NAD T737 User manual

ENGLISHFRANÇAISESPAÑOLITALIANODEUTSCHNEDERLANDSSVENSKAРУССКИЙ
®
Owner’s Manual
T 737
AV Surround Sound Receiver

THE LIGHTNING FLASH WITH ARROWHEAD SYMBOL, WITHIN
AN EQUILATERAL TRIANGLE, IS INTENDED TO ALERT THE USER
TO THE PRESENCE OF UNINSULATED “DANGEROUS VOLTAGE”
WITHIN THE PRODUCT’S ENCLOSURE THAT MAYBE OF
SUFFICIENT MAGNITUDE TO CONSTITUTE A RISK OF ELECTRIC
SHOCK TO PERSONS.
THE EXCLAMATION POINT WITHIN AN EQUILATERAL TRIANGLE IS
INTENDED TO ALERT THE USER TO THE PRESENCE OF IMPORTANT
OPERATING AND MAINTENANCE (SERVICING) INSTRUCTIONS IN
THE LITERATURE ACCOMPANYING THE APPLIANCE.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS
PRODUCT TO RAIN OR MOISTURE.
SAVE THESE INSTRUCTIONS FOR LATER USE. FOLLOW ALL
WARNINGS AND INSTRUCTIONS MARKED ON THE EQUIPMENT.
1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with a dry cloth.
7 Do not block any of the ventilation openings. Install in accordance with
the manufacturer’s instructions.
8 Do not install near any heat sources such as radiators, heat registers,
stoves, or other apparatus (including ampliers) that produce heat.
9 Do not defeat the safety purpose of the polarized or grounding type
plug. A polarized plug has two blades with one wider than the other.
A grounding type plug has two blades and a third grounding prong.
The wide blade or the third prong is provided for your safety. When the
provided plug does not t into your outlet, consult an electrician for
replacement of the obsolete outlet.
10 Protect the power cord from being walked on or pinched particularly at
plugs, convenience receptacles, and the point where they exit from the
apparatus.
11 Only use the attachments/accessories specied by the manufacturer.
12 Use only with a cart, stand, tripod, bracket, or table specied
by the manufacturer, or sold with the apparatus. When a
cart is used, use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13 Unplug this apparatus during lightning storms or when unused for long
periods of time.
14 Refer all servicing to qualied service personnel. Servicing is required
when the apparatus has been damaged in any way, such as power
supply cord or plug is damaged, liquid has been spilled or objects have
fallen into the apparatus, the apparatus has been exposed to rain or
moisture, does not operate normally, or has been dropped.
NOTE TO CATV SYSTEM INSTALLER
This reminder is provided to call the CATV system installer’s attention to Section
820-40 of the NEC which provides guidelines for proper grounding and, in
particular, species that the cable ground shall be connected to the grounding
system of the building, as close to the point of cable entry as practical.
FCC NOTICE
This equipment has been tested and found to comply with the limits for a
Class B digital device, pursuant to part 15 of the FCC Rules. These limits are
designed to provide reasonable protection against harmful interference in a
residential installation.
This equipment generates uses and can radiate radio frequency energy
and if not installed and used in accordance with the instructions, may
cause harmful interference to radio communications. However, there is no
guarantee that interference will not occur in a particular installation. If this
equipment does cause harmful interference to radio or television reception,
which can be determined by turning the equipment o and on, the user
is encouraged to try to correct the interference by one or more of the
following measures
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit dierent from that to
which the receiver is connected
• Consult the dealer or an experienced radio/TV technician for help.
IMPORTANT SAFETY INSTRUCTIONS
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WARNING!
The unit must not be exposed to dripping or splashing liquids, and liquid-
lled objects such as vases or cups should not be placed on the unit.
CAUTION
Changes or modications to this equipment not expressly approved by
NAD Electronics for compliance could void the user’s authority to operate
this equipment.
CAUTION
These servicing instructions are for use by qualied service personnel only. To
reduce the risk of electric shock, do not perform any servicing other than that
contained in the operating instructions unless you are qualied to do so.
ATTENTION
Disconnect this apparatus from the AC mains completely by unplugging
the power cord plug from the AC receptacle.
CAUTION REGARDING PLACEMENT
To maintain proper ventilation, be sure to leave a space around the unit
(from the largest outer dimensions including projections) that is equal to or
greater than shown below.
Left and Right Panels: 10 cm
Rear Panel: 10 cm
Top Panel: 50 cm
NOTES ON ENVIRONMENTAL PROTECTION
At the end of its useful life, this product must not be disposed
of with regular household waste but must be returned to a
collection point for the recycling of electrical and electronic
equipment. The symbol on the product, user’s manual and
packaging, point this out.
The materials can be reused in accordance with their markings. Through
re-use, recycling of raw materials or other forms of recycling of old
products, you are making an important contribution to the protection of
our environment. Your local administrative oce can advise you of the
responsible waste disposal point.
INFORMATION ABOUT COLLECTION AND DISPOSAL OF
WASTE BATTERIES DIRECTIVE 2006/66/EC OF THE EUROPEAN
PARLIAMENT AND THE COUNCIL OF EUROPEAN UNION FOR
EUROPEAN CUSTOMERS ONLY
Batteries bearing any of these symbols indicate
that they should be treated as “separate collection”
and not as municipal waste. It is encouraged that
necessary measures are implemented to maximize
the separate collection of waste batteries and
to minimize the disposal of batteries as mixed
municipal waste.
End-users are exhorted not to dispose waste
batteries as unsorted municipal waste. In order
to achieve a high level of recycling waste batteries, discard waste batteries
separately and properly through an accessible collection point in your
vicinity. For more information about collection and recycling of waste
batteries, please contact your local municipality, your waste disposal service
or the point of sale where you purchased the items.
By ensuring compliance and conformance to proper disposal of waste
batteries, potential hazardous eects on human health is prevented and
the negative impact of batteries and waste batteries on the environment
is minimized, thus contributing to the protection, preservation and quality
improvement of the environment.
NOTE: THE T 737 IS NOT AN AUTO VOLTAGE UNIT. CONNECT ONLY
TO THE PRESCRIBED AC OUTLET, I.E., 120V 60HZ OR 230V 50HZ.
RECORD YOUR MODEL NUMBER NOW, WHILE YOU CAN SEE IT
The model and serial number of your new T 737 are located on the back of
the cabinet. For your future convenience, we suggest that you record these
numbers here:
Model no: ......................................
Serial no.: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
IMPORTANT SAFETY INSTRUCTIONS
NAD is a trademark of NAD Electronics International, a division of Lenbrook Industries Limited
Copyright 2010, NAD Electronics International, a division of Lenbrook Industries Limited
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THANK YOU FOR CHOOSING NAD.
The T 737 A/V Receiver is a technologically advanced and highly capable
product — yet we have invested great eort in making it simple and easy
to use. The T 737 delivers a range of genuinely useful options for surround
sound and stereo listening, using powerful digital signal processing and
superbly accurate digital-audio circuitry. However, we have also been
careful to ensure that the T 737 is as musically transparent and spatially
accurate as possible, incorporating much of what we’ve learned from a
quarter century’s experience designing audio, video and home-theater
components. As with all our products, NAD’s “Music First” design philosophy
guided the T 737’s design, such that it can condently promise you both
state-of-the-art surround home-theater and audiophile-quality music
listening for years to come.
We encourage you to take a few minutes now to read right through this
manual. Investing a little time here at the outset might save you a good
deal of time later, and is by far the best way to ensure that you make the
most of your investment in the NAD T 737, and get the most from this
powerful and exible home-theater component.
One more thing: We urge you to register your T 737 ownership on the NAD
Worldwide Web site:
http://NADelectronics.com/warranty
For warranty information contact your local distributor.
INTRODUCTION
TABLE OF CONTENTS
IMPORTANT SAFETY INSTRUCTIONS . . . . . . . . . . . . . . . . . . . . . . . . .2
INTRODUCTION
GETTING STARTED ...............................................5
WHAT’S IN THE BOX ..................................................5
CHOOSING A LOCATION .............................................5
DEFAULT SOURCE SETTINGS .........................................5
IDENTIFICATION OF CONTROLS
FRONT PANEL ....................................................6
REAR PANEL .....................................................8
AVR 3 REMOTE CONTROL .......................................11
USING THE AVR 3 REMOTE CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
LIBRARY ............................................................ 14
OPERATION
USING THE T 737 – MAIN MENU ..................................15
ABOUT THE ONSCREEN DISPLAY OSD . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
MAIN MENU ........................................................ 15
LISTENING MODE .................................................. 15
ADJUSTING LISTENING MODES .................................... 16
TONE CONTROLS ................................................... 17
USING THE T 737 – SETUP MENU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
SETUP MENU ....................................................... 18
SOURCE SETUP .................................................... 18
SOURCE SETUP NORMAL VIEW ................................... 18
SOURCE SETUP TABLE VIEW ....................................... 20
iPod SETUP ......................................................... 20
SPEAKER SETUP .................................................... 20
SPEAKER CONFIGURATION ......................................... 20
SPEAKER LEVELS .................................................... 21
SPEAKER DISTANCE ................................................ 22
ADJUSTING THE VOLUME .......................................... 22
TRIGGER SETUP .................................................... 22
LISTENING MODE SETUP ........................................... 22
LISTENING MODES ................................................. 23
DOLBY SETUP ...................................................... 24
DTS SETUP ......................................................... 24
ENHANCED STEREO ................................................ 24
DISPLAY SETUP ..................................................... 25
A/V PRESETS SETUP ................................................ 25
LISTENING TO AM/FM RADIO ....................................26
ABOUT USER NAMES ............................................... 27
ABOUT RDS ........................................................ 27
LISTENING TO XM RADIO ........................................28
LISTENING TO DAB RADIO .......................................29
CONNECTING THE DAB MODULE .................................. 29
DAB OPERATION ................................................... 29
SERVICE LIST ....................................................... 29
DAB TUNER MODE ................................................. 29
LOCAL SCAN ....................................................... 29
PRESET TUNE ....................................................... 30
STATION ORDER .................................................... 30
DYNAMIC RANGE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
MANUAL SCAN ..................................................... 30
PRUNE LIST ......................................................... 30
DAB RESET ......................................................... 31
INFORMATION SETTINGS ........................................... 31
LISTENING TO YOUR iPod PLAYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
CONNECTING THE OPTIONAL “NAD IPD 1 DOCK FOR . . . . . . . . . . . . . . 32
iPod” AND iPod PLAYER TO THE T 737 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
iPod MENU OPTIONS ............................................... 32
CONTROL FEATURES ............................................... 32
NAD IPD 2 .......................................................... 33
REFERENCE
TROUBLESHOOTING ............................................34
SPECIFICATIONS ................................................35
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INTRODUCTION
GETTING STARTED
WHAT’S IN THE BOX
Packed with your T 737 you will nd
• An AM loop antenna
• A FM lead-type antenna
• A detachable AC power cord
• The AVR 3 remote control with two AA batteries.
• This owner’s manual.
SAVE THE PACKAGING
Please save the box and all of the packaging in which your T 737 arrived.
Should you move or otherwise need to transport your T 737, this is by far
the safest container in which to do so. We’ve seen too many otherwise
perfect components damaged in transit for lack of a proper shipping
carton, so please: Save that box!
CHOOSING A LOCATION
Choose a location that is well ventilated (with at least several inches to both
sides and behind), and that will provide a clear line of sight, within 23 feet/7
meters, between the T 737’s front panel and your primary listening/viewing
position—this will ensure reliable infrared remote control communications.
The T 737 generates a modest amount of heat, but nothing that should
trouble adjacent components.
It is especially important that sucient ventilation be provided. If you are
contemplating on locating the T 737 within a cabinet or other furniture, consult
your NAD audio/video specialist for advice on providing adequate airow.
DEFAULT SOURCE SETTINGS
The following table lists the default SOURCE settings. Note that the Audio
Input settings show both digital and analog audio input. Digital input will
always take precedence over analog audio input even if both are present.
Source Audio Input Video Input Video Output
Source 1 Optical 1/ Audio 1 IN Component Video
Input 1
Component Video
Monitor OUT
Source 2 Optical 2/ Audio 2 HDMI 2 HDMI Monitor OUT
Source 3 Coaxial IN/ Audio 3 S Video 3 S-Video Monitor OUT
iPod Audio 4 S-Video 4 S-Video Monitor OUT
Source 5 Audio 5 IN Video 4 Video Monitor OUT
Multi 7.1 Ch Input Component Video
Input 3
Component Video
Monitor OUT
Front Optical Front Input/
Audio Front Input S-Video Front IN S-Video Monitor OUT
Tuner
To modify the above default settings and for a better understanding of source
setting and combinations, please refer to the item about “SOURCE SETUP” in the
“USING THE T 737 - SETUP MENU” segment of the “OPERATION” section.
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IDENTIFICATION OF CONTROLS
FRONT PANEL
1 POWER BUTTON: Press this button to switch ON the T 737. The Standby
LED indicator will turn from amber to blue and illuminate the VFD. Pressing
the power button again turns the unit back to standby mode.
2 STANDBY LED: This indicator will light up amber when the T 737 is
in standby state. When the T 737 is in the ON state, this indicator will
illuminate blue.
3 NAVIGATION and ENTER buttons: These buttons are used to navigate
the T 737 OSD as well as for navigation of DAB (230V version only), XM
(120V version only) tuner functions and iPod. The middle round button
is designated as “ENTER” button; this is normally pressed to complete a
selection, procedure, sequence or other applicable functions.
4 MENU: When listening to DAB (230V version only) or XM (120V version only)
radio, press this button to enable their corresponding digital radio menu in
conjunction with the applicable [ ] and [ENTER] buttons.
5 LISTENING MODE: Toggle to select through the various Listening
mode options. Depending on the format of the currently selected input
(digital or analog, stereo or multichannel), various listening modes are
available. Refer also to the item about LISTENING MODE under the
USING THE T 737 – MAIN MENU segment of the OPERATION section.
6 VACUUM FLUORESCENT DISPLAY (VFD): Displays visual information
about the current settings like the active Source, volume level, listening
mode, audio format, applicable RDS/XM/DAB as well as iPod-related
display information and other related indicators. Refer also to the item
about DISPLAY SETUP under the USING THE T 737 – SETUP MENU
segment of the OPERATION section.
7 REMOTE SENSOR: Point the AVR 3 remote control at the remote sensor
and press the buttons. Do not expose the remote sensor of the T 737 to a
strong light source such as direct sunlight or illumination. If you do so, you
may not be able to operate the T 737 with the remote control.
Distance: About 23ft (7m) from the front of the remote sensor.
Angle: About 30o in each direction of the front of the remote sensor.
8 SOURCE [ ] : Press these buttons to toggle through the input
selections – Source 1, Source 2, Source 3, iPod, Source 5, Multi Front and
Tuner (AM/FM/XM/DAB as applicable). More Sources could be directly
recalled through these buttons upon enabling them at the Setup Menu.
Refer also to the item about SOURCE SETUP under the USING THE T 737
– SETUP MENU segment of the OPERATION section.
9 VOLUME: Use this control to adjust the volume level of the speakers.
Turn clockwise to increase the volume setting; counter clockwise to
lower it. Refer also to the item about ADJUSTING THE VOLUME under the
USING THE T 737 – SETUP MENU segment of the OPERATION section.
3 4 5 6 7 9
11
1 2
10
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10 PHONES: Accepts stereo headphone using a standard 1/4-inch stereo
phone plug (use a suitable adapter for headphones equipped with a
smaller plug). Plugging in headphones automatically mutes output from all
channels. With headphone listening, toggle front panel’s LISTENING MODE
button (or AVR 3’s [SURR] button) to select between “Dolby H/P” (Dolby
Headphone) and “Dolby H/P O” (Dolby Headphone O).
DOLBY® HEADPHONE
Dolby Headphone technology, compatible with any pair of
conventional headphones, accurately simulates the experience of
hearing a 5.1-channel speaker system properly set up in a listening
room, minus the annoying “listener fatigue” eect that plagues other
headphone-based virtual surround sound oerings. Dolby Headphone
technology is ideal for private playback of multi-channel entertainment
without disturbing others nearby.
Select Dolby HP O for normal headphone audio listening.
11 FRONT INPUT PORTS: Use these convenience jacks for occasional
sources such as a camcorder, tape player, video game console, any
analog audio or optical digital audio and composite or S-Video video
sources. If your source only has a single audio out jack or is marked
“Mono output”, plug this into the T 737’s Front “R (MONO)” input. On
the other hand, if your source has two output jacks indicative of stereo
output, insert both jacks into the T 737’s corresponding Front “L” and “R
(MONO)” input to achieve stereo output as well.
IDENTIFICATION OF CONTROLS
FRONT PANEL
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1 DIGITAL AUDIO (COAXIAL IN, OPTICAL 1-2): Connect to the
corresponding optical or coaxial S/PDIF-format digital output of
sources such as CD, BD or DVD players, HDTV or satellite tuners and
other components. Coaxial and Optical digital input association is
congurable via the Source Setup item of the Setup Menu OSD.
DIGITAL AUDIO OPTICAL OUT : Connect the optical digital OUT port to
the corresponding S/PDIF digital input of a compatible device such as CD
recorders, receivers, computer soundcard or other digital processors.
2 MONITOR OUT (S-VIDEO, VIDEO): Connect to video input of the
monitor/television using quality dual-RCA and/or S-Video cables
designed for video signals. In general, the S-Video connection
is superior and should be used if your TV/monitor provides the
corresponding input.
3 AUDIO 1 IN/OUT, VIDEO 1/S-VIDEO 1 IN/OUT: Connect the T 737’s
AUDIO 1 OUT/VIDEO 1 OUT/S-VIDEO 1 OUT jacks to the analog audio/
video input of a recording component such as a cassette deck, DVD
recorder or to an outboard audio/video processor. Connect the
T 737’s AUDIO 1 IN/VIDEO 1 IN/S-VIDEO 1 IN jacks to the component’s
corresponding output.
The signal present at these AUDIO 1 OUT/VIDEO 1 OUT/S-VIDEO 1 OUT
jacks are determined by the source last selected via the front panel SOURCE
buttons or the AVR 3’s input select buttons. There will be no output at
AUDIO 1 OUT/VIDEO 1 OUT/S-VIDEO 1 OUT port when Source 1 is the
selected source input. This prevents feedback through the recording
component thereby preventing possible damage to your speakers.
4 AUDIO 2 – 4/VIDEO 2-4/S-VIDEO 2-4: These comprise the T 737’s
other principal inputs. Connect these S-Video, composite video, and
analog stereo audio input ports to the corresponding output ports of
source components such as DVD players and HDTV/satellite tuners.
Refer also to “AUDIO 1 IN/OUT, VIDEO 1/S-VIDEO 1 IN/OUT” discussion
above.
AUDIO 4 IN and S-VIDEO IN 4 are also the assigned default ports for the
audio/video output of the separately sold NAD IPD (NAD Dock for iPod)
1, NAD IPD 2 and later variants.
5 HDMI (HDMI 1-2, HDMI MONITOR OUT): Connect HDMI inputs to
the HDMI OUT connectors of source components such as DVD player,
BD player or HDTV satellite/cable box. Connect the HDMI Monitor OUT
to a HDTV or projector with HDMI input.
NOTE
The HDMI ports support transmission of video signals only. For HDMI
audio signal, connect your HDMI source component’s S/PDIF-format
digital output signal to the applicable T 737 digital audio input ports.
You can then correspondingly assign this HDMI digital audio input as
your particular HDMI 1 or HDMI 2 digital audio source via the Source
Setup item of the Setup Menu OSD.
WARNING
Before connecting and disconnecting any HDMI cables, both the T 737
and the ancillary source must be powered OFF and unplugged from the
AC outlet. Failure to observe this practice may cause permanent damage
to all equipment connected via HDMI sockets.
IDENTIFICATION OF CONTROLS
REAR PANEL
ATTENTION!
Please make sure that the T 737 is powered o or unplugged before making any connections. It is also advisable to power down or unplug all associated
components while making or breaking any signal or AC power connections.
1 2 3 4 5 6 7 8 9
15 16 181713121110 14 2019
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6 COMPONENT VIDEO INPUT 1-3, COMPONENT VIDEO MONITOR
OUT: Connect the Component Video Input 1-3 inputs to Component
Video outputs from compatible source components, typically a DVD player,
BD player and terrestrial or satellite HDTV tuner. Connect Component
Video OUT to the Component Video input of a compatible video monitor/
TV. Be sure to observe consistency in connecting the Y/Pb/Pr jacks to the
corresponding sources/inputs. The routing of the component video inputs
is fully congurable via the Source Setup item of the Setup Menu OSD.
The T 737’s component video inputs and outputs are fully wideband
and compatible with allowable HDTV formats.
The T 737 is optimized for Component Video Output. Composite
video and S-video sources may be viewed in their native format or via
Component Video Monitor OUT.
VIDEO INPUT
VIDEO OUTPUT
Component Video
Monitor OUT
S-Video Monitor
OUT
Video
(Composite)
Monitor OUT
Video (Composite) input Yes
(480i/576i only) Yes Yes
S-Video input Yes
(480i/576i only) Yes Yes
Component Video input Yes Yes
(480i/576i only)
Yes
(480i/576i only)
7 7.1 CH INPUT: Connect to the corresponding analog audio output
ports of multichannel source components such as a DVD-Audio or
multichannel-SACD player or external multichannel decoder (disc copy
protected formats only allow analog signal transfer). Typically, these
sources will produce 5.1-channel output, in which case the Surround
Back jacks are left unconnected. The signals present at these jacks
may be heard by selecting Multi (7.1 Channel Input is defaulted to this
Source setting).
There is no bass-management or other processing (other than volume
control) available to this 7.1 Channel Input. While the multi-channel
audio outputs of a DVD-Video player can be connected to these jacks,
using the T 737’s own Dolby Digital and DTS decoding and digital-
analog converters via a digital connection will usually produce superior
results.
8 SUBW PRE-OUT: Unlike full range channels, there is no power amplier
built-into the T 737 for a subwoofer. Connect the SUBW PRE OUT to
powered (“active”) subwoofers or to power amplier channels driving a
passive system.
9 FM, AM ANTENNA INPUT: Connect the supplied lead-type FM
antenna to the FM antenna input. Extend the lead. Experiment freely
with your antenna placement and orientation until you get the clearest
sound and lowest background noise. Fix the antenna in the desired
position by using thumb tacks, push pins or any suitable means.
The AM loop antenna supplied with the T 737 (or a suitable
replacement) is required for AM reception. Open the clip terminal
lever; insert the wire making sure to match the color-coded (white
and black) ends of the wire to that of the terminal and close the
lever ensuring that the lever locks the wire in place. Testing dierent
positions for the antenna may improve reception; vertical orientation
will usually produce the best results. Antenna proximity to large metal
objects (appliances, radiators) may impair reception, as will attempts to
lengthen the wire to the loop.
10 XM MODULE INPUT (120V version only): Connect XM radio cable
to this socket. Follow the instructions that came with your XM radio.
With XM radio, there are more than 100 channels of music, news, sports,
comedy, talk and entertainment. You will nd that the coverage is
continent wide. The music quality is digital with many commercial-free
music channels.
NOTE
The external XM radio is not supplied with your T 737.
11 UPLOAD MCU, RESET: The MCU, HDMI and RESET tact switches are
used for software program updates (if any) in combination with the
RS232. Your custom installer or dealer can assist you in the proper
upgrade and setup of your T 737.
12 IR IN/IR OUT 1, 2: These mini-jacks accept and output remote-
controlled codes in electrical format, using industry-standard protocols,
for use with “IR-repeater” and multi-room systems and related
technologies.
IR IN: This input is connected to the output of an IR (infrared) repeater
(Xantech or similar) or the IR output of another component to allow
control of the T 737 from a remote location.
IR OUT 1, IR OUT 2: Both IR OUT 1 and IR OUT 2 have dual-features –
they can act as an infrared command repeater or as stand alone IR OUT.
Connect the T 737’s IR IN to the IR OUT of ancillary equipment. Connect
also the T 737’s IR OUT 1 (or IR OUT 2) to another equipment with IR IN
feature. With this setup, the T 737 acts as an “IR-repeater” allowing the
equipment connected to the T 737’ s IR IN control or command of the
other equipment linked to the T 737’s IR OUT 1 (or IR OUT 2).
As a stand alone IR OUT, connect IR OUT 1 (or IR OUT 2) to the IR IN of an
ancillary equipment. Direct the ancillary equipment’s own remote control
to the T 737’s infrared receiver to command or control the linked unit.
13 +12V TRIGGER OUT: The +12V TRIGGER OUT is used for controlling
external equipment that is equipped with a +12V trigger input. Connect
this +12V TRIGGER OUT to the other equipment’s corresponding
+12V DC input jack using a mono cable with 3.5mm male plug. The
availability of 12V at this trigger output depends upon the setting of
“Trigger Out” in the TRIGGER SETUP OSD menu. See discussion about
“TRIGGER SETUP” at the “SETUP MENU” literature for guidelines on how
to congure “Trigger Out”.
14 MP DOCK: The T 737 is equipped with a data port in the rear panel
where an optional NAD IPD (NAD Dock for iPod) 1, NAD IPD 2 and later
variants can be plugged in. Connect the “MP DOCK (DATA PORT)” jack of
the T 737 to the corresponding “DATA PORT” socket of the optional NAD
IPD model.
NOTE
The external “NAD IPD (NAD Dock for iPod)” model is not supplied with
your T 737.
IDENTIFICATION OF CONTROLS
REAR PANEL
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15 DAB MODULE INPUT (230V version only): Plug-in the other end
of the Mini-Din connector from the NAD DAB Adaptor DB 1 module
output port into this socket. The T 737 is compatible only with NAD
DAB Adaptor DB 1 so check with your NAD dealer for this module’s
availability. With DAB, you can receive CD-like quality programs without
any annoying interference and signal distortion.
NOTE
The external “NAD DAB Adaptor DB 1 module” is not supplied with your
T 737.
16 RS-232: Connect this interface via RS-232 serial cable (not supplied)
to any Windows® compatible PC to allow remote control of the T 737
through NAD’s proprietary PC software or other compatible external
controllers. NAD is a certied partner of AMX and Crestron and fully
supports these external devices. See your NAD audio specialist for more
information.
17 AUDIO 5 IN/OUT, AUDIO 6: Input for additional line level input signals
such as CD player, MP player or a tape recorder. Connect AUDIO 5 OUT
to the analog audio input of a recording component such as a cassette
deck, CD recorder or to an outboard audio/video processor. Connect
the AUDIO 5 IN jacks to the component’s corresponding output.
AUDIO 6 is ideal for the connection of the analog output of line-level
audio sources like a CD player or Stereo tuner.
18 SPEAKERS: Connect the respective speaker’s FRONT L, FRONT R,
CENTER, SURROUND R, SURROUND L, SURROUND BACK L, SURROUND
BACK R and CENTER channels to their corresponding loudspeakers.
Make sure the “+” (red) terminal and “-” (black) terminal are connected
to the corresponding “+” and “-” terminals of the loudspeaker. Use extra
care to ensure that no stray wires or strands cross between posts or
terminals at either end.
The T 737 is designed to produce optimum sound quality when connected
to speakers with impedances within its operating range. Please make sure
that all the speakers are rated 8 ohms minimum per speaker.
NOTE
Use stranded wire of at least 16 gauge (AWG). Connections to the T 737
can be made with banana plugs (120 V version model only) or by using
bare wire or pins.
19 SWITCHED AC OUTLET: This convenience outlet can supply switched
power to another component or accessory. It is powered ON and OFF
by the front panel POWER button or by the AVR 3’s ON and OFF keys.
The total draw of all devices connected to this outlet must not exceed
50 watts.
20 AC MAINS INPUT: The T 737 comes supplied with a separate AC Mains
cable. Before connecting the cable to a live wall socket, ensure that it
is rmly connected to the T 737’s AC Mains input socket rst. Connect
only to the prescribed AC outlet, i.e., 120V 60 Hz (for 120V version
models of T 737 only) or 230V 50 Hz (for 230V version models of T 737
only). Always disconnect the AC Mains cable plug from the live wall
socket rst, before disconnecting the cable from the T 737’s Mains input
socket.
IDENTIFICATION OF CONTROLS
REAR PANEL
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USING THE AVR 3 REMOTE CONTROL
The AVR 3 remote control handset handles the key functions of the T 737 as well as other NAD Stereo
Receivers, Integrated Ampliers and Preampliers. It has additional controls to remotely operate NAD CD
Players, DVD Players, BD Players, AM/FM Tuners and dedicated AM/FM/DAB Tuners. It will operate up to a
distance of 23ft (7m). Alkaline batteries are recommended for maximum operating life. Two AA batteries
should be tted in the battery compartment at the rear of the Remote Control handset. When replacing
batteries, check that they have been put in the right way round, as indicated on the base of the battery
compartment.
When a command from the remote control is received, the Standby LED indicator will blink. Note that
the indicator may also blink when receiving commands not necessarily for the T 737 but for other
components in the system. Please refer to previous sections of the manual for a full description of
individual functions.
NOTE
The remote control handset supplied with the T 737 is of a universal NAD type, designed to operate
several NAD models. Some buttons are applicable only to specic NAD models. Contact your dealer
or NAD audio specialist for assistance.
1 POWER ON & OFF: The AVR 3 remote has a separate ON and OFF button. Press the ON button
to switch the unit from Standby to operating mode. Press the OFF button to switch the unit to
Standby mode.
2 DEVICE SELECTOR: A Device Selector button determines only what component the AVR 3 will
command; it does not perform any function on the receiver. Press desired Device Selector button
for the applicable buttons to be directed to a “page” of commands relevant to the selected device.
Upon selecting a Device, you can now press the corresponding AVR 3 control buttons applicable
for the selected Device.
3 INPUT SELECTORS: Refer to the corresponding labels printed in the remote control faceplate
and their respective assigned buttons to make use of these functions. Set the DEVICE SELECTOR
to “AMP” in order to gain access to these buttons. The input selector buttons perform the same
functions as the buttons labeled the same on the front panel.
NOTE
INPUT 1, INPUT 2 up to INPUT 6 correspond to the T 737’s SOURCE 1, SOURCE 2 up to SOURCE 6.
INPUT 7 corresponds to MULTI. These inputs or sources will have to be enabled for them to be
directly recalled or accessed.
4 NUMERIC KEYS: The numeric keys allow for direct input of tracks for CD players and direct
channel/preset access for tuners and receivers.
5 A/V PSET: In combination with the numeric keys, press a Preset number from 1 to 5. Note that the
Preset settings can be congured via the A/V PRESETS SETUP menu.
6 DIMMER (for use with NAD Stereo Receiver, Tuner and CD Player): Reduce, turn o or restore
VFD brightness. Depending on the NAD model, the brightness of the front panel display will vary
when you toggle this button.
7 TEST: Press to initiate speaker TEST mode while at “Speaker Levels” line item under “Speaker Setup”
menu.
8 MUTE: Press the [MUTE] button to temporarily switch OFF the sound to the speakers and
headphones. MUTE mode is indicated by the Standby LED indicator ashing for NAD Integrated
Ampliers or “Mute” shown in the VFD of NAD Receivers. Press MUTE again to restore sound.
Adjusting the volume level via the AVR 3 or the front panel volume knob will automatically release
the mute function.
9 SURR: Toggle to select desired listening or surround mode.
IDENTIFICATION OF CONTROLS
AVR 3 REMOTE CONTROL
2
9
10
11
1
3, 4
8
5
12
7
6
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10 VOL [ ] : Press [VOL ] button to increase or decrease the loudness level. Release the
button when the desired level is reached. The VFD on the front panel will indicate the level set.
For NAD Receivers, the VFD will also show “Volume Up”, “Volume Down” or “Volume: _ _ dB” (_ _
indicates the numerical dB level) while pressing AVR 3’s .
11 [ ] : Select an item in a menu.
12 SLEEP: Switch o the NAD Receiver or Tuner after a preset number of minutes.
SLEEP MODE
The Sleep Mode timer will switch the T 737 to Standby mode automatically after a preset number of
minutes. Pressing the AVR 3’s [SLEEP] button once will display the setting of the sleep time increment.
Pressing the AVR 3’s [SLEEP] button a second time within a 3-second period will change the sleep time
increment in 15-minute intervals, after which time the T 737 will automatically switch into Standby mode.
To adjust the sleep delay, press the AVR 3’s [SLEEP] button twice; rst to display the sleep time
increment, and a second time to change the sleep time increment. The sleep time increment
will continuously be displayed on the T 737’s front panel Vacuum Fluorescent Display (VFD). Each
consecutive press increases the sleep time in 15-minute increments from 15 to 90 minutes. To
cancel the sleep mode, continue pressing the AVR 3’s [SLEEP] button until “Sleep O” is displayed
on the VFD. Switching the T 737 to standby from either the AVR 3’s OFF or the T 737’s Power button
will also cancel the sleep mode.
DVD/BD/CD PLAYER CONTROL (for use with NAD CD Player, Blu-ray Disc Player or DVD
Player): Set the DEVICE SELECTOR to “BD” in order to gain access to these buttons. Some of the control
buttons below are applicable only to specic NAD CD Player, Blu-ray Disc Player or DVD Player models;
check the owner’s manual of your NAD model for control button compatibility. You can also load the
applicable NAD code library to this device so that it can be made compatible with your other NAD
equipment. Refer to the section below about “LIBRARY” on how to load a NAD code library.
HOME: Display or exit HOME menu.
PICTURE: Display or exit Picture mode menu.
TITLE/POP-UP: Display DVD title menu or BD-ROM pop menu, if available.
MENU: Access menu on a DVD disc, if available.
SCAN [ ]: Fast reverse/forward search.
[ ] : Open or close disc tray.
[ ] : Stop playback.
[ ] : Pause playback temporarily.
[ ] : Go the next track, le or chapter.
[ ] : Go to the beginning of current/previous track, le or chapter.
[ ]: Start playback.
ENTER: Select desired track, folder or WMA/MP3 le.
DISP: Show playback time and other display information.
RAND: Play tracks/les in random order.
RPT: Repeat track, le or whole disc.
PROG: Enter or exit program mode.
CLEAR: Delete programmed track/le.
RES: Set output resolution of HDMI and Component Video output.
SETUP: Access or remove setup menu.
A,B,C,D: Navigate or select BD-ROM menu, if applicable; Page up/down PHOTO and MUSIC menu
list.
IDENTIFICATION OF CONTROLS
AVR 3 REMOTE CONTROL
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TUNER CONTROL (for use with NAD Receiver, AM/FM/DAB Tuner): Set the DEVICE SELECTOR
to “TUN” in order to gain access to these buttons. Refer to the corresponding labels printed in the
remote control faceplate and their respective assigned buttons to make use of these functions. Some
of the control buttons below are applicable only to specic NAD Receiver or Tuner models; check the
owner’s manual of your NAD Receiver or Tuner for control button compatibility. You can also load the
applicable NAD code library to this device so that it can be made compatible with your other NAD
equipment. Refer to the section below about “LIBRARY” on how to load a NAD code library.
TUNE [ ] or [ ]: Step up or down between AM or FM frequencies.
PRESET [ ] or [ ]: Step up or down between stored radio presets.
AM/FM/DB: Select DAB, XM, FM or AM band (if applicable).
TUNER MODE: In FM mode, toggle between “FM Mute On” and “FM Mute O”. In DAB mode,
pressing this button will bring up DAB menu options.
BLEND: Engage or disengage BLEND feature.
MEMORY: Save current station into preset memory.
DELETE: Press and hold for about 2 seconds and the selected preset memory is erased.
[ ]: In DAB mode, in combination with TUNER MODE or other compatible buttons, toggle
to select through DAB feature options like Dynamic Range Control, Station Order and other
appropriate DAB options.
ENTER: In AM/FM mode, toggle to select Preset or Tune mode. In DAB mode, press and hold to
check signal strength.
INFO: Repeatedly pressing this button will show information as supplied by the current radio
station. The applicable display contents include related DAB display information and RDS broadcast
data.
NOTE
For iPod player-specic control buttons, please refer to “CONTROL FEATURES” under “OPERATION
– LISTENING TO YOUR iPod PLAYER”.
IDENTIFICATION OF CONTROLS
AVR 3 REMOTE CONTROL
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LIBRARY
The AVR 3 can store a dierent library of default NAD codes for each of its DEVICE SELECTOR “pages.”
If the original default library does not control your NAD CD player, DVD player, or other component,
follow the procedure below to change the library code. Refer as well to the table below for a list
applicable NAD Library Codes with their corresponding NAD models.
LOAD ANOTHER LIBRARY CODE
Example: Load NAD DVD Player T 517 library codes to AVR 3’s “BD” device.
1 Press and hold [BD] in the DEVICE SELECTOR section of AVR 3.
2 While holding down the device button (BD), press “2” and “2” using AVR 3’s numeric buttons. “22” is
the corresponding library code for T 517.
3 Press [ENTER] while still holding down the device button (BD). The BD device selector will ash
once to indicate that the library input is successful. Both the device selector button (BD) and
[ENTER] can now be released.
RESET THE AVR 3 TO ITS DEFAULT SETTINGS
The AVR 3 can be restored to its factory settings, including default libraries, by the following
procedures
1 Press and hold [ON] and [DELETE] buttons for about 10 seconds until the AMP device button lights up.
2 Within two seconds of the AMP device button lighting up, release both buttons. If the reset mode
is successful, the [BD] device button will ash twice.
TABLE OF LIBRARY CODES APPLICABLE TO AVR 3 REMOTE CONTROL
LIBRARY CODE NAD PRODUCT DESCRIPTION
10 Default library for “AMP” page
11 Zone 2
20 C 515BEE, C 545BEE, C 565BEE
21 T 535, T 585, M55; DVD section of L 54, VISO TWO, VISO FIVE
22 T 513, T 514, T 515, T 517
23 Default library for “BD” page; T 587, T 557, T 577, M56
30 IPD 1
31 IPD 2
40 Default library for “TUN” page; Tuner section of C 725BEE, T 175, T 747, T 755, T 765, T 775, T 785
41 C 422, C 425
42 C 445
IDENTIFICATION OF CONTROLS
AVR 3 REMOTE CONTROL
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ABOUT THE ON-SCREEN DISPLAY (OSD)
The T 737 receiver employs a simple, self-explanatory system of on-screen
display “menus” that will appear on the connected video monitor/TV. These are
required during the setup process (and are useful in day-to-day operation), so
be sure to connect the monitor/TV before proceeding with setup.
DISPLAY THE OSD
Press [ ] button of the AVR 3 remote control or front panel to display the
T 737’s MAIN MENU on your video monitor/TV. If the OSD does not appear,
check your MONITOR OUT connections.
IMPORTANT NOTICE
There is no OSD at HDMI Monitor OUT. HDMI IN and HDMI Monitor OUT
are direct pass-through signal without OSD. The T 737 OSD is available
only at Video, S-Video and Component Video monitor output.
NAVIGATING THE OSD AND MAKING CHANGES
To navigate through the OSD menu options, please do the following using
the AVR 3 or corresponding front panel buttons:
1 Press [ ] to select a menu item. Use [ ] keys to move up or down
the Menu selections. Repeatedly press [ ] to advance or go further
into the sub-menu of a desired menu item.
2 Use [ ] keys to set or change the parameter value (setting) of a
menu item.
3 Press [ ] to save the settings or changes done on the current menu or
sub-menu.
4 Press [ ] to exit from a particular menu, return to the previous menu,
or completely exit from the Main menu OSD.
MAIN MENU
The Main Menu contains the menu options for “Listening Mode”, “Tone
Controls” and access to “Setup Menu”.
To navigate through these Main Menu options and their sub-menu
selections, please refer to above section about “DISPLAY THE OSD” and
“NAVIGATING THE OSD AND MAKING CHANGES”.
LISTENING MODE
The T 737 oers eleven distinct listening modes, tailored for dierent types
of recording or program material. With a two-channel (Stereo) source, the
following listening modes can be selected:
ANALOG BYPASS
All analog signals remain in the analog domain without analog-to-digital
conversions. At Analog Bypass, the DSP circuitry is bypassed but full tone
control functions remain. “Bass management” or “Speaker Settings” are also
not in eect as these are DSP functions.
STEREO
All output is directed to the front left/right channels. Low frequencies are
directed to the subwoofer if one is present in the Speaker settings. Select
“Stereo” when you wish to listen to a stereo (or monaural) production, such
as music CD or FM broadcast, without surround enhancement. Stereo
recordings whether in PCM/digital or analog form and whether surround-
encoded or not encoded, are reproduced as recorded.
DOLBY® VIRTUAL SPEAKER DVS
Dolby Virtual Speaker technology creates a highly compelling 5.1-channel listening
experience from as few as two speakers, making it an ideal entertainment solution
for locations where space for multiple-speaker setups is limited.
Dolby Virtual Speaker models the sound of a playback system into two dierent
listening environments, based on acoustic measurements of real rooms:
DVS Ref is a small, well-damped room appropriate for both movies and
music-only recordings.
DVS Wide is a larger room, more like a concert hall or movie theatre.
PRO LOGIC IIx
Dolby Pro Logic IIx processes both stereo and 5.1 signals into a 6.1 or 7.1 channel
output. At Dolby Pro Logic IIx, you can choose PLIIx Movie or PLIIx Music modes
to tailor your listening experience to the source material. Dolby Pro Logic IIx
surround processing yields more stable imaging and full bandwidth sound to
the rear channels in Movie mode oering sound that is more similar to Dolby
Digital decoding. For two channel signals, PLIIx Music mode also features three
additional user controls - Dimension, Center Width, and Panorama. See also
section about “ADJUSTING LISTENING MODES” below.
The following chart shows the channels available assuming they are
enabled in the “SPEAKER CONFIGURATION” menu.
Listening Mode
Two-Channel Sources
Active Decoded Output Channels
6.1 Speaker System 7.1 Speaker System
PLIIx Music
PLIIx Movie
Front (left & right), Center,
Surround (left & right), Back
Surround, Subwoofer
Front (left & right), Center,
Surround (left & right) and
Back Surround (left and
right) and subwoofer
OPERATION
USING THE T 737  MAIN MENU
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NEO:6
Two-channel recordings, whether stereo or surround-encoded, are
reproduced with Neo:6 surround with output to front left/right, center and
discrete left/right surround channels plus subwoofer (assuming these are
present in the current “Speaker Conguration”). The T 737 provides two DTS
NEO:6 variations - NEO:6 Cinema and NEO:6 Music. See also section about
“ADJUSTING LISTENING MODES” below.
EARS
Two-channel recordings, whether stereo or surround-encoded, are
reproduced with proprietary NAD surround processing with output signals
to the front left/right, center and discrete left/right surround channels,
plus subwoofer (assuming these are present in the current “Speaker
Conguration”). EARS does not employ the surround back speakers (if any).
EARS extracts the natural ambience present in nearly all well-produced
stereo recordings. It does not synthesize any ambience or other sonic
elements and thus remain truer to the sound of the original musical
performance than most other music-surround options.
Select EARS for listening to stereo music recordings and broadcasts.
EARS produces a subtle but highly natural and believable ambience from
nearly all “natural-acoustic” stereo recordings. Typically, these include
classical, jazz, and folk genres as well as numerous examples from others.
Its virtues include realistic, stable “front-stage” sonic imaging and spacious
but unexaggerated ambient “virtual acoustics” that remain faithful to the
original recording.
ENHANCED STEREO
All recordings are reproduced in stereo via the maximum speaker
complement congured in the current “Speaker Conguration”. Enhanced
stereo can be useful for maximum volume from all channels or for multi-
speaker background music (cocktail party) listening. For this mode, Front,
Center, Surround and Back speakers can be turned ON/OFF as desired.
7CH CHANNEL STEREO
Two-channel recordings are reproduced with output signals to the front
left/right, center, discrete left/right surround channels, back surround left/
right plus subwoofer (assuming these are present in the current “Speaker
Conguration”). The Back Surround (left/right) output level is -3 dB lower
than the other channels.
ADJUSTING LISTENING MODES
Several of the T 737’s listening modes have one or more selectable variations
and adjustable parameters that you can modify to suit your personal
preferences. At Listening Mode menu, use a combination of the [ ] and
[ ] keys to navigate and eect desired settings.
NOTE
Listening Mode parameter changes are maintained when you change
listening modes. You may also save a modied Listening Mode for easy
recall by saving it to a Preset (See “AV PRESETS SETUP” below under
Setup Menu discussions).
PRO LOGIC IIx
PLIIx MOVIE is optimized for lm soundtracks.
PLIIx MUSIC for music recordings.
Center Width (0 to 7): Modies the “hard-centeredness” of the center
image, by gradually mixing mono center content to the Front left/right
speakers as well. A setting of 0 retains the center-channel-only default
while a setting of 7 yields a fully phantom center channel.
Dimension (-3 to +3): Adjusts front-rear emphasis of the surround
eect independently from the relative channel levels.
Panorama (On/O): Adds a “wrap around” eect by extending some
stereo content into the surround channels.
NOTE
Pro Logic IIx mode will decode as Pro Logic II mode when the “Back”
surround speakers are set to “O” from “Speaker Conguration” menu.
Refer also to the item about “SPEAKER CONFIGURATION” under the
“SPEAKER SETUP” segment of “OPERATION – USING THE T 737 – SETUP
MENU” section.
NEO:6
Neo:6 Cinema is optimized for lm soundtracks.
Neo:6 Music for music recordings.
CENTER GAIN (0 to 0.5): Adjust for better center image in relation to
the surround sound channels.
OPERATION
USING THE T 737  MAIN MENU
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TONE CONTROLS
“Tone Defeat” gives one the choice of varying or completely bypassing the
tone control section of the T 737. If “O” is selected, the Tone Control circuits
are active. Select “On” to bypass the Tone Controls eectively defeating the
eect of the tone control circuits.
The T 737 has two Tone Control levels - Treble and Bass. Bass and Treble
controls only aect the low bass and high treble leaving the critical
midrange frequencies free of coloration.
These controls allow one to tweak on-the-y, the frequency response of
the source. Use the [ ] keys to adjust Treble and Bass within the range
± 10 dB.
OPERATION
USING THE T 737  MAIN MENU
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SETUP MENU
The Setup Menu allows one to customize the operation of the T 737 to the
ancillary equipment used in one’s specic AV system. Unless your system
exactly matches the factory defaults, you will need to use the Setup Menu
to congure the settings of your T 737.
At Setup Menu, the following are congurable – Source Setup, Speaker
Setup, Trigger Setup, Listening Mode Setup, Display Setup and A/V Presets
Setup.
To navigate through these Setup Menu options and their sub-menu
selections, please refer to above section about “DISPLAY THE OSD” and
“NAVIGATING THE OSD AND MAKING CHANGES”.
SOURCE SETUP
From Source Setup menu, pressing [ ] will direct you to the Source Setup
menu wherein you could adjust, allocate or change the settings of the
following – Source Setup (Normal View), Source Setup (Table View) and
iPod Setup.
SOURCE SETUP (NORMAL VIEW)
The Source Setup (Normal View) makes it possible to set, allocate or change
the following settings.
SOURCE
The T 737 is equipped with 9 congurable sources (Source 1-8 and Source T).
The settings for each Source are dependent on the congurations set forth in
the parameters for that particular Source window.
While at “Source” line item, use [ ] keys to toggle through the Sources.
NOTE
Source 4 is defaulted to iPod. For Source 4 to be changed and assigned
to other inputs, go to “iPod Setup” menu under the “Source Setup” menu.
At iPod Setup menu, set “Enabled” to “No” – you can now assign Source 4
to other inputs or settings as desired.
ENABLE
One can enable/disable a Source via this option. This is particularly useful
if only few Sources are used and one directly selects the Source from the
front panel, bypassing unused sources.
To enable or disable a particular Source, scroll to “Enable”, press [ ] and
then [ ] to select “Yes” or “No”.
NAME
A new Name maybe assigned to a Source label. For example, if your DVD player
is attached to “Source 1”, it is possible to rename “Source 1” to “DVD”.
In order to rename the Source label, scroll to “Name”, press [ ] and then [ ]
to pick and select through the alphanumeric selections.
Press [ ] to move to the next character and at the same time save the
changes done on the current character. The name can be as long as eight
characters.
The new Name will be shown in the VFD as well as on the OSD.
ANALOG AUDIO
The T 737 has eight analog audio inputs including 7.1 input. These analog
inputs - Audio 1, Audio 2, Audio 3, Audio 4, Audio 5, Audio 6, Audio Front
and 7.1 Input can be variably assigned to each Source.
Scroll to “Analog Audio” and press [ ] and then [ ] to
to select and assign an analog audio input to the particular Source. If “O”
is selected, no incoming analog audio signal is selected by the particular
Source.
NOTE
An incoming digital signal present at the assigned digital input will always
take precedence over the assigned analog audio input, even if both are
present. To maintain the analog audio input for the particular Source, select
“O” at the “Digital Audio” setting of the same “Source” menu.
GAIN
Gain adjustment allows all sources to playback at the same volume level.
In this way, so you don’t need to adjust the volume level every time a
new source is selected. It is generally preferable to reduce the level of the
loudest source rather than making louder the softer sources.
Scroll to “Gain”, press [ ] and then [ ] to step through the desired level
from -12 to +12.
OPERATION
USING THE T 737  SETUP MENU
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DIGITAL AUDIO
To take advantage of the T 737’s high performance surround and digital
audio circuitry, it is advisable that its Digital Audio inputs are selected.
There are four Digital Audio inputs selectable for the T 737 - Opt 1
(Optical1), Opt 2 (Optical 2), Opt F (Optical Front) and Coax 1 (Coaxial 1).
Another option is “O” whereby no incoming digital audio signal is selected
by the particular Source.
NOTE
An incoming digital signal present at the assigned digital input will always
take precedence over the assigned analog audio input, even if both are
present. To maintain the analog audio input for the particular Source, select
“O” at the “Digital Audio” setting of the same “Source” menu.
VIDEO
A specic video input can be assigned a particular Source. The following are
the assignable Video inputs:
• HDMI 1, HDMI 2
• Comp 1-3 (Component 1-3)
• S-Video 1, S-Video 2, S-Video 3, S-Video 4, S-Video F (Front)
• Video 1, Video 2, Video 3, Video 4, Video Fr (Front)
Another option is “O” wherein the particular Source is prompted not to
select any Video input.
ABOUT VIDEO FORMATS
For many years, there was only one type of video format used. Composite
video signals include the Luminance (black & White) and Chroma (color)
signals combined on one wire. S-Video uses separate wires in a single cable
for Luminance and Chroma signals. Component Video goes a step further
with separate cables for Luminance and the two elements of Chroma. For
NTSC (America, Japan) as well as PAL signals (Europe, Asia) these are labeled
Y, Cr, Cb. Television studios use the Component Video format to keep these
signals separate in order to maintain the best quality. As consumer video
equipment has improved this higher quality format has been included.
VIDEO FORMAT CONVERSION
The T 737 is equipped with a Video Format Converter. This allows for a simplied
video connection between the T 737 and your TV Monitor when using multiple
video formats such as Composite (CVBS), S-Video, and Component (YUV). This
format change is accomplished by encoding the analog video signal into a
digital signal using a very high quality digital encoder to maintain the best
possible picture quality. Once in a digital format, it can be decoded into any of
the three standard analog video formats.
It is suggested that you select the highest quality video format available
on your TV Monitor and utilize this for your Monitor OUT connection from
the T 737 to the TV Monitor. In most cases this will be Component Video,
but on some older TV’s S-Video may be the best quality connection. See
also the item “COMPONENT VIDEO 1-3, COMPONENT VIDEO OUT” under
“Identication of Controls – Rear Panel” discussions.
NOTES
Video signals are converted between all three formats:
· Video (Composite), S-video and Component Video.
· All three monitor outputs will always be active no matter what the
source format is.
· OSD menu is always available on all three output formats - Video
(Composite), S-Video and Component Video.
A/V PRESET
A particular Source can be assigned a stored Preset. The parameters set up
in the selected Preset number will be adopted into the particular Source
it is assigned (Please refer to the separate item below about “AV PRESETS
SETUP” for a better understanding of A/V Preset settings).
Scrolling to “A/V Preset” and by pressing [ ] and then [ ] keys, a
Source could be assigned a Preset number ranging from Preset 1 to 5.
If it is desired not to assign the particular Source a Preset setting, select
“None”.
TRIGGER OUT
The Trigger Out for a particular Source is dependent on the congurations
done in a separate menu on Trigger Setup (See “TRIGGER SETUP” below).
If Trigger output is assigned to “Src Setup” in the separate “Trigger Setup”
menu window, +12V will be available at +12V TRIGGER OUT port whenever
a Source with “Trigger Out” set to “Yes” is recalled.
Another option is “No” whereby the particular Source is not assigned any
Trigger Out.
OPERATION
USING THE T 737  SETUP MENU
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SOURCE SETUP (TABLE VIEW)
The Source Setup (Table View) reects the settings made in the Source
Setup (Normal View) menu. All the Source settings are summarized and
displayed in tabulated form in the Source Setup (Table View).
Navigating through the Source Setup (Table View) via a combination of [ ] and
then [ ] keys, one will have the benet of directly changing the settings for
“Audio, Video, Preset, Trigger and Name” without going back to the Source Setup
(Normal View) menu. Toggle [ENTER] to enable or disable a Source.
iPod SETUP
The iPod Setup menu allows you to preset the following associated
settings when iPod is the selected source:
Enabled: Select “Yes” to default Source 4 to iPod mode or “No” for
Source 4 to be an assignable source input.
Auto Connect: Select “Yes” to automatically enable and connect the
iPod player docked in the linked NAD iPod docking station when
Source 4 (the default iPod source allocation in the T 737) is selected.
Select “No” if you do not want for the iPod connection automatically
connected.
Menu Timeout: Set the time for the OSD to revert to the “Now
Playing” display when the iPod menu has been left idle (no scrolling or
navigation being done) for the specied time out time. For the “Now
Playing” OSD to be shown, there should be a song paused or being
played before going to the iPod menu. You can set the “Menu Timeout”
between the range 5s to 60s at 5s increments. If you do not want for
the menu to timeout, select “O”.
SPEAKER SETUP
After connecting all ancillary sources and other combinations, the Speaker
Setup menu will guide you on how to manage and setup your speakers in
order to achieve optimum sound acoustics in your listening environment.
The following are the Speaker Setup Menu sections.
SPEAKER CONFIGURATION
Every surround-sound system requires “bass-management” to direct
low-frequency content from any or all channels to the speakers best able
to reproduce it. For this function to operate correctly, it is important that
you correctly identify your speakers’ capabilities. We use the terms “Small”,
“Large” and “O”, but note that physical size may be irrelevant.
• A “Small” speaker is any model, regardless of physical size, that lacks
signicant deep-bass response, that is, below about 150 Hz.
• A “Large” speaker is any full-range model, that is, one with deep-bass
response
• An “O” speaker is one that is not present in your system. For example,
you might not have any surround-back speakers installed; in that case,
you would set the “Back” setup item to “O”.
The Speaker Conguration is “global”; that is, it remains in force with all
inputs and in all listening modes. However, speaker settings are part of
the T 737’s Preset system. Consequently, multiple speaker settings can be
stored for easy recall as dierent types of recordings or listening modes
require.
Speaker Conguration can be managed and adjusted by pressing a
combination of [ ] and then [ ] keys. Set “Front”, “Center”, “Surround”
and “Back” to “Large”, “Small” (Small 60 Hz up to Small 150 Hz) or “O” as your
subsystem’s speakers require.
Set “Subwoofer” to “On” or “O”, selecting “On” only if you have a subwoofer
connected to the SUBW PRE OUT jack. If the “Subwoofer” is set to “O”,
“Front” speaker will automatically be set to “Large”.
OPERATION
USING THE T 737  SETUP MENU
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