Burmester 808 MK5 User manual

Owner‘s Manual
PREAMPLIFIER 808 MK5


Owner‘s Manual 808 MK5 3
Dear Audiophile,
Congratulations on your excellent choice. We sincerely appreciate your trust in us.
You have selected an audio component which excels in musical fidelity and combines
uncompromising manufacturing quality with technical innovation and the highest
degree of operating flexibility.
We urge you to read this owner’s manual in its entirety at least once so you will be able
to make full use of all capabilities of this outstanding audiophile instrument. However,
should you have additional questions, please contact your dealer or call us directly.
You will be the judge of our uncompromising commitment to manufacture true
high-end stereo components and to offer a service that is commensurate with the
highest quality standards.
Please, talk to us about customization – even if it seems a little far-fetched to you. We
gladly accept any technically reasonable challenge.
Enjoy the music.
Your Burmester team.

4
T C
T S ...........................................................
The 808 MK5 in brief ...............................................................6
The Flow Chart.....................................................................8
S U ...........................................................
T C ........................................................
Why a balanced signal path? .......................................................11
T B U .......................................................
Controls and toggle switches .......................................................12
Mounting slots for the modules .....................................................12
Volume controls...................................................................13
The Display.......................................................................13
Level indicator/Level control ........................................................13
Input terminals....................................................................14
Output terminals ..................................................................14
System remote....................................................................15
T I M...................................................
Available input modules ...........................................................16
Interconnects / Mounting slots ......................................................17
Adapter plugs ....................................................................17
T S T M .......................................
T P M MC () ................................
T P M MM () ................................
T O M .................................................
T P S....................................................
F A F .......................................................
T S .........................................................
I C BURMESTER SILVER ...............................
AC C B P . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
G T S ...........................

The SySTem
Owner‘s Manual 808 MK5 5
T S
Front view of preamplifier
Top view of preamplifier
Rear view of preamplifier
Front view of power supply
Rear view of power supply

The SySTem
6
The 808 MK5 in brief
(1) POWER master switch for turning the power to the preamplifier on and off.
(2) POWER LED illuminates when the preamplifier has been powered up.
(3) SELECTOR knob - for switching between input modules and for activating the remote control
mode (REMOTE)
(4) MONITOR- / SOURCE- switch for comparing source and taped signal.
Requires the installation of at least one TAPE module.
(5) MONITOR 1 / MONITOR 2 - switch for comparing signals from TAPE 1 and TAPE 2. This switch is
only effective when the Monitor/Source switch (4) is set to Monitor.
(6) VOLUME - control knob for volume control of output modules OUTPUT 1 and SYM OUT 1.
The volume control is also effective when the REMOTE function has been switched on. As starting
point for remote control we recommend setting the knob to 12 (top center).
(7) VOLUME - control knob for volume control of output modules OUTPUT 2 and SYM OUT 2 (for
details refer to (6)).
(8) IR receiver must be left unobstructed for the remote to operate properly.
(9) Display shows the selected signal source and the volume setting in remote mode.
(10) Display - switch to switch display on or off.
(11) Input module mounting slots for installation of up to six input modules.
(12) Level control RIGHT for adjusting the right channel signal levels of the input modules.
(13) Level control LEFT for adjusting the left channel signal levels of the input modules.
(14) OUTPUT 1 - mounting slot for the unbalanced output module of output 1.
(15) OUTPUT 2 - mounting slot for the unbalanced output module of output 2.
(16) SYM OUT 1 - mounting slot for upgrading output 1 to balanced operation.
(17) SYM OUT 2 - mounting slot for upgrading output 2 to balanced operation.
(18) Level control RIGHT of the output modules to equalize right channel level variations of different
power amps and active speakers.
(19) Level control LEFT of the output modules to equalize left channel level variations of different
power amps and active speakers.
(20) OUTPUT 1 - switch to turn output module OUTPUT 1 on or off.
(21) OUTPUT 2 - switch to turn output module OUTPUT 2 on or off.
(22) Digital level display indicates the level of the selected input module in volts.
(23) Level display switch turn the level display on or off.
(24) Level display selector switch RIGHT/LEFT for switching between the channels.
(25) PHONO input L and R terminals for balanced phono connection.
(26) Mass screw for grounding tonearm cables with separate mass lead.
(27) AUX 1 - AUX 6 - inputs L and R. In the remote mode you can switch between the inputs AUX 2 to
AUX 6 by repeatedly pressing the AUX button on the remote control. Setting the SELECTOR
knob (3) to AUX switches only to the input AUX 1.
(28) Tape 2 - input,L and R, unbalanced.
(29) Tape 2 - output, L and R, unbalanced.
(30) Preamplifier OUTPUT 1, L and R, unbalanced.
(31) Preamplifier OUTPUT 2, L and R, unbalanced.
(32) PHONO input, L and R, balanced.
(33) CD input, L and R, balanced.
(34) TUNER input, L and R, balanced.

The SySTem
Owner‘s Manual 808 MK5 7
(35) TAPE 1 input, L and R, balanced.
(36) TAPE 1 output, L and R, balanced.
(37) Preamplifier OUTPUT 1, L and R, balanced.
(38) Preamplifier OUTPUT 2, L and R, balanced.
(39) REM-OUT 1 output supplies the voltage to remotely switch other Burmester components.
(40) REM-OUT 2 output supplies the voltage to remotely switch other Burmester components.
(41) POWER SUPPLY - terminal for connecting the preamplifier to the power supply.
(42) POWER SUPPLY - terminal for connecting the power supply to the preamplifier.
(43) AC terminal with power switch for connection of the power cord.
(44) Control LED shows the correct functioning of the power supply.
Red: Preamplifier is switched on.
Green: Preamplifier is off. A green LED while the preamplifier has been switched on with the
POWER master switch (1) indicates that the power supply is not working properly.
(45) Proprietary base for acoustically decoupling the preamplifier from external vibration and noise.
For additional insulation effect, we recommend using the supplied carbon fiber damping discs.

The SySTem
8
The Flow Chart
+
-
Tape 1 /
Surround
5
Tape 2
6
4
+
-
Input sockets
Surround
unbalanced
balanced
Phono
Mon. 1
Mon. 2
Remote-controlled volume
Voltage meter ON-OFF switch
right channel
left channel
Volume switch
Output 2
Output 1
unbalanced
balanced
Output 1 module
Input module 1
Input module 2
Input module 3
Input module 4
Input module 5
Input module 6
Output 2 module
Sym Out module
Sym Out module
unbalanced
balanced
Tape 1 Output
Tape 2 Output
Monitor output
+
+
+
-
-
-
1
+
-
CD
2
+
-
Tuner
remote Out
remote Out
2
3
Aux 1
.
.
.
.
Aux 2
not applicable in surround mode!

SeTTing Up
Owner‘s Manual 808 MK5 9
S U
1. Carefully remove the preamplifier and the power supply from the packaging and set
both units up in an appropriate location.
2. Make sure the power switch of the AC terminal (43) is set in OFF position.
3. Connect both components with the 14-pin power cord. To do this, plug any of the
two ends of the cord carefully into the POWER SUPPLY terminal (41) of the
preamplifier and screw down the connector.
4. Use the same procedure to connect the other end to the power supply.
5. Connect the other components of your stereo system with the preamplifier.
6. Turn both VOLUME control knobs (6) and (7) to minimum setting (position 1).
7. Connect the power cord with the AC terminal and plug it into the wall outlet.
8. Switch the power switch to ON and toggle the POWER master switch (1) up (on)..
ªThe preamplifier is now ready for action.

The ConCepT
10
T C
The 808 MK5 is a unique preamplification system. This is true not only in reference to its
most advanced electronic technology and highest quality manufacturing but also with
regard to its design. Its wide-ranging operational possibilities have made it the
standard of reference in preamplification and the work horse for many audio
developers and audio magazines worldwide.
The 808 MK5 is a modular design. The system consists of:
• The basic unit
• The input modules (maximum of six in any configuration – one necessary)
• The output modules (two possible – one necessary)
• Unused mounting slots are protected by cover plates.
• The SYM OUT output modules for balanced operation (maximum of two possible)
• Modular technology turns the 808 MK5 into a dynamic system.
• From a minimal configuration it may be expanded step by step
• It can be adapted to the changing requirements of its owner at any time.
• Individual modules can be sent in for modification while the system remains with the
owner.
• Technological advances can be incorporated by modifying or exchanging modules;
hence the 808 MK5 maintains its technological edge and its resale value over a very
long time.
Technical specifications such as signal-to-noise ratio, total harmonic distortion and
intermodulation are at the theoretical limits. The owner may rest assured that we have
incorporated any presently known advance. We guarantee that the deviation of
technical data from one unit to the next is less than one percent.
A short explanation of the nomenclature of the 808 MK5:
The design of the original system was concluded in August of 1980 (=80/8). Since then,
we have kept the 808 at the edge of technological advance by incorporation the results
of our research and development into it. The present fifth incarnation (= Mark 5)
represents the leading edge of preamplifier design today. The jump from MK3 to MK5
signifies on the one hand the major advances that were incorporated into the MK5. It
also takes account of sensibilities in the Asian market where 4 is an unlucky number.
Major advances of the MK5 versus its predecessor MK3 XLR:
• Remote control option not only for input selection but also for volume control.
• A display showing the selected input as well as the volume setting.
• Six additional AUX inputs.
• Input and output for TAPE 1 are balanced.
• Major improvements to the power supply.
• The control circuits of the supply voltage have been improved and are now located
directly at the transformer and the filter capacitors in the external housing. There is
an additional filter stage for the supply voltage in the preamplifier.
• Internal wiring has been done exclusively with our proprietary BURMESTER SILVER
cable.
• The PHONO MC module has been totally re-designed and can now be switched
between balanced and unbalanced operation. In addition, dip switches on top of the
module make the mating of the system with a wide range of phono cartridges easy

The ConCepT
Owner‘s Manual 808 MK5 11
Why a balanced signal path?
In conventional stereo systems the signal flows back and forth through different
(asymmetrical or unbalanced) paths: The negative portion makes its way through the
shielding (mass) of the cable and is, therefore, prone to modulation by transformer
hum, radio interference and other electrical noise. Furthermore, the signals are very
small and are thus easily influenced by paths that vary in material, length or diameter.
By contrast, in a balanced design both signal carrying paths are identical (symmetrical).
The surrounding shielding for grounding the cable is completely separated from the
signal path. Hum and intermodulation are strongly reduced and identical conditions for
both paths ensure that even the smallest signals remain undisturbed. However, in
addition to a more complex internal layout of the components this requires three-
instead of two-pin plugs and terminals as well special cable. We have developed our
interconnects BURMESTER LILA and BURMESTER SILVER for this application. It is
manufactured exclusively for us.
Balanced interconnections have been the rule in music studios for a long time.
However, studio technology only uses balanced transformer stages with amplification
circuits that remain unbalanced. This has distinct disadvantages which we avoid by
carrying the balanced design into the first preamplification stage.
For a better understanding of the functioning and the design of the 808 MK5
explained on the following pages, please also refer to “The System” on page5
and “The Flow Chart” on page8 .

The BaSiC UniT
12
T B U
The basic unit consists of the following functions and features:
• all controls and toggle switches
• ten mounting slots for input/output modules
• two volume control knobs
• display (switchable)
• digital level display/level control
• tape loop
• input terminals
• output terminals
• IR receiver
The necessary amplification circuits are part of the modules and the power supply is
located in an external housing.
Controls and toggle switches
The desired input module can be selected with the SELECTOR knob (3). The input
signal of the selected module is always available at both output modules.
The toggle switch MONITOR/SOURCE (4) allows a comparison between the source
signal and the recorded signal while taping. A direct comparison between the
recorded signals on two separate tape recorders can be made by throwing the toggle
switch MONITOR 1/MONITOR 2 (5).
The switches OUTPUT 1 (20) and OUTPUT 2 (21) determine, which output module
feeds its signal to the output terminals, in other words, which of the connected power
amps or active speakers the preamp will drive. This makes a direct comparison
between various power amps/active speakers possible.
Switches for sources, tape loop and output are not in the signal path but activate via a
control voltage relays in the modules or in the basic unit. These relays then do the
switching. The rationale for this rather involved design is to shorten the internal signal
paths to the technically achievable minimum.
Mounting slots for the modules
The basic unit offers a total of ten mounting slots for modules:
• six for input modules
• two for output modules
• two for SYM OUT modules which are necessary to upgrade the modules OUTPUT 1
and 2 for balanced operation (see also “The Flow Chart” on page8).
CaUTion: Never plug an output module into an input slot and vice versa!

The BaSiC UniT
Owner‘s Manual 808 MK5 13
Volume controls
The two VOLUME controls (6) and (7) adjust the volume of the two modules OUTPUT 1
and OUTPUT 2, as is customary of both channels simultaneously. However, any
imbalance between left and right channel can be adjusted with the level controls (12)
and (13) on top of the input modules. Also, the level controls are not those widely used
potentiometers with metal loops wiping over an array of resistors but controls with self-
cleaning silver contacts which switch discrete, close-tolerance resistors according to
their division ratio. This guarantees identical level of both channels down to the
smallest volume. Any semiconductor effect known from potentiometers has been
excluded and the corrosion resistance has been greatly improved.
When switching the volume, a “clicking“ sound may be heard through the
loudspeakers. This is normal and no need for concern.
The Display
The display (9) indicates which signal source has been switched to the output modules.
Additionally, the right side of the display shows the selected volume (0 – 60) of the
remote-controlled volume selector if the SELECTOR knob (3) has been set to REMOTE.
Display switch (10) switches the display on or off. Note that the unit reacts with a slight
delay when this switch is thrown.
If settings of the 808 MK5 are changed with controls (3), (4) or (5) or a remote signal is
sent while the display has been switched off, it will illuminate briefly to acknowledge
the change in the settings.
Level indicator/Level control
The digital level display (22) makes it possible to adjust the input modules to an
identical level and to perfectly balance the channels. It is calibrated in volts and shows
the output voltage of the input module which has been selected with the SELECTOR
knob (3). The level display selector switch (24) toggles between left and right channel;
the level display switch (23) toggles switches the display on or off.
Adjusting a phono cartridge:
1. Connect the turntable with the 808 MK5.
2. Play an LP with a 1 kHz sinusoidal signal and a modulation of 5 cm/s to 10 cm/s.
3. Use the level controls (12) and (13) of the selected phono module to adjust both
channels, one after the other, to an identical DISPLAY readout (such as 1.0 V).
Adjusting a tape recorder:
1. Connect right input of the tape recorder with a CD player containing a test CD with
a 1 kHz sinusoidal signal.
2. Set tape recorder to ”record” and ”pause” and adjust recording level to 0 dB.
Record test signal.
3. Repeat procedure for the left channel.
4. Rewind tape and play back through the 808 MK5. Adjust both channels of the
selected tape input module to an identical DISPLAY readout (1.0 V) using the level
controls (12) and (13).

The BaSiC UniT
14
Adjusting a CD player:
1. Put test CD into the player.
2. Play 1 kHz/0 dB sinusoidal signal.
3. Adjust both channels of the selected CD input module one after the other to an
identical DISPLAY readout (1.0 V) using level controls (12) and (13).
Adjusting a tuner:
Unfortunately FM stations no longer broadcast test signals. As an alternative we
recommend using the static noise between two stations (if the tuner has a switchable
muting function) and proceed according to the last step of the phono input
adjustment.
Input terminals
The inputs PHONO (32), CD (33), TUNER (34) and TAPE 1 (35) are XLR terminals. They
may also be operated as unbalanced inputs by using adapter plugs (XLR-RCA). Also,
the dip switches on the circuit board of the modules must be reset to unbalanced
operation.
The PHONO INPUT (32) in the upper terminal array offers two RCA terminals (25) in
parallel. They can be used for unbalanced operation or for the supplied phono load
plugs to adjust for different cartridge impedances. The upper terminal array also offers
six AUX INPUTS (27) and a TAPE 2 INPUT (28) for unbalanced operation.
The inputs AUX 2 to AUX 6 are only operable in the remote modus and can be
switched by repeatedly pressing the AUX button on the remote control. Setting the
SELECTOR knob (3) to AUX only activates the AUX 1 input.
Output terminals
The outputs TAPE OUT 1 bal. (36) and TAPE OUT 2 unbal. (29) are designed to
connect to tape recorders and are driven by a tape loop stage in the basic unit. The
output impedance has been set very low. The output voltage is dependent upon the
level set with the level control on the selected input module; it is always half of the
value shown in the level display.
Power amplifiers or active speaker systems are connected to the terminals OUTPUT 1
unbal. (30) and bal. (37) or OUTPUT 2 unbal. (31) and bal. (38) respectively. These
outputs are driven by the output modules OUTPUT 1 (14) and OUTPUT 2 (15) in
unbalanced and additionally by the SYM OUT modules in balanced operation. Their
volume is adjusted with the VOLUME knobs OUTPUT 1 (6) and OUTPUT 2 (7); they can
be switched on and off with the switch (20) on OUTPUT 1 or switch (21) on OUTPUT 2
respectively. Headphones with an input impedance of >100 ohms may connected
directly to output terminals OUTPUT 1 or OUTPUT 2.
When the basic unit is switched on and the OUTPUT switches (20) and (21) have also
been set to on, the terminals REM OUT 1 (39) and REM OUT 2 (40) provide a control
voltage to switch power amplifiers or active speakers from stand-by to on – provided
they are designed for this feature.

The BaSiC UniT
Owner‘s Manual 808 MK5 15
System remote
The SYSTEM REMOTE CONTROL can control all components of our REFERENCE LINE
and TOP LINE. The system remote of the 808 MK5 controls all functions of the
SELECTOR knob (3) as well as volume and thus enables you to compare various signal
sources without leaving your listening position. For remote operation of the MK5 the
SELECTOR knob (3) must be set to REMOTE
If the 808 Mk5 has been set to remote control the following must be observed:
• The remote-controlled volume adjustment affects both, OUTPUT 1 and OUTPUT 2
because the remote volume controller is connected in series with VOLUME controls
(6) and (7).
• In general, the maximum level to which the remote can set the volume depends on
the volume level pre-set by the VOLUME knob. We recommend position 12 and use
the remote to lower the volume.
• The AUX inputs 1 – 6 can be called up in sequence by repeatedly pressing the AUX
button on the remote control.
Maximum range is achieved by pointing the hand-held remote at the IR receiver (8).
CaUTion: Before switching the 808s REMOTE function on or off, always lower the volume with
the VOLUME knob (6) and (7) to zero.

The inpUT modUleS
16
T I M
Every input module is a complete preamplifier which has been optimized for a specific
signal source. It has its own level controls for each channel. We only use highest-quality
controls with:
• ceramic body,
• corrosion protection by hermetical encasing,
• Cermet resistors in the control range,
• Metal-plated bypass of the resistors at both end of the control range which means
that in these positions the level controls function as switches and no longer as
potentiometers.
The two level controls of each input module are measured by us and selected in pairs
with a guaranteed impedance tolerance of <1%. The level controls do not have the task
to adjust for tolerances in the electronic circuitry of the 808 MK5. They are designed to
correct possible channel imbalances in signal sources and to adjust various signal
sources to the same output level. Thus, while comparing various signal sources, you
can switch from one to the other without jarring jumps in volume.
Available input modules
At present four different input modules are available:
• PHONO MM
• PHONO MC
• LINEAR
Phono modules are available as unbalanced PHONO MM (Moving Magnet) as well as
PHONO MC (Moving Coil) which is switchable between unbalanced and balanced
operation.
Linear modules with amplification are designed for all line-level sources such as
TUNER, CD, TAPE 1, TAPE 2 or AUX. These denominations are engraved on the cover
plates of these modules (custom engravings optional). The module LO-LINE (without
amplification but with level controls) is designed only for unbalanced signal sources
with an output voltage of >1 Volt and an output impedance of <200 ohms.
All line-level modules with amplification can be configurated for balanced or
unbalanced operation by two dip switches on the circuit board of the modules. To do
this, remove the four screws that hold the cover plate and pull the module carefully out
of its mounting slot by the level controls. The dip switches are located directly above
the plug connector. If they are switched to the left (dot is visible) the module is
configured for unbalanced operation. If they are switched to the right (dot is not visible)
the module has been configured for balanced operation. Please, make sure that both
switches of one module are switched to the same position.
Additionally, the gain of the module can be lowered by 3 dB. The corresponding DIP
switches are located below the module cover (see box VOLUME). If the switches are in
the position 0 dB, the signal is not attenuated. In the switch position -3 dB, the signal
gain is lowered by 3 dB. Also pay attention to the fact that both switches are in the
same position.

The inpUT modUleS
Owner‘s Manual 808 MK5 17
Interconnects / Mounting slots
To connect balanced input modules requires special interconnects with two separate
signal leads and a common shielding. For this we recommend - as for all
interconnections of your stereo system – using our proprietary cable BURMESTER LILA
3 or BURMESTER SILVER. It is available in any custom length and with any plug
combination and hook-up configuration, including a separate tonearm mass cable.
Consult your dealer and our ACCESSORIES price list.
Basically, any input module will function on any of the six mounting slots. However, you
should keep the following in mind:
• The phono module should located in the mounting slot PHONO 1 because it is the
only one with parallel jacks for adapter plugs.
• All linear modules contain a tape loop but it is only functional in the mounting slots
TAPE 1 and TAPE 2.
• The AUX module can be used in any of the six mounting slots but only in unbalanced
operation. Since balanced operation is not possible the dip switches of the AUX
module must be set to unbalanced. The level control of the AUX module affects all
six AUX inputs.
• The TAPE 2 mounting slot is also designed for unbalanced operation only. The dip
switches of this module, too, must be set to unbalanced operation.
Adapter plugs
XLR-RCA. If all AUX inputs (27) are used for unbalanced signal sources it is possible to
connect unbalanced signal sources also to XLR terminals by using adapter plugs. In this
case the dip switches of the respective input module must be set to unbalanced
operation.

The SUrroUnd ThrUpUT modUle
18
T S T M
Functional principle:
With the Surround Thruput Module the 808 Mk 5 preamp can easily integrate surround
components into a stereo system. To this end the XLR input TAPE 1 (35) located on the
rear panel may be used to connect the two front channels of a surround decoder /
processor. After turning on the Surround Thruput Module with the switch, the red
“SURR“ LED will light up. The signals are now independently slaved through directly to
the XLR sockets from the OUT 1 output (37) on the rear panel of the device, thereby
bypassing the volume control plus all gain stages.
The volume level of the two front channels is now controlled via the connected
surround decoder / processor.
SURR
ON
OFF
Operation:
Set the switch to “ON“ to activate the surround function.
ªThe LED on the module lights up red. While in Surround
mode all functions on the 808 (like input selection /
volume control) will be disabled. The voltage indicator
(22) goes off and the central display (9) reads
SURROUND.
To turn off the Surround function, set the switch to “OFF“.
ªThe LED on the module goes off. All functions on the
808 (like input selection / volume control) are enabled
again.
Caution:
While in this setting never connect a device without a level control of its own, since
otherwise your ears and devices might be damaged!
CAUTION
High-intensity sound
Loud output signals may cause a permanent damage to both your hearing and your
device.
►Only connect devices with a proprietary volume control to this input when the
Surround Thruput function is active. Since the signals are fed to the MAIN output at
full level in this mode, this may cause considerable damage to both your ears and
your system.
►When changing between modes, turn down the volume level controls (6) and (7).
Note:
If your surround processor has only unbalanced outputs, the balanced TAPE 1 input
may be employed for unbalanced connections using XLR to phono adapters. The
required XLR to phono adapters are available at your specialised retailer.

The phono modUle 808mC3 (opTional)
Owner‘s Manual 808 MK5 19
T P M MC ()
Impedance loading:
Bank of dip switches for adapting the PHONO MC3 module to the system impedance
of a wide range of phono cartridges.
The input capacitance of the PHONO MC3 module is 3.3 nF (unbalanced operation)
and 6.6 nF (balanced operation).
SW1 left channel
SW2 right channel
Switch position ON: visible dot
Switch Input resistance
all OFF 47 kΩ
1 ON 510 Ω
2 ON 220 Ω
1+2 ON 150 Ω
3 ON 100 Ω
1+3 ON 82 Ω
2+3 ON 68 Ω
4 ON 47 Ω
3+4 ON 33 Ω
all ON 27 Ω
Balanced operation:
For balanced operation (BAL) the switches B_L (left channel) and B_R (right channel)
must be switched to BAL position.
Unbalanced operation:
For unbalanced operation (UNBAL) the switches B_L (left channel) and B_R (right
channel) must be switched to UNBAL position.

The phono modUle 808mm2 (opTional)
20
T P M MM ()
Impedance loading:
Bank of dip switches for adapting the PHONO MM2 module to the system impedance
of a wide range of phono cartridges.
The input resistance of the PHONO MM2 module is 47 kΩ.
SW1 left channel
SW2 right channel
Switch position ON: visible dot
Switch Input capacitance
all OFF 47 pF
1 ON 100 pF
3 ON 120 pF
1+2 ON 150 pF
1+3 ON 180 pF
4 ON 220 pF
3+4 ON 270 pF
1+3+4 ON 330 pF
all ON 390 pF
On technical reasons, the PHONO MM2 is only for unbalanced operation.
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