Sony DTC-77ES User manual

SONY
Digital
Audio
Tape
Deck
Operating
Instructions
igital
Audio
pe
Og
eee
|
02
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Operating
Instructions
Before
operating
the
unit,
please
read
this
manual
thoroughly
and
retain
it
for
future
reference.
Owner's
Record
The
model
number
is
located
on
the
rear
exterior
and
serial
number
is
on
the
rear.
Record
the
serial
number
in
the
space
provided
below.
Refer
to
these
numbers
whenever
you
call
upon
your
Sony
dealer
regarding
this
product.
Model
No.
DTC-77ES
To
prevent
fire
or
shock
hazard,
do
not
expose
the
unit
to
rain
or
moisture.
Serial
No.
ONGC)
RISK
OF
ELECTRIC
SHOCK
00
NOT
OPEN
CAUTION:
TO
REDUCE
THE
RISK
OF
ELECTRIC
SHOCK,
00
NOT
REMOVE
COVER
(OR
BACK).
NO
USER-SERVICEABLE
PARTS
INSIDE
REFER
SERVICING
TO
QUALIFIED
SERVICE
PERSONNEL.
This
symbol!
is
intended
to
alert
the
user
to
the
presence
of
uninsulated
“dangerous
voltage”
within
the
prod-
uct’s
enclosure
that
may
be
of
suffi-
cient
magnitude
to
constitute
a
risk
of
electric
shock
to
persons.
This
symbol
is
intended
to
alert
the
user
to
the
presence
of
important
operating
and
maintenance
(servicing)
instructions
in
the
literature
accompa-
nying
the
appliance.
INFORMATION
(For
the
customers
in
the
U.S.A.)
This
equipment
generates
and
uses
radio
frequency
energy
and
if
not
installed
and
used
properly,
that
is,
in
strict
accordance
with
the
manufacturer's
instructions,
may
cause
interference
to
radio
and
televisions
reception.
It
has
been
type
tested
and
found
to
comply
with
the
limits
for
a
Class
B
computing
device
in
accordance
with
the
specifications
in
Subpart
J
of
Part
15
of
FCC
Rules,
which
are
designed
to
provide
reasonable
protection
against
such
interference
in
a
residential
installation.
However,
there
is
no
guarantee
that
interference
will
not
occur
in
a
particular
installation.
If
this
equipment
does
cause
interference
to
radio
or
television
reception,
which
can
be
determined
by
turning
the
equipment
off
an
don,
the
user
is
encouraged
to
try
to
correct
the
interference
by
one
or
more
of
the
following
measures:
Reorient
the
receiving
antenna
Relocate
the
equipment
with
respect
to
the
receiver
Move
the
equipment
away
form
the
receiver
Plug
the
equipment
into
a
different
outlet
so
that
equipment
and
receiver
are
on
different
outlet
so
that
equipment
and
receiver
and
on
different
branch
circuits.
If
necessary,
the
user
should
consult
the
dealer
or
an
experienced
radio/television
technician
for
additional
experienced
radio/television
technician
for
additional
suggestions.
The
use
may
find
the
following
booklet
prepared
by
the
Federal
Communications
Commission
helpful:
"How
to
identify
and
Resolve
Radio-TV
Interference
Problems".
This
booklet
is
available
from
the
U.S.
Government
Printing
Office,
Washington,
DC
20402,
Stock
No.
004-000-00345-4.
For
the
customers
in
Canada
This
apparatus
complies
with
the
Class
B
limits
for
radio
noise
emissions
set
out
in
Radio
Interference
Regulations.
For
the
customers
in
Canada
CAUTION:
TO
PREVENT
ELECTRIC
SHOCK,
DO
NOT
USE
THIS
POLARIZED
AC
PLUG
WITH
AN
EXTENSION
CORD,
RECEPTACLE
OR
OTHER
OUTLET
UNLESS
THE
BLADES
CAN
BE
FULLY
INSERTED
TO
PREVENT
BLADE
EXPOSURE.

WF-\0)(-Me)m@relai(-
alt
Before
using
the
DAT
deck
WEIN)
2s:
ncn
sicaiornenn
oeeiea
ican
acnannianeabiade
Digital
audio
tape
..
Precautions
Feature
Location
and
function
of
controls
Front
panel/remote
commander
..
Remote
commander
operation
Installing
batteries
....
Display
window
..
Connections
Rear
panel
jacks
Connection
examples
..
Time
setting
Setting
the
date
and
time...
Cassette
loading
Recording
Before
recording
Blank
section
and
sound-muted
portion...
Absolute
time
codes
Recording
To
record
the
recording
date
and
time
.....
To
monitor
the
recording
condition
.........
To
check
the
recording
date
and
time
.
Creating
a
sound
muted
portion
BAG
SGSCCM
i
cidanneccsaced
civsivaess
:
Fade-in/fade-out
recording...
CD
synchronized
recording
....
Writing
sub
codes
BUY
COMES
as.
dunner
atoaanrnuanty
suncalveesdamedecieastidleeg
rie
tieness
24
Siar
sec
haanaeds
ol
uc
vanyinia
onan
aaevausan
nature
aanenniaeals
:
Writing
automatically
during
recording
Writing
manually
during
recording
...........
;
Writing
manually
during
playback
..
Adjusting
the
position
....
EPASinQ
vessvsiienceceerees
‘
PPOGrAMNUMBEIS:,
cc:scscetisdarcodesed
te
tenpasseansieanaaatedvettess
Writing
automatically
during
recording
........0..:ce
28
Renumbering
Erasing
Skip
ID
Writing
during
recording...
Writing
during
playback
Writing
during
recording...
Writing
during
playback
..
Erasing
Playback
Playback
Display
window...
ot
Auto
play:
restarting
playback
after
rewinding............
34
Time
search:
fast-forwarding/rewinding
the
tape
by
designating
the
amount
in
minutes
..0....
ee
34
Time
search:
To
start
playback
by
designating
the
elapsed
time
form
the
beginning
of
a
tape
.
Various
playback
operations
Fade-in/fade-out
play
Repeat
play
Automatic
music
sensor
operation
....
Music
scan
Designating
the
desired
selection
..
Skip
play
Random
music
sensor
operation
Timer
activated
Operation...
cece
cee
teeteeeteeeeneenes
Timer
activated
recording
....
Timer
activated
playback
Maintenance
Cleaning
the
cabinet
...
Cleaning
the
head
Block
diagram
Technical
information
Recording
format
of
DAT
ats
Tape
format
and
construction
of
DAT
cassette
....
Track
format..........
Troubleshooting
Specifications
Digital
Audio
Tape
DAT
(Digital
Audio
Tape)
is
anew
recording
system
which
digitalizes
the
audio
signal
and
records
it
on
a
DAT
cassette
tape.
DAT
records
the
audio
signal
by
converting
the
analog
sound
into
a
digital
signal.
This
converting
system
is
called
the
PCM
(Pulse
Code
Modulation),
and
its
accurate
processing
of
the
audio
signal
allows
recording/playback
with
lower
wow
and
flutter,
wider
dynamic
range,
lower
distortion
rate,
and
superb
signal-to-noise
ratio.
In
addition,
various
control
codes
calls
sub
codes
can
be
written
on
the
DAT
cassette
separately
from
the
audio
signal.
They
are
written
for
a
variety
of
convenient
playback/tape
editing
operations,
and
except
for
the
absolute
time,
can
be
rewritten
after
audio
signal
recording
has
been
completed.

Precautions
Safety
e
Before
operating
the
unit,
be
sure
that
the
operating
voltage
of
your
unit
is
identical
with
that
of
your
local
power
supply.
The
unit
is
not
disconnected
from
the
AC
power
source
(mains)
as
long
as
it
is
connected
to
the
wall
outlet,
even
if
the
unit
itself
has
been
turned
off.
Should
any
solid
object
or
liquid
fall
into
the
cabinet,
unplug
the
unit
and
have
it
checked
by
qualified
personnel
before
operating
it
any
further.
Unplug
the
unit
from
the
wall
outlet
if
it
is
not
to
be
used
for
an
extended
period
of
time.
To
disconnect
the
cord,
pull
it
out
by
grasping
the
plug.
Never
pull
the
cord
itself.
Operation
Before
making
program
source
connections,
be
sure
to
unplug
the
unit.
Installation
e
Do
not
install
the
unit
in
a
location
near
heat
sources
such
as
radiators
or
air
ducts,
or
in
a
place
subject
to
direct
sunlight,
excessive
dust,
mechanical
vibration
or
shock.
e
Do
not
place
anything
on
the
top
of
the
cabinet.
The
top
ventilation
holes
must
be
unobstructed
for
the
proper
operation
of
the
unit
and
to
prolong
the
life
of
its
components.
Moisture
Condensation
If
the
unit
is
brought
directly
from
a
cold
to
a
warm
location,
moisture
may
condense
inside
the
unit.
In
this
condition,
the
tape
may
adhere
to
the
head
drum
and
be
damaged,
or
the
unit
may
not
operate
correctly.
Always
remove
the
cassette
when
the
unit
will
not
be
used.
If
moisture
is
present...
e@
Function
controls
will
not
operate.
e@
All
operations
will
stop.
When
the
CAUTION
indicator
lights
and
the
unit
will
not
operate
Leave
the
unit
turned
on
for
about
an
hour.
Detaching
the
Side
Panels
After
removing
the
screws,
secure
the
cabinet
with
the
supplied
lock
screws
(M4
x
6).
Do
not
use
the
longer
screws.
For
safety,
before
doing
this,
be
sure
to
disconnect
the
AC
power
cord
from
the
AC
outlet.
IS
NOTE
When
closing
the
cassette
compartment,
do
not
push
the
cassette
lid
forcibly
by
hand,
but
perform
with
the
OPEN/CLOSE
button.
For
the
customers
in
the
U.S.A.
For
detailed
safety
precautions,
see
the
"IMPORTANT
SAFEGUARDS"
leaflet.
lf
you
have
any
question
or
problem
connecting
your
unit,
please
consult
your
nearest
Sony
dealer,

Serial
copy
management
system
This
unit
utilizes
the
serial
copy
management
system
that
permits
digital-to-digital
recording
for
one
generation.
You
can
record
CD
sound
or
other
digital
formats
through
a
digital-to-digital
connection.
4-Head,
4-DD
Motor
Mechanical
Deck
System
In
addition
to
the
standard
two
heads
for
recording
and
playback,
this
unit
employs
two
additional
heads
for
after-
monitoring,
forming
a
four-head
system.
This
system
allows
after-monitoring
of
the
recorded
sound
during
recording
in
the
same
manner
as
with
three-head
cassette
decks.
In
addition,
the
unit
employs
direct-drive
motors
for
the
drum,
capstan,
and
reel
drives,
realizing
silent
and
stable
tape
transport.
Date
Function
Automatically
Records
the
Recording
Date
and
Time
The
year,
month,
day,
day
of
the
week,
hour,
minute
and
second
are
automatically
recorded
in
the
subcode
area
during
recording,
so
that
during
playback
you
can
display
this
data
to
check
when
the
tape
was
recorded.
This
function
is
especially
convenient
when
recording
live
performances,
etc.
Three
sampling
frequencies
Recording/playback
can
be
done
with
three
sampling
frequencies
(48
kHz,
44.1
kHz and
32
kHz).
48
kHz:
For
analog
and
digital
input
signals
in
a
standard
mode.
44.1
kHz:
For
compact
disc
and
pre-recorded
DAT
tape.
32
kHz:
For
analog
input
signals
in
a
long-play
mode.
Long
Play
mode
This
unit
can
operate
in
a
long-play
mode.
Analog
input
signals
can
be
recorded
or
playback
for
up
to
four
consecutive
hours
when
the
DT-120
DAT
cassette
tape
is
used.
The
sampling
frequency
will
be 32
kHz
in
the
long-
play
mode.
Visible
cassette
loading
You
can
view
the
tape
operation
through
the
lid
of
the
cassette
compartment.
Excellent
sound
quality
1-bit
A/D
converter
For
the
A/D
converter
section
which
converts
analog
input
signals
to
digital
signals,
the
unit
employs
a
1-bit
A/D
converter
which
theoretically
generates
no
zero-cross
distortion
for
a
clear,
elegant
sound
quality.
Pulse
D/A
converter
Superior
playback
performance
is
achieved
through
the
combination
of
an
8X
oversampling
digital
filter
with
a
1-bit
D/A
converter.
Independent
Digital
and
Analog
Power
Sources
Since
the
design
of
the
power
source
section
is
important
for
obtaining
good
sound
quality,
this
unit
incorporates
two
large-sized,
large-capacity
transformers
for
independently
supplying
power
to
the
digital/mechanical
deck
sections
and
the
analog
section.
This
design
eliminates
from
the
source
any
interference
introduced
through
the
power
supply.
Rich
Variety
of
Subcode
Information
This
unit
can
record
subcode
information
such
as
Start
IDs,
program
numbers,
Skip
IDs,
and
absolute
time
data,
enabling
you
to
quickly
locate
tunes
and
display
the
playback
time
in
the
same
manner
as
when
playing
compact
discs.
High-Speed
Search
Function
Direct-drive
reel
motors
and
a
software
servo
system
enable
you
to
locate
tunes
at
high
speeds
up
to
200-times
the
normal
playback
speed.
Digital
fade-in/fade-out
Professional
sounding
fade-in/fade-out
of
either
digital
or
analog
signals
can
be
accomplished
by
use
of
the
FADER
button.
Post
edit
recording
of
sub
codes
You
can
record
or
rewrite
the
following
sub
codes
after
the
audio
signal
recording
has
been
compieted.
Start
ID:
Signifies
the
beginning
of
a
selection.
Program
number:
Gives
a
number
to
the
selection.
Skip
ID:
Signifies
the
beginning
of
a
portion
to
be
skipped.
End
ID:
Signifies
the
end
position
of
recording/playback.
Since
sub
codes
are
written
on
the
tape
separately
from
audio
signals,
the
audio
signals
are
not
affected.
(oy)

|
Mofer-1e(elam-lacem
all
aveitlelame)
mere)
a
line)
Front
Panel/Remote
Commander
POWER
switch
Turns
the
power
on
and
off.
[2]
Cassette
compartment
Insert
a
cassette
with
the
window
side
up
and
the
safety
tab
facing
you.
(3)
Display
window
L4]
ID
indicators
Display
which
ID
button
is
pressed.
(5)
REC
MODE
selector
Normally
set
to
STANDARD.
When
this
selector
is
set
to
LONG,
you
can
record
analog
input
signals
or
digital
signals
with
32
kHz
in
the
long-play
mode,
[6]
REC
MONITOR
switch
and
indicators
Switch
the
output
signals
from
the
LINE
OUT
jack,
DIGITAL
OUT
jack
and
PHONES
jack
during
recording.
In
the
SOURCE
mode,
the
signal
being
input
is
output.
In
the
TAPE
mode,
the
signal
to
be
recorded
is
output.
Music
select
buttons
Numeric
buttons
(0-9):
Designate
the
desired
program
number
to
be
played
back
before
starting
playback.
CLEAR:
Use
to
cancel
the
program
number
which
has
been
mistakenly
entered.
MUSIC
SCAN:
Use
this
feature
to
listen
to
the
beginning
of
each
selection
successively.
DISPLAY
MODE
button
Change
the
display
mode.
(Refer
to
page
10.)
[9]
REPEAT
button
Press
to
play
a
desired
portion
repeatedly.
Each
time
you
press
the
button,
the
indication
changes
as
follows:
REPEAT
1
—
REPEAT
ALL
-+
Nothing
Remote
sensor
Receives
the
signal
from
the
Remote
Commander.
INPUT
selector
Set
according
to
the
signal
to
be
recorded.
ANALOG:
For
recording
from
the
equipment
connected
to
the
LINE
IN
jacks.
OPTICAL:
For
recording
from
the
equipment
connected
to
the
DIGITAL
IN
(OPTICAL)
jack.
COAXIAL:
For
recording
from
the
equipment
connected
to
the
DIGITAL
IN
(COAXIAL)
jack.
TIMER
switch
Normally
set
to
OFF.
Use
start
recording
or
playback
at
the
desired
time
using
a
commercially
available
audio
timer.
OPEN/CLOSE
button
Press
when
inserting
or
removing
the
cassette.

COUNTER
buttons
MODE:
Selects
the
counter
display
in
the
display
window
among
the
linear
counter
(tape
running
time),
absolute
time,
elapsed
time
of
the
selection,
and
total
remaining
time
of
tape.
Each
time
you
press
the
button,
the
display
changes
sequentially.
RESET:
Resets
the
linear
counter
to
“OM
00S".
MEMORY:
Press
to
search
the
position
of
the
tape
you
want
to
listen
to
(Memory
play,
Memory
stop).
START
ID
buttons
AUTO:
Press
to
turn
on
and
off
the
AUTO
indicator.
When
the
AUTO
indicator
is
lit,
the
start
ID
will
automatically
be
written
during
recording.
When
the
AUTO
indicator
is
notlit,
press
START
ID
WRITE
at
the
point
where
you
want
to
write
a
start
ID.
WRITE:
Press
to
write
the
start
1D
at
the
desired
point
during
recording
or
playback.
ERASE:
Press
to
erase
a
start
ID.
When
a
start
ID
and
a
program
number
are
written
on
the
tape,
both
codes
are
simultaneously
erased
by
pressing
this
button.
RENUMBER:
Press
torenumber
all
programs
on
the
tape.
When
only
the
start
IDs
are
written,
pressing
this
button
will
insert
the
proper
program
numbers
beginning
with
“4”,
The
tape
will
rewind
and
start
from
the
beginning
to
accomplish
this
function.
SKIP
ID
buttons
WRITE:
Press
at
the
beginning
of
the
portion
you
may
wish
to
skip
later.
A
skip
ID
will
be
written
from
the
point
where
you
pressed
this
button.
ERASE:
Press
to
erase
the
nearest
skip
ID
which
is
before
the
current
position.
END
ID
buttons
WRITE:
Press
towrite
the
ID
signifying
the
end
of
playback
or
recording.
ERASE:
Press
to
erase
the
end
ID.
REC
LEVEL
(recording
level)
controls
Adjust
the
recording
level
for
the
analog
input
signals.
The
outer
knob
controls
the
L
(left)
channel
level
and
the
inner
knob
the
R
(right)
channel
level.
The
knobs
can
be
adjusted
together.
When
recording
digital
signals,
it
is
not
necessary
to
adjust
the
recording
level.
PHONES
jack
20)
CLOCK
SET
button
Press
to
adjust
the
time
of
the
clock
built
in
this
unit.
In
this
mode,
The
MUSIC
SCAN
button
and
the
0
button
function
as
the
+
and
-
buttons
respectively.
FADER
button
Press
to
fade
in
or
fade
out
during
recording
or
playback.
SKIP
PLAY
button
Press
to
activate
the
skip
ID
code
function.
The
portion
of
the
tape
previously
marked
will
be
skipped.

|
Mofer-htfolam-
ile
allareti(elame)
mOxe)il
(ae)
[-}
Front
Panel/Remote
Commander
23]
Tape
operating
buttons
m(stop):
Press
to
stop
recording
or
playback.
(play):
Press
to
play
back
the
tape.
@
(recording):
Press
to
start
recording.
After
pressing
this
button,
press
Hf
or
>.
Ht
(pause):
Press
to
stop
for
a
moment
during
recording
or
playback.
To
restart
recording
or
playback,
press
this
button
again
or
press
>.
If
the
unit
is
left
in
the
pause
mode
for
about
10
minutes,
it
will
automatically
be
released
and
the
deck
will
enter
the
stop
mode.
To
restart
recording
or
playback
from
the
stop
mode,
press
REC
or
»
respectively.
O
(record
muting):
Inserts
a
sound-muted
portion
(space).
M¢<¢/m1
(AMS):
Press
to
locate
the
beginning
of
the
selection
during
the
playback.
</>
(rewind/review,
fast-forward/cue):
In
the
stop
mode,
press
to
rewind/fast-forward
the
tape.
During
playback,
press
to
rewind
or
fast-forward
the
tape
while
listening
to
the
sound.
24]
DATE
button
RECORDED:
Press
to
display
the
recording
day
of
the
tape
being
played.
PRESENT:
Press
to
display
the
current
time.
Each
time
the
RECORDED
or
PRESENT
buttons
are
pressed,
year,
month,
and
day
display
or
hour,
minute
and
second
display
is
switched
respectively.
MARGIN
RESET
button
Press
to
reset
the
margin
of
peak
level.
PHONE
LEVEL
control
The
PHONE
LEVEL
control
adjusts
the
headphones
volume
level.
8
TIME
SEARCH
button
Press
to
search
the
position
of
the
tape
you
want
to
listen
to
by
giving
the
time
elapsed
from
the
beginning
of
the
tape.
RMS
play
buttons
ENTER:
To
program
the
selections
in
a
desired
order,
press
this
button
after
pressing
the
numeric
buttons.
CHECK:
Press
to
check
the
programmed
contents.
REPEAT
A+B
button
Press
to
play
back
a
desired
portion
repeatedly.
CD
operation
buttons
Operative
only
for
the
Sony
CD
player
equipped
with
a
Remote
Commander.
tt
(pause):
Sets
the
CD
player
in
the
pause
mode
during
playback.
Press
again
to
release
pause.
!f
pressed
twice
when
the
player
is
in
the
stop
mode,
playback
starts.
</P>
(AMS):
Press
to
locate
the
desired
selection
on
the
Compact
Disc
during
playback
or
in
the
stop
mode.
CD
SYNCHRO
(CD
synchronized
recording)
buttons
(The
playback
of
the
CD
player
equipped
with
a
Remote
Commander
and
the
recording
of
the
DAT
deck
can
be
performed
simultaneously.)
STANDBY:
Press
to
set
the
unit
in
the
record-standby
mode.
START:
Press
to
start
recording
of
the
DAT
deck
and
then
playback
of
the
CD
player.
STOP:
Press
to
stop
the
DAT
deck
recording
and
the
CD
player
playback.

Remote
Commander
Operation
Each
button
on
the
Remote
Commander
functions
in
the
same
way
as
those
having
the
same
name
on
the
front
panel.
However,
the
following
operations
cannot
be
performed
using
the
Remote
Commander.
Use
the
front
panel
controls
instead,
Turing
the
power
on
and
off
Selecting
digital(optical/coaxial)/analog
input
source
Adjust
the
recording
level
headphones
level
Setting
the
timer
recording/playback
Selecting
the
record
mode
(standard
or
long)
Setting
the
REC
MONITOR
switch.
The
following
operations
can
be
performed
only
with
the
Remote
Commander.
@
Activating
CD
synchronized
recording
using
a
Sony
CD
player
and
controlling
the
CD
player
e@
Locating
the
desired
selection
on
the
Compact
Disc
setting
the
CD
player
in
the
pause
mode
(possible
o
when
a
Sony
CD
player
is
used.)
e@
Repeat
play
(A-B)
@
RMS*
play
*RMS:
Random
Music
Sensor
e
Time
search
(When
locating
the
desired
position
of
the
tape
by
giving
the
time
elapsed
from
the
beginning
of
the
tape.
Installing
Batteries
Insert
two
size
AA
(R6)
batteries
with
correct
polarity,
and
close
the
lid.
Notes
on
remote
control
e
Do
not
expose
the
remote
sensor
on
the
deck
to
strong
light
such
as
direct
sunlight,
lighting
apparatus,
etc.
e
Donot
place
any
obstructions
between
the
Remote
Commander
and
the
remote
sensor,
or
else
operations
will
not
be
performed
correctly.
@
The
controllable
range
is
limited.
Point
the
Remote
Commander
directly
at
the
remote
sensor
on
the
deck.
e@
Whenremote
control
operation
distance
becomes
shorter,
the
batteries
are
weak.
Replace
both
batteries
with
new
ones.
To
avoid
battery
leakage
When
the
commander
will
not
be
used
for
a
long
period
of
time,
remove
the
batteries
to
avoid
damage
caused
by
battery
leakage
and
corrosion.
Battery
life
About
half
a
year
of
normal
operation
can
be
expected
when
using
the
Sony
SUM-3
(NS)
batteries.

[Moler-hitelem-varem
me
lated
(lela
meymerel
ai
ine)
i)
Display
Window
To
turn
off
the
display
window
When
the
power
is
turned
on,
the
display
window
also
is
turned
on.
During
recording
or
playback,
all
display
or
some
parts
of
the
display
can
be
turned
off.
Each
time
the
DISPLAY
MODE
button
is
pressed,
the
indicators
changes
as
follows:
Normal
indicators
~#
Peak
level
meters
and
margin
indicators
go
off.
|
(DISPLAY
OFF
indicator
lights.)
All
the
indicators
go
off.
To
change
the
brightness
of
the
display
window
While
pressing
COUNTER
MODE,
press
one
of
the
numeric
buttons
1,
2
and
3.
The
greater
number
pressed,
the
darker
the
display
window
becomes.
(When
operating
with
the
Remote
Commander,
also
press
COUNTER
MODE.)
LONG
PLAY
mode
indicator
Lights
when
recording
or
playback
is
being
performed
in
the
long
play
mode.
DATE
indicator
Lights
when
pressing
the
RECORDED
to
display
the
recording
day
of
the
tape
being
played.
Lights
off
when
pressing
PRESENT
button
to
display
the
current
time.
BE
BS
BE:
Oe
fo
Nw
50
40
30
20
10
L
ach
A
A
Oca
VOC
Ro
ee
ee
ee
ee
ee
ee
eee
EMPHASIS
indicator
Lights
when
a
tape
recorded
with
emphasis
is
played
back,
or
when
recording
from
a
digital
signal
on
which
emphasis
is
applied.
The
emphasis
function
reduces
the
noise
of
the
high
frequency
level
by
boosting
the
high
frequency
level
during
recording
(Pre-emphasis
function)
and
by
lowering
itduring
playback
(De-emphasis
function).
This
unit
incorporates
only
the
de-emphasis
circuit.
You
can
play
or
record
the
emphasized
signal
but
newly
applying
emphasis
cannot
be
performed.
COPY
PROHIBIT
indicator
Lights
when
recording
the
digital
signal
with
the
copy
prohibit
code.
In
this
case,
record
with
the
LINE
IN
jack.
TOC
(Table
of
contents)
indicator
When
a
pre-recorded
DAT
cassette
is
played
back,
this
indicator
will
light.
[6]
SKIP
PLAY
indicator
When
this
indicator
is
lit
during
playback,
the
portion
marked
by
the
skip
ID
is
skipped
and
playback
continues
from
the
next
start
ID.
SAMPLING
FREQ.
(Sampling
frequency)
indicator
48
kHz:
For
recording/playback
of
analog
input
signals
(standard
mode)
44.1
kHz:
For
recording/playback
of
CD
and
aprerecorded
DAT
cassette
32
kHz:
For
recording/playback
of
analog
input
signals
(long-play
mode)
DIGITAL
IN
OPTICAL
4
2
0
OVER

REPEAT
indicators
REPEAT
1:
Lights
when
a
desired
selection
is
played
back
repeatedly.
REPEAT
ALL:
Lights
when
all
the
selections
are
played
back
repeatedly.
REPEAT
A-B:
Lights
when
a
desired
portion
is
played
back
repeatedly.
KO:
[9]
STEP/PGM
NO.
indicator
Shows
the
program
number
of
the
selection
being
played.
When
programming
the
desired
selection
in
the
RMS
operation
(page
39),
the
display
shows
the
step
number
of
the
programmed
selection.
AMS
(Automatic
Music
Sensor)/RMS
(Random
Music
Sensor)
indicators
Show
the
number
of
selections
to
be
skipped
ahead
or
behind
inthe
AMS
operation.
When
designating
aselection
directly
by
the
numeric
button
and
the
®
button,
the
display
shows
the
program
number
of
the
target
selection
while
the
selection
is
being
searched
for.
When
programming
the
desired
selections
in
the
RMS
operation
(page
39),
the
display
shows
the
program
number
of
the
selection
to
be
programmed.
[1]
CAUTION
indicator
Lights
when
moisture
condensation
occurs.
Ifthis
happens,
the
deck
stops
functioning
automatically.
(See
page
4.)
[12]
MUSIC
SCAN
indicator
Lights
after
pressing
the
MUSIC
SCAN
button
to
listen
to
the
beginning
of
each
selection
successively.
fel
FADE
IN/OUT
indicator
FADE
IN:
Blinks
when
recording
or
playback
fades
in.
FADE
OUT:
Blinks
when
recording
of
playback
fades
out.
>
Indicator
of
the
input
selector
The
OPTICAL
or
COAXIAL
indicator
lights
according
to
the
position
of
the
INPUT
selector.
No
indicator
lights
when
the
INPUT
selector
is
set
to
ANALOG.
SKIP
ID
indicator
Lights
when
writing
or
erasing
a
skip
ID
code
or
when
the
skip
ID
is
detected
during
playback.
START
ID
indicator
Blinks
when
writing
(for
9
or
18
seconds)
or
erasing
a
start
ID
code,
and
lights
when
the
start
ID
is
detected
during
playback.
END
ID
indicator
Blinks
when
writing
(for
9
or
18
seconds)
or
erasing
a
end
ID
code,
and
lights
when
the
end
ID
is
detected
during
playback.
TIME
SEARCH
indicator
Lights
when
searching
the
desired
position
of
a
tape
by
giving
the
time
elapsed
from
the
beginning
of
the
tape.
REHEARSAL
indicator
Lights
while
the
rehearsal
function
is
activated
(page
27).
20]
MARGIN
indicator
Shows
how
much
margin
there
is
between
the
peak
level
of
input
audio
signal
and
0
dB.
i]
Frequency
map
indicator
Bars
indicating
the
sampling
frequencies
with
which
the
tape
was
recorded
appear
on
the
peak
level
meters.
(Refer
to
page
33.)
Peak
level
meters
Indicate
the
peak
value
of
the
audio
signal
being
recorded
when
the
REC
MONITOR
switch
is
set
to
SOURCE
or
the
peak
value
of
the
audio
signal
recorded
on
the
tape
when
the
REC
MONITOR
switch
is
set
to
TAPE.
Time
indicator
Indicates
the
tape
running
time,
absolute
time,
elapsed
time
of
the
current
selection,
remaining
time
or
recording
day.
Each
time
the
COUNTER
TIME
button
is
pressed,
the
display
is
changed.
REMAINING
(remaining
time): Lights
when
the
counter
shows
the
remaining
time
of
the
tape.
PGM
TIME
(program
time):
Lights
when
the
counter
shows
the
elapsed
time
of
the
current
selection.
ABS
TIME
(absolute
time)
indicator:
Lights
when
the
counter
shows
the
elapsed
time
from
the
beginning
of
the
tape.
COUNTER
indicator:
Lights
when
the
counter
shows
the
tape
running
time.
MEMORY
indicator:
Lights
when
the
MEMORY
function
can
be
performed
in
the
COUNTER
mode.

OTe)
al
al=xeudle)ars
LINE
IN
(line
input)
jacks
(phone
jack)
Connect
to
the
recording
outputs
of
an
amplifier.
Signals
supplied
by
the
amplifier
can
be
recorded
using
the
sampling
frequency
of
48
kHz
in
the
normal
play
mode
or
32
kHz
in
the
long
play
mode.
[2]
LINE
OUT
(line
output)
jacks
(phono
jack)
Connect
to
the
DAT
or
tape
inputs
of
an
amplifier.
The
playback
signal
of
this
deck
will
be
output.
COAXIAL/OPTICAL
DIGITAL
IN
(digital
input)
jacks
(coaxial
phono
jack/optical
jack)
Connectto
the
digital
outputs
of
an
amplifier
having
a
built-
in
D/A
converter
or
other
digital
source,
such
as
a
CD
player
for
digital-to-digital
recording.
Connecting
Cord
COAXIAL/OPTICAL
DIGITAL
OUT
(digital
output)
jack
(coaxial
phono
jack/optical
jack)
Connect
to
the
digital
inputs
of
an
amplifier
having
a
built-
in
D/A
converter
or
another
DAT
deck,
for
playback
of
a
DAT
cassette
or
digital-to-digital
recording.
Notes
on
connection
e
Use
the
connecting
cords
specified
in
the
illustrations.
e@
Turn
off
the
power
for
all
equipments
before
making
connections.
e
Be
sure
to
insert
the
plugs
firmly
into
the
jacks.
Loose
connections
may
cause
hum
and
noise.
When
unplugging,
grasp
the
plug
and
not
the
cord,
Notes
on
the
optical
cable
@
Donot
bend
the
cord.
When
the
cord
is
not
used,
curl
it
with
a
diameter
of
more
than
15
cm
(5
7/,
inches).
e@
Donot
use
it
under
high
temperatures.
e
When
the
optical
cable
is
not
connected,
cover
the
OPTICAL
IN/OUT
jacks
with
the
supplied
caps.
Note
on
sound
signals
When
connecting
an
optical
cable
to
the
DIGITAL
IN/
DIGITAL
OUT
jacks,
sound
signals
(L/R)
are
transmitted
together
through
the
cable.
There
are
following
three
types
of
connecting
jacks
at
the
rear
cf
the
deck.
Each
type
of
jack
requires
a
different
type
of
connecting
cord.
LINE
IN/OUT
(analog
input/output)
jacks
Audio
signal
connecting
cord
(supplied,
or
optional
RK-C505KS
etc.)
White
LINE
IN
TH
©
Left
“>
©
Right
LINE
OUT
white
Lett
©
ec
Right
©
#3
Red Red
COAXIAL
IN/OUT
(digital
input/output)
jacks
OPTICAL
IN/OUT
(optical
transmission
digital
inpuVoutput)
jacks
Coaxial
digital
connecting
cord
ional
VMC-1
coaxiaL
—
(OPtional
VMC-IES
ete)
CoayiaL
OUT
IN
Optical
cable
OPTICAL
OUT
(optional
POC-15
etc.)
G—
i]
ll
How
to
connect
the
optical
cable
OPTICAL
IN
Remove
the
cap.
2

Connection
ples
If
your
amplifier
is
not
equipped
with
digital
signal
jacks
Rec
OUT
BNET
EL
TAPE
|
:
Analog
signal
connecting
cords
——
:
Digital
signal
connecting
cords
(coaxial
cord
or
optical
cable)
©:
Signal
flow
CD
player
(such
as
CDP-X777ES)
=
fee
BS
tuner
such
as
SAT-100RX)
=
i
RSJ
LINE
OUT]
Amplifier
(such
as
TA-F555ESL)
When
recording
via
When
recording
via
digital-to-digital
connec-
digital-to-digital
tion,
connect
the
sound
connection,
connect
a
source
equipment
(the
DAT
deck
(the
digital
digital
output)
to
DIGI-
input)
to
DIGITAL
OUT
TAL
IN
(COAXIAL
or
OP-
TICAL)
of
the
DTC-87ES.*
(OPTICAL)
of
the
DTC-87ES"
DTC-87ES
=>
to
a
wail
outlet
When
connecting
a
microphone
*If
“COPY
PROHIBIT"
appears
in
the
display
window,
Connecting
a
stereo
microphone
amplifier
(the
analog
recording
via
digital-to-digital
connection
cannot
be
output)
to
LINE
IN
of
the
DTC-87ES.
performed.
In
this
case,
connect
the
sound
source
equipment
using
LINE
IN
and
OUT
jacks.
13

Connections
Connection
Examples
if
your
amplifier
is
equipped
with
digital
signal
jacks
:
Analog
signal
connecting
cords
—
:
Digital
signal
connecting
cords
(coaxial
cord
or
optical
cable)
<=:
Signal
flow
CD
player
(such
as
CDP-X777ES)
DIGITAL
OUT
BS
tuner
such
as
SAT-100RX
DIGITAL
OUT
DAT
deck
DIGITAL
OUT
Amplifier
DIGITAL
(such
as
TA-F555ESL)
fii
QB
o
DIGITAL
DIGITAL
IN
IN
DTC-77ES
Jour
=
to
a
wall
outlet
*If
“COPY
PROHIBIT”
appears
in
the
display
window,
recording
via
digital-to-digital
connection
cannot
be
performed.
:
In
this
case,
connect
the
sound
source
equipment
using
LINE
IN
and
OUT
jacks.
14

Time
Setting
This
unit
employs
a
built-in
clock
to
keep
track
of
the
current
date
and
time.
Once
you
set
the
date
and
time,
this
information
will
be
recorded
on
the
tape
along
with
the
audio
signal
during
recording.
This
function
is
very
convenient
because
it
allows
you
to
check
when
the
tape
was
recorded
when
playing
the
tape
later.
Setting
the
date
and
time
Example:
Setting
the
clock
to
10:30:00
AM,
July
4,
1991
(Thursday)
Setting
the
date
1
Display
the
current
date.
PRESENT
Blink
2
O(-)
_
MUSIC
SCAN
(+)
ick
.
CLOCK
SET
uickly.
Set
the
year
fe=
I
q
Yy
Blink
3
Set
the
month.
CLOCK
SET
ry
een
+)
ae
=>
OATE
oC
2
4
Set
the
day.
CLOCK
SET
ceo
ecsetn
*)
im
ne
”
4
DATE
7
&
bet
rn
5
Set
the
day
of
the
week.
cee
ser
Q(-)___
MUSIC
SCAN
(+)
Sn
~~
eS
ee
¥
cs
ean
il
6
Complete
the
setting
procedure.
CLOCK
SET
15

Time
Setting
Setting
the
time
1
Display
the
current
time.
PRESENT
=
Blinks.
DATE
anoonn
|
Uy
Li
tims
Us
si
Blink
©}
MUSIC
SCAN
(+)
;
2
Set
the
hour.
CLOCK
SET
eal
quickly.
}
=»
Blink
3
Set
the
minutes.
CLOCK
SET
oe)
‘aaa
(+)
quickly.
4
Set
the
seconds
to
0.
CLOCK
SET
ost
ao
as
SCAN
(+)
Fie
ad
OATE
nm
n
f
Ge
FowGOs
Am
5
start
the
clock
simultaneously
with
the
clock
SET
l
Blinks.
signal
from
a
timecast
(telephone,
etc.).
c3
Lu
Pa
C3
a)
mal
53
To
confirm
the
date
or
time
A
The
day
of
the
week
and
AM/PM
are
displayed
as
Press
the
PRESENT
button
to
display
the
date
or
time.
One
follows.
press
displays
the
date
and
two
presses
displays
the
time.
To
return
to
the
original
counter
display,
press
the
Sund
im
|
AM
m
COUNTER
button.
sneey
|
SU
All
Monda’
ia
PM
HH
Time
display
prey
mu
|
Pil
The
time
is
displayed
in
12-hour
format.
Tuesday
Tht
Midnight
and
noon
are
displayed
as
follows:
Midnight:
AM
12:00
Noon:
PM
12:00
u
Wednesday}
{I/F
H
Built-in
clock
ees
+
This
unit's
built-in
clock
operates
using
a
quartz
oscillator,
Friday
FE
and
time
variations
caused
by
changes
in
temperature,
etc.,
may
accumulate.
For
precise
recording
of
hour,
S
minute,
and
second
data
by
the
built-in
date
function,
it
is
recommended
that
you
set
the
clock
once
a
week.
Saturday
Note
Precautions
when
setting
the
time
This
unit
uses
a
back-up
battery
to
keep
the
clock
running
@
Set
the
time
while
the
tape
is
stopped.
when
the
power
is
turned
off.
The
life
of
the
battery
under
e
Although
this
unit’s
clock
automaticaily
adjusts
for
leap
normal
use
is
approximately
five
years.
When
the
battery
years
and
long
and
short
months,
do
not
enter
a
date
starts
to
run
down,
the
clock
will
stop
operating
normally.
which
does
not
exist.
When
this
occurs,
have
the
battery
replaced
at
your
dealer
or
nearest
Sony
Service
Center
(a
battery
replacement
fee
is
required).
16

‘Or:
-x-Y-34(-
mey-le
[Tare]
1
Turn
on
the
power.
2
Press
OPEN/CLOSE.
3
Insert
the
cassette.
Insert
the
cassette
Window
side
up
until
it
clicks.
Tab
facing
fowards
you
y
4
Press
OPEN/CLOSE.
The
lamp
in
the
cassette
compartment
lights.
To
remove
the
cassette
Press
OPEN/CLOSE.
On
a
digital
audio
tape
Only
the
digital
audio
tape
made
especially
for
DAT
deck
is
required.
Unlike
an
ordinary
cassette
tape,
a
digital
audio
tape
can
be
used
only
one
side.
e
Digital
audio
tape
is
designed
to
avoid
a
dust.
Do
not
open
the
inside
of
the
tape.
@
The
hole
at
the
back
of
a
tape
is
a
detector
slot.
Do
not
cover
the
slot.
To
prevent
accidental
erasure
When
a
recording
is
made,
any
previously
recorded
signal
will
be
erased
automatically.
To
prevent
accidental
erasure,
set
the
safety
tab
to
the
position
shown
in
the
illustration.
With
the
hole
open,
rewriting
sub
codes
cannot
be
performed.
Recording
is
impossible
(with
the
hole
open).
Recording
is
possible
(with
the
hole
covered).
Notes
On
the
sampling
frequency
e@
When
you
turn
on
the
power,
the
I
indicator
blinks
for
a
When
a
cassette
is
inserted
and
a
source
program
is
play
moment
in
the
display
window.
During
this
period,
no
back,
the
sampling
frequency
of
the
source
program
buttons
other
than
OPEN/CLOSE
and
»
are
operative.
Wait
appears
in
the
display
window.
until
blinking
stops
and
i
goes
off.
@
When
inserting
the
cassette,
do
not
push
the
cassette
compartment
closed.
Be
sure
to
use
the
OPEN/CLOSE
button,
17

sii
fo]
c-Ma(clere)
collate]
]E
Val
Morro
Colameclaremorelt
lave
Mu
(Vh
(cto
M
szela
(tela)
With
conventional
analog
audio
tapes,
the
tape
portion
on
which
no
recording
ever
has
been
made
and
the
portion
on
which
a
recording
has
been
made
but
the
sound
is
muted
are
treated
the
same,
since
no
sound
can
be
heard
from
these
portions.
However,
with
DAT
cassette,
you
should
know
that
the
two
kinds
of
“no
sound”
portions
must
definitely
be
distinguished
one
from
the
other.
Blank
section
Means
the
portion
on
which
no
recording
ever
has
been
applied.
aicadiarice
BIDCHAGS
®
:
Recording
Blank
section
©:
Selection
Sound
portion
Means
the
portion
on
which
a
recording
has
been
applied
but
that
no
audible
sound
is
recorded.
SELIM
®:
Recording
Sound
muted
section
;
@®:
Selection
Important
When
recording,
be
certain
that
not
blank
section
is
left
on
the
tape.
If
blank
sections
remain
on
the
tape,
search
operations
using
the
AMS
buttons,
for
example,
may
take
quite
a
long
time.
Difference
between
the
blank
section
and
sound-muted
portion
When
you
record,
a
track
format
is
constructed
on
the
recorded
area,
even
if
the
sound
is
muted
during
recording,
On
the
blank
section,
since
no
recording
is
applied,
there
is
no
track
format.
See
page
44
for
details
on
the
track
format.
18
Absolute
Time
Codes
The
absolute
time
codes
correctly
recorded
on
the
tape
can
be
used
in
various
convenient
ways
during
playback.
Recording
absolute
time
codes
When
you
record,
the
absolute
time
codes
are
also
recorded
automatically
from
the
beginning
of
the
tape.
Note,
however,
that
the
absolute
time
codes
are
not
recorded
if
you
start
recording
from
the
middle
of
blank
section.
No
blank
sections
should
be
left
on
the
tape
when
recording.
Tips
for
recording:
e
To
insert
silence
between
selections,
use
the
record
muting
function
(page
22).
Do
not
advance
the
tape
with
mr
oP.
e
Tostart
recording
from
the
middle
of
the
tape,
use
the
end
search
function
(page
22)
to
locate
the
beginning
of
the
blank
section.
This
will
avoid
leaving
a
blank
section.
@
When
loading
the
tape
recorded
the
absolute
time
codes,
the
ABS
TIME
indicator
is
displayed,
otherwise,
the
COUNTER
indicator
is
displayed.
If
a
blank
section
is
left
on
the
tape
If
you
start
recording
from
the
middle
of
a
blank
section,
the
absolute
time
codes
are
not
recorded,
since
the
DAT
deck
can
no
longer
count
the
absolute
time
from
the
beginning
of
the
tape.

Lat-xerelgel
late,
Make
sure
the
TIMER
is
set
to
OFF,
and
turn
on
the
power.
>
Insert
a
cassette
and
press
&
to
load
the
cassette.
(See
page
17.)
Then
locate
the
position
at
which
you
want
to
start
recording.
To
start
recording
from
the
beginning
of
the
tape,
press
«#4.
(The
TOP
indicator
will
appear
at
the
beginning
of
the
tape.)
To
start
from
the
middle
of
the
tape,
locate
the
point
immediately
before
the
blank
section.
(See
page
22).
If
recording
has
been
applied
to
the
entire
tape
and
there
is
no
blank
section,
locate
the
desired
point
by
playing
back.
Set
the
INPUT
selector
to
ANALOG,
OPTICAL
or
COAXIAL
depending
upon
your
sound
source.
Set
the
REC
MONITOR
switch
to
SOURCE.
Press
REC.
@,
>
and
It
indicators
light,
and
the
deck
enters
the
record-pause
mode.
The
sampling
frequency
to
be
applied
for
recording
appears.
{f
the
digital
copy
prohibit
signal
is
written
on
the
codes
of
the
sound
source,
the
COPY
PROHIBIT
indicator
appears
in
the
display
window
and
signifies
that
you
cannot
record
that
source
with
the
digital-to-
digital
connection.
In
this
case,
use
the
analog-to-
analog
connection.
When
recording
the
analog
input
signal,
adjust
the
recording
level.
(See
page
21.)
No
recording
level
adjustment
is
required
when
recording
the
digital
input
signal.
Only
the
analog
input
signal
and
the
digital
signal
of
32
kHz
(Satellite
broadcast
A
mode)
can
be
recorded
in
the
long-play
mode.
Press
PAUSE
or
>
(play).
The
Wt
indicator
goes
off,
and
recording
starts.
To
record
in
the
long-play
mode
Set
REC
MODE
to
LONG.
(See
page
21.)
To
write
start
ID
automatically
during
recording
Make
sure
that
the
AUTO
indicator
is
lit.
If
not,
press
START
ID
AUTO.
(See
page
26.)
To
designate
the
program
number
Press
the
desired
numeric
button.
(See
page
28.)
When
recording
from
the
beginning
of
the
tape,
the
program
number
will
be
assigned
automatically
from
1.
To
Insert
sound
muted
portion
at
the
beginning
of
the
tape
Do
not
advance
the
tape
with
»
or
&.
This
will
leave
a
blank
section
at
the
beginning.
Be
sure
to
proceed
with
the
record
muting
function.
(See
page
22.)
To
stop
recording
Press
@.
To
stop
recording
for
a
moment
Press
41.
To
release
pause
and
restart
recording
Press
or
>.
To
remove
the
cassette
Press
&.
@
When
you
press
FADER
or
REC
MUTE,
the
deck
will
also
enter
the
record-pause
mode.
If
recording
cannot
be
made
Check
the
following:
@
The
safety
tab
of
the
cassette
is
set
to
the
record-inhibit
position.
(See
page
17.)
No
cassette
is
loaded.
The
INPUT
selector
is
set
to
the
incorrect
position.
Tape
is
fully
rewound
to
the
end.
The
output
level
of
the
playback
equipment
is
too
low.
The
digital
copy
prohibit
signal
is
written
in
the
codes
of
the
sound
source
you
want
to
record.
(The
COPY
PROHIBIT
indicator
appears
in
the
display
window.)
e@
The
REC
LEVEL
controlis
set
to
the
0
position.
(Only
when
recording
the
analog
input
signal.)
Note
on
the
INPUT
selector
and
the
REC
MODE
selector
Do
not
change
the
position
of
these
selectors
after
recording
starts.
If
the
cassette
is
ejected
after
it
has
been
loaded
Check
to
see
if
the
cassette
is
inserted
correctly.
(See
page
17.)
When
the
tape
is
recorded
to
the
end
(Auto
rewind
function)
The
tape
is
rewound
to
the
beginning
and
stops
automatically.
The
auto
rewind
function
is
not
applied
when
the
TIMER
switch
is
set
to
the
REC
position.
19

Recording
To
record
the
recording
date
and
time
Once
the
built-in
clock
is
set,
the
date
and
time
of
recording
will
automatically
be
recorded
on
the
tape
along
with
the
audio
signal.
When
playing
the
tape
back
later,
you
can
display
this
information
to
check
when
the
tape
was
recorded.
To
check
the
date
and
time
being
recorded,
press
the
PRESENT
button
to
display
the
current
date
and
time.
Note
If
you
use
another
DAT
deck
to
record
subcodes
(using
the
renumbering
function,
etc.)
on
a
tape
initially
recorded
on
this
unit,
the
recording
date
and
time
data
may
be
erased
from
those
sections
of
the
tape.
Bom
irelaicemime-elcelliremerelareli
tel)
In
addition
to
the
usual
recording/playback
heads,
this
unit
is
also
equipped
with
heads
for
after-monitoring.
This
allows
you
to
monitor
the
recorded
sound
immediately
after
it
has
been
recorded
on
the
tape,
and
enables
you
to
switch
between
the
source
sound
and
the
recorded
sound
during
recording
to
check
the
actual
effect
of
level
settings
and
sound
quality
adjustments
with
your
own
ears.
You
can
hear
the
source
sound
by
setting
the
REC
MONITOR
switch
to
SOURCE,
and
you
can
monitor
the
recorded
sound
by
setting
the
switch
to
TAPE.
During
playback,
the
tape
sound
is
selected
automatically
regardiess
of
the
switch
position.
If
your
amplifier
has
a
monitor
switch,
set
it
to
the
TAPE
position.
REC
MONITOR
switch
output
signal
To
check
the
recording
date
and
time
During
playback
you
can
check
the
recording
date
and
time
which
was
recorded
on
the
tape
at
the
same
time
the
audio
signal
was
recorded.
(No
display
will
appear
if
the
recording
date
and
time
are
not
recorded
on
the
tape.)
To
display
the
recorded
date
and
time,
press
the
RECORDED
button.
Each
press
of
the
button
changes
the
display
according
to
the
following
sequence.
RECORDED
Date
of
recording
2g
T
aay
tT
4
Time
of
recording
ATE
m
qann
(Gv.
IOu0
Gs
AM
RECORDED
To
check
the
current
date
and
time
Press
the
PRESENT
button.
The
date
and
time
are
displayed
in
the
same
way
as
with
the
RECORDED
button.
The
position
of
the
The
indicator
of
the
REC
Output
signal
REC
MONITOR
switch|
MONITOR
switch
o@
|
SOURCE
Pe
Ne
The
input
source
sound
is
heard.
£
Zz
25
|
é
8
|
TAPE
SOURCE
\
TAPE
7
The
simultaneously
monitored
tape
sound
is
heard.
ie
>
sj
The
tape
sound
is
heard.
aN
cS
SOURCE
SOURCE)
TAR
‘a
When
the
tape
is
stopped,
the
input
source
sound
is
as
s
heard.
The
tape
sound
is
heard.
Ps
3
8
an
SOURCE
\
TAPE
7
TAPE
ca
When
the
tape
is
stopped,
no
sound
is
heard.
a
SOURCE
ate
us
The
input
source
sound
is
heard.
fe]
de
3
el
2
o
=
HH
SOURCE
\
TAPE
7
a
£
TAPE
Es
No
sound
is
heard.
Also,
since
the
deck
reads
the
subcodes
recorded
on
the
tape
when
a
DAT
cassette
is
loaded
or
when
a
tape
is
fast-
forwarded
or
rewound,
the
TAPE
indicator
lights
and
no
sound
is
heard
during
these
operations.
20
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