Kenton Modular Solo User manual

MODULAR SOLO
MIDI-CV converter for Eurorack modular synths
Operating manual

2
Warning -
DO NOT ADJUST THE TRIMMERS ON THE PC BOARD.
These are for factory setup ONLY.
All adjustments to scale and tuning are made using the
editing system on the front panel. Parameters 12-15.
_________________________________________________________________________
FCC STATEMENT FOR MODULAR SOLO
NOTE: This equipment has been tested and found to comply with the limits for a
Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are
designed to provide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses and can radiate radio
frequency energy and, if not installed and used in accordance with the
instructions, may cause harmful interference to radio communications. However,
there is no guarantee that interference will not occur in a particular installation.
If this equipment does cause harmful interference to radio or television reception,
which can be determined by turning the equipment off and on, the user is
encouraged to try to correct the interference by one or more of the following
measures:
-- Reorient or relocate the receiving antenna.
-- Increase the separation between the equipment and receiver.
-- Connect the equipment into an outlet on a circuit different from that to which the
receiver is connected.
-- Consult the dealer or an experienced radio/TV technician for help.
______________________________________________________________________

3
MODULAR
SOLO
INTRODUCTION
The MODULAR SOLO is designed for use in Eurorack (A100) modular systems. It is much
more than just a MIDI to CV converter as it incorporates a built in LFO as well as portamento
and many other functions. Please take some time to read through this manual prior to first
use to avoid any operational difficulties.
CONNECTIONS
POWER RIBBON
Plug one end of the supplied ribbon cable into the free slot on the Modular Solo and other end into the
backplane of your modular case. Ensure you get the polarity correct. See page 14 for diagram.
CV (Hz/V)
Plug this into the input marked CV IN, VCO IN, KEY VOLT or KYBD IN etc. on your mono-synth. This
controls the pitch of your synth. (What pitch to play)
GATE (S-Trig)
Plug this into the input marked GATE, V-trig, Trig, S-Trig, etc. on your mono-synth. This turns the note
on and off on your synth. (When to play)
AUXes 1,2,3,4 [continuously variable aux output]
Plug this into the input marked VCF, fcM, PWM, VCA, Filter, Volume, or any other external control
voltage input on your mon-synth. This enables you to control effects such as filter cut-off using MIDI
controllers. (Velocity, mod wheel, etc.) Note: not all mono-synths have such additional control inputs.
CLOCK 1 [digital aux output]
Use this as a clock connection or to control stop/start inputs. Signal is either zero or 5v/10v.
CLOCK 2 [digital aux out]
Use this as a clock connection or to control stop/start or trig inputs. Signal is either zero or 5v/10v.
SYNC 24 –(available from the MIDI out by selecting using socket select parameter 91
Connect to an input marked SYNC 24 or DIN SYNC to synchronise the clock of a device which uses
this system.
PRESETS [in memory locations 1 to 32]
As supplied, or after a full reset, presets 1 to 26 are all loaded with the default setup for use with an
SH-101. This setup is suitable for a lot of other standard CV / Gate synths too. The following presets
for other synths are loaded into the following locations. See page 3 for how to load setups.
Prog Synth Changes from default (SH-101) setup
#32 Roland SH-09 (also Moog Prodigy mk1 with KE skts) Gate 15V
#31 Minimoog S-trig, coarse tune –5 semitones
#30 Other Moog S-trig, coarse tune zero
#29 Korg MS-20 S-trig, Hz/V
#28 Yamaha CS-10 S-trig with 5V pullup, Hz/V
#27 ARP2600 (also Odyssey mk1+KE skts) Gate 15V, Aux1 set to TRIG
MIDI Master
keyboard
Analogue
synth
MIDI OUT
AUX,
Gate, CV
Filter, Gate, CV
MIDI IN
MIDI IN
Computer
MIDI OUT

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Switching On
When the MODULAR SOLO is switched on, the words KENTON MODULAR SOLO scroll across the
display, and the unit reverts to the settings from when it was last used.
The Display
The display has 3 digits each with a dot above. The 1st dot when lit indicates that PARAMETER mode
is currently selected. The middle dot when lit indicates that VALUE mode is currently selected. The
3rd dot will light whenever the MODULAR SOLO’s GATE is on (key pressed or sustained).
Stepping Through Parameters
Ensure that the PARAMETER dot is lit. If you need to, you can change between PARAMETER and
VALUE modes by briefly pressing the SELECT button, you can then use the INC and DEC buttons to
scroll through the available parameters. For additional confirmation, a “P” will appear in the left digit
whenever parameter mode is selected and the parameter name will scroll across the display.
Changing Values
Ensure that the VALUE dot is lit. You can change between PARAMETER and VALUE modes by
briefly pressing the SELECT button. You can then use the INC and DEC buttons to scroll through the
available values. The left digit is used for displaying the hundreds portion of the value if applicable. It
will also have a horizontal dash if a minus value is to be displayed. Minus values up to –127, or
positive values up to 255 are used. The display will automatically revert to parameter mode after
approximately 10 seconds if neither inc or dec are pressed. The value you have edited will then be
saved to ‘edit’ memory which will be remembered next time you use the MODULAR SOLO.
To speed up editing, the INC and DEC keys will repeat if held. To go faster still, when holding the INC
key then also press and hold the DEC key. Similarly, when holding the DEC key, also press and hold
the INC key.
Storing Setups
Any value you change is automatically stored when reverting to parameter mode (either manually or
after the 10 second timeout). You can also store the current setup to a memory location in the range 1
to 32. These can be recalled at a later date.
To store: select parameter 99, press the SELECT button to show the value, and use the INC and
DEC buttons to select the location you want to store to. Now press & hold the SELECT button (for
approx. 6 seconds) until the display reads ‘sto’ (store).
Loading Setups
To load: select parameter 98, press the SELECT button to show the value, and use the INC and
DEC buttons to select the location you want to load from. Now press & hold the SELECT button (for
approx. 6 seconds) until the display reads ‘lod’ (load). You can also load setups using program
changes if this feature is enabled (default is off). See parameter #93 (prog receive enable).
EDITING THE MODULAR SOLO
Gate On
Parameter mode
Value
mode
Minus

5
Below is a list of parameters available to edit. The letters in square brackets show
[where applicable] what will be shown on the LED display.
See page 20 for a full list of all parameters to use as a handy reference.
Menu
number Parameter (default)
CV & Gate Outputs -
P 01 MIDI receive channel (default :1)
Range 1 to 16
- Sets the MIDI receive channel.
P 02 Retrig Time (default: 5 = 1mS)
Range off [off] and 1 to 25 (0.2mS to 5mS)
- If set to off (normal trigger mode), the gate just stays on when a new note is played. (no re-trigger)
If set to a number, a valid new note will briefly turn off the gate to retrigger the envelope generators of
your mono-synth. (multiple trigger). The numbers relate to the off time in 0.2mS steps approximately.
P 03 Note priority (default: new)
The following can be selected:
New note priority [nn]
Low note priority [lo]
High note priority [hi]
- Sets the note priority for the converter.
If set to "nn" then the newest valid note played takes precedence.
If set to "lo" then the lowest valid note played takes precedence.
If set to "hi" then the highest valid note played takes precedence.
NB The MODULAR SOLO has a 5 note buffer memory so that trill effects can be achieved.
P 04 Pitchbend range (default: 2)
Range 0 to 12 semitones.
- The pitch bend range can be changed in semitone steps from zero to 12 semitones
P 05 Portamento controller number (default: 65)
- Sets which MIDI controller will turn on/off the portamento function.
The following can be selected:
On [on] always on
Off [of] always off
Auto portamento [AU] normally off but legato playing turns portamento on
MIDI controllers #0 to 119 data values of 64 and above =on, 63 and below =off
The standard MIDI controller for portamento on/off is #65 which is the default, but with this command ,
the MODULAR SOLO allows you to use another controller, direct control or Auto Portamento if you
wish.
PARAMETERS

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P 06 Portamento time / rate (default :98)
Range 1 to 127
- Sets the portamento (glide or slide) time. This can also be adjusted in real time over MIDI using
controller #5 (portamento time). This number is just a value, it is not calibrated in mS or any other unit.
To turn portamento off, set portamento controller (parameter 05) to off, don’t use this parameter.
P 07 Portamento type (default : fixed rate)
The following can be selected:
Fixed rate [Fr]
Fixed time [Ft]
- Fixed rate causes the portamento to slide at the rate set in 06, so that the slide time is proportional to
the interval between the start and finish notes.
- Fixed time will attempt to keep the time taken for the slide to be constant, regardless of the interval
between the start and finish notes. (In extreme cases this is not always possible)
P 08 LFO to CV controller number (default: 1)
Sets which controller will affect modulation amount of the CV output. The following can be selected:
Off [oFF]
Pitch bend [Pbd]
Velocity [VEL]
Aftertouch [AFt]
MIDI controllers 0 to 119
P 09 LFO to CV minimum value (default: 0)
Range 0 to 127
- Sets the level for LFO to CV modulation when the MIDI controller source is at its minimum.
Note that minimum can be set above maximum so that the controller works backwards.
Why would I want to do this? –You may want a pre-set amount of modulation applied at all times
P 10 LFO to CV maximum value (default: 50)
Range 0 to 127
- Sets the level for LFO to CV modulation when the MIDI controller source is at its maximum.
Note that minimum can be set above maximum so that the controller works backwards.
Why would I want to do this? –The modulation amount at mod-wheel maximum may be too great or
too little
P 11 LFO to CV reset value (default: 0)
Range 0 to +127
- Sets the level the LFO to CV modulation will reset to when the MODULAR SOLO is powered on or
when it receives a controller reset MIDI command or a new setup is loaded from memory. This is
equivalent to a MIDI message of this value being received, so it will be influenced by min and max
settings above.
Why would I want to do this? –You may want a pre-set amount of modulation that can however be
turned off later using the mod wheel
P 12 Coarse Tune / Transpose (default: 0)
Range -24 to +24
- Changing this will change the tuning of the mono-synth in semi-tone steps. If your synth does not
play C when you play a MIDI C (note#36), use this to make it as near as possible.
Why would I want to do this? –Your synth might not play a C when zero volts CV is applied to it, either
because it is out of adjustment, or maybe it was designed that way (e.g. Minimoog –zero volts = F)

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P 13 Fine tune (default: 0)
Range -127 to +127 (approximately a semitone each way –use P12 above if you need more)
- Fine tunes the mono-synth. This moves all notes up and down by the same amount.
P 14 Scale (default: 0)
Range -127 to +127
- This is used to tune in the octave scaling of your analogue synth. It will only need adjusting if your
synth sounds out of tune as you play further up the keyboard (see ‘Tuning in Your Analogue Synth’). -
Check whether CV type select has been set correctly (see ‘P 15’ below).
Note C (MIDI note#36) will not move (assuming transpose is not in operation) so get that in tune first
then tune the C two octaves above that by using this parameter.
P 15 CV –Hz/V –1.2V/oct select (default: CV)
- This should be set to V/oct [CV] for connecting to most synths, such as Roland, SCI, Octave,
Oberheim or Moog synths. Set it to Hz/V [Hz] if you are using either Yamaha or Korg mono-synths
(except the Monopoly which is volt per octave). A very small number of synths use 1.2 volts per
octave [12] (one tenth of a volt per semitone) –in which case select this option.
P 16 Gate type select (default: G 05)
- you can select the following types for the GATE output:
Gate V-Trig +5v [g 05]
Gate V-Trig +10v [g 10]
Gate V-Trig max [g 12] (just over 11v)
Gate is the most common signal used for telling a synth when to play its note. The 10v level Gate is
suitable for most synths, such as Roland, SCI, ARP, Oberheim. The 5V level gate may be needed for
synths that require a lower gate voltage such as the SH-101.
S-trig +5v pull-up [S 05]
S-trig +10v pull-up [S 10]
S-trig max pull-up [S 12] (just over 11v)
S-trig +5v pullup would be used for most Moogs & Korgs, and the Yamaha CS range instead of Gate.
AUX1 output
P 20 AUX 1 controller number (default: 16)
- Sets which MIDI controller will control the auxiliary output. The following can be selected:
Off [oFF]
Pitch bend [Pbd]
Velocity [VEL]
Aftertouch [AFt]
MIDI controllers 0-119
P 21 AUX 1 minimum value (default: 0)
Range -27 to +100
- Sets the level for the Auxiliary output when the MIDI controller source is at its minimum.
A value of 10 is approximately 1 volt –so 100 is approx. 10 volts and –27 is approx. −2.7 volts
Note that minimum can be set above maximum so that the controller works backwards.

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P 22 AUX 1 maximum value (default: 100)
Range -27 to +100
- Sets the level for the Auxiliary output when the MIDI controller source is at its maximum.
A value of 10 is approximately 1 volt –so 100 is approx. 10 volts and –27 is approx. −2.7 volts.
Note that minimum can be set above maximum so that the controller works backwards.
P 23 AUX 1 reset value (default: 0)
Range 0 to 127
- Sets the level the Auxiliary output will reset to when the MODULAR SOLO is powered on or when it
receives a controller reset MIDI command or a new setup is loaded from memory. This is equivalent to
a MIDI message of this value being received, so it will be influenced by min and max settings above.
P 24 Key scale to AUX 1(default: 0)
Range 0 to 127
- Sets the amount of key scaling which is applied to the Aux output (for opening the filter up as you
play notes further up the keyboard. Most synths do this internally even when connected to a CV
converter –however not all do, a particular exception being the Sequential Pro-One. This feature
enables key-scale to filter, even when not otherwise available on the synth.
P 25 LFO to AUX 1 controller (default: 17)
- Sets which Controller will control the LFO depth applied to the AUX1 output.
The following can be selected:
Off [oFF]
Pitch bend [Pbd]
Velocity [VEL]
Aftertouch [AFt]
MIDI controllers 0 to 119
P 26 LFO to AUX 1 minimum value (default: 0)
Range 0 to 127
- Sets the level for LFO to AUX modulation when the MIDI controller source is at its minimum.
Note that minimum can be set above maximum so that the controller works backwards.
P 27 LFO to AUX 1 maximum value (default: 64)
Range 0 to 127
- Sets the level for LFO to AUX modulation when the MIDI controller source is at its maximum.
Note that minimum can be set above maximum so that the controller works backwards.
P 28 LFO to AUX 1 reset value (default: 0)
Range 0 to 127
- Sets the level the LFO to AUX1 modulation will reset to when the MODULAR SOLO is powered on or
when it receives a controller reset MIDI command or a new setup is loaded from memory. This is
equivalent to a MIDI message of this value being received, so it will be influenced by min and max
settings above.

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LFO control
P 30 LFO rate / speed (default :116) [approx 6.25Hz]
- Sets the speed of the LFO. Range approx 0.1Hz to 100Hz.
Range 0 to 191
Note: This number is just a numeric value for reference purposes only. It is not calibrated in mS or any
other unit. The scale is roughly logarithmic. Approximately 0=0.1Hz 66=1Hz 129=10Hz 191=100Hz
P 31 LFO waveshape (default :TR)
- Sets the LFO waveshape. All waveshapes modulate CV and/or Aux1 any value between 0 to a
positive value, except triangle, which modulates positive and negative. The following may be selected:
(the downward arrow () indicates the default trigger point when in MIDI sync mode). Note that the
sync point can be changed using parameter #33 –LFO Sync Start Point.

Triangle [TR] Sawtooth up [SU]

Sawtooth down [SD] PulseWidth 10% [10]

PulseWidth 20% [20] PulseWidth 30% [30]

PulseWidth 40% [40] Square [50]

Sample & Hold [SH] (Pseudo random)
(actually a new S/H level for each trigger)
P 32 LFO MIDI SYNC (default: oFF)
Range, off [oFF], 1 to 96
- Allows the LFO waveform to be synchronised to MIDI clock, with a variable divide ratio. The LFO
waveform will automatically adjust its length so that it will start at the beginning of a bar, and last for
whatever musical time it is set for (see below for divide ratios).
A divide ratio can be set, so the LFO only re-triggers every so many MIDI clock messages. MIDI sends
24 clocks per quarter note. So if divide is set to 1, there will be 1 cycle of the LFO for every 1 MIDI
clock. (i.e. 24 cycles per quarter note). If set to 24, there will be 1 cycle of the LFO for every 24 MIDI
clocks. (i.e. 1 cycle of the LFO per quarter note).
Below is a table of values you can set the divide ratio to obtain LFO cycles of various musical lengths:
Note type: Divide ratio:
Semibreve 96
Minim 48
Crotchets 24
Crotchet triplets 16
Quavers 12
Quaver triplets 8
Semiquavers 6
Semiquaver triplets 4
Demisemiquavers 3
Demisemiquaver triplets 2
Do not use low divide ratios at high clock speeds (particularly 1) and switch off if not using.
P 33 LFO Sync Start Point (default :0)
- Sets where the waveform will start when MIDI sync is active or Key-On reset is on.
Range 0 to 255

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P 34 Key-On resets LFO Wave (default :off)
The following can be selected:
Off [oFF]
On [ on]
-When on, the LFO waveform is reset to the selected start point whenever a new note is played.
AUX2 output
P 40 AUX 2 controller number (default: 7)
- Sets which MIDI controller will control the auxiliary output. The following can be selected:
Off [oFF]
Pitch bend [Pbd]
Velocity [VEL]
Aftertouch [AFt]
MIDI controllers 0-119
P 41 AUX 2 minimum value (default: 0)
- Sets the level for the Auxiliary output when the MIDI controller source is at its minimum.
Range -27 to +100
A value of 10 is approximately 1 volt –so 100 is approx. 10 volts and –27 is approx. −2.7 volts
Note that minimum can be set above maximum so that the controller works backwards.
P 42 AUX 2 maximum value (default: 100)
- Sets the level for the Auxiliary output when the MIDI controller source is at its maximum.
Range -27 to +100
A value of 10 is approximately 1 volt –so 100 is approx. 10 volts and –27 is approx. −2.7 volts.
Note that minimum can be set above maximum so that the controller works backwards.
P 43 AUX 2 reset value (default: 127)
Range 0 to 127
- Sets the level the Auxiliary output will reset to when the MODULAR SOLO is powered on or when it
receives a controller reset MIDI command or a new setup is loaded from memory. This is equivalent to
a MIDI message of this value being received, so it will be influenced by min and max settings above.
AUX3 output
P 50 AUX 3 controller number (default: Velocity)
- Sets which MIDI controller will control the auxiliary output. The following can be selected:
Off [oFF]
Pitch bend [Pbd]
Velocity [VEL]
Aftertouch [AFt]
MIDI controllers 0-119
P 51 AUX 3 minimum value (default: 0)
- Sets the level for the Auxiliary output when the MIDI controller source is at its minimum.
Range 0 to +100
A value of 10 is approximately 1 volt –so 100 is approx. 10 volts.
Note that minimum can be set above maximum so that the controller works backwards.

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P 52 AUX 3 maximum value (default: 100)
- Sets the level for the Auxiliary output when the MIDI controller source is at its maximum.
Range 0 to +100
A value of 10 is approximately 1 volt –so 100 is approx. 10 volts.
Note that minimum can be set above maximum so that the controller works backwards.
P 53 AUX 3 reset value (default: 0)
Range 0 to 127
- Sets the level the Auxiliary output will reset to when the MODULAR SOLO is powered on or when it
receives a controller reset MIDI command or a new setup is loaded from memory. This is equivalent to
a MIDI message of this value being received, so it will be influenced by min and max settings above.
AUX4 output
P 60 AUX 4 controller number (default: Aftertouch)
- Sets which MIDI controller will control the auxiliary output. The following can be selected:
Off [oFF]
Pitch bend [Pbd]
Velocity [VEL]
Aftertouch [AFt]
MIDI controllers 0-119
P 61 AUX 4 minimum value (default: 0)
- Sets the level for the Auxiliary output when the MIDI controller source is at its minimum.
Range 0 to +100
A value of 10 is approximately 1 volt –so 100 is approx. 10 volts.
Note that minimum can be set above maximum so that the controller works backwards.
P 62 AUX 4 maximum value (default: 100)
- Sets the level for the Auxiliary output when the MIDI controller source is at its maximum.
Range 0 to +100
A value of 10 is approximately 1 volt –so 100 is approx. 10 volts.
Note that minimum can be set above maximum so that the controller works backwards.
P 63 AUX4 reset value (default: 0)
Range 0 to 127
- Sets the level the Auxiliary output will reset to when the MODULAR SOLO is powered on or when it
receives a controller reset MIDI command or a new setup is loaded from memory. This is equivalent to
a MIDI message of this value being received, so it will be influenced by min and max settings above.
CLOCK1 output
P 70 Clock1 type (default: clock normal)
- Sets which MIDI controller will control AUX2 output. The following controllers can be selected:
Clock normal [cLn]
Clock inverted [cLi]
Stop/start normal [SSn]
Stop/start inverted [SSi]
The ON voltage can be set using parameter 73 –clock1 voltage.
Inverted settings mean that on is zero and off is high. (like s-trig).

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P 71 Clock1 divide ratio - (default: d2)
available values c24, c48 & d2 to d24,
- sets the ratio of MIDI clocks to output pulses from the Clock1 output.
c24 –special drum machine mode –outputs 24 cpqn –used for many drum machines
c48 –special drum machine mode –outputs 48 cpqn –for Linn & Oberheim drum machines
N.B. Some drum machines use other values e.g. the Roland CR78 uses 12 cpqn (div ratio 2)
If set to 2, there will 12 pulses from the clock1 output for every 24 MIDI clocks = 12 cpqn
If set to 24, there will be 1 pulse from the clock pulse output for every 24 MIDI clocks = 1 cpqn
(Note there are 24 MIDI clocks per quarter note)
Below is a table of values you can set the divide ratio to in order to obtain a clock pulse at various
musical time intervals:-
Note type Divide ratio CPQN (clocks per quarter note)
Crotchets (quarter notes) 24 1
Crotchet triplets 16
Quavers (eighth notes) 12 2
Quaver triplets 8
Semiquavers (sixteenths) 6 4
Semiquaver triplets 4 6
Demisemiquavers 3 8
Demisemiquaver triplets 2 12
P 72 Clock1 shift (default: 0)
Range 0 to 255
- Sets the number of MIDI clock pulses allowed to pass before the Clock1 output starts giving out
clock pulses. Low values can be used to make Clock1 & Clock2 out of phase with each other. Higher
values can be used to delay the start of one clock relative to the other. This setting has no effect when
the clock has been started, it only has an effect immediately following a MIDI start or continue
command.
P 73 Clock1 voltage (default: 05)
- Sets the voltage of the Clock1 output. The following can be selected:
+5v output [ 05]
+10v output [ 10]
CLOCK2 output
P 80 Clock2 type (default: clock normal)
- Sets which MIDI controller will control AUX2 output
The following controllers can be selected:
Clock normal [cLn]
Clock inverted [cLi]
Stop/start normal [SSn]
Stop/start inverted [SSi]
Note trigger pulse [t r g]
The ON voltage can be set using parameter 83 - clock2 voltage.
Inverted settings mean that on is zero volts and off is high. (like s-trig).
If ‘Note trigger pulse’ is selected, Clock2 will give a short trigger pulse whenever a valid new MIDI note
is received –this can be used to drive the envelope generator on synths that require a separate trigger
for this. (Only usually needed by the Arp 2600, Arp Odyssey mk1 and a few modulars)

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P 81 Clock2 divide ratio - (default: d2)
- Sets the ratio of MIDI clocks to output pulses from the Clock2 output.
available values d2 to d24. Note that only the clock1 output can give 24cpqn and 48cpqn.
If set to 2, there will 12 pulses from the clock1 output for every 24 MIDI clocks = 12 cpqn
If set to 24, there will be 1 pulse from the clock pulse output for every 24 MIDI clocks = 1 cpqn
(Note there are 24 MIDI clocks per quarter note)
Below is a table of values you can set the divide ratio to in order to obtain a clock pulse at various
musical time intervals:-
Note type Divide ratio CPQN (clocks per quarter note)
Crotchets (quarter notes) 24 1
Crotchet triplets 16
Quavers (eighth notes) 12 2
Quaver triplets 8
Semiquavers (sixteenths) 6 4
Semiquaver triplets 4 6
Demisemiquavers 3 8
Demisemiquaver triplets 2 12
P 82 Clock2 shift (default: 0)
Range 0 to 255
- Sets the number of MIDI clock pulses allowed to pass before the Clock2 output starts giving out
clock pulses. Low values can be used to make Clock1 & Clock2 out of phase with each other. Higher
values can be used to delay the start of one clock relative to the other. This setting has no effect when
the clock has been started, it only has an effect immediately following a MIDI start or continue
command.
P 83 Clock2 voltage (default: 05)
- Sets the voltage of the Clock2 output. The following can be selected:
+5v output [ 05]
+10v output [ 10]
Global Parameters
P 90 Continue = start - (default: on)
- Sets how MIDI Continue messages are treated. The following can be selected:
Off [oFF]
On [ on]
- when set to on, all continue messages are treated as if they were MIDI start messages.
- when set to off, continue messages will only be treated as start if immediately preceded by a song
position pointer = zero message. Some sequencers use this instead of a start message.
Note this parameter affects the DIN sync 24 output as well as the Clock1 and Clock2 outputs.
P 91 Socket select - (default: MIDI Out/Thru)
- Sets the function of the MIDI Out socket. The following can be selected:
MIDI Out/Thru [MO]
Sync 24 [Syn]
P 92 Sysex Device Number (default :1)
- Sets the SysEx device number for this unit.

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Range 1 to 16
P 93 Prog receive enable - (default: Off)
- Sets the function of the MIDI Out socket. The following can be selected:
MIDI Out/Thru [MO]
Sync 24 [Syn]
P 98 Load Prog
- Sets the number of the program to be loaded as the current setup .
Range 1 to 32
To load the selected program, press and hold the SELECT button until LoD appears in the display.
P 99 Store Prog
- Sets the number of the program into which the current setup will be stored.
Range 1 to 32
To store to the selected program, press and hold the SELECT button until Sto appears in the display.
The MODULAR SOLO will always respond to controller #64 (sustain pedal)
You can use program changes to load programs from memory if enabled in parameter 93
To get the parameter name to scroll across the display, press the SELECT button twice.
Leave parameter 32 (LFO MIDI sync) set to OFF unless you are actually using it.
If you have stopped a sequence and are left with a hanging note, you can turn it off by holding the SEL
button for about 6 seconds until the display shows noF (note off) except while parameters 98 or 99
are selected (in which case the long hold executes load or store).
If you wish to reset your MODULAR SOLO, you can do so by turning the power on whilst holding
down all three push buttons. This will return the MODULAR SOLO to it’s default settings. ‘Fd’ (factory
defaults) will momentarily be displayed when this has been done.
There are two jumpers for linking CV & Gate to the bus situated behind the power/bus connector. Both
jumpers are set to off at manufacture. A jumper always links 2 out of the 3 pins, so the centre pin is
always used. When a jumper links the two pins nearest the bottom edge of the PCB then it is
connected to the bus. CV is the jumper nearest the bottom edge of the PCB. Gate is the other.
The power connector is wired in the standard way with the –12v pins nearest the edge of the PC
board.
OTHER USEFUL INFO
RESETTING THE MODULAR SOLO TO FACTORY DEFAULTS
DIRECTING CV & GATE OUTPUTS TO THE BUS
INFORMATION ABOUT THE POWER CONNECTOR

15
The bottom is the edge of the PC board

16
It may be that your synth is slightly out of tune, so it will be necessary to adjust the MODULAR SOLO
to compensate for the tuning of your synth. NEVER use the trimmers on the PC board for tuning,
these are for factory setup ONLY.
1, Firstly, ensure that your analogue synth is as in-tune as possible when playing from its own
keyboard. Do this by adjusting the tuning or pitch knob on your analogue synth whilst playing middle C
on both this and your master keyboard (or whatever you use for tuning reference). To do this, you may
need to disconnect the analogue synth from the MODULAR SOLO.
2, Connect the converter to your analogue synth and MIDI system. Check the MODULAR SOLO is
switched to the correct scaling system, Hz/V for Korg and Yamaha, or V/oct for anything else (see
Editing Parameters section). Set transpose to zero. Now press bottom C (MIDI note #36) on your
digital synth. Both synths should sound, don’t worry at this stage if they are not in tune.
3, Using bottom C (MIDI note #36) as a reference (you must use this note for maximum accuracy)
tune in the MODULAR SOLO with your analogue synth by adjusting the parameter FINE TUNE and
TRANSPOSE if necessary (see Editing Parameters section) until it is exactly in tune.
4, When your digital & analogue synths are in tune at the bottom , play middle C, two octaves up on
your digital synth. (MIDI note #60). Now adjust the SCALE parameter (see Editing Parameters
section) until both synths are in tune. The analogue synth should now play correctly across it’s
complete range from your master keyboard, if this is still not the case go back to step 3 and repeat the
process for final tweaking.
1- Make sure all cable connections have been made.
2- Set MIDI receive channel you wish to use.
3- Make sure you have set the GATE output correctly to either ‘Gate’
or ‘S-Trig’ type triggers.
4- Make sure you have set the CV output correctly to either ‘V/oct’
or ‘Hz/V’.
5- You may wish to adjust the AUX, or any other settings to those that
work best for your set-up.
Some combinations of buttons can be pressed at power up to adjust settings or enter other
operational modes. First ensure the power switch is off, press the required button or buttons, then turn
the power switch on. The various modes are described below.
SEL only –Enters MIDI analyser mode [displays ANL] described on the next page (17)
DEC only –not used
INC only –Displays the firmware revision number, described below
SEL & DEC & INC –Reset to factory defaults [displays Fd] –described on page 10
Firmware revision display:
While the INC button is held, the firmware revision number [1xxx] will be displayed in pairs –two
dashes then digits 1 & 2 then digits 3 & 4 repeated. Releasing the INC button will revert to the normal
operational mode.
TUNING THE MODULAR SOLO TO YOUR SYNTH
CHECK LIST FOR SETTING UP THE MODULAR SOLO
BOOT MENU OPTIONS

17
MIDI analyser mode:
The MODULAR SOLO has a built-in MIDI analyser function. This feature allows you to see what types
of MIDI messages are being transmitted by your master keyboard/sequencer making the MODULAR
SOLO a useful diagnostic tool.
To enter analyser mode, you must power on the MODULAR SOLO whilst holding the SELECT button.
The display will then show ‘rC’ for receive channel & status mode. This means the display will show
the MIDI receive channel of any messages it receives in the right hand two digits, and will show status
in the left digit –this is explained further down the page.
Using the INC, DEC, and SELECT buttons, different types of MIDI messages received may be
displayed:
SELECT Short press [rC] Receive channel & status
Long press [PC] Program change
DEC Short press [nt] Note number
Long press [nv] Velocity
INC Short press [Cn] Controller number
Long press [Cv] Controller value
For whichever of the above selected, the MODULAR SOLO will display the value it receives for the
type of message currently selected.
Although pitchbend and after-touch are not strictly controllers, when Controller number [Cn] mode is
selected, ‘pb’ will be displayed if a pitchbend message is received, and ‘af’ will be displayed if an after-
touch message is received.
If Controller value [Cv] mode is selected, and pitchbend or after-touch messages are received, their
values will be displayed.
When Receive channel & status [rC] mode is selected, the right hand 2 digits show the received MIDI
channel (if applicable) and the left hand digit operates as a received MIDI message indicator. LED
segments will flash when then following types of messages are received: Note on, Note off, Sysex,
Timing clock (MIDI clock), Start, Stop, Continue.
The top left dot (any MIDI message) operates in all modes, not just for Receive Channel & Status
mode.
To exit MIDI analyser mode, the power switch of the MODULAR SOLO must be turned off then on
again.
Any MIDI
message
Clock start
Clock
continue
Note off
MIDI clock
Clock stop
Sysex
Note on

18
When using MIDI clock in conjunction with the MODULAR SOLO, please note the following.
First, ensure that the MODULAR SOLO is actually receiving MIDI clock. This is not as silly as it
sounds - there are a number of reasons why it may not be receiving MIDI clock messages in the first
place. If you are having problems, go into the MIDI analyser mode described on page 17 and see if
the MODULAR SOLO is actually receiving the MIDI clock messages. If the MODULAR SOLO is not
receiving clock messages, here are a few points to watch for:-
Some MIDI mergers & patch bays actually remove MIDI clock information from the data stream, or you
may have to enable it for the port you are using.
Users of CUBASE note that the default for MIDI clock is for it NOT to be sent, you will have to go into
the MIDI synchronisation page and select MIDI clock to transmit.
If you have more than one MIDI port attached to your computer, note that MIDI clock does not
necessarily come out of all MIDI ports –it may only come out of a pre-assigned or selected one.
There is more information about MIDI clock problems on our website in the “Support” section.
See information about parameters 70-73 and 80-83 on pages 11 to 13.
Note that no output will happen on clock1 and/or clock2 unless one of the following conditions is met:
1) A MIDI start command is received. (Unfortunately, not all sequencers send start commands)
2) A MIDI continue is received, immediately preceded by a song position pointer zero message.
3) A MIDI continue is received and “continue = start” is set on.
Sync 24 is available at the MIDI Out DIN socket (5 pin 180 degree DIN connector) if parameter 91 is
set to Syn (for sync).
Pin 1 - Stop = 0 volts / 1Start = +5 volts (or continue if selected)
Pin 3 - 5 volt positive going pulses; 24 clocks (pulses) per quarter note, the same as MIDI
Pin 2 - Ground (zero volts)
Pins 4 & 5 are not used for sync (but are used for MIDI)
Sync 24 is always available subject to a MIDI clock signal being present –it is not affected by the
clock divide parameters, however it is affected by the continue = start parameter #90.
PROBLEMS YOU MAY ENCOUNTER WHEN USING MIDI CLOCK
MORE ABOUT MIDI CLOCK ON THE MODULAR SOLO

19
MIDI-CV converters can have up to four different types of outputs used to control analogue synths,
usually labelled CV, GATE, S-TRIG and AUX. Below is a description of what they do:
Pitch - CV outputs (V/oct, Hz/V)
The CV (control voltage) is a voltage that tells the synth what note to play. Most synths use the 1 Volt
per Octave (V/oct) pitch scaling system to control the pitch. This means, that each octave is 1V
(V=volts) apart (or 0.0833V per semitone).
For example, bottom C (MIDI note #36) corresponds to 0 Volts. The next C will be 1V, 2V, 3V etc..
Synths using this system include Roland SH101, Sequential Circuits Pro 1, ARP Odyssey, Oberheim
OB 1.
Some other synths, most notably Korg and Yamaha, use a different pitch scaling system. This is an
exponential method called Hertz per volt (Hz/V). This means that for the next octave up, the voltage is
doubled. So bottom C (note#36) will be 0.25V, the next C will be 0.5V, 1V,2V, 4V etc.
If you are not sure which C is MIDI note #36, use MIDI analyser mode to check.
If you use a Hz/V synth with a V/oct pitch output (or vice-versa), the synth will play out of tune but will
not cause any damage to the synth.
Note - The Korg Monopoly is an exception. Although other Korg synths use Hz/V scaling, this synth
actually uses V/oct scaling.
Gate - (Or S-TRIG)
The GATE (sometimes called V-trig [voltage trigger]) signal is a voltage that tells the synth when to
play the note. The GATE voltage will usually be a positive voltage when the note is on, and 0V when
off.
Some other synths, like Moog, Korg, and Yamaha, use S-TRIG (Short Trigger) instead of GATE. This
signal still tells the note when to play, but it is a different type of signal (electrically). To tell the note to
play, the converter will provide a short circuit at it’s S-TRIG output (0V), and to turn off the note the
output will be open circuit (literally like opening and closing a switch).
A point to watch for: unless you know the synth, it will not always be clear what type of CV and GATE
signals are required to play the synth.
For instance, the Korg MS20 requires an S-TRIG signal, but the input is labelled TRIG. Another
example is the Yamaha CS5. The pitch input is marked CV, but requires a Hz/V signal. The best way
to check is either ask someone who knows, or just try all types of output till the synth works correctly. If
you do plug your synth to the wrong outputs, it shouldn’t do any harm, although always start out with
minimum voltages.
Here’s a general guide to the most common synths and how to hook them up to your converter
SYNTH MODEL
CV OR
HZ/V?
S-TRIG OR
GATE
AUXILIARY
CONNECTIONS
NOTES
MINIMOOG
CV
S-TRIG (5V)
FILTER OR
LOUDNESS
CINCH-JONES CONNECTOR NEEDED
MOOG PRODIGY
CV
S-TRIG (5V)
FILTER
KIT AVAILABLE FOR FILTER IF NOT FITTED
MOOG ROGUE
CV
GATE (5V)
KIT AVAILABLE FOR FILTER
MOOG SOURCE
CV
S-TRIG (5V)
KIT AVAILABLE FOR FITLER
ROLAND SH-101
CV
GATE (5V)
CLOCK IN (SYNC)
KIT AVAILABLE FOR FILTER/MODULATION
ROLAND MC-202
CV
GATE (5V)
KIT AVAILABLE FOR CV/GATE/FILTER/SLIDE
ROLAND TB-303
CV
GATE (5V)
FILTER (SEE RIGHT)
KIT AVAILABLE FOR CV/GATE/FILTER/SLIDE/ACCENT
SEQUENTIAL PRO-1
CV
GATE (15V)
FILTER
KORG MS-10/20
HZ/V
S-TRIG (5V)
ANY OTHER
THERE ARE MANY EXTRA INPUTS ON THE MS10/20
KORG 700S/770
HZ/V
S-TRIG (5V)
FILTER
KIT AVAILABLE FOR CV/GATE AND FILTER
KORG MONOPOLY
CV
GATE (15V)
VCF/PORTAMENTO
ARPEGGIO CAN ALSO BE CONTROLLED
YAMAHA CS-10/20/30
HZ/V
S-TRIG (5V)
FILTER AVAILABLE FOR CS-5
ARP ODYSSEY
(&AXXE)
CV
GATE (15V)
KIT AVAILABLE FOR FILTER
ARP 2600
CV
GATE (15V)
FILTER
OCTAVE CAT/KITTEN
CV
GATE (15V)
FILTER
This is a general guide only, further socket kits are available, and many other synths can be
controlled. There simply is not the space to detail all connections to all synths. However if you visit our
website you will find more information there.
A BRIEF GUIDE TO MIDI TO CV CONVERSION FOR THE BEGINNER

20
A further point to watch for. Some synths use stereo jacks for the CV and GATE connections. Moog,
for instance, use a stereo jack for CV In/Out, and a stereo jack for S-TRIG In/Out on some synths.
Whether the tip or the ring is in or out is hard to say as Moogs seem to vary from synth to synth! –The
Rogue however uses RING for inputs and TIP for outputs.
Octave who made the Cat and Kitten synths also use stereo jacks. CV and GATE outputs are on one
stereo jack, and the inputs are on another stereo jack.
Auxiliary outputs - More control
The AUX outputs can be used to control functions such as filter cut-off or volume control. This
depends on what control inputs your synth has. Most mono-synths have at least a Filter input, e.g. the
Sequential Pro 1. Some synths, such as the Minimoog, also have VCA inputs (volume). Synths such
as the Korg MS20 and ARP 2600 have even more inputs to control effects such as Pulse Width. The
MODULAR SOLO has 4 Aux outputs. By plugging an AUX output into the external control input of the
synth, e.g. Filter input, the cut-off frequency can be controlled over MIDI.
The AUX outputs are not controlled by MIDI note numbers. The converter allows you to set which MIDI
controller, e.g. Modulation Wheel, (or even velocity, after-touch, or pitch bend), will control the level of
the AUX voltage to control the synth’s extra input.
Only synths that have the appropriate inputs can be controlled from a MIDI-CV
converter.
The synth needs some sort of CV and GATE inputs.
CVs might be labelled CV In, OSC In, Keyboard In, VCO In, Key Volt, etc.
GATEs (and S-TRIG) may be labelled GATE In, S-TRIG, V-TRIG (voltage trigger, same as gate), Trig
In, etc.
Any additional inputs may be utilised, like Filter, VCF fcM, VCF, PORTA (portamento), Loudness,
VCO, PWM, etc. by using the converter’s AUX output.
Some synths that cannot be connected to a MIDI-CV converter via CV, GATE, AUX Outputs (as they
do not have them). This includes just about all polyphonic synths.
Receiving a firmware upgrade over MIDI:
You need to start sending the SysEx firmware upgrade within 20 seconds from when P01 first appears
in the display, otherwise the upgrade will be ignored. (i.e. when the display has stopped scrolling)
Read instructions included in the firmware upgrade zip file.
The number 2 should flash in the display while the dump is being received then number 3[all
received] followed quickly by 4[CRC check OK], then after about 5 seconds a steady 5. The 5
indicates the update has been successful. Wait 10 seconds then turn off the power to the modular
case. Wait 10 seconds then power-on again The Modular Solo will now run with the new firmware.
Warning - NEVER UNPLUG WHILE THE 4 IS SHOWING
Possible error states: hangs at stage 2= not enough bytes received. 8shows –dump is corrupt
For both of the above situations, turn off the modular case and start again.
It is essential that power is maintained to the MODULAR SOLO during the firmware upgrade
process. Failure of power during stage 4 will leave the Modular Solo unusable and require
return of the unit to Kenton.