Martin DMX Controller 2518 User manual

2518 DMX Controller
user manual

© 1997 - 2000 Martin Professional A/S, Denmark.
All rights reserved. No part of this manual may be
reproduced, in any form or by any means, without
permission in writing from Martin Professional A/S,
Denmark.
Printed in Denmark.
P/N 35000001, rev. D

3
section 1
INTRODUCTION
SAFETY PRECAUTIONS ....................................................................................................4
FEATURES ......................................................................................................................4
ACCESSORIES ................................................................................................................4
section 2
INSTALLATION
CONNECTING THE SERIAL LINK ........................................................................................5
CONNECTING THE POWER SUPPLY ...................................................................................7
section 3
ADDRESS AND MODE SETTING
ADDRESS SETTING ..........................................................................................................8
section 4
PROGRAMMING
BASIC CONTROL ...........................................................................................................10
PROGRAMMING SCENES ................................................................................................11
section 5
PLAYBACK
CONTROL PRECEDENCE ................................................................................................14
MANUAL EXECUTION .....................................................................................................15
AUTO TRIGGER EXECUTION ...........................................................................................15
MUSIC TRIGGER EXECUTION ..........................................................................................15
SHOW MODE .................................................................................................................16
AUTO-START CONFIGURATION .......................................................................................16
BLACKOUT / STANDBY ...................................................................................................17
section 6
USING MIDI
MIDI SCENES AND TRIGGERS ........................................................................................18
section 7
TANDEM MODE
..................................................................................................................................20
section 8
PROGRAM MANAGEMENT
PLAYBACK MODE ..........................................................................................................22
CONTROLLER INITIALIZATION .........................................................................................22
appendix a
TROUBLESHOOTING
.................................................................................................................................23
appendix b
SERVICE
CALIBRATING FADERS ...................................................................................................24
appendix c
COMMAND TABLE
.................................................................................................................................25
appendix d
SPECIFICATIONS
.................................................................................................................................26

4
section 1
INTRODUCTION
Thank you for selecting the Martin 2518 DMX Controller. This ruggedly built, easy
to use controller offers 72-channel DMX control and multiple triggering options. Two
2518 DMX Controllers may be connected using the Tandem Connection Kit, P/N
91616005, to double the number of control channels and programmable scenes.
This manual describes the features programmed in CPU firmware version 2.2.
SAFETY PRECAUTIONS
• The 2518 DMX Controller is not for domestic use.
• Use the device only as described.
• Do not expose the device to rain or moisture.
• Make sure the device is properly grounded.
• Do not operate the device with the cover removed.
• Immediately repair or replace damaged power cords.
• There are no user-serviceable parts inside; refer all service to a qualified technician.
FEATURES
• 72 DMX channels
• 30 banks of 6 programmable scenes
• Tandem operation of 2 controllers
• Built-in microphone for music triggering
• Built-in timer for automatic triggering
• MIDI control interface
• 2-digit LED display
• Blackout master
• Flash scene
• Auto-start configuration
• Locked-memory “playback” mode
• Solid steel construction
• Table or 19” rack mount
• Low current standby mode
ACCESSORIES
• Tandem Connection Kit.................................................................P/N 91616005
• Martin 4-Channel Opto-Isolated RS-485 Splitter..........................P/N 90758060
• Martin 6 Channel DMX Switch Pack, 210 - 245 ..........................P/N 90758200
• Martin 6 Channel DMX Switch Pack, 100 - 130 V.......................P/N 90758300

5
section 2
INSTALLATION
The 2518 DMX Controller comes with the following:
• IEC power cable
• 5 meter 3-pin XLR-XLR cable
• Termination plug
• User manual
CONNECTING THE SERIAL LINK
ABOUT SERIALS LINKS
The 2518 DMX Controller sends instructions through a serial data link. The link goes
from the controller’s output to the input of the first lighting fixture and then from the
fixture’s output to the input of the next fixture. It continues output-to-input in a daisy-
chain to all fixtures.
Adaptor cables may be required when building the data link. There are two differ-
ences to be aware of. First, both 3-pin and 5-pin XLR sockets are common. (Martin
fixtures have 3-pin XLR sockets. On fixtures that have 5-pin XLR sockets, pins 4 and
5 are not used.) Second, the XLR sockets on some mostly older Martin fixtures such
as the RoboScan 812 are wired with the hot and cold data pins reversed in relation to
later Martin fixtures and DMX-compatible devices. See Table 1. The XLR pin-out for
Martin products is always shown next to the socket.
The 2518 XLR pin-out is DMX compatible!
RS-232 I/ODMX Output
Rear Panel Connections
AC InputMIDI Input

6
No adaptors are required to connect the 2518 DMX Controller to Martin fixture intro-
duced since 1997 or any DMX-compatible fixture with 3-pin XLR connectors. The
adaptors required to connect other fixtures are shown in Table 2.
Standard Pin 1 Pin 2 Pin 3 Pin 4 Pin 5
DMX shield cold (-) hot (+) - -
Martin shield hot (+) cold (-) - -
Table 1: Martin and DMX Pin-Outs
Output
Input
Polarity Martin
pin 2 (+)
pin 3 (-)
DMX
pin 2 (-)
pin 3 (+)
XLR 3-pin 3-pin 5-pin
Martin
pin 2 (+)
pin 3 (-)
3-pin
DMX
pin 2 (-)
pin 3 (+)
3-pin
5-pin
Table 2: XLR Cable Requirements
M
a
l
e
1
2
3
F
ema
l
e
1
2
3
P/N 11820008
M
a
l
e
1
2
3
F
ema
l
e
1
2
3
P/N 11820006
Male
1
2
3
4
5
Female
1
2
3
P/N 11820003
Male
1
2
3
Female
1
2
3
P/N 11820006
M
a
l
e
1
2
3
F
ema
l
e
1
2
3
P/N 11820008
Male
1
2
3
4
5
Female
1
2
3
P/N 11820005
Male
1
2
3
Female
1
2
3
4
5
P/N 11820002
Male
1
2
3
Female
1
2
3
4
5
P/N 11820004
Male
1
2
3
4
5
Female
1
2
3
4
5
-

7
TOBUILD THE SERIAL LINK
1. Use shielded twisted-pair cable. A reliable data connection begins
with the right cable. Microphone cable cannot transmit DMX data reliably
over long runs. For best results, use only cable designed for RS-485
applications. Your Martin dealer has a range of cables, connectors, and
adaptors designed for lighting control.
2. Starting from the controller, connect output to input. Check the
pin-out on Martin fixtures and be sure to connect hot to hot and cold
to cold.
3. Never use a “Y” connector to split the link. If you need to split
the serial link into branches use a dedicated splitter/amplifier such
as the Martin 4-Channel Opto-Isolated RS-485 Splitter.
4. Don’t overload the link. Placing more than 32 devices on a link
can cause unpredictable performance. The control units for the
RoboColor IIx and RoboColor III systems, the Martin DMX Switch
Pack, and the Martin DMX Interface each count as 1 device.
5. Always terminate the link by installing the provided termination
plug in the output socket of the last fixture on the link. The termina-
tion plug, which is a male XLR connector with a 120 ohm resistor
soldered between pins 2 and 3, “soaks up” the control signal so it
cannot reflect back down the link. If a splitter is used, terminate
each branch of the link.
CONNECTING THE POWER SUPPLY
For safe operation, the controller must be
grounded (earthed).
TOINSTALL APLUG
The 2518 DMX Controller is delivered without a plug on the power cord. Following
the manufacturer’s instructions, install an approved 3-prong grounding-type plug that
fits your supply. Connect the wires to the pins as listed below. If the pins are not
clearly identified, or if you have any doubts about proper installation, consult a qual-
ified electrician.
Wire Pin Marking Screw color
brown live “L” yellow or brass
blue neutral “N” silver
yellow/green ground green
Table 3: Plug Wiring

8
section 3
ADDRESS AND MODE SETTING
Each fixture connected to the serial link must have a unique address, also known as a
start channel, which is the first channel the controller uses to send instructions to the
fixture. If independent control is not required, two or more identical fixtures may use
the same address. They will receive the same instructions and behave identically.
You must know how many control channels each fixture requires before setting
addresses. This can be found in the fixture’s user manual or DMX protocol.
Some Martin fixtures offer the option of “tracking” or “vector” control. The 2518
DMX Controller does not have cross-faders, which are required for programming
fades in tracking mode. Select vector mode when applicable: this allows you to pro-
gram effect speeds on separate channels.
ADDRESS SETTING
As you will see when you start programming, it is best if all of a fixture’s channels
are assigned to one channel button. The buttons are divided into 12 groups of 6 chan-
nels as shown below. With two controllers connected in tandem mode, however, each
button controls 12 channels.
The address is often set on the fixture using a DIP-switch. Table 4 shows the DIP-
switch pins that must be ON to set an address from 1 to 72.
Note that the DIP-switch may also be used to enable special options. The Martin Pun-
isher X250 and Destroyer X250, for example, must be set with DIP-switch 10 on
Button 1 Button 2 Button 3 Button 4 Button 5 Button 6
Ch Setting Ch Setting Ch Setting Ch Setting Ch Setting Ch Setting
Low channels
4 4 : 4/#5/#6 46 4/#6/#7 4< 4/#5/#8 58 4/#7/#8 64 4/#5/#6/#7/#8
5 5 ; 7 47 5/#6/#7 53 6/#8 59 5/#7/#8 65 9
6 4/#5 < 4/#7 48 4/#5/#6/#7 54 4/#6/#8 5: 4/#5/#7/#8 66 4/#9
7 6 43 5/#7 49 8 55 5/#6/#8 5; 6/#7/#8 67 5/#9
8 4/#6 44 4/#5/#7 4: 4/#8 56 4/#5/#6/#8 5< 4/#6/#7/#8 68 4/#5/#9
9 5/#6 45 6/#7 4; 5/#8 57 7/#8 63 5/#6/#7/#8 69 6/#9#
High channels
6: 4/#6/#9# 76 4/#5/#7/#9 7< 4/#8/#9 88 4/#5/#6/#8/#9 94 4/#6/#7/#8/#9 9: 4/#5/#:
6; 5/#6/#9 77 6/#7/#9 83 5/#8/#9 89 7/#8/#9 95 5/#6/#7/#8/#9 9; 6/#:
6< 4/#5/#6/#9 78 4/#6/#7/#9 84 4/#5/#8/#9 8: 4/#7/#8/#9 96 4/#5/#6/#7/#8/#9 9< 4/#6/#:
73 7/#9 79 5/#6/#7/#9 85 6/#8/#9 8; 5/#7/#8/#9 97 : :3 5/#6/#:
74 4/#7/#9 7: 4/#5/#6/#7/#9 86 4/#6/#8/#9 8< 4/#5/#7/#8/#9 98 4/#: :4 4/#5/#6/#:
75 5/#7/#9 7; 8/#9 87 5/#6/#8/#9 93 6/#7/#8/#9 99 5/#: :5 7/#:
Table 4: Channel Groups and Settings (DIP-Switch Pins ON)

9
when operated by a controller. Please refer to the user manuals for specific details on
address and mode setting.
ADDRESSING EXAMPLE
Table 5 shows how you could assign addresses for the following Martin equipment.
•4MX-1s
• 2 Punisher X250s
• 2 RoboScan 812s
•4CX-2s
• 1 SynchroZap QX250
• 1 6-Channel DMX Switch Pack
Note that the four CX-2s share two sets of control channels and that all fixtures
except the RoboScan 812s have their control channels on a single button.
Button 1 Button 2 Button 3 Button 4 Button 5 Button 6
Low channels
1
MX-1
7
MX-1
13
Punisher
X250
19
Punisher
X250
25
MX-1
31
MX-1
2 8 14 20 26 32
3 9 15 21 27 33
4 1016222834
5 1117232935
6 1218243036
High channels
37
RoboScan
812
43 49
RoboScan
812
55 61
SynchroZap
QX250
67
6 Channel
Switch Pack
38 44
not used
50 56
not used
62 68
39 45
2 CX-2
51 57
2 CX-2
63 69
40 46 52 58 64 70
41 47 53 59 65 71
42 48 54 60 66 72
Table 5: Example (Addresses shaded)

10
section 4
PROGRAMMING
Lighting fixtures are controlled with the faders in groups of six channels. The DMX
value is 0 when a fader is at the bottom and 255 when it is at the top. The faders map
to the channels from left to right and can be calibrated using the procedure on
page 24.
Fader control of each group of channels is activated and deactivated with the channel
buttons. Each channel button toggles the channels listed next to it. The channel mas-
ter toggles the channel buttons between the low channels (1-36) and the high chan-
nels (37-72).
The channel status LEDs show which channels are under fader control. If pressing a
channel button causes the LED to light, then the low channels are activated. If the
LED flashes, then the high channels are activated. High and low channels can be acti-
vated at the same time but the LED displays the status of only one set at a time: press
the channel master to view the status of the other set.
BASIC CONTROL
1. Apply power to the lights. After a short reset procedure, the lights will be
ready to respond to the controller.
2. Apply power to the 2518 DMX Controller.
3. Press a channel button to activate fader control of a fixture’s effects.
You can activate additional channels to control several fixtures at
once. This works best with identical fixtures.
10
9
8
7
6
5
4
3
2
1
10
9
8
7
6
5
4
3
2
1
DMX Channels
1-6
(37-42)
7-12
(43-48)
13-18
(49-54)
19-24
(55-60)
25-30
(61-66)
31-36
(67-72)
1-36
(37-72) 123456
Scenes Blackout
(Standby)
Store
Auto
Music
Midi
Scene Bank
Channel Master
FaderChannel Button

11
4. Set effects with the faders. If there is no light, you may need to send
a lamp-on command - see the fixture’s DMX protocol.
5. Press the channel button again to turn fader control off.
6. Repeat for other fixtures. To activate fader control of high channels,
press the channel master to toggle to the high channels before
pressing the channel button.
PROGRAMMING SCENES
Scenes contain one DMX value for every channel and determine how each light looks
at a particular moment. They are stored in 30 groups called banks. There are 6 scenes
per bank in single-controller mode and 12 scenes per bank in tandem mode. There is
also a flash scene that is not stored in a bank and thus can be executed at any time.
Scenes are programmed and executed one at a time. In single-controller mode, the
active scene is displayed as a 1-digit number and the active bank is displayed as a 2-
digit number.
TOCREATE AND SAVE ASCENE
1. Set your lights using the basic control procedure described above.
2. Press [Store]. The display flashes.
3. Press the up and down arrow buttons to select a bank.
4. Press a scene button from 1 to 6. The display stops flashing.
10
9
8
7
6
5
4
3
2
1
10
9
8
7
6
5
4
3
2
1
DMX Channels
1-6
(37-42)
7-12
(43-48)
13-18
(49-54)
19-24
(55-60)
25-30
(61-66)
31-36
(67-72)
1-36
(37-72) 123456
Scenes Blackout
(Standby)
Store
Auto
Music
Midi
Scene Bank
The channel master
toggles controls and
status between low
and high channels.
Slide the faders to
adjustDMXvalues.
Low channels active
when lit; high channels
active when flashing.
Press a channel
button to toggle
fader control on/off.

12
TOCREATE AND SAVE AFLASH SCENE
The flash scene can be executed at any time by pressing [Midi].
1. Program or select a scene to use as the flash scene.
2. Press [Store]. The display flashes.
3. Press [Midi] to save as the flash scene.
TOEDIT ASCENE
1. Select a scene to edit.
2. Make the desired changes.
3. Press [Store]. Select scene to save.
TOINITIALIZE ASCENE
Setting all DMX values to 0 provides a fresh start.
1. Deactivate all channels. Slide all faders to 10.
2. Activate all channels. Slide all faders to 0.
3. Press [Store]. Select the scene to initialize.
10
9
8
7
6
5
4
3
2
1
10
9
8
7
6
5
4
3
2
1
DMX Channels
1-6
(37-42)
7-12
(43-48)
13-18
(49-54)
19-24
(55-60)
25-30
(61-66)
31-36
(67-72)
1-36
(37-72) 123456
Scenes Blackout
(Standby)
Store
Auto
Music
Midi
Scene Bank
Select banks with the
up and down arrow
buttons.
Press first to save.
Then select bank and
scene. To save flash
scene, press [Midi].
Select scenes with the
6 scene buttons.

13

14
section 5
PLAYBACK
This section describes the built-in options for executing scenes: additional MIDI and
tandem control options are covered in following sections.
CONTROL PRECEDENCE
Fader control overrides programmed control!
Programmed commands can be overridden by the faders. For example, to change the
programmed mirror movement speed of one or more scanners during a show, you
would activate fader control of the fixture(s) and set the pan/tilt speed channel to the
desired value. (The DMX value does not change until the fader is moved.) Normal
program execution resumes when fader control is deactivated or when executing a
scene manually or via MIDI.
Manual and MIDI scene execution (see next section) take precedence over automatic
scene execution. If the controller is executing scene 3 in music trigger mode and you
press the scene 1 button, scene 1 will be executed. The next music trigger pulse will
execute scene 2.
10
9
8
7
6
5
4
3
2
1
10
9
8
7
6
5
4
3
2
1
DMX Channels
1-6
(37-42)
7-12
(43-48)
13-18
(49-54)
19-24
(55-60)
25-30
(61-66)
31-36
(67-72)
1-36
(37-72) 123456
Scenes Blackout
(Standby)
Store
Auto
Music
Midi
Scene Bank
Press-and-hold to run
current program on
startup.
Press to scroll through banks.
Press-and-hold both buttons to
toggle show mode.
Press once for blackout
or press-and-hold for
standby.Pressagainfor
normal execution.
Press to execute
flash scene.
Press to toggle
music trigger on/
off.
Press twice to set
auto trigger delay;
press again to exit.
Activate faders to
override program-
ming.Deactivateto
return to normal.

15
MANUAL EXECUTION
To execute scenes manually, simply select a bank with the arrow buttons and select a
scene with the scene buttons. The new bank does not begin to execute until a scene
button has been pressed.
To execute the flash scene, press [Midi].
AUTO TRIGGER EXECUTION
The auto trigger executes scenes at the rate that you set with the built-in timer. Unless
you are using Show Mode, described below, the current bank runs in a continuous
forward loop and may be switched manually or via MIDI at any time.
TOSET AUTO TRIGGER
1. Press [Auto]. Wait for the desired trigger
interval.
2. Press [Auto]. Execution starts.
3. To exit, press [Auto] again.
MUSIC TRIGGER EXECUTION
The music trigger executes scenes to the beat of music using the built-in microphone.
As with auto trigger, the current bank runs in a continuous forward loop and may be
switched at any time.
TOSET MUSIC TRIGGER
1. Press [Music]. Execution starts.
2. To exit, press [Music] again.
Auto
Auto

16
SHOW MODE
In show mode, banks execute serially, allowing you to run
some or all banks without additional input. There are 4
sets to choose from: banks 1-10, 11-20, 21-30, and 1-30.
Banks execute 1-6 times before proceeding to the next
bank. After the last bank, the program loops back to the
first bank. The auto, music, and MIDI triggers can be used
to trigger show mode execution.
When the controller is running in show mode, the pro-
gramming and manual execution functions are disabled.
TOSET SHOW MODE
1. Press and hold both arrow buttons until the
bank display shows one or more horizontal
bars. Use the top controller in tandem mode.
2. Press the up or down arrow button to select
the set of banks to execute. Sets are indi-
cated by bars as shown to right and can be
changed during execution.
3. Press a scene button to select 1-6 loops.
The number is displayed by the scene digit
and can also be changed during execution.
4. Select a trigger to start program execution.
5. To exit show mode, press and hold both arrow buttons.
AUTO-START CONFIGURATION
The auto-start feature allows you to select a program to execute on startup.
TOSAVE AN AUTO-START CONFIGURATION
1. Select and execute the startup scene, bank, or show with the desired
trigger options.
2. Press and hold the channel master for several seconds until the
controller resets. When powered up or taken out of standby, execu-
tion resumes at the scene that was executing at this point.
123456
1-6 loops
123456
1-6 loops
123456
1-6 loops
Bank 1
Bank 2
Bank 10
Scene Bank
Banks Bar(s)
1-10
11-20
21-30
1-30

17
TOCLEAR AUTO-START
This procedure clears the memory lock and auto-start functions: to reset the memory
lock see page 22.
1. Turn off the controller. In tandem mode, turn off the top controller.
2. Turn on the controller and immediately press and hold the top 3
channel buttons until “ON” or “OF” is displayed.
3. Repeat.
BLACKOUT / STANDBY
In blackout mode, the controller blacks out lights by sending DMX value 0 on all
channels.
In standby mode, there is no DMX output from the controller. Fixtures will behave
differently when the DMX signal stops: some will blackout, some will keep their last
look, and some will run in stand-alone mode. Standby mode uses very little current
and is recommended whenever the controller is not being used for extended periods.
TOBLACKOUT ALL FIXTURES
1. Press [Blackout]. The display flashes.
2. Press [Blackout] again to resume operation.
TOTOGGLE STANDBY MODE
1. Press and hold [Blackout] until the display clears.
2. To return to normal execution, press [Blackout] again.
Power-on
commands may be executed immediately after pressing the button.

18
section 6
USING MIDI
The 2518 DMX Controller provides additional playback options when connected to a
MIDI device such as a keyboard, drum machine, or computer sound card. MIDI notes
and program changes can be used to call specific scenes, change banks, and to trigger
the next scene in the current bank. A particular MIDI code may be used either as a
trigger or to call a specific scene, but not both.
If you have several MIDI devices, response can be limited to a specific MIDI channel.
If no channel is selected, the controller responds to MIDI channels 1-16.
TOCONNECT AMIDI DEVICE
Connect the device’s MIDI output to the controller’s MIDI input using a standard
MIDI cable. A standard MIDI cable consists of a shielded twisted-pair cable and 5-
pin DIN connectors wired pin 2 to pin 2, pin 4 to pin 4, and pin 5 to pin 5. The cable
shield is connected to pin 2. Pins 1 and 3 are not used. The cable may be up to 15
meters (50 feet) long.
MIDI SCENES AND TRIGGERS
A MIDI scene is a scene that is tied to a MIDI code so that it executes when the code
is generated. Any number of scenes may be MIDI scenes. The MIDI code must be
different for each scene.
When a MIDI scene is executed, the active bank changes to the bank containing the
scene. This provides a convenient way to switch banks remotely. For example, you
can use auto or music trigger to execute scenes and use MIDI scenes to change banks.
A MIDI trigger is a MIDI code that sends a trigger pulse each time it is executed. It is
not associated with any specific scene, but executes the next scene in the active bank.
Up to 2048 MIDI triggers can be created.
TOCREATE AMIDI SCENE
1. Select a scene.
2. Press and hold [Midi], then press [Store].
The display rolls.
3. (Optional) Select a MIDI channel: Press
the up and down arrow buttons to select a
channel between 1 and 16.
Store
Auto
Music
Midi

19
4. Generate the MIDI code: On you keyboard
or other MIDI device, play the note or exe-
cute the function to save with the scene.
TOCREATE AMIDI TRIGGER
1. Press and hold [Midi], then press [Auto]. The
display rolls.
2. (Optional) Select a MIDI channel: Press the
up and down arrow buttons to select a chan-
nel between 1 and 16.
3. Generate the MIDI code: On you keyboard
or other MIDI device, play the note or exe-
cute the function to use as a trigger.
TODELETE AMIDI SCENE OR TRIGGER
1. Press and hold [Midi], then press [Music]. The
display rolls.
2. Generate the MIDI code to delete.
Store
Auto
Music
Midi
Store
Auto
Music
Midi

20
section 7
TANDEM MODE
Two 2518 DMX Controllers with v. 2.1 or higher firmware and connected using the
Tandem Connection Kit, P/N 91616005, can be operated in a 2-controller tandem
mode in which DMX channels, faders, and scenes per bank are doubled.
The top controller provides access to channels 1 - 72 and scenes 1 - 6; the bottom
controller provides access to channels 73 - 144 and scenes 7 - 12.
The functions of the controls in tandem mode differ slightly from that described for a
single controller. The most important difference is that in tandem mode, each channel
button controls 12 channels, instead of 6, so there is no need to switch between high
and low channels. In addition, MIDI execution is not supported in tandem mode.
Otherwise, tandem mode programming and playback are very similar to single-con-
troller mode. Table 6 summarizes the differences.
10
9
8
7
6
5
4
3
2
1
10
9
8
7
6
5
4
3
2
1
DMX Channels
1 - 12
123456
Scenes Blackout
(Standby)
Store
Auto
Music
Midi
Scene Bank
13 - 24
25 - 36
37 - 48
49 - 60
61 - 72
Autostart
10
9
8
7
6
5
4
3
2
1
10
9
8
7
6
5
4
3
2
1
DMX Channels
73 - 84
7891011
12
Scenes Blackout
(Standby)
Store
Auto
Music
Midi
Scene Bank
85 - 96
97 - 108
109 - 120
121 - 132
133 - 144
Autostart