Korg G1 User manual

取扱説明書
Owner’s Manual
Manuel d’utilisation
Bedienungsanleitung
Manual de usuario
EFGSJ 1
Thank you for purchasing the
Korg G1/G1 Air digital piano.
Merci d’avoir choisi la piano
numérique G1/G1 Air de Korg.
Vielen Dank, dass Sie sich für einen G1/G1 Air
digtal-Klavier von Korg entschieden haben.
このたびは、コルグデジタル・ピアノG1/G1Air を
お買い上げいただきまして、まことにありがとうございます。
Gracias por comprar el
Korg G1/G1 Air Piano digital.

2
Precautions
Location
Using the unit in the following locations can result in a malfunc-
tion.
• In direct sunlight
• Locations of extreme temperature or humidity
• Excessively dusty or dirty locations
• Locations of excessive vibration
• Closetomagneticelds
Power supply
Please connect the designated AC adapter to an AC outlet of the
correct voltage. Do not connect it to an AC outlet of voltage other
than that for which your unit is intended.
Interference with other electrical devices
Radios and televisions placed nearby may experience reception
interference. Operate this unit at a suitable distance from radios
and televisions.
Handling
To avoid breakage, do not apply excessive force to the switches or
controls.
Care
If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not
use liquid cleaners such as benzene or thinner, or cleaning com-
poundsorammablepolishes.
Keep this manual
After reading this manual, please keep it for later reference.
Keeping foreign matter out of your equipment
Never set any container with liquid in it near this equipment. If
liquidgetsintotheequipment,itcouldcauseabreakdown,re,
or electrical shock.
Be careful not to let metal objects get into the equipment. If some-
thing does slip into the equipment, unplug the AC adapter from
the wall outlet. Then contact your nearest Korg dealer or the store
where the equipment was purchased.
THE FCC REGULATION WARNING (for USA)
NOTE: This equipment has been tested and found to comply with the
limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
These limits are designed to provide reasonable protection against harm-
ful interference in a residential installation. This equipment generates,
uses, and can radiate radio frequency energy and, if not installed and
used in accordance with the instructions, may cause harmful interfer-
ence to radio communications. However, there is no guarantee that inter-
ference will not occur in a particular installation. If this equipment does
cause harmful interference to radio or television reception, which can
bedeterminedbyturningtheequipmentoandon,theuserisencour-
aged to try to correct the interference by one or more of the following
measures:
• Reorient or relocate the receiving antenna.
•
Increase the separation between the equipment and receiver.
• Connecttheequipmentintoanoutletonacircuitdierentfromthat
to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
If items such as cables are included with this equipment, you must use
those included items.
Unauthorizedchangesormodicationtothissystemcanvoidtheuser’s
authority to operate this equipment.
Thistransmiermustnotbeco-locatedoroperatedinconjunctionwith
anyotherantennaortransmier.
This equipment complies with FCC radiation exposure limits set forth for
an uncontrolled environment and meets the FCC radio frequency (RF)
Exposure Guidelines. This equipment has very low levels of RF energy
that it deemed to comply without maximum permissive exposure evalu-
ation (MPE).
This device complies with Industry Canada licence - exempt RSS
standard(s). Operation is subject to the following two conditions: (1) this
device may not cause interference, and (2) this device must accept any
interference, including interference that may cause undesired operation
of the device.
This equipment complies with IC radiation exposure limits set forth
for an uncontrolled environment and meets RSS-102 of the IC radio fre
quency (RF) Exposure rules. This equipment has very low levels of RF
energy that it deemed to comply without maximum permissive exposure
evaluation (MPE).
European Union Directives Conformance Statement
Korg Inc. hereby declares that the product meets the require-
ments of Directive 1999/5/EC.
You can view the Declaration of Conformity (DoC) to Directive
1999/5/ECintheOwner’sManualofthisproductpostedonthe
Korg website (www.korg.com).
Notice regarding disposal (EU only)
When this “crossed-out wheeled bin” symbol is displayed on the
product,owner’smanual,baery,orbaerypackage,itsignies
that when you wish to dispose of this product, manual, package
orbaeryyoumustdosoinanapprovedmanner.Donotdiscard
this product, manual, package or baery along with ordinary
household waste. Disposing in the correct manner will prevent
harm to human health and potential damage to the environment.
Since the correct method of disposal will depend on the applicable laws
and regulations in your locality, please contact your local administrative
body for details. If the baery contains heavy metals in excess of the
regulated amount, a chemical symbol is displayed below the “crossed-
outwheeledbin”symbolonthebaeryorbaerypackage.
DECLARATION OF CONFORMITY (for USA)
Responsible Party : KORG USA INC.
Address : 316 SOUTH SERVICE ROAD, MELVILLE, NY
Telephone : [phone]
Equipment Type : Digital Piano
Model : G1, G1 Air
This device complies with Part 15 of FCC Rules. Operation is subject to the fol-
lowing two conditions:
(1) This device may not cause harmful interference,and (2) this device must ac-
cept any interference received, including interference that may cause undesired
operation.
IMPORTANT NOTICE TO CONSUMERS
This producthasbeen manufactured accordingto strict specications
and voltage requirements that are applicable in the country in which it
is intended that this product should be used. If you have purchased this
product via the internet, through mail order, and/or via a telephone sale,
you must verify that this product is intended to be used in the country
in which you reside.
WARNING: Use of this product in any country other than that for which
it is intended could be dangerous and could invalidate the manufactur-
er’sordistributor’swarranty.
Please also retain your receipt as proof of purchase otherwise your prod-
uct may be disqualied from the manufacturer’s or distributor’s war-
ranty.
* Bluetooth is a registered trademark of Bluetooth SIG, Inc.
* All product names and company names are the trademarks or regis-
tered trademarks of their respective owners.

3
取扱説明書
Owner’s Manual
Manuel d’utilisation
Bedienungsanleitung
Manual de usuario
EFGSJ 1
Thank you for purchasing the
Korg G1/G1 Air digital piano.
Merci d’avoir choisi la piano
numérique G1/G1 Air de Korg.
Vielen Dank, dass Sie sich für einen G1/G1 Air
digtal-Klavier von Korg entschieden haben.
このたびは、コルグデジタル・ピアノG1/G1Air を
お買い上げいただきまして、まことにありがとうございます。
Gracias por comprar el
Korg G1/G1 Air Piano digital.
Table of Contents
Precautions ---------------------------------------2
Main features -------------------------------------3
Parts and their functions ---------------------4
Preparing to Play --------------------------------5
Before You Begin -------------------------------------5
Listening to the Demos -----------------------------6
Playing the G1/G1 Air --------------------------7
Playing a single sound (Single Mode) -----------7
Using pedals -------------------------------------------8
The metronome ---------------------------------------8
Working with Songs----------------------------8
Controlling Songs ------------------------------------8
Playing Along to a Piano Song -------------------9
Creating a Performance-----------------------9
Recording a Performance -------------------------9
Playing Back a Recorded Performance ------10
Performance Modes-------------------------- 10
Playing two sounds at the same time
(Layer Mode) ----------------------------------------10
Using split sounds (Split Mode) -----------------10
Performing with another person
(Partner Mode) -------------------------------------- 11
Other functions -------------------------------- 12
Function Mode -------------------------------------- 12
USB ---------------------------------------------------- 15
Using as a Bluetooth Speaker (G1 Air only) - 15
Appendix----------------------------------------- 16
Troubleshooting -------------------------------------16
System initialization -------------------------------- 17
Specications --------------------------------------- 17
Assembling the Stand ----------------------- 18
Caution during assembly ------------------------- 18
Other cautions -------------------------------------- 18
Assembly procedure ------------------------------ 18
Check following assembly -----------------------19
MIDI implementation chart----------------- 20
Main features
Thirty-two Premium Instrument Sounds
Built into the Korg G1/G1 Air Digital Piano are 32 unique instru-
ment sounds—including a total of three distinct European and
Japanese concert grand pianos. The G1/G1 Air also allows two
sounds be played at once from the keyboard. Layer Mode: Each
key will play two sounds simultaneously. Split Mode: One of
three Bass sounds can be assigned to play on the lower half of the
keyboard, independent of the upper sound. Partner Mode: The
keyboard can be divided into two playing areas, making it ideal
for lessons with student and teacher side-by-side.
Built-in Demo Songs and Etudes
The G1/G1 Air includes a total of 50 pre-recorded performances;
the 10 Sound Demo Songs make full use of the onboard sounds,
while the 40 Piano Song etudes allow the player to develop their
skills by playing along with the entire performance, or with either
the right- or left-hand part muted.
Accurate Pedal Features
The G1/G1 Air provides the same three pedal functions
found on a grand piano—Damper (sustain); Sostenuto; and
Soft (una corda). Both the damper and soft pedals respond
tohalf-pedaling,varyingthedepthoftheeectbyhowfar
down the pedal is pressed. Pressing down on the damper
pedal also adds realistic damper resonance to the number
1 and 2 sounds of the G.PIANO, A.PIANO and J.PIANO
buon.
Digital Metronome
Perfectforrhythmtraining,thebuilt-inmetronomeoersauser-
variable tempo, volume, and time signature. Choose a traditional
pendulum sound or modern-day digital tone.
Onboard Effects
TheG1/G1Airoersthreebuilt-in digitaleects—eachoering
three levels—to enhance the quality of the internal sounds. These
eectscanemphasizethebrightnessandclarityofthetone(Bril-
liance); simulate the natural ambience of a concert hall (Reverb);
and add depth and motion to the sound (Chorus).
Adjustable Keyboard Touch
Youcanchoosefromvedierentseingstoadjusthowthesound
will respond to your keyboard playing dynamics.
Temperament Selection
In order to create an authentic performance in a wide range of mu-
sic genres, the G1/G1 Air can be set to one of nine temperaments,
including equal temperament, pure temperaments (major and mi-
nor), classical temperaments (Kirnberger and Werckmeister), as
well as temperaments used with Middle Eastern and Indian folk
music. When an acoustic piano sound is selected, the stretched
tuning used with traditional pianos is automatically selected.
Play in any Key
The Transpose feature can quickly transpose the G1/G1 Air to play
inanymusicalkey—withoutchangingtheplayer’sngering.The
MasterTuningparametercanmakeneadjustmentsintheoverall
pitch of the instrument.
Onboard Recorder
Integrated into the G1/G1 Air is a powerful two-part recorder. Cre-
ate, record, and playback a library of multi-part performances that
can be recalled at any time.
Dual Headphone Jacks
With two identical headphone jacks, the G1/G1 Air allows two
people—parent & child, student & teacher, or friends—to listen
and enjoy the sound of the G1/G1 Air simultaneously.
The Right Connections
Your new G1/G1 Air is equipped with a stereo Line Out jack, USB
port, plus MIDI IN and MIDI OUT jacks, allowing the G1/G1 Air
to connect to an external sound system or recording setup, a com-
puter, or other MIDI enabled devices.
Bluetooth speaker (G1 Air only)
If a device compatible with Bluetooth audio is connected via Blue-
tooth, the G1 Air can be used as a wireless speaker.

4
8. TEMPO + / – buons: Usethesebuonstospecifythe
tempo for the metronome or a song. In addition, these
buonscanbeusedtoselectafunctionintheFunction
mode.
9. METRONOME buon: Usethisbuontostart/stopthe
metronome (see page 8).
Whilethemetronomeisbeingused,thebuonislit.
Thevariousmetronomeseingsotherthanthetempo
andtimesignaturearespeciedfromtheFunction
Mode (see page 12).
10. Recorder buons: Usethesebuonstorecord( ), play
back/pause ( ) and stop ( ) performances as well as
to select the part to be recorded/played back.
Connector Panel
This panel is located on the underside of the keyboard unit,
toward the center of the rear edge.
11. Speaker connector: The cord from the speaker box
plugs into this connector (see “Assembling the Stand”
on page 18).
12. DC24V jack: Connect the included AC adapter here.
13. LINE OUT jack: This stereo mini phone jack is the main
audio output jack. Using this jack, the output of the G1/
G1 Air can be connected to the input of an external am-
plier, powered speaker, audio interface or recorder,
etc. The VOLUME knob controls the output volume.
You must only connect devices with the power
turnedo.CarelessoperationmaydamagetheG1/
G1Airorthedevicewhereit’sconnected,ormal-
functions may be caused.
14. Pedal connector: The cord from the pedal units plugs
into this connector (see “Assembling the Stand” on page
18).
15. USB ( ) port: Connect a single USB cable to this
port—and the other end to your computer—to transfer
data between the G1/G1 Air and the computer.
16. MIDI (IN, OUT) jacks: These jacks allow the G1/G1
Air to interact with other MIDI equipped devices—key-
boards, drum machines, synthesizers, etc.
OUT: Sends MIDI data OUT of the G1/G1 Air to the
MIDI In of the other device.
IN: Receives MIDI data being sent from the MIDI Out
of the other device.
Parts and their functions
Control panel
Connector Panel
(bottom center)
54 6 879
102 3
1
12 13 15 16 1411
1. Headphone ( ) jacks (Left side of boom): Two stereo
mini headphone jacks are located underneath the key-
board to the left-hand side. Plugging headphones into
either of these jacks will mute the internal speakers.
2. Power buon: Holddownthepowerbuonuntil“G1”
appears in the display and the piano is turned on. To
turnothepiano, holddown thepowerbuon until
“...”appearsinthedisplay,andthenreleasethebuon.
Since recorded data will be saved, it may take several
secondsforthepianototurno.Whiledatais being
saved, “___” appears in the display. Do not operate the
G1/G1 Air or unplug the adapter while “___” appears in
the display. Otherwise, the data may be corrupted.
 Normally, when the G1/G1 Air is turned o, all
parametersreturntotheirfactorydefaultseings.
However, the G1/G1 Air can be set to save the pa-
rameterseings(referto“Saveparameterseings”
on page 13).
Auto Power O
TheG1/G1Aircanbesettoautomaticallyturnoaftera
set period of time has passed with no keys being played
or with no songs being played back. To change this time
interval, or to disable this feature refer to “Auto power
o”onpage13
3. VOLUME knob: The Volume knob controls the level of
the sound being sent to the internal speakers and to the
headphone jacks.
4. Sound buons: Usethesebuonstoselectfromatotal
of 32 sounds (see page 7).
With G.PIANO, A.PIANO and J.PIANO, select from
three sounds each. With OTHERS, select from twenty
sounds. With FAVORIT E, select the stored sound.
With SPLIT, select from three bass sounds.
5. FUNCTION buon: When pressed, this buon will
light, indicating the G1/G1 Air is in the Function Mode
(see page 12). The Function Mode provides access to
manyoftheSeingsandParameters;foracompletelist,
refer to page 12. This buon is also used in conjunc-
tionwithotherbuonstoaccessshortcuts,etc.
6. SELECT / buons: Usethesebuonstoselecta
seing,valueorsong.
7. Display: The LED display shows the value of the select-
ed parameter (tempo, song number, etc.), or the Func-
tionModeseing.

5
取扱説明書
Owner’s Manual
Manuel d’utilisation
Bedienungsanleitung
Manual de usuario
EFGSJ 1
Thank you for purchasing the
Korg G1/G1 Air digital piano.
Merci d’avoir choisi la piano
numérique G1/G1 Air de Korg.
Vielen Dank, dass Sie sich für einen G1/G1 Air
digtal-Klavier von Korg entschieden haben.
このたびは、コルグデジタル・ピアノG1/G1Air を
お買い上げいただきまして、まことにありがとうございます。
Gracias por comprar el
Korg G1/G1 Air Piano digital.
Closing the key cover
1. Unfold the front edge of the key cover, and gently be-
gin to lower it.
2. When the key cover begins to close on its own, release it.
The key cover will continue to softly close on its own,
from about mid-way down.
Do not forcibly pull the key cover or apply strong pres-
sure while the key cover is closing. Doing so will dam-
age the unit.
 Be careful not to pinch your ngers or hands when
closing or opening the key cover.
 Thetemperatureandhumiditywillaecthowfastthe
key cover automatically closes.
The key cover may make a faint clicking sound when
as it slowly closes. This is normal.
Using the Key Cover as a Music Stand
The key cover serves as a convenient music stand.
Do not use excessive force when placing music on the
key cover, especially when trying to force a music book
to stay open.
Preparing to Play
Before You Begin
Assembling the G1/G1 Air Piano
The G1/G1 Air includes the keyboard unit, the stand and
anti-tipping brackets, pedal unit, and speaker system. Fol-
low the instruction found on page 18 and fully assemble
your G1/G1 Air before proceeding.
Connecting the Power
Fully insert the power cord into the AC adapter, then insert
the DC plug into DC24V jack on the Connector Panel. Next,
connect the power cord to an AC outlet.
to AC outlet
AC adapter
Power cord for the AC adapter
DC plug
Cord holder
Pedal cord
Connector Panel
Secure the AC adapter cord to the pedal cord using
the cord holder at the side of the Connector Panel to
prevent the DC plug from accidentally being discon-
nected.
Use only the AC adapter provided with your G1/G1
Air.Usingadierentadaptermaycausemalfunctions
or other issues.
Be sure to plug the power cord into an outlet of the ap-
propriate voltage.
Operating the Key Cover
Opening the key cover
1. Using both hands, gently lift the key cover to begin
to open it. When the key cover begins to open on its
own, release it.
The key cover will continue to open softly on its own
from about mid-way up.
2. Fold down the front edge of the key cover.

6
Sound Demo Song List
No. Sound Song title Composer
d01 G. PIANO (1) Jeuxd’eau Maurice Ravel
d02
A. PIANO (1) Revêrie Claude Debussy
d03 J. PIANO (1) Kudos Jack Hotop
d04
OTHERS (2) Nostalgia Naoki Nishi
d05
OTHERS (4) Island Soul Jerry Kovarsky
d06
OTHERS (8) Nighrain Michael Geisel
d07
OTHERS (9) Les Petis Moulins à vent F. Couperin
d08
OTHERS (13, 14) Prelude in C-Major, BWV 553 J. S. Bach
d09
OTHERS (18, 20) Voilà! JackHotop&GaryGuman
d10 SPLIT (3+
G.PIANO (1))
There Goes Petey Russell Ferrante
Piano Song List
No. Song title Composer
P01 “Prelude 1” The Well-Tempered Clavier, Book 1 J. S. Bach
P02 Invention No. 1 J. S. Bach
P03 Jesu,Joy of Man's Desiring J. S. Bach
P04 Sonata No. 15 K. 545 1st mov. W. A. Mozart
P05 “Turkish March” Sonata K. 331 W. A. Mozart
P06 Für Elise L. v. Beethoven
P07 Piano Sonate Op. 13-2 L. v. Beethoven
P08 AMaiden’sPrayer T. Badarzewska
P09 “L’arabesque”Op.100-2 F. Burgmüller
P10 “La styrienne” Op. 100-14 F. Burgmüller
P11 “La chevaleresque” Op. 100-25 F. Burgmüller
P12 Spring Song Op. 62-6 F. Mendelssohn
P13 “Träumerei” Op. 15-7 R. Schumann
P14 Heidenroslein G. Lange
P15 Spinning Song A. Ellmenreich
P16 Dolly’sDreamingandAwakening T. Oesten
P17 Lalleauxcheveuxdelin C. Debussy
P18 Arabesque No. 1 C. Debussy
P19 "Prelude” Suite Bergamasque C. Debussy
P20 Cakewalk C. Debussy
P21 Claire de lune C. Debussy
P22 WalNo.6Db-majorOp.64-1 F. Chopin
P23 WalNo.7E-minorOp.64-2 F. Chopin
P24 Nocturne Op. 9-2 F. Chopin
P25 Mazurka Op. 7-1 F. Chopin
P26 Fantaisie-Impromptu Op. 66 F. Chopin
P27 Etude Op. 10-3 F.Chopin
P28 Etude Op. 10-5 F.Chopin
P29 “Promenade”Tableauxd’uneexposition M. P. Moussorgsky
P30 Gymnopédie No. 1 E. Satie
P31 Je Te Veux E. Satie
P32 Salutd’Amour E. Elgar
P33 Fröhlicher Landmann R. Schumann
P34 Kinderszenen Op. 15-1 Von fremden Ländern
und Menschen
R. Schumann
P35 Moments Musicaux Op.94-3 F. P. Schubert
P36 Piano Sonate Op. 27-2-1 L. v. Beethoven
P37 Anitras Tanz Op. 46 No. 3 E. H. Grieg
P38 Blumenlied (Flower Song) G. Lange
P39 Tango (España) I. Albéniz
P40 Liebesträume Nr. 3 F. Liszt
Listening to the Demos
Built into the G1/G1 Air are 50 preprogrammed songs. Of
these, 10 are Sound Demo Songs that highlight the quality
of various internal sounds. The other 40 are familiar Piano
Songs and etudes. These songs are listed under the “Sound
Demo Song List” and the “Piano Song List” in the right-
hand column.
Listening to a Sound Demo Song
While the Sound Demo Song plays back, you can play along
on the keyboard.
The tempo cannot be changed during playback of a
Sound Demo Song.
The playback of a Sound Demo Song cannot be paused.
1. Hold the Play/Pause buon down.
Whenthebuonbeginstoblink,releaseit.Thedisplay
will show the current Sound Demo Song, indicated by
its number (d01).
2
2
31
2. Use the SELECT or buon to select a dierent
Sound Demo Song by number.
PressthePlay/Pausebuontobeginplaybackofthese-
lected title. If no selection is made, after about 3 seconds
thePlay/Pausebuonwilllightup,andplaybackofthe
current Sound Demo Song will begin. When Sound
Demo Song d01 is complete, the remaining Sound Demo
Songs will playback sequentially. Once all Sound Demo
Songs have played, playback will begin again with d01.
3. Press the Stop buon to end playback.
ThelitPlay/Pausebuonwillgodark,andtheSound
Demo Song playback will stop.
Listening to a Piano Song
As with the Sound Demo Songs, you can play along on the
keyboard while any of the Piano Songs play. As you play
along, you can change the tempo, slowing the playback
down to practice a particular tricky part. In addition, the
right-hand and left-hand parts can be muted individually,
to focus on learning one part as the G1/G1 Air plays the oth-
er. For details, refer to “Working with Songs” on page 8.
1. Use the SELECT and buons to select a dierent
Piano Song by its number.
The Piano Songs are numbered “P01” to “P40”.
While a Piano Song number appears in the display, si-
multaneously press the SELECT and  buons to
return to “P01”.
1
1
32
2. Use the Play/Pause buon to toggle between playback
(buon lit) and pause (buon blinks).
The current measure number appears in the display.
3. Press the Stop buon to end playback and return to
the beginning of the song.
The Piano Song number appears in the display.
 IftheStopbuonisnotpressedeventhoughplayback
oftheselectedsonghasnished,thesongwiththenext
number will be played after about 5 seconds.

7
取扱説明書
Owner’s Manual
Manuel d’utilisation
Bedienungsanleitung
Manual de usuario
EFGSJ 1
Thank you for purchasing the
Korg G1/G1 Air digital piano.
Merci d’avoir choisi la piano
numérique G1/G1 Air de Korg.
Vielen Dank, dass Sie sich für einen G1/G1 Air
digtal-Klavier von Korg entschieden haben.
このたびは、コルグデジタル・ピアノG1/G1Air を
お買い上げいただきまして、まことにありがとうございます。
Gracias por comprar el
Korg G1/G1 Air Piano digital.
“ ” will appear instead.
If multiple User Songs have been recorded, the highest User
Song number appears in the display.
 If the Save Parameter Seings feature was used, the
song number that appears will be the one that was
selectedbeforetheG1/G1Airwasturnedo(referto
“Saveparameterseings”onpage13).
Selecting a piano sound
1. Press the G.PIANO, A.PIANO or J.PIANO buon.
Thebuonyou’vepressedwilllight,andtheabbrevia-
tion for the Sound name will appear in the display for
a few seconds.
2. Each PIANO buon can access three sounds.
EachPIANObuoncancallupaconcertgrandpiano
sound, plus two additional piano sounds. For example,
to select the Ballad Piano sound, press the A.PIANO
buontwice.
The abbreviation for the selected Sound name will ap-
pear in the display for a few seconds.
While the sound name appears in the display, the avail-
able sounds can be selected by pressing the SELECT
or buon.
The selected sound remains the same, even if a dif-
ferentSoundbuonispressed.
1,21,21,22
2
Selecting one of the Other Sounds
1. Press the OTHERS buon.
Thebuonyou’vepressedwilllight,andtheabbrevia-
tion for the Sound name will appear in the display for
a few seconds.
2. There are 20 Other Sounds available.
The abbreviation for the selected Sound name will ap-
pear in the display for a few seconds.
While the sound name appears in the display, the avail-
able sounds can be selected by pressing the SELECT
or buon.
The selected sound remains the same, even if a dif-
ferentSoundbuonispressed.
1,2
2
2
Using the FAVORITE button
You can assign your favorite sound to the FAVORITE but-
ton,soitcanberecalledinstantlywithasinglebuonpress.
Select the sound to be stored, and then store it by holding
downtheFAVORITEbuonuntilthebuonlightsup.
Your FAVORITE sound assignment will remain even if the
G1/G1Airisturnedo.
Your FAVORITE sound assignment will remain even if the
G1/G1Airisturnedo,regardlessoftheseingselectedfor
SaveParameterSeingsintheFunctionMode.
 The default seing for the FAVORITE buon is the
Stage Electric Piano sound.
Playing the G1/G1 Air
Playing a single sound (Single Mode)
 ThedefaultsoundseingwhenturningontheG1/G1
Air is the German Concert Piano. By using the Save Pa-
rameterseingsfeature,youcaninsteadhavetheG1/
G1 Air power up with any sound you choose (refer to
“Saveparameterseings”onpage13).
Sound
button No. Abbre- viation Sound name #
G.PIANO
1German Concert Piano 4
2Classic Piano 4
3Pop Piano 4
A.PIANO
1Austrian Concert Piano 4
2Ballad Piano 4
3Baroque Piano 2
J.PIANO
1Japanese Concert Piano 4
2Jazz Piano 4
3Honky-Tonk Piano 2
OTHERS
1
Salsa Piano 3
2
Modern Piano 2
3
Electric Grand 1
4
Stage Electric Piano 2
5
Bright Electric Piano 1
6Tremolo
Electric Piano 2
7Digital
Electric Piano 2
860’s
Electric Piano 1
9Harpsichord 3
10 Clav 1
11 Jazz Organ1 3
12 Jazz Organ2 3
13 Pipe Organ 3
14 Positive Organ 1
15 Vibraphone 2
16 Choir 2
17 Acoustic Guitar 1
18 Violin & Cello 3
19 Strings 3
20 Symphony Strings 4
FAVORITE
–
–
Any sound
–
The # column shows the number of oscillators, or voices,
used to create a single note for that sound. (refer to “About
maximum polyphony” on page 16.)
Playing the G1/G1 Air while using a single sound such
as an acoustic piano is referred to as the Single Mode.
The G1/G1 Air can also be played using two sounds
in the Split Mode or Layer Mode. For details on the
various modes, refer to “Performance Modes” on page
10.
When the G1/G1 Air is turned on, Piano Song number
“” appears in the display. However, if a perfor-
mance was recorded (see page 9), the User Song number

8
Working with Songs
1. Use the SELECT or buon to select a song.
Piano Songs are indicated in the display as “ ” to
“”, and User Songs are indicated as “ ” to
“”.
2. Press the Play/Pause buon to begin playback
Controlling Songs
Pausing and Un-pausing a Song
1. With the Song playing, press the Play/Pause buon to
pause the playback.
ThePlay/Pausebuonwillblink.
2. To resume playback from the point where it was
paused, press the Play/Pause buon again.
ThePlay/Pausebuonwillonceagainlightsteady.
While a song is being played back or is paused, the cur-
rent measure number will appear in the display.
Returning to the Beginning of the Song
1. Pressing the Stop buon will end playback, and im-
mediately return to the beginning of the song.
The selected song number appears in the display.
2. Press the Play/Pause buon to restart the song from
the beginning.
The current measure number appears in the display.
Changing the Playback Tempo
Use the TEMPO + and – buons change the current Tem-
po value (BPM seing).
The current tempo will appear in the display for a few mo-
ments.
The value will continue to change as the buon is held
down.
To restore the playback tempo to its original value, press
theTEMPO+and–buonssimultaneously.
Each song is saved with its own tempo, so selecting a
dierentsongwillautomaticallychangethetempoto
match the song, regardless of any changes you may
have made. In addition, the original tempo will be re-
storedwhentheG1/G1Airisturnedo
The Song tempo and the Metronome tempo are the
sameseing;theycannotbesetindividually.
Skipping to a Specic Measure
While the song is playing (or is paused), you can use the
SELECT and buons to move to a specic measure.
The current measure appears in the display.
Toquicklyreturntotherstmeasure,presstheStopbut-
ton.
Repeating the Playback of a Specic Section
(AB Repeat)
By specifying a starting point (A) and an end point (B), this
feature will playback that specic section, over and over
again.
Pauseplaybackofthesongbeforespecifyingseingsfor
AB Repeat.
Using pedals
The G1/G1 Air includes all three of the
pedals found on a concert grand pia-
no. Using the pedals can add expres-
sion, control, and sophistication to any
performance.
Soft pedal (left)
The Soft pedal slightly reduces the volume and softens
the tone. Accurate half-pedaling allows you to control the
depthoftheeectbyhowfardownthepedalispressed.
(“half-pedaling”).
Sostenuto pedal (center)
This pedal provides a similar eect as the Damper ped-
al—allowing notes to continue to sound after the key is
released—but the eectonlyapplies to thenotes already
being held down when the Sostenuto pedal is pressed. New
notes played after the Sostenuto pedal has been pressed
will not sustain.
Damper pedal (right)
As mentioned above, the Damper pedal allows notes to
continue to sound after the key has been released, add-
ing a rich, resonant decay. You can also add the damper
resonance to the number 1 and 2 sounds of the G.PIANO,
A.PIANOandJ.PIANObuon.Accurate half-pedaling al-
lowsyoutocontrolthedepthoftheeectbyhowfardown
the pedal is pressed. (“half-pedaling”).
In Layer Mode (see page 10), you can select which
sound(s) will respond to the pedal.
 InSplitMode(seepage10),thepedalonlyaectsthe
sounds in the higher section of the keyboard.
 In PartnerMode(seepage11),theDamper eectcan
be applied independently by both players.
The metronome
The Metronome provides a steady, rhythmic pulse that acts
as a convenient practice aid for all levels of musicians.
Setting the Tempo and Time Signature
UsetheMETRONOMEbuontostartandstoptheMetro-
nome. When the Metronome is running, the METRONOME
buonwillbelit,andthetempowillappearinthedisplay;
whenthemetronomeiso,thebuonisdark(unlit).
With the Metronome on, set the tempo using the TEMPO
+and–buons.Thecurrenttempowillbeshowninthe
display. The tempo range is q =5–240, or 5 to 240 Beats per
minute(BPM).PresstheTEMPO+and–buonssimultane-
ously to return to the default tempo of q =120.
You can also specify the time signature, providing an ac-
centedtoneontherstbeatofthemeasure.WiththeMet-
ronome running, use the SELECT and buonstose-
lect a time signature from 2/4 to 6/4 (shown in the display as
2–4, 6–4, etc.). Press the SELECT and buonssimulta-
neously to recall the default 4/4 time signature.
Additional Metronome Parameters
The Function Mode provides access to additional Metronome
parameters, including the volume and sound (page 12).
Soft pedal
Damper pedal
Sostenuto pedal

9
取扱説明書
Owner’s Manual
Manuel d’utilisation
Bedienungsanleitung
Manual de usuario
EFGSJ 1
Thank you for purchasing the
Korg G1/G1 Air digital piano.
Merci d’avoir choisi la piano
numérique G1/G1 Air de Korg.
Vielen Dank, dass Sie sich für einen G1/G1 Air
digtal-Klavier von Korg entschieden haben.
このたびは、コルグデジタル・ピアノG1/G1Air を
お買い上げいただきまして、まことにありがとうございます。
Gracias por comprar el
Korg G1/G1 Air Piano digital.
Creating a Performance
The G1/G1 Air features an onboard recorder so you can eas-
ily create, record, and playback your own performances.
The recorder provides two parts. You can use record one
part, then add a second part, and play a third part live on
the keyboard as those parts playback, or you can use each
part to record a separate song.
Your recorded performances can be saved as User Songs—
until the maximum number of songs or maximum num-
ber of measures has been reached, or until the data storage
space of the G1/G1 Air is full.
If you record to a part where data has already been
recorded, the previous performance data will be de-
letedandoverwrienwiththenewperformancedata.
Therefore, before recording to a part, be sure it does not
contain any data that you wish to save.
Recording a Performance
Recording a New Song
1. Press the Record buon.
The G1/G1 Air will enter the recording standby mode,
andtheRecordbuonwillblink.
The next empty User Song number will appear in the
display.
If nothing has been recorded, “ ” appears. If the
data storage space is full, “ ” appears. In this case,
delete unnecessary songs before recording using the
Function Mode (see page 13).
1,4 43,
4
2
ThePART1buonwillblink.
2. If you wish to record Part 2 instead, Press the PART 2
buon; the PART 2 buon will now blink.
3. Recording will begin immediately when you play
a note on the keyboard. Or, you can press the Play/
Pause buon to receive a two-measure count-o be-
fore recording begins.
If you wish to record to the metronome, press the MET-
RONOMEbuon.Recordingcanalsostartinresponse
to a MIDI message (refer to “About MIDI” on page 14).
4. To stop recording, press the Stop, Play/Pause, or Re-
cord buons.
ThePARTbuonfortherecordedpartwillremainlit.
Adding a performance to a saved song
A performance in Partner Mode (see page 11) cannot
be added to a saved song.
1. Use the SELECT and buons to select the number
of the User Song that the recording is to be added to.
Buons for recorded parts light up, and buons for
partswithnothingrecordedgoo.
2. To add the recording at the beginning of the song,
hold down the Record buon.
The G1/G1 Air will enter the recording standby mode,
andtheRecordbuonwillblink.
To add the recording to the middle of the song,
pressthePlay/Pausebuontoplaybackthesong,
andthenpressthePlay/Pausebuontopauseafter
reaching the measure where you want to add the
recording. The desired measure can also be reached
by pressing the SELECT or buon.Then,press
theRecordbuon;thebuonwillblink.
Turning on AB Repeat
1. Select the song that you want to use with AB Repeat.
2. Press the Play/Pause buon to begin playback of the
song, and then press the Play/Pause again to pause
playback.
3. Specify the starting point (A).
1. WhileholdingdowntheFUNCTIONbuon,press
thePART1buon.
A dot appears beside the number of the left side of
the display to indicate the starting point (A).
2.
Use the SELECT and buonstogotothemea-
sure that you want to specify as the starting point (A).
The display returns to show the current measure in
about 2 seconds.
4. Specify the end point (B).
1. WhileholdingdowntheFUNCTIONbuon,press
thePART2buon.
A dot appears beside the number of the right side of
the display to indicate the end point (B).
2. Use the SELECT and buonstogotothemea-
sure that you want to specify as the end point (B).
The display returns to show the current measure in
about 2 seconds.
5. Start AB Repeat.
1. WhileholdingdowntheFUNCTIONbuon,simul-
taneouslypressthePART1andPART2buons.
 TheFUNCTIONbuonblinks,andABRepeaten-
ters standby.
2. PressthePlay/Pausebuontobeginplayback.
A dot will appear in the display when a repeat location is
reached during AB Repeat playback.
Forexample,ifthefthmeasureisthestartingpoint(A),
“” appears in the display, and, if the ninth measure
is the end point (B), “ ” appears in the display.
AB Repeat is not cancelled when the song is stopped.
Turning off AB Repeat
1. Press the Play/Pause buon to pause the song.
2. Cancel AB Repeat.
While holding down the FUNCTION buon, simul-
taneously pressthePART1andPART2buons.The
FUNCTION goes dark, and AB Repeat is cancelled.
Playing Along to a Piano Song
Muting a Part
With Piano Songs, the left hand is usually assigned to Part 1
and the right hand to Part 2. By muting one of the parts, the
G1/G1 Air will only play one of the parts—or hands—and
you can play the muted part. The part you play is up to you.
1. To mute the left-hand part, press the PART1 buon. To
mute the right-hand part, press the PART2 buon.
Thebuonforthemutedpartwillgodark(unlit).
Play along with the song.
2. To Press the buon of the muted part a second time to
un-mute that part.
Thebuonwilllightupagain.
The volume of the muted part can be adjusted in the Func-
tion Mode. Refer to “Song: Volume of muted part” on page
13.

10
Performance Modes
Playing two sounds at the same time
(Layer Mode)
You can play two sounds at the same time on the keyboard.
This is called the Layer Mode.
Whileholdingdownthebuonofasoundtobelayered,
pressanothersoundbuon.Thetwoselectedsoundbut-
tons light up.
The sounds are labeled layer 1 and layer 2 in the order that
theirbuonsarepressed.
Forexample,ifthesoundfromtheG.PIANObuonisto
belayer1andthesoundfromtheOTHERSbuonistobe
layer2,holddowntheG.PIANObuon,andthenpressthe
OTHERSbuon.
Previously,eachSoundBuon should havebeen usedin
the Single Mode to select the correct sound.
For example, to layer the German Concert Piano and Clav
sounds,rstselect“ ”fortheG.PIANObuonand
“”fortheOTHERSbuon.Thenpressbothbuons
simultaneously to enter the Layer Mode.
When selecting Layer Mode, the total number of voices
that can play at the same time is reduced, depending
on the total number of oscillators used per voice by the
selected sounds. (refer to “About maximum polypho-
ny” on page 16.)
 SoundsaccessedbythesameSoundBuoncannotbe
layered. For example, Classic Piano and Pop piano are
bothaccessedviatheG.PIANObuonandthuscannot
be layered.
Returning to the Single Mode
ToreturntoSingleMode,pressanysingleSoundBuon.
Layer Mode settings
In Layer Mode, adjusting the volume balance between
sounds, shifting the octave for each sound, as well as en-
abling/disabling the damper pedal for each sound can
be performed from the Function Mode (starting with the
“Layer Mode: Volume balance” function on page 13).
Using split sounds (Split Mode)
WhentheSPLITbuonispressedandlightsup,youcan
play a bass sound in the lower section of the keyboard and
another sound in the higher section of the keyboard. This
is called the Split Mode.
In Split Mode, you can select any split point (key that splits
the keyboard) for the high notes and low notes.
 TheseseingswillnotbesavedwhentheG1/G1Airis
turnedo;however,theG1/G1Aircanbesettosave
these seings (refer to “Save parameter seings” on
page 13).
When Split Mode is selected, the total number of notes
that can be played simultaneously is reduced, depend-
ing on the total number of oscillators used by the se-
lected sounds. (refer to “About maximum polyphony”
on page 16.)
If the performance is added to the same part, all
original data after the start of recording is deleted.
For example, if a new recording is added to mea-
sures 2 to 4 of a song with measures 1 to 8, the re-
cording in measures 5 to 8 will be deleted.
3. Press the PART buon corresponding to the part to be
recorded; the buon will blink.
2,5 54,
5
3
1
1
3
4. Recording will begin immediately when you play
a note on the keyboard. Or, you can press the Play/
Pause buon to receive a two-measure count-o be-
fore recording begins.
If you wish to record to the metronome, press the MET-
RONOMEbuon.Recordingcanalsostartinresponse
to a MIDI message (refer to “About MIDI” on page 14).
5. To stop recording, press the Stop, Play/Pause, or Re-
cord buons.
<Recording Tips>
• When a new part or performance is added to an existing
User Song, it will have the originally recorded sound.
• The Tempo cannot be changed while recording.
•
The Time Signature of a recorded Song cannot be changed.
However, when recording an addition to an existing song,
measureswithadierenttimesignaturecanbeadded.
Saving User Songs
When recording is stopped, the song is automatically saved.
The name of the User Song will be the number chosen be-
fore recording began.
A maximum of 99 User Songs can be saved. In addi-
tion, a maximum of 999 measures or 45,000 notes can
be saved in each song.
Playing Back a Recorded Performance
Select the User Song
1. Use the SELECT and buons to select a dierent
User Song by its number.
The User Songs are numbered “U01” to “U99”. While
a User Song number appears in the display, simultane-
ously press the SELECT and buonstoreturnto
“U01”
If no User Songs have been saved, no User Song
number appears.
2. Press the Play/Pause buon to begin playback.
Playback Tips
SelectingtheParttobeplayedbackorskippingtoaspecic
measure can be done using the same procedures previous-
ly detailed for Piano Songs. For details, refer to “Working
with Songs” on page 8.
Other Song Functions
Specifying the mute volume for parts as well as copying
and deleting User Songs can be performed from the Func-
tion Mode (starting with the “Song: Delete selected part or
entire song” function on page 13).

11
取扱説明書
Owner’s Manual
Manuel d’utilisation
Bedienungsanleitung
Manual de usuario
EFGSJ 1
Thank you for purchasing the
Korg G1/G1 Air digital piano.
Merci d’avoir choisi la piano
numérique G1/G1 Air de Korg.
Vielen Dank, dass Sie sich für einen G1/G1 Air
digtal-Klavier von Korg entschieden haben.
このたびは、コルグデジタル・ピアノG1/G1Air を
お買い上げいただきまして、まことにありがとうございます。
Gracias por comprar el
Korg G1/G1 Air Piano digital.
1. Press the SPLIT buon.
TheSPLITbuonlightsup,andtheabbreviationofthe
current bass sound name appears in the display for a
few seconds.
2. Press the SPLIT buon to access the available Bass
Sounds.
The abbreviation for the bass sound name appears in the
display for a few seconds.
Theselectedsoundremainsthesame,evenifadierent
soundbuonispressed.
1,2
Abbreviation Sound name #
Acoustic Bass + Any sound 1 +
Electric Bass + Any sound 2 +
Acoustic Bass & Cymbal + Any sound 2 +
The # column shows the number of oscillators, or voices,
used to create a single note for that sound. (refer to “About
maximum polyphony” on page 16.)
Using pedals
InSplitMode,thepedalsaectonlytherightsideofthe
keyboard.Theyhavenoeectontheleftsideofthekey-
board (bass notes).
Changing the Upper Keyboard Sound
In the Split Mode, changing the sound assigned to the up-
per part of the keyboard is the same as selecting a new
sound in the Single Mode.
Changing the Split Point
To change the dividing point between the upper and lower
portions of the keyboard in the Split Mode, simply hold
downtheSPLITbuonandpressanykeyonthekeyboard.
Thesplitpointappearsinthedisplaywhilethebuonis
held down.
The sound range used by the higher section of the keyboard
starts with the key to the right of the one that was pressed.
The split point remains the same for all three sounds se-
lectedwiththeSPLITbuon.
Returning to the Single Mode
ToreturntoSingleMode,presstheSPLITbuonseveral
times;thebuonwillgodark.
Split Mode Settings
In Split Mode, adjusting the volume balance between
sounds and shifting the octave for each sound, can be per-
formed from the Function Mode (starting with the “Split
Mode: Volume balance” function on page 13).
Range for higher section
of keyboard
Performing with another person
(Partner Mode)
Two people can play in the same range with the keyboard
divided in half between them. This is called the Partner
Mode.
1. While no song is being played back, press the FUNC-
TION buon.
TheFUNCTIONbuonwilllight.
2. Press the FAVORITE buon.
“” will appear in the display.
3. Press the TEMPO + or – buon (at the right side of the
display); “ ” appears in the display.
The Partner Mode is turned on, and the selected sound is
used for both the left and right sides of the keyboard.
When the Partner Mode is turned on, the SPLIT buon
blinks.
The right side of the keyboard, from E4 to C8, produces
sounds two octaves lower in pitch (E2–C6).
The left side of the keyboard, from A0 to Eb4, produces
sounds two octaves higher in pitch (A2–Eb6).
Dierentsoundscanbeselectedfortheleftandrightsides
of the keyboard.
The sounds for the left side and right side are applied in the
orderthattheirbuonsarepressed.
Forexample,ifthesoundfromtheG.PIANObuonisto
be applied to the left side and the sound from the OTH-
ERSbuonistobeappliedtotherightside,holddownthe
G.PIANObuon,andthenpresstheOTHERSbuon.
Previously,eachSoundBuon should havebeen usedin
the Single Mode to select the correct sound.
To use the same sound for both the left and right sides of
thekeyboard,pressonlyonesoundbuon.
Damper Pedal Assignments
In the Partner Mode, the Soft pedal acts as a damper pedal
for the left side of the keyboard; the Damper pedal acts as
the damper pedal for the right side of the keyboard.
The Sostenuto pedal has no function in Partner Mode.
Partner Mode Settings
In Partner Mode, adjusting the volume balance between
sounds and shifting the octave can be performed from the
Function Mode (starting with the “Partner Mode: Volume
balance” function on page 13).
A0 Ｅ

4E4 C8
Pitches
A2 to E6 for the player
on the left side
Pitches E2 to C6 for the player
on the right side

12
4. To exit Function Mode, press the FUNCTION buon.
TheFUNCTIONbuongoesdark.
1,4
3
3
2
2
Some functions are performed by pressing the Record
buon[YES]afterselectingthefunctionnameorthe
seing.To cancelthefunction,presstheStopbuon
[NO].
 Theshortcutsrefertothenamesofbuonsthatcanbe
pressedwhiletheFUNCTIONbuonislittojumptoa
specicplaceintheFunctionlist.
WhentheG1/G1Airisturnedo,allfunctionsreturnto
theirfactorydefaultseings.However,theG1/G1Aircan
besettosavethefunctionseings(see“Saveparameter
seings”onpage13).
Allseingsexceptthoseforreverbandchorusareap-
plied to all sounds.
When a song is deleted or the parameters are reset, do
notturnothepianowhile“000”appearsinthedis-
play.
Piano Songs cannot be copied or deleted.
List of functions
No. Function Abbre-
viation
Setting
Display
Description [default setting] Short Cut
1Reverb
oFF, 01, 02, 03 O,Shallow,Standard,Deep
[Dependsonthesound]
Thiseectaddsambienceanddepthtothesound,producingthesenseofperforminginaconcerthall.*1
2Brilliance 01, 02, 03 Less Bright, Normal, Brighter
[02:Normal]
Thiseectchangesthebrightnessofthesound.
3Chorus oFF, 01, 02, 03 O,Shallow,Standard,Deep
[Dependsonthesound]
Chorus adds modulation to the sound, producing an expansively rich sound.
4 Keyboard touch control 01, 02, 03, 04, 05 Light, Normal, Heavy, Stable, Steady
[02:Normal]
Specify how the sound changes in response to the force used when you press a keyboard key. *2
5Transpose –12...00...12 ±11[00]
Insomecases,asongmaybewrieninadicultkey(e.g.,manyblackkeys),oryoumaywishtoshiftthepitchtomatch
anotherinstrumentorvocalist.Insuchcases,youcantranspose(shiftthepitch)sothatyoucanuseaneasierngering,or
usethesamefamiliarngeringtoplayatadierentpitch.
6Master tuning 15.0...65.0 415.0...440.0...465.0Hz[440.0]
In order to adapt the G1/G1 Air pitch to that of another instrument, you can adjust the pitch in steps of 0.5 Hz.
7Temperament 01...09 Equal temperament...Pelog scale
[01:Equaltemperament]
Select from nine temperaments, including the equal temperament, classical temperaments and an Arabic temperament. *3
8Metronome: Time signature 2–4...6–4 2/4,3/4,4/4,6/4[4-4] METRONOME
9Metronome: Sound P–A, P–b, P––,
d–A, d–b, d––
Pendulum emphasis, Pendulum bell,
Pendulum without emphasis,
Digital emphasis, Digital bell,
Digital without emphasis
[P–A:Pendulumemphasis]
10 Metronome: Volume 1...13 1...13[10]
Other functions
Function Mode
Thetouchcontrol,variouseects,mastertuningaswellas
temperamentseingscanbe speciedfromtheFunction
Mode. For the functions that can be set, refer to the “List of
functions” below.
Adjusting Parameter Settings in the Function Mode
1. While no song is being played back, press the FUNC-
TION buon.
TheFUNCTIONbuonwilllight.
2. Press the SELECT or buon to select the function
to be set.
The abbreviation for the function name appears in the
display.
3. Press the TEMPO + and – buon to select the seing
or specify a value.
TheseingcontinuestochangewhiletheTEMPO+or
–buonishelddown.
In addition, simultaneously pressing both buons re-
turnsthefunctiontoitsdefaultseing.

13
取扱説明書
Owner’s Manual
Manuel d’utilisation
Bedienungsanleitung
Manual de usuario
EFGSJ 1
Thank you for purchasing the
Korg G1/G1 Air digital piano.
Merci d’avoir choisi la piano
numérique G1/G1 Air de Korg.
Vielen Dank, dass Sie sich für einen G1/G1 Air
digtal-Klavier von Korg entschieden haben.
このたびは、コルグデジタル・ピアノG1/G1Air を
お買い上げいただきまして、まことにありがとうございます。
Gracias por comprar el
Korg G1/G1 Air Piano digital.
11 Song: Delete selected part or
entire song
PA1, PA2, bot Part1, Part2, Both parts (1 song);
PressRecordbuontoperformoperation.
(Play/Pause)
Delete the currently selected User Song or the selected part.
12 Song: Delete all — PressRecordbuontoperformoperation.
Delete all User Songs.
13 Song: Copy user song U01...U99 User Song 01–99;
PressRecordbuontoperformoperation.
Copy the currently selected User Song to the selected User Song number.
14 Song: Volume of muted part 0...90 Mute–90%ofvolume[0]
Selectthevolumeofthemutedpart(buongoeso)duringplayback.Tomute,select“0”.
15 Song: Minimum remaining
space for recording
0...100 Remaining space of 0%...100%
A new recording cannot be made if the limit of 99 songs or 999 measures has been reached, even if there is
space remaining.
16 Layer Mode: Volume balance 1–9...9–1 1–9 (Layer 1 min.)...9–9 (Both max.)
...9–1(Layer2min.)[9–9]
OTHERS
Adjust the volume balance between the sounds for layer 1 and layer 2.
17 Layer Mode: Octave (1) –1, 0, 1 ±1Octave[0]
Specify the sound range for layer 1.
18 Layer Mode: Octave (2) –1, 0, 1 ±1Octave[0]
Specify the sound range for layer 2.
19 Layer Mode: Pedal L1, L2, bot Only1,Only2,Bothlayers[bot]
Selectthelayerthatthedampereectisappliedto.
20 PartnerMode:On,O on, oFF On,O[oFF] FAVORITE
21 Partner Mode: Volume balance 1–9...9–1 1–9 (Left min.)...9–9 (Both max.)
...9–1(Rightmin.)[9–9]
Adjust the volume balance between the sounds on the left (low range) and right (high range) sides.
22 Partner Mode: Octave (left) –1, 0, 1 ±1Octave[0]
Specify the sound range for the left side (low range). As a factory default, this side produces sounds in a range two octaves
(A2-Eb6)
23 Partner Mode: Octave (right) –1, 0, 1 ±1Octave[0]
Specify the sound range for the right side (high range). As a factory default, this side produces sounds in a range two octaves
(E2-C6)
24 Split Mode: Volume balance 1–9...9–1 1–9 (Left min.)...9–9 (Both max.)
...9–1(Rightmin.)[9–9]
SPLIT
Adjust the volume balance between the sounds on the left (low range) and right (high range) sides.
25 Split Mode: Octave (right) –1, 0, 1 ±1Octave[0]
Specify the sound range for the left side (low range).
26 Split Mode: Octave (left) –1, 0, 1 ±1Octave[0]
Specify the sound range for the right side (high range).
27 MIDI: Channels 01...16 Channel1...16[01] PART1
28 MIDI:LocalOn/O on, oFF On,O[on]
29 MIDI:ProgramChangelter on, oFF On,O[oFF]
30 MIDI:ControlChangelter on, oFF On,O[oFF]
31 MIDI: Multi-timbral on, oFF On,O[on]
32 Autopowero oFF, 30, 1h, 4h Disable,30min,1h,4h[30] PART2
33 Saveparameterseings on, oFF Enable,Disable[oFF]
Selectwhetherornotallsoundsaswellasfunction/parameterseingsaresavedwhentheG1/G1Airisturnedo.
34 Reseingtheparameters — PressRecordbuontoperformoperation.
Returnallparameters/functionstotheirfactorydefaultseings.*4

14
theirfactorydefaultseings.Ifyouwanttoerasetheper-
formancedatayou’verecorded,referto“Song:Deleteall”
on page 13.
Before continuing with this procedure, make sure that you
wanttorestorethefactorydefaultseings.
Select function “ ”, and then press the Record but-
ton to perform the operation.
The display indicates that the operation is being performed.
 Whentheparametersarereset,donotturnothepia-
no while “000” appears in the display.
About MIDI
In order to transfer MIDI data, a pair of commercially avail-
able MIDI cables is required.
The MIDI Out of the G1/G1 Air sends data to the MIDI In
of the other MIDI Device. The MIDI In of the G1/G1 Air re-
ceives MIDI data being sent from the MIDI Out of the other
device.
Fordetailsonthedatathatcanbetransmiedandreceived,
refer to the following compatibility table and the MIDI im-
plementation chart.
Sounds and Corresponding Program Change Numbers
Abbreviation PC Abbreviation PC Abbreviation PC
010 20
111 21
212 22
313 23
414 24
515 25
616 26
717 27
818 28
919
Local On/Off
On:With the Local On seing, playing the G1/G1 Air’s
keyboard produces the sounds of the performance as
well as transmits MIDI data.
O: With the Local O seing, playing the G1/G1 Air’s
keyboard does not produce the sounds of the perfor-
mance;MIDIdataisonlytransmied.
Program Change Filter
On: The sending and receiving of MIDI Program Change
information is disabled.
O: MIDIProgramChangeinformationwillbesentand
received.
Control Change Filter
On: The sending and receiving of MIDI Control Change
information is disabled.
O: MIDIControlChangeinformationwillbesentandre-
ceived.
Multi-Timbral
The G1/G1 Air can operate as a 16-part multi-timbral sound
module when controlled from an external MIDI device
On: The G1/G1 Air can be used as multi-timbral sound
module via an external MIDI device.
O:
The G1/G1 Air cannot be used as multi-timbral sound
module.
Additional Functions and Descriptions
*1
Turning on/off reverb
ReverbcanbeturnedonorobyholdingdowntheFUNC-
TIONbuonandpressingtheG.PIANObuon.
*2
Keyboard Touch Control Curve
02
01
03
05
Loud
Loudness
Quiet
Quiet Loud
Playing strength
04
Display Touch sensitivity
01 Light. Loud notes can be produced even by playing
lightly.
02 Normal.(defaultseing)
03 Heavy. Loud notes can be produced only by play-
ing very hard.
04 Stable. Sensitivity variations are reduced, and a
relatively stable sound is produced.
05 Steady. Steady notes are produced, like with an or-
gan, regardless of the force used to press the key.
*3
Temperament types
Display Temperament
01 Equal temperament (default seing):
Spacing all semitones at equal pitch intervals,
this temperament is the most widely used.
02 Pure temperament [major]: Major chords in the
key (C) are perfectly tuned.
03 Pure temperament [minor]: Minor chords in the
key (C) are perfectly tuned.
04 Arabic: This scale includes the quarter-tone inter-
vals used in Arabic music.
05 Pythagorean: This ancient Greek scale is espe-
ciallyeectiveforplayingmelodies.Itconsistsof
perfectfths;however,otherintervals–themajor
third in particular – is out of tune.
06 Werckmeister: The Werckmeister III scale was
created in the later Baroque period to allow rela-
tively free transposition.
07 Kirnberger: The Kirnberger III scale is used main-
ly for tuning harpsichords.
08 Slendro scale: This is an Indonesian gamelan
scalewithvenotesperoctave.
09 Pelog scale: This is an Indonesian gamelan scale
with seven notes per octave.
About stretched tuning
In order to produce the most natural resonance, piano
sounds use a “stretched tuning” that makes the notes of the
lower range slightly aer than equal temperament, and
the upper range slightly sharper. This is how an acoustic
piano is normally tuned by professional tuners.
*4
Resetting the parameters
This procedure will not delete the performance data that
you’verecorded,butwillreturnallparameters/functionsto

15
取扱説明書
Owner’s Manual
Manuel d’utilisation
Bedienungsanleitung
Manual de usuario
EFGSJ 1
Thank you for purchasing the
Korg G1/G1 Air digital piano.
Merci d’avoir choisi la piano
numérique G1/G1 Air de Korg.
Vielen Dank, dass Sie sich für einen G1/G1 Air
digtal-Klavier von Korg entschieden haben.
このたびは、コルグデジタル・ピアノG1/G1Air を
お買い上げいただきまして、まことにありがとうございます。
Gracias por comprar el
Korg G1/G1 Air Piano digital.
USB storage mode
When the G1/G1 Air is in USB storage mode, data can be
transferred between its internal memory and an external
computer.
While the G1/G1 Air is in USB storage mode, no opera-
tion can be performed on it.
The USB connection cannot be used for MIDI commu-
nication while the USB storage mode is being used for
data transfer.
1. Turn o the G1/G1 Air.
2. Connect the G1/G1 Air to the computer using a USB
cable.
3. While holding down the METRONOME and Record
buons, press the power buon to turn on the G1/G1
Air.
TheRecordbuonlightsup,and“ ” appears in
the display.
 IftheG1/G1Airisturned o ortheUSBcable is
disconnected while data is being transferred in
USB storage mode, G1/G1 Air data or the connected
computer may be damaged.
4. Data can be backed up or restored by dragging folders
and les as with any external USB drive.
“G1USONG.BIN” in “KORG SYSTEM” is the song data
for all songs recorded with the G1/G1 Air.
 Ifthelenameischanged,thedatacannolonger
be read.
 Donotmoveordeleteanylesotherthan “G1U-
SONG.BIN”, otherwise the G1/G1 Air may not oper-
ate correctly.
 Donotaddbackuplesorlesnotneededbythe
G1/G1 Air to “KORG SYSTEM.” Otherwise, it may
no longer be possible to save recording data or pa-
rameterseings.
5. When you have completed the data transfer, remove
or delete the USB drive from the computer desktop.
For the details, refer to the computer’s instruction
manual.
If you are using a Mac OS: When you move “KORG SYS-
TEM” into the Trash (or remove “KORG SYSTEM”).
6. To exit USB storage mode, press the lit Record buon
to turn o the G1/G1 Air.
Using as a Bluetooth Speaker (G1 Air only)
If a computer, tablet, smartphone, audio player, etc., com-
patible with Bluetooth audio is connected, the G1 Air can
be used as a Bluetooth speaker.
Adjust the volume on the output from the device connected
via Bluetooth audio. It cannot be adjusted with the VOL-
UME knob on the G1 Air.
TheautopowerofunctionoftheG1Airwillnotoper-
ate during playback of a device connected via Blue-
tooth audio.
Multiple devices cannot be connected at the same time.
USB
Using MIDI through a USB Connection
The G1/G1 Air allows you to establish a two-way MIDI link
with your computer via the USB connection.
Operating requirements
Windows
Computer:
Must have an onboard USB port, and must run Micro-
softWindows7orlaer.
Operating system:
Microsoft Windows 7 (32-bit, 64-bit)
Microsoft Windows 8.1 (32-bit, 64-bit)
Microsoft Windows 10 (32-bit, 64-bit)
Mac OS X
Computer:
Must have an onboard USB port, and must run OS X.
Operating system:
OS X 10.8, 10.9, 10.10
Operation of the G1/G1 Air is not guaranteed with all
computers that satisfy these operating requirements.
 WhenyourstconnecttheG1/G1AirtoyourWindows
computer, the USB-MIDI driver included with the op-
erating system will be installed automatically.
G1/G1 Air and Driver Ports
Driver Ports
MIDI IN Port
When using the G1/G1 Air to control an application on your
computer,selectthisportintheMIDIinputseingsofyour
application.
MIDI OUT Port
Use this port to control the G1/G1 Air.
When using the standard USB-MIDI driver included
with the Windows operating system, the G1/G1 Air
cannot be used by multiple applications simultaneous-
ly. If you want to use the G1/G1 Air with multiple ap-
plications simultaneously, you must install the Korg
USB-MIDI driver. You can download the Korg USB-
MIDI driver from the Korg website, and install it as de-
scribed in the included documentation.
hp://www.korg.com/
Even if the G1/G1 Air will not be used with multiple
applications, we recommend installing the KORG USB-
MIDI driver, which should provide improved operat-
ing stability.

16
Appendix
Troubleshooting
If any of the following problems should occur, carefully
examine the instrument to see if you can discern what the
trouble may be, and try resolving it by following the sug-
gestions below. If the instrument still does not function
properly, please contact your dealer.
The instrument will not turn on
• Check that the AC adapter is correctly connected to the
piano and the outlet.
• Make sure that the power cord is fully plugged into the
AC adapter.
No sound
• Is the cord from the speaker box connected securely to
the speaker connector on the G1/G1 Air?
• Be sure that the volume is set to an adequate level, and
not set to the MIN value.
• Make sure that the MIDI Local function is not set on
OFF (see page 13). If it is, set it to ON (or turn the in-
strumentoandthenonagain).
• Check to see that nothing is connected to the headphone
jacks; any connection to either of these jacks will mute
the internal speakers.
Notes are interrupted
The maximum polyphony may have been exceeded;
see “About maximum polyphony.”
The pitch or tone of the piano sounds wrong in some
key regions
The G1/G1 Air’s piano sounds replicate the sound of an
actual piano as faithfully as possible. This means that in
some regions of the keyboard, you may feel that certain
overtonesseemstronger,aectingthepitchortone.Thisis
not a malfunction.
Your external MIDI device does not respond to MIDI
data sent from the G1/G1 Air.
• Make sure that all MIDI cables are correctly connected.
• MakesurethattheG1/G1AiristransmiingMIDIdata
on the same channel that the MIDI device is receiving
on.
About maximum polyphony
If the number of notes being played simultaneously exceeds
the maximum polyphony, some notes will be lost since the
G1/G1Airisequippedwithamechanismthatstopstherst
note being played to give priority to notes played with keys
pressed later. Some G1/G1 Air sounds, although they may
be a single sound, are generated by two or more oscillators
(one note of a sound-generating circuit). Sounds using just
one oscillator, such as the Electric Grand and Clav sounds
oftheOTHERSbuon,haveamaximumpolyphonyof120
notes. Sounds using four oscillators, such as the sounds of
the G.PIANO buon, have a maximum polyphony of 30
notes.
120 ÷ Number of sound oscillators = Maximum polyphony
Keep the maximum polyphony in mind and carefully
choose sounds when using Layer Mode to play two sounds
simultaneously or when using the damper pedal.
Connecting a New Device (Pairing)
When a new device is connected, “pairing” (mutually reg-
istering connection information) must be performed.
The information for up to eight paired devices can be
stored. When a ninth device is paired, the information
for an existing device is deleted so that the new infor-
mation can be stored.
Even if pairing failed, the information for that device
may be stored on the G1 Air. If the information for
eight devices has already been stored, the information
for an existing device is deleted.
In order to reconnect to the device whose information
wasdeleted,deletetheG1Air’sinformationfromthat
device, and then perform pairing again.
1. When the G1 Air is turned on, it enters the pairing
standby mode.
Pairing is enabled for only 1 minute after a song number
appears in the display after the G1 Air was turned on.
2. Turn on the Bluetooth function for the device to be
connected to, and then select “KORG G1Air” in the
list of the seings screen that appeared.
When a message appears, requesting permission for
pairing, allow pairing.
When a passkey is requested, enter “0000”.
The passkey may also be called a PIN code, pass-
word, etc.
3. If pairing is successful, the connected device enters
a connection-ready mode and displays a connection
with “KORG G1Air”.
Sincethedisplaysdierdependingonthedevice,referto
the manual of your device.
Reconnecting to a paired device
• If the Bluetooth function for the device to be connect-
ed to was turned o when the G1 Air was turned on
Turn on the Bluetooth function for the device to be con-
nected to.
• If the Bluetooth function for the device to be connect-
ed to was turned on when the G1 Air was turned on
TurnotheBluetoothfunctionforthedevicetobecon-
nected to, and then turn it on again, or select “KORG
G1Air” in the list of paired devices.
 Ifaconnectioncannotbeestablishedagain,turnothe
Bluetooth function for the device, and then turn it on
again. If a connection still cannot be established, cancel
pairing or delete the information from the device, and
then try performing the operation described above in
“Connecting a New Device (Pairing)”.
Cutting the Connection
Perform the operation by using the Bluetooth seings
screen on the connected device.
 If theG1Airis turned o whileitis connectedto a
device,itmaybedicultfortheconnectiontobere-
established the next time.

17
取扱説明書
Owner’s Manual
Manuel d’utilisation
Bedienungsanleitung
Manual de usuario
EFGSJ 1
Thank you for purchasing the
Korg G1/G1 Air digital piano.
Merci d’avoir choisi la piano
numérique G1/G1 Air de Korg.
Vielen Dank, dass Sie sich für einen G1/G1 Air
digtal-Klavier von Korg entschieden haben.
このたびは、コルグデジタル・ピアノG1/G1Air を
お買い上げいただきまして、まことにありがとうございます。
Gracias por comprar el
Korg G1/G1 Air Piano digital.
Specications
Keyboard RH3 (Real weighted hammer action 3)
88 keys (A0–C8)
Touch Curves Five available
Pitch Control Transpose, Master tuning
Temperament Nine types
Sound Generation
Stereo PCM System
Polyphony 120 notes (max)
Sounds 29 sounds + 3 base sounds
Eects Brilliance, Reverb, Chorus (3 levels each)
Recorder Two parts, maximum 45,000 notes
Demo Songs 50
(Sound Demo Song × 10, Piano Song × 40)
Metronome Tempo, Time Signature, Sound Select,
Volume Controls
Pedal Damper*, Sostenuto,
Soft* (*half-pedaling supported)
Connections
LINE OUT (stereo mini), MIDI (IN, OUT),
USB, Headphones × 2 (stereo mini),
PEDAL, SPEAKER
Controls Power, VOLUME, G.PIANO, A.PIANO,
J.PIANO, OTHERS, FAVORITE,
FUNCTION, SELECT ( , ),
TEMPO (+, –), METRONOME,
Play/Pause ( ), Stop ( ), Record ( ),
PART1, PART2
Wireless method: Bluetooth (A2DP Sink) (G1 Air only)
Speakers 5 cm × 2, 12 cm × 2
Amplication 20 W × 2 + 20 W × 2
Power supply DC24V
( )
Power consumption 28 W
Dimensions (W × D × H)
1346 × 384 × 822 mm / 52.99 × 15.12 × 32.36 inches
1346 × 384 × 985 mm / 52.99 × 15.12 × 38.78 inches
(with the key cover opened)
Weight 41 kg / 90.39 lbs. (including Stand)
Included Items AC adapter, Power cord,
Stand with Speaker Box & Pedal unit.
•Specicationsandappearancearesubjecttochange
without notice for improvement.
System initialization
The G1/G1 Air can be returned to its factory default condi-
tion. All functions in the Function Mode will be returned
totheirfactorydefaultseings,andallrecordeddatawill
be deleted.
 Deleted data or seings cannot be recovered. Before
continuing with this procedure, make sure that you
wanttodeletethedataandseings.
1. Turn o the G1/G1 Air.
2. While holding down the FUNCTION and METRO-
NOME buons, turn on the G1/G1 Air.
3. After “ ” will appear on the display for about 2
seconds, the normal power is turned on.

18
Screws (M6)
x 4 pcs.
Screws (M4)
x 12 pcs. Push rivet x 1 pc.
Cord holder
x 2 pcs.
3. While adjusting the gaps between the left and right side
panels and the G1/G1 Air, fasten them together using
four screws (M6)
Ifitisdiculttoalignthescrewholes,placeacloth
or magazine under the left and right side panels to
adjust their heights.
G1
Screws
(M6)
Screws
(M6)
Side panel (right)
Side panel (left)
4. Temporarily tighten* the pedal board to the hardware in-
side the side panels of the stand, using four screws (M4).
Be careful not to scratch the side panels.
* To temporarily tighten the screws is to tighten them leav-
ing a clearance of about 2 mm.
Screw
s
(M4)
Screws
(M4)
Side panel
(right)
Side panel
(left)
Pedal board
5. With the help of another person, slowly stand up the
stand being assembled.
6. Lift up the speaker box so that the brackets (A) on the
left and right side panels pass through the dents in the
speaker box. When the brackets (A) are fully hidden
within the speaker box, push the speaker box forward so
the rear of the speaker box is nearly ush with the edges
of the side panels. Then, the speaker box can be released.
 Becarefulnottopinchyourngers.
Dent
Speaker cord
Bracket (A)
Assembling the Stand
Warning
● At least one other person must help you assem-
ble the stand.
Caution during assembly
In order to assemble the stand safely, please observe the fol-
lowing points.
• Make sure that you have the correct part in the correct ori-
entation, and perform the assembly in the order given.
Other cautions
Please check the following points after assembly.
• Loosened screws
The screws may loosen as time passes after assembly. You
should periodically check whether any screws have become
loose. If you feel that the stand vibrates excessively, it is pos-
sible that screws have come loose. If so, re-tighten them.
• When moving the digital piano to another location
To move the assembled stand, remove the AC adapter cord
from the stand, close the key cover, and then move it slowly
with at least two people keeping it as level as possible.
• Disassembly
If you need to disassemble the stand, do so by reversing the
steps of the assembly procedure. After disassembly, keep the
screws and other parts in a safe place so that they are not lost.
The G1/G1 Air should always be laid down before disas-
sembled.
Assembly procedure
You’llneedaPhillips(+)screwdriver.
1. Put the protective sheet, which had covered the G1/G1
Air, on a at oor, and place the G1/G1 Air on that sheet
with its rear facing the oor.
In addition, place cloths or magazines so that you may eas-
ily put your hands under the G1/G1 Air when assembling
and raising the stand.
Protective sheet
G1
2. Make sure that all of the following parts are available.
Anti-tipping Bracket
(left)
Anti-tipping Bracket
(right)
Pedal unit
Pedal board
Speaker box
Side panel (right)
Side panel (left)
Pedal cord

19
取扱説明書
Owner’s Manual
Manuel d’utilisation
Bedienungsanleitung
Manual de usuario
EFGSJ 1
Thank you for purchasing the
Korg G1/G1 Air digital piano.
Merci d’avoir choisi la piano
numérique G1/G1 Air de Korg.
Vielen Dank, dass Sie sich für einen G1/G1 Air
digtal-Klavier von Korg entschieden haben.
このたびは、コルグデジタル・ピアノG1/G1Air を
お買い上げいただきまして、まことにありがとうございます。
Gracias por comprar el
Korg G1/G1 Air Piano digital.
7. Align the bracket holes in the left and right side panels
with the holes in the speaker box, and then secure them
with the four screws (M4) so the gaps on the left and
right sides are equal.
At the same time, secure the cord holder with the top screw
on the left side panel.
Screws (M4)
Screws (M4)
Cord
holder
8. Connect the aached pedal cord, observing the correct
orientation, to the connector on the reverse side of the
pedal unit, and then engage it with a slot in the pedal
unit.
The pedal cord can be aached to or detached from the
connector with its locking tab held down.
Locking
tab
9. Lift up either the left or right side of the stand to insert
the pedal unit into the pedal board.
Front
Rear of pedal board
Rear
Push
Push rivet
10. Insert the pedal unit into the pedal board, and then fas-
ten it by pressing a push rivet into the hole (above the
cutout) at the rear of the pedal board.
After installation, lift the stand to check that the pedal unit
does not fall out.
The push rivet will prevent the pedal unit from falling out.
Therefore, it cannot be fully fastened to the pedal board.
11. Firmly tighten the pedal board screws temporarily tight-
ened in step 4.
When tightening the screws on the G1/G1 Air, adjust the
up/down and front/rear positions on the left and right side
panels so that they are equal.
12. Make sure to aach the anti-tipping brackets behind
both side panels. And the anti-tipping bracket fastened
to the left of the code holder at this time.
Aachtheanti-tippingbrackets,startingwiththeround
holeattheboom.
Joints betweenthesidepanelsandtheaachedanti-tip-
pingbracketsshouldbeeven(withnoleveldierenceleft).
ネジ（Ｍ4）
Screws (M4)
Reverse
Reverse
Cord holder
Anti-tipping
Bracket
Screws (M4)
13. Ensure that the stand has no gaps and is not tilted, and
that all the screws are tightened rmly.
14. Connect the AC adapter (refer to “Connecting the Pow-
er” on page 5), pedal cord and the speaker cord to the
Connector Panel at the center of the underside of the key-
board unit.
When connecting the pedal cord and the speaker cord, ob-
serve the correct orientations of the connectors.
The pedal cord or the speaker cord can be detached from the
connector with its locking tab held down.
Cord
holder
Speaker cord Pedal cord
AC adapter cord
Locking tab
15. Use the two cord holders to secure the AC adapter cord
and pedal cord.
After securing the cord with the cord holder, ensure that
excess pressure is not applied to the connectors.
16. Place the G1/G1 Air where you intend to use it. Make
sure to place it in a safe location where the oor is at
and stable.
 When seing the digital piano in place, make sure
that the stand does not rest on the AC adapter cord or
pedal cord.
 For greater safety, be sure to aach the anti-tipping
brackets to the rear of the left and right side panels.
Check following assembly
□ Are any parts left over?
If any parts are left over, carefully review the assembly
procedure to see where those parts should have been used.
□ Makesurethatallscrewsaretight.

20
Model: G1/G1 Air
[Digital piano]
MIDI implementation chart
Function... Transmitted Received Remarks
Basic
Channel
Default
Changed
Default
Messages
Altered
Mode
Note
Number
True Voice
Velocity Note On
Note Off
After
Touch
Key’s
Channel
Pitch Bend
Control
Change
Program
Change True Number
System Exclusive
System
Common
Song Position
Song Select
Tune Request
Date: Jan. 18. 2017
Version: 1.0.0
1
6
7
10
11
38
64, 66, 67
65
71
72, 73
74
75, 76, 77, 78
91, 93
100, 101
120
121
1–16
1–16
X
************** **************
9–120
**************
O 9n, V=1–127
O 8n, V=1–127
X
X
1–16
3
X
0–127
0–127
O 9n, V=1–127
O 8n, V=0–127
X
O
XO
1–16
X
X
X
X
X
X
O
X
X
X
X
X
X
X
X
X
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
Reception range differs depending on sound.
O0–28
**************
O
O
X
O
X
X
X
X
X
O0–28
O
X
X
X
X
X
O
O(123–127)
O
X
*1: Transmitted and received when the MIDI filter is disabled.
*2: Includes Inquiry and GM Mode On. Received when GM Mode On, but all GM sounds are unsupported.
*3: 0–9 Sound Demo Song (d01–d10)
10–49 Piano Song (P01–P40)
50–127 User Song (U01–U78) *Song sellect messesage not transmitt (U78–U99)
O*2
*1
*1
0–28
*2
System
Real Time
Clock
Commands
Aux
Meassages
Local On/Off
All Notes Off
Active Sense
System Reset
Notes
Mode 1: Omni On, Poly
Mode 3: Omni Off, Poly
Mode 2: Omni On, Mono
Mode 4: Omni Off, Mono
O: Yes
X: No
Consult your local Korg distributor for more information on MIDI IMPLEMENTATION.
Modulation
Data Entry MSB
Volume
Pan
Expression
Data Entry LSB
Damper, Sostenuto, Soft
Portamento On/Off
Resonance
EG Time (Release, Attack)
Brightness
Decay Time, Vibrato Rate, Depth, Delay
Reverb Send, Chorus Send
RPN (LSB, MSB)
All Sounds Off
Reset All Controllers
X
Memorized
*3