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(I)
hi
1N
U
z
‘II
CD
0
m
r
C)
m
WHITE
SEWING
MACHINE
Record
in
space
provided
below
the
Serial No. and
Model
No.
of
this
appliance.
The
Scerial
No.
is
located
ott
Bed
Plate.
The
Model No.
is
located
on
Bed
Plate.
Serial
No.
_____________
Model No.
2
1
9
Retain
these
numbers
for
future
reference.
IPagel
Features
and
Parts
3
Winding the
Bobbin
6
Upper
Threading
7
Placing
Bobbin
Case
S
Adjusting
the
Tensions
9
Adjusting
Pressure
and
Feeding
of
Fabric
10
Preparing
to
Sew
11
Applications
of
the
Smocking
Stitch
12
Twin
Needles
Upper
Threading
arid
Stwing
13
Samples
of
Creative
Embroidery
14
Creative
Embroidery
16
Embroidering
With
a
Hoop
1
6
Making
Buttonholes
1
7
To
Regulate
the Length
of
Stitch
19
Sewing
in
Reverse
19
INDEX
(Itemi
lPal
Straight
and
Zigzag
Sewing
19
Sewing
on
Buttons
20
Straight
Stretch
Stitch
21
Multiple
Zigzag
Stitch
22
Blind
Stitch
Hem
23
Manual
Operation
24
The
Adjustable Cording
and
Zipper Foot
25
Quilting Guide
26
Seam
Gauge
or
Cloth
Guide
26
Cleaning
and
Oiling
the
Shuttle
27
Care
and
Maintenance
of Your
Machine
28
Accessories
30
Trouble
Chart
31
For
Portabile
34
Installing
sewing
Head
35
3
Fig.
FEATURES
AND
PARTS
(Front
View)
1.
Take up
Lever
2.
Pressure
Release
(Darning)
3.
Arm
Thread
Guides
4.
Pattern
Selector
Dial
5.
Zigzag
Stitch
Width
Control
6.
Bobbin
Winder
7.
Hand
Wheel
8.
Stitch
Length
Control
9.
Reverse
Stitch
Button
10.
Drop
Feed
Control
11.
Model/Seriaj
No.
Plate
12.
Needle
Clamp Screw
13.
Presser
Foot
14.
Needle Plate
15.
Cover
Plate
16.
Attachment
and
Foot
Thumb
Screw
17.
Tension Control
18.
Thread Guide
4
19,
Sew
Lght
Switch
20.
Spool
Pins
21.
Bobbin
Winder
Tendon
(Thread
Guide)
22.
Presser
Bar
Lifter
23.
Thread
Cutter
24.
Head
Hinge
Mounting
Holes
STITCHING
GUIDE
etc.
5
20
Fabric
Pig.
2
Extremely
heavy
tarpaulin,
tackIng, canvas,
duck,
etc.
Heavy
upholstery
fabric,
ticking,
denim,
leattra,etta
Medium
heavy
drapery fabric,
velveteen
suiting,
felt,
terry,
etc.
Medium
broadcloth
percale,
gingham,
linen,
chintz,
taffeta,
sheer
wool,
sfrantung,
etc.
Sliee
voile,
lawn,
dimity, crepe,
handkerchief
linen, plastic
film,
Very sheer
chiffon,
batiste,
lace,
organdy,
nineso, net,
marquisette
etc.
7
1.
Turn
the
hand
wheel
toward
you
to raise
the
take.
up
lever
to
its
highest
position.
2.
Place
a
spooi
of
thread
on
tite
spool pin.
3.
Lead
the
thread through
the
upper
arm
thread
guides.
(A,8,
Fig.
6)
4.
Down and
between tension
discs
(C,
Fig.
6)
Irons
Right to Left.
5.
Draw
the
thread
up
through
the
check
spring
(D,
Fig.
6)
and
with
a
slight
tug
into
the
hook,
(E,
Fig,
6).
6.
Tlreri
up
through
the
eye
of the
take.up
lever
(F,
Fig. 6)
from
right
to
left.
7.
Lead
thread
down,
through
the
thread
guide
(G, F,
Fig.
6)
then
through
the
needle bar
guide
(I,
Fig.
6).
8.
Thread needle
from
front
to hack,
drawing
it
through about
3
or
4
inches.
Hold
the
end
of
the
upper
thread
lcsely
and
turn
the hand
wheel
toward
you
until
the
needle
goes
all
the way
down
and
comes
back
up.
Aloop
(Fig.
7)
will
he
formed
over
the
upper
thread
which
then
can
be
pulled
out
straight.
Place
both
thread
ends
under
the presser
foot
and draw
toward
the
back
of
the
machine,
leaving
both
threads three
or
four
inches
long.
6
WINDING
THE
BOBBIN
UPPER
THREADING
Flg.4
Fig.5
7
7
BA
I
I
Fig.
3
Disengage
the hand
wheel
(I,
Fig.
4)
from the
stitching
mechanism
by
turning
the
clutch
(2,
Fig.
4)
toward
you
or
counter
clockwise.
Place
a
spool
of
thread
on
one
of
Lire
spool
pins and
lead
thread
though
the
arm
thread
guide
(3, Fig.
3).
Run end
of
thread through
a
hole
in
the
bobbin
edge and
place
bobbin
on
spindle
of bobbin
winder
(4, Fig.
3)
fitting
the
notch
on
bobbin
over
small
pin
on
spindle.
Push
bobbin
(5,
Fig.
3(
to
tIre
right,
and hold
thread
end
loosely
then
start
machine
slowly.
Bobbin
will
stop
winding
when
it
is
filled.
Turn
‘.rutch
away from
you
until
sewing
mechanism
is
again
engaged
to
that
needle moves
when you
turn
the
hand
wheel.
Break
off
loose
thread
end
used
to
start
the winding.
Fig.
6
Fig.
7
7A
7B
SETTING
THE
NEEDLE
Raise
the
needle
bar
(A)
to
its
highest
point,
by
turning
hand
wheel
toward
you
by
hand.
Loosen
needle
clamp
screw
(B)
and
then
needle
can
be
removed
or
replaced.
When
replacing needle
(Flat
Side to
BACK)
in
needle
clamp
push
it
upward
as
far
as
it will
go
into
needle
clamp
hole.
Tighten
the
Needle
clamp
screw
)B)
securely
with
a
screw
driver.
After
changing
the
needle,
make
one
complete revolution
of the
hand
wheel
by
hand
to
be
sure
the
needle
is
in
the
correct position.
Step
1
(illustrated
in
Fig. A).
Hold
bobbin
case
between
thumb
and
forefinger
of
left
hand,
so
that
the
slot
ut
the
edge
of
the
bobbin
case
is
on
top,
take
the
bobbin between
thumb
and
forefinger
of
right
hand
so
that
the
thread
on
top
leads
from
left
to
right.
Step
2.
Insert
bobbin
into
bobbin
case,
pull
the
thread
into the
slot
of
the
bobbin
case
as
shown
in
Fig.
B,
and
draw
it
under
the
tension
spring
and
into the fork-shaped opening
of
the
spring
as
shown
in
Ftg.
C.
THREADING
THE
BOBBIN
CASE
I11
F,g.
B
Fig.
A
Fig.
C
8
PDJUSTING
THE
TENSIONS
PLACING
BOBBIN
CASE
A
/
B
Fig.
8
Raise
needle
bar to
highest
position,
arid
lift
hinged
cover
plate.
(See
15
Fig.
1)
I-bId
the bobbin
case
latch
(0,
Fig.
8),
between
the
thumb
and
forefinger
of
the
left
hand,
with
at
least three inches
of
thread
running
from
the
top
of
the
bobbin
case
to
the
right.
Insert
and
center
the
bobbin
case
on
the stud
of
the
shuttle
body,
(C).
Be
sure
the
bobbin
case
linger
(E)
is
opposite
the
shuttle
race
notch,
(A).
Press
the
bobbin
case
)B)
into
the
shuttle
as
far
as
possible until
latch
catches
on the
center
post
of
the
shuttle.
Then
release
the
bobbin
case
latch,
(0).
Press
bobbin
case
again
after
latch
has
been
released to
make sure
the
bobbin
case
is
locked securely.
Close
the cover
plate.
Always
adjust
the
upper
tension
with
the
presser
foot
down,
as
the
tension
is
released
when
it
is
raised.
To
increase
the
tension
on
the
upper
thread, turn
dial
(Fig.
9)
to
the
right.
To
decrease,
turn
to
the
left.
Before
adjusting lower tension
be
sure
that
the
machine
is
threaded
properly.
When
necessary
to
change
the
bobbin tension,
turn
small screw
(Fig. 10)
on
side
of
the
bobbin
case
clockwise
to
tighten,
counterclockwise
to
loosen.
When
the
upper
tensions
are
properly
balanced,
a
perfect
stitch
will
be
formed
with
both
threads interlock’
ing
in
fabric
(Fig.
11).
When
the
upper
tension
is
too
tight,
the lower
thread
is
pulled
up
over
the
upper thread
which
is
lying
flat
on
the fabric
(Fig.
12).
When
the
upper
tension
is
too
loose,
the
upper
thread
forms loops
over
the
tosser
thread
lying
flat
on
the
fabric
(Fig.
13>
Fig.
to
Fg.
ii
F
15
12
Fig.
13
Fig.
9
10
ADJUSTING
PRESSURE
AND
FEEDING
OF FABRIC
General
Sewing. Usually
for
normal
sewing
the
pressure bar
cap or
darner
release,
(B,
Fig.
14)
is
at
its
lowest position
and
the
drop
feed
knob
is
turned to
“position,
(Fig.
15).
Sewing Thin
or
Light
Weight
Fabrics.
When
lighter
pressure
is
required to
sew
satisfactorily
on
thin
silk
or
flimsy
material,
the
pressure
cap
should
be
about
halfway
down.
Release
all
the
way
by
pressing
the snap
lock,
(A,
Fig.
14)
and
then
press
cap
(B)
down
again
to
halfway
spot.
Darning
and
Mending.
In
order
to move
the
fabric
freely
in
any
direction
for
darning
and
mending,
release
the
pressure
cap
(B,
Fig.
14)
completely
by
pressing
down
on
the
snap
lock,
(A.
Fig.
14)
Turn
drop
feed
control
(Fig.
15)
to
“
position.
This
will
drop
the
feed
well
below the
needle plate.
To
return
feed
to
normal
position,
turn
knob
to”
“position.
PREPARING
TO
SEW
Have
take-up
lever
at
highest
point
before
starting
to
sew.
Do
not
try
to
help
the
feeding
by
pulling the
material
as
this may
deflect
the
needle
and
cause
it
to
break.
NEVER
run
machine
without
material
under
the
presser
foot.
Place
material
and
threads
in
position under
the
presser
foot
and
lower the
presser
foot.
Turn
the
hand
wheel
toward
you
until
the
needle
is
at
its
highest
point.
You
are
now
ready
to
begin sewing.
By
having the
needle at
its
highest
point,
it
is
not
necessary
to touch
the
hand
wheel
to
start
the
machine.
You
merely
press
the
control.
The
speed
of
the
machine
is
regulated
by
increasing
or
decreasing the
amount
of pressure
exerted
on
the
control.
REMOVING
THE WORK
Be
sure
to
stop
the
machine
when the
thread
take.up
lever
and
needle
bar
are
at
the
highest
position.
Now
raise
the
presser
foot
and draw
the fabric
back
and
to
the
left,
Fig.
16-A
and
B,
and pass
the
threads
over
the
thread
cutter.
Pull
down
slightly,
holding
thread
in
both
hands,
so
as
not
to
bend
the
needle.
Leave
the ends
of
thread
under
the presser
foot.
Fig.
14
Fig.
15
Fig. 16-A
Fig.
16-8
12
APPLICATIONS
OF
THE
SMOCKING
STITCH
This
stitch
gives
a
finished
¼
inch seam
in
one
step.
For kints,
it
gives
strength
and
elasticity
to
the
seams
and
prevents
the
curling
of
the fabric
that
often
occurs
with
5/8
inch
opened
seams.
It
is
most
applicable
to
soft,
thin
knits
such
as
nylon
or
acetate
knits,
but
may
be
used
on
other
fabrics
as
well.
Always
make
test
seams with
this
stitch.
For
woven
fsbric,
the
smocking
stitch
gives
strength
and
prevents
raveling.
It
can
be
used
on
woven
goods
to
replace flat
felled
or
French
seams.
For
patterns
with
¼
inch seams:
(Fig
A
)
Place
the
raw edge
of
the
fabric
under
the
presser
foot
so
that
as
the
needle
swings
to
the
right,
it
comes
dosvn
at
the
raw
edge.
This
will
result
in
an
enclosed
seam
allowance.
For
patterns
with
5/8
inch
seams:
(Fig,
H
)
The
seam
allowances
may
be
trimmed
to
¼
inch
either
before
or
after
sewing.
If
trimnling
before
sewing,
proceed
as
above.
Otherwise,
sew
the
seam with
the
raw edge
of
the
fabric
on
the
etched
guide
line
“14”.
(Any
time you
use
the
full
width
of
a
particular
stitch,
you should
readjust
the
raw
edge
of
the fabric
1/8
inch
to
the
left.) Afterward,
trim
the
excess
fabric near
the
stitching.
This
method
is
actually
easier
than
the
overedge
method
for
fabrics
that
curl.
Pattenu
151
Length:
5
Width:
5
Feed
Dog:
Pressure:
Nrmai
Foot:
Zigzag
Foot
SEAMS
TWIN
NEEDLES
UPPER
THREADING
AND
SEWING
1.
Be
sure
zigzag
needle
plate
and
presser
foot
are
in
place.
2.
Follow
threading
instructions
for
single
needle
with
these
exceptions:
a.
Place
two
spools
of
thread,
matching
or
contrasting
in
color,
one
on
each
spool pin.
b.
Lead
both threads
through
arm
thread
guides.
c.
Bring
threads
down
and
around
tension
discs
with one
thread
passing
between
the back
discs
and
the
other
between
the
front
discs.
Now
treat both
threads
as
one
until you
reach
the needle eye.
d.
Pass
one
thread
through
each
needle
eye
(Gid.
18).
3.
The
maximum
zigzag
stitch
width
that
can
be
sewn
when
using
twin
needle
is
at
the
number
3
setting
of the
zigzag
width
control.
Any
position
above
the
number
3
position
will
break
the
twin
needle.
4,
Straight
stitching
and
decorative
stitch
designs can
be
produced
in
the
same
manner
as
for
single
needle
sewing
except
for
the
maximum
zigzag
width.
Fig.
18
14
SAMPLES
OF
CREATIVE
EMBROIDERY
“A”
Sew
a
few
stitches
at
5
width
then
turn
knob
back
to
0
for
a
short
period.
Count
if
necessary,
to
establish
a
rhythm.
(A,
Fig.
20)
“B”
Move
the
zigzag
width
control
slowly
back
and
forth
between
the
number
2
and
number
0
(B,
Fig.
20)
“C” Gradually
move
the
zigzag
width
control
from
0
to
5
and
instantly
return
to
0.
Then,
repeat
likewise.
(C,
Fig.
20).
“0”
Set
zigzag
width
at
5,
stitch
length
at
2.
Sew
a
few
zigzag
stitches.
Turn
the
drop
feed
knob
(Fig.
15)
to
“
____
“
position
for
3
or
4
stitches
then normal
position
again.
By
operating
the drop
feed
knob
rhythmically
it
is
not
necessary
to
count
stitches.
(D.
Fig.
26).
“E”
Set
drop
feed
knob
at”
“position
and
zigzag
A
width
control
at
the
number
5
position.
Take
3
or
4
B
stitches,
leave
needle
in
fabric
and
pivot
fabricon
needle,
to
make
next
daisy
petal.
Continue
until
C
flower
design
is
completed.
Lock
threads
by
setting
D
stitch
width
at
0
and sewing
3
or
4
stitches
in
center
of
design.
(E,
Fig.
20).
E
I’
Fl
9
.
20
CREATIVE
EMBROIDERY
Be
sure
zigzag
presser
foot
and
zigzag
needle plate
are
in
place.
1.
Set
pattern
selector
(C,
Fig.
17)
at
“1
‘‘position.
2.
With
the
zigzag
width
control
(0,
Fig.
17)
set
at
the
Number
5
and
stitch
length
control
(A,
Fig.
17)
as
near
0
as
possible
without
stopping
the
feeding
action,
a
sating
stitch
is
produced
(Fig.
19).
4.
With
the
machine
set
for
a
short
stitch
length,
different
designs
can
be
made
by
turning
the
zigzag
width
control
back
and
forth
between
0
and
5
or
any
other
combinatio”c
of
widths.
Try
setting
the
zigzag
width
control
(0,
Fig.
17)
at
the
first
line
and
the various
oher
lines.
Set
a
rhythm
for
yourself
and
then
proceed.
After
a
while you
will
become
quite
skillful,
varying
your
designs
by
the
speed
of
the
machine,
stitch
length
and
manipulation
of
the
zigzag
width
control.
Fog.
19