Monitor
keyboard
output.
The
MK20
features
two
speakers
for
stereo
monitoring.
1.4
GETTING
READY
TO
PLAY
1.4.1
Power
Shift
the
POWER
switch
to
turn
on
the
keyboard.
The
light
next
to
the
switch
will
turn
on.
O
OFF—w
=
—
ON
1.4.2
Master
Volume
Press
any
key
and
adjust
the
keyboard’s
output
volume
with
the
MASTER
VOLUME
slider.
MASTER
VOLUME
Mi
JAX
Softer
-—
——
Louder
1.4.3
Stereo
(MK20
only)
Press
the
STEREO
key
for
stereo
output
from
the
MK20’s
two
speakers.
This
provides
a
more
realistic
sound.
O
STEREO
ba
1.4.4
Touch
Press
the
TOUCH
key
to
activate
the
keyboard’s
touch
sensitivity.
The
tight
next
to
the
TOUCH
key
will
turn
on,
The
TOUCH
function
allows
you
to
control
the
volume
and
tone
of
the
keyboard
with
the
force
and
speed
of
your
keystrikes.
Pressing
the
TOUCH
key
again
cancels
this
function.
©
TOUCH
pa
1.4.5
MIDI
If
you
wish
to
use
the
keyboard's
MIDI
functions,
hold
this
switch
down
and
press
the
appropriate
panel
controls.
(See
p.
27
for
procedures).
Omi
eae
1.4.6
Tune
You
may
adjust
the
keyboard's
pitch
to
match
other
instruments
with
the
TUNE
control.
The
LED
next
to
one
of
the
two
TUNE
lights
whenever
the
pitch
is
lower
or
higher
than
the
standard
pitch
(A=440
Hz}.
To
return
to
the
standard
pitch,
either
turn
off
the
power
momentarily
or
simultaneously
press
both
TUNE
buttons.
O
TUNE
O
a
|)
Lower
pitch
Higher
pitch
1.4.7
Transpose
The
TRANSPOSE
buttons
allow
you
to
adjust
the
instrument’s
key
up
or
down
in
semitone
increments.
The
maximum
transpose
range
is
half
an
octave.
The
LED
next
to
one
of
the
two
TRANSPOSE
lights
whenever
the
key
is
different
from
the
standard
key
of
C.
To
return
to
the
‘standard
key,
either
turn
off
the
power
momentarily
or
simu!-
taneously
press
both
TRANSPOSE
buttons.
©
TRANSPOSE
«=O
a
Lower
key
Higher
key
H
BOXED
NOTE:
The
TRANSPOSE
function
eliminates
the
need
to
manually
transpose
your
music
from
one
key
to
another
to
match
another
instrument
or
a
vocalist.