Rane XP 2016S User manual

M P 2016 S
ROTARY MIXER
X P 2016 S
EXTERNAL PROCESSOR
Schematics are downloadable from
dj.rane.com
SIG / OL
CUE
1
CUE
2
ENGAGE
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
65
7
4
2
3
9
110
8
65
7
CUE PGM
POWER
STEREO
XP 2016S
MASTER
CUE
EFFECTS
LOOP MONO
BOOTH
+6OFF
0 TREBLE
12
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
AUX 5
AUX 4
AUX 3
PHONO / LINE
PHONO / LINE
PHONO / LINE
PHONO / LINE
MIC 1
ENGAGE
MIC 2
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
3
3
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
4
4
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
5
5
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
6
6
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
74
8
6
8
6
22
4
4
2
3
9
110
8
65
7
LEVELMONITOR PHONES
4
2
3
9
110
8
65
7
HOUSE
4
2
3
9
110
8
65
7
MASTER
MP 2016S
ROTARY
MIXER
+6OFF
0 MID
+6
OFF
0 BASS
STEREO
MONO
A POST BAPOST BAPOST BAPOST BAPOST BAPOST B
BASS MID TREBLE
CROSSFADER
CONTOUR
RIGHT / PGM LEFT / CUE
POWER
1
BASS MID TREBLE
2
BASS MID TREBLE
3
BASS MID TREBLE
4
BASS MID TREBLE
5
BASS MID TREBLE
6
CUE METER
XP 2016S
EXTERNAL
PROCESSOR
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
-20 -7-10 -4 0-2 +2 +7+4 +10
6420
10 8 6 4
108
2 0
A
B
F 60X

RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
To reduce the risk of electrical shock, do not open the unit. No user
serviceable parts inside. Refer servicing to qualied service personnel.
e symbols shown below are internationally accepted symbols
that warn of potential hazards with electrical products.
is symbol indicates that a dangerous voltage
constituting a risk of electric shock is present
within this unit.
is symbol indicates that there are important
operating and maintenance instructions in the
literature accompanying this unit.
WARNING
IMPORTANT SAFETY INSTRUCTIONS
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, registers, stoves, or other apparatus (including ampliers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A
grounding-type plug has two blades and a third grounding prong. e wide blade or third prong is provided for your safety. If the provided plug
does not t into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord and plug from being walked on or pinched particularly at plugs, convenience receptacles, and the point where it exits from
the apparatus.
11. Only use attachments and accessories specied by Rane.
12. Use only with the cart, stand, tripod, bracket, or table specied by the manufacturer, or sold with the apparatus. When a cart is used, use caution
when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply
cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
15. e plug on the power cord is the AC mains disconnect device and must remain readily operable. To completely disconnect this apparatus from
the AC mains, disconnect the power supply cord plug from the AC receptacle.
16. is apparatus shall be connected to a mains socket outlet with a protective earthing connection.
17. When permanently connected, an all-pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated in the
electrical installation of the building.
18. If rackmounting, provide adequate ventilation. Equipment may be located above or below this apparatus, but some equipment (like large power
ampliers) may cause an unacceptable amount of hum or may generate too much heat and degrade the performance of this apparatus.
19. is apparatus may be installed in an industry standard equipment rack. Use screws through all mounting holes to provide the best support.
WARNING: To reduce the risk of re or electric shock, do not expose this apparatus to rain or moisture. Apparatus shall not be exposed to dripping
or splashing and no objects lled with liquids, such as vases, shall be placed on the apparatus.
NOTE: is equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules.
ese limits are designed to provide reasonable protection against harmful interference in a residential installation. is equipment generates, uses
and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct
the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit dierent from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
CAUTION: Changes or modications not expressly approved by Rane Corporation could void the user's authority to operate the equipment.
is Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
WARNING: is product may contain chemicals known to the State of California to cause cancer, or birth defects or other reproductive harm.

Manual-1
MP 2016S
ROTARY DJ MIXER
OPERATORS MANUAL
QUICK START
e MP 2016S has Split Cue! If you don’t know what that is, we
suggest you take the time to read this entire manual so you learn
lots of other things to get the best sound and features out of your
new mixer. But if you know what Split Cue is, at least read this
section to refresh your knowledge of the rest of the MP 2016S.
ere are four dedicated phono preampliers. One each for
Input channels 1-4. Switches on the rear panel set each preampli-
er for LINE or PHONO operation. Make sure you have these
switches set correctly for your application.
ere are two dedicated MIC preampliers, one each for
Input channels 5-6. Rear panel switches set each preamplier for
LINE or MIC operation. Make sure you have these switches set
correctly. MIC GAIN controls adjust each preamplier for the
correct sensitivity. With a MIC selected and ENGAGED, set the
front INPUT GAIN control to “10” and adjust the rear MIC
GAIN to just keep the Input Channel SIG / OL indicator green,
not red. Set the rear panel tone controls as desired. e MIC
ENGAGE switch ducks the BOOTH Output by 12 dB unless
defeated with internal jumpers.
Before installing this mixer permanently, be sure to read the
MIC / LINE INPUTS section on page Manual-6.
All ve stereo line-level AUX Inputs are available for each of
the six Input Channels.
Adjust the INPUT GAIN controls so they blink the green
SIG / OL indicators. If an indicator is red, the INPUT GAIN
control is set too high. is provides optimum signal to noise,
dynamic range and MIX LEVEL control consistency.
e BOOTH may select CUE or MASTER as its source.
CUE allows monitoring Inputs in the booth without head-
phones.
WEAR PART
e MP 2016S contains no wear parts. e XP 2016S contains the following wear part subject to the ninety (90) day warranty period
described on page Service-1: (1) Active Crossover Assembly F 60X.
SIG / OL
CUE
1
CUE
2
ENGAGE
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
65
7
4
2
3
9
110
8
65
7
CUE PGM
POWER
STEREO
XP 2016S
MASTER
CUE
EFFECTS
LOOP MONO
BOOTH
+6OFF
0 TREBLE
12
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
AUX 5
AUX 4
AUX 3
PHONO /
LINE
PHONO /
LINE
PHONO /
LINE
PHONO /
LINE
MIC 1
ENGAGE
MIC 2
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
3
3
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
4
4
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
5
5
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
6
6
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
74
8
6
8
6
22
4
4
2
3
9
110
8
65
7
LEVELMONITOR PHONES
4
2
3
9
110
8
65
7
HOUSE
4
2
3
9
110
8
65
7
MASTER
MP 2016S
ROTARY
MIXER
+6OFF
0 MID
+6
OFF
0 BASS
STEREO
MONO
e XP 2016S switch engages the optional XP 2016S proces-
sor. If the XP 2016S is not connected, the switch has no eect.
e EFFECTS LOOP switch switches the Loop in (up) or
out (down). If nothing is connected to the EFFECTS LOOP
RETURN, the switch has no eect.
e MASTER MONO / STEREO switch inuences both
BOOTH and HOUSE OUTPUTS. It does not aect the EF-
FECTS LOOP or TAPE OUTPUTS.
Two TAPE OUTPUTS are provided. One is a PRE-EF-
FECTS Loop and one is a POST-EFFECTS Loop. e POST-
EFFECTS Loop Tape Output has a LEVEL control and may be
used as a pre-tone control AUX Output.
e MP 2016S Master Output uses Accelerated Slope ™ tone
controls that provide full “kill” for TREBLE, MID and BASS.
e MASTER SIG / OL indicator monitors the master mix
before and after the tone controls. is indicator should light
green most of the time. It is OK for it to ash red on occasion.
is provides optimum signal-to-noise and dynamic range.
HOUSE and BOOTH are the only level controls that do not
aect the MASTER SIG / OL indicator.
e HOUSE OUTPUT has both balanced (XLR) and
unbalanced (RCA) Outputs. To avoid hum, always use the bal-
anced (XLR) Outputs for longer cable runs (typically greater
than 10 feet, or 3 meters).
Headphone cueing allows monitoring MASTER or CUE
sources. If MIX LEVEL controls are operated at less than “7”, be
sure to turn the PHONES LEVEL down before selecting a CUE
as it may be much louder than the Master Mix. e Headphone
Output is low-impedance high-current, so do not short the tip
and ring together or to ground.

Manual-2
MP 2016S FRONT PANEL CONTROLS
INPUT SELECTORS 1-4
Each six-position Input Selector chooses a dedicated PHONO /
LINE preamplier, or one of ve stereo line-level AUX Inputs as
its Input Channel source. (PHONO / LINE switches are on the
rear panel).
INPUT SELECTORS 5-6
Each six-position Input Selector chooses a dedicated mono MIC
Input, or one of ve stereo AUX Inputs as its Input Channel
source. (MIC GAIN trim, MIC / LINE switch and MIC tone
controls are located on the rear panel).
MIC ENGAGE
MIC 1 and MIC 2 ENGAGE switches allow switching a mic on
(up) or o (down). A MIC Input must be selected and MIC EN-
GAGE on to activate a MIC Input. When a mic is not in use, be
sure to switch MIC ENGAGE o. e MIC ENGAGE switches
also activate the Booth Ducker. is attenuates the Booth Out-
put -12 dB whenever a MIC ENGAGE switch is on, even if MIC
Input is not selected (internal jumpers allow disabling the Booth
Ducker—see Mic/Line Inputs on page Manual-6).
INPUT GAIN
INPUT GAIN controls allow the user to match input levels.
Adjust these to make the SIG / OL indicator ash green. If the
indicators turn red, reduce the INPUT GAIN. Adjusting the
INPUT LEVEL controls correctly maximizes dynamic range
and provides consistent MIX LEVEL response.
Input SIG / OL
ese dual-color indicators provide help in setting correct input
levels. A ashing green indication is optimal. A red light that
lasts more than a ash is a request to turn down the INPUT
GAIN.
MIX LEVEL
ese studio-grade controls determine the Master MIX LEVEL.
For optimum performance, set the INPUT GAIN controls as
indicated previously, and then operate MIX LEVELS between
“7” and “10” for full volume. Use the HOUSE and BOOTH
LEVEL controls to set the output levels. Always set the MIX
LEVEL controls to minimum when not in use.
CUE
e CUE signal is selected using CUE 1-6 switches in any
combination. e associated yellow indicator lights when a CUE
is active.
SIG / OL
CUE
1
CUE
2
ENGAGE
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
65
7
4
2
3
9
110
8
65
7
CUE PGM
POWER
STEREO
XP 2016S
MASTER
CUE
EFFECTS
LOOP MONO
BOOTH
+6OFF
0 TREBLE
12
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
AUX 5
AUX 4
AUX 3
PHONO /
LINE
PHONO /
LINE
PHONO /
LINE
PHONO /
LINE
MIC 1
ENGAGE
MIC 2
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
3
3
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
4
4
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
5
5
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
6
6
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
74
8
6
8
6
22
4
4
2
3
9
110
8
65
7
LEVELMONITOR PHONES
4
2
3
9
110
8
65
7
HOUSE
4
2
3
9
110
8
65
7
MASTER
MP 2016S
ROTARY
MIXER
+6OFF
0 MID
+6
OFF
0 BASS
STEREO
MONO
SIG / OL
CUE
1
CUE
2
ENGAGE
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
65
7
4
2
3
9
110
8
65
7
CUE PGM
POWER
STEREO
XP 2016S
MASTER
CUE
EFFECTS
LOOP MONO
BOOTH
+6OFF
0 TREBLE
12
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
AUX 5
AUX 4
AUX 3
PHONO /
LINE
PHONO /
LINE
PHONO /
LINE
PHONO /
LINE
MIC 1
ENGAGE
MIC 2
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
3
3
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
4
4
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
5
5
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
6
6
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
74
8
6
8
6
22
4
4
2
3
9
110
8
65
7
LEVELMONITOR PHONES
4
2
3
9
110
8
65
7
HOUSE
4
2
3
9
110
8
65
7
MASTER
MP 2016S
ROTARY
MIXER
+6OFF
0 MID
+6
OFF
0 BASS
STEREO
MONO

Manual-3
HEADPHONE MONITOR
MONITOR determines the source of the PHONES signal. With
the MONITOR MONO switch out, the control pans between
stereo CUE and stereo PGM signals. e PGM signal follows
the HOUSE Output (same signal going to the Master House).
With MONITOR MONO selected (in), the MONITOR
control pans between mono CUE (left ear) and mono PGM
(right ear).
e Phones LEVEL control determines the headphone out-
put level. If you are mixing with the MIX LEVEL controls below
“7”, be sure to turn the Phones LEVEL down before selecting a
CUE source as it may be much louder than the Master Mix.
e PHONES output is very low impedance and high
current so do not short tip and ring together or tie to ground, as
is common with many low- cost mono cups. Use resistors of
300 to 600 Ω in series with each output for mono applications,
although this signicantly reduces output power.
BOOTH CUE / MASTER switch and Level
MASTER HOUSE Level
is studio-grade control sets the HOUSE Output level.
MASTER MONO / STEREO switch
is sets the MASTER mix signal to MONO or STEREO op-
eration. It eects both BOOTH and HOUSE Outputs.
MASTER SIG / OL indicator
is dual color indicator helps set correct MASTER mix levels.
A ashing or steady green indication is optimal. e red indica-
tor may ash only briey on rare occasion...regular ashing or
steady-on means that distortion is imminent and Levels need
reducing.
XP 2016S switch
is engages the optional XP 2016S External Processor. If the
XP 2016S is not connected, the switch does nothing. If an XP
2016S is connected and the switch is on (up), it routes the MIX
LEVEL Outputs to the XP 2016S and returns a stereo MASTER
signal to the MP 2016S.
EFFECTS LOOP switch
is engages the EFFECTS LOOP when up. If nothing is con-
nected to the EFFECTS LOOP RETURN, the switch has no
eect.
TREBLE tone control
Allows adjusting the amplitude of frequencies above 4 kHz from
+6 dB to OFF (full kill).
MID tone control
Allows adjusting the amplitude of frequencies between 300 Hz
and 4 kHz from +6 dB to OFF (full kill).
BASS tone control
Allows adjusting the amplitude of frequencies below
300 Hz from +6 dB to OFF (full kill).
POWER indicator
is yellow indicator lights whenever AC power is connected to
the unit.
SIG / OL
CUE
1
CUE
2
ENGAGE
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
65
7
4
2
3
9
110
8
65
7
CUE PGM
POWER
STEREO
XP 2016S
MASTER
CUE
EFFECTS
LOOP MONO
BOOTH
+6OFF
0 TREBLE
12
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
AUX 5
AUX 4
AUX 3
PHONO /
LINE
PHONO /
LINE
PHONO /
LINE
PHONO /
LINE
MIC 1
ENGAGE
MIC 2
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
3
3
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
4
4
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
5
5
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
7
CUE
6
6
SIG / OL
MIX LEVEL
4
INPUT GAIN
2
3
9
110
8
AUX 5
AUX 4
AUX 3
65
AUX 2
AUX 1
7
4
2
3
9
110
8
65
74
8
6
8
6
22
4
4
2
3
9
110
8
65
7
LEVELMONITOR PHONES
4
2
3
9
110
8
65
7
HOUSE
4
2
3
9
110
8
65
7
MASTER
MP 2016S
ROTARY
MIXER
+6OFF
0 MID
+6
OFF
0 BASS
STEREO
MONO
T = LEFT
R = RIGHT
S = GROUND TO MONO PHONE
e BOOTH CUE / MASTER switch selects MASTER
mix or CUE selection as the Booth source. is allows CUE
monitoring in the Booth without headphones. e BOOTH
Level controls the volume to the Booth Output.
AUDIO PRECISION vs
-40
-35
-30
-25
-20
-15
-10
-5
0
5
10
AMPL(dBr)
20 100 1k 10k 50k
FREQ(Hz)
Summed Response
HighMidLow
Low Off,
Mid 0,
High Off
Low 0,
Mid Off,
High Off
Low 0, Mid 0, High 0
Low Off,
Mid Off,
High 0
Treble, Mid and Bass control bands and the at summed response

Manual-4
REAR PANEL INPUTS & OUTPUTS
IMPORTANT NOTE: CHASSIS GROUNDING
If after hooking up your system it exhibits excessive hum or
buzzing, there is an incompatibility in the grounding congura-
tion between units somewhere.
If your equipment is in a rack, verify that all chassis are tied
to a good earth ground, either through the line cord grounding
pin or the rack screws to another grounded chassis.
Please refer to the RaneNote “Sound System Interconnection”
supplied with this manual and available from our website for
further information on system grounding.
INPUTS 1-4 RCA jacks
INPUTS 1-4 provide dedicated preampliers for Input Channels
1-4 respectively. Each may operate in RIAA PHONO or LINE
mode.
PHONO / LINE switches
ese switches set Input Channel preampliers 1-4 for PHONO
or LINE mode. Make certain these switches are set correctly for
your source.
PHONO GROUND
ese lugs are provided to connect ground wires from turntables.
When using a turntable, proper grounding is essential.
MIC 1 and MIC 2 XLR jacks
e MIC 1 Input provides a dedicated balanced preamplier
for Input Channel 5, while MIC 2 provides the preamplier for
Input Channels 6. Each may operate in MIC or LINE mode.
Each of these preampliers features GAIN trim with BASS and
TREBLE tone controls.
MIC / LINE switches
ese select MIC or LINE mode for the MIC Inputs. In MIC
mode, the gain range is 20 to 50 dB. In LINE mode, the gain
range is 0 to 30 dB. In addition to setting the proper gain range
for MIC or LINE level Inputs, these switches also select the
proper Input impedance.
MIC GAIN trim
ese controls adjust the preamplier for optimum dynamic
range. Each has a range of 30 dB, allowing a wide range of
sources to be used. To properly set this control, set the associated
front panel INPUT GAIN to “10”, turn the MIC ENGAGE
switch on and adjust the MIC GAIN so that the input SIG / OL
indicator ashes red only during very loud peaks. e front panel
INPUT GAIN control can then be adjusted as required ac-
cording to the instruction outlined above under INPUT GAIN
control.
MIC TREBLE and BASS controls
Separate TREBLE and BASS tone controls are provided for each
MIC preamplier. ese allow adjustment of the tonal response
of each Mic or Line source at the MIC Inputs. If you add a
signicant amount of boost, you may need to readjust the rear
panel GAIN trims as outlined before.
ACN 001 345 482
U.S. PATENT 7,043,032
MADE IN U.S.A.
RANE CORP.
HOUSE
OUTPUTS
EFFECTS LOOP
OUTPUTS
BOOTH
MP 2016S
MIC 2
4
TAPE
OUTPUTS
XP 2016S
EXTERNAL
PROCESSOR
532
AUX INPUTS
1
MIC 1
4
INPUTS
321
GAIN
RIGHT
LEFT
R
L
R
L
R
LEFTRIGHT
L
RETURN SEND
TREBLE
-12-12 +12
0
BASS
MIC
LINE
+12
0
+12-12
0
-12 +12
0
GAIN
BASS TREBLE
R
EFFECTSEFFECTS
LEVEL
POST PRE
L
RRRR
LLLL
—PHONO GROUND —
LINE
PHONO
R
L
R
L
R
L
R
L
MIC
LINE
XLR WIRING
PIN 2 = POSITIVE
PIN 3 = NEGATIVE
PIN 1 = CHASSIS GROUND
COMMERCIAL AUDIO
EQUIPMENT 24TJ
R
100-240 V
50/60 Hz 12 WATTS
This device complies with Part 15 of the FCC Rules. Operation is
subject to the following two conditions: (1) this device may not cause
harmful interference, and (2) this device must accept any interference
received, including interference that may cause undesired operation.

Manual-5
AUX INPUTS 1-5 RCA jacks
ese ve stereo AUX Inputs are unbalanced, line level Inputs
available for selection on all six Input channels.
XP 2016S EXTERNAL PROCESSOR
e XP 2016S port provides the required socket for connecting
the ribbon cable (supplied with the optional XP 2016S). If an XP
2016S is not connected, the front panel XP 2016S engage switch
has no eect. If ribbons longer than that supplied with the XP
2016S are used, crosstalk may increase and immunity to RF,
magnetic and conducted interference may be compromised —
don’t do it.
TAPE OUTPUT – PRE-EFFECTS RCA jacks
is unbalanced line-level Output is located before the EF-
FECTS LOOP and tone controls for recording the Master Mix.
MIC Inputs are mixed as any other source and will be present at
both TAPE OUTPUTS.
TAPE OUTPUT – POST-EFFECTS RCA jacks
is unbalanced line-level Output is located after the EFFECTS
LOOP and before the tone controls. is may be used as an
Auxiliary Output. For this application, as well as for more ex-
ibility when recording, a LEVEL control has been provided as
described below.
TAPE OUTPUT – POST-EFFECTS LEVEL control
is adjusts the POST-EFFECTS TAPE OUTPUT from unity
gain to o, allowing optimum sensitivity adjustment for record-
ing or for an Auxiliary Output.
EFFECTS LOOP SEND ¼" jacks
SEND Outputs are unbalanced standard ¼" tip-sleeve jacks.
ey provide a line level Output for external signal processing or
eects units. If eects are not being used, these outputs may be
used as Auxiliary Outputs.
EFFECTS LOOP RETURN ¼" jacks
RETURN Inputs are unbalanced standard ¼" tip-sleeve jacks.
ey provide the Input from external signal processing or eects
units. Switching jacks are used so there is no loss of signal if the
front panel EFFECTS LOOP switch is active with no eects
connected. RETURN Inputs are not appropriate for Auxiliary
Inputs as this signal is only selected when the front panel EF-
FECTS LOOP switch is active, at which time Master signal is
derived only by the signal present at the RETURN Inputs, the
mix signals are disconnected.
BOOTH OUTPUT RCA jacks
e unbalanced stereo BOOTH OUTPUT is normally used for
booth monitoring. As previously outlined, very exible source
selection is provided as well as MIC ducking. Remember, the
BOOTH OUTPUT is attenuated by 12 dB whenever one of the
front panel MIC ENGAGE switches is active (unless ducking
has been defeated with the internal jumper. See Mic/Line Inputs
on page Manual-6).
HOUSE OUTPUT jacks
Both balanced (XLR) and unbalanced (RCA) jacks are provided.
For long runs, we highly recommend using the balanced XLR
outputs. e unbalanced RCA outputs are intended for short
runs of less than 10 feet (3 meters). Both may be used simultane-
ously if required.
ACN 001 345 482
U.S. PATENT 7,043,032
MADE IN U.S.A.
RANE CORP.
HOUSE
OUTPUTS
EFFECTS LOOP
OUTPUTS
BOOTH
MP 2016S
MIC 2
4
TAPE
OUTPUTS
XP 2016S
EXTERNAL
PROCESSOR
532
AUX INPUTS
1
MIC 1
4
INPUTS
321
GAIN
RIGHT
LEFT
R
L
R
L
R
LEFTRIGHT
L
RETURN SEND
TREBLE
-12-12 +12
0
BASS
MIC
LINE
+12
0
+12-12
0
-12 +12
0
GAIN
BASS TREBLE
R
EFFECTSEFFECTS
LEVEL
POST PRE
L
RRRR
LLLL
—PHONO GROUND —
LINE
PHONO
R
L
R
L
R
L
R
L
MIC
LINE
XLR WIRING
PIN 2 = POSITIVE
PIN 3 = NEGATIVE
PIN 1 = CHASSIS GROUND
COMMERCIAL AUDIO
EQUIPMENT 24TJ
R
100-240 V
50/60 Hz 12 WATTS
This device complies with Part 15 of the FCC Rules. Operation is
subject to the following two conditions: (1) this device may not cause
harmful interference, and (2) this device must accept any interference
received, including interference that may cause undesired operation.
ACN 001 345 482
U.S. PATENT 7,043,032
MADE IN U.S.A.
RANE CORP.
HOUSE
OUTPUTS
EFFECTS LOOP
OUTPUTS
BOOTH
MP 2016S
MIC 2
4
TAPE
OUTPUTS
XP 2016S
EXTERNAL
PROCESSOR
532
AUX INPUTS
1
MIC 1
4
INPUTS
321
GAIN
RIGHT
LEFT
R
L
R
L
R
LEFTRIGHT
L
RETURN SEND
TREBLE
-12-12 +12
0
BASS
MIC
LINE
+12
0
+12-12
0
-12 +12
0
GAIN
BASS TREBLE
R
EFFECTSEFFECTS
LEVEL
POST PRE
L
RRRR
LLLL
—PHONO GROUND —
LINE
PHONO
R
L
R
L
R
L
R
L
MIC
LINE
XLR WIRING
PIN 2 = POSITIVE
PIN 3 = NEGATIVE
PIN 1 = CHASSIS GROUND
COMMERCIAL AUDIO
EQUIPMENT 24TJ
R
100-240 V
50/60 Hz 12 WATTS
This device complies with Part 15 of the FCC Rules. Operation is
subject to the following two conditions: (1) this device may not cause
harmful interference, and (2) this device must accept any interference
received, including interference that may cause undesired operation.
IEC320-C5 power jack
Connects with the proper power cable to
AC line voltage anywhere in the world,
100-240 VAC.

Manual-6
OPERATION
RIAA PHONO/LINE INPUTS
Input channels 1 through 4 each have a dedicated preamplier.
A rear panel switch allows setting these preamps for PHONO
or LINE level signals. Make sure you have the switch in the correct
position for your application. e source selectors for Input chan-
nels 1 - 4 may select the dedicated PHONO / LINE preamplier
or one of the ve stereo AUX Inputs as the source.
With normal program material playing, set the INPUT
GAIN control to a level that causes the SIG / OL indicator to
ash green. e SIG / OL indicator should not ash red. is
will ensure optimum signal to noise ratio and dynamic range. If
INPUT GAIN controls are set too high, you may not have the
required headroom for mixing multiple Inputs. If your levels are
set too low, signal-to-noise ratio is compromised.
In addition to optimizing noise and dynamic range, prop-
erly setting INPUT GAIN allows the MIX LEVEL control to
operate predictably over its entire range. e taper of the MIX
LEVEL control is non-linear and will have dierent attenuation
verses rotation characteristics depending on its position. As can
be seen in the gure below, if you are mixing between 30% and
60% of rotation, MIX LEVEL will behave much dierently than
if operated between 65% and 95% of rotation.
the INPUT GAIN SIG / OL indicator to accurately indicate the
signal level. Adjust the MIC GAIN so the red OL indicator just
stays o during the highest signal peaks (if a microphone is in
use, yell into it). e MIC GAIN control should only have to be
set once for the source in use. Use the front panel INPUT GAIN
control for trimming the gain after installation.
Next adjust the rear panel MIC 1 and MIC 2 BASS and
TREBLE controls for the desired tonal quality. If you add a lot
of BASS or TREBLE boost, you may want to readjust the MIC
GAIN control to avoid possible overloading.
MIC 1 and MIC 2 each have an ENGAGE switch to the
right of the Input Selector. For a mic signal to be active, the
selector must be set to MIC and the MIC ENGAGE switch set
to ENGAGE (up).
When either of the switches is set to the ENGAGE posi-
tion, the BOOTH OUTPUT is ducked (attenuated) by 12 dB
(about ¼th ) to reduce potential feedback. If you do not want the
BOOTH OUTPUT to duck when a MIC source is engaged,
you can remove the top cover and set the internal jumper accord-
ingly. ere is an independent Ducker select jumper for MIC 1
and MIC 2.
It sounds like a lot of trouble to set the input stages up cor-
rectly, however, you will be amazed at how much better your
performance sounds.
MIX LEVEL
With the Input stages properly adjusted, you are free to use the
MIX LEVEL control for mixing. For most applications, channels
will be mixed at about 70% to 100% rotation. BOOTH and
HOUSE level controls then set the output volume. e MAS-
TER SIG / OL indicator displays the signal level of the mix. e
Green SIG indicator should ash or remain on. e Red OL
indicator should remain o (it may ash occasionally, but if it is
on every beat it is too hot). To correct an overload condition, one
or more of the MIX LEVEL controls must be turned down. e
MASTER SIG / OL indicator monitors the signal before and
after the tone control, so if you use a lot of boost, remember to
monitor this indicator.
TONE CONTROLS
e MP 2016S uses high-performance tone control circuits
that isolate the signal into three bands. e level of each band
is independently controlled, and then recombined. is topol-
ogy provides full “kill” for TREBLE, MID and BASS. If all
three bands are set to the same level, there will be no change in
frequency response, only amplitude. It is the dierence in settings
that determines the tonal quality of the signal. ese advanced
tone controls provide excellent dynamic response with xed
phase shift. Control is smooth and predictable. e tone controls
can isolate beats, vocals and “high-hat,” as well as adjust general
tonal quality. Remember that the dedicated Mic tone controls
(on the rear panel) are used to equalize the Microphone Inputs.
MIC / LINE INPUTS
Input channels 5 and 6 each have dedicated preampliers. A rear
panel switch allows setting these Inputs for MIC or LINE level
signals. Make sure you have the switch in the correct position for
your application. While these Inputs are designed for use with
dynamic microphones (no phantom power) or wireless micro-
phones with line level output, they will accept just about any
mono signal. While balanced operation is highly recommended,
these Inputs may be operated unbalanced with short cables to
the source (less than 10 feet or 3 meters). e source selectors for
Input channels 5 and 6 may select the dedicated MIC / LINE
preamplier or one of the ve stereo AUX inputs.
Prior to permanent installation, adjust the preamplier
GAIN, BASS and TREBLE controls (located on the rear panel)
for the intended source.
In addition to the MIC / LINE switch, each preamplier has
a rear panel MIC GAIN trim. To properly set the MIC GAIN,
set the front panel INPUT GAIN control to “10.” is allows
Mix Level Taper
Rotation
10
10
0
20
20
30
30
40
40
50
50
60
60
70
70
80
80
100
100
90
90
Attenuation

Manual-7
OPTIONAL XP 2016S EXTERNAL PROCESSOR
Combining the optional XP 2016S EXTERNAL PROCESSOR
with the MP 2016S adds three-band, full-cut, Accelerated-Slope™
tone controls and A-POST-B Crossfader Assign switches for
each of the six Input channels. You also get a high-performance
Active-Crossfader™ with full-range Contour control and a stereo
10-segment peak dBu Master / Cue Meter with peak hold. With
these added features, the system accommodates the diverse needs
of virtually all DJ mixing styles.
e post MIX LEVEL signals from the MP 2016S are routed
to the XP 2016S, processed by the tone controls, then assigned to
the A side of the fader, B side of the fader or post fader. e mixed
signal is returned to the MP 2016S. If the XP 2016S engage
switch is active, the MASTER signal gets the XP 2016S mix. If
the XP 2016S engage switch is not active, the MASTER signal
just gets the MP 2016S mix.
CHANNEL 1-6 TREBLE
Allows adjusting the amplitude of frequencies above 4 kHz from
+6 dB to OFF (full kill).
CHANNEL 1-6 MID
Allows adjusting the amplitude of frequencies between 300 Hz
and 4 kHz from +6 dB to OFF (full kill).
CHANNEL 1-6 BASS
Allows adjusting the amplitude of frequencies below 300 Hz
from +6 dB to OFF (full kill).
CHANNEL 1-6 A/POST/B Assign
ese switches assign each of the six input channels to the A side
of the Crossfader, B side of the Crossfader or POST Crossfader.
CROSSFADER
is implements using Ranes’ proprietary Active Crossfader™
design. All audio is isolated from the control element, greatly
extending the life and performance of the control. See page
Manual-8 for cleaning and replacement instructions.
CROSSFADER CONTOUR
is control allows adjusting the “shape” of the Crossfader re-
sponse from a gentle curve for smooth long running fades, to the
steep pitch required for performance cut and scratch eects. (See
the graph in the Data Sheet.)
PEAK PROGRAM / CUE METER
e stereo 10-segment Cue Meter on the XP 2016S monitors the
same signal as the headphones. See the HEADPHONE MONI-
TOR section on page Manual-3.
POWER indicator
is yellow indicator lights whenever AC power is connected.
A POST BAPOST BAPOST BAPOST BAPOST BAPOST B
BASS
MID
TREBLE
CROSSFADER
CONTOUR
RIGHT / PGM
LEFT / CUE
POWER
1
BASS
MID
TREBLE
2
BASS
MID
TREBLE
3
BASS
MID
TREBLE
4
BASS
MID
TREBLE
5
BASS
MID
TREBLE
6
CUE METER
XP 2016S
EXTERNAL
PROCESSOR
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
-20 -7-10 -4 0-2 +2 +7+4 +10
6420
10 864
108
20
A
B
F 60X
A POST BAPOST BAPOST BAPOST BAPOST BAPOST B
BASS
MID
TREBLE
CROSSFADER
CONTOUR
RIGHT / PGM
LEFT / CUE
POWER
1
BASS
MID
TREBLE
2
BASS
MID
TREBLE
3
BASS
MID
TREBLE
4
BASS
MID
TREBLE
5
BASS
MID
TREBLE
6
CUE METER
XP 2016S
EXTERNAL
PROCESSOR
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
+6OFF
0
-20 -7-10 -4 0-2 +2 +7+4 +10
6420
10 864
108
20
A
B
F 60X

Manual-8
©Rane Corporation 10802 47th Ave. W., Mukilteo WA 98275-5000 TEL [phone] FAX [phone] WEB rane.com
Power
is IEC320-C5 power jack receives the power cable shipped
with the unit.
MP 2016S Mixer Port
is is the required socket to connect the XP 2016S to the MP
2016S, using the ribbon cable supplied with the XP 2016S. If
a ribbon longer that that supplied with the XP 2016S is used,
crosstalk may increase, and immunity to RF, magnetic and con-
ducted interference may be compromised.
XP 2016S Ribbon Connections: (PIN 1 marked Ñ)
1) GND
2) GND
3) MIX RIGHT OUT
4) MIX LEFT OUT
5) GND
6) METER LEFT IN
7) METER RIGHT IN
8) GND
9) CH 6R IN
10) CH 6L IN
11) GND
12) CH 5R IN
13) CH 5L IN
14) GND
15) CH 4R IN
16) CH 4L IN
17) GND
18) CH 3R IN
19) CH 3L IN
20) GND
21) CH 2R IN
22) CH 2L IN
23) XP 2016 ENABLE (GND)
24) CH 1R IN
25) CH 1L IN
26) GND
Fader Cleaning
With heavy use in harsh environments, the faders may need
lubrication. is treatment extends longevity and can make used
faders as good as new. e fader assembly must be removed from
the XP 2016S for proper cleaning. We recommend:
Caig DeoxIT® Fader F-series spray lubricant
Order it from:
CAIG Laboratories, Inc.
12200 atcher Ct.
Poway, CA 92064
Phone 800-CAIG-123
Email [e-mail]
Web www.caig.com
CLEANING INSTRUCTIONS
A. Fader assembly removal
1. Remove (2) 3mm screws.
2. Draw fader assembly out through hole.
3. Remove ribbon cable.
B. Fader cleaning
1. Hold the fader assembly away from the mixer.
2. Position the fader at mid-travel.
3. Spray cleaner/lubricant into both ends of the fader.
4. Move the fader over its full travel back and forth a few times.
5. Shake excess uid from the fader assembly.
6. Wipe o excess uid.
At this point the control should be operational. If fader perfor-
mance is questionable then replacement of the pot is the only
sure remedy. e fader is available to purchase online in the Rane
Factory Store at rane.com. You may also call the Rane factory
if you are in the USA, or call your distributor outside the USA
(rane.com/internat.html).
MP 2016S
MIXER
ACN 001 345 482
U.S. PATENT 7,043,032
MADE IN U.S.A.
RANE CORP.
XP 2016S
COMMERCIAL AUDIO
EQUIPMENT 24TJ
R
100-240 V
50/60 Hz 12 WATTS
This device complies with Part 15 of the FCC Rules. Operation is
subject to the following two conditions: (1) this device may not cause
harmful interference, and (2) this device must accept any interference
received, including interference that may cause undesired operation.
DOC 111041