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  9. Wheatstone Corporation A-32 User manual

Wheatstone Corporation A-32 User manual

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A-32/A-20
On-Air
Console
WW
=
iisi
•••
’
■■
3
fiWhect/tcxwT
C^ocxctfon
IBGIUMG^L
I
■
OWNER'S
MANUAL
August
1989
r
■
<
1
■i
I
I
I
I
1
I
I
I
I
I
I
BlWheot/tone
Corporation
6720V I P
Parkway
Syracuse,
N V
13211
(315455-7740)
23
p
%I^IS2.~^
oOU
•
»/*"
-
'fcf
1"*
J
I
s
4-20/4-32
Radio
On-Air
Consoles
I
IMPORTANT!
I
I
I
I
I
I
I
*OM-20
output
module
is
supplied
from
factory
with
insert
points
already
bridged
(via
PCB
mounted
dipswitch)
In
order
to
pass
audio
through
your
new
console,
you
must
wire
up
insertion
points
in
certain
modules
Note
in
particular
MM-20
input
modules
and
the
OM-20
output*
module
See
"Connection"
section
in
your
manual
for
details
I
I
ATTENTION!
i
A-32
CONSOL :
This
manual
applies
to
both
A-20
(10
input)
and
A-32
(16
input)
consoles
I
I
I
I
I
I
I
I
I
May
1991
PS-20
POW R
SUPPLY
(load
sheet
drawing):
Voltage
regulators
(Q2
through
Q5)
are
now
using
#4-40
steel
screws,
insulating
shoulder
washers
and
metal
#4-40
locking
nuts
SL-20
ST R O
LIN
INPUT
MODUL :
[4/91]
The
CR
MUTE
function
has
been
dropped
See
D
version
schematic
(SL-20D
PCB)
ADDENDA
TO
A-20
CONSOLE
OWNER'S
MANUAL
Please
note
the
following
changes/additions
to
your
manual
documentation:
I
I
TABL
OF
CONT NTS
I
I
I
I
PARTS
LISTS
1
I
Specifications
System
Signal
Flow
Diagram
G N RAL
Console
Overview
Mainframe
Installation
Cut-Out
Dimension
Drawing
System
Ground
CONSOL
I/O
CONN CTIONS
General
Dipswitch
Controlled
Functions
Control
Ports
Master
I/O
Pinout
Drawing
Individual
Module
Pinouts
Console
Bus
Chart
OPTIONAL
ACC SSORI S
Clock
Control
Card
(CLK-5)
Timer
Control
Card
(TM-6A)
Tape
Remote
Module
(SS-6/FF-2)
Line
Select
Module
(LS-6)
Multi-Phone
Module
(MP-32)
Intercom
Module
(ICM-32)
Studio
Turret
(ST-20)
Copystand
P RFORMANC
GRAPHS
Level
Diagrams
T CHNICAL
NOT S
Testpoints
Updates
MODUL
S CTION
Faceplate
Drawings
Control
Explanations
Signal
Flow
Diagrams
Interface
Charts
Schematics
Load
Sheets
1
I
I
I
I
I
I
•
gold
contact
interface
•
fully
regulated,
short
circuit
protected
rackmount
power
supply
(3*/
2
"
high)
•
mating
gold
pin
DB 25
connectors
included
•
3
year
limited
warranty
•
precision
multi turn
calibration
trims
throughout
•
pre
burned in,
socket mounted
ICs
•
gold
contact
industry
standard
ON/OFF
switches
•
channel
A/B
logic
follow
•
hinged
meterbridge
solid
oak
cabinetry
•
lexan
laminated
module
panels
•
fully
enclosed
aluminum
chassis
•
fully
enclosed
aluminum
meterbridge
I
I
to
THE
A-20
ON-AIR
BROADCAST
CONSOLE
LOGIC
CONTROLLED
AUDIO
—
Since
impeccable
electrical
specifications
were
the
design
objective,
VCAs.
FETs,
and
use
of
line
transformers
were
avoided
to
reduce
the
significant
noise,
distortion
and
bandwidth
limitations
that
these
component
cn
employs
a
short
turn on
delay
to
avoid
acoustic
noise
from
the
channel
ON
switch.
THE
LOGIC
SYSTEM
—
The
A 20
provides
an
isolated
contact
closure
from
individual
input
module
ON
and
Orr
switcnes
to
provide
interface free
machine
starts
The
module
can
also
accept
external
ON/OFF
commands
by
simply
receiving
a
contact
closure
from
cart
machines,
or
a
logic
low
command
The
module's
A/B
source
selector
switch
also
switches
the
logic
commons
for
the
A
and
B
machine
control
ports
to
allow
a
logic follow
function.The
A 20's
internal
logic
is
controlled
by
dipswitches
located
on
the
input
modules.
Available
functions
include
control
room
mute
and
on air
tally
relay,
studio
mute
and
studio
on air
tally
relay,
and
console
timer
restart.
Additionally
the
control
room
module
can
be
dipswitch
programmed
to
provide
a
split
cue
mode
that
places
program
in
the
left
monitor
speaker
and
cue
in
the
right
The
control
module
also
has
a
dipswitch
selection
to
allow
cue
to
interrupt
the
headphone
monitor
t
..
INPUT
CIRCUITRY
—
All
line
level
inputs
are
electronically
balanced
and
are
capable
of
+
26dBm
levels
This
type
of
active
circuitry
optimizes
bandwidth
and
distortion
and
avoids
unnecessary
use
of
line
transformers.
Additionally
the
line
input
modules
have
front
panel
accessible
multi turn
screwdriver
driven
gain
trim
controls
to
accommodate
a
wide
range
of
signal
sources.
Mic
modules
also
have
a
front
panel
gain
trim
control
but
also
utilize
a
mic
transformer,
which
is
better
suited
to
low
level
signals
in
high
RF
environments
i
t
OUTPUT
CIRCUITRY
—
The
program.,
audition,
mono,
mix minus,
control
room
and
optional
studio
outputs
are
all
electronically
balanced
and
capable
of
delivering
+
28dBm
levels.
Multi
turn
front
panel
screwdriver
adjustable
gain
trim
controls
are
provided
HEADPHONE
CIRCUITRY
—
A
headphone
output
jack
is
provided,
located
below
counter
level
Headphone
derives
its
signal
from
the
control
room
source
selector
switch
and
may
be
programmed
by
an
internal
dipswitch
to
receive
input
module
cue
signals.
This
switching
action
is
automatically
activated
from
the
console's
internal
logic
buses
Headphone
output
level
is
set
by
a
high
quality
conductive
plastic
level
control
CONTROL
ROOM
FUNCTION
—
The
control
room
module
receives
its
signal
from
a
six
position
source
selector
switchbank
Source
choices
include
program,
audition,
mono
and
two
external
electronically
balanced
stereo
inputs.
A
long life
conductive
plastic
level
control
then
drives
the
control
room's
electronically
balanced
outputs
Control
room
signal
is
muted
when
control
room
mic
is
ON
The
module
can
be
internally
dipswitch selected
to
operate
in
a
split
cue
mode,
where
the
cued
module
is
placed
in
the
right
monitor
speaker
and
a
dimmed
mono
sum
signal
is
placed
in
the
left.
The
studio
mic
module
can
be
dipswitch
selected
to
talk
back
to
the
control
room's
cue
circuit
to
facilitate
intercom
functions.
A
control
room
on air
tally
relay
is
activated
whenever
the
announcer
microphone
is
energized
CONSOLE
TIMER
—
The
A 20
meterbndge
comes
standard
with
a
digital
elapsed
time
counter
and
corresponding
control
panel
(mounted
in
the
lower
portion
of
the
OM 20
output
module
)
This
control
panel
is
provided
with
start/stop.
hold,
and
reset
buttons
Another
handy
feature
is
a
recessed
timer
restart
switch
When
activated
it
allows
dipswitch
pre programmed
line
modules
to
reset
the
timer
to
zero
and
begin
counting
upon
a
channel
ON
command.
STUDIO
FUNCTION
—
An
optional
studio
module
is
provided
with
a
six
position
source
selector
switchbank,
a
conductive
plastic
level
control
and
electronically
balanced
outputs,
as
well
as
a
talkback
button
which
allows
the
control
room
talent
to
communicate
to
the
studio
output
Also,
an
independent
external
talkback
output
is
provided
to
feed
an
independent
speaker
when
so
desired
A
studio
on air
tally
relay
is
activated
whenever
the
studio
microphone
is
energized
LINE
SELECTOR
—
An
optional
six
source
stereo
line
selector
module
is
available
that
may
be
wired
to
the
input
port
of
line
input,
control
room
or
studio
modules
to
expand
their
input
capacir/
TAPE
REMOTE
MODULE
—
An
optional
tape
remote
module
is
available
that
provides
twelve
switches
to
enable
full
function
control
of
two
remote
tape
machines
The
module
is
also
available
as
six
pairs
of
stop/start
buttons
to
control
six
cart
machines.
STUDIO
TURRET
—
An
optional
family
of
studio
turret
and
turret
panels
is
available
These
panels
include
a
crystal controlled
(or
60
Hz
timebase)
clock,
elapsed
time
counter
(which
may
slave
from
the
console
s
restart
bus),
a
headphone/speaker
control
panel,
a
mic
control
panel
(On.
Off.
Talkback,
Cough),
and
an
eight bank
stereo
selector
panel.
MAINFRAME
—
The
A 20
mainframe
is
unique,
both
in
terms
of
structure
and
interface
It
utilizes
an
innovative
approach
to
its
interface
system
that
greatly
improves
connection
reliability
and
ease
of
installation,
uisng
gold
contact
insulation
dfsplacement
(ID)
connectors
and
ribbon
wire
(developed
by
the
computer
industry
for
its
superior
reliability
and
maintenance
characteristics)
This
system
replaces
older
motherboard
technology
and
its
inherent
vulnerability
to
solder
joint
failure
and
loose
debris
shorting.
Con

sole
I/O
connections
are
made
to
25 pin
DB
connectors
mounted
on
the
bottom
plate
of
the
console
Mating
gold
contact
connectors
plug
into
the
underside
of
the
console,
allowing
console
placement
close
to
walls
and
eliminating
the
need
for
flip uo
procedures
(and
allowing
wiring
changes
during
console
operation)
The
gold
contact
connectors
are
far
superior
to
the
tin
contact
Molex
type
and
eliminate
the
need
for
bringing
external
wiring
into
the
console
s
interior,
a
major
source
of
RF
contamination
PERFORMANCE
—
Performance
is
the
most
outstanding
feature
of
the
A 20
console
A
review
of
the
specification
page
(following)
says
it
air
This
console
in
every
way
performs
equal
to
its
larger
format
counterparts.
There
is
simply
no
compromise
made
in
this
area.
IN
SUMMARY,
the
A 20
On Air
Broadcast
Console
is
a
significant
achievement
in
console
design
in
terms
of
ease
of
installation
service,
integrity
of
connections
and
technical
performance
It
borrows
componentry
and
methods
from
both
the
computer
and
audio
industries.
The
A 20
is
a
perfect
choice
for
stations
planning
an
upgrade
in
signal
quality
or
control
room
image
It
is
also
a
natural
choice
for
newsroom
and
small
production
applications.
•
2
mic
channels
•
8
stereo
line
channels
•
4
VU
meters
•
1
elapsed
time
counter
(w/auto
restart)
•
module
machine
start
function
•
Program
and
Audition
stereo
buses
•
Cue
bus
•
Mix Minus
bus
•
automatic
cue
release
•
A/B
source
select
w/LED
indicator
•
control
room
module
•
headphone
function
•
split/cue
monitor
or
external
cue
out
•
fully
modular
construction
E
[
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SMPTE
IMD(Line
in);
<0.008%
(+
20dBm
out)
OUTPUT
(Bus)
+
30dBu
max,
+
20dBm
MIXING
BUSES
I
METERS
OFF
ISOLATION
better
than
IQOdBfalKHz
SLEW
RATE
(Line)
12V/microsecond
(bal
out)
FADERS
100mm
conductive
plastic
PHASE
SHIFT
(Line
in):
less
than
12°(20Hz 20KHz)
CROSSTALK
80dB(&lKHz
STEREO
SEPARATION
(Lt Rt):
I
55dB(fclKHz
Specifications
and
features
subject
to
change
without
notice.
I
THD
+
NOISE
Line
input
Mic
input
A
—
20
CONSOLE
MODULE
LAYOUT
(INPUT
MODULE
TYPES
DETERMINED
BY
CLIENT)
<0.003%
(20Hz 20KHz
(a.
+
20dBm
out)
<0.005%
(1
KHz
fa
+
20dBm
out)
±0.2dB
(20Hz 20KHz)
±0.5dB,
30Hz 20KHz
28dB
max
67dB
max
GAIN
TRIM
RANGE
Stereo
Line
Mic
20dB
36dB
50Kfi
bal,
+
26dBu
max
1500
nom,
OdB
max
4
Lighted
Mechanical
VU
(2
PGM.
2
AUD.
plus
timer)
2
Stereo
(Program.
Audition)
1
Cue
©
SC 20
I
oaiF
FREQUENCY
RESPONSE
Line
input
Mic
input
NOISE
(20Hz 20KHz).
Line
input
Mic
input
(150(1
source)
INPUT
GAIN
Stereo
Line
Mic
better
than
88dBm
EIN 128dB( 74dBm)
INPUT
Stereo
Line
Mic
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PRELIMINARY
SPECIFICATIONS:
A 20
ON AIR
BROADCAST
CONSOLE
(All
faders
(a
nominal
settings
(
10dB);
Gain
OdB
line.
54dB
mic)
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A-20
CONSOLE
OVERVIEW:
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STANDARD
NODULES
are
as
follows:
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For
a
better
understanding
or
the
console,
refer
to
the
A-20
module
Illustrations
and
signal
flow
diagrams
In
conjunction
with
the
following
section:
The
WHEATSTONE
A-20
ON-AIR
BROADCAST
CONSOLE
Is
a
modular,
2-channel
console
for
radio
on-air
applications
The
console
comes
supplied
with
individual
stereo
PROGRAM
and
AUDITION
outputs,
plus
a
MONO
SUM
(derived
from
PROGRAM)
and
a
MIX-MINUS
output
The
mainframe
comes
supplied
with
the
following
standard
modules:
10
inputs
(2
mono
mic
[MM-20],
8
stereo
line
[5L-20D,
a
control
room
module
(CR-20),
an
output
module
(0M-20),
and
3
blank
positions
(for
optional
modules;
see
below)
The
console
meterbridge
houses
4
VU
meters
(PGM
LT,
PGM
RT,
AUD
LT
and
AUD
RT)
and
a
digital
timer
A
rackmount
power
supply
(failsafe
option
available)
is
included
(1)
MM-20
MONO
MIC
INPUT:
A
dual
source
mono
microphone
input
module
with
A/B
select
switch
(w/LED
indicator),
front
panel
multi-turn
gain
trimpot,
output
assign
(PGM
and/or
AUD),
long-throw
conductive
plastic
fader,
and
lighted
channel
ON
and
OFF
switches
Logic
functions
(selectable
via
internal
dipswitch)
are
as
follows:
mix-minus
assign,
talkback
to
studio,
control
room
mute,
and
studio
mute
The
module
also
has
the
following
external
control
ports:
tally
on,
tally
off,
channel
on,
channel
off,
and
cough
Note
that
remote
control
functions
will
follow
the
source
select
switch
A/B
setting
(2)
5L-20
STEREO
LINE
INPUT:
A
dual
source
stereo
line
input
module
with
A/B
source
switch
(w/LED
indicator),
left
and
right
multi-turn
front
panel
gain
trimpots,
output
assign
(PGM
and/or
AUD),
CUE
(w/LED
indicator),
long-throw
conductive
plastic
stereo
fader,
and
lighted
channel
ON
and
OFF
switches
Logic
functions
(selectable
via
internal
dipswitch)
are
as
follows:
mix-minus
assign,
control
room
mute,
timer
restart,
and
local/external
ready
light
indicator
The
module
also
has
the
following
external
control
ports:
remote
start,
remote
stop,
channel
on,
channel
off,
and
ready
Note
that
remote
control
functions
will
follow
the
source
select
switch
A/B
setting
(3)
CR-20
CONTROL
ROOM
MODULE:
This
module
controls
monitor
source
selection
(PGM,
AUD,
and
MONO
console
signals,
plus
two
external
stereo
line
inputs),
control
room
level
(w/on
switch),
headphone
level
(the
module
has
a
built-in
headphone
amp)
and
CUE
level
CUE
can
be
internally
set
(via
dipswitch)
to
automatically
interrupt
CR
and/or
HDPN
The
module
also
has
a
built-in
on-air
tally
relay
(4)
0M-20
OUTPUT
MODULE:
Contains
front
panel
multi-turn
trimpots
for
PGM,
AUD,
MONO
and
MIX-MINU5
outputs,
plus
VU
trims
for
the
PGM
and
AUD
meters
This
module
also
houses
the
timer
control
panel
(Start/Stop,
Reset,
Hold,
Auto-Restart)