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Yamaha CS-30 User manual

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YAMAHA
SYNTHESIZER
r
OWNERS MANUAL
m^
SYNTHESIZER CS-30
We thank you very much for your purchase of our YAMAHA synthesizer CS-30. The CS-30
is afull-fledged synthesizer incorporating asequencer that has been developed based on YAMAHA 's
superior technology and rich experience cultivated over the years with YAMAHA Electone Organs
and by giving full play to the latest in IC technology.
The synthesizer, unlike other musical instruments, has no fixed sound of its own. However,
it has the capacity of producing, with practically unlimited freedom new sounds that no other
instrument can produce. The new sounds that you have created yourself with the CS-30, will no
doubt direct you along apath that will lead you into anew world of music.
The CS-30 is afull-fledged synthesizer equipped with 2systems of VCO, VCF and VCA as well
as 3hXis and abuilt-in sequencer. To make full use of such functions and to discover original sounds
that are uniquely yours, we urge you to read the contents of this Owner's Manual carefully.
^
©
EG SELECTOR
MKBIl
Ja—/y—
PWM
MOD VCO 2PWM
FUNCTION DEPTH
I- MODULATION -^
PWM
FUNCTION DEPTH
"-MODULATION^
J
INPUT CUl on- FRQ
LEVEL K&D FOLLOW RFSONANCf
INPUT
LEVEL MOD FUNCTION fG SELECTOR
MOD DEPTH EG DEPTH
"""^ CUTOFFFRQ
KBD FOLLOW RESONANCE
MOO nfPTH FG DLPT^
MOO FUNCTION EG 5FIECT0R
VCF I
VCO 1MOD FUNCTION
Full attention should be paid to the following points
prior to operation.
Place of installation
When installing the synthesizer, such places as those
subjected to direct sunshine, or dusty or highly
humid places should be avoided. Furthermore, in
no case should it be installed close to fire, or heat-
generating objects such as apower annplifier, as it
may not only cause disorders and cabinet deforma-
tion but may also lead to afire disaster.
Cleaning
When cleaning the set, do not wipe the panel, or
keyboard with athinner-type liquid, or spray of the
same-type liquid, as it will cause discoloration, or
stains. Always wipe it with asoft and dry piece
of cloth.
Connection
Connections such as to amplifiers should be carried
out properly with full care. Erroneous connections
will lead to disorders of the synthesizer and ampli-
fier.
VOLUME
The application of an excessive input to the amplifier
may cause damage of the amplifier or speakers. For
this reason, careful consideration must be given when
setting the volume.
CONTENTS PAGE
CHARACTERISTIC POINTS OF
SYNTHESIZERS 4
CONNECTION 6
BASIC SETTING 7
FUNCTIONS
KEYBOARD/PITCH 8
VC01/VC02 9
VCF1/VCF2 10
VCA1/VCA2 11
TRIGGER/EG 12
EG/EFFECT 13
SEQUENCER 14
EXTERNAL 15
OPERATION SEQUENCE 16
TROUBLE SHOOTING 20
BLOCK DIAGRAM 21
SOUND MEMO 22
SPECIFICATIONS 23
VCF 2^^G
YAMAHA
QZ
MOD fUMCTlON
a
:: ^^^S»0«S
CLOCK. SPEED hJ-:
INITIAL ATrACK ATTACK DECAV RELEASE
LEVEL LEVEL TIME TIME TIME
^^ SiH;:> PI""""
IITIMf -6
e
CHARACTERISTIC POINTS OF SYNTHESIZERS
The function of the synthesizer is to electrically
synthesize and control the three elements of sound,
that is, interval, tone and volume as well as the tiniewise
change from the instant asound is generated to the
point it fades away.
The interval is controlled by the VCO, tone by the
VCF\ volume by the VCA and the timevk-ise variation
of sound by the liG. "VC" in VCO, VCF and VCA
stands for "voltage-controlled". Now. let us consider
what kind of function this voltage control has in the
synthesizer. The drawing at the right is the block
diagram showing the basic composition of asynthesizer.
•KEYBOARD CIRCUIT
This circuit generates the key's voltage (KEY
VOLT) that corresponds to the interval, and the
signal voltage (TRlGGliR) that indicates that the
key is being depressed. Although the TRIGGER will
bccoiTie "o" volt when the finger is released from
the key. the Ki:Y VOLT that indicates the interval
will be memorized by the SAMPLE AND HOLD
(S/II) circuit until the next key is depressed.
The drawing at the right shows the relationship
between the key's interval and KEY VOLT voltage
together with the wave forms of the TRIGGER and
KEY VOLT signals mi (E) ^do (C) -> sol (G)
are depressed.
•VCO (Voltage control oscillator)
The VCO makes asound source of afrequency
that corresponds to the KEY VOLT of the key-
board circuit. It oscillates simultaneously such sound
source wave forms as saw-tooth waves and square
waves that have agreat number of harmonics and
sine waves of asingle frequency. Although the
oscillator frequency corresponds lineally to the KEY
VOLT value, if the oscillator should be controlled
while adding an AC voltage such as low frequency
oscillator (LEO) to the KEY VOLT voltage, it will
be possible to modulate the key interval with the
LEO, or the like. The function of adding this voltage
is carried out by an adder. Regarding this voltage
value that is used to control the VCO. it is possible
to freely control the VCO's oscillating frequency
in accordance with the vi)ltage value since asyn-
tiietic voltage formed by several AC wave forms is
used instead of afixed DC voltage.
Fhc drawing at the right shows acase of VCO
control in which the sine waves of the EE'O is
added to the KEY VOLT. Needless to say, it is
also possible to add an EG voltage in place of, or
simultaneously with, the Li'O.
•VCF (Voltage controlled filter)
The VCF, wliich is the heart of the synthesizer,
VCO VCF VCA
EG EG
KEYBOARD FOLLOW
A^ r-K
KEY VOLT
KEYBOARD TRIGGER
VO L^AGE KEY /OLT
C
J^-J i
E
HOLD HOLD
G
PITCH
TRIGGER
'
f! ^^ C3
EG C
132MKEYON
KEY OFF
-KEY ON KEY OFF
^
VCO MOD
CONTROI VOLT
LEO
KEY VOLT
VCO OUT
o
creates tlie tone by clianging the harmonic structure
by cutting, or emphasizing, witli the lilter apart of
the harmonics of VCO-produccd sound source having
alarge number of liarnionics.
Tlic VCl" creates the tone by changing tiic cut-
off frequency (existing on the borderUne between
the passage and siiicld-off sections) by controlling
tlie voltage, 'lo eliminate any harmonics structure
deviation (KEYBOARD FOLLOW) caused by the
difference in intervals, it is designed so that the
cut-off frequency will shift along with the shift in
the interval, by adding the KLY VOLT voltage of
the keyboard circuit to the IX' voltage generated
with the use of the control. The tone can be rendered
with atimewise variation by adding to these con-
trol voltages avoltage such as that of the LFO, or
KG, that changes with time as in the case of the
vco.
The drawing at the right illustrates the mode in
which the cut-off frequency of the LPF is controlled
by the LG.
VGA (Voltage controlled amplifier)
The VCA is an amplifier block whose amplifica-
tion degree is varied by the control voltage.
The drawing at the right shows acase in which
the amplification degree of the amplifier is controlled
by the LG voltage to give atimewise variation
(envelope) to the volume, from the point the sound
starts up to the point it fades away. Naturally, as
in the cases of the VCO and VGL, it is possible
to add avoltage such as of the LFO to the FG
voltage and use the resulting voltage as VGA's con-
trol voltage.
EG (Envelope Generator)
The FG has the function of producing the voltage
curve that indicates the condition in which the
soimd changes in order to render the sound with a
limcwisc variation. Given asignal to initiate the
start and end of the envelope by the TRIGGFR
voltage of the keyboard circuit, the FG generates
signals that will be used as the control signals for
the VCO, VC\\ VCA. etc.
In addition to the elements described above, the
synthesizer has such elements as the LFO (low
frequency oscillator) that functions to give aperi-
odical variation, and controls to enhance the cilccts
of the performance. But in any case, the fact re-
mains the same that something is controlled by
changing the voltage.
In this way, since all controls in asynthcsi/.er arc
effected by using the voltage value as amedium,
the synthesi/.cr is capable of producing various
variations of sounds with case.
CUT OFF FRO.
L
CONTROL
VOLT
"~" EG
KEY VOLT
AMPLITUDE
INPUT OUTPUT
EG I
EG 1,1
TRIGGER
KEY-Orj KEY-OFF ON OFF ON
[ijttVrcncf in cnvclapc wiivofoniis caused by
Irii^Ecr wavctonns.
CONNECTION
®
FUSE -OUTPUT-
n®® ©
U2 2
III
AC Outlet
Stereo Amplifier Pin Plug
to AUX terminal
@@
coNTROLLEit fSEQUENCER
OUT OUT -KEY VOLT—
IN OUT
-TRIGGER —
l@ (@)
IN OUT
-EXTERNAL-
mI
I'or details on termi-
nal (4) of sequencer
output, sec Page 15.
I'or details on terminals
(5) and (6), see Page 15.
Use OUTPUT terminal "1+2" when using asingle amplifier, and
both "1" and "2" when using two amplifiers.
(T) POWER CORD
Connect the power cord plug into an AC outlet.
(2) OUTPUT
These are output terminals. "I" and "2" will feed
out outputs respectively of VCA-1 and VCA-2, while
"1 +2" will feed out an output wherein VCA-I and
VCA-2 are mixed.
•Switchover can be effected annong the voltage levels
to be fed out.
•The amplifier to be connected to the synthesizer
should have as flat as possible frequency response.
(B FOOT CONTROLLER
This is aFOOT VOLUME terminal (volume con-
trol).
(4) SEQUENCER
This is to be used when the set is to be played
through the sequencer of CS-30, with another syn-
thesizer having KEY VOLT and TRIGGER terminals
connected to this set. For further details, please
refer to Page 15.
©KEY VOLT &(6) TRIGGER
By connecting the set with another synthesizer
having KEY VOLT and TRIGGER terminals, this
set can be used as amultiple-system synthesizer.
See Page 15 for further details.
(7) EXTERNAL
By connecting an electric guitar, or an electric
piano to this terminal, asynthesizer effect can be
given to the sound source. For further details, please
refer to Page 15.
•Connections should be carried out carefully as an
erroneous connection will become the cause of
troubles of the synthesizer and amplifier.
•Never apply an excessive input (5V, or more) to
the KEY volt's IN terminal as it will cause trouble
to generate in the synthesizer.
-»
©
BASIC SETTING
The functions of the respective controls and switches will be described in the section starting
from Page 8. Here we shall merely refer to how basic setting is carried out when sounds are to be
produced experimentally to check the synthesizer, or amplifier.
This is for the case in which the saw-tooth waves (W)of VCO-1 are fed out from OUTPUT J
and the square waves (n_ )of VCO-2 from OUTPUT 2in their original form. OUTPUT 1+2
will feed out awaveform wherein the two are mixed.
T2 tjl
19
Setting is carried out by checl<ing the controls and
switches from 1to 21.
Once the controls and switches are set in the state
of basic setting, sounds will be produced no matter
how other controls and switches may be set. How-
ever, to acquire abetter understanding of the func-
tions of each section, we suggest that you set them
as shown in the diagram.
When sounds cannot be produced for some un-
known reason, the setting should be brought back
to the basic setting.
BLOCK DIAGRAM
-™^
^\"::^ /
RD
,« ^H
'*'
FUNCTIONS KEYBOARD/PITCH
©KEYBOARD
The CS-30 is amonotone synthesizer that covers
3-1/2 octaves with its 44 keys. When 2, or more,
keys are depressed simultaneously, priority will be
given to the key of the higher, or highest interval.
(Priority to higher sound)
POWER
POWER
This is the power switch. When turned ON, the
POWER indicator will illuminate.
OUTPUT
(3) VOLUME
This control is used to control the overall volume
of CS-30. The control on the amplifier side should be
fixed to an optimum position.
©BALANCE
Used to control the volume balance between
VCA-1 and VCA-2 in the CS-30 which has 2systems
of the VCO, VCF and VCA.
©PHONES
This is an output terminal for the headphones.
PITCH
®TUNE
Used for adjusting the intervals. VCO-1 and VCO-
2will change in the same manner.
•It takes roughly 30 minutes for the synthesizer's inter-
vals to stabilize. Accordingly, when tuning Is to be
carried out, power should be switched on approxi-
mately 30 minutes prior to tuning.
(2)DE TUNE
Used for adjusting the intervals of VCO-1 alone.
The interval of VCO-2 will remain unchanged.
(3)EG SELECTOR
Effects switchover of envelope generator (EG).
®(2) @
TUNE
6
*«
(4) EG DEPTH
Used when modulating the VCO with the envelope
generator: adjusts the depth.
©
FUNCTIONS VC01 /VC0 2
(2) 3(4)
fi^
O- 3tt
S, :tf-^
0-'' tt
s
-0 '^
(5) (D (7) a
KBD *
®FEET
As stated earlier, the keyboard covers 3-1/2
octaves v^ith its 44 keys. By making use of this
FEET Switch, the sound range to be covered can
be shifted as shown in the diagram.
•VC01: Covers 2' ~64'
•VC02: Covers 4' ~128'
(2)PW
Adjusts the pulse width of the square wave out-
put of VCO. (50% ~909?)
FEET
4FEFT
iSFEEf
32FEET"^
64FEEf
28FEET '
8FEET
VCOl
VC02
(3)PWM
Changes the pulse width at intervals equivalent
to LFO's period. (90 ±9% at MAX)
(4) MODULATION FUNCTION
Used for switching over the way in which VCO
modulation is to be applied.
•At S/H, sounds whose intervals vary in an irregular
manner will be fed out.
•At EXT, the intervals will be varied by the external
input.
PW:Pulse Width
(at maximum change)
-5096- -—9096
Sym
angu
metric rect-
lar wave
Pulse WicIt h: 90%
(gjMODULATION DEPTH
Modulates the VCO using the period of LFO.
©MOD VC02
VCOl will be modulated by the output of VC02.
(7)SEQ/KBD
This switch is to be positioned to the KBD side
for keyboard performances and to the SF^Q side
for automatic performances by the sequencer.
PWM: Pulse Width Modulator
1S
C5
^It changes in the order of
^"'
.I-;;:
©
FUNCTIONS VCF1 /VCF2
Vj
C)
®(2)(3)(4)(5)©0(8)
O'
-^
OW
-Br"^
MOD DEPTH EG DEPTH
^'-' o
LEVEL MOD FUNCTION EG SELECTOI
©
&
W""<U
10D FUNCTION EG SEltcTOR
YAiAHA
LEVEL
OUTPUT
LFO IN
®INPUT/LEVEL
These are input changeover switches and acon-
trol for the VCF.
•No control is provided for the VCF-2 side.
©CUT OFF FRQ
Adjusts the cut off frequency of the VCF.
(3) RESONANCE
Adjusts the resonance in the neighborhood of
the VCF cut off frequency.
@KBD FOLLOW
It is designed so that the cut off frequency of
the VCF will shift, following the intervals of the
keys. This is the control used for adjusting the
following properties.
(5) MOD FUNCTION
Selects waveform of LFO with which VCF is to be
modulated.
©MOD DEPTH
Adjusts modulation degree.
0EG SELECTOR
Selects envelope generator.
(D EG DEPTH
Adjusts the way in which EG is to be applied.
®