Arturia AUDIOFUSE 16RIG User manual

USER MANUAL
_AUDIOFUSE 16RIG

Development Team
DIRECTION
Frédéric Brun Kévin Molcard
PROJECT MANAGEMENT
Daire O'Neill
PRODUCT MANAGEMENT
Martin Dutasta Leo Der Stepanians
DESIGN
Maxence Berthiot Axel Hartmann Héloïse Noir
HARDWARE DEVELOPMENT
Thierry Chatelain Laurent Baret
FIRMWARE DEVELOPMENT
Valentin Depoisier Julien Fezandelle Daire O'Neill
SOFTWARE DEVELOPMENT
Timothée Béhéty Valentin Foare Victor Krawiec
INDUSTRIALIZATION
Jérôme Blanc Lionel Ferragut Nadine Lantheaume
QUALITY
Emilie Jacuszin
QUALITY ASSURANCE
Arnaud Barbier Adrien Soyer Nicolas Stermann
PRODUCTION TESTS
Anton Faugier Valentin Foare Aurore Baud
MANUAL
Mike Metlay (author) Jimmy Michon

BETA TESTING
Clément Bastiat
Davide Puxeddu
Ken Flux Pierce
Jules Winckelmann
Kirke Godfrey
Marco Correia
Luca Lefèvre
Sébastien Rochard
Terry Marsden
Additional Thanks
Jérome Laurent
Thierry Hauser
Claire Bouvet
Marc Antigny
Sebastien Colin
Benjamin Reynier
Arthur Rönisch
Sarah Gliner
Olivier Hebert
© ARTURIA SA – 2023 – All rights reserved.
26 avenue Jean Kuntzmann
38330 Montbonnot-Saint-Martin
FRANCE
arturia.com
Information contained in this manual is subject to change without notice and does not
represent a commitment on the part of Arturia. The software described in this manual is
provided under the terms of a license agreement or non-disclosure agreement. The software
license agreement specifies the terms and conditions for its lawful use. No part of this
manual may be reproduced or transmitted in any form or by any purpose other than
purchaser’s personal use, without the express written permission of ARTURIA S.A.
All other products, logos or company names quoted in this manual are trademarks or
registered trademarks of their respective owners.
Product version: 1.1.5
Revision date: 24 October 2023

Thank you for purchasing AudioFuse 16Rig!
AudioFuse 16Rig brings a new set of powerful capabilities to the Arturia audio interface
family, while retaining the same superior sound quality found in the entire Arturia Fuse
lineup.
This manual covers the features and operation of the AudioFuse 16Rig. For additional
information about Arturia’s AudioFuse Control Center, the companion software for the
AudioFuse 16Rig, please read the owner's manual for that software.
Important Safety Instructions
PRECAUTIONS INCLUDE, BUT ARE NOT LIMITED TO, THE FOLLOWING:
1. Read and understand all the instructions.
2. Always follow the instructions on the device.
3. Before cleaning the device, always remove the USB and DC cable. When
cleaning, use a soft and dry cloth. Do not use gasoline, alcohol, acetone,
turpentine or any other organic solutions; do not use a liquid cleaner, spray or
cloth that's too wet.
4. Do not use the device near water or moisture, such as a bathtub, sink, swimming
pool or similar place.
5. Do not place the device in an unstable position where it might accidentally fall
over.
6. Do not place heavy objects on the device. Do not block openings or vents of the
device; these locations are used for air circulation to prevent the device from
overheating. Do not place the device near a heat vent at any location with poor
air circulation.
7. When rackmounting the device, allow air circulation space above and below it
for heat dissipation, and use caution when installing in the rack to avoid damage
to the rack ears and mounting screws.
8. Do not open or insert anything into the device that may cause a fire or electrical
shock.
9. Do not spill any kind of liquid onto the device.
10. Always take the device to a qualified service center. You will invalidate your
warranty if you open and remove the cover, and improper assembly may cause
electrical shock or other malfunctions.
11. Do not use the device with thunder and lightning present; it may cause electrical
shock.
12. Do not expose the device to hot sunlight.
13. Do not use the device when there is a gas leak nearby.
14. Arturia is not responsible for any damage or data loss caused by improper
operation of the device.
Specifications subject to change:
The information contained in this manual is believed to be correct at the time of printing.
However, Arturia reserves the right to change or modify any of the specifications without
notice or obligation to update the hardware that has been purchased.

IMPORTANT:
The product and its software, when used in combination with an amplifier, headphones or
speakers, may be able to produce sound levels that could cause permanent hearing loss.
DO NOT operate for long periods of time at a high level or at a level that is uncomfortable. If
you encounter any hearing loss or ringing in the ears, you should consult an audiologist.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a function or feature
works (when the product is operating as designed) are not covered by the manufacturer’s
warranty, and are therefore the owner's responsibility. Please study this manual carefully
and consult your dealer before requesting service.

Introduction
Dear musician,
We’d like to thank you for purchasing the AudioFuse 16Rig, one of the most powerful pro
audio interfaces on the market. Thanks to its great flexibility, and its powerful features, the
AudioFuse 16Rig will serve you well whether you're just getting started or expanding your
existing setup with the very best equipment.
As with the other interfaces in our Fuse lineup, the AudioFuse 16Rig has been constructed
using components of the utmost quality so as to achieve recordings of the utmost quality.
And we made it a point to ensure maximum flexibility and transparency, no matter how you
might want to use it:
• Flexible connectivity for everything from mic-level and line-level analog audio
to ADAT digital, MIDI, Word Clock, and even device-directed USB-A for external
controllers
• Pristine audio quality from world-class conversion, and digitally recallable
preamps
• Plug-and-play with macOS, one-time driver installation for Windows PCs
• USB type C connection: low latency, superb bandwidth, and backward
compatibility with USB 2.0 (Arturia driver required for Windows systems)
This manual will help you make the most of the AudioFuse 16Rig. It will also refer
occasionally to AudioFuse Control Center (AFCC), the powerful companion software we
designed to work with the AudioFuse family of audio interfaces. You can use AFCC to adjust
the front panel controls of the AudioFuse 16Rig, as well as accessing parameters and routing
options that aren't controllable from the unit itself.
If you haven't already downloaded AFCC, you can find it on the Downloads & Manuals page
of the Arturia support site. Select the "AudioFuse Control Center" link on the left side of the
page and download the appropriate version for your computer. You'll also find the latest
version of this manual under "AudioFuse 16Rig" on that page.
Be sure to visit arturia.com website for information about all of our other great hardware
and software instruments. They have proven time and again to be the go-to solutions for
musicians around the world.
Wishing you all the best in your musical endeavors,
The Arturia team

Table Of Contents
1. Welcome to the AudioFuse 16Rig!...................................................................................................................... 3
1.1. Features of AudioFuse 16Rig: .......................................................................................................................................... 4
1.2. Diving in (suggestions on using this manual) .................................................................................................... 4
2. Setting Up The Hardware ...................................................................................................................................... 5
2.1. What’s in the box? ............................................................................................................................................................... 5
2.2. Mounting the hardware: tabletop or rackmount?........................................................................................... 5
2.2.1. Configuring the AudioFuse 16Rig for Tabletop Use................................................................................................................................ 6
2.2.2. Rackmounting the AudioFuse 16Rig................................................................................................................................................................ 7
3. Registration and Software Setup ...................................................................................................................... 8
3.1. Registration................................................................................................................................................................................ 8
3.1.1. AudioFuse Control Center........................................................................................................................................................................................ 8
3.1.2. AudioFuse Creative Suite ........................................................................................................................................................................................ 8
3.1.3. User Guide ........................................................................................................................................................................................................................ 9
3.2. Preparing the AudioFuse 16Rig to work with your computer: macOS or Windows?............. 9
3.2.1. macOS................................................................................................................................................................................................................................. 9
3.2.2. Windows ........................................................................................................................................................................................................................ 10
4. Getting to Know the AudioFuse 16RIG........................................................................................................... 11
4.1. The Front Panel...................................................................................................................................................................... 11
4.1.1. Outputs 3 & 4.................................................................................................................................................................................................................... 11
4.1.2. Inputs 1 & 2 ....................................................................................................................................................................................................................... 11
4.1.3. Inputs 3 & 4.................................................................................................................................................................................................................... 12
4.1.4. The Control Interface............................................................................................................................................................................................... 12
4.1.5. Monitor and Phones ................................................................................................................................................................................................. 13
4.1.6. Front Panel USB .......................................................................................................................................................................................................... 14
4.2. The Rear Panel..................................................................................................................................................................... 15
4.2.1. Line Inputs 1–16 ............................................................................................................................................................................................................ 15
4.2.2. Line Outputs 3–10 and Speaker Outputs................................................................................................................................................... 15
4.2.3. Digital Audio I/O........................................................................................................................................................................................................ 16
4.2.4. MIDI, USB, and Power ........................................................................................................................................................................................... 16
5. Putting Your AudioFuse 16Rig To Work ........................................................................................................ 17
5.1. Recording line level devices .......................................................................................................................................... 17
5.2. Recording a microphone............................................................................................................................................... 18
5.3. Recording a Guitar or Bass.......................................................................................................................................... 19
5.4. Reamping a Guitar or Bass ....................................................................................................................................... 20
5.5. Creating a Mix ...................................................................................................................................................................... 21
5.6. Using Two Sets of Speakers ...................................................................................................................................... 22
5.7. Connecting to ADAT Digital Audio Devices........................................................................................................ 23
5.8. Working with multiple ADAT Devices using WordClock Sync ............................................................. 24
5.9. Connecting MIDI and USB devices ....................................................................................................................... 25
5.10. Using the AudioFuse 16Rig as a Control Voltage source ...................................................................... 26
6. Getting Around............................................................................................................................................................ 27
6.1. Physical Controls: How do I get from here to there?................................................................................. 27
6.1.1. The Encoder and Back Button............................................................................................................................................................................. 27
6.1.2. Quick Access Buttons .............................................................................................................................................................................................. 27
6.1.3. AudioFuse 16Rig Hardware Shortcuts.......................................................................................................................................................... 28
6.1.4. The Mute and Monitor buttons.......................................................................................................................................................................... 28
6.2. Screen Layout: what will I see when I get there? ...................................................................................... 29
6.2.1. The Carousel................................................................................................................................................................................................................. 29
6.2.2. Pages............................................................................................................................................................................................................................... 30
6.2.3. Scroll, Select, Activate............................................................................................................................................................................................. 31
6.3. "Why is this function greyed out?" ......................................................................................................................... 31
6.4. Don’t forget the software! ............................................................................................................................................. 31
7. Menus and Functions.............................................................................................................................................. 32
7.1. INPUTS....................................................................................................................................................................................... 32
7.1.1. ANALOG INPUTS / ADAT INPUTS ..................................................................................................................................................................... 32
7.1.2. ANALOG IN / FRONT LINE / FRONT INST / FRONT MIC................................................................................................................... 32
7.2. OUTPUTS................................................................................................................................................................................. 33
7.2.1. MONITOR ........................................................................................................................................................................................................................ 34
7.2.2. PHONES........................................................................................................................................................................................................................... 34
7.2.3. ANALOG OUT 3 & 4.................................................................................................................................................................................................. 34

7.2.4. ANALOG OUT 5–10................................................................................................................................................................................................... 35
7.3. MIXER ........................................................................................................................................................................................ 35
7.3.1. MIXER CHANNEL SETTINGS................................................................................................................................................................................ 36
7.3.2. MAIN MASTER .............................................................................................................................................................................................................. 37
7.3.3. MAIN CHANNELS........................................................................................................................................................................................................ 37
7.4. CUE.............................................................................................................................................................................................. 38
7.5. MIDI............................................................................................................................................................................................ 38
7.5.1. MIDI ACTIVITY............................................................................................................................................................................................................ 38
7.5.2. MIDI CONFIG .............................................................................................................................................................................................................. 39
7.5.3. STANDALONE MIDI ................................................................................................................................................................................................. 40
7.6. SETTINGS ............................................................................................................................................................................... 40
7.6.1. CLOCK SETTINGS ..................................................................................................................................................................................................... 40
7.6.2. MONITOR SETTINGS............................................................................................................................................................................................... 42
7.6.3. PREFERENCES ............................................................................................................................................................................................................. 42
7.6.4. SYSTEM INFO .............................................................................................................................................................................................................. 43
7.7. PRESETS ................................................................................................................................................................................... 43
7.7.1. PRESET SAVE ................................................................................................................................................................................................................. 44
7.7.2. PRESET LOAD............................................................................................................................................................................................................... 44
8. AudioFuse Control Center.................................................................................................................................... 45
8.1. The Upper ToolBar.............................................................................................................................................................. 45
8.1.1. AFCC Menu ..................................................................................................................................................................................................................... 45
8.1.2. Screen Selectors......................................................................................................................................................................................................... 46
8.1.3. Preset Controls............................................................................................................................................................................................................ 46
8.1.4. Sample Rate and Clock Source........................................................................................................................................................................ 48
8.2. Global Settings .................................................................................................................................................................... 49
8.2.1. Audio Settings.............................................................................................................................................................................................................. 49
8.2.2. Preferences ................................................................................................................................................................................................................. 50
8.2.3. Firmware Update ...................................................................................................................................................................................................... 51
8.3. Overview Screen................................................................................................................................................................ 52
8.3.1. Analog Inputs .............................................................................................................................................................................................................. 52
8.3.2. ADAT Inputs ................................................................................................................................................................................................................. 53
8.3.3. Analog Outputs .......................................................................................................................................................................................................... 53
8.3.4. Loopback and ADAT Outputs............................................................................................................................................................................ 54
8.4. Main Mixer Screen ............................................................................................................................................................ 55
8.4.1. Adding Channels........................................................................................................................................................................................................ 55
8.5. Cue Mixer Screen............................................................................................................................................................... 57
8.6. Routing Matrix Screen .................................................................................................................................................... 58
8.6.1. Sources............................................................................................................................................................................................................................. 59
8.6.2. Destinations ................................................................................................................................................................................................................ 60
8.7. MIDI Screen ......................................................................................................................................................................... 60
8.7.1. MIDI Configuration.................................................................................................................................................................................................... 61
8.7.2. Standalone MIDI....................................................................................................................................................................................................... 62
8.7.3. MIDI Activity ................................................................................................................................................................................................................ 62
8.7.4. Main Mixer MIDI Mapping .................................................................................................................................................................................. 63
8.8. Hover Tips ............................................................................................................................................................................... 65
9. Specifications .............................................................................................................................................................. 66
9.1. System Requirements ..................................................................................................................................................... 66
9.2. Audio Specifications ........................................................................................................................................................ 66
10. Appendices ................................................................................................................................................................. 68
10.1. USB Audio mapping....................................................................................................................................................... 68
11. Declaration of Conformity................................................................................................................................... 71
11.1. FCC ................................................................................................................................................................................................ 71
11.2. CANADA ..................................................................................................................................................................................... 71
11.3. CE .................................................................................................................................................................................................. 71
11.4. ROHS ........................................................................................................................................................................................... 71
11.5. WEEE.......................................................................................................................................................................................... 72
12. Software License Agreement.......................................................................................................................... 73

1. WELCOME TO THE AUDIOFUSE 16RIG!
When Arturia released the AudioFuse USB audio interface in 2017, its features and design
were a revelation to the pro audio world. Every part of its analog and digital signal paths
provided world-class quality, from high-performance preamps to premium A/D and D/A
converters. Even with all these features, it fit into a compact, beautifully-engineered design
that set a new price/performance standard.
Since then, Arturia has expanded its Fuse lineup with other rackmount and desktop
interfaces – from specialized AudioFuse products to smaller MiniFuse interfaces perfect for
smaller studios. All of these products continue our commitment to maximum features for
the money, all with uncompromising sound quality.
The AudioFuse 16Rig is the newest Fuse, and it offers a unique and extensive combination
of features never before seen in other Fuse interfaces – or in any other USB audio interface,
for that matter. For the first time, there's a centralized and highly flexible audio interface for
electronic musicians and other users of multiple keyboards and sound modules. It's set up
to easily work with conventional MIDI gear, modular synthesizers requiring not only audio
output but voltage control capability, and an ever-increasing set of controllers that require
USB connections rather than 5-pin MIDI.
The AudioFuse 16Rig offers a full 16 balanced line-level inputs plus up to 16 channels of ADAT
digital audio and two brand-new, digitally controlled mic preamps on the front panel. You
also get 8 line-level outputs that are DC coupled for optional control of modular synthesizers,
dedicated speaker outputs, Word Clock sync, MIDI, and USB connections to any Mac or
Windows computer... as well as USB Hub ports for other gear and a USB Host port that lets
you use an external controller even when the AudioFuse 16Rig isn't connected to a computer.
All of those functions are jam-packed into a compact single-rackspace chassis with user-
configurable rack ears. Want the AudioFuse16Rig in your rack? Attach the ears for that. Want
it on your tabletop in easy reach? Rotate the ears 90ºand they become an elevated tabletop
stand.
While much of the AudioFuse 16Rig's power is accessible directly from the hardware, you'll
find more options within the AudioFuse Control Center software, which has been updated to
add support for this newest AudioFuse. Be sure to download the AFCC from the Downloads
& Manuals page of the Arturia support site.
There's no telling what you'll be able to create with the AudioFuse 16Rig as the center of your
music-making... um... rig. (Yes, that's why we chose that name!)
The AudioFuse 16Rig
Arturia - User Manual AudioFuse 16Rig - Wel ome to the AudioFuse 16Rig! 3

1.1. Features of AudioFuse 16Rig:
• 16 balanced line-level analog input channels on TRS
• 2 high-quality digitally-recallable mic preamps on XLR/TRS combo with
independent pad and 48V phantom power
• Inputs 1 & 2 have a Hi-Z setting for connecting electric guitars and basses
• Inputs 3 & 4 optionally accessible via front-panel 3.5mm stereo jack
• Inputs 1 through 4 can be manually switched between front and rear panel jacks
• 8 balanced line-level analog output channels on TRS, all DC coupled
• Dedicated stereo Speaker outputs on balanced TRS connectors
• Stereo headphone output (6.35 and 3.5mm TRS), designed for headphones up to
600 Ohms
• Comprehensive monitoring section with individual level control for speakers and
phones
• A/B monitoring via a second speaker pair with front-panel level controls, using
any pair of line outputs
• Outputs 3 & 4 are mirrored on the front panel, and can be used for reamping,
extra headphone outputs, or as convenient line-level connections.
• Low latency (DSP powered) Main Mixer with MIDI control
• Dual ADAT I/O ports for 16 channels of I/O at 48 kHz or 8 channels at 96 kHz
• MIDI In and dual Out/Thru on 5-pin DIN
• Front and rear panel USB-A hub connections
• Front panel USB-A MIDI Host connector for hosting external USB MIDI devices
• Word clock input and output on BNC for precise digital sync
• USB-C interface compatible with PC and macOS, fully USB 2.0 compatible
• Full color front panel display with easy parameter access and metering
• Robust metal chassis in a single-space rack form factor
• Rack ears can be rotated for rackmount or tabletop use
• AudioFuse Control Center software offers graphical user interface with added
control
• Full standalone operation (no computer needed)
1.2. Diving in (suggestions on using this manual)
In this manual, you'll be introduced to all of the AudioFuse 16Rig's functions, step by step.
It's organized so that you can quickly find what you need, whether it's a detailed list of
parameters for a given page or just figuring out the difference between clicking a knob and
turning it.
The Table of Contents is laid out by section, with some general information at the beginning
and end. Inside each section, you can click on topic and page references to quickly find
what you need.
One important bit of advice: the more you learn in depth about the AudioFuse 16Rig, the
more you can do with it – and you'll work more quickly and efficiently, so you don't lose
focus on the important part of this process: making the music.
Take your time and go through the manual, either in order or by chapters that interest you,
until you know what every function does. Pretty soon you'll find yourself flying around the
interface, turning your creative ideas into great-sounding reality.
And above all: have fun! That's what music is all about.
4 Arturia - User Manual AudioFuse 16Rig - Wel ome to the AudioFuse 16Rig!

2. SETTING UP THE HARDWARE
The first thing to do when you unbox the AudioFuse 16Rig is to set it up for rackmount or
tabletop use. Follow these instructions carefully so you don't damage your interface.
2.1. What’s in the box?
• The AudioFuse 16Rig
• Rack/stand ears and rear supports with screws
• Power supply with adapters for worldwide use
• USB cable: USB-C to USB-C
• USB cable: USB-C to USB-A
• Registration card with serial number and Unlock Code
• Quick Start Guide
2.2. Mounting the hardware: tabletop or rackmount?
The two bright orange rack ears can be attached to the sides of the AudioFuse 16Rig to either
put it in a rack or place it on a desk or table. The screw holes are drilled so as to help you
avoid putting the ears on the wrong sides, but you should still be careful. Just remember
that the left ear has the Arturia logo on it!
The unit comes with mounting screws especially chosen for this purpose. Don't use other screws,
and carefully follow the directions in this manual, which match the ones printed on the inside of the box
lid. You don't want your new interface to sit all wobbly on your table, do you?
IMPORTANT: Note that the hole spacing is different between the left and right rackmount ears.
Therefore, please make sure that the Arturia "A" logo is on the left side of the interface.
Arturia - User Manual AudioFuse 16Rig - Setting Up The Hardware 5

2.2.1. Configuring the AudioFuse 16Rig for Tabletop Use
In addition to the rack ears and screws, your AudioFuse 16Rig should also have a pair of
rectangular black plastic feet for the rear of the box, and a set of two semi-circular rubber
pads. You'll need these for tabletop use.
1. Stick the rubber pads onto the rack ears at the spot that will become the "feet".
This will keep the feet from scratching whatever you rest them on.
2. Attach the rubber pads so that the straight edge aligns with the 90ºbend in the
rack ear, and then press the circular portion of the pad firmly onto the rack ear
in the direction of the two large screw holes. (See the diagram above or on the
box lid.)
3. Be sure to mount the rack ears so they are pointing under the AudioFuse 16Rig
(toward its center), not pointing away.
4. The two rear feet have tiny plastic guide pins that help them seat properly on the
bottom panel. Once you line those up with the guide holes in the bottom of the
unit, it will be easy to fasten the feet into place with the provided screws.
5. When the feet are properly installed, the AudioFuse 16Rig will be supported in
four places: the left and right rack ears (under the front) and the left and right
feet (under the back).
Now your unit is elevated above the tabletop and perfectly level and solid, so you could
place other gear on it, such as a small controller or tablet.
Keep in mind that the AudioFuse 16Rig does generate heat that needs to be able to escape the
chassis. Don't block the vents and leave room for air circulation, and don't stack another item that
generates heat on top of it (such as a laptop).
AudioFuse 16Rig configured for tabletop use
6 Arturia - User Manual AudioFuse 16Rig - Setting Up The Hardware

2.2.2. Rackmounting the AudioFuse 16Rig
Attach the rack ears in the configuration shown above, and the AudioFuse 16Rig is ready
to slot into your rack. In this configuration, you won't need the rear feet or rubber pads, so
leave them in the box in case you want to rack mount the unit some day.
We recommend rackmounting the AudioFuse 16Rig with an open rackspace above or below it, to
assist with keeping the unit cool during operation.
AudioFuse 16Rig configured for rackmounting
Arturia - User Manual AudioFuse 16Rig - Setting Up The Hardware 7

3. REGISTRATION AND SOFTWARE SETUP
Now that we know a bit more about the AudioFuse 16Rig, it's time to get it ready to work
with your computer.
3.1. Registration
Once you've set up your hardware, the next part of the process is to register it with Arturia.
Have your registration card handy and go to www.arturia.com/register to log into your
Arturia account or create a new one. Then follow the online directions to register your unit.
Registering your AudioFuse 16Rig gives you access to a lot of important materials:
3.1.1. AudioFuse Control Center
You should download and install AudioFuse Control Center (AFCC) immediately. It's free,
and is vital for the smoothest possible operation of your interface. It gives you access
to controls that aren't available via the front panel, lets you lay out mixes, routings, and
monitoring setups in a large and easy-to-use graphical interface. It will also notify you of
firmware updates – and let you install the updates onto the hardware. See below for hints
on a successful installation process.
3.1.2. AudioFuse Creative Suite
Great-sounding computer audio hardware deserves great-sounding computer audio
software! The AudioFuse Creative Suite is a set of audio effects plug-ins, selected from
Arturia's award-winning FX Collection, that are included with your purchase of a Fuse
interface. These plug-ins include faithful emulations of vintage preamplifiers, compressors,
time-based and modulation effects, reverbs, and more. Download and activate the Creative
Suite plug-ins to jumpstart your music creation process.
8 Arturia - User Manual AudioFuse 16Rig - Registration and Software Setup

3.1.3. User Guide
You don't need to register your AudioFuse 16Rig to download this manual, but the
registration process will help you make sure you have the latest edition.
3.2. Preparing the AudioFuse 16Rig to work with your
computer: macOS or Windows?
Once you've downloaded and installed AudioFuse Control Center, you'll need to check a
couple of settings on your computer to ensure the best communication with your interface.
3.2.1. macOS
Connect the AudioFuse 16Rig to its power supply, plug it into your Mac with the appropriate
USB cable, and power it up.
Launch Audio MIDI Setup (you'll find it in Applications/Utilities) and the AudioFuse 16Rig
should already be there.
To set up the AudioFuse 16Rig as your default audio device:
1. Open the Audio Devices window and find "AF16Rig Audio" on the list of devices at left.
Audio MIDI Setup on macOS
Arturia - User Manual AudioFuse 16Rig - Registration and Software Setup 9

2. Highlight it, right-click on it, and a popup menu will allow you to choose it for Sound
Input and Sound Output. (You probably won't want to use it for Alerts and Sound Effects.)
3.2.2. Windows
When you install AudioFuse Control Center on your Windows PC, it will also install the
appropriate Arturia USB Audio Drivers. Once that's done, you can plug in and power up the
AudioFuse 16Rig.
To set up the AudioFuse 16Rig as your default audio device:
1. Go to the Control Panel and click Sound.
2. Find the AF16Rig in the device list and click Set Default and OK.
Control Panel Sound Default Select on Windows
10 Arturia - User Manual AudioFuse 16Rig - Registration and Software Setup

4. GETTING TO KNOW THE AUDIOFUSE 16RIG
As you've seen for yourself when you took the AudioFuse 16Rig out of the box, this interface
has a whole lot going on!
Let's take a tour around the AudioFuse 16Rig, and in the process we'll learn a lot about what
it can do.
4.1. The Front Panel
The AudioFuse 16Rig is designed not only for easy operation, but also for connecting gear in
a big hurry. While large professional studios will often have patchbays near the console so
that all their gear can be quickly connected, that's not practical for a home setup. (For one
thing, you'll need to buy twice as many cables as you have already!)
You're going to want to try out new synths and controllers and effects boxes all the time,
even when the bulk of your studio gear is permanently hooked up. Wouldn't it be nice if
there was an audio interface that makes switching gear in and out easy?
That's the idea behind the front panel connections of the AudioFuse 16Rig.
4.1.1. Outputs 3 & 4
On the far left of the front panel, there are a pair of TRS outputs that duplicate Outputs 3 & 4
on the rear panel. They can be used for extra headphone outputs, running a line-level signal
to external gear that's not normally hooked up, or reamplification – the process of sending a
clean guitar signal back out to an amp or effects chain and recording the results back into
the interface.
4.1.2. Inputs 1 & 2
Next we have a pair of inputs on combination TRS/XLR jacks. These can be used for line-
level or instrument-level signals from synths or guitars, or for high-quality mic recording via
built-in digitally-controlled analog preamps.
The AudioFuse 16Rig front panel
The Outputs and Inputs on the front panel
Arturia - User Manual AudioFuse 16Rig - Getting to Know the AudioFuse 16RIG 11

One of the problems that musicians with more synthesizers than microphones discover
when buying audio interfaces is that they're often forced to pay for preamps they don't
need. The AudioFuse 16Rig gives you two excellent preamps, which is plenty for many users'
needs – and the rest of the budget is spent on a whopping 16 high quality line-level inputs.
You'll find the rest of the inputs on the rear panel – see below.)
There are also TRS jacks on the rear panel for Inputs 1 & 2. The AudioFuse 16Rig has an auto-sensing
feature, so the rear-panel jacks can remain plugged in at all times, and are automatically ignored when
the front-panel jacks are used. However, if you want to leave something plugged into the front panel as
well, those inputs have a REAR switch to manually route signals from the rear panel.
4.1.3. Inputs 3 & 4
For those occasions when you want to run audio from a miniature desktop synth or even a
smartphone into your mix, there's a 3.5mm minijack on the front panel that sends a stereo
signal to Inputs 3 & 4.
There is also a REAR button to activate the TRS jacks on the rear panel if you have devices connected
to both the front and rear inputs. It is accessible from the menu system in the hardware and from the
AudioFuse Control Panel software.
4.1.4. The Control Interface
The center section of the front panel is where the AudioFuse's display and controls are
located.
Six front-panel buttons give you quick access to vital features. They are:
•INPUTS: Displays metering for all input signals
•IN 1: Instant access to controls for Input 1
•IN 2: Instant access to controls for Input 2
•OUTPUTS: Displays metering for all output signals
•MIXER: Takes you to the AudioFuse 16Rig's Main mixer
•CUE: Takes you to the AudioFuse 16Rig's secondary (Cue) mixer
Direct Access Buttons
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Next to these buttons is the color LCD that displays all relevant information while using the
AudioFuse 16Rig.
To the right is the main encoder for parameter control, which can be turned or pressed
(clicked). A small Back button next to it moves you back up the hierarchy of screen menus
when needed.
4.1.5. Monitor and Phones
Next is the Monitor knob, which controls the level coming out of the rear-panel Speaker outs.
It's accompanied by a MUTE button that when clicked, turns red and silences the speakers.
Below the MUTE button is a programmable function button. It lights in a different color for
each function, and blinks when activated. The functions are:
1. Mono (green): sums the left and right signals being sent to the speaker outputs.
This is useful if you need to verify mono compatibility or to check for phase-
related issues in your mix.
2. Dim (orange): turns down the speaker output by an amount designated in
the AudioFuse Control Center software. This is useful if you need to have a
conversation in the studio without stopping playback or losing your reference
loudness level while mixing.
3. A/B Speaker (blue): mutes the Speaker outputs and turns on a pair of B Speaker
outputs designated by the user – any analog output pair on the rear panel can be
designated for B Speaker use. However, we recommend using 5-6, 7-8 or 9-10,
and leaving 3-4 available since outputs 3-4 are mirrored on the front panel and
provide other useful functionalities.
The display, encoder, and Back button
Monitor and Phones controls and front-
panel USB ports
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NOTE: The A/B Speaker function must be enabled for this feature to work. If the function is not
enabled, this button is ignored. You can enable the A/B Speaker function in AFCC's Configuration (gear
icon) menu, or on the hardware itself by going to Outputs > Monitor > A/B Configuration.
Next is the Phones knob, which provides control of the headphone outputs, provided on both
1/4" and 3.5mm TRS jacks.
4.1.6. Front Panel USB
Finally we have two USB-A ports.
The first, labeled HUB, works as a powered USB hub for external devices you might need
to connect to your computer while you're working: external drives to load and save sample
libraries, control surfaces for your DAW, etc.
The second, labeled MIDI, is a USB Host port that allows you to plug in a controller that
only has a USB connector and no 5-pin DIN MIDI ports. They're getting more common every
day, and this jack lets you use them without having to run more cables to your computer
or an external USB hub. Unlike the HUB connection, this port remains active even when
the AudioFuse 16Rig is in standalone mode, giving you MIDI input and output without a
computer connected.
Note the small button in the upper right corner with the Arturia logo. This button turns the
AudioFuse 16Rig on and off. One push will power the unit on; to power off, hold the button
until the display says "Goodbye!" so the unit shuts down in a safe and controlled fashion. You
can also tap the button to bring up the AFCC software on the connected computer.
The button will be lit blue when in standalone mode and white if it sees a connected computer.
Monitor and Phones controls and front-
panel USB ports
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