Zoom Studio 1202 User manual

Thank you for selecting the ZOOM STUDIO 1202 (hereafter called “The 1202”).
The 1202 is a sophisticated effect processor with the following features:
• A total of 512 preset effect programs (32 effects x 16 patterns) makes the
unit immediately usable for a wide variety of creative applications.
• 44.1 kHz sampling frequency assures high performance, ideal for
processing sound sources such as guitar, bass, synthesizer, etc.
• Full stereo configuration—a first in this class— creates rich, natural
reverb sounds. Using the two channels individually is also possible.
Please take the time to read this manual carefully, in order to get the most out of
your 1202 and to ensure optimum performance and reliability.
Safety Precautions
Please observe the following safety tips
and precautions to ensure hazard-free use
of the 1202.
• Power requirements
The 1202 is powered by the supplied AC
adapter. Do not use any other kind of AC
adapter to prevent malfunction and safety
hazards.
When using the 1202 in an area with a
different line voltage, please consult your
local ZOOM distributor about acquiring a
proper AC adapter.
• Environment
Avoid using your 1202 in environments
where it will be exposed to:
• Temperature extremes
• High humidity or moisture
• Excessive dust or sand
• Excessive vibration or shock
• Handling
Since the 1202 is a precision electronic
device, avoid applying excessive force to
the switches and buttons. Also take care
not to drop the unit, and do not subject it
to shock or excessive pressure.
• Alterations
Never open the case of the 1202 or
attempt to modify the product in any way
since this can result in damage to the
unit.
• Connecting cables and input and
output jacks
You should always turn off the power to
the 1202 and all other equipment before
connecting or disconnecting any cables.
Also make sure to disconnect all cables
and the AC adapter before moving the
1202.
Usage Precautions
• Electrical interference
The 1202 uses digital circuitry that may
cause interference and noise if placed too
close to other electrical equipment, such
as TV sets and radio receivers. If such
problems occur, move the 1202 further
away from the affected equipment. Also,
when fluorescent lights or devices with
built-in motors are close to the 1202, the
unit may not function properly.
• Cleaning
Use a soft, dry cloth to clean the 1202. If
necessary, slightly moisten the cloth. Do
not use abrasive cleanser, wax, or
solvents (such as paint thinner or
cleaning alcohol), since these may dull
the finish or damage the surface.
Please keep this manual in a convenient
place for future reference.
ZOOMSTUDIO
Operation Manual

(1) INPUT control
Serves to adjust the volume of the sound source connected
to the input.
(2) LED indicator
When the 1202 is turned on, this indicator lights up in
green. If the level of the input signal is too high, the
indicator turns red to show that the sound will be distorted.
Adjust the INPUT control so that the indicator flashes
briefly red on the highest signal peaks.
(3) MIX control
Serves to adjust the level balance between the original
sound and the effect sound. When the control is turned fully
counterclockwise, only the original sound is heard. When
the control is turned fully clockwise, only the effect sound
is heard.
(4) OUTPUT control
Serves to adjust the output signal level.
(5) EQ LOW control
(6) EQ HIGH control
These controls serve to adjust the low and high frequency
range of the effect signal.
When a compound effect (indicated by a / in the effect
name) is selected for bank B, the EQ LOW and EQ
HIGH controls affect only the reverb or the echo effect
sound.
(7) EFFECT selector
Serves to select the effect type to be used. There are 16
different effect types for bank A and bank B.
(8) BANK switch
Serves to select the effect bank A or B.
(9) PATTERN selector
Determines the application pattern of the selected effect.
For each effect, 16 different patterns are available.
(10)EDIT1 control
(11)EDIT2 control
These controls serve to adjust the parameters of the
currently selected effect. Which parameters can be
controlled depends on the selected effect and the selected
pattern. (Refer to the supplied preset program list.)
NOTE
ZOOM STUDIO 1202
Names and Functions of Controls and Connectors
Front Panel
INPUT MIX
LEVEL OUTPUT
WETDRY LOW EQ HIGH
Echo Trem Echo
Delay Pit Echo
Gate Trem Rev
Solo Pit Rev
Drum Fla Rev
Percus. Cho Rev
Reverse Fla Echo
Power Cho Echo
DC9V 200mA
POWER EFFECT ON OFF
512 PROGRAMS
TRUE STEREO
44.1KHz SAMPLING
ZOOM STUDIO
FS01
MODEL 1202
SERIAL NO.
ZOOM CORPORATION
MADE IN JAPAN FABRIQUÉ AU JAPAN
Front Panel
Rear Panel
(1) (2) (3) (4) (5) (6) (7)
(4) (3)

(1) INPUT connector
Serves for connection of the sound source signal from an
instrument, mixer send, etc.
When wishing to use equipment with low output, such
as a guitar, electric bass or microphone, a preamplifier
or a mixer with an integrated preamplifier must be
connected between the equipment and the 1202.
(2) OUTPUT connector
Serves for connection to the return input of the instrument
or mixer, or to the playback system.
(3) EFFECT OFF connector
By connecting the optional foot switch FS01 to this jack,
effects can be switched on and off externally. When OFF is
selected, only the original signal is output, and the power
LED on the front panel flashes in orange.
(4) POWER (AC adapter) connector
Serves for connection of the supplied AC adapter. Be sure
to use only the supplied adapter. When the AC adapter is
plugged into an AC outlet, the 1202 will be automatically
switched on.
NOTE
ZOOM STUDIO 1202
Specification
Rear Panel
ZOOM
STUDIO
EDIT
Hall Chorus
Room Flanger
Plate Pitch
1 2
Vocal Tremolo
Ambience ZNR
Orche. Cho+Rev
Session Fla+Rev
Studio Pit+Rev
Echo Trem Echo
Delay Pit Echo
Gate Trem Rev
Solo Pit Rev
Drum Fla Rev
Percus. Cho Rev
Reverse Fla Echo
Power Cho Echo
PATTERNEFFECTS
BANK
B
A
16
15
14
13
12
11
10
2
3
4
5
6
4
8
1(Demo)
9
EFFECT ON OFF R
OUTPUT
LR
INPUT
L MONO
FS01
(7) (8) (9) (10) (11)
(3) (2) (1)
Preset Programs: 512 (16 Effects X2 Banks; A/B X 16 Patterns)
Program Controls: 2 (EDIT 1, EDIT 2)
Effect EQ: HIGH, LOW
Level & Mix Controls: INPUT, MIX ( 100% DRY — 100% EFFECT), OUTPUT
Rear I/O: INPUTS (L/MONO, R) ; –10dBm — +4dBm / 7kΩ(MONO), 14kΩ(STEREO)
OUTPUTS (L, R) ; –10dBm — +4dBm / 330Ωor more
EFFECT OFF (with optional foot switch FS01)
A/D Conversions: 2 channels, 16 bit Linear, 44.1kHz, 64 times over sampling
D/A Conversions: 2 channels, 16 bit , 44.1kHz
Dimensions: W 482 XH 44 XD 115 mm
Weight: 1.4 kg

1. Connection between instrument and playback system
This example demonstrates the use of the 1202 as an instrument effecter. For a monaural setup, use only the left (L)
connector. The MIX control should normally be set to the center position.
2. Connection in send/return loop of a mixer
This type of connection allows use of the 1202 for any instrument or sound source connected to the mixer. The MIX control
should normally be turned fully clockwise.
3. Successive use of two effect types
When a compound effect (indicated by a / in the effect name) is selected, two types of effects can be used in series, as shown
in this example. It is also possible to insert an external effecter between the first and second effect.
4. Parallel use of two effect types
When a compound effect (indicated by a / in the effect name) is selected, two types of effects can be used separately, as
shown in this example.
Setup Examples
INPUT
L/MONO ROUTPUT
RL Amp Amp
1202
Preamplifier,
distortion processor, or similar
INPUT OUTPUT
1202
RETURN 3
RLR
L/MONO
INPUT OUTPUT
1202
RETURN 2
RLR
L/MONO
INPUT OUTPUT
1202
RETURN 1
RLR
L/MONO
SEND 3SEND 2SEND 1
INPUT
L/MONO ROUTPUT
R
LAmp
1202
Delay
Preamplifier,
distortion processor, or similar
INPUT
L/MONO ROUTPUT
RL Keyboard Amp Guitar Amp
1202
Preamplifier,
distortion processor, or similar
ZOOM CORPORATION
2-10-2 Miyanishicho Fuchu-shi, Tokyo 183 Japan
Tel: [phone]. Fax: [phone].
Printed in Japan 1202-5000

* For each effect, pattern 1 is called DEMO (standard setting).
ZOOMSTUDIO
EFFECT PROGRAM LIST
BANK A
[EDIT 1/2 Parameters]
Diffusion:
Attack:
High Cut:
Pre Delay:
High Mpy:
High Damp:
Density:
Adjusts the reverb spread.
Stresses the reverb attack.
Attenuates the high frequency components in the reverb.
Adjusts the interval between the original sound and the reverb.
Adjusts the duration of high-frequency reverb components.
Adjusts the speed with which the high-frequency reverb components are attenuated.
Adjusts the reverb density.
Effects Description Patterns EDIT 1 EDIT 2
1. Hall Simulates a medium-sized
concert hall
Pattern 2–16: Variations with
different reverb time
1: 2.2Sec/2–16: 1.0–3.8Sec Diffusion Attack
2. Room Simulates an acoustically dead
space such as a rehearsal studio
Pattern 2–16: Variations with
different reverb time
1: 0.7Sec/2–16: 0.5–3.3Sec Diffusion High Cut
3. Plate Reverb with rich bass Pattern 2–16: Variations with
different reverb time
1: 4.2Sec/2–16: 3.0–9.0Sec
Pre Delay
0–100mS High Mpy
4. Vocal Reverb for adding depth and
suppleness, to vocals
Pattern 2–16: Variations with
different reverb time
1: 4.5Sec/2–16: 1.7–4.5Sec
Pre Delay Attack
5. Ambience Reverb for brightening up the
sound and adding depth
Pattern 2–16: Variations with
different reverb time
1: 1.2Sec/2–16: 0.6–3.4Sec High Damp Density
6. Orche. Reverb with very wide sound
stage and distinct body
Pattern 2–16: Variations with
different reverb time
1: 1.5Sec/2–16: 0.5–3.3Sec
Pre Delay Density
7. Session Simulates a small, acoustically
live room
Pattern 2–16: Variations with
different reverb time
1: 1.0Sec/2–16: 0.6–3.4Sec Diffusion High Cut
8. Studio Simulates a large studio with
high ceiling
Pattern 2–16: Variations with
different reverb time
1: 0.9Sec/2–16: 0.5–3.3Sec
Pre Delay High Cut
0–100mS
0–100mS
0–100mS