Roland Hp 337 User manual

mi@)t=)

aren

Roland

Digital

Piano

HP

337

Owner’s

Manual

Before

using

this

unit,

carefully

read

the

sections

entitled:

“IMPORTANT

SAFETY

INSTRUC-

TIONS”

(p.

2),

“USING

THE

UNIT

SAFELY”

(p.

3,

4),

and

“IMPORTANT

NOTES”

(p.

5).

These

sections

provide

important

information

concerning

the

proper

operation

of

the

unit.

Additionally,

in

order

to

feel

assured

that

you

have

gained

a

good

grasp

of

every

feature

provided

by

your

new

unit,

owner’s

manual

should

be

read

in

its

entirety.

The

manual

should

be

saved

and

kept

on

hand

as

a

convenient

reference.

Copyright

©

2000

ROLAND

CORPORATION

All

rights

reserved.

No

part

of

this

publication

may

be

reproduced

in

any

form

without

the

written

permission

of

ROLAND

CORPORATION.

CAUTION

RISK

OF

ELECTRIC

SHOCK

}O

NOT

OPEN

ATTENTION.

aisoue

pe

choc

eLectaique

NE

PAS

OUVRIR

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

SHOCK,

DO

NOT

REMOVE

COVER

(OR

BACK).

NO

USER-SERVICEABLE

PARTS

INSIDE.

REFER

SERVICING

TO

QUALIFIED

SERVICE

PERSONNEL.

A

The

lightning

flash

with

arrowhead

symboi,

within

an

equilateral

triangle.

is

intended

to

alert

the

user

to

the

presence

of

uninsulaled

“dangerous

voltage”

within

the

product's

enclosure

that

may

be

of

sufficient

magnitude

to

constitute

a

risk

of

electric

shock

to

persons.

The

exclamation

point

within

an

equilateral

triangle

is

intended

to

alert

the

user

to

the

presence

of

important

operating

and

maintenance

(servicing)

instructions

in

the

literature

accompanying

the

product.

IGUON

Bo

Ne

o

INSTRUCTIONS

PERTAINING

TO

A

RISK

OF

FIRE,

ELECTRIC

SHOCK,

OR

INJURY

TO

PERSONS.

IMPORTANT

SAFETY

INSTRUCTIONS

SAVE

THESE

INSTRUCTIONS

WARNING

-

When

using

electric

products,

basic

precautions

should

always

be

followed.

including

the

following:

Read

these

instructions.

Keep

these

instructions.

Heed

all

warnings.

Follow

all

instructions.

Do

not

use

this

apparatus

near

water.

Clean

only

with

a

damp

cloth.

Do

not

block

any

of

the

ventilation

openings.

Install

in

accordance

with

the

manufacturers

instructions.

Do

not

install

near

any

heat

sources

such

as

radiators,

heat

registers,

stoves,

or

other

apparatus

(including

amplifiers)

that

produce

heat.

Do

not

defeat

the

safety

purpose

of

the

polarized

or

grounding-type

plug.

A

polarized

plug

has

two

blades

with

one

wider

than

the

other.

A

grounding

type

plug

has two

blades

and

a

third

grounding

prong.

The

wide

blade

or

the

third

prong

are

provided

for

your

satety.

When

the

provided

plug

does

not

fit

into

your

outlet.

consult

an

electrician

for

replacement

of

the

obsolete

outlet.

10.

Protect

the

power

cord

from

being

walked

on

or

pinched

particularly

at

plugs,

convenience

receptacles,

and

the

point

where

they

exit

from

the

apparatus.

.

Only

use

attachments/accessories

specified

by

the

manufacturer

.

Use

only

with

a

cart,

stand,

tripod,

brackel,

or

table

specified

by

the

manufacturer,

or

sold

with

the

apparatus.

When

a

cart

is

used,

use

caution

when

moving

the

carV/apparatus

combination

to

avoid

injury

from

tip-over.

im

.

Unplug

this

apparatus

during

lightning

storms

or

when

unused

for

long

periods

of

time.

.

Refer

all

servicing

to

qualified

service

personnel.

Servicing

is

required

when

the

apparatus

has

been

damaged

in

any

way,

such

aS

power-supply

cord

or

plug

is

damaged,

liquid

has

been

spilled

or

objects

have

fallen

into

the

apparatus,

the

apparatus

has

been

exposed

to

rain

or

moisture,

does

not

operate

normally,

or

has

been

dropped.

For

the

U.K.

IMPORTANT:

THE

WIRES

IN

THIS

MAINS

LEAD

ARE

COLOURED

IN

ACCORDANCE

WITH

THE

FOLLOWING

CODE.

BLUE:

NEUTRAL

BROWN:

LIVE

As

the

colours

of

the

wires

in

the

mains

lead

of

this

apparatus

may

not

correspond

with

the

coloured

markings

identifying

the

terminals

in

your

plug,

proceed

as

follows:

The

wire

which

is

coloured

BLUE

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

L

or

coloured

RED.

Under

no

circumstances

must

either

of

the

above

wires

be

connected

to

the

earth

terminal

of

a

three

plug.

USING

THE

UNIT

SAFELY

INSTRUCTIONS

FOR

THE

PREVENTION

OF

FIRE,

ELECTRIC

SHOCK,

OR

INJURY

TO

PERSONS

About

A\

WARNING

and

Z\

CAUTION

Notices

Used

for

instructions

intended

to

alert

the

user

to

the

risk

of

death

or

severe

injury

should

the

unit

be

used

improperly.

Z\WARNING

Used

for

instructions

intended

to

alert

the

user

to

the

risk

of

injury

or

material

damage

should

the

unit

be

used

improperly.

Z\

CAUTION

*

Materia]

damage

refers

to

damage

or

other

adverse

effects

caused

with

respect

to

the

home

and

all

its

furnishings,

as

well

to

domestic

animals

or

pets.

weesesetnenecotteeecerceceecseeeeees

ALWAYS

OBSERVE

THE

FOLLOWING

WARNING

*

Before

using

this

unit,

make

sure

to

read

the

instructions

below,

and

the

Owner’s

Manual.

*

Do

not

open

or

perform

any

internal

modifica-

tions

on

the

unit.

¢

Do

not

attempt

to

repair

the

unit,

or

replace

parts

within

it

(except

when

this

manual

provides

specific

instructions

directing

you

to

do

so).

Refer

all

servicing

to

your

retailer,

the

nearest

Roland

Service

Center,

or

an

authorized

Roland

distributor,

as

listed

on

the

"Information"

page.

¢

Never

use

or

store

the

unit

in

places

that

are:

*

Subject

to

temperature

extremes

(e.g.,

direct

sunlight

in

an

enclosed

vehicle,

near

a

heating

duct,

on

top

of

heat-generating

equipment);

or

are

>

WY

*

Damp

(e.g.,

baths,

washrooms,

on

wet

floors);

or

are

©

Humid;

or

are

*

Exposed

to

rain;

or

are

*

Dusty;

or

are

*

Subject

to

high

levels

of

vibration.

*

Make

sure

you

always

have

the

unit

placed

so

it

is

level

and

sure

to

remain

stable.

Never

place

it

on

stands

that

could

wobble,

or

on

inclined

surfaces.

¢

The

unit

should

be

connected

to

a

power

supply

only

of

the

type

described

in

the

operating

instruc-

J

tions,

or

as

marked

on

the

unit.

*

Do

not

excessively

twist

or

bend

the

power

cord,

nor

place

heavy

objects

on

it.

Doing

so

can

damage

the

cord,

producing

severed

elements

and

short

circuits.

Damaged

cords

are

fire

and

shock

hazards!

About

the

Symbols

The

A

symbol

alerts

the

user

to

important

instructions

or

warnings.The

specific

meaning

of

the

symbol

is

determined

by

the

design

contained

within

the

triangle.

In

the

case

of

the

symbol

at

left,

it

is

used

for

general

cautions,

warnings,

or

alerts

to

danger.

The

©

symbol

alerts

the

user

to

items

that

must

never

be

carried

out

(are

forbidden),

The

specific

thing

that

must

not

be

done

is

indicated

by

the

design

contained

within

the

circle.

In

the

case

of

the

symbol

at

left,

it

means

that

the

unit

must

never

be

disassembled.

The

@

symbol

alerts

the

user

to

things

that

must

be

carried

out.

The

specific

thing

that

must

be

done

is

indicated

by

the

design

contained

within

the

circle.

In

the

case

of

the

symbol

at

left,

it

means

that

the

power-

cord

plug

must

be

unplugged

from

the

outlet.

¢

This

unit,

either

alone

or

in

combination

with

an

amplifier

and

headphones

or

speakers,

may

be

capable

of

producing

sound

levels

that

could

cause

permanent

hearing

loss.

Do

not

operate

for

a

long

period

of

time

at

a

high

volume

level,

or

at

a

level

that

is

uncomfortable.

If

you

experience

any

hearing

loss

or

ringing

in

the

ears,

you

should

immediately

stop

using

the

unit,

and

consult

an

audiologist.

*

Donotallow

any

objects

(e.g.,

flammable

material,

coins,

pins);

or

liquids

of

any

kind

(water,

soft

drinks,

etc.)

to

penetrate

the

unit.

*

In

households

with

small

children,

an

adult

should

provide

supervision

until

the

child

is

capable

of

following

all

the

rules

essential

for

the

safe

operation

of

the

unit.

¢

Protect

the

unit

from

strong

impact.

(Do

not

drop

it!)

¢

Do

not

force

the

unit’s

power-supply

cord

to

share

an

outlet

with

an

unreasonable

number

of

other

SO

devices.

Be

especially

careful

when

using

extension

cords—the

total

power

used

by

all

devices

you

have

connected

to

the

extension

cord’s

outlet

must

never

exceed

the

power

rating

(watts

/amperes)

for

the

extension

cord.

Excessive

loads

can

cause

the

insulation

on

the

cord

to

heat

up

and

eventually

melt

through.

with

your

retailer,

the

nearest

Roland

Service

Center,

or

an

authorized

Roland

distributor,

as

listed

on

the

"Information"

page.

¢

Before

using

the

unit

in

a

foreign

country,

consult

(

position

does

not

interfere

with

its

proper

venti-

The

unit

should

be

located

so

that

its

location

or

(

lation.

Always

grasp

only

the

plug

on

the

power-supply

Q

cord

when

plugging

into,

or

unplugging

from,

an

Ex,

outlet

or

this

unit.

Try

to

prevent

cords

and

cables

from

becoming.

(}

entangled.

Also,

all

cords

and

cables

should

be

placed

so

they

are

out

of

the

reach

of

children.

Never

climb

on

top

of,

nor

place

heavy

objects

on

S

the

unit.

Never

handle

the

power

cord

or

its

plugs

with

wet

7

hands

when

plugging

into,

or

unplugging

from,

QQ)

an

outlet

or

this

unit.

If

you

need

to

move

the

instrument,

take

note

of

the

precautions

listed

below.

At

least

two

persons

@

are

required

to

safely

lift

and

move

the

unit.

It

should

be

handled

carefully,

all

the

while

keeping

it

level.

Make

sure

to

have

a

firm

grip,

to

protect

yourself

from

injury

and

the

instrument

from

damage.

¢

Check

to

make

sure

the

screw

securing

the

unit

to

the

stand

have

not

become

loose.

Fasten

them

again

securely

whenever

you

notice

any

loosening.

*

Disconnect

the

power

cord.

¢

Disconnect

all

cords

coming

from

external

devices.

*

Raise

the

adjusters

on

the

stand

(p.

13).

*

Close

the

lid.

*

Fold

down

the

music

stand.

Before

cleaning

the

unit,

turn

off

the

power

and

unplug

the

power

cord

from

the

outlet

(p.

12).

=

Whenever

you

suspect

the

possibility

of

lightning

in

your

area,

pull

the

plug

on

the

power

cord

out

7

of

the

outlet.

Be

careful

when

opening

/closing

the

lid

so

you

do

not

get

your

fingers

pinched

(p.

12).

Adult

super-

vision

is

recommended

whenever

small

children

>

use

the

unit.

IMPORTANT

NOTES

In

addition

to

the

items

listed

under

“IMPORTANT

SAFETY

INSTRUCTIONS”

and

“USING

THE

UNIT

SAFELY”

onpages

2,

3

and

4,

please

read

and

observe

the

following:

Power

Supply

¢

Do

not

use

this

unit

on

the

same

power

circuit

with

any

device

that

will

generate

line

noise

(such

as

an

electric

motor

or

variable

lighting

system).

¢

Before

connecting

this

unit

to

other

devices,

turn

off

the

power

to

all

units.

This

will

help

prevent

malfunctions

and/or

damage

to

speakers

or

other

devices.

Placement

*

Using

the

unit

near

power

amplifiers

(or

other

equipment

containing

large

power

transformers)

may

induce

hum.

To

alleviate

the

problem,

change

the

orientation

of

this

unit;

or

move

it

farther

away

from

the

source

of

inter-

ference.

¢

This

device

may

interfere

with

radio

and

television

reception.

Do

not

use

this

device

in

the

vicinity

of

such

receivers.

*

Do

not

expose

the

unit

to

direct

sunlight,

place

it

near

devices

that

radiate

heat,

leave

it

inside

an

enclosed

vehicle,

or

otherwise

subject

it

to

temperature

extremes.

Also,

do

not

allow

lighting

devices

that

normally

are

used

while

their

light

source

is

very

close

to

the

unit

(such

as

a

piano

light),

or

powerful

spotlights

to

shine

upon

the

same

area

of

the

unit

for

extended

periods

of

time.

Excessive

heat

can

deform

or

discolor

the

unit.

*

To

avoid

possible

breakdown,

do

not

use

the

unit

in

a

wet

area,

such

as

an

area

exposed

to

rain

or

other

moisture.

*

Do

not

allow

rubber,

vinyl,

or

similar

materials

to

remain

on

the

piano

for

long

periods

of

time.

Such

objects

can

discolor

or

otherwise

harmfully

affect

the

finish.

¢

Do

not

put

anything

that

contains

water

(e.g.,

flower

vases)

on

the

piano.

Also,

avoid

the

use

of

insecticides,

perfumes,

alcohol,

nail

polish,

spray

cans,

etc.,

near

the

unit.

Swiftly

wipe

away

any

liquid

that

spills

on

the

unit

using

a

dry,

soft

cloth.

Maintenance

¢

Toclean

the

unit,

use

a

dry,

soft

cloth;

or

one

that

is

slightly

dampened.

Try

to

wipe

the

entire

surface

using

an

equal

amount

of

strength,

moving

the

cloth

along

with

the

grain

of

the

wood.

Rubbing

too

hard

in

the

same

area

can

damage

the

finish.

¢

Never

use

benzine,

thinners,

alcohol

or

solvents

of

any

kind,

to

avoid

the

possibility

of

discoloration

and/or

deformation.

Additional

Precautions

*

Use

a

reasonable

amount

of

care

when

using

the

unit's

buttons,

sliders,

or

other

controls;

and

when

using

its

jacks

and

connectors.

Rough

handling

can

lead

to

malfunctions.

¢

Never

strike

or

apply

strong

pressure

to

the

display.

¢

When

connecting

/

disconnecting

all

cables,

grasp

the

connector

itself—never

pull

on

the

cable.

This

way

you

will

avoid

causing

shorts,

or

damage

to

the

cable’s

internal

elements.

¢

Asmall

amount

of

heat

will

radiate

from

the

unit

during

normal

operation.

*

To

avoid

disturbing

your

neighbors,

try

to

keep

the

unit’s

volume

at

reasonable

levels.

You

may

prefer

to

use

headphones,

so

you

do

not

need

to

be

concerned

about

those

around

you

(especially

when

it

is

late

at

night).

e

When

you

need

to

transport

the

unit,

pack

it

in

shock-

absorbent

material.

Transporting

the

unit

without

doing

so

can

cause

it

to

become

scratched

or

damaged,

and

could

lead

to

malfunction.

*

Do

not

pull

the

music

stand

too

far

forward

when

setting

/

releasing

its

latches.

¢

Do

not

paste

stickers,

decals,

or

the

like

to

this

instrument.

Peeling

such

matter

off

the

instrument

may

damage

the

exterior

finish.

“

*

Use

a

cable

from

Roland

to

make

the

connection.

If

using

some

other

make

of

connection

cable,

please

note

the

following

precautions.

¢

Some

connection

cables

contain

resistors.

Do

not

use

cables

that

incorporate

resistors

for

connecting

to

this

unit.

The

use

of

such

cables

can

cause

the

sound

level

to

be

extremely

low,

or

impossible

to

hear.

For

infor-

mation

on

cable

specifications,

contact

the

manufac-

turer

of

the

cable.

*

GS

(&)

is

a

registered

trademark

of

Roland

Corpo-

ration.

*

Apple

is

a

registered

trademark

of

Apple

Computer,

Inc.

PP

8

PP

Pp

*

Macintosh

is

a

registered

trademark

of

Apple

Computer,

Inc.

*

IBM

PC

is

a

registered

trademark

of

International]

Business

Machines

Corporation.

USING

THE

UNIT

SAPELY

sci

ccessscciccwasescitubstinncgntdntsdasosganseguentencvoaesacesuesdndtciae

3

IMPORTANT

NO

VES

oi

csetac

coe

cecscccsSasiguecdctucsacadeninnectancennsabnesansvoisaneciengencandenbahiest

5

Getting

Started

SSSHSSHSSSESSSOHSSSESSSSSTSSSHSSHSHSSSSEHSSSESHSSHHSSHSSHESESHHSHSESESOHHHESEESSHSEOSEEE

8

Ma

ity

POA

teres

scsi

cicica

tact

cctsth

farsen

ucci

ge

tusseetenveigiedadiad

tautcedaneda

dace

diue

van

deena

des

can

seateul

vetuestdatesaten

teastenececes

8

Button:

Descriptions:

2

scsvec

vec

aisids

Shavee

best

ties

tects

ae

eee

ie

aay

Genes

10

Before

You

Start

Playing..........c.cccccccsssscssssccscccccscsccccescscence

EZ

How

to

Open

and

Close

the

Piano

Lid...

ec

eeseeecneeereecsseenesneersesseesesaneaeeatsansassssesnevceeseesens

12

Raisinig

the

Music

Stand

ocscccccicc:scsssssseaidetecpedeses

sasischacecssteastatstucsveoavescoatedbnapdcscnonensueceadasesseneesasvedeasterisbues

12

Connecting

the

Power

Cord

sii.:.cissi

casio

diectied

sleiateeneohaviathastive

cubbniecuehaeudhdees

Manan

isan

12

Turing

the

Power

On

atid

Off

o...cisccccsscessesesesesvesrctsgitovsvstpeecassusstssorandeacidea

secstcunlenstuevesnadi

eedosageaecseetes

12

Adjusting

Sound

Volume

and

Brightness

..0.....0....0.cccseeseseceseesesteeestssesesesescevessestencassacanevaseseanaeeaneass

13

Pedal

PUnCHOINS

2255

cc.

csesecseastessdtscvcrecsccosusyusiveesescasiova

denbensczcvecncoeusbspasdeGecces

cestsncsgsdusstrvecsegltieadeusscnatvenveassdese

13

Connecting

Hledd

pHOies

sso

sicads

ses

teacseiesesevades

cSeacdcscethsdeyscctseansestusts

cereded

pens

vcesvebestuachveavlesevhiedeovenSlsastieoss

13

Finding

Some

Sounds

You

Like

(Tone

DemMo)......cccccccsecsescees

14

Listening

to

Internal

Songs

..........cccccccscsssescessascessccssccscscees

15

Listening

to

All

Songs

Continuously

(All

Song

Play)

Selecting

and

Listening

to a

SONG

.....ccccesesee

sc

csesceseesesseenceneesesnesscsnestescssesesneessseensseseaieaessedseseeseseeane;

Playing

the

Keyboard.............ccccccccsssssccssscccsccccscccscscccsscsses

17,

Performing

with

Various

Instrument

SOUNAS........ccccsesessesesesteseeseseseccensstenssesesseoesasaeeneneseenensenes

Layering

Two

Instrument

Sounds

(Dual

Play)

Playing

Different

Tones

with

the

Left

and

Right

Hands

(Split

Play)

..........

Changing

Tone

Played

by

the

Right

Hand

oo...

ee

cs

eeeeeeeeseneeeeeaes

Changing

Tone

Played

by

the

Left

Hand

Playing

Along

with

the

Auto-Accompaniment

(The

Pianist

Function)

Adding

Breadth

to

the

Sound

(Chorus

Effect)

Adding

Reverberation

to

Sounds

(The

Reverb

Effect)

:.ccccccccssscssssssccsecssessssessssecesssssnesssesesessnntesnse

Adding

Three-Dimensional

Breadth

to

Performance

Parts

(Advanced

3D)

Fine

Adjustment

of

the

Piano

Tones

(Piano

Customize)...

cece

cesses

eceececeeseseeeeesseneesssenesenesenerense

Transposing

the

Key

of

the

Keyboard

(Key

Transpose

Function)...

csccceeseesesscseessseeeesesseneanene

27

Sounding

the

MetronOme.......cccccesceseseesseecsenensneaessseaeeeereseseeesuensnseerssseessssassnseeacsassecsasssseesseenaneatese

Changing

the

Bea

tis

rcs..csc.0.25

sess

denusecussacssupussevt

des

ccetetsasnsocdas

tevesh

cudas

gaa

reqs

ohh

gsantbnrgaetdsabecevscbeadanertaatins

Changing

the

Tempo...

ccccecseeeeesneeieeeenenes

Changing

the

Type

of

Sound

Changing

the

Volutne:..cisc.

shcceictenceicecc

tse

ip

teieelte

thet

irnecvtosnnslaesassees

Adjusting

Keyboard

Touch

Sensitivity

.......ccccccccecsceesscssesssessessseseeseersvessareuenecseaeeseseeesaneseaneneeesesaees

31

Let’s

Play

an

Internal

Song

..........cccsccccsssssccsccssccsssccsscessceess

OL

Changing

the

Tempo

cn

siciscss

ccccscscsseteiescedeatsadpsanetshadatucosedeaventusuenvesactavendsegues

dvshens

Mes

svetusieueaesiaaudmecaadees

32

Playing

Songs

Without

Tempo

Changes

(Tempo

Mute)...

cece

eee

eseseeeeeeeteneeeaeseeneerenseeneees

33

Synchronizing

the

Timing

When

You

Start

to

Play

(Count

In)

oc.

eee

csessssesseseeseeceneseenseeeeeens

33

Practicing

Each

Hand

Separately

Along

with

the

Song

oo...

cc

ccceccsescseasesesteaesseaesesseeeeeeeseateneseaees

34

Contents

TERS

A

a

SN

DS

OR

SE

EI

A

I

EB

GIT

EE

TNS

TEN

SIT

TT

TF

UE

IE

EE

IE

ST

Recording

a

Performance

..ccccccccccccccccsscccccccccccccsccscccccoccccscce

36

Recording

Along

with

Intermal

Songs

oo...

cess

essseesessseessesseeesscccnsererenvecsaressecsuesseeesareneeenaeenneenseeny

36

Recording

Your

Performance

or

Automatic

Accompaniment

........ceessscssseesseessesstiessessenteennessniess

39

Reding

al

Record

tin

pe

ssesse

ses

sbi

ctdesi

ia

2bqa

chcoyel

atin

cenctsssntey

ou

comers

saa

ded

teuteaaadecs

anwvdvasiedecetses

Stavoatieaseaoeuesiniteizeee

42

Erasing

the

Performance

on

a

Specific

Track

......c.cescsesssesesssessesssessesssssnececeneeseenesaeeaeeseseneenseareaeeneesees

43

Deleting

Recorded:

Songs

veins

cscs.

tel

acc

ihal

ndesaccsads

tienen

bes

aaa

desasactsaptatoesasnoeteapestea

sodas

steccesatbaatetaees

43

Using

Other

Functions

PSSSCHSHSOHSHSESHSHSSHHSOSSHSSSSSSSHOSEHSEHHTCHHSESEHSHESOLORESHODE

44

Disabling

Everything

Except

Piano

Play

(Panel

Lock)

......cecceccseeecsseceeseeeeeeeneeseeeeesntestenmeseeneesneeeess

44

Changing

the

Key

When

Playing

Back

Songs

...c.cscssssessesesescnseresssnenecesenessssssseesessecatenecaseneeneeseenee

44

Adjusting

the

Piteh.of

the

Sound

(Master

Tuning)

yecetaciecnsien

arrears

iceeiaiainlnc

wird

44

Playing

Songs

Using

Tunings

from

Classical

MUSIC

.........ccccssesseeeeseesesnessessesnsseeseeseesseeeeaeeasenenvenees

45

Changing

the

Tuning

Curves

sic

achsnecutisitht

necwtelcisiantean

aang

Sea

daenerattatua

dreaded

eantintaree

46

Changing

Various

Settings

..........csscccsssccosscscsesscccsccccsesccscees

AF

Changing

How

the

Pedals

Work.........cccsecssssecsesssessesnsesneenscovecussnseseccusesesnecsscsnesaesescsaseacsaeessssnsessenseens

47

Changing

the

Damper

Pedial’s

ReSOmance

......csecsestecsseessessesteenessessestenseseenesuseneatensessaussesseansansenscneeness

47

Changing

the

Volume

Balance

for

the

Keyboard

and

Accompaniment

..........:c:ccsceseeseeeeeereeeeees

47

Changing

the

Keyboard’s

Split

Point

ou...

escssesssssseesscnseseesssnecnneassncenseveaecaesnsssesnsaucevesusseenseaneseneenees

48

Changing

the

Volume

Balance

in

Dual

Play

occ

cceceeseesessesseseseeeseeeeacseencacseseeseeueaesasseenesneneeneneens

48

Disabling

the

Beat

Indicator’s

Pulsations

occ

ecseseestecvecneesnececsneccnesassanesecseecateeneeueeareeneenss

48

Connecting

External

DO

VICES

vsaiccseciccdenscccccveleveseseubsesecesseseses

49

Names

and

Functions

of

Jacks

and

Connectors

.....ccscsssssessssesesesecseessescsescserecsesesesnsssccescsesecscenseraceseness

49

Connecting

to:

MIDE

D@vices

sacs

cescesuses

canes

cpessvsjeneden

genous

cussbesacebecoptetvipcusctstecy

ccatebessssdisaashaccsadaesbesnsseuiaenss

50

Making

Connections

to

MIDI

Devices

.....c.essseesssssessscssseessecsessneenseesucesseenscsancesuseavecnscnssesseessneeseenseesss

50

Connecting

to

Audio

Equipment

.........ccsssssssssssverecnsesccntsseesnsensostssorscnsenesessssssensnsesssaussecssssesessseseesseens

DO

Connecting

to-a

Computers:

.icccsesecciesevovsrsin

ssversahiestecuralansrsapbovustiavnssvatuentelshdeseebetvenservsasadsecvasedderaesebebsies

54

PI

PDOMNCICOS

cassiinisoseisscckndsdecass

ccacsntsssssavansaciesaravcseerencoessiarsesn

BO

TPOUBIS

SHOOTING

icy

aviy

gttscasedd

cecceaesesenicasznestvessaysvgnetsdnonssapvananieacnaviannes

Sedanvalioue

55

If

the

Following

Screen

AppearS..............:cccsssccsseccsssscecsssrsesnnseceeseensanseeseeneess

57

FONG

Nae

LIS

tsi

sicccsivacticassnenseats

veceies

cots

cadin

ds

avesaacecccesadatancsaaseescmodeanes

errs

58

MUSIC:

Style

ESE

ioc

c.ccscsccociincictasics

acdcksnadvunsvanancedva

insucuipetnndususspusbunsedectesupacnaneass

64

GChOrd

Fingering

Gi

arts

icsicsss

scecesiasecstecdiic

cs

depnenasusants

citavealpusbi

davies

Wesuch

sieedeniede

65

Eternal

SONG

LSE

sissies

ces

lciccesslsdgneiaceancsavsscvavesssuavdsasbesadapeidudaces-acgseysuaspavacsinea

67

DPOCINE

GIONS

esciepcucctssncscteen

tactic

tcace

ends

ae

teines

cctinsasauanseu

ssid

cnas

Gucdareeseteosteren

69

MIDI

Implementation

Chat...

eeessssscsesssessceesssaceeseneecersrensnesensenevens

70

PAGE

oo

dos

ssa

eadeeseeckcierudccslandadebrdcerdaces

ew

decodeusdisstuediesteddwticstaauel

71

Getting

Started

Main

Features

*

Authentic

Piano

Performances

With

the

Roland

HP

337,

you

can

enjoy

realistic

piano

performances

with

high-quality

concert

grand

piano

tone

and

authentic

hammer

action

keyboard.

With

the

Piano

Customize

function,

you

can

make

subtle

adjustments

to

the

piano

sound

to

get

just

the

sound

you

like.

Over

250

Different

Instrument

Sounds

Built

In

While

of

course

providing

great

piano

sounds,

the

HP

337

gives

you

over

250

other

instrument

sounds,

so

you

can

use

it

for

songs

in

a

wide

variety

of

musical

genres.

(p.

17)

Built-In

Automatic

Accompaniment

Function

The

HP

337

comes

with

the

“Pianist

Function,”

automatic

piano

accompaniment

for

easy

fingering

in

a

wide

variety

of

musical

genres

(p.

21).

Equipped

with

Functions

Useful

for

Piano

Practice

Numerous

useful

built-in

functions

for

piano

practice—recording

functions

that

you

can

operate

like

a

tape

recorder

(p.

36),

playback

of

one

hand

at

a

time,

the

Metronome

function

(p.

29),

30

songs

that

feature

rich

piano

sounds,

and

more—let

you

practice

piano

as

is

possible

only

with

an

electronic

piano.

Adding

Three-Dimensional

Breadth

to

the

Sound

of

Each

Part

You

can

add

three-dimensional

breadth

to

each

part

ina

Performance.

When

performing

along

with

the

automatic

accompaniment

or

the

internal

songs,

having

the

effects

added

only

to

the

accompaniment

makes

your

own

performance

stand

out

more,

making

the

sound

of

the

performance

easier

to

hear.

(p.

25)

Getting

Started

io)

2

=

a

B

=

®

a

About

the

HP

337

Sound

Generator

The

HP

337

come

equipped

with

GM2/GS

sound

generators.

General

MIDI

The

General

MIDI

(

Mf)

system

is

a

set

of

recommendations

which

seeks

to

provide

a

SE

#

way

to

go

beyond

the

limitations

of

proprietary

designs,

and

standardize

the

MIDI]

capabilities

of

sound

generating

devices.

Sound

generating

devices

and

music

files

that

meet

the

General

MIDI

standard

bear

the

General

MID]

logo.

Music

files

bearing

the

General

MIDI

logo

can

be

played

back

using

any

General

MIDI

sound

generating

unit

to

produce

essentially

the

same

musical

performance.

General

MIDI

2

The

upwardly

compatible

General

MIDI

2

(

ffilit2

)

recommendations

pick

up

where

the

original

General

MIDI

left

off,

offering

enhanced

expressive

capabilities,

and

even

greater

compatibility.

Issues

that

were

not

covered

by

the

original

General

MIDI

recommendations,

such

as

how

sounds

are

to

be

edited,

and

how

effects

should

be

handled,

have

now

been

precisely

defined.

Moreover,

the

available

sounds

have

been

expanded.

General

MIDI

2

compliant

sound

generators

are

capable

of

reliably

playing

back

music

files

that

carry

either

the

General

MIDI

or

General

MIDI

2

logo.

In

some

cases,

the

conventional

form

of

General

MIDI,

which

does

not

include

the

new

enhancements,

is

referred

to

as

“General

MIDI

1”

as

a

way

of

distinguishing

it

from

General

MIDI

2.

GS

format

The

GS

Format

(

oe

)

is

Roland’s

set

of

specifications

for

standardizing

the

performance

of

sound

generating

devices.

In

addition

to

including

support

for

everything

defined

by

the

General

MIDI

System,

the

highly-compatible

GS

Format

additionally

offers

an

expanded

number

of

sounds,

provides

for

the

editing

of

sounds,

and

spells

out

many

details

for

a

wide

range

of

extra

features,

including

effects

such

as

reverb

and

chorus.

Designed

with

the

future

in

mind,

the

GS

Format

can

readily

include

new

sounds

and

support

new

hardware

features

when

they

arrive.

Since

it

is

upwardly

compatible

with

the

General

MIDI

System,

Roland’s

GS

Format

is

capable

of

reliably

playing

back

GM

Scores

equally

as

well

as

it

performs

GS

Music

Data

(music

data

that

has

been

created

with

the

GS

Format

in

mind).

Getting

Started

Button

Descriptions

Power

Cc

+—

]

2

3

4

Transpose

Volume

Brilliance

@)

v

Min

Max

Mellow

Bright

Function

oe

5

1

[Power]

Switch

Switches

the

power

on

and

off

(p.

12).

2

[Volume]

Knob

Adjusts

the

overall

volume

level

(p.

13).

3

[Brilliance]

Knob

Adjusts

the

tone

brightness

(p.

13).

4

[Transpose]

Button

Transposes

the

keyboard's

pitch

(p.

27).

5

[Function]

Button

Pressing

this

button

before

pressing

other

buttons

on

the

keyboard

calls

up

alternate

functions

for

those

buttons.

6

[Tone]

Buttons

Select

the

tone

type

to

be

played

on

the

keyboard

(p.

17).

The

Tones

are

divided

into

eight

separate

Tone

groups.

e

[Piano]

*

[E.Piano]

{Harpsi]

[Vibes]

[Organ]

[Strings]

*

[Voice]

¢

[Flute]

7

[Piano

Customize]

Button

The

is

used

for

making

fine

adjustments

to

the

piano

sound

(p.

26).

6

Tone.

Piano

E.Piano

Harpsi

Vibes

Organ

—

Strings

Voice

Flute

g

Piano

Advanced

Customize

Reverb

Chorus

Pianist

Tadn

Split

Lower

——l

7

8

910

111213

8

[Advanced

3D]

Button

Adds

three-dimensional

breadth

to

each

part

ina

Performance

(p.

25).

_

9

[Reverb]

Button

Adds

reverberation

to

the

sound

(p.

24).

10

[Chorus]

Button

Adds

the

chorus

effect

to

the

sound

(p.

23).

11

[Pianist]

Button

Using

simple

fingering,

you

can

have

piano

accompaniment

be

played

automatically

(p.

21).

12

[Key

Touch]

Button

This

is

used

for

adjusting

the

“touch,”

or

response

of

the

keys

when

you

play

the

keyboard

(p.

31).

When

the

keyboard

is

in

Split

mode,

this

button

is

used

to

change

the

tone

of

the

Lower

part

(p.

20).

When

the

“Pianist

Function”

is

in

use,

the

accompaniment

for

the

intro

can

also

be

turned

on

and

off.

(p.

22)

13

[Split]

Button

Pressing

this

button

divides

the

keyboard

into

right

and

left

zones.

Then,

different

sounds

can

be

plaved

in

each

zone

(p.

19).

When

you

are

using

the

“Pianist

Function,”

this

can

start

or

stop

the

playback

(p.

22).

10

1415

16

ie

‘©

hale

Variation

e

[7

a

“©

=

Sound

On/Off

QiGe

WHO: “CxO

Metronome

Beat

Tempo

1718

19

14

Variation

[+]

[-]

Buttons

The

two

Value

buttons,

[+]

and

[-],

are

used

to

adjust

the

values

of

a

variety

of

settings.

Pressing

both

the

[+]

and

[-]

buttons

simultaneously

returns

the

setting

of

a

20

particular

item

or

function

to

its

original

value.

15

Beat

Indicator

Flashes

in

time

with

the

beat

of

the

song

or

metronome.

If

desired,

you

can

stop

the

Beat

Indicator

from

flashing.

Please

refer

to

“Disabling

the

Beat

Indicator’s

Pulsations”

on

(p.

48).

16

Display

The

song

number,

tempo,

beat,

and

the

different

settings

values

are

displayed

here.

17

Metronome

[Sound]

Button

You

can

change

the

metronome

sound

(p.

30).

18

Metronome

[On/Off]

Button

Activates

the

built-in

metronome

(p.

29).

19

Beat

[-]

[+]

Buttons

Press

this

button

to

change

the

beat

(p.

29).

Getting

Started

21

22

Track

OOO

©

56

08

2324

25

20

Tempo

[-]

[+]

Buttons

Press

this

button

to

adjust

the

tempo

(p.

30,

32).

21

Track

Buttons

There

are

three

Track

buttons,

[R],

[1]

and

[2]

corresponding

to

the

three

tracks

to

which

recorded

sounds

are

assigned.

The

buttons

are

used

when

playing

back

each

instrument's

part

in

a

song

and

when

routing

sounds

to

tracks

when

recording.

22

[Demo]

Button

Press

this

button

to

have

representative

examples

of

the

HP-337’s

internal

tones

played.

(p.

14)

23

[Play]

Button

Starts

and

stops

playback

or

recording

of

songs.

For

playback,

see

p.

15,

16;

for

recording

see

p.

36.

24

[Rec]

Button

Puts

the

keyboard

in

and

out

of

record

standby

mode

(p.

36).

25

Song

[-]

[+]

Buttons

For

selecting

internal

songs

(p.

16).

11

@

2

=

5

ra)

et

ay

a

Fa

a

Before

You

Start

Playing

How

to

Open

and

Close

the

Piano

Lid

Uf

i

1.

When

opening

the

HP

337’s

cover,

grasp

the

cover

with

both

hands

and

gently

lift

it

upwards,

then

slide

it

towards

the

back

of

the

piano.

2.

When

closing

the

cover,

slowly

pull

the

cover

forward,

then

gently

lower

it

into

place.

When

opening

and

closing

the

lid,

be

careful

not

to

let

your

fingers

get

caught.

Small

children

should

use

it

only

under

the

supervision

of

an

adult.

shu

If

you

need

to

move

the

piano,

make

sure

the

lid

is

closed

first

to

prevent

accidents.

Raising

the

Music

Stand

].

Gently

raise

the

music

stand

and

set

it

as

illustrated.

To

collapse

the

stand,

fold

in

the

metal

fittings

while

supporting

the

stand

with

both

hands

and

gently

fold

down

the

stand.

ole

Do

not

pull

down

the

music

stand.

Connecting

the

Power

Cord

@8

Sovee

}.

Connect

the

power

cord

that

came

with

your

HP

337

to

the

AC

Inlet

socket

on

the

bottom

of

the

unit.

2.

Plug

the

other

end

of

the

power

cord

into

a

wall

outlet.

Turning

the

Power

On

and

Off

Be

sure

to

follow

the

steps

below

when

turning

the

power

on

or

off,

By

turning

on

devices

in

the

wrong

order,

you

risk

causing

malfunction

and

/or

damage

to

speakers

and

other

devices.

s

@

Turning

On

the

Power

1.

Before

you

switch

on

the

power,

rotate

the

[Volume]

knob

to

“Min”

(minimum).

Volume

Min

Max

2.

Press

the

[Power]

switch.

After

a

few

seconds,

the

unit

becomes

operable

and

playing

the

keyboard produces

sound.

—_

a...

ON

ole

This

unit

is

equipped

with

a

protection

circuit.

A

brief

interval

(a

few

seconds)

after

power

up

is

required

before

the

unil

will

operate

normally.

we

Be

sure

to

use

the

supplied

power

cord.

@

Turning

Off

the

Power

1.

Before

you

switch

off

the

power,

rotate

the

[Volume]

knob

to

“Min”

(minimum)

all

the

way.

2.

Press

the

[Power]

switch.

The

power

is

switched

off.

-

68

OFF

12

Before

You

Start

Playing

Adjusting

Sound

Volume

and

Brightness

roar

About

the

Adjuster

wm

After

moving

the

piano,

or

when

the

pedal

feels

a

Volume

Britiance

unstable,

use

the

following

procedure

to

readjust

the

&

<

adjuster

on

the

underside

of

the

pedals.

&

A

sty

©

Lower

the

adjuster,

and

adjust

it

until

it

makes

firm

K

Min

Max

Mellow

Bright

contact

with

the

floor

surface.

Leaving

any

gap

between

1.

Overall

volume

is

adjusted

with

the

[Volume]

knob.

the

adjuster

and

the

floor

may

result

in

damage

to

the

Turning

the

knob

toward

Max

increases

the

volume,

and

pedals

when

they

are

depressed.

Particularly

on

floors

turning

it

toward

Min

lowers

it.

covered

by

carpets,

or

other

soft

materials,

be

sure

that

er

RR

TE

EASTERN

9.

Overall

tone

brightness

is

adjusted

with

the

adjuster

is

firmly

pressed

against

the

floor

surface.

irconmtenrnnaTUO

ore

[Brilliance]

slider.

Turning

the

knob

toward

Bright

makes

the

sound

more

Con

necting

Headphones

brilliant,

and

turning

it

toward

Mellow

makes

it

more

restrained.

52

;

.

The

HP

337

feature

two

headphone

jacks.

This

allows

two

people

to

listen

through

headphones

simultancously,

making

it

e

Pedal

Functions

very

useful

for

lessons

and

when

performing

piano

pieces

for

four

hands.

Additionally,

this

allows

you

to

play

without

having

to

worry

about

bothering

others

around

you,

even

at

night.

im

|

| |

Phones

x

2

Ate

Soft

Pedal

Damper

Pedal

Sostenuto

Pedal

ee

Soft

Pedal

Se

This

pedal

is

used

to

make

the

sound

softer.

Playing

with

the

soft

pedal

depressed

produces

a

sound

that

is

5

ial

not

as

strong

as

when

otherwise

played

with

the

equivalent

——

strength.

The

degree

of

softness

varies

subtly

with

the

amount

1.

Connect

the

headphones

to

either

of

the

headphone

jacks

(Phones)

on

the

underside

of

the

HP

337,

on

the

left.

Sound

will

no

longer

be

heard

from

the

HP

337's

speakers.

the

pedal

is

pressed.

Sostenuto

Pedal

With

the

sostenuto

pedal,

only

the

sound

played

at

the

:

4

:

Sound

will

be

heard

only

through

the

headphones.

moment

the

pedal

is

pressed

is

sustained.

‘

Damper

Pedal

2.

Adjust

the

headphone

volume

with

the

HP

337’s

Use

this

pedal

when

you

want

the

sound

to

linger.

main

|

Volume]

slider.

While

the

damper

pedal

is

depressed,

the

sound

from

the

¥

Use

Stereo

headphones.

keyboard

continues

to

linger/remain

for

an

extended

period,

even

when

you

remove

your

fingers

from

the

keys.

On

acoustic

Precautions

to

Take

When

Using

pianos,

when

the

damper

pedal

is

depressed,

additional

strings

Headphones

are

released

to

resonate

with

the

sound

of

the

keys

that

have

Se

cr

ieke

:

;

:

;

ye

;

:

*

To

avoid

damaging

or

severing

the

headphone

cord,

be

been

played,

adding

richness

and

breadth

to

the

sound.

The

3

ayes

&

;

‘

sure

to

handle

the

headphones

by

holding

the

phones

damper

pedal

on

the

HP

337

recreates

this

resonance

:

;

te

;

4

:

themselves,

and

grasping

the

plug

and

not

the

cord

when

(Sympathetic

Resonance).

The

length

of

time

that

the

sound

:

;

:

pulling

the

headphone

plug.

continues

varies

subtly

with

the

amount

the

pedal

is

pressed.

a

: :

:

;

:

ee

*

Connecting

the

headphones

when

the

volume

of

>

You

cant

change

He

amount

of

resonance

applied

with

He

connected

equipment

is

turned

up

may

result

in

damage

damper

pedal.

For

more

information

aud

instructions,

please

to

the

headphones.

Connect

the

headphones

only

after

refer

to

“Changite

Hie

Damper

Pedal’s

Resonance”

(p.

47),

turning

the

volume

down

completely.

>

You

can

assign

other

functions

to

the

sosteniuto

pedal.

For

more

*

Listening

at

excessively

high

volume

levels

will

not

only

fiformation

and

instructions,

please

refer

to

“Changing

How

the

damage

the

headphones,

but

may

also

cause

hearing

loss.

Pedals

Work"

(p.

47).

Listen

at

appropriate

levels.

13

Finding

Some

Sounds

You

Like

(Tone

Demo

A

demo

offering

representative

examples

of

the

onboard

sounds

is

available.

Once

you

find

a

tone

you

like,

you

can

then

immediately

perform

using

that

tone.

I.

Press

the

[Demo]

button,

getting

the

button’s

indicator

to

light.

A

demo

using

the

built-in

Tones

will

be

played

back.

Press

the

Song

[+]

button,

and

the

starts

playing.

Press

the

Song

[-]

button

to

start

the

playing.

2.

When

a

tone

that

appeals

to

you

is

being

played,

press

the

[Demo]

button

once

more,

turning

off

the

button’s

indicator.

The

Demo

Performance

stops

playing,

and

you

can

now

perform

using

the

selected

tone.

14

Listening

to

Internal

Songs

The

HP

337

features

30

internal

piano

songs.

For

the

titles

of

the

internal

songs

and

their

composers,

please

refer

to

the

“Internal

Song

List”

(p.

67).

Listening

to

All

Songs

Continuously

(All

Song

Play)

Listening

to

all

of

internal

songs

repeatedly

played

back

in

succession

is

known

as

“All

Song

Play.”

=

pa

a

2.

5

®Q

me

6

2

B

g

eS}

Ea

Press

-

or

+

button

I.

While

holding

down

the

[Play]

button,

press

the

Song

[-]

or

[+]

button.

The

song

is

played

back

continuously.

When

the

last

song

has

finished

playing,

playback

then

repeats

after

returning

to

the

first

song.

2.

When

you

press

the

[Play]

button

once

more,

playback

then

stops.

The

you

press

the

[Play]

button,

the

song

that

was

stopped

is

played

from

the

beginning.

15

Listening

to

Internal

Songs

RR

0

RA

EH

NIRS

REY

OE

REA

TE

EEN

TIE

ND

I

SAS

EEE

IE

DEDEDE

ELTA

LEED

EERE

ILD

ADDED

EDDIE

Selecting

and

Listening

to

a

Song

1.

With

the

Song

[-]

and

[+]

buttons,

select

the

song

number.

The

number

changes

by

one

each

time

the

button

is

pressed.

Holding

down

the

button

causes

the

numbers

to

change

continuously.

2.

Press

the

[Play]

button,

and

the

song

starts

playing.

3.

Pressing

the

[Play]

button

once

more

stops

the

song.

The

you

press

the

[Play]

button,

the

song

that

was

stopped

is

played

from

the

beginning.

16

Playing

the

Keyboard

Performing

with

Various

Instrument

Sounds

The

HP

337

features

over

250

different

internal

musical

instrument

sounds

and

sound

effects.

Enjoy

performing

with

this

superb

collection

of

sounds,

designed

to

accommodate

almost

any

imaginable

musical

genre.

The

various

types

of

built-in

sounds

are

called

“Tones.”

The

tones

are

divided

into

eight

separate

groups,

each

assigned

to

one

of

the

eight

“Tone

Group”

buttons.

For

more

about

tone

names,

please

refer

to

the

“Tone

Name

List”

(p.

58).

When

the

HP

337

is

turned

off,

the

tone

is

reset

to

“Grand

Piano

1.”

a

Ey

‘s.

5

a

>

o

~

3)

“<

>

fs}

o

a

1

.

Press

any

[Tone]

button.

Tone

1

in

each

of

the

Tone

groups

will

sound.

Try

playing

the

keyboard.

That

Tone

number

will

be

shown

in

the

display.

When

you

turn

on

the

power

to

the

keyboard,

the

following

tones

are

set

to

play.

Tone

Group

Tone

Name

[Piano]

Button

Grand

Piano

1

j

[E.Piano]

Button

E.Piano

1

“THerpsibuiten

Harpsichord

1

[Vibes]

Button

=———=~*~C~*~<C*«*~*S*«SV

rape

a

[Organ

Button

‘Rasen

Fit

8’

)

[Strings]

Button

——

_

-

Strings

iVaice]

Button

ee

Voice

—_

.

-

[Flute]

Button

;

. .

Fl

ute

oo

2.

Use

the

Variation

[+]

and

[-]

buttons

to

select

a

Tone

from

within

a

tone

group.

The

[Tone]

button’s

indicator

flashes.

3.

Play

the

keyboard,

or

press

the

[Tone]

button

that

is

flashing.

The

[Tone]

button’s

indicator

stops

flashing

and

changes

to

a

constant

light.

When

you

play

the

keyboard,

the

selected

tone

is

played.

Also,

this

is

the

Tone

that

you'll

hear

the

you

choose

this

Tone

button.

17

Playing

the

Keyboard

Layering

Two

Instrument

Sounds

(Dual

Play)

“o

Playing

with

two

different

tones

on

the

keyboard

simultaneously

is

called

“Dual

Play.

Example:

Combining

Grand

Piano

and

Strings

1.

While

pressing

the

[Piano]

button,

also

press

the

[Strings]

button.

Both

button

indicators

go

on.

Try

playing

the

keyboard.

The

Tones

for

Grand

Piano

1

and

Strings

play

at

the

same

time.

Pressing

one

[Tone]

button

while

simultaneously

pressing

another

[Tone]

button

puts

the

keyboard

in

Dual

Play

mode.

To

Change

the

Tone

of

the

Right

Button

of

the

Two

Selected

Tones

in

Dual

Play

1;

Use

the

Variation

[+]

and

[-]

buttons

to

find

and

select

a

tone.

The

right

[Tone]

button’s

indicator

flashes.

2.

Either

play

the

keyboard

or

press

the

flashing

[Tone]

button.

The

[Tone]

button’s

indicator

stops

flashing

and

changes

to

a

constant

light.

Dual

Play

now

features

the

tone

of

the

left

side’s

tone

button

along

with

the

newly

selected

tone.

To

Change

the

Tone

of

the

Left

Button

of

the

Two

Selected

Tones

in

Dual

Play

Once

you

have

cancelled

Dual

Play,

reselect

the

tones

you

want

to

use.

Cancelling

Dual

Play

When

the

[Tone]

button

is

pressed

in

Dual

Play,

only

the

tone

of

the

button

that

is

pressed

continues

to

sound.

MEMO

You

can

adjust

the

volume

balance

between

the

two

selected

tones

in

Dual

Play.

Please

refer

to

“Changing

the

Volume

Balance

in

Dual

Play”

(p.

48).

18

Playing

the

Keyboard

Playing

Different

Tones

with

the

Left

and

Right

Hands

(Split

Play)

The

Split

feature

allows

you

to

split

the

keyboard

into

two

zones,

then

play

a

different

sound

in

each

zone.

This

division

of

the

keyboard

into

upper

and

lower

zones

is

referred

to

as

“split,”

and

the

particular

key

on

the

keyboard

where

the

split

occurs

is

known

as

the

“split

point.”

The

key

that

serves

as

the

split

point

is

included

in

the

left-hand

zone.

Each

time

power

Qn

to

the

keyboard

is

turned

on,

the

split

point

is

reset

to

“F#3.

a

i

‘Ss.

5

a

>

o

rs

@

<

log

fat

2

a

1.

Press

the

[Split]

button.

The

[Split]

button’s

indicator

lights

up,

and

the

keyboard

is

divided

into

upper

and

lower

zones.

The

tone

in

the

right-hand

part

remains

the

same

as

it

was

before

the

keyboard

was

split,

and

the

tone

in

the

lower

part

switches

to

“Acoustic

Bs.”

Split

Point

Middle

C

Lower

Part

Upper

Part

2.

Pressing

the

[Split]

button

once

more

cancels

the

split

function.

The

[Split]

button’s

indicator

then

goes

out.

The

tone

in

the

upper

part

then

is

effective

for

the

entire

keyboard.

When

you

switch

to

Split

mode

directly

from

Dual

Play,

the

two

tones

played

in

Dual

Play

become

the

tone

of

the

right

hand

of

the

keyboard

in

Split

mode.

Changing

Tone

Played

by

the

Right

Hand

You

can

select

the

upper

tone

in

the

same

manner

as

you

do

when

selecting

tones

normally.

Please

refer

to

“Performing

with

Various

Instrument

Sounds”

(p.

17).

19

Playing

the

Keyboard

nt

OF

I

OE

TS

EE

Changing

Tone

Played

by

the

Left

Hand

The

tone

is

set

to

“Acoustic

Bs”

when

the

keyboard

is

turned

on.

1.

Press

the

[Key

Touch]

button.

The

[Key

Touch]

button

and

the

lower

[Tone]

button’s

indicator

light

up.

2.

To

select

a

Tone

in

a

different

Tone

Group,

press

any

[Tone]

button.

3.

Use

the

Variation

[+]

and

[-]

buttons

to

choose

a

Tone.

The

[Tone]

button’s

indicator

flashes.

4.

Either

play

the

keyboard

or

press

the

flashing

[Tone]

button.

The

[Tone]

button

stops

flashing,

staying

constantly

lit,

and

the

selected

tone

is

sounded

in

the

left

hand.

5

.

When

the

[Key

Touch]

button

is

pressed

once

more,

the

keyboard

tone

reverts

to

that

of

the

upper

part.

The

[Key

Touch]

button’s

indicator

goes

out.

Pressing

one

of

the

keys

on

the

keyboard

while

pressing

the

[Split]

button

changes

the

location

of

the

split

point.

Please

refer

to

“Changing

the

Keyboard’s

Split

Point”

(p.

48).

M

H

MEMD

While

in

Split

mode,

the

damper

pedal

affects

only

the

upper

part

of

the

keyboard.

If

you

want

to

add

reverberation

effects

to

the

lower

part

as

well,

please

refer

to

“Changing

How

the

Pedals

Work”

(p.

47).

20

Roland HP 337 User manual

Popular Musical Instrument manuals by other brands