Sennheiser Evolution E 835 User manual

6
865
Bedienungsanleitung
Instructions for use
Notice d‘emploi
Istruzioni per l‘uso
Instrucciones para el uso
865 865 S
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Bedienungsanleitung..............................................................3
Instructions for use...............................................................11
Notice d’emploi......................................................................19
Istruzioni per l’uso.................................................................27
Instrucciones para el uso......................................................35
Gebruiksaanwijzing...............................................................43
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865 / 865 S
The 865 is a fully professional vocal microphone
utilising the very best in condenser microphone
technology to achieve new standards of quality and
sound. An extended dynamic range and a super-smooth
frequency response deliver an outstanding signal quality
with excellent vocal projection and the lowest possible
distortion. The extended high-frequency response
combined with the super-cardioid pick-up pattern
enables the 865 to handle the highest vocal levels
without feedback.
The rugged metal construction protects the microphone
in the most rigorous conditions.
Due to its phantom powering capability, the 865 is
especially suitable for use with professional systems.
The 865 S variant features a silent
ON/OFF switch .
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Features
yRugged metal body
yExtended dynamic response with pronounced
presence and vocal “punch”
yExcellent feedback rejection
yVery good suppression of handling noise
yVery high sound pressure handling capability
Delivery includes
y865 microphone
yMZQ 800 microphone clamp
yPouch
yInstructions for use
yWarranty Certificate
ON/OFF switch ( 856 S only)
Use the screw to lock the switch in the ON position. With
the switch set in the ON position, gently turn the screw
head 90° to lock the switch in position.
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Pin assignment of XLR-3 connector
Removing the sound inlet basket
12 3
12
3
++
12
3
XLR 6,3 mm
+
+
12 3
XLR
+
XLR
symmetrisch
XLR
+
balanced
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ositioning the microphone
If sibilance or “popping” occurs, position the microphone
not directly in front of the mouth but slightly to the side.
In order to prevent feedback, position monitor
loudspeakersso thatthey arelocatedin theanglearea of
the highest cancellation of the microphone.
In order to prevent interference due to crosstalk between
adjacentsoundsources,trytopositionthemicrophoneso
that the interfering sound source is located in the angle
area of the highest cancellation of the microphone
(approx. 135°; see polar diagram).
Position Resulting sound Commentary
High proximity effect
(much bass/
fundamental)
Powerful, direct sound
Very little crosstalk
from other sound
sources
Less proximity effect
(less bass/fundamental)
Some room ambience,
natural, balanced sound
More crosstalk from
other sound sources
Very little proximity
effect (little bass/
fundamental)
More room ambience,
indirect sound
Much crosstalk from
other sound sources
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15
Polar diagram
Frequency response curve
°
5
1
0
1
5
20
2
5
dB
30
°
60
°
90
°
30
°
60
°
90
°
12
0
°
1
50
°
1
80
°
1
50
°
12
0
°
2
000
H
z
4
000
H
z
8000
H
z
1
6000
H
z
12
5
H
z
2
50
H
z
500
H
z
1
000
Hz
-
50
-
60
- 7
0
-
80
-
90
2
0
50
1
00
2
00
500
1
000
2
000
5000
1
0000
2
0000
Hz
0
°
,
1
m
0
°
,
5 c
m
- 4
0
d
B
v
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Specifications
Transducer principle pre-polarised
condenser microphone
Frequency response 40.....20.000 Hz
Pick-up pattern super-cardioid
Sensitivity
(free field, no load at 1 kHz) 3 mV/Pa
Nominal impedance 200 Ω(balanced)
100 Ω(unbalanced)
Min. terminating impedance 1 kΩ
Max. sound pressure level
at 1 kHz 150 dB/SPL
Phantom powering 12–52 V / 3 mA
Connector XLR-3
Weight 311 g
Dimensions Ø 47 x L 193 mm
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Overview of microphone applications
Variant
Application
e602 e604 e606 e608 e614 e815 e825 e835 e840 e845 e865
Vocals xxxxxx
Choirs x
Studio,
acoustic instruments x
Orchestra x
Brass / Saxophone xx x
Acoustic guitar x
Acoustic bass x
Guitar amplifiers x
Bass amplifiers x
Leslie xxx
Piano, grand piano x
Kick drums x
Snare drums xxx
Rack toms xxx
Floor toms xxx
Congas xxx
Cymbals x
Percussion xxxx
Overheads x
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